POPULARITY
커튼콜 258회에서는 국립발레단이 다음 달 공연하는 발레 '카멜리아 레이디'를 무용 평론가 정옥희 씨와 함께 집중 탐구합니다. '카멜리아 레이디'는 '발레계의 교황'으로 불리는 거장 존 노이마이어가 1978년에 슈투트가르트 발레단을 위해 처음 안무한 드라마 발레입니다. 쇼팽의 피아노 음악에 안무한 이 작품은 초연 이후 많은 세월이 흘렀지만, 지금도 전 세계에서 사랑받는 걸작입니다. 특히 강수진 국립발레단장과는 특별한 인연이 있는데요, 강수진 단장은 슈투트가르트 발레단 재직시 이 작품으로 동양인 최초로 브누아 드 라 당스 상을 받았습니다. 국립발레단의 무용수들이 공연할 '카멜리아 레이디'의 매력과 감상포인트를 정옥희 씨와 함께 자세히 알아봅니다. 여주인공 마르그리트의 의상 색깔에 따라 퍼플, 화이트, 블랙 파드되로 불리는 주인공들의 2인무도 함께 감상해 봅니다. 유튜브 재생목록 '김수현 문화전문기자의 커튼콜'을 추가해 보세요. https://han.gl/3YIq8 ♬ 퍼플 파드되 - Chopin, Piano Concerto No.2 in F minor Op.21 ♬ 화이트 파드되 - Chopin: Piano Sonata No. 3 In B Minor, Op. 58 ♬ 블랙 파드되 - Ballade No.1 in G minor, Op. 23 진행: SBS 김수현 문화전문기자, 이병희 아나운서 l 출연: 무용평론가 정옥희 l 글·편집 : 김은혜 PD
Jed discusses recordings of Brahms' Ballades Op. 10. Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to 1973 Lugano performance with Arturo Benedetti Michelangeli - https://www.youtube.com/watch?v=z7S19Ew-fv8Link to live performance with Emil Gilels - https://www.youtube.com/watch?v=VJwLU4EmZjELink to Ballade No. 4 with Arthur Rubinstein - https://www.youtube.com/watch?v=ky6HBfnrXS4Link to Jonathan Plowright's recording - https://www.prestomusic.com/classical/products/8261243--brahms-works-for-solo-piano-volume-4Link to Glenn Gould's complete recording sessions for the Ballades Op. 10 and Rhapsodies Op. 79 - https://www.youtube.com/watch?v=NOTsc-Z2BIE
On this week's episode of Inside the Music, Derek looks at the programmatic works of Franz Liszt drawn from famous texts and legends through live CRC performances from pianists Dubravka Tomsic and Emanuel Ax.Vallée d'Obermann from Années de pèlerinage, Première année: SuisseEmanuel Ax [1/25/2009 performance]Legend No. 1: St. Francis of Assisi – Sermon to the BirdsDubravka Tomsic [3/24/2000 performance]Ballade No. 2Emanuel Ax [12/2/2005 performance]Mephisto Waltz No. 1Emanuel Ax [1/25/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
In this episode of One Symphony, conductor Devin Patrick Hughes interviews acclaimed pianist and composer Marina Arsenijevic to discuss her journey that led to her latest album, Chopin Obsessions. Arsenijevic shared insights into her upbringing in former Yugoslavia, the influences that shaped her musical style, and her unwavering commitment to promoting unity through diversity. Marina Arsenijevic is as an inspiration to artists and audiences alike. Her journey of unity through diversity reminds us of the transformative power of music and its ability to bring people together, even in the most challenging of times. Growing up in a communist country, Arsenijevic was exposed to a wide range of musical genres, from Western pop to traditional Balkan music, which would later play a significant role in shaping her unique compositional style. As the disintegration of Yugoslavia began in the early 1990s, Arsenijevic found solace in her music. She recognized the power of music to transcend borders and bring people together, even in the face of conflict and adversity. “I wanted to show our common humanity through history, culture, through music, so I started to blend diverse melodies and rhythms to unite us,” she explained. Arsenijevic's commitment to promoting unity through diversity led to the creation of her PBS special, Marina at West Point: Unity Through Diversity. The concert, which featured the West Point Chorus and Band, showcased a diverse range of musical styles and pieces from Gershwin's Rhapsody in Blue to Freddie Mercury's "Bohemian Rhapsody" alongside Arsenijevic's own compositions. The special aimed to share Arsenijevic's message with a wider audience. During the interview, Arsenijevic also discussed her latest album, Chopin Obsessions. She discussed the influence of Chopin's relationships with aristocratic women on his compositions and the evolution of his musical style throughout his career. Arsenijevic also drew parallels between Chopin and other composers of the Romantic Era. When asked about her advice for young composers and pianists, Arsenijevic emphasized the importance of using one's own cultural background and traditional music. She encouraged artists to explore the melodies and rhythms of their heritage and incorporate them into their compositions. MARINA ARSENIJEVIC is an international award-winning pianist and composer, star of the Emmy-nominated Public Television program, “Marina at West Point: Unity through Diversity”which has been broadcast to more than 170 Million viewers on PBS Stations all across the country. Marina created the program and performed with the 120-member joint ensemble of the West Point Band and West Point Cadet Glee Club. The Concert was recorded live at West Point's historic Eisenhower Hall and as of 2020 become one of the longest running single concerts at PBS TV Network. Thank you for joining us on One Symphony. Thanks to Marina Arsenijevic for sharing her music and performances. You can find more info at https://www.marinainamerica.com/home The following music was heard on today's episode: “A Piece of My Sky” composed and performed by Marina Arsenijevic. “Gypsy Suite” from the album My Balkan Soul, composed and performed by Marina Arsenijevic available from KM Records. “Armed Forces Medley” performed by Marina with the West Point Cadet Glee Club and the West Point Band from the PBS special Marina at West Point: Unity Through Diversity. The cadenza and finale from Tesla Rhapsody, composed by Marina made possible by the Gold Spirit Award from the Tesla Science Foundation. Chopin's Waltz in A-flat Major op 42, Fantaisie-impromptu, Op.66, and Ballade No. 1 in G minor, performed by Marina on the album Chopin Obsession available from United World Bravo Music. “Homolje” from the album Balkan Sounds. Composed and performed by Marina Arsenijevic and the Servian Chamber Orchestra and Chorus. Arranged by Zoran Hristic. Available from United World Bravo Music. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.marinainamerica.com/performances https://www.priceattractions.com/devin-patrick-hughes-conductor
Pianist and composer Marina Arsenijevic (arson-nee-vitch) offers a Valentine tribute to Frédéric Chopin with her album Chopin Obsession, and she speaks with Mary Claire Murphy on how, as someone who has lived through the turmoil of war, she deeply resonates with the music. Through Chopin Obsession, she gives us a window into the nuanced emotions of Chopin's waltzes, his Ballade No. 1, and more.
Jesus Ministries, Joan Boney ... The ministers of God for the New Testament church: Ephesians 4 8 Wherefore HE saith, When HE ascended up on high, HE led captivity captive, and gave gifts unto men. (From heaven, Jesus called HIS ministers and set them into the body of Christ as gifts to the church for the work of the ministry, to edify the body, to sound warnings as needed.) 11 And HE gave some, apostles; and some, prophets; and some, evangelists; and some, pastors and teachers; 12 For the perfecting of the saints, for the work of the ministry, for the edifying of the body of Christ: 13 Till we all come in the unity of the faith, and of the knowledge of the Son of God, unto a perfect man, unto the measure of the stature of the fulness of Christ: 14 That we henceforth be no more children, tossed to and fro, and carried about with every wind of doctrine, by the sleight of men, and cunning craftiness, whereby they lie in wait to deceive; 15 But speaking the truth in love, may grow up into HIM in all things, which is the head, even Christ: 16 From whom the whole body fitly joined together and compacted by that which every joint supplieth, according to the effectual working in the measure of every part, maketh increase of the body unto the edifying of itself in love.
Jesus Ministries, Joan Boney ... Numbers 1 1 And the LORD spake unto Moses in the wilderness of Sinai, in the tabernacle of the congregation, on the first day of the second month, in the second year after they were come out of the land of Egypt, saying, 2 Take ye the sum of all the congregation of the children of Israel, after their families, by the house of their fathers, with the number of their names, every male by their polls; 3 From twenty years old and upward, all that are able to go forth to war in Israel: thou and Aaron shall number them by their armies. 4 And with you there shall be a man of every tribe; every one head of the house of his fathers.
Over the past year, the federal reserve has raised interest rates repeatedly in its attempt to curb inflation. On this week's On The Media, is greed to blame for our inflation woes? Plus, how a century-long PR campaign taught Americans to love the free market and loathe their own government. 1. Lydia DePillis [@lydiadepillis], economy reporter at The New York Times, on what "greedflation" actually is. Listen. 2. Naomi Oreskes [@NaomiOreskes], professor of the history of science at Harvard University and the co-author, with Erik M. Conway, of “The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market,” on century-old PR campaign, conducted by big business, to imbue Americans with a quasi-religious belief in the free market. Listen. 3. China Miéville, a speculative fiction writer and author of the recent book, "A Spectre, Haunting: On the Communist Manifesto," on the ebb and flow of the text's popularity through the decades, and what we might draw from it today. Listen.Music:Nocturne No.1 in B-Flat Major Op.9. No1 (Chopin) - Ivan MoravecBallade No. 2 in F, Op. 38 (Chopin) - Maurizio PolliniMarch for the 3rd Regiment of Foot - Liberty Tree Wind PlayersThe New East Louis Toodle-Oo (Duke Ellington)The People United Will Never Be Defeated - Carla Bley, Charlie Haden, Don CherryStolen Moments - Ahmad Jamal Trio
Synopsis In Cockney rhyming slang, being “Brahms and Liszt” means being tipsy. But in the latter 19th century, “Brahms and Liszt” signified opposite schools of contemporary music. Oddly enough, it was the younger Brahms, who represented the more conservative, traditionally structured side of the spectrum, while the older Liszt, represented a freer, less structured style, dubbed “the music of the future.” Brahms and Liszt first met on today's date in 1853, when Liszt was 41 and Brahms 20. The American composer and pianist William Mason was present at the meeting, which took place at Liszt's home in Weimar, and recalled the encounter in his memoirs. Liszt read at sight one of Brahms' early piano pieces and praised the young composer's work. When pressed for some of his own music, Liszt began playing his recently completed Sonata in B-Minor. Midway through the piece it became embarrassingly apparent that Brahms had fallen asleep in his chair. Maybe it was the summer heat, perhaps sleep deprivation – or maybe, as some must have thought at the time, Brahms was just bored. In any case, Liszt was understandably miffed, and after finishing his Sonata, rose from the piano and left the room without a word. Music Played in Today's Program Johannes Brahms (1833 - 1897) Ballade No. 3, Op. 10 Lars Vogt, piano EMI 57125 Franz Liszt (1811 - 1886) Piano Sonata in b Jeno Jando, piano Naxos 8.550510
Esther Park shares about her educational journey from Juilliard Pre-College to Germany to Yale, her experience preparing for international competitions, and playing as a professional piano duo with her sister. At the conclusion of the interview, Esther Park shares a performance of Chopin's Ballade No. 2 in F major, Op. 38.
The Supreme Court heard two cases this week that could upend Silicon Valley. On this week's On The Media, a look at the fragile law holding the modern internet together. Plus, how a century-long PR campaign taught Americans to love the free market and loathe their own government. 1. Emily Birnbaum [@birnbaum_e], tech lobbying reporter with Bloomberg, Mark Joseph Stern [@mjs_DC], senior writer at Slate, and Emma Llanso [@ellanso], director of the Free Expression Project at the Center for Democracy and Technology, on two cases argued in front of the Supreme Court this week and how they could impact the future of the internet. Listen. 2. Naomi Oreskes [@NaomiOreskes], professor of the history of science at Harvard University and the co-author, with Erik M. Conway, of “The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market,” on century-old PR campaign, conducted by big business, to imbue Americans with a quasi-religious belief in the free market. Listen. 3. China Miéville, a speculative fiction writer and author of the recent book, "A Spectre, Haunting: On the Communist Manifesto," on the ebb and flow of the text's popularity through the decades, and what we might draw from it today. Listen.Music:Nocturne No.1 in B-Flat Major Op.9. No1 (Chopin) - Ivan MoravecBallade No. 2 in F, Op. 38 (Chopin) - Maurizio PolliniMarch for the 3rd Regiment of Foot - Liberty Tree Wind Players The New East Louis Toodle-Oo (Duke Ellington) The People United Will Never Be Defeated - Carla Bley, Charlie Haden, Don Cherry Stolen Moments - Ahmad Jamal Trio
Donald Macleod explores Chopin and his relationship with novelist George Sand, from their first meetings to their fractious end. Early in 1837, Franz Liszt introduced Chopin to a woman who would have a profound influence on his life. Her name was George Sand and Chopin's relationship with the novelist would go on to stretch for almost a decade and prove to be the longest romantic bond of the composer's life, and a defining creative relationship for both of them. Over the course of this week, Donald Macleod explores the intertwined lives of these two key figures in French romantic-era life. Music Featured: Impromptu No 1 in A-flat major, Op 29 Piano Concerto No 2 in F minor, Op 21 (1st mvt) Ballade No 1 in G minor, Op 23 Nocturne, Op 37, No 12 Preludes, Op 28, No 2 Ballade no 2 in F major, Op 38 Polonaise in C minor, Op 40, No 2 Minute Waltz, Op 64, No 1 Nocturne in C minor, Op 48, No 1 Sonata No 3 in B minor, Op 58 (1st mvt) Ballade No 3 in A flat major, Op 47 Wiosna (Spring), Op 74, No 2 Mazurka No 51 in F minor, Op 68, No 4 Cello Sonata in G minor, Op 65 (2nd mvt) Barcarolle in F-sharp major, Op 60 Piano Concerto No 1 in E minor, Op 11 (2nd mvt) Waltz in C-sharp minor, Op 64, No 2 Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fryderyk Chopin (1810-1849) https://www.bbc.co.uk/programmes/m001fdx8 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Chopin's 1st Ballade in G minor has a special place in the hearts of many pianists and piano lovers. It has many characters who all speak directly and poignantly, and Chopin lets them evolve organically within the Ballade. It's a story without any explicit drama, but with intense dramatic content nevertheless. And it's especially one chord that sets the tone. With pianist Henrik Kilhamn. Video: https://youtu.be/7kfJvpODcXM
Summary: "Nothing matters." This week we have our minds blown by the spectacular film Everything Everywhere All At Once. Also discussed: caftans, Lizzo's new album, and Yuzuru Hanyu's retirement. Show notes: Taiwanese laundry-modeling grandparents are surprise Instagram hit (BBC) ‘Everything Everywhere All At Once' Getting Theatrical Re-Release With Eight Extra Minutes (Deadline) Recommendations: Andrea G.: Yuzuru Hanyu performs to Chopin's Ballade No 1 at PyeongChang 2018 a.k.a. the best figure skating performance in the history of the sport (YouTube) Andrea W.: Special by Lizzo (music) Lisa: Janeane Garofalo Never Sold Out. What a Relief. (NYTimes) Music credits: "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License "Vivacity" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.
Roman Rabinovich performs Chopin's Ballade No. 4 Op. 52.
Where are all the great Black pianists? Michelle Cann is one of the best. And she's determined to help shift the musical landscape to include many more pianists of color in the coming generations. On the season two finale of the HearTOGETHER Podcast, pianist Michelle Cann joins host Tori Marchiony for an intimate conversation about the nature of competition, expressing something transcendent in music, and the importance of mentorship for up-and-comers. MUSIC, performed by Michelle CannBACH, SarabandePRICE, Sonata in E MinorCHOPIN, Ballade No.3 in A-flat Major, Op.47PRICE, Piano Concerto in One Movement with The Philadelphia OrchestraMixed by Teng ChenEditorial Council, Noel Dior & Tim German
Frédéric Chopin wrote his Ballade no. 1 in G minor, Op. 23, in 1831. During those years he had taken residence in Vienna, and as the war between his native land and the Russian Empire grew longer so did his music become increasingly dramatic, a reflection of his feelings of loneliness and alienation. The Ballade no. 1 wasn't published until Chopin moved to Paris, where he dedicated it to Baron Nathaniel von Stockhausen. Chopin may be said to be the creator of the Ballade as a distinct genre, inspiring many musicians (such as Liszt and Brahms) to write their own Ballades. Though the pieces seem to be entirely different between them, analysts have shown that the Ballades share a number of traits, like a mirror reexposition (where the order of the first and second themes are inverted), and the so called ballade meter (a 6/8 or 6/4 meter). The Ballade no. 1 in G minor is one of the more popular Chopin pieces. being prominently featured in the 2002 Roman Polanski film The Pianist.
本期是《对话张昊辰》的下半集,继续和弹钢琴的张昊辰一起聊天。 在上期节目中,张昊辰分享了自己的成长历程,和他对于演奏者、钢琴家、作曲家不同身份的理解,以及绘画和写作如何帮助他表达。 在接下来的对话中,他将从更宏观的视角,谈谈古典音乐与社会批判之间的距离、古典音乐的智性属性、古典音乐与通俗音乐的跨界,以及在媒介变化的背景下古典音乐现场表演的意义…… 本期嘉宾 张昊辰 | 钢琴演奏者 内容提要 03:44 音乐会中作品与作品"之间"藏有很多想象 12:56 古典音乐的意义或许在于它不介入生活 15:30 当古典音乐响起时,出场的总是反派 27:57 媒介的变化与现场演奏的意义 36:45 录专辑CD的目的 39:26 古典音乐满足了人们的智性需求 47:20 古典音乐有可能再次变得流行吗? 58:00 东方演奏者演绎西方古典音乐不再遭受质疑 推荐书目 《游艺黑白——世界钢琴家访问录》焦元溥 *张昊辰新书即将于2022年出版,敬请期待
Seth Thomas holds a Master of Music degree in piano performance. He believes that an efficient technique is key to enabling students of all ages and ability levels to achieve their full musical potential. His education and experience with the Taubman Approach and Alexander Technique allows him to help his students avoid fatigue and injury at the piano. Seth Thomas has been playing the piano since the age of 7. Throughout high school, he studied with Thea Hoekman and Carolyn Steinberg. Mr. Thomas holds an Associate of Arts degree in music (summa cum laude) from Collin College, where he studied with Dr. Brian Allison. He also holds a Bachelor of Music degree in piano performance (magna cum laude) from the University of Texas at Tyler, where he studied with Vicki Conway. During his time at UT Tyler, he was the recipient of numerous music and academic scholarships. In May 2016, he graduated with honors with a Master of Music degree in piano performance from Cleveland State University, under the instruction of Dr. Angelin Chang and Ms. Joela Jones. Mr. Thomas has also studied with Sheila Paige and has played in master-classes presented by Ms. Paige at the Keyboard Wellness. He has also performed in masterclasses with Dr. Christopher Fisher, Ann Saslav, and Spencer Myer. Mr. Thomas is an active private piano instructor in the DFW area. He has served as an adjunct instructor at The University of Texas at Tyler, where he taught Harmony and Keyboard. He helps piano students of all ages recover from and avoid fatigue and injury at the piano through efficient movement. Top 5 Songs of Encouragement1) Mahalia Jackson, "No Night There"https://www.youtube.com/watch?v=gE9nr1ga-cA2) Jesse Norman, "You'll Never Walk Alone"https://www.youtube.com/watch?v=709TjFmoKAs3) Judy Garland, "Happy Days are Here Again"https://www.youtube.com/watch?v=21stJ1vWKvA4) Anne Shein performing Chopin's "Ballade No. 4 in F minor, No. 52" https://www.youtube.com/watch?v=cyKaruP_4Ls5) David Archuletta, "Christmas Everyday"https://www.youtube.com/watch?v=G0QuvuTEGiUKeep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show (https://www.buymeacoffee.com/Encouragement)
211101 with 클래식 선곡표 [Sig] OST Do you like Brahms [Classic] 쇼팽, 발라드 3번 (Chopin, Ballade No.3 In A-Flat Major, Op.47) 바흐, 샤콘느 (Bach, Violin Partita No. 2 in D Minor, Chaconne, BWV 1004) 베토벤, 월광 소나타 2, 3악장 (Beethoven, Piano Sonata No.14 “Moonlight” Mov.2,3) [BGM] 슈만, 트로이메라이 (Schumann, Traumerei) OST traumerei : 꿈 (Main theme) OST raffrenando : 속도를 억제하면서 OST 태연, 내일은 고백할게
Frederic Chopin - Ballade No. 4 Helene Tysman, piano More info about today's track: Oehms OC894 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic
We've got a masterpiece to share with you this week: Frédéric Chopin's Ballade No. 4 in F minor Op. 52, performed by Semifinalist Tzu-Yin Huang. Ballade No. 4 is often considered the pinnacle of Chopin's music for solo piano. You'll hear a wide range of emotions from pathos to heroism, all wrapped up in beautiful melodies, dramatic key changes, and some of the finest writing for the piano. When you listen, it might be helpful to think about the ballade form in romantic literature—a dramatic narrative often based on legend or history. Chopin tells a story in this music, he just doesn't tell us what it is! For that, you'll need to use your imagination.- Watch the video edition of this excerpt at honens.com/home.
Jacques Sagot. Frédéric François Chopin (1810-1849) Fue un profesor, compositor y virtuoso pianista polaco, considerado uno de los más importantes de la historia y uno de los mayores representantes del Romanticismo musical. Jacques Sagot interpreta del compositor Frédéric Chopin: Waltz in A minor, Op 34, No. 2 Ballade No. 1 in G minor. Op 23 #larevistacr www.larevista.cr
Frédéric Chopin's Ballade No. 1 in G Minor was revolutionary for its time, and remains a jewel of the piano repertoire today. Touching on everything from Bellini to Cole Porter, poetry to politics, this episode reveals the potency of the piece's opening measures through the eyes (and hands) of acclaimed concert pianists Garrick Ohlsson, Emanuel Ax, Rebecca Penneys, Jerome Lowenthal, Gary Graffman, and Seymour Bernstein. Hosted and created by Lowry Yankwich. Produced by Benjamin Laude, tonebase.
A lot has been made of our decrepit electrical grid. No words, however, are as powerful as Texas's experience just a month ago. In this podcast, I explore an old technology, batteries, which are now undergoing quite a technological revolution. Batteries promise to provide the stability that is so needed, as we wean ourselves from fossil fuels. In this podcast, we learn about the lithium ion battery as well as two other technologies that hold great promise.Today's music is once again provided by F. Chopin as I make a valiant effort to channel his Ballade No. 1.This coming Saturday, I'm selling chocolates at the town market and the following Wednesday, my African truffles will be available for sale at Cordes au Bas, a store dedicated to local products.
In Clever Gretel, a free-wheeling cook throws a party for herself at her master's expense. After she’s eaten all his chicken and drunk all his wine, Gretel’s master returns home ready for dinner… But our clever heroine plays those above her like a fiddle, and easily gets herself out of trouble. Join us as we try to dissect the mayhem and enjoy a story from The One Thousand and One Nights (aka The Arabian Nights). Twitter Facebook Instagram Patreon grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Chopin's Etude Op. 25 no. 8 in D flat major - 'Sixths' // Beethoven's Sonata No. 8 in C Minor 'Pathétique' // Nikolai Rimsky-Korsakov's Scheherazade: The Young Prince and the Princess // Chopin's Ballade No. 1 in G minor, Op. 23.2
To leave a voice or a written comment, please go to Jeeyoon's WebsiteJoin me my 30x3 Virtual Concert, Tickets can be purchased herehttps://jyk.ticketleap.com/30x3-virtual-concerts/Please consider to be a supporter of the show and Jeeyoon’s mission of spreading a beauty of classical music to the world! Please go to http://www.patreon.com/journeythroughclassicalpianoTo take my new course, "The Secrets of How to Memorize Music" on Skillshare for free, please use this link https://skl.sh/2OM5yOl You can 'see' me on my YouTube Channel-> Jeeyoon’s YouTube Channel Subscribe to my newsletter and be my friends! I write bi-weekly newsletter with some thoughts, life lessons and interesting articles I discovered during those weeks. http://www.pianistnewsletter.comJeeyoon's official website; http://www.jeeyoonkim.comInstagram: http://www.instagram.com/jeeyoonkimpianistFacebook: http://www.facebook.com/jeeyoonkimpianist Twitter: https://twitter.com/jeeyoon_pianistTo buy Jeeyoon's albums, "10 More Minutes" and "Over. Above. Beyond.": (If you order from this link, I will personally sign it for you and send it to you!) http://www.jeeyoonkim.com/shopSupport the show (http://www.patreon.com/journeythroughclassicalpiano)
In this episode, BBC Music Magazine’s editor Oliver Condy talks to the former Guardian editor and now principal of Lady Margaret Hall, Oxford, Alan Rusbridger.While the editor of a national paper during the Arab Spring, Wikileaks controversies, the newspaper hacking scandal, riots in the UK and more, Alan Rusbridger found time to learn and perform Chopin’s Ballade No. 1, a feat he describes in his book Play It Again: An Amateur Against the Impossible.Recordings featured:Chopin: Ballade No. 1Murray Perahia (piano)Sony Classical Britten: Young Person’s Guide to the OrchestraNew York Philharmonic/Leonard BernsteinSony Classical Bach arr. Busoni: Nun komm, der Heiden HeilandAlfred Brendel (piano)Decca Beethoven: String Quartet in C-sharp minor, Op. 131Takacs QuartetDecca Schubert: Variations on an Original ThemeAndreas Staier & Alexander Melnikov (piano)Harmonia Mundi See acast.com/privacy for privacy and opt-out information.
Episode 514 - The Picture of Dorian Gray - Part 1 Listen on Patreon It's finally time to unveil THE PICTURE OF DORIAN GRAY by Oscar Wilde! We're joined by a special guest - television writer and Skins creator Jamie Brittain! Exquisite thanks to reader Greig Johnson! Music in this episode: Ballade No.1 Op.23 by Chopin and In the Dark by Bix Beiderbecke.
Episode 514 - The Picture of Dorian Gray - Part 1 Listen on Patreon It's finally time to unveil THE PICTURE OF DORIAN GRAY by Oscar Wilde! We're joined by a special guest - television writer and Skins creator Jamie Brittain! Exquisite thanks to reader Greig Johnson! Music in this episode: Ballade No.1 Op.23 by Chopin and In the Dark by Bix Beiderbecke.
Mit Anfang 20 kommt Chopin als Flüchtling nach Paris. Aufgewühlt von den Nachrichten aus der polnischen Heimat, wo die russischen Besatzer einen Aufstand blutig niederschlagen, beginnt er mit der Arbeit an seiner Ballade. Ein pianistischer Meilenstein, der mit seiner kühnen Harmonik Richard Wagner vorwegnimmt. (Autor: Lohse)
Started from the bottom, now we here. Maansi and Garret tell their life stories to set the stage for the rest of the podcast.Piano sample at 1:35 is Ballade No. 3 in Ab Major, Op. 47 (Frederic Chopin), performed by our very own Maansi Desai.Thanks as always to Riohso for our intro and outro music: https://soundcloud.com/riohsoFollow us on Twitter: https://twitter.com/brainwaves_castGot questions? Send us an email at brainwaves.neurocomm [at] gmail.com
Ballade No. 1 in G Minor, Op. 23 by Snowmass Chapel
This week we have soprano Emilia Bertolini performing the works of Mozart, Handel and Vaughan Williams, as well as pianist Joy Xi playing Rachmaninoff’s Études-Tableaux Op. 33 No. 3 and Chopin's Ballade No.3. Joining us on the panel are our resident mentor, Vanessa Sharman, and baritone, Christopher Tonkins. Don't forget to subscribe to The Talent so you never miss an episode, and vote for your favourite performance our website at thetalent3mbs.com
Our latest episode features JUO, Joshua Dema on the cello and Joyce Chahine on the piano, performing the first and second movements of Cello Sonata in A minor by Grieg, as well as pianist James He and his performance of Bach’s Prelude and Fugue No.1 in C Major and Chopin’s Ballade No.1 in G minor. We are joined by our guest mentor and cellist Josephine Vains. Don't forget to like and subscribe to the podcast to keep up to date with The Talent!
Our latest episode features JUO, Joshua Dema on the cello and Joyce Chahine on the piano, performing the first and second movements of Cello Sonata in A minor by Grieg, as well as pianist James He and his performance of Bach’s Prelude and Fugue No.1 in C Major and Chopin’s Ballade No.1 in G minor. We are joined by our guest mentor and cellist Josephine Vains. Don't forget to like and subscribe to the podcast to keep up to date with The Talent!
In this week's news wrap-up, Podcast Editor Emerson Malone and Senior News Editor Max Thornberry talk about the Unthank-ful new dormitory name; how UO is starting to address IT issues on campus and then we close with some Yelp reviews of the Domino's on Franklin Boulevard, which has been officially purchased by the university so construction on the Knight Campus can begin in the fall. This episode was produced by Emerson Malone. Our theme music was written by Evan DuPell. We also include a recording of Frederic Chopin's "Ballade No. 2 in F Major, Op. 38" as performed by Frank Levy.
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情,释放你的压力,找到你的共鸣!
Former editor-in-chief of The Guardian and a keen amateur pianist, Alan Rusbridger's book “Play It Again” recounts how he learned Chopin’s Ballade No. 1 during a year bookended by Wikileaks and the News of the World phone-hacking scandal. Together with NYPL’s Paul Holdengraber, Rusbridger discusses music, the Pentagon Papers, and why he always carries a destroyed government hard drive in his breast pocket.
Work for solo piano by Liszt performed by Martina Filjak on April 8, 2012. Work for string orchestra by Grieg performed by A Far Cry on September 22, 2013.Liszt: Ballade No. 2 in B minorGrieg: Holberg SuiteBoth of the works on today’s program have literary roots.We begin with Franz Liszt’s virtuosic Ballade No. 2 in B minor, a piece thought to have been inspired by the German author Gottfried Bürger’s influential poetic ballad Lenore. The piece embodies a similar sense of drama, and the ominous beginning is very much in keeping with the suspenseful emotional climate of the poem. We’ll hear it performed by Martina Filjak, a Croatian pianist.Next, we’ll hear a piece that was dedicated outright to an important writer: Edvard Grieg’s Holberg Suite for String Orchestra, opus 40. Grieg had been commissioned to write a work in celebration of the 200th anniversary of the birth of Ludvig Holberg, one of the most important forefathers of modern Danish and Norweigian literature.In response, Grieg wrote this piece, subtitled “From Holberg’s Time,” intended as an evocation of the music of the Baroque. Grieg’s piece is modeled on a Baroque keyboard suite and though originally composed for piano, we’ll hear the version that Grieg adapted for strings, performed by A Far Cry.First, the Liszt Ballade.
Ballade No. 1, Op.23 - Frédéric Chopin (1810–1849) Pianist: Ryo Fukaura, UCL medical student, playing the piece from memory, in the Peter Samuel Hall at the Royal Free Hospital. soundcloud.com/uclsound/sets/ryo-fukaura-piano UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at http://ucl.ac.uk.
Can you guess this piece? Here's a hint: playing on the keys of history…
Can you guess this piece? Here’s a hint: playing on the keys of history…
Classical music with drum composed by F. Chopin. Follow the item link to download the MIDI file, to view video clips or to buy an available album. Follow the item link to listen to extracts or to buy the WhmSoft "Electric Guitar with Drum and Cymbal" electronic music album.
Series exploring famous pieces of music and their emotional appeal. Pianist Peter Donohoe is one of many people whose lives have been shaped and changed by hearing and playing this technically demanding, emotionally turbulent piece of music.
A ballad tells a story, and this popular literary form was appropriated by Romantic composers into songs. Carol explains how the ballad was transformed by Chopin into solo piano works. Works Discussed: Chopin, Ballade No. 4 in F Minor; Chopin, Impromptu No. 2; Schiller, Der Taucher (The Diver).