Podcasts about cookie mueller

durée : 00:03:31 - Le Regard culturel - par : Lucile Commeaux - Les éditions Finitude font paraître deux petits opus de textes signés Cookie Mueller, égérie du New York underground des années soixante-dix et quatre-vingts, des livres saisissants de drôlerie.

Actor and Sundance Festival Filmmaker, Bridey Elliott joins Joshua to discuss self help, the people who believe dolphins are aliens, NASA experiments gone wrong, and how Bridey throws away every journal she ever finishes. Their book conversation ranges from parasocial relationships, a lesbian psychosexual love affair in the novel “Big Swiss” to the short fiery life and memoir of author Cookie Mueller, all the way out to the spiritual watery depths of a dolphin lover named Joan Ocean who Bridey went and visited in Hawaii after reading a book featuring her. They also read listener book recommendations at the end! TW: Book plot description of Big Swiss briefly mentions SABooks Talked About Include:Five Personality Patterns byt Steven KesslerVoices in the Ocean by Susan CaseyWalking Through Clear Water in a Pool Painted Black by Cookie Mueller MemoirBig Swiss by Jen BeaginKinship with All of Life J. Allen Boone Hosted on Acast. See acast.com/privacy for more information.

¿Es el mejor día del año? Es el mejor día del año. Las amiguers que han pasado este año por el estudio como entrevistadas y colaboradoras se vienen a prescribir libros. Apunta, porque Pol Guasch, Júlia Bertran, Mar García Puig, Ana Ramírez, Marcos Bartolomé, Christo Casas, Núria Gómez Gabriel y nuestra añorada Andrea Gumes tienen recomendaciones nada obvias. Además, hablamos de vividoras escribientes como Eve Babitz y Cookie Mueller y de novelas de gineceos, las mejores novelas.

Amelia Abraham is a journalist and author. She has worked as an editor for VICE, Refinery29 and Dazed, and writes for The Guardian, British Vogue, and many other publications. Amelia edited ‘We can do better than this: 35 voices of LGBTQ+ rights' and her first book ‘Queer Intentions' is a first-person exploration of the mainstream of queer culture across the West.Amelia's favourite book is ‘Walking through clear water in a pool painted black' by Cookie Mueller. Writers mentioned:Edouard Louis, Constance Debre, Sheila Heti, Annie Ernaux, Travis Alabanza Books mentioned:‘The woman in me' by Britney Spears‘Down the drain' by Julia Fox

durée : 00:50:26 - Grand Canal - par : Eva Bester - La metteuse en scène Justine Heynemann évoque la personnalité marginale de Cookie Mueller, figure emblématique de la contre-culture américaine des années 70 et 80. Adulée aux États-Unis, quasi inconnue en Europe, Cookie a vécu mille vies : écrivaine, actrice, critique d'art, gogo danseuse…

Dans l'Amérique des années 1970 et 1980. Cookie Mueller, égérie de la contre-culture, traverse l'époque à 100 à l'heure. Années sida et années folles, elle côtoie Jim Morrisson, Klaus Nomi, Patti Smith entre autres. Elle renait aujourd'hui, dans la pièce Cookie, sur les planches du mythique Théâtre de La Huchette, incarnée par Éléonore Arnaud.

Dans l'Amérique des années 1970 et 1980. Cookie Mueller, égérie de la contre-culture, traverse l'époque à 100 à l'heure. Années sida et années folles, elle côtoie Jim Morrisson, Klaus Nomi, Patti Smith entre autres. Elle renait aujourd'hui, dans la pièce Cookie, sur les planches du mythique Théâtre de La Huchette, incarnée par Éléonore Arnaud.

Amos Poe is an American New York City-based director and screenwriter, described by The New York Times as a "pioneering indie filmmaker". Amos Poe is one of the first punk filmmakers and his film The Blank Generation[2] (1976)—co-directed with Ivan Král— is one of the earliest punk films. The film features performances by Richard Hell, Talking Heads, Television, Patti Smith, and Wayne County. Rolling Stone named it number 6 on its list of 25 Greatest Punk Rock Movies of All Time.[3] He is also associated with the birth of No Wave Cinema due to films such as The Foreigner (1978), featuring Eric Mitchell, Debbie Harry, Anya Phillips; and Subway Riders (1981),[4] starring Susan Tyrrell, Robbie Coltrane, and Cookie Mueller.[5] During this time he was also the director of the public-access television cable TV show TV Party hosted by Glenn O'Brien and Chris Stein. Hosted by Zef Cota

Welcome to our bonus podcast series from The Super Network and The Tubi Tuesdays Podcast! This podcast is as it says are bonus episode of the The Tubi Tuesdays Podcast with a guest or guests who chose a film for us to watch from the free streaming service Tubi - at TubiTV. Much like with Tubi Tuesdays the podcast is focused on discovering and doing commentaries/watch a longs for films, the more random and weird the better! Your hosts for The Bonus Tubi Tuesdays Podcast are Super Marcey and ‘The Terrible Australian' Bede Jermyn, regular co-hosts from Tubi Tuesdays Batch and Kollin will make appearances as well.Movie Starts Playing At: 00:08:29Welcome back to the series of BONUS episodes for The Tubi Tuesdays Podcast with Super Marcey and Bede Jermyn. For this episode Super Marcey and Bede are joined by their very special guests who can be heard on Imprint Cast and Indicator Cast with Tony Michas and John Mathews! The film chosen for this episode was suggested by Marcey with John Waters' Multiple Maniacs (1970). In a previous commentary on The Super Podcast, Tony joined in for the episode where we watched Serial Mom (1994) and knew a John Waters film would be perfect for this one! Is Multiple Maniacs perhaps more shocking than Pink Flamingos (1972)? Listen in and find out!Multiple Maniacs was written and directed by John Waters, it stars Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Cookie Mueller, Edith Massey and Paul Swift.If you have never listened to a commentary before and want to watch the film along with the podcast, here is how it works. You simply need to grab a copy of the film or load it up on Tubi (you may need alcohol), and sync up the podcast audio with the film. We will tell you when to press and you follow along, it is that easy! Because we have watched the films on Tubi, it is a free service and there are ads, however we will give a warning when it comes up, so you can pause the film and provide time stamps to keep in sync.Highlights include:* Welcome to another bonus episode!* Will Marcey and Bede like the film on this first viewing?!* Tony and John have some cool trivia about the film, John Waters and more!* So that is a uhh rosary job ...* John Waters and Divine, was there ever a better pairing?* The film still feels relevant, over 50 years on.* Oh yeah there is a lobster in the film ...* Bede cannot handle the lobster ...* Plus much, much more!Check out The Super Network on Patreon to gain early access to The Tubi Tuesdays Podcast!DISCLAIMER: This audio commentary isn't meant to be taken seriously, it is just a humourous look at a film. It is for entertainment purposes, we do not wish to offend anyone who worked on and in the film, we have respect for you all.Please Visit Our Sponsors For This Episode Get 82% off + 2 months free at SurfShark VPN Hosted on Acast. See acast.com/privacy for more information.

Jonathan Herbert (b. 1952, New York City) explores the nonverbal relationship between cosmology and consciousness. He creates unique, intuitive formulations of water-based paint using acrylic and urethane media made on the spot, mid-process. He explores the nonverbal nature of creative inspiration via intuition. These works examine the richness of the present moment while simultaneously referring to a concurrent interest in the expression of the past, of his traumatic experiences and resulting emotions. Much of his work has been informed by his extremely abusive childhood and the unsurprisingly drug- and alcohol-ridden years of his life prior to 1986. His experiences as a night shift cab driver in bankrupt New York inspired the years-long body of work, Views from a Yellow Cab. He drove a quarter-million miles over the course of five years. An important and interesting and uncommon view of humankind, as evidenced in the movie Taxi Driver. Herbert received his diploma from the School of the Museum of Fine Arts, Boston in 1977. He continued his studies, via an Independent Study Award from the Museum School, for more than a year in Antwerp, Belgium. He began exhibiting in 1978 in Soho and the East Village and has garnered several solo exhibitions. Many of his group shows have been in New York City, including tagging subways and walls in the East Village of the 1970s. In New York in the mid-eighties, shortly after MacPaint had first been released, Herbert was one of the founders of the Digital Art Movement. During his digital years, Silicon Graphics decorated their entire Seybold booth with his work, flew him to San Francisco and asked him to demonstrate his process during the convention. His digital work has been featured internationally. Herbert for years labored lovingly over the creation of digital medical drawings for pharmaceutical books and journals, continuously expanding his education, which fed his fascination with medicine. His work as a digital artist even led to being interviewed on network TV. Herbert's bibliography begins in December 1982, in the regular Cookie Mueller column “Art and About” in Warhol's Details Magazine. There is also a Jonathan Herbert entry in the Cookie Mueller Encyclopedia. He has appeared in and been reviewed in many publications. Portraits of Herbert are in both Nightline by Peter Donahoe and Taxi: The Social History of the New York City Cab Driver. Herbert's work is in the collection of the Estate of Jean-Michel Basquiat, the Brooklyn Art Library, Pfizer Incorporated, the law firm Kirkland and Ellis, and The Kinsey Institute in Bloomington, Indiana. Herbert currently lives and works in Sarasota, Florida, where, every day, he struggles to live fully in the face of multiple invisible disabilities including lymphoma, PTSD, and cognitive impairment, most of which result from 9/11 survivorship. Across the Universe, Acrylic and urethane on canvas 40 x 60 x 1.5 in Wish, Alchemical acrylic and urethane on canvas 60 x 40 in Shan Shui, acrylic and urethane on canvas 72 x 60 x 1.5 in

This week on See Also, Kate and Brodie debrief on BERNHARDT/HAMLET at the MTC and the 2023 RISING program before covering two new documentaries: All the Beauty and the Bloodshed by Laura Poitras and Meet Me in the Bathroom, Will Lovelace and Dylan Southern's adaptation (kinda) of Lizzy Goodman's book. One makes us think about Jinxy's friend Cookie Mueller, the other unfortunately reminds us of Carlos D from Interpol.See Alsos for ALL THE BEAUTY AND THE BLOODSHEDNan Goldin's Movie ObsessionsBette Gordon's Variety (1983) with a screenplay by Kathy AckerTen years after: Naples 1986-1996 by Nan GoldinSee Also Episode 7David Wojnarowicz docHigh Art by Lisa CholodenkoNan Goldin's Profound Influence on Film and TelevisionNan Goldin showing at the NGA in Canberra, July 2023 – January 2024Cast and Crew panel at NYFFCourtney Love fucking up Joss Sackler Australia's Take Home Naloxone program@sesh.ed resource listSee Alsos for MEET ME IN THE BATHROOMShut Up and Play the HitsLizzy Goodman's bookDate with the Nightcarlos d has herpes dot comALSO ALSOsLISTEN ALSO: Death is Not the EndBATHE ALSO: Asian exfoliating bath clothsSUBSCRIBE ALSO: Hetty McKinnon's To Vegetables With Love newsletter + Choy Love ClubSWEET ALSO: Fluffy TorpedoWATCH ALSO: Of An Age by Goran StolevskiART ALSO: Australiana: Designing a Nation at Bendigo Art Gallery Hosted on Acast. See acast.com/privacy for more information.

An habitué of the vibrant New York art, fashion and nightlife scene of the 1970s and 80s, where the crowd included Cookie Mueller, Basquiat and Holly Woodlawn, Covert's works featuring celebrity graves have become a life's journey. With his first solo show opening in London, he talks to Danielle Radojcin about past lives, future pilgrimages and being a survivor.

Cinquième émission depuis les Festivals In et Off d'Avignon. Pour ce dernier rendez-vous de l'année, le cinéaste et metteur en scène russe Kirill Serebrennikov vient présenter son adaptation du livre d'Anton Tcheckov « Le moine noir ». Justine Heynemann et Éléonore Arnaud pour la pièce « Traversée en eau claire d'une piscine peinte en noir », de Cookie Mueller. Les trois invités de cette cinquième émission de VMDN au Festival d'Avignon sont : Le réalisateur et metteur en scène russe en exil Kirill Serebrennikov, pour son adaptation du livre « Le moine noir » d'Anton Tchekhov qu'il met en scène à la Cour d'Honneur du Palais des Papes au Festival In d'Avignon avec le Thalia Théâtre de Hambourg. Une mise en scène spectaculaire en allemand, en russe et en anglais surtitrés, est encore à l'affiche jusqu'à demain samedi 16 juillet 2022. La metteuse en scène Justine Heynemann et la comédienne Éléonore Arnaud « Traversée en eau claire d'une piscine peinte en noir » d'après Cookie Mueller, à voir au Théâtre du Train bleu dans le cadre du Festival Off d'Avignon. Reportage : Fanny Bleichner est allée voir « Les voix du verbe » un spectacle de poésie, de chanson et de slam à voir à la Chapelle des Antonins jusqu'au 30 juillet 2022.

La 76e édition du Festival de théâtre vient de démarrer. Le « In » avec plus de 40 spectacles et la grosse machine du « Off » qui remplit la ville chaque été dans l'ancienne Cité des papes avec un nombre de spectacles qui ne cesse de croître, plus de 1 500 cette année. Le Théâtre du Train Bleu est un lieu où se concentrent des pièces contemporaines et des écritures émergentes. C'est là, à 22h30 tous les soirs, qu'est racontée l'histoire de Cookie Mueller, une figure de la contre-culture américaine dans Traversée en eau claire dans une piscine peinte en noir.

Mitra searches Provincetown for that Cookie Mueller experience. We meet Jay, a longtime resident and conceptual artist with a septic tank performance space. Qya's relentless summer schedule begins to take a toll, but time is of the essence.Transcript

See Also is a weekly dispatch that connects the dots of pop culture, with plenty of further reading and ideas to Add To Cart – or at least Open in New Tab.This week, Kate and Brodie are absolute pissy bitches. We're blaming the moon for our problems, and the only solution is to talk about all the TV we've been watching lately, okay?Then, we dig into the state of rom-coms. Covering contemporary ones that fuck with the genre, past ones we might've missed and some bright spots in the genre.Further WatchingTogether TogetherDan in Real LifeCrossing DelanceySet It UpStarstruckEverything I Know About LoveFire IslandFrench KissForget ParisZak and Miri Make a PornoLong ShotSee Alsos:Sentimental Garbage podcast"Rom Coms Were Corny and Retrograde. Why Do I Miss Them So Much?" by Wesley Morris in NY Times from 2019Rose Matafeo in the New Yorker The Rewatchables podcast on Knocked UpHow My Best Friend's Wedding "broke" the rom-com Romantic Comedy - documentary by Elizabeth Sankey featuring BLAlso AlsosREAD ALSO: New edition of Walking through Clear Water in a Pool Painted Black by Cookie Mueller, with an introduction by Olivia LaingLISTEN ALSO: Bring A Plate podcast with Peter Taggart & Bec ShawFREEZE ALSO: Lemon, lentil & spinach soupCOOK ALSO: Eric Kim's 10 essential Korean Recipes on NYT CARRY ALSO: Lazy Oaf Wild Mini bag WATCH ALSO: Barry season 3 (on Binge)Find us on Instagram @seealsopodcast Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

See Also is a weekly dispatch that connects the dots of pop culture, with plenty of further reading and ideas to Add To Cart – or at least Open in New Tab.This week, Kate and Brodie are cracking open The Andy Warhol Diaries and recapping the recent Netflix docu-series that brought it to our screens.Further reading:I Shot Andy Warhol on YouTube + Article about missing rights to moviesOlivia Laing's Warhol essay for the Financial TimesSara Driver's Basquiat doc Boom for Real: The Late Teenage Years of Jean-Michel BasquiatProf Terry Smith's rules for criticismAn Object of Beauty by Steve MartinVide on Marc Baker's home (feat Fran) Chris McKim's doc WojnarowiczIt got us thinking about the perfectly gossipy genre of oral histories that we love.Further reading:Edie: American Girl by Jean SteinEdgewise: A Picture of Cookie Mueller by Chloé GriffinOur Band Could Be Your Life by Michael AzerradFreaks and Geeks on Vanity FairLive Through This by Jessica Hopper on SPINMeet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001–2011 by Lizzy GoodmanFinally, the Kardashians are back on reality TV, whether you noticed they were gone or not. We hate the drone shots but will obviously watch every second. (Brodie wrote this.)ALSO ALSOS:Podcast Also: Everything is FineCook Also: Ali Slagle's I Dream of Dinner (so You Don't Have To): Low-Effort, High-Reward RecipesListen Also: Launette's Hour with Laura Coxeter on NTS LiveRead Also: Never Be Alone Again: How Bloghouse United the Internet and the Dancefloor by Lina AbascalCook Also: Jinxy's red lentil soup – find the recipe on our stories @seealsopodcastListen Also: Surprise Me by Mallrat feat. Azealia Banks Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Grattis säger vi till John Waters kontroversiella film Pink Flamingos som i år fyller 50. Den har kallats för en de mest avskyvärda, korkade och motbjudande filmer som gjorts, men också den roligaste. I slutet av förra året valdes Pink Flamingos in till National Film Registry vilket inte är vilket filmregister som helst, utan en lista över filmer som Library of Congress i USA (landets nationalbibliotek) betraktar som kulturellt, historiskt eller estetiskt betydelsefulla". Lite oväntat kanske.I korthet handlar Pink Flamingos om en strid för att erövra titeln The The Filthiest People Alive, det vill säga att vara världens mest snuskigt avskyvärda människor. På den ena sidan finns det kriminellt belastade Babs Johnson, spelad av den magnifika Divine, på den andra ett avundsjukt och publicitetshungrigt par, Connie och Raymond Marble.I programmet undersöker vi vad det kan ge publiken att se så kallad experimentfilm. Vi berättar också historien av om en John Waters skådespelare, Cookie Mueller. Och så dyker in i den inom skönhetsindustrin ofta bortglömda med ack så viktiga fotvården.Gäst i studion är Petter Wallenberg.

The Big Apple! The City That Never Sleeps! We're covering lady NYC Scenesters - whatever that means. Amy educates us on the NY socialite Brenda Frazier. Shelby discusses cool gal Cookie Mueller. Intro Song: What I Do by Kristy Krüger © ℗Just Like Freddy Music ASCAP Instagram: herstorythepodcast

The fabulous and talented Mink Stole is here! She delights us with a walk down memory lane, telling us all about working alongside Divine in John Waters’ cult-(now)classics such as Mondo Trasho, Multiple Maniacs, Pink Flamingos, Female Trouble, Desperate Living, Hairspray, Cry-Baby, and Serial Mom. Listen-in for a sweet conversation about Cookie Mueller as we discuss the book “Edgewise: A Picture of Cookie Mueller” by Chloe Griffin with contributions by the people who knew Cookie her best including Mink Stole.  Find out what’s on Mink’s watch list. Spoiler alert, there’s a Duke and a Duchess!  Support Drag Time with Heklina by donating to their Tip Jar: https://tips.pinecast.com/jar/drag-time-with-heklina

Vox's book critic, Constance Grady, recommends books by Bill Cunningham, Tina Brown and Cookie Mueller. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Vu sur Voyage au bout du livre : Des auteurs, des livres (décembre 2020)  Amandine présente « Comme une version arty de la réunion de couture » de Cookie Mueller (10/18), « Demain la brume «  de Timothée Demeillers (L’asphalte), « L’histoire suivante » de Cees Nooteboom (Folio) et « Le destin de Monique » de Claire Bretécher. Daniel présente « Noces de jasmin » de Hella Feki (JC Lattès), « La vallée » de Bernard Minier (XO), « Mon tour […] Cet article provient de Radio AlterNantes FM

Bill speaks actress and singer Mink Stole about her life and career. Topics include the rehearsal process on John Waters movies, Andy Warhol’s Exploding Plastic Inevitable show, taking friends from The Cockettes to see PINK FLAMINGOS (and their reactions), her “Think Mink” advice column, LOST HIGHWAY, Peaches Christ, learning new skills in public, Prescott Townsend, Peggy Gravel’s opening rant in DESPERATE LIVING, the pleasures of voting in person, THE BROWNIE STORY, Dreamland fashions and what color shoes she wore the day after Labor Day. Watch Mink Stole as Peggy Gravel in the opening to DESPERATE LIVING https://www.youtube.com/watch?v=mc3QsZHu5SI Follow the Mink Stole fan page for all the latest news and event details: https://www.facebook.com/minkstolefans Listen to Do Re MiNK by Mink Stole And Her Wonderful Band: https://theminkstole.bandcamp.com/album/do-re-mink-2 Buy MULTIPLE MANIACS, FEMALE TROUBLE and POLYSTER from The Criterion Collection: https://www.criterion.com/shop/browse?director=waters-john Read Gerald Peary’s interviews with Mink Stole, John Waters, and other Dreamlanders discussing their Provincetown experiences in the 1960s: http://www.geraldpeary.com/interviews/wxyz/waters-p-town.html   Read Chloé Griffin’s  Edgewise: A Picture of Cookie Mueller: https://www.amazon.com/Edgewise-Picture-Mueller-Chloé-Griffin/dp/3942214202 Read the Wikipedia on Dreamlanders: https://en.wikipedia.org/wiki/Dreamlanders

Get ready for this ride into John Waters' classic film, "Pink Flamingos." This is a wild one, so get prepared as Andy and Lucas open this one up! Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive". Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences... Written by Michael Brooke. Special thanks to Ash St. John for the theme music. Find more about Ash through his Facebook page: https://www.facebook.com/AshStJohnMusic/ and his Instagram: https://www.instagram.com/ashstjohn/. Sound effects obtained from https://www.zapsplat.com. Original music used is copyright protected by owner.The views expressed herein are the independent opinions of the authors of this podcast.

•Musikbiografie• Sie war mehr als eine Schauspielerin, sie verkörperte ein Lebensgefühl: Underground-Ikone Cookie Mueller. In den bizarren Filmen von Kultregisseur John Waters wurde sie zum Star. // Von Michael Farin / Regie: Michael Farin und Zeitblom / WDR 2013 / www.hoerspiel.wdr.de

12/16/1981, Cookie Mueller reading with Pedro Pietri

Allen Frame is a photographer and writer, represented by Gitterman Gallery in New York where he has had solo exhibitions of photography in 2005, 2009, and 2013, and will have another in June, 2019. He had a solo exhibition called Innamorato at Pratt Institute in 2018. He has been invited by CECArtslink to do a residency in St. Petersburg and Ekaterinburg, Russia, in 2019. He received the Abigail Cohen Rome Prize in Photography from the American Academy in Rome in 2017/2018.  His 2013 Gitterman exhibition Dialogue with Bolaño was presented at the Museum of Art of the Sonora in Hermosillo, Mexico, in 2014. Detour, a compilation of his photographs over a decade, was published by Kehrer Verlag Heidelberg in 2001. In the 1980’s he adapted and directed the writing of artist David Wojnarowicz, which was presented in three venues, in New York and Berlin. He also performed in two Gary Indiana plays with Taylor Mead, Bill Rice, John Heys, and Cookie Mueller.  In London in 1987 he co-wrote the play Call Grandad with Bertie Marshall and directed it at the Old Red Lion Theater.  Recently he has written a full-length play called Dogs Barking in the Deep South.  In 2012, he co-produced the feature film Four, starring Wendell Pierce and directed by Joshua Sanchez. He has been the recipient of grants from the Penny McCall Foundation, the Peter Reed Foundation, Creative Time, Art Matters, CECArtslink and others.  He has been the curator of numerous exhibitions, including Darrel Ellis at Art in General; Bearings: the Female Figure at PS122 Gallery; Anatomy, Persona, and the Moment: Experimental 70’s Photographs of Luigi Di Sarro and Linda Salerno: A Selection of Experimental Photographs from the Black Mirror Series at the Camera Club of New York, and Illusione Persistente and Fuggenti Figure at ACTA International in Rome. He has been a contributing editor for Bomb and written feature articles for The New York Times and other publications. He is an Adjunct Professor of Photography at Pratt Institute (MFA) and also teaches at the School of Visual Arts (BFA), and the International Center of Photography in New York. He has taught workshops in photography extensively in Mexico and Russia. He graduated from Harvard University and grew up in Mississippi. The author mentioned in the interview is Édouard Louis. Paola, Mexico City, Chromogenic print, 30 x 40 inches, 2007 Sebastian, Buenos Aires, Chromogenic print, 30 x 40 inches, 2008

Punk Avenue: The New York City Underground 1972-1982 is an intimate look at author Paris-born Phil Marcade’s first ten years in the United States where drifted from Boston to the West Coast and back, before winding up in New York City and becoming immersed in the early punk rock scene. From backrooms of Max’s and CBGB’s to the Tropicana Hotel in Los Angeles and back, Punk Avenue is a tour de force of stories from someone at the heart of the era. With brilliant, often hilarious prose, Marcade relays first-hand tales about spending a Provincetown summer with photographer Nan Goldin and actor-writer Cookie Mueller, having the Ramones play their very first gig at his party, working with Blondie’s Debbie Harry on French lyrics for her songs, enjoying Thanksgiving with Johnny Thunders’ mother, and starting the beloved NYC punk-blues band The Senders. Along the way, he smokes a joint with Bob Marley, falls down a mountain, gets attacked by Nancy Spungen’s junkie cat, become a junkie himself, adopts a dog who eats his pot, opens for The Clash at Bond’s Casino, opens a store named Rebop on Seventh Avenue, throws up in some girl’s mouth, talks about vacuum cleaners with Sid Vicious, lives thru the Blackout of 1977, gets glue in his eye, gets mugged at knife point, plays drums with Johnny Thunders’ band Gang War, sets some guy’s attache-case on fire, listens to pre-famous Madonna singing in the rehearsal studio next to his, gets mugged at gun point, O.D.s on heroin, gets saved by a gentle giant named Bill, lives at night? Never sleeps?

Under rubriken bohem kan man sortera in det mesta - glamour och genier, excesser och excentriker, smärta, svärta och sexuella eskapader, en oändlig mängd plagg sydda av krossad sammet - och en hel del tänjande på befintliga regler och normer. I veckans STIL ska vi ta en titt på den stilbildande bohemen - som idag kanske istället kan kallas för queer. Har vi måhända bara bytt ord på samma fenomen? För det finns en hel del beröringspunkter. Båda uttrycken uppstod, och fick framförallt fäste, i tider som utmärks av snabb förändring. Bohem blev ett populärt uttryck under mitten av 1800-talet, när industrialismen – och massproduktionen – vände upp och ner på ett samhälle som tidigare gått fram i maklig takt. Bohemen fick representera det nya och avvikande, det normbrytande. Drygt hundrafemtio år senare har queer-begreppet kommit att representera ungefär samma sak. I dagens digitaliserade värld har ”queer” blivit ett enormt spritt och populärt uttryck som inte bara används för att beskriva någon som bryter mot den heteronormen, utan mot normer i största allmänhet. Många anser att begreppet därmed vattnats ur, men vilka är vinsterna vi gjort genom att så många av oss idag självklart sätter på oss queer-brillorna? Det tar vi upp i programmet. Bohemerna rättade sig inte i leden, utan utforskade nya sätt att leva och arbeta på, och inte alltid med framgång. Men de följdes ofta med stort intresse från allmänheten. Att beskåda självförbrännande stjärnor är med andra ord inget nytt fenomen. Men det var under 1800-talet som det blev möjligt för fler än de närmast sörjande, att kunna följa dem – ner i fördärvet. I programmet berättar vi om en samtida bohem (eller kanske kan hon bättre beskrivas som queer) – den amerikanska skribenten och färgstarka personen Cookie Mueller, musa till både fotografen Nan Goldin och filmregissören John Waters. I dagarna kommer det ut en ny bok om Cookie Mueller: Edgewise - a picture of Cookie Mueller. Bakom boken står den kanadensiska konstnären och regissören Chloé Griffin. Henne har vi talat med. Vi har även träffat några svenska gränstänjare, som konstnären och musikern Paulina Olsson Wallenberg. Hon har skapat en fiktiv befolkning som hon kallar “New Population”. Och så har vi talat med formgivarna Brita Lindvall och Alexandra Falagara som tillsammans driver Bastion Lab. Det är de som ligger bakom den nya designen av den feministiska kulturtidskriften Bang, bland annat. Veckans gäst är Fanny Ambjörnsson, forskare och lärare i genusvetenskap vid Stockholms universitet.