Podcasts about Seventh Avenue

The Bowery Boys: New York City History

Play Episode Listen Later Dec 15, 2024 17:10

Pageant by the children of Seventh Avenue, recorded for virtual worship on Sunday, December 15, 2024.

pageants seventh avenue

#445 The Macy's Thanksgiviing Day Parade: A Century of Cheer

Play Episode Listen Later Nov 22, 2024 76:39

What is Thanksgiving without the Macy's Thanksgiving Day Parade? The annual march through Manhattan -- terminating at Macy's Department Store -- has delighted New Yorkers for a century and been a part of the American tradition of Thanksgiving since it was first broadcast nationally on television in the 1950s.Macy's began the parade in 1924 as a way to promote the new Seventh Avenue extension of their Herald Square location -- and to overshadow its department store rival Gimbel's. That first parade had many of the hallmarks of our modern parade -- from floats to Santa Claus - however it was much longer. Six miles!One major tradition is thankfully gone -- releasing the parade balloons into the air and encouraging New Yorkers to chase after them. After one near disaster in 1932 (airplane, meet balloon zebra) this curious contest was discontinued.By the late 1930s, the real world began seeping into the fairy-tale parade route, and during World War II, the parade was cancelled entirely -- a prohibition kicked off in a rather violent balloon deflation ceremony led by Mayor Fiorello La Guardia.Television would change the parade -- and the holiday -- forever. With NBC broadcasting starting in the 1950s, people could tune in from across the country, creating more opportunities to promote .... everything!By the 1970s, the parade was a festival of commercialism, a beloved kitsch-fest featuring lip-syncing vocalists, ever larger balloons, morning show hosts and product placements embedded within other product placements.But harsh winds and cold could be detrimental to the balloons and, sometimes, to the bystanders. Why will you never see a Cat In The Hat balloon in the parade again?FEATURING: A cast of B and C list celebrities, thousands of out-of-town marching bands and a few favorite balloons (Snoopy, Underdog, the Tin Man and more)Visit the website for pictures and other information about the paradeRead Greg's extensive article on the New York City connections of the film Miracle on 34th Street

american thanksgiving new york city world war ii manhattan television santa claus underdogs cheer new yorkers snoopy thanksgiving day parade tin man day parade department stores cat in the hat gimbel herald square seventh avenue

Episode 2519: Elinor Tatum ~ 2024 Prestigious EPPY Award-Winning Owner of New York Amsterdam News ~ One of the Oldest Black Owned Media Publications,

Building Abundant Success!!© with Sabrina-Marie

Play Episode Listen Later Oct 10, 2024 32:59

2024 EPPY Award-Editor & Publisher Honoree Elinor Tatum currently serves as publisher, editor-in-chief, and CEO. The newspaper launched a companion web site and online edition, amsterdamnews.com, in 2009. -She was recently awarded the prestigious 2024 EPPY, The EPPY Awards honor excellence in digital publishing by Editor & Publisher Magazine.She is the first Owner/ Black Publisher to have won the EPPY. New York Amsterdam New has won over 30 Presitigious Awards for Oustanding Jounalism in the past few years!The Amsterdam News was founded on December 4, 1909, and is headquartered in the Harlem neighborhood of Upper Manhattan. The newspaper takes its name from its original location one block east of Amsterdam Avenue, at West 65th Street and Broadway.. An investment of US$10 in 1909 (equivalent to $339 in 2023) turned the Amsterdam News into one of New York's largest and most influential Black-owned-and-operated business institutions, and one of the nation's most prominent ethnic publications. It was later reported that James Henry Anderson published the first copy: "...with a dream in mind, $10 in his pocket, six sheets of paper and two pencils."The Amsterdam News was one of about 50 black-owned newspapers in the United States at the time it was founded. It was sold for 2 cents a copy (equivalent to $1 in 2023) from Anderson's home at 132 West 65th Street, in the San Juan Hill section of Manhattan's Upper West Side. With the spread of Blacks to Harlem and the growing success of the paper, Anderson moved the Amsterdam News uptown to 17 West 135th Street in 1910. In 1916, it moved to 2293 Seventh Avenue, and in 1938, it moved again, to 2271 Seventh Avenue. In the early 1940s, the paper relocated to its present headquarters at 2340 Eighth Avenue (also known in Harlem as Frederick Douglass Boulevard). Subscribe @ amsterdamnews.comIn August 1982, Wilbert A. Tatum, chairman of the AmNews Corporation's board of directors and the paper's editor-in-chief, became publisher and chief executive officer. Under Tatum's leadership, the Amsterdam News broadened its editorial perspective, particularly in international affairs. This expanded thrust has produced considerable interest and readership from all sectors of the local, national and international communities.In July 1996, Tatum bought out the last remaining investor, putting the future of the paper firmly in the hands of the Tatum family. In December 1997, Tatum stepped down as publisher and editor-in-chief and passed the torch to his daughter, Elinor Ruth Tatum, who at the age of 26 became one of the youngest newspaper publishers in the United States. Mr. Tatum died in 2009.© 2024 Building Abundant Success!!2024 All Rights ReservedHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy: https://tinyurl.com/BASAud

Episode 269 – Unstoppable Social Media Expert and Model with Lindsey Brown

Unstoppable Mindset

Play Episode Listen Later Sep 24, 2024 70:57

What a combination eh? Well, true. Lindsey Brown is the Senior Social Media Manager for NAMI (National Alliance on Mental Illness) and she also models from time to time. Lindsey was born in the UK to a German mother and a costa Rican father. When she was born her father was serving in the U.S. military based in the UK. As Lindsey explains she now has both German and U.S. citizenships. Lindsey will tell us about wanting to undertake a fashion career and so after college where she obtained a Bachelor's degree in business, she began to seek a modeling career. She got her wish, but eventually realized that her life calling would take her in different directions. Eventually in 2019 she joined NAMI as its senior Social Media manager. However, she did not totally drop modeling. Who knows, you might see her picture somewhere. We talk a great deal about various aspects of mental health. Lindsey talks freely about her own mental health issues including burnout. About the Guest: I embody the essence of a multi-hyphenate, navigating the realms of a "slash culture." Born in the UK to German and Costa Rican parents, I hold citizenship in Germany and the US, setting the stage for my diverse journey. My passions, evolving into career paths, sprouted early. A love for travel, fashion, and mental well-being, my personal "peace," became integral to my identity. At 21, my foray into the fashion world began when I signed with my first modeling agency in New York. From runway to print, e-commerce to fitting, I collaborated with renowned outlets and brands like Essence, Marie Claire, Ashley Stewart, Soapbox, and DevaCurl. Adapting to industry shifts, I transitioned to become a fashion buyer in menswear and footwear, bridging the creative and business facets. To refine my skills, I pursued an MBA while concurrently juggling my roles as a buyer and a model. Today, my titles encompass Model, Senior Social Media Manager for NAMI (National Alliance on Mental Illness), and Freelance Brand Consultant. A dedicated community builder, my role at NAMI enables me to establish safe and positive online communities for individuals navigating mental health. Additionally, I collaborate with social media platforms to enhance safety and user experience. My journey is a testament to the harmonious blend of diverse passions and impactful work. Ways to connect with Lindsey: · Social Media Links o Personal accounts § Instagram - https://www.instagram.com/lindseygene_/ § LinkedIn - https://www.linkedin.com/in/lindseygbrown/ o NAMI § Instagram - https://www.instagram.com/namicommunicate/ § X - https://twitter.com/NAMICommunicate § Facebook - https://www.facebook.com/NAMI § LinkedIn - https://www.linkedin.com/company/nami § TikTok - https://www.tiktok.com/@nami?lang=en § YouTube - @NAMICommunicate § Threads - https://www.threads.net/@namicommunicate · Website – nami.org About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:21 Well, hi and welcome to another edition of unstoppable mindset. Today we get to talk to Lindsey Brown. Who's Lindsey Brown? Boy? Are you gonna find out by the time this episode is over? It's interesting. Lindsey describes herself as the essence of a multi hyphenate, which I love, and we'll have to really talk about that. And she exists in and embodies a slash culture, another thing that we need to talk about, and so many other things. So I think we're going to have lots of fun and lots of questions. And Lindsey, I know, has a lot to talk with us about. She's going to talk to us also about NAMI, and we'll get to that as well. But for now, let's start with Lindsay. I really want to welcome you to unstoppable mindset, and thank you very much for being here. Lindsey Brown ** 02:10 Thank you for having me. I'm excited well, Michael Hingson ** 02:14 and I am as well. It's been fun getting to know you a little bit and reading information about you and so on. So here we are. Well, let's start with the real early Lindsay. Why don't you tell us about Lindsay growing up and some of that stuff. Lindsey Brown ** 02:28 Oh, that I have some people say little Lindsay, um, I take it. I'll take it back to to the beginning, right? Um, so a long Michael Hingson ** 02:36 time ago in a galaxy far, far away, alright, Lindsey Brown ** 02:39 put a little, a little age on me. My mom is from Germany. My dad is from Costa Rica. He became a citizen and came over with his family and lived in New York, joined the Air Force. They got together, and I was born in the UK. But Michael Hingson ** 02:56 were you on a military base or something because you don't have UK citizenship? You indicate, Lindsey Brown ** 03:01 no, I have German citizenship, German music, German and Michael Hingson ** 03:05 American. But you were born in England, but don't have UK citizenship? Lindsey Brown ** 03:09 No, I, from what I gathered from my parents before it was at one point, everybody was trying to, like, immigrate into the UK. And so therefore it was kind of like, you can't just have a child here and then become a citizen. I do have a right to be a citizen of Germany, so I've always wanted to hold on to that heritage. Well, yeah, we didn't live, actually, on base. That was one of my parents saying they never wanted us to live on base. So I actually, when I was younger, I understood that my dad worked for the Air Force. I had no context that that was part of the US and the US government and the military. I was like, Oh, he does this. He works on planes, and he leaves, he goes away for a bit, and then he comes back. Michael Hingson ** 03:55 Yeah, go ahead. Lindsey Brown ** 03:57 So then we came over to the states. We ended up settling in Virginia. I went to school in at Great Bridge. I went all the way into high school, and then I went to college at ODU. I always said I did. I created their online version. Originally, I said, I told my parents, I'm going to be a pharmacist. So I started doing my undergrad, became a pharmacist tech, started working at Rite Aid, and then I realized it just wasn't my passion. And so then I came to them, and I said, You know what? I think I want to work in fashion. That's my calling. And I want to, I want to model. And as any immigrant parents, they looked at me and said, you're going to do what? And my dad was like, Okay, sure. My mom said you will finish school. And I got signed to a local modeling agency in Virginia. And then about a year later, I had this grand idea to get signed. I said, if I'm going to model, I'm going to I'm going to get signed by like, a big agency. So I could really do this. And so I put in a piece of paper, and I wrote down all the modeling agencies that had a plus size board in the US. And I told my mom, if everybody tells me now, I will let it go. So we go to New York. I go to Wilhelmina. That was the first one I went to. They immediately told me, No. I made my mom walk down Seventh Avenue. She'll never let me forget it, because I thought Seventh Avenue was really short. It is not I want to say we probably worked walk for a good 20 minutes, and I went to msa models, and I had met one of the casting agents at an event in Orlando. And I will admit I lied, and I I said, I have an appointment with Anthony. And they said, Oh, okay. And I met with Anthony, and he said, Oh, I remember you and I got signed that day. Michael Hingson ** 06:05 Well, that didn't totally please your mom, or did it? Lindsey Brown ** 06:11 My mom has always been supportive, like she's kind of like, if you want to do it, have a plan and I'll support you. So the agreement was, you're going to go to school still. And a lot of my teachers are great. I would explain to them in the beginning of, you know, school or class, I would say, you know, hey, I have a full time job. I work out of New York. I work as a model. And most of them said, Oh, that's really cool. You know, will work with you on your assignments, or sometimes I would have to take a test early, and then I think I only had one professor ever say to me, like, you do what? I don't think he believed me. So I said, you know, I can forward you every email I get from my agent. Because who, who we if I was just going to skip school, I that wouldn't be my lie, like I could make up something a lot easier than I'm going to New York and I'm going to a casting or I'm shooting, and within two weeks, he said, Okay, you were telling the truth on that. Like I I've never heard of that before. Um, and I modeled all the finished school, and I modeled until full time, until, I want to say I was 25 ish, and then wanted to one. It was the industry always changes, right? So you were kind of looked at as a mannequin. Necessarily. You're you don't have kind of autonomy of your career. What if you a size 10 is in, like, kind of in, in, right? Then that's what you're doing. If you're a size 12, you're kind of morphing yourself, trying to be a part of this industry. And I realized at one point it I may not have a full time career of this. Maybe I should do something more of like a nine to five. So I moved back with my mom in Fredericksburg from Brooklyn. That was a little bit of, you know, life awakening, as I call it, but I was able to get a job working at a clothing store, and was a manager there. I always say, you know, you start somewhere, but you know you have transferable skills. So I was around 2526 managing like a team of like 10, and then I knew I wanted more, so I started working at the Marine Corps Community Services as a buyer in menswear. So for people who've never been on a military base, there's something I call like a big mall. So if you put, like a Macy's together, a Home Depot, a Best Buy that's worked on every military base around the world, and I worked for the Marine Corps, so and I bought men's clothing, and then I switched over to shoes. So I bought, I always tell people it's the most fashionable job you can have in the military. I bought Steve Madden, Dolce Vita, like fun, trendy shoes. So I'm telling people like the the new trend this, you know, this year's plaid has nothing to do with military boots or anything. Michael Hingson ** 09:09 And so go ahead. No, go ahead. Lindsey Brown ** 09:14 And then, of course, I think that's where I started my as I call it, splash culture, right? Because I was still doing modeling jobs. So some people would know me as the model, some people would know me as a buyer. And I really got interested at the intersection of marketing and social media, and so I started going back to school, getting my MBA in international marketing. Michael Hingson ** 09:38 What did you actually get your BA in? What did that end up being? Lindsey Brown ** 09:41 Business Administration, okay, minor in fashion, because my parents weren't into the idea of me doing a whole degree in fashion. Michael Hingson ** 09:52 Little compromise never hurt, right? It's Lindsey Brown ** 09:54 a compromise, right? So, like, I was like, you know, what a minor, A minor, we can do that. Um. And and so then I started, I realized that, again, my passion wasn't being a buyer, a buyer in fashion. It sounds like you're going to be at these fashion shows and it's going to be fun, and it's not saying it's not fun, but it's more so you're doing you're in Excel sheets all day long. And I was more interested in the marketing of you know how to get people to buy these products, not just purchasing the product, right? So I went to school, started working and getting my MBA, and then knew that if I want to switch over to marketing, well, who would hire me? Because I don't have a background in marketing at all. So that was when the influencer on Instagram kind of career was kind of taking off. So I said, Well, if I can create my own social media following, then at least maybe I can work with other brands, and I could use that to build a portfolio so I can get, as I call it, quote, unquote, a proper nine to five. So that actually worked. I would never call myself a full time influencer, but I was able to work with different brands and then build out a portfolio. And when I got to graduate from my MBA, it was December of 2019, and I was super excited, because then I got a job for a travel company, and I love to travel, so I just thought to my this is perfect. I have my MBA. At that point, I was living in Woodbridge, Virginia, and I knew that I wanted to live in DC for a while before I found another place to live. And then the pandemic happened, and having a travel job in the pandemic is not great, like wrong move, Michael Hingson ** 11:53 but you didn't know it at the time. Had no Lindsey Brown ** 11:56 idea. And so the company, I was there for maybe five months before obviously they had to do layoffs, and I worked freelance for a while of that. And then I always say the universe brings you where you need to be. And that's when I started working at Nami as their social media manager. And Nami is the national line to mental illness, so it is the largest nonprofit that works to a racial stigma surrounding mental illness and mental health and gives people in their communities actually supporting services. Michael Hingson ** 12:33 Again, not something that you had planned on doing, necessarily at all. Lindsey Brown ** 12:38 No, but I love the idea of community. And little did I know that, necessarily, in in the world, as during the pandemic, a lot of people were dealing with anxiety and depression, and also we talked, you know, we can talk about it now, burnout, yeah, in the mix, 2019, I was burnt out and didn't know it. I was also experiencing anxiety and didn't have the word for it. So I would just say, like, I'm just overwhelmed. So I always say, I came to Nami and I learned a vocabulary, a vocabulary list, right? And I can say, Oh, this is my anxiety peeking out here, connecting with the community. And I can see the beautiful part about my job is that a lot of times, let's say, when I was a buyer, you're not seeing how somebody purchasing a product changes their day. But on the back end of being working as the head of social media, I see people's comments where they're saying, you know, this post saved my my life, or this really helped, you know, my child learn about the depression they're experiencing. It makes the work worthwhile, Michael Hingson ** 13:49 right? So, how so Nami and being well, I was going to say Nami is certainly a whole lot different than what you've done, but at the same time being the social media person that's really getting into more of, in a sense, the marketing that that you already had some familiarity with, Lindsey Brown ** 14:10 right? Exactly? So it's kind of like having a career passion of saying, I I'm good at social media, I'm good at the marketing part, and then finding the intersection of what actually gels with me. And for me, it's really about helping find people, find their community. And what I always used to say is like, I'm trying to just, you know, preserve my peace, which is also kind of like preserving your mental health. So I'm helping people, in my version of it protect their mental health. Learn about mental health. Don't feel scared about actually saying like, Hey, I'm experiencing X, Y and Z. Finding support. The amazing thing about Nami, there's it's federated model, so there's over 600 affiliates nationwide. So if you want to learn about mental health, that you're looking for support. Education family member is there's an affiliate close by, and I'm helping with my passion of marketing, bring people to health and care. Michael Hingson ** 15:10 And for you personally, with the pandemic hitting and so on, what made you realize that you were experiencing burnout, and kind of, how did it manifest itself? Lindsey Brown ** 15:26 For me? I was I always felt like I had to be doing something. I realized I couldn't relax unless somebody around, like, you know how people say, like, Oh, I'm going to Netflix. You chill all day long. I can do that if somebody else was in the room, because we're doing it together. But I didn't know how to relax by myself. But I also felt overwhelmed, and I would want to sleep, and then just feeling almost always, I say like the rabbit hole effect, where, if I have five minutes apiece, then my brain is going like, what about this, what about that, what about this, what about that. But the other part of me says, Are we supposed to be relaxing right now? And I couldn't. And so coming into Nami, I can say that the company overall is really supportive of employees talking about their mental health and, you know, resources. So it helped me finding other people who were experiencing the same thing, but also I'm researching these topics to talk about on social media. So it got me to actually do a lot of the work that I probably wouldn't have done alone. Michael Hingson ** 16:35 So what have you learned from all of that Lindsey Brown ** 16:38 everybody needs a mental health toolkit, and I say it the version of, you know, it can't for me. I can say it helps with if I'm eating right, am I hydrated? Am I getting enough sleep? Working out? I learned funny enough. I learned that I was doing an IG live, or assisting with an IG live, between our chief medical officer, doctor Ken, and one of our ambassadors. And they were talking, and they said, you know, oh, there's, you know, study, if you do, like, 10 minutes of workout a day, you know, it can help with your anxiety. And I was like, huh, that kind of does make sense, because when I work out or go for a walk, I do feel better. Who would know? Who knew that? But I learned that on that IG life, right? Having a vocabulary word for it actually really helped. Instead of saying, I'm feeling overwhelmed, I feel tired. Those are maybe symptoms, but that's actually not what I'm experiencing. I'm experiencing anxiety. So being able to, you know, talk with, you know, I called my community so my friend, family and friends, if they're like, hey, you've seen a little bit off. My anxiety is kind of a little I can say that my anxiety is kind of off today. And then also, for some people, you know, I have gone to therapy before, I feel like maybe, you know, it's always good to have a consistent therapist. But I tell people, you know, there's no harm in going to see a therapist if you need to be on medication for it, but everybody kind of needs to find what works for them to as I call it, keep to protect your peace. Michael Hingson ** 18:11 So does that? Are you suggesting that most people should, in one way or another, have a therapist, or at least they need to be thinking about their mental health. That isn't necessarily a therapist, but they need to be understanding it and studying it. I Lindsey Brown ** 18:27 think everybody should be intrigued and learned about learn about their mental health just like you have your physical health. So you may go to a doctor, or, let's say, if you tripped and you sprained your ankle, right, you would probably go get that checked out, or you would wrap it same thing with your mental health, necessarily. Hey, I feel a little bit off. You know your body intuitively. So if something feels off, and it's not maybe your physical health, or it could be your mental health, maybe you're not getting enough sleep. Maybe it's these different aspects. Maybe you're experiencing trauma for the first time, different things that are happening. It could be your physical or your mental but you need to care about both of them. Michael Hingson ** 19:08 How do we get people to talk more about the idea of mental health? And you know, there's so many aspects of that. I know that a few years ago, when we were talking about in as a society, the whole concept of of end of life and people passing and making arrangements and so on. And there were, and are a number of people who poopoo that, but it is also part of mental health. But in general, how do we get people to talk about and accept that it's okay to talk about mental health? Lindsey Brown ** 19:38 The silver lining of the pandemic was that people started talking about it. It was the first time, collectively, we're all in the house experiencing maybe emotions or feelings that we haven't before. And the world learned like, oh, that's anxiety, that's depression, and let's talk about it. The biggest thing is actually, for people. Hope to get comfortable talking about it. Mm, hmm, there was a culture prior that, you know, oh, that's something we talk about in the house. We keep it with our family. We don't discuss it. And that's not how you get people to care. Is to, you know, hide your secrets and keep you sick, right? So talking about it just how me and you were having a conversation today, and somebody could listen to it and say, like, Oh, I feel comfortable. That's what I've been experiencing too. Where can I get help? Maybe I should have a mental health toolkit. I never thought about that before. Maybe I should check out my local Nami. It's taking away those barriers and actually accepting people, and especially when people are talking about it, not to shame them. Yeah, to actually, you know, lead with empathy and learn more about it. Michael Hingson ** 20:45 And again, talking about it doesn't mean you go up to everybody on the street and you say, I want to talk about mental health, but it is, it is also being a little bit strategic, but still doing it, and having a plan to really address mental health. And it makes perfect sense to do? Mm, Lindsey Brown ** 21:01 hmm, absolutely. I mean, it's not like if you went to the doctor and you got, I don't know, a bad, you know, physical. You're not going to run up to everybody and say, hey, my physical results were horrible today. Like you're not doing that. But you pick and choose who is your community and who you feel safe to talk to about it. Michael Hingson ** 21:19 Yeah. Yeah. And it gets back to your community and and you, you need to develop, I think everyone needs to develop a cadre of some sort of of people who they can talk to. And all too often, we don't. We think it's all us. We're, we're totally independent. We don't need to to have or involve anyone else. And I am really a great fan of something that Gandhi once said, which is interdependence is and ought to be as much the ideal of man as a self sufficiency. You know, we're not always self sufficient by ourselves right Lindsey Brown ** 22:00 No, I totally believe that. I used to feel at one point that I could do everything and I and I can learn from people, but I don't like to ask for help, right? And I learned that doesn't work. I said to my friends, I don't want to be the strong friend anymore. I need help. I need I want support, and I don't want to just reach out when everything is in shambles or I feel like I can't manage it anymore. Sometimes it just helps to talk. I mean, sometimes I call my mom or a friend and I say, like, can I vent? Do you have time? Because y'all see you want to check before you just unload on people. But hey, can I? Can I talk to you about this? Because I am having a day, Michael Hingson ** 22:46 yeah, what if, if there is a specific thing, what really turned your attitude and your idea around to the point where you started to believe in the whole idea of talking and communicating and recognizing that it isn't, you know you you're not. No one does everything, just totally on their own. Lindsey Brown ** 23:06 I can say part of it happened during the pandemic where I went through being laid off, and that was the first time I can say that I was questioning and my, I guess, to say my sources of income kind of dried up, right? Because we're in the pandemic, and we all didn't think we could go outside. I was worried, but then I also felt shame around it. And I was talking to two of my close friends, and they reminded there's no shame in you losing your job. And one of my friends sent me, and I think it was like an Uber Eats, like gift card. Like, she was like, buy yourself a good meal tonight. I love you. And even though it's not like I had money to pay for my dinner, but it was that small act of Yeah, them, letting me know it's okay and not to feel shame. And then that again, just checking in on each other. And I was like, I feel better. I feel like I can do this. And necessarily, I didn't need someone to help me apply for jobs, but maybe needed that community support of like, you got this, Michael Hingson ** 24:11 you got this, and we got you, yeah, and, and that's important, and we we shouldn't shun that and we shouldn't try to throw that away. Well, no, I don't need you to have me. I got me and because it's all about again, community, right? Lindsey Brown ** 24:30 Yeah, for sure. I mean, I always you don't have to do this thing called life alone and where you may feel that something is happening in your life where you can feel shame, or you feel like I am alone, there is probably someone out there who has gone through it or going through it, and they can help you, or they have advice or tips, or, Hey, this worked for me. You should try this. Well, you would never know if you didn't start the conversation right. Or. Michael Hingson ** 24:59 It might be that you end up helping them because you enter into that same conversation, and it may very well help you, but it also helps them exactly. And there's again, nothing wrong with that well, so you you work at Nami. Is that a nine to five job? Nine to five? Yep, there you go, so what do you do between five and night and nine the next day? Lindsey Brown ** 25:26 Well, I still model. So if a good I say, job comes by, I will still model. So I mean, there's been times where somebody says, Isn't that you? And I'm like, I that is me. Because you never know where things will get released, the world we posted. I'm like, yep, that is me. I work with local businesses in the DC area to teach them, actually, about social media marketing. It's the one thing that, if I have this knowledge, and a lot of times a small business, or, you know, a solo entrepreneur, they don't always have time to learn the nuances of social media and marketing and how it can better them. So part of it, of I feel like giving back, is, you know, explaining that to them as well. And also I take on different brand trips necessarily. I just went to curl fest, which is a big festival in New York that happens. I think last year's like 30,000 people there. So that's where I say slash culture. So it is. I don't just consider myself the Social Media Manager of Nami. I do other things as well. I don't think you have to be one thing only. Michael Hingson ** 26:36 So you you have several careers going at the same time. What do you think about that? Because I know there are a lot of people who would say, I can't do more than one at a time, and you clearly love to do several. Lindsey Brown ** 26:53 Yeah, I do, um, I feel like it kind of changes with life, right? So there are times when I take on more freelance opportunities, and there are times when I, you know, cut back on them. I feel like you have to do a work to work well. For you, I don't tell people, Hey, I'm doing this, and you should do it too, right? If you are working a full time job and you're fulfilled by that in life, do that and be happy about it. There's something about saying working your job and going home and doing whatever makes you feel happy, right? So for me, it could be that, hey, I've, I'm working, you know, for NAMI during the day, and, oh, well, I have a photo shoot that I'm going to, you know, go to that night, necessarily, or I might be taking a phone call and meeting with, you know, a local business to talk to them through their social media plan. It's not like I'm consistently every single day from, you know, five to nine, then working on a freelance opportunity, right? Michael Hingson ** 27:48 So it works out well with NAMI and we have the, I assume that sometimes you may have a photo shoot or something that comes up during the day. Lindsey Brown ** 27:56 I think you always have to have your priorities, right? So Nami is my priority. I would never, I mean, it's my full time job, right? So I would never take an opportunity and say, like, well, Nami will be okay, right? That that's not the way you, you know, you run a business, and I look at it that I have to make sure the main position is, you know, fulfilled and done well. And if I can take maybe a sick day or take a personal day and explain, yeah, that was what I was getting at, right? Yeah, there's, there's open communication. You don't just necessarily call in and say, like, Hey guys, I'm out today. I have a photo, right? That's disrespectful, and you're not setting up your team for success. So it's planning it out well and choosing your opportunities that you can lean in on. Michael Hingson ** 28:36 And I'll bet the other part about that is that the NAMI folks are pretty proud of you for all the things that you're accomplishing. Lindsey Brown ** 28:44 I would know. I think they are. I mean, everybody's really been always very supportive. I think the beautiful part about, you know, taking on other freelance marketing clients is what you may learn in another industry will actually maybe work and bring it into the NAMI community to say, you know, hey, we haven't thought about this in marketing. Oh, we should try this on social media, right? So it's kind of taking those transferable skills and bringing them into your different opportunities. Michael Hingson ** 29:09 What would you say to someone else who might want to add another career or explore doing more than one thing in their career path and adding something else to their title. Lindsey Brown ** 29:24 Do it. There is not. Do not wait. You know, it's why not? Why wait in your life to say, I wish I would have done this. I wish I would have tried that. Try it now. It doesn't mean maybe that will come out to be something you're getting paid for. Could be a hobby, right? And that you may get paid for it every once in a while. But I would say, take the opportunity. If you have a full time job, make sure that you are still fulfilling your full time job needs. Your bills need to be paid, and you should be respectful of the people that are hiring you to do so. But I would say always take the opportunity you don't know. Or they'll, you know, they'll lead you to, Michael Hingson ** 30:01 yeah, I think you said it best when you said you also do need to recognize and keep your priorities. And if you have a full time job, and you've made that commitment, then, unless there's some reason to change whether that's your full time job or not, then it's a matter of keeping your priorities straight, too exactly, Lindsey Brown ** 30:20 and then also personally, right? You don't want to experience burnout, so you don't want to take on too many opportunities at one time, and that becomes your norm. And then you experience burnout, because your freelance opportunities should be something that also fulfills you. So if every day you're burning yourself out and you're burning you know the families at two ends, well, your mental health and your physical health are a wreck. Then yeah, Michael Hingson ** 30:45 and that gets back to burnout and stress and anxiety. Yes, Lindsey Brown ** 30:49 and that is something I am I try to manage. And there are sometimes when I look at opportunities, no. And no is a great word, and it's fine to have boundaries. Yeah? Michael Hingson ** 31:04 Tell me a little about Nami, exactly what it does, how it works, and so on. Lindsey Brown ** 31:09 Yeah, Nami is, like, I said, it's a federated model. So there are over 600 like affiliates around the country, and it's really a place where I say it's all about community. It's people, where people can get, you know, resources, education, support groups and to help people, one to learn about mental health conditions, learn about mental illness, maybe get help. But it's also for people to meet people who are experiencing the same things they are. It's peer led. So instead of, you know, if you go to a doctor and they say, like, well, this is the five things about depression, you should know that's great. But hey, I have depression and I'm a mom, how do I actually deal with, you know, having a full time job and having, you know, kids? How do I deal with that? Well, you would feel much better if you met another mom who's experiencing the same thing, who could give you advice as well? So you're going to support group, necessarily, it's a beautiful thing that there are so many affiliates, because help is close, it's not far away, and it's free. Michael Hingson ** 32:15 So, so there are support groups, and I assume that happens, there are affiliate meetings, Lindsey Brown ** 32:24 yes, so everybody would have their own schedule and again. So the lining of the pandemic, a lot of things that were only in person now are so online. So a lot of times, affiliates will have these meetings, and necessarily, the programs and the resources also online for people to, you know, have an easier method of, you know, reaching out and getting the help. Yeah. Michael Hingson ** 32:45 How do you respond to the people who say, Well, yeah, the pandemic is is over, and we really need to get back to normal and get back to just being in the office, and this hybrid stuff is ridiculous, and too much zoom, weariness and and all that. Lindsey Brown ** 33:04 I say as I mean, I'm not a CEO, but I think it opened the conversation, right? Because what it what is normal? Who set that standard, right? So let's have the conversation, is most of the staff happy to be in the office? Then make the opportunity to be in office is hybrid. Give people options remote. That works too. It also opens up your playing field of necessarily bringing in different types of employee, because you may have someone who could be amazing at this one job, but they're not local. Can they do the job remote? I think it's everybody saying the pandemic is over. Well, one, covid is still a thing. It's not going anywhere. I think we just know how to manage it better. But I think it shook up the world to talk about what is quote, unquote normal. Does it need to be the standard anymore? Michael Hingson ** 33:55 Yeah, well, covid clearly isn't going away, and while we're managing it, at least for the moment, we're not getting any major new version of it or strain that is taking us back to where we were in 2020 and 2021, but it's still here, and it is something that we all should be aware of exactly. Lindsey Brown ** 34:23 So, I mean, I let's have the conversation for people who say, you know, we no one should work remote anymore. Well, that's great. Well, find a position or company that is fully in the office, because there could be another company that says, hey, we're fully remote, and they'll attract, you know, employees that love being fully remote. Michael Hingson ** 34:45 Yeah, there's room for all of it. And my perception, personally is that there is a lot of merit for the hybrid concept. But even then, hybrid is. Something that we each ought to have some some control over. But there is value in being in the office for a lot of people, at least part of the time. But I think people are realizing more and more about this whole idea that working remote, or being able to do things at home, and then also being able to address other issues in your life is a very important thing, but it also does get back to what you talked about before, with priorities. I was talking with someone yesterday on another episode, and he was talking to me about someone who he was working with as a coach who worked remote all the time, and this woman who he was talking with said, you know, I don't have time to do the laundry or anything like that. I got to always do my job, and you're working remote. What do you mean? You don't have the time. We've gotta really work a little bit more. All of us do it. Putting things in perspective, Lindsey Brown ** 36:09 for sure, I there's when the pandemic happened, right? And we were working at home. You do realize, oh, I have necessarily, I can throw this, you know, in the washing machine really quick I can, you know, empty up my dishwasher. The reality of the of the matter is, though, if you're working a nine to five, or even if you're an entrepreneur, I do believe in setting boundaries. So when I'm working my nine to five, I'm working my nine to five, typically I'm not, you know, then also folding my laundry where I'm running a meeting, or, you know, going out to the grocery store in the middle of my workday. Now, if you choose to do it during your lunch, and your team is flexible that way, have at it. For me, I like to I learned that multitasking sometimes leads me to make more mistakes that I'm that I would be like, well, if I was focused on this, I wouldn't have missed that. So I try to, when we're working, we're locked in and we're working, and when you take breaks, or you're on lunch break, then you can do all those extra little things. But it's not a place where, hey, I'm laying in bed and the blankets over my head, and I'm kind of, you know, watching TV and I'm in a meeting at the same time. I can't function that way. Yeah, but I always say for everybody, you have to find what works for you. Michael Hingson ** 37:28 Well, I think that there is a lot of merit to when you're working, you're working, and I think that's probably really true for most people, but we do need to really plan our day, or plan what we're doing. And again, it gets back to priority. I can be in some meetings where I'm not leading the meeting and maybe mostly just a listener, and I can actually stand up and go out and feed a dog if it's at the right time, because my guide dog, Alamo, is pretty insistent on when he wants to eat. But I can do both because I have a wireless headset and I'm not looking at the screen right. And so I can do that and still participate if there's a need to. But I also recognize sort of like, well, when doing a podcast episode like this, the last thing I can do is get up and go do anything else for a variety of reasons. That doesn't work, but the big reason it doesn't work is because it is my job and it is what I'm supposed to do, to focus on doing this and doing it right, and doing it well. Lindsey Brown ** 38:33 Exactly. One thing I noticed too, is that before the pandemic, we used to do phone calls. Do you remember that? Michael Hingson ** 38:41 I've heard of that Lindsey Brown ** 38:44 the phone and now everything has to be a zoom call, and everybody's on camera. And what I love about Nami is that we are accepting of, hey, we can have a meeting, but you don't have to be on camera. And every day is in a camera day, we can turn our cameras off. I started with my team officer to say, Hey, do you want to just do a phone call? We if you can't get through zoom to work, or if it's, I don't, I don't want to be on camera today. I just want to, you know, do a touch base and hang up the phone. Yeah. I was laughing with my mom before, because she loves face time, and I told her one day, I said, you know, after a day of meetings, you know, on Zoom, I actually don't want to be on camera anymore. Can we do a phone call? Michael Hingson ** 39:32 Yeah, you know, and I'm a little different, because I don't, I don't mind being in zoom, whether the camera's on or off, but that's because I'm not really looking at it, but I realize that for some other people, it may very well be an important thing. So I like zoom here you go, because the audio is better than on a phone call. But by the same token, I have no problem with doing things on a phone again for. Me, it's the same headset that I use so I can be on a phone call or a zoom call, and either one is fine with me. So I want to do what is more comfortable for other people, but I do find often that when people talk about let's do a zoom thing, it's as much habit as a need, and there isn't necessarily the need, but it's just the habit that now that's what they do. Lindsey Brown ** 40:25 It's the norm. Yeah, so, I mean, I always have the conversation. I have a conversation with your team, or whomever you know necessarily fits in your personal life. I think it's just talking to people and asking, What do you prefer? Do you have time today? Do you want to do a zoom call date? Do you want to do camera off? Do you want to pick up the phone? There's many ways to, you know, communicate in this world, yeah, Michael Hingson ** 40:47 and it, and it makes perfect sense. We all, we all need to recognize that change is always going to be around us. And the reality is, normal is never going to go back to the way it was after September 11 and and of course, I got out of the towers and so on, and I heard so many people say we got to get back to normal. And it took me a little while to realize what a horrible thing to say, because normal will never be the same again. And as you pointed out, who sets the standard of normal? It's it is going to be a constant change, and that's maybe the only normal there really is. Lindsey Brown ** 41:25 I think that's the beautiful part about life, that things will necessarily change. Because where there could be a group of people saying, well, this normal works for me and it benefits me, right? But there could be another group of people who said, your standard of normal isn't helpful for for me. So it doesn't mean then we say, well, we've been doing that for 50 years. We're going to continue doing it because I don't want to make a change. No, it's then you can come to the table and work out, necessarily, what is working for people right now, and how do we uplift everyone around us? Michael Hingson ** 41:56 I think most people who have that mindset will ultimately accept maybe there is merit for change if you can demonstrate the value of it. So we've always had our meetings in person. We do only work in the office, and so we don't ever do anything remote. And I don't want to change that, but when you really start to talk about things like we've been dealing with here today, mental health and anxiety and so on. And a number of people start to talk about how they feel when they're able to spend part of their time working at home, and what that offers. And if you can show things like it actually makes us more productive. Most people, I think, ultimately, can be convinced to try something different. Lindsey Brown ** 42:50 If you space to be open minded, if you look at it sometimes in, I would say, in the corporate world, right before it was you have to be in the office. And a lot of times you were in the office and you were taking maybe, let's say, five meetings a day. Well, you're not really talking to anybody, communicating only the people you were talking to on the phone. Well, what's the difference if I was in the office with my door closed, or if I was at home on my couch talk, having those same meetings? If, yeah, if you can do the job that you were hired for then everybody should be allowed to have accommodation. Michael Hingson ** 43:25 Well, the other part about being at home and having your meeting on your couch is, what other opportunities does it open for you and again, how does that make you feel when you don't have to drive that hour to work every day, or whatever. One of the things I've read in I think the New York Times a couple of months ago was about how, in reality, while we're moving things faster than we ever did, the fact is, it takes us longer to get things done, like it takes us longer to get to work because the roads are so crowded, or if I'm going to travel somewhere, it takes longer to get to the airport, and all of the efforts of getting through security and so on, all take so much longer that you really have to be at the airport earlier in order just to get Your flight, because everything takes so much longer, and that introduces anxiety and stress. Lindsey Brown ** 44:25 Mm, hmm, for sure, I know a ton of people who are so happy they can work from home just for the fact that they don't have to commute. For me, my commute in the morning to the NAMI headquarter office is it probably about 20 minutes, but coming back into DC, it takes me at least an hour, and that which you know that I we have that option to go into office, we can work from home. And I like having that flexibility, because doing that drive every day would feel overwhelming, Michael Hingson ** 44:57 yeah, if you had to do. That now I remember my father worked at Edwards Air Force Base, which was about 40 miles from where we lived in Palmdale, California, and he drove there every day. But one of the things that he talked about more than once was how he could go out of our driveway, go down to the end of the street, make a left turn and travel 40 miles and never stop once, because it was at the time of the day, there wasn't a lot of traffic, and he would go all the way to the gate at Edwards and never have to stop. And he was comfortable with that. We also both became ham radio operators, and so he had a lot of fun while he was driving, talking to me on the radio and to other people, which is another thing that he enjoyed doing, but he found that it was not overly stressful, or he didn't allow himself to become stressed over it because he could travel and keep moving, and felt good about that. Lindsey Brown ** 46:05 Mm hmm. Not having the traffic is definitely a game changer. I've tried to when I I know that if I'm, let's say, commuting, or I'm driving a long distance, I usually call, you know, either my mom or my dad. I call it my check in hour, or listening to a good podcast. So you're not focusing on the negative of I'm in the car. It's, you know, it's an hour, it's, there's traffic, there's so much going on. But having something that either brings you joy or listening to and talking to somebody or listening to good music, it puts you in a good headspace, Michael Hingson ** 46:43 or also, just plain taking your mind off of things and giving you the opportunity to to rest your brain. It is something that I hear so many people say I don't have time to spend every day thinking about what happened today. I'm I've got to go until I go to sleep, and then just go to sleep. And we don't do a lot, or a lot of people don't do a lot to rest their brain or allow their brain to suggest to them how they might be better or do better or accomplish things because they're too busy trying to control their brain, which has a different thought and a different direction it wants to go. Lindsey Brown ** 47:30 Yeah, I become an advocate of mental health days. You don't need to be sick or too extreme burnout to then take a break. It is fine to schedule a mental health day and not do anything. And like I said before, before, pre pandemic, I didn't believe in that. I had too much going on and I didn't think I could take the time. Now, I can easily say to somebody, you know, oh, I have something going on that day. What are you doing? Nothing. Yeah, and I feel great about doing nothing, nothing. Michael Hingson ** 48:04 I have generally been keeping busy during the week. My wife passed away in November of 2022, so now it's just me, but I've become more of an advocate of for me, and I realize that it is me not doing anything on the weekends, reading books and other things like that, and I get so charged for the for the week ahead, and I also get many ideas and thoughts that I might never have gotten simply because I give me and My brain the chance to recharge and to rest and to work together, to think about what's going to happen next. Lindsey Brown ** 48:46 Yeah, there's part of culture. Remember hustle culture, I'm going to work until I die. That is, I thought about it before, and I said that is a horrible way to live your life. That means you have lived in a state of burnout, and you never got to enjoy anything. Michael Hingson ** 49:04 And you will die, Lindsey Brown ** 49:06 and then, and then you will, you know, take that other section of, you know, the afterlife, but we don't know what that is. So I mean, you have one life, enjoy it, have make time for, you know, your friends and your family. And that's where you asked me about being a multi hyphenate of well, how do you do that? That saying no, not overwhelming yourself. Every opportunity can be a great opportunity, but it's okay to say no to them. Michael Hingson ** 49:33 How do you help teach people, or does Nami help teach people to say no and get out of that old mindset. Yes, Lindsey Brown ** 49:42 the support groups they have are a great place where people who maybe have gone through the same experiences, and that's necessarily, maybe mental health, mental illness, but also, I always say, there's life lessons with with everything. So I mean, I've learned from working at Nami, but then also listening. Your friends and everything. So no, is a full sentence. You don't have to give a person a reason why. You don't have to tell your maybe your employer, hey, I'm taking the day off because I feel overwhelmed and I haven't I'm taking the day. You earn the time off. Take the day, right? Telling your friends and family, no, I can't do that necessarily. Or there are times in you know, I'll have a super long day, and maybe, you know, my dad might call me and I'll text him back to say, Hey, is everything okay? And if he says, Hey, I gotta talk to them, you know, I definitely call him back. But there are times when he says, Hey, I was just checking in, and I can easily say, Hey, I'm just tired from the day. Can I call you tomorrow? Everything's fine on my end, but I'm I'm just mentally done today, and that's okay. We we're all allowed to set boundaries to AKA, protect our peace and our mental health. Michael Hingson ** 50:57 You know, it's not to well, it is sort of related to mental health and so on, but we seem to, in general, have lost a lot of the art of conversation, and so many people won't talk about one thing or another the way, maybe even we used to. How do we get back to being more willing and open just to talk Lindsey Brown ** 51:19 time, taking the time, right? It's the and it's funny, because I work in social media, so everything's really quick, but even then, taking the time, making time to have conversations. If you ask somebody how they're doing, actually stop and listen, right? Because a lot of times you Hey, how you doing, and you really didn't want to hear how they were doing. You just said it, because that's a nice thing to do. Take a moment, right? Because you would want someone to take a moment for you. Michael Hingson ** 51:48 Yeah. Then the fact of the matter is that having lost the art of conversation, and I think there's so many articles and things I've read that say that, I think even more than losing the art of conversation is we've lost the art and the skill of listening. We don't want we don't want to hear. Our boundary is we don't want to hear, well, that's not productive either. Lindsey Brown ** 52:14 Yes. And there is I joke with my parents now, and I tell them, You know what, you were, right? And they and they'll laugh, but those moments where I didn't want to listen, and I know exactly what I'm talking about, because you're from a different generation, and I know better now, I didn't say all that to them, but I thought it, yeah, and then I turn around, Oh, you were right. Hello. And they're like, Yeah, we, we've lived a little longer than you. You should listen, and it's that place where you learn a lot more if you listen. Michael Hingson ** 52:51 Yeah, we, we don't do it nearly enough. Um, I know I've learned from working with eight guide dogs. And when you work with a guide dog, the dog's job is to make sure that I walk safely. It's my job to know where to go and how to get there. But it's fascinating working with a dog and developing a true, real teaming relationship, because we each have a job to do in the relationship, and the jobs go better when we respect each other's jobs, and especially from my perspective as the team leader, when I listen to my colleague on the team and dogs do communicate. They may not communicate the same way we do, but my job is to learn how they communicate and learn to understand what they want and what they're saying, and recognize that they've not only got feelings too, but it's amazing the information that they can and do in part. And so for me, having that kind of a relationship has become extremely important, and I wouldn't have it any other way. Lindsey Brown ** 54:04 You know, it's funny, I have a fiance, and ever since we met, I said, I want to get a dog, and I'm still waiting on that note where you can get a dog. Michael Hingson ** 54:15 Is your fiance sort of not as prone to want to do that or what Lindsey Brown ** 54:19 he is team. We can get a dog when we have a child that can walk, the dog's going to be a while. Michael Hingson ** 54:30 Well, the issue, again, is having a dog is is all about really building a relationship. And again, it's a team relationship. And I don't know that I would suggest waiting until you have a child who can walk the dog, because it isn't going to work as well if you haven't really learned to communicate with the dog first, because you have to learn that whoever you are before you can teach a child how to do it, then that's the point. Is. It's. If you're just talking about walking the dog, if you're going to truly have a relationship with a dog, it's a whole lot different than that, because it is every bit as much a teaming relationship, every bit as much a mutually rewarding relationship, to have a dog if you do it right as it is to have a fiance or a child or both, and most people don't really recognize that, oh, the dog will love the dog, and the dog loves us, and we'll walk the dog. There's a whole lot more to it, if you want to really do it, right? Lindsey Brown ** 55:36 Yeah, and it's all about relationships, right? So kind of how you were talking about earlier, how do we stop and communicate? How do we stop and listen? It's a place that I've gotten to where maybe it was a light bulb, right, where I was like, Oh, this is all about relationship and how people feel and how they feel when they're actually talking to me and communicating. And that's at, you know, extra work in your home life, necessarily, and to be open to having those conversations and not just trying to have everything go your way. But listen to the why behind, yeah, Michael Hingson ** 56:13 yeah. And the why behind is like with a dog, just as much. Why? What is the dog saying and why? Because they're they're talking all the time, and it doesn't necessarily mean with a bark, right? But, but they're talking, so we need to have a conversation with your fiance. That's all. Lindsey Brown ** 56:34 We'll set up another meeting. Yeah, Michael Hingson ** 56:36 well, we should do that. So do you think that in the world, we're getting better, really, at talking about mental health. Or have we, have we made significant progress, or a little bit of progress? I think we have, Lindsey Brown ** 56:52 um, even in my friend group, necessarily, or even with my dad, necessarily, he said to me before, and my dad is culturally Costa Ricans, you know, aren't going to talk about their feelings and necessarily, you know what traumas maybe they had. And he said to me for he said, Well, maybe I experienced a little bit of anxiety, and in my mind, I said, Well, you think, but it's that place when you hear somebody else talking about it, it opens you up to think about, huh? Not a me too situation, right? But it's maybe I, maybe I am experiencing that, or because one in five people experiencing mental health condition, right? So if it's not you, it's somebody that you know, and it's not saying, then you have to raise your hand and say, Well, I I experienced depression, or I have anxiety, me too. No, but it's a place that you know how to support that person. You know how to listen to maybe what their plight is, and your friend who may experience depression, and you're like, I don't know how to help them. I just see them in bed being sick, right? But no, actually, hey, well, how can I actually be a support system to you? Obviously, I may not understand, but I can give you empathy. I can be here for you. I think the pandemic definitely changed that conversation, and more people are open to it. And Michael Hingson ** 58:10 you think that's going to continue? I Lindsey Brown ** 58:14 do think it's going to continue. It's something that you can't turn off, necessarily. It's the same place where you talk about the intersection of culture and identity in America, necessarily, the conversation is there. It's not going to be turned off. We're going to continue to have the conversation, and we're going to change people's lives that way by having these conversations. Got it. Michael Hingson ** 58:36 How do you protect or how does one protect their mental health? Lindsey Brown ** 58:42 I mean, I go back to having your mental health toolkit, your self care toolkit, of what makes you feel good inside, what brings you back to peace, what makes you feel good, and you know in yourself when you're like, uh, if I do my five minute meditation in the morning, or I have my cup of coffee in the morning or at night I do my skincare routine. What brings you back to peace is a big thing. Saying no, no, respectfully, like I wouldn't necessarily send an email to your boss and no, but necessarily having those conversations and maybe explaining your boundaries and maybe, you know, creating a better work life balance is definitely a place where people can start. It is knowing when you are feeling off, being in tune with your body and making the changes that can actually help you overall. Michael Hingson ** 59:35 Well, here's the question for Miss social media model. How's that for a start, huh? How do you protect your mental health online? That's getting to, of course, to be a really big thing. I mean, I've, I've, we've, we've seen Congressional investigations where they bring this, the big tech people in, or the social media people in, and. And all that. But ultimately, what can we do to protect our own mental health and the mental health of those around us online? Because we're relying so much online nowadays, which I'm not sure is always as wise as it ought to be, but that's okay. Lindsey Brown ** 1:00:18 Definitely, for me, it was learning that social media is a tool, right? So a lot of times, you feel that you're connected to social media, and it is something that you just have to be a part of. It's a tool. So necessarily following accounts that you like, what makes you feel good? You don't have to follow anyone on social media that you don't want to follow. Taking time away from social media. I know that's, you know, different for someone who's a social media manager, but if I'm spending all day on social media and I I'm overwhelmed, well, the last thing I need to do when I get off work is then to open up social media and, as I call it, Doom, scrolling or inactively participating, right? Because then I'm not even paying attention to maybe the curated post or the things that my friends are sharing. I'm just scrolling because I wanted something to do. Well, how about then putting the phone down, either finding a book, doing something that is off the phone. So when you are on social media, actively engaging, finding things that necessarily, for me, I really like to go experience things in DC, so like, find the things that I want to do in the city that I'm in, to go do things outside of my phone. Yeah, use the phone to find things to do and then go do those things. Look at how long you're online, right? Because that's a tool on most platforms. And you'd be shocked how long you spend time online, like on social media, and you're like, there's been a way I was on here for, you know, five hours. Yeah you were, yeah you were, yeah you were, and you don't realize it, because sometimes I realize with myself, you know, when you're watching, like maybe a show, or you're listening to a podcast or something, and there's that, that ad break, and then you pick for me, I would pick up my phone and I would be scrolling the ad is a minute long. Why can't I just sit there for a minute with my own thoughts? Yeah, why do I have to pick up my phone? And I realized I was doing that. So sometimes I will put my phone out of reach because I don't need my phone right then, I'm not even really looking at anything. I'm just doing it because it's a habit. Or stand up and go get a cookie. Yeah? Like, go, go do something. Like my mommy, she's they're like, Well, you can go do a jumping jack. And I'm like, Mom, I'm not going to get up and do a jumping jack now, but I guess you could, I could, and I got, she's right. I don't need to just be scrolling on my phone. Still right, definitely being noticeable of like our habits, and noticing how you feel when you are on social media. It's totally fine to take a break delete your accounts. It is fine to then unfollow people. And there's also, the cool thing is that on a lot of the platforms, either you can either hide people. So let's say you have a friend, right? And your friend is, I don't know, experiencing something that doesn't make you feel great, even though it's great in their life, you don't really want to unfollow them, because then they're like, no, what are you doing? But you can hide their stuff and they have no idea, but it makes you feel better. And then you can actually talk with them about anything else but that one thing they're going through, right? Yeah. You can actually hide keywords. So if you are triggered by certain things, you can go in your settings and turn that off so you're not seeing those things. T

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Episode 93: The Devil Wears Prada with Nancy MacDonell

Historians At The Movies

Play Episode Listen Later Aug 28, 2024 65:27

This week Nancy MacDonell makes her debut on HATM Podcast to talk about Meryl Streep, Anne Hathaway, Anna Wintour, and her book, Empresses of Seventh Avenue, which tells the history of the women who built New York into a fashion powerhouse in the years after World War II. This is a blast, and for me, and eye opening conversation. Hope you enjoy.About our guest:Nancy MacDonell is a fashion journalist and fashion historian. She writes the Wall Street Journal column "Fashion with a Past," in which she explores the historic roots of current fashion trends. Her writing has appeared in the New York Times, Elle, Vogue, and many other publications. She is the author of five books, including The Classic Ten: The True Story of the Little Black Dress and Nine Other Fashion Favorites. Nancy is an adjunct lecturer in fashion history at the Fashion Institute of Technology. She was born in Montréal and lives in Brooklyn with her family.

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Nancy MacDonell on the Birth of American Fashion and the American Look

I'd Rather Be Reading

Play Episode Listen Later Aug 27, 2024 22:57

Today on the show we are talking about American fashion, specifically Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion, the brand-new book from Nancy MacDonell, out August 27. Prior to World War II, American designers were nothing short of second-class citizens to the French. But, after the Nazis invaded Paris during the war, everything changed for French fashion, and by the time the war ended in 1945, the American look was in fashion. What is the American look, you ask? Nancy answers that for us today, as well as introduces us to a fascinating cast of characters who helped birth American fashion: Elizabeth Hawes, Eleanor Lambert, and Claire McCardell, for starters. Soon, American fashion began to beat the French at their own game, and this is all a leadup to the Battle of Versailles, which we interviewed Robin Givhan about on the show last year. American fashion is thriving now—at $500 billion, it's the largest fashion industry in the world—but there would likely be no Calvin Klein, Ralph Lauren, Marc Jacobs, Tom Ford, Tory Burch, Halston, or Michael Kors without the Empresses of Seventh Avenue. These women have largely been forgotten to history—that is, until Nancy MacDonnell came along. Nancy is a fashion journalist and fashion historian that writes The Wall Street Journal column “Fashion with a Past,” which explores the historic roots of current fashion trends. Nancy has written everywhere from The New York Times to Elle, Vogue, and many other publications, and she's written five books, including The Classic Ten: The True Story of the Little Black Dress and Nine Other Fashion Favorites. In addition to her work as a writer, Nancy is also an adjunct lecturer in fashion history at the Fashion Institute of Technology. Let's take a listen to what she has to say. Empresses of Seventh Avenue: World War II, New York City, and the Birth of American Fashion by Nancy MacDonell

Episode 1179 - State of the book - Tell - Guinness animal records - The new york times style - A success with brush

Instant Trivia

Play Episode Listen Later May 3, 2024 8:30

Welcome to the Instant Trivia podcast episode 1179, where we ask the best trivia on the Internet. Round 1. Category: State Of The Book 1: "The Help". Mississippi. 2: "The Last Picture Show". Texas. 3: "Washington Square". New York. 4: "Centennial" by James Michener. Colorado. 5: "The Grapes of Wrath"--2 states please, where the story begins and ends. Oklahoma and California. Round 2. Category: Tell 1: Although he may be legendary, William Tell is one of the best-known heroes of this nation. Switzerland. 2: This form of "William" is in the German title of Friedrich Schiller's play about Tell. Wilhelm. 3: In the traditional William Tell story, this is the cause of death of the cruel governor Gessler. shot with an arrow. 4: It was Tell's response when Gessler asked what the extra arrow was for. to kill him if he missed with the first one. 5: The overture to this Italian composer's opera about William Tell is used to speed things up. Rossini. Round 3. Category: Guinness Animal Records 1: The largest one ever made by birds was built by bald eagles and weighed over 6,700 lbs.. a nest. 2: A Texas cat named Dusty must have been the cat's meow as she had 420 of these. kittens. 3: Some of these arthropods have as many as 750 legs, not a thousand as their name implies. a millipede. 4: The Gaboon viper has the longest of any snake, nearly 2". the fang. 5: It's the slowest-moving land mammal, and its name is a synonym for laziness. a sloth. Round 4. Category: The New York Times Style 1: An nytimes.com slide show on this woman's style included the red and black number from Election Night 2008. Michelle Obama. 2: Disco hoops and other styles of extravagant these "suggest you are taking the party with you". earrings. 3: A blog post notes that Junya Watanabe's Spring '09 collection continues to rely on this basic type of working pants. jeans. 4: In May 2008 the times reported on a more modest look in this wear, including boy shorts and halter tops. swimwear. 5: The times said this "NY" designer became "a Seventh Avenue original" using tights as a foundation for skirts and shirts. Donna Karan. Round 5. Category: A Success With Brush 1: In "The Story of Painting" Sister Wendy says, "He is much more than a painter of the fair and fat". (Peter Paul) Rubens. 2: An early 1730s work by Canaletto shows this canal city's "Quay of the Piazzetta". Venice. 3: There are 2 versions of John Singleton Copley's "Watson and" this sea predator in U.S. galleries. the Shark. 4: For your information, no, your six-year-old could not make paintings just like this man's 1952 "Convergence". (Jackson) Pollock. 5: Victorine Meurent, his favorite model, is the nude in his "Le dejeuner sur l'herbe". Edouard Manet. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Dr. Melody Shari stars on OWN's “Love & Marriage: Huntsville”, a successful entrepreneur and Founder of Seventh Avenue Premier Skincare.

The Steve Harvey Morning Show

Play Episode Listen Later Mar 29, 2024 28:06 Transcription Available

Two-time Emmy and Three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Dr. Melody Shari. She is a star and producer on OWN's “Love & Marriage: Huntsville”, a successful entrepreneur and Founder of Seventh Avenue Premier Skincare, a Homebuilder, Author, and Motivational Speaker. Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

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Dr. Melody Shari a successful entrepreneur and Founder of Seventh Avenue Premier Skincare, stars on OWN's “Love & Marriage: Huntsville.”

Money Making Conversations

Play Episode Listen Later Mar 29, 2024 28:06 Transcription Available

Two-time Emmy and Three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Dr. Melody Shari. She is a star and producer on OWN's “Love & Marriage: Huntsville”, a successful entrepreneur and Founder of Seventh Avenue Premier Skincare, a Homebuilder, Author, and Motivational Speaker. See omnystudio.com/listener for privacy information.

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THE QUEENS NEW YORKER EPISODE 263: WPXN-TV CHANNEL 31

THE QUEENS NEW YORKER

Play Episode Listen Later Mar 26, 2024 32:59

WPXN-TV (channel 31) is a television station in New York City, serving as the local Ion Television outlet. Owned and operated by the Ion Media subsidiary of the E. W. Scripps Company, the station maintains offices on Seventh Avenue in Midtown Manhattan[2] and transmits from atop One World Trade Center. PICTURE:https://www.facebook.com/WNYCTV31/?paipv=0&eav=AfaExH_9I5ntZiJmshwMi7_uZ8Q-5ke6z8Te2kWS_EjHy3nvSDwem-ObHXIulIzS0F4&_rdr --- Send in a voice message: https://podcasters.spotify.com/pod/show/thequeensnewyorker/message

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Herman Beavers: "On Seventh Avenue at Slaptime "

Poem-a-Day

Play Episode Listen Later Feb 12, 2024 4:01

Recorded by Herman Beavers for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 12, 2024. www.poets.org

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Looking Back in Philipstown

HC Audio Stories

Play Episode Listen Later Feb 9, 2024 13:06

150 Years Ago (February 1874) Ingersoll Lockwood, the 6-foot-4 former U.S. consul to the Kingdom of Hanover [which became part of Germany in 1871] and the nephew of Cold Spring resident Nicholas Smith, spoke at the Baptist Church about women's faces, both ancient and modern, to benefit the Sunday School. William Garrison, who represented Philipstown on the county Board of Supervisors, proposed that the town be split so it would have two representatives. He noted that, with six supervisors, the votes were often ties, and that Philipstown had a third of the county population but only a sixth of the vote. The pastor of the Baptist church, the Rev. Benjamin Bowen, wrote a long letter to The Cold Spring Recorder in which he offered to pay the salary of the highest-paid teacher in Philipstown for one year if anyone could show him in the Bible a mention of infant baptism (which Baptists do not practice), or where someone had received communion before being baptized, or any documentation of infant baptism before the middle of the third century. While Charles Warren was delivering milk, someone stole $10 [about $250 today] from the cash box on his wagon. Alfred Little painted advertising "business charts" at the post office and railroad station with notices for 13 local merchants and mechanics. While walking on the railroad track at Constitution Island, Arthur Naylor of B Street saw a fox walk out of the woods. He drew his revolver and fired; the trophy was on display at Mosier's oyster and fish store on Market Street. Bernard Daley of Kemble Avenue lost a pig when it was struck by the No. 7 express train. Bystanders with buckets filled at a nearby municipal pump managed to contain a fire at Mrs. McArthur's newsstand on Main Street. S.B. Truesdell was circulating a petition to ask the state to extend the ban on shooting robins from Aug. 1 to Oct. 1, to allow the birds more time to mature. The Recorder reported that, after a snowball fight in Nelsonville got out of hand, a boy complained to his father. The father confronted the first boy he encountered, which resulted in a lawsuit. A farm dog belonging to B.A. Yonmans that followed the horses to church was found dead the next day in the churchyard. It was supposed he had been poisoned. The Recorder reported that 8,100 men, 1,375 boys, 581 horses and 41 steam engines were employed along the river securing the ice crop. One crew managed to get 2,700 cakes into an ice house in a single day. Thomas Avery and William West of Cold Spring, who had announced they would embark on the manufacture of paper bags in the village, were dissuaded by the high rents and instead leased a structure in Fishkill that was built to order. The Wappingers Chronicle claimed that it was common to see men walking in Cold Spring stop suddenly, place their hands on their knees and groan. In response, The Recorder noted that "Cold Spring whiskey is stronger than that to which some visitors are accustomed." The county school commissioner condemned the District 8 schoolhouse and estimated it would cost $800 [$20,000] to build a new one. William Bennett of Nelsonville lost several toes after a 500-pound casting fell on his foot. Members of the Ladies Aid Society and the Presbyterian Church held a masquerade with cakes and coffee at the West Street home of William Coleman. 125 Years Ago (February 1899) At 10 p.m. on a Wednesday, young men walking the tracks from Garrison came upon four teenagers, ages 13 to 15, crying from hunger and cold. One of the boys told Officer McCaffrey that they had been playing at the freight yard near their homes at 32nd Street and Seventh Avenue in New York City when they climbed aboard a freight car for a ride to Spuyten Duyvil. But the train was going too fast for them to jump off and they had to wait until it stopped at a switch near Garrison. The Recorder noted that a bill had been introduced in the state Legislature to allow women to vote in villages and towns concerning matters of tax...

Episode 46: David Butler

Seattle City Makers

Play Episode Listen Later Nov 7, 2023 55:26

Stepping into Le Caviste on Seventh Avenue in downtown feels as if you've been transported to a wine bar in Paris. And that's exactly the vision David Butler had when he opened the doors in 2013. Jon and David talk about the origin story of this delightful downtown destination; the unique way he was able to reopen in May 2021; how this wine bar is secondarily about wine; where David likes to dine in the rare instance he's away from Le Caviste and more. Join us for Seattle City Makers with Jon Scholes and guest David Butler.

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TV Party Tonight: The Deuce (Season 1)

W2M Network

Play Episode Listen Later Sep 12, 2023 113:38

Jesse Starcher and Mark Radulich present their The Deuce 2017 Season 1 TV Review!The Deuce is an American drama television series created by David Simon and George Pelecanos, set in New York City during the 1970s and 1980s. The series' pilot began filming in October 2015 and was commissioned in January 2016. It is broadcast by HBO in the United States and premiered on September 10, 2017. HBO made the pilot available through its streaming services and affiliates on August 25, 2017.The Deuce features a large ensemble cast including James Franco playing twins and Maggie Gyllenhaal as an ambitious former prostitute who works to become an adult filmmaker. It tells the story of the Golden Age of Porn, the legalization and rise of the porn industry in New York City that began in the 1970s. Themes explored include government and police corruption, the violence of the drug epidemic, and the real-estate booms and busts that coincided with the change. The show's title is derived from the nickname for 42nd Street between Seventh Avenue and Eighth Avenue.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

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Gazette Daily News Briefing, August 29

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Play Episode Listen Later Aug 29, 2023 3:14

This is Stephen Schmidt from the Gazette Digital News Desk, and I'm here with your update for August 29 2023.According to the National Weather Service it will be sunny, with a high near 87 degrees in the Cedar Rapids area on Tuesday. The low will clock in at around 56 degrees.A motorcyclist who was involved in a crash on Interstate 380 in Cedar Rapids last week has died in the hospital from injuries related to the crash.Ramius Hardiman, 30, of Cedar Rapids, was injured on Tuesday, Aug. 22 when he rear-ended an SUV on I-380. Cedar Rapids police told The Gazette last week that Hardiman's injuries were not life-threatening, but a news release issued by the department Monday morning states that the motorcyclist has now died.Hardiman was reportedly spee ding for several miles before colliding with the SUV. The occupants of the SUV were not injured.The interstate was closed for more than two hours Tuesday after the crash, which happened just before 5 p.m., causing a large backup of traffic.Hardiman was arrested in 2010, when he was 17, on charges of vehicular homicide after a crash on Nov. 8, 2010 that killed 17-year-old Jose Mendoza. The counts alleged Hardiman was operating a vehicle, in which Mendoza was a passenger, under the influence of alcohol and that he was driving recklessly when the car rolled and hit a utility pole in the 3300 block of Cottage Grove Avenue SE, Cedar Rapids.The city of Cedar Rapids has opened a new skatepark. And, as with many things in the downtown area, the park has been cleverly worked into the city's massive flood protection system.Last weekend the city opened the facility, in the park at 1501 A St. SW, after building a detention basin as part of its permanent flood control system. The skatepark is now entirely made of concrete and features 28 obstacles — a variety of quarterpipes, wedges, ledges and more.The reopening comes after the city demolished the original skatepark at Riverside Park.The city replaced elements of the skatepark with concrete instead of steel parts, in line with current standards. California-based Spohn Ranch, a global skatepark designer, worked on the new design along with Alburnett-based Pirc-Tobin Construction.Stage two of the Rochester Avenue reconstruction project is nearly complete, the city of Iowa City announced last week.Stage two has included work on Rochester Avenue between Rochester Court and Rita Lyn Court. Paving was scheduled to start last week.Once paving is complete, sidewalks and driveways between the two streets will be installed. This work is anticipated to wrap up in mid-September, which is when the project area will open to traffic.Until then, drivers should still use the detour of First Avenue, Court Street and Seventh Avenue.

Drop Me Off In Harlem

At the Jazz Band Ball

Play Episode Listen Later Jun 20, 2023 40:32

This week we're heading to Harlem, circa 1932, for a tour of some of the great jazz and dance clubs as mapped out by African American cartoonist Elmer Simms Campbell. He drew a map, titled "Night Clubs of Harlem, 1932" and published in Manhattan Magazine, The map faces southwest, bounded by 110th street, and runs along Central Park's northern edge. It concentrates on Lenox Avenue and Seventh Avenue — or "heaven" as Simms called it. Performances by Ellington, Lunceford, Webb, Fitzgerald, and McKinney.

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ON THE CALL - TAMIL ROBINSON

ON THE CALL

Play Episode Listen Later Jun 15, 2023 0:46

TAMIL ROBINSON: Grew from an artist, painter and master airbrush artist, to fashion, crediting his caring instructor Eleta Caldwell at the prestigious Performing Arts High School in Newark for his true artistic development where Robinson free hand sketched, drew, painted, and became a classically trained artist. Robinson worked for the architect firm Campos & Associates for two years where he developed and strengthened his eye for perspective, planting a seed for his love of shapes which would later play a major role increating his signature geo-patterns and logo for his own fashion brand, House of AMIAT, which then was in the May issues of UKs VANITY FAIR; GLAMOUR, VOGUE and will be in the June and July issues of VOGUE as well!! Employed at the interior design house Concepts Office Interiors in Fort Lee, NJ, he drew two-dimensional drawings, furniture plans, and gained experience working with textiles. After which AMIAT (All Moods In All Textiles) brand was born with an architectural frame of mind, with a logo that symbolizes strength and balance. Before designing luxury fashion, Robinson kicked-off his journey as a streetwear designer. When Robinson met his fashion mentor Glen Senior, a pattern maker who took him under his wings. Senior urged Tamil to use his natural talents to create textile patterns in his fashion designs, taught Robinson discipline and how to develop a true aesthetic when designing. Robinson learned the business aspect of fashion and began building his fashion connections when he worked in several areas of the design industry. Tamil served as a freelance designer and consultant on Seventh Avenue in New York City, delving into building his sports licensing portfolio with companies like Puma, NFL, and more, which led to working professionally with major corporate companies to design some of the most high-profile apparel projects like the NFL Pro-Bowl All-Star uniforms that Tom Brady, Michael Strahan and other hall-of-famers have worn. Robinson also worked with Reebok's NBA division where he designed Allen Iverson's I-3 sports collection. He traveled to other countries like China, Korea, and Japan to learn even more about the fashion business. This gained Tamil the experience of working closely with fabric mills, cut and sew factories and expanded his creative nature. Robinson is proud to announce the launching of the House of AMIAT pillow-stitched, buttery-soft luxury Bags, which exudes impeccable quality and craftsmanship, augmented by plush multi color interior, logoed silk satin lining In his spare time, Tamil enjoys speaking to students at his alma mater, Performing Arts High School, and other schools across the country including Fashion Institute of Technology. However his favorite “hat” to wear is being a devoted husband and father of 5 girls and 2 boys, with a daughter who is a state champion gymnast, with eyes on the upcoming Olympics and is being scouted already. Follow him @tamilinternational and for more information regarding AMIAT Luxury Bags, go to www.amiatluxury.com and look for him in the upcoming June and July issues of VOGUE!! --- Support this podcast: https://podcasters.spotify.com/pod/show/ozzie-stewart/support

#415: How To Communicate Like Kevin Hart To Up Your Professional Career with Brenden Kumarasamy, founder of MasterTalk

Sweat Equity Podcast® Law Smith + Eric Readinger

Play Episode Listen Later Jun 14, 2023 31:32

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MELODY GETS DRAGGED FOR SEVENTH AVENUE AD? WAS SHE SETTING THIRST TRAPS?

BRAND NEW715

Play Episode Listen Later May 31, 2023 8:52

LET'S DISCUSS MELODY GETTING DRAGGED FOR ALLEGEDLY SETTING THIRST TRAPS FOR PROMOTING SEVENTH AVENUE SKIN CARE...#LOVEANDMARRIAGEHUNTSVILLE #MELODYSHARI #DJRICHIESKYE #MARTELLHOLT

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Gazette Daily News Briefing May 29

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Play Episode Listen Later May 29, 2023 3:43

Thisis Zack Kucharski from The Gazette, and I'm here with your update for MemorialDay, Monday May 29th.It'll be sunny again with a High of 86 today. Tonight it'llremain clear and dip to 60 degrees, before jumping to 89 degrees Tuesday asfolks head back to work. It's going to be dry and hot this week, with several90 degree days in the forecast.A Waterloo woman died late Saturday in Iowa City after the car she was driving in was hit by two 17-year-old drivers who failed to stop and hit her car.Thecrash happened just before 11 p.m. Saturday at Court Street and Seventh Avenue. Twenty-two year old Jennifer Russell was hit by 17-year-olds Kesean Ford and Elijah Seals. Ford and Seals are from Iowa City. The crash was investigated by the Iowa State Patrol.If you got to ride on trails in Linn county this weekend…there's work to continue to build out the network that now features just over 100 miles of hard-surface trails in Linn County, Cedar Rapids and Marion.To guide that future work, the city of Cedar Rapids and Linn County Conservation are working on a Trails and Bikeways Plan. And they're asking the public, local businesses and trail and bikeway enthusiasts to think about the future and what they'd like to see.The plan will update the city's and county's existing trails plans and maps.The city's plan was adopted in 2012 and the county's was adopted about 20 years ago.Trails and bikeways, local leaders believe, help recruit and retain workers, boost the quality of life, draw tourists to the area and attract new businesses.Catching you up on a couple stories that broke late in the week. University of Iowa athletics director Gary Barta will retire as Iowa's athletic director on Aug. 1. Barta held the post for 17 years.Iowa Governor Kim Reynolds signed the Youth Labor Bill into law on Friday.Working more jobs at longer hours is now an option for Iowa youth between the ages of14 to 17 after Gov. Kim Reynolds on Friday signed into law legislation that critics say will put young Iowans in dangerous workplace settings.While the new law is significantly watered down from its initial form in the Iowa Legislature this year, it strips away some restrictions on jobs that 14- to 17-year-olds are allowed to work.Supporters have said the bill provides more opportunities for young Iowans who want to work and could help address the state's shortage of workers.The new law addresses youth labor regulations in myriad ways. Among them:16- and 17-year-olds, with parental permission, can serve alcohol in restaurants — but not in bars or strip clubs,16- and 17-year-olds can participate in work-based learning programs in areas like manufacturing.14- and 15-year-olds can work later hours (until 9 p.m. during the school year and until 11 p.m. during the summer); people over age 16 can work the same hours as adults.In today's Gazette, we debut an audience driven feature called Curious Iowa, which responds to your questions. Today's installment looks underground at the Cedar Rapids sewer maintenance team. You can check it out at thegazette.com/curious.That's all for now. Have a great Memorial Day and a special thank you to those members of the Armed Forces who have given of their time to serve their country. Thank you. We'll see you back here tomorrow.

w/Erin Merritt-Modern Apothecary

Ktown Connects

Play Episode Listen Later Apr 14, 2023 52:29

Dr. Erin Merritt is a lifelong Kenoshan who saw that her city was in need of an independent pharmacy. In 2014, she opened her own business, Modern Apothecary, on the corner of 50th Street and Seventh Avenue in Downtown Kenosha. Over the winter, she moved to a bigger and 57better location in the heart of Downtown at 5700 Sixth Avenue. Modern Apothecary has all the items that those big box stores have and can get you all of your pharmaceutical needs, but they offer that hometown touch that you won't get elsewhere. Stop on down and check out Dr. Merritt's beautiful shop and visit their website for more information! Click here to read about the history of the original location in this story written by Ktown Connect's own Jason Hedman! This episode was recorded on April 10th at Luigi's Pizza Kitchen, 7531 39th Avenue Ktown Connects is brought to you by: Lucci's Grandview 6929 39th Ave Shannyn Franklin – ReMax Newport Elite Franks Diner, 508 58th St Aason Hunzinger of AHDidIt Union Park Tavern, 4520 Eighth Ave. ROAR – Be heard Wink Beauty Boutique, 10909 Sheridan Rd Hydn Cheese Public Craft Brewing Company 628 58th St Get your Ktown Connects merchandise at The Lettering Machine, 725 50th St. Drop us an email at ktownconnects@yahoo.com Find us on Facebook, Instagram and Twitter – and at ktownconnects.com Theme song performed by Dropping Daisies, written by James “Red” McLeod. Your hosts are Donny Stancato and Jason Hedman Get additional episodes early and ad-free, along with bonus material with this week's guest and more great exclusive material by becoming a patreon supporter! Click here for more!

Ep 49: Wouldn't Change A Thing to Love's About To Change My Heart

A Journey Through Stock Aitken Waterman

Play Episode Listen Later Apr 2, 2023 61:07

As we hit the second half of 1989, we take a look at the latest singles from Kylie Minogue and Donna Summer. On "Wouldn't Change A Thing", PWL's pop princess took another step towards a cooler sound and, in the video, a more grown-up image. Stylist Sharon McPhilemy fills us in on how the looks in Kylie's first UK-shot music video came together. We're also joined by Donna's husband and manager, Bruce Sudano, who provides their perspective on the ups and downs of the '80s, what it was like working with Stock Aitken Waterman and why they loved "Love's About To Change My Heart". Meanwhile, boy band Big Fun scored their first hit with a remake of "Blame It On The Boogie". We trace their story through a former incarnation as Seventh Avenue and a pre-PWL single with house producer Marshall Jefferson. Then, we hear about almost-single "I Feel The Earth Move", produced by Phil Harding and Ian Curnow, who describe their reaction to that cover version being shelved. Mike Stock and Matt Aitken also join us to discuss working with Big Fun on "Blame It On The Boogie" and the trio's much-discussed vocals. Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com

Daily Energy Standup Episode #81-Government bonds are the new toxic Security - China to host major Middle East summit

Energy News Beat Podcast

Play Episode Listen Later Mar 15, 2023 23:34

Daily Standup Top Stories WAVE OF NEW LNG EXPORT PLANTS THREATENS TO KNOCK GAS PRICES March 14, 2023 Mariel AlumitHOUSTON, March 14 – A flood of liquefied natural gas (LNG) export projects due online worldwide in mid-decade will vie against lower-cost renewable energy and a revived nuclear power sector, which could rock gas prices […] Dow Jones Futures: Banking Crisis Escalates Ahead Of CPI Inflation Report; GitLab, Tesla, Schwab In Focus March 13, 2023 Allen SantosDow Jones futures were higher ahead of Tuesday's open, as the banking crisis continues to escalate, with two large bank failures in recent days — SVB Financial (SIVB) and Signature Bank (SBNY). Meanwhile, Schwab stock […] Simon Black: The Unraveling Can Happen In An Instant March 14, 2023 Allen SantosAuthored by Simon Black via SovereignMan.com, On Sunday afternoon, September 14, 2008, hundreds of employees of the financial giant Lehman Brothers walked into the bank's headquarters at 745 Seventh Avenue in New York City to […] U.S. President proposes more money for offshore wind activities and no tax subsidies for oil and gas in 2024 budget March 13, 2023 Allen SantosHome Offshore wind U.S. President proposes more money for offshore wind activities and no tax subsidies for oil & gas in 2024 budget On 9 March, the Biden-Harris administration released the President's Budget for Fiscal […] Timeline of Iran-Saudi Relations March 14, 2023 Mariel AlumitIran and Saudi Arabia have been regional rivals for more than three decades. Most recently, Saudi Crown Prince Mohammed bin Salman said it was impossible for Riyadh to have a dialogue with Tehran. “Its (Iran's) […] China To Host Major Middle East Summit After ‘Success' Of Iran-Saudi Deal March 13, 2023 Allen SantosVia The Cradle, A high-level gathering of Gulf Arab states and Iranian officials is on track to take place later this year in the Chinese capital Beijing, according to sources that spoke with the Wall […]Highlights of the Podcast[2:33 PM] 00:00 - Intro02:56 - The wave of new LNG export threatens to knock gas prices.05:39 - Simon Black unraveling can happen at an instant.06:57 - Wells Fargo. Government bonds are the new toxic Security10:41 - U.S. President proposes more money for offshore wind activities and no tax subsidies for oil and gas in the 2024 budget14:41 - Timeline of Iran, Saudi relations17:24 - China to host major Middle East summit after the success of the Iran Saudi deal building off21:56 - Delta bought Pennsylvania oil refinery ten years ago in order to save money on jet fuel cost22:24 - Market Updates23:34 - OutroFollow Stuart On LinkedIn and TwitterFollow MichaelOn LinkedIn and TwitterENB Top NewsENBEnergy DashboardENB PodcastENB Substack

MTA to Begin Accessibility Improvements at 14 St Passageway Connecting Sixth and Seventh Avenue Subway Lines

City Life Org

Play Episode Listen Later Feb 15, 2023 2:12

This episode is also available as a blog post: https://thecitylife.org/2023/02/14/mta-to-begin-accessibility-improvements-at-14-st-passageway-connecting-sixth-and-seventh-avenue-subway-lines/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

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PsychEd Episode 50: The Mental Status Examination

PsychEd: educational psychiatry podcast

Play Episode Listen Later Jan 27, 2023 109:14

Welcome to PsychEd — the psychiatry podcast for medical learners, by medical learners. This episode covers the mental status examination and makes use of practical and fictional examples to delve deeper into the skills and concepts Learning Objectives: The learning objectives for this episode are as follows: By the end of this episode, the listener will be able to… Explain the utility and purpose of the mental status examination in psychiatry Describe the major components of the mental status examination and be familiar with some of the common vocabulary used Incorporate the mental status in a way that respects patients in presentation, documentation and formulation in clinical practice Topics: 2:37 - Learning objectives 3:10 - Definition of the MSE 6:48 - History of the MSE 9:00 - Limitations of the MSE 15:37 - Strengths of the MSE 21:30 - ASEPTIC Mnemonic 23:04 - Appearance and Behaviour 37:42 - Speech 51:51 - Emotion (mood and affect) 1:03:51 - Perception 1:08:38 - Thought Form and Content 1:17:30 - Insight and Judgement 1:27:40 - Cognition Hosts: Andreea Chiorean (CC4), Saja Jaberi (IMG), Dr. Weam Seiffien (PGY2), Angad Singh (CC2), Dr. Annie Yu (PGY1), and Dr. Alex Raben, staff psychiatrist. Guest Experts: Us! Video clips: Speech: Mojo Jojo: https://youtu.be/y4qNWPPlYE4?t=48 Family guy video: no longer available Emotion Eeyore: https://youtu.be/7xPnUe6Xcbw?t=12 Squidward: https://youtu.be/FjrOWnywPok?t=195 Bubbles: https://youtu.be/rAC4W563Ayk?t=339 Perception A Beautiful Mind: https://youtu.be/vNa37tOB4rE Insight and Judgement Simpsons: no longer available Mr. Magoo: https://youtu.be/eWEnzLFd4P4?t=201 Cognition Still Alice: https://youtu.be/mhiXAJO8kBc?t=67 Resources: MSE template: https://www.therapistaid.com/therapy-worksheet/mental-status-exam Emotion wheel: https://feelingswheel.com/ MSE vocabulary: http://www.columbia.edu/itc/hs/medical/psychmed/1_2004/mental_status_exam.pdf References: Bell, R. (1977). The Mental Status Examination. 16(5).Folstein, M. F., Folstein, S. E., & McHugh, P. R. (1975). “Mini-mental state”: a practical method for grading the cognitive state of patients for the clinician. Journal of psychiatric research, 12(3), 189-198. Donnelly, J., Rosenberg, M., & Fleeson, W. P. (1970). The evolution of the mental status—past and future. American Journal of Psychiatry, 126(7), 997-1002. Norris, D. R., Clark, M. S., & Shipley, S. (2016). The Mental Status Examination. 94(8). Norton, J. W., & Corbett, J. J. (2000, February). Visual perceptual abnormalities: hallucinations and illusions. In Seminars in neurology (Vol. 20, No. 01, pp. 0111-0122). Copyright© 2000 by Thieme Medical Publishers, Inc., 333 Seventh Avenue, New York, NY 10001, USA. Notes, T. (2020). Comprehensive Medical Reference and Review for the Medical Council of Canada Qualifying Exam (MCCQE) Part I and the United States Medical Licensing Exam (USMLE) Step II 36th ed: Toronto Notes for Medical Students. Recupero, P. R. (2010). The Mental Status Examination in the Age of the Internet. The Journal of the American Academy of Psychiatry and the Law, 38(1). Robinson D. J. (2002). Mental status exam explained (2nd ed.). Rapid Psychler Press. Robinson D. J. (1998). Brain Calipers: a guide to a successful mental status exam. Rapid Psychler Press. Ross, C. A., & Leichner, P. (1988). Residents Performance on the Mental Status Examination. The Canadian Journal of Psychiatry, 33(2), 108–111. https://doi.org/10.1177/070674378803300207 Sadock, B. J., & Sadock, V. A. (2007). Kaplan & Sadock's synopsis of psychiatry: Behavioral sciences/clinical psychiatry (10th ed.). Lippincott Williams & Wilkins Publishers. Segal, D. L. (Ed.). (2019). Diagnostic interviewing. Springer. Snyderman, D., & Rovner, B. (2009). Mental status examination in primary care: a review. American family physician, 80(8), 809-814. Spencer, R. J., Noyes, E. T., Bair, J. L., & Ransom, M. T. (2022). Systematic Review of the Psychometric Properties of the Saint Louis University Mental Status (SLUMS) Examination. Clinical Gerontologist, 45(3), 454–466. https://doi.org/10.1080/07317115.2022.2032523 The Collected Papers of Adolf Meyer. Volume III: Medical Teaching. (1952) JAMA. 148(17):1544. https://www.statpearls.com/ArticleLibrary/viewarticle/24998 CPA Note: The views expressed in this podcast do not necessarily reflect those of the Canadian Psychiatric Association. For more PsychEd, follow us on Twitter (@psychedpodcast), Facebook (PsychEd Podcast), and Instagram (@psyched.podcast). You can provide feedback by email at psychedpodcast@gmail.com. For more information, visit our website at psychedpodcast.org.

The 1990s Episode 9: NYC - The Rise of Downtown

In VOGUE: The Archives

Play Episode Listen Later Nov 2, 2022 36:20

By the mid 90's, New York City had married the European couturier model with the commercial power of Seventh Avenue, and had begun to overshadow Paris and Milan as the most important fashion capital in the world. Around the same time, a downtown school of designers and cultural figures began to react against the corporatized, uptown school, establishing a second, and equally as powerful vein of American fashion that exists even today. Voices featured, in order of appearance: Sandra Bernhard, Claire Danes, Julia Stiles, Donna Karan, Marc Jacobs, Isaac Mizrahi, Thirstin Howl III, Kristin Davis, Calvin Klein, Meg Ryan, Ryan McGinley, Kim Gordon, Yukie Ohta, Anna Sui, Laird Borelli-Persson, Vera Wang, Michael Kors, Francisco Costa, Fern Mallis, and Mark Holgate. For more on this week's episode and to access additional Vogue content, make sure to visit vogue.com/podcast. Don't miss out on new episodes of In Vogue: The 1990s on: Apple Podcasts: listen.vogue.com/iv-apple-podcasts Spotify: listen.vogue.com/iv-spotify Google: listen.vogue.com/iv-google-podcasts or wherever you listen to podcasts. Shop the Vogue Collection: https://shop.vogue.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Voodoo Circle - (Influenciados Por Whitesnake, Malmsteen, Purple, Rainbow / El Circulo Vudu)

Biblioteca Del Metal

Play Episode Listen Later Sep 5, 2022 78:50

Colabora Con Biblioteca Del Metal: Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Voodoo Circle es una banda alemana de hard rock fundada en 2008, como un proyecto del guitarrista de Silent Force Alex Beyrodt (actualmente también toca con la banda de heavy metal Primal Fear ) quien tuvo la idea de repensar su visión personal de la música, haciendo canciones más basadas en sus primeras influencias, como Whitesnake , Yngwie Malmsteen , Deep Purple y Rainbow .Después del álbum debut llamado Voodoo Circle de Alex Beyrodt , el proyecto se convirtió en una banda colaborativa, compuesta principalmente por Alex Beyrodt en la guitarra junto con el vocalista David Readman ( Pink Cream 69 ) y el bajista Mat Sinner (compañero de banda de Beyrodt en las bandas Primal Fear, Sinner y Silent Force). ) con la adición de un teclista y un baterista. El 5 de mayo de 2016, después de hacer 4 álbumes y giras, se anunció que el vocalista original David Readman dejaba la banda para concentrarse en otras actividades.Fue reemplazado por Herbie Langhans (Beyond the Bridge, ex- Sinbreed , ex- Seventh Avenue ).La banda obtuvo cierto éxito comercial y de crítica con el álbum Broken Heart Syndrome de 2011 . Los dos últimos álbumes de Voodoo Circle con Readman en la voz son More Than One Way Home lanzado en 2013 y Whiskey Fingers lanzado en 2015.El primer álbum con Langhans en la voz se llama Raised on Rock y fue lanzado el 9 de febrero de 2018 a través de AFM Records GmbH. El 19 de octubre de 2020 , AFM Records anunció el regreso del vocalista David Readman y el baterista Markus Kullmann y el nuevo álbum Locked & Loaded que se lanzará el 15 de enero de 2021. El primer sencillo será "Devil With An Angel Smile" y llegará el 30 de octubre.

Musical Offerings in July

musical offerings seventh avenue

Play Episode Listen Later Jul 10, 2022 9:32

In lieu of a recorded worship service this week, please enjoy these musical offerings cultivated for the enjoyment of the extended Seventh Avenue community. To join our mailing list visit: seventhavenuechurch.org/subscribe

Musical offerings...

musical offerings seventh avenue

Play Episode Listen Later Jun 12, 2022 9:44

Gazette Daily News Briefing, June 8

Tatort Reise: Der True-Crime-Podcast

Play Episode Listen Later Jun 8, 2022 3:12

This is Stephen Schmidt from the Gazette digital news desk and I'm here with your update for Wednesday, June 8. You could wake up to rainy skies Wednesday, but it won't last all day. According to the National Weather Service the majority of the rain in the Cedar Rapids area should move out of the area by 1 p.m. After that it will be mostly sunny, with a high of 73 degrees. The low will be 53 degrees Wednesday night with mostly clear skies. It was election night Tuesday and most races went as expected in Iowa, but there was a bit of a surprise in the U.S. Senate race. Mike Franken, a U.S. Navy veteran from Sioux City, earned the Democratic nomination Tuesday in Iowa's U.S. Senate campaign, handily beating former U.S. Rep. Abby Finkenauer of Cedar Rapids by 15 percentage points. Franken, who was runner-up in the 2020 Democratic primary for another Iowa U.S. Senate seat, made his second attempt count. Finkenauer had been viewed as a bit of a favorite to win the race after she announced due to name recognition and ties to the national party. With his victory, Franken earned the right to challenge longtime Republican U.S. Sen. Chuck Grassley in this fall's Nov. 8 general election. Grassley, as expected, easily survived his own primary challenge Tuesday. But that, of course, wasn't the only race Tuesday night. For more, check out our complete election night coverage on thegazette.com. An Iowa City man who helped organize Black Lives Matter events pleaded guilty Tuesday to lesser charges after injuring police officers by shining laser light beams in their eyes during 2020 protests in Iowa City. Matthew D.C. Bruce, 26, originally charged with six felony counts of assault on persons of certain occupations causing bodily injury, pleaded to two counts of assault causing bodily injury, which are serious misdemeanors, and three counts of assault, which are simple misdemeanors. Johnson County Attorney Janet Lyness said the prosecution will ask a judge to sentence Bruce to 180 days in jail but suspend 150 days, leaving him with 30 days to serve. Bruce was identified in multiple news reports as an organizer of the Des Moines Black Liberation Movement, a group that had organized protests in Des Moines following the death of George Floyd, 46, who was killed while in custody by former Minneapolis police Officer Derek Chauvin. The Uptown Marion Market will use the new Seventh Avenue festival street when it returns on Saturday. The market, which takes place one Saturday a month over the course of the summer, runs from 8 a.m. to noon. This year, over 35 local vendors will be selling fresh produce, wine, honey, baked goods and other artisan items. Marion streetscape work and other construction continues this summer, all around the Uptown area, but the market will still be accessible.

Auf der Spur des umheimlichen „Times Square-Killers“

Play Episode Listen Later May 26, 2022 35:43

Der Times Square gehört zu den wichtigsten Sehenswürdigkeiten in New York, es gibt kaum einen Touristen, den es nicht zu der quirligen Kreuzung von Broadway und Seventh Avenue mit ihren grellen Reklametafeln zieht. Aber was hierzulande nur wenige wissen: Noch bis Ende der 1970er Jahre waren der Time Square und seine Umgebung alles andere als ein Ort, an den es Urlauber zog. Damals zählte dieser Teil von Manhattan noch zu den gefährlichsten Gegenden in New York, es gab Drogendealer, billige Sex-Shops, Puffs und schummrige Motels. Und in dieser Zeit hat sich in einem dieser Etablissements ein Mordfall abgespielt, der grausamer nicht sein könnte. Und bei diesem einen Mord ist es leider nicht geblieben. Angelika Pickardt und Larissa Königs begeben sich dieses Mal auf die Spur des sogenannten „Times Square Killers“ oder auch „Torso Killers“ Richard Cottingham.

Weekend Jazz Meetup #253（後半）

Play Episode Listen Later May 16, 2022 48:19

5月14日（土）後半にお届けした作品： 7 Kaoru Azuma #東かおる / Four（2015年のアルバム「Wonderlands」から） 8 Shinpei Ruike & George Nakajima #類家心平 #中嶋錠二 / Boplicity（2022年のアルバム「Duo」から） 9 Mamiko Taira #平麻美子 / A Timeless Place（2015年のアルバム「Heart's Calling」から） 10 Nobuki Takamen #高免信喜 / Gee, Seventh Avenue（2020年のアルバム「Life Is Now」から） 11 Miki Yamanaka #山中ミキ … Continue reading →

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in lieu of recorded worship...

worship lieu seventh avenue

Play Episode Listen Later May 16, 2022 10:24

Mommy and Me Beauty with Lola and Pooch

PETPIX ACADEMY with Vasi Siedman

Play Episode Listen Later Jan 25, 2022 29:11

I am so excited to welcome back my dear friend Lola. In this episode you will learn more about her mission and passion helping furry babies. Artist & celebrity pet lifestlyist Lola Teigland brings her Seventh Avenue design experience (Nipon & Dior alum) and storytelling skills (pro writer, 10+ years) to the world of dog and the people who love them."Fashion has the power to empower, to magically transform. It's a source of genuine aesthetic creativity and personal self-expression. Its power to influence and rally can change the world. Dogs are the perfect bridge in our divided society, because both sides enjoy their magic. My goal is to amplify that. Maybe I'm an idealist, but I believe dogs can change the world."During COVID, Lola converted a promaster cargo van into a tiny home, and she intends to use it to meet up with dogs everywhere, uniting her social media dog world with real life. The plan was to call ourselves “underdogs”, where ordinary pups find their superpower to help facilitate change in our world. Then Subaru also saw the joy and power in. that. So the name is still in flux.Check episode 153: https://www.petpixacademy.com/podcasts/petpix-academy-with-vasi-siedman/episodes/2147665657Connect with Lola and Pooch: https://www.lolaandpooch.comhttps://www.instagram.com/lolaandpoochhttps://www.youtube.com/user/LolaEliz

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Welcome to Lola's and Pooch's World

PETPIX ACADEMY with Vasi Siedman

Play Episode Listen Later Jan 11, 2022 15:09

Artist & celebrity pet lifestlyist Lola Teigland brings her Seventh Avenue design experience (Nipon & Dior alum) and storytelling skills (pro writer, 10+ years) to the world of dog and the people who love them."Fashion has the power to empower, to magically transform. It's a source of genuine aesthetic creativity and personal self-expression. Its power to influence and rally can change the world. Dogs are the perfect bridge in our divided society, because both sides enjoy their magic. My goal is to amplify that. Maybe I'm an idealist, but I believe dogs can change the world."During COVID, Lola converted a promaster cargo van into a tiny home, and she intends to use it to meet up with dogs everywhere, uniting her social media dog world with real life. The plan was to call ourselves “underdogs”, where ordinary pups find their superpower to help facilitate change in our world. Then Subaru also saw the joy and power in. that. So the name is still in flux.Connect with Lola and Pooch: https://www.lolaandpooch.comhttps://www.instagram.com/lolaandpoochhttps://www.youtube.com/user/LolaEliz

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Is Democracy Dying in Rensselaer County? with Noreen McKee

Hudson Mohawk Magazine

Play Episode Listen Later Jan 4, 2022 9:35

Nest, Elizabeth Press speaks to Noreen McKee about her recent OpEd (https://tinyurl.com/yz2eudat) in the Times Union on voting in Rensselaer County. Noreen calls for a change to the election process and points out a few of the issues she sees on topics from ballot-harvesting through absentee ballots, the Democratic establishment abandoning its candidates, Republicans hijacking the Working Families Party, the County Executive's $20K last-minute raise, and more. (Outro) As Noreen mentioned, on Wednesday, January 5, 2022, the Rensselaer County Legislature will have a public forum at 1600 Seventh Avenue in Troy. It starts at 6pm and people can sign up to speak before that.

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Weekend Jazz Meetup #233（後半）

songs jazz meetup piano solo seventh avenue

Play Episode Listen Later Dec 27, 2021 40:12

12月25日（土）後半にお届けした作品： 7 Torhovocco Gakudan #トルホヴォッコ楽団 / トルホヴォッコのうた（Theme de Torhovocco)（2021年のアルバム「Songs」から） 8 Jun Furuya #古谷淳 / Quiet Place（2020年のアルバム「Piano Solo」から） 9 Nobuki Takamen #高免信喜 / Gee, Seventh Avenue（2020年のアルバム「Life Is Now」から） 10 Erika Matsuo #松尾恵理佳 / The Christmas Song（2021年12月リリースのシングル） 11 Chiemi Nakai feat. Mari … Continue reading →

Episode 135: “The Sound of Silence” by Simon and Garfunkel

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Oct 21, 2021

Episode one hundred and thirty-five of A History of Rock Music in Five Hundred Songs looks at “The Sound of Silence" by Simon and Garfunkel, and the many records they made, together and apart, before their success. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Blues Run the Game" by Jackson C. Frank. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata I talk about a tour of Lancashire towns, but some of the towns I mention were in Cheshire at the time, and some are in Greater Manchester or Merseyside now. They're all very close together though. I say Mose Rager was Black. I was misremembering, confusing Mose Rager, a white player in the Muhlenberg style, with Arnold Schultz, a Black player who invented it. I got this right in the episode on "Bye Bye Love". Also, I couldn't track down a copy of the Paul Kane single version of “He Was My Brother” in decent quality, so I used the version on The Paul Simon Songbook instead, as they're basically identical performances. Resources As usual, I've created a Mixcloud playlist of the music excerpted here. This compilation collects all Simon and Garfunkel's studio albums, with bonus tracks, plus a DVD of their reunion concert. There are many collections of the pre-S&G recordings by the two, as these are now largely in the public domain. This one contains a good selection. I've referred to several books for this episode: Simon and Garfunkel: Together Alone by Spencer Leigh is a breezy, well-researched, biography of the duo. Paul Simon: The Life by Robert Hilburn is the closest thing there is to an authorised biography of Simon. And What is it All But Luminous? is Art Garfunkel's memoir. It's not particularly detailed, being more a collection of thoughts and poetry than a structured narrative, but gives a good idea of Garfunkel's attitude to people and events in his life. Roots, Radicals, and Rockers: How Skiffle Changed the World by Billy Bragg has some great information on the British folk scene of the fifties and sixties. And Singing From the Floor is an oral history of British folk clubs, including a chapter on Dylan's 1962 visit to London. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today, we're going to take a look at a hit record that almost never happened -- a record by a duo who had already split up, twice, by the time it became a hit, and who didn't know it was going to come out. We're going to look at how a duo who started off as an Everly Brothers knockoff, before becoming unsuccessful Greenwich Village folkies, were turned into one of the biggest acts of the sixties by their producer. We're going to look at Simon and Garfunkel, and at "The Sound of Silence": [Excerpt: Simon and Garfunkel, "The Sound of Silence"] The story of Simon and Garfunkel starts with two children in a school play. Neither Paul Simon or Art Garfunkel had many friends when they met in a school performance of Alice in Wonderland, where Simon was playing the White Rabbit and Garfunkel the Cheshire Cat. Simon was well-enough liked, by all accounts, but he'd been put on an accelerated programme for gifted students which meant he was progressing through school faster than his peers. He had a small social group, mostly based around playing baseball, but wasn't one of the popular kids. Art Garfunkel, another gifted student, had no friends at all until he got to know Simon, who he described later as his "one and only friend" in this time period. One passage in Garfunkel's autobiography seems to me to sum up everything about Garfunkel's personality as a child -- and indeed a large part of his personality as it comes across in interviews to this day. He talks about the pleasure he got from listening to the chart rundown on the radio -- "It was the numbers that got me. I kept meticulous lists—when a new singer like Tony Bennett came onto the charts with “Rags to Riches,” I watched the record jump from, say, #23 to #14 in a week. The mathematics of the jumps went to my sense of fun." Garfunkel is, to this day, a meticulous person -- on his website he has a list of every book he's read since June 1968, which is currently up to one thousand three hundred and ten books, and he has always had a habit of starting elaborate projects and ticking off every aspect of them as he goes. Both Simon and Garfunkel were outsiders at this point, other than their interests in sport, but Garfunkel was by far the more introverted of the two, and as a result he seems to have needed their friendship more than Simon did. But the two boys developed an intense, close, friendship, initially based around their shared sense of humour. Both of them were avid readers of Mad magazine, which had just started publishing when the two of them had met up, and both could make each other laugh easily. But they soon developed a new interest, when Martin Block on the middle-of-the-road radio show Make Believe Ballroom announced that he was going to play the worst record he'd ever heard. That record was "Gee" by the Crows: [Excerpt: The Crows, "Gee"] Paul Simon later said that that record was the first thing he'd ever heard on that programme that he liked, and soon he and Garfunkel had become regular listeners to Alan Freed's show on WINS, loving the new rock and roll music they were discovering. Art had already been singing in public from an early age -- his first public performance had been singing Nat "King" Cole's hit "Too Young" in a school talent contest when he was nine -- but the two started singing together. The first performance by Simon and Garfunkel was at a high school dance and, depending on which source you read, was a performance either of "Sh'Boom" or of Big Joe Turner's "Flip, Flop, and Fly": [Excerpt: Big Joe Turner, "Flip, Flop, and Fly"] The duo also wrote at least one song together as early as 1955 -- or at least Garfunkel says they wrote it together. Paul Simon describes it as one he wrote. They tried to get a record deal with the song, but it was never recorded at the time -- but Simon has later performed it: [Excerpt: Paul Simon, "The Girl For Me"] Even at this point, though, while Art Garfunkel was putting all his emotional energy into the partnership with Simon, Simon was interested in performing with other people. Al Kooper was another friend of Simon's at the time, and apparently Simon and Kooper would also perform together. Once Elvis came on to Paul's radar, he also bought a guitar, but it was when the two of them first heard the Everly Brothers that they realised what it was that they could do together. Simon fell in love with the Everly Brothers as soon as he heard "Bye Bye Love": [Excerpt: The Everly Brothers, "Bye Bye Love"] Up to this point, Paul hadn't bought many records -- he spent his money on baseball cards and comic books, and records just weren't good value. A pack of baseball cards was five cents, a comic book was ten cents, but a record was a dollar. Why buy records when you could hear music on the radio for free? But he needed that record, he couldn't just wait around to hear it on the radio. He made an hour-long two-bus journey to a record shop in Queens, bought the record, took it home, played it... and almost immediately scratched it. So he got back on the bus, travelled for another hour, bought another copy, took it home, and made sure he didn't scratch that one. Simon and Garfunkel started copying the Everlys' harmonies, and would spend hours together, singing close together watching each other's mouths and copying the way they formed words, eventually managing to achieve a vocal blend through sheer effort which would normally only come from familial closeness. Paul became so obsessed with music that he sold his baseball card collection and bought a tape recorder for two hundred dollars. They would record themselves singing, and then sing back along with it, multitracking themselves, but also critiquing the tape, refining their performances. Paul's father was a bass player -- "the family bassman", as he would later sing -- and encouraged his son in his music, even as he couldn't see the appeal in this new rock and roll music. He would critique Paul's songs, saying things like "you went from four-four to a bar of nine-eight, you can't do that" -- to which his son would say "I just did" -- but this wasn't hostile criticism, rather it was giving his son a basic grounding in song construction which would prove invaluable. But the duo's first notable original song -- and first hit -- came about more or less by accident. In early 1956, the doo-wop group the Clovers had released the hit single "Devil or Angel". Its B-side had a version of "Hey Doll Baby", a song written by the blues singer Titus Turner, and which sounds to me very inspired by Hank Williams' "Hey, Good Lookin'": [Excerpt: The Clovers, "Hey, Doll Baby"] That song was picked up by the Everly Brothers, who recorded it for their first album: [Excerpt: The Everly Brothers, "Hey Doll Baby"] Here is where the timeline gets a little confused for me, because that album wasn't released until early 1958, although the recording session for that track was in August 1957. Yet that track definitely influenced Paul Simon and Art Garfunkel to record a song that they released in November 1957. All I can imagine is that they heard the brothers perform it live, or maybe a radio station had an acetate copy. Because the way everyone has consistently told the story is that at the end of summer 1957, Simon and Garfunkel had both heard the Everly Brothers perform "Hey Doll Baby", but couldn't remember how it went. The two of them tried to remember it, and to work a version of it out together, and their hazy memories combined to reconstruct something that was completely different, and which owed at least as much to "Wake Up Little Suzie" as to "Hey Doll Baby". Their new song, "Hey Schoolgirl", was catchy enough that they thought if they recorded a demo of it, maybe the Everly Brothers themselves would record the song. At the demo studio they happened to encounter Sid Prosen, who owned a small record label named Big Records. He heard the duo perform and realised he might have his own Everly Brothers here. He signed the duo to a contract, and they went into a professional studio to rerecord "Hey Schoolgirl", this time with Paul's father on bass, and a couple of other musicians to fill out the sound: [Excerpt: Tom and Jerry, "Hey Schoolgirl"] Of course, the record couldn't be released under their real names -- there was no way anyone was going to buy a record by Simon and Garfunkel. So instead they became Tom and Jerry. Paul Simon was Jerry Landis -- a surname he chose because he had a crush on a girl named Sue Landis. Art became Tom Graff, because he liked drawing graphs. "Hey Schoolgirl" became a local hit. The two were thrilled to hear it played on Alan Freed's show (after Sid Prosen gave Freed two hundred dollars), and were even more thrilled when they got to perform on American Bandstand, on the same show as Jerry Lee Lewis. When Dick Clark asked them where they were from, Simon decided to claim he was from Macon, Georgia, where Little Richard came from, because all his favourite rock and roll singers were from the South. "Hey Schoolgirl" only made number forty-nine nationally, because the label didn't have good national distribution, but it sold over a hundred thousand copies, mostly in the New York area. And Sid Prosen seems to have been one of a very small number of independent label owners who wasn't a crook -- the two boys got about two thousand dollars each from their hit record. But while Tom and Jerry seemed like they might have a successful career, Simon and Garfunkel were soon to split up, and the reason for their split was named True Taylor. Paul had been playing some of his songs for Sid Prosen, to see what the duo's next single should be, and Prosen had noticed that while some of them were Everly Brothers soundalikes, others were Elvis soundalikes. Would Paul be interested in recording some of those, too? Obviously Art couldn't sing on those, so they'd use a different name, True Taylor. The single was released around the same time as the second Tom and Jerry record, and featured an Elvis-style ballad by Paul on one side, and a rockabilly song written by his father on the other: [Excerpt: True Taylor, "True or False"] But Paul hadn't discussed that record with Art before doing it, and the two had vastly different ideas about their relationship. Paul was Art's only friend, and Art thought they had an indissoluble bond and that they would always work together. Paul, on the other hand, thought of Art as one of his friends and someone he made music with, but he could play at being Elvis if he wanted, as well as playing at being an Everly brother. Garfunkel, in his memoir published in 2017, says "the friendship was shattered for life" -- he decided then and there that Paul Simon was a "base" person, a betrayer. But on the other hand, he still refers to Simon, over and over again, in that book as still being his friend, even as Simon has largely been disdainful of him since their last performance together in 2010. Friendships are complicated. Tom and Jerry struggled on for a couple more singles, which weren't as successful as "Hey Schoolgirl" had been, with material like "Two Teenagers", written by Rose Marie McCoy: [Excerpt: Tom and Jerry, "Two Teenagers"] But as they'd stopped being friends, and they weren't selling records, they drifted apart and didn't really speak for five years, though they would occasionally run into one another. They both went off to university, and Garfunkel basically gave up on the idea of having a career in music, though he did record a couple of singles, under the name "Artie Garr": [Excerpt: Artie Garr, "Beat Love"] But for the most part, Garfunkel concentrated on his studies, planning to become either an architect or maybe an academic. Paul Simon, on the other hand, while he was technically studying at university too, was only paying minimal attention to his studies. Instead, he was learning the music business. Every afternoon, after university had finished, he'd go around the Brill Building and its neighbouring buildings, offering his services both as a songwriter and as a demo performer. As Simon was competent on guitar, bass, and drums, could sing harmonies, and could play a bit of piano if it was in the key of C, he could use primitive multitracking to play and sing all the parts on a demo, and do it well: [Excerpt: Paul Simon, "Boys Were Made For Girls"] That's an excerpt from a demo Simon recorded for Burt Bacharach, who has said that he tried to get Simon to record as many of his demos as possible, though only a couple of them have surfaced publicly. Simon would also sometimes record demos with his friend Carole Klein, sometimes under the name The Cosines: [Excerpt: The Cosines, "Just to Be With You"] As we heard back in the episode on "Will You Love Me Tomorrow?", Carole Klein went on to change her name to Carole King, and become one of the most successful songwriters of the era -- something which spurred Paul Simon on, as he wanted to emulate her success. Simon tried to get signed up by Don Kirshner, who was publishing Goffin and King, but Kirshner turned Simon down -- an expensive mistake for Kirshner, but one that would end up benefiting Simon, who eventually figured out that he should own his own publishing. Simon was also getting occasional work as a session player, and played lead guitar on "The Shape I'm In" by Johnny Restivo, which made the lower reaches of the Hot One Hundred: [Excerpt: Johnny Restivo, "The Shape I'm In"] Between 1959 and 1963 Simon recorded a whole string of unsuccessful pop singles. including as a member of the Mystics: [Excerpt: The Mystics, "All Through the Night"] He even had a couple of very minor chart hits -- he got to number 99 as Tico and the Triumphs: [Excerpt: Tico and the Triumphs, "Motorcycle"] and number ninety-seven as Jerry Landis: [Excerpt: Jerry Landis, "The Lone Teen Ranger"] But he was jumping around, hopping onto every fad as it passed, and not getting anywhere. And then he started to believe that he could do something more interesting in music. He first became aware that the boundaries of what could be done in music extended further than "ooh-bop-a-loochy-ba" when he took a class on modern music at university, which included a trip to Carnegie Hall to hear a performance of music by the avant-garde composer Edgard Varese: [Excerpt: Edgard Varese, "Ionisation"] Simon got to meet Varese after the performance, and while he would take his own music in a very different, and much more commercial, direction than Varese's, he was nonetheless influenced by what Varese's music showed about the possibilities that existed in music. The other big influence on Simon at this time was when he heard The Freewheelin' Bob Dylan: [Excerpt: Bob Dylan, "Girl From the North Country"] Simon immediately decided to reinvent himself as a folkie, despite at this point knowing very little about folk music other than the Everly Brothers' Songs Our Daddy Taught Us album. He tried playing around Greenwich Village, but found it an uncongenial atmosphere, and inspired by the liner notes to the Dylan album, which talked about Dylan's time in England, he made what would be the first of several trips to the UK, where he was given a rapturous reception simply on the grounds of being an American and owning a better acoustic guitar -- a Martin -- than most British people owned. He had the showmanship that he'd learned from watching his father on stage and sometimes playing with him, and from his time in Tom and Jerry and working round the studios, and so he was able to impress the British folk-club audiences, who were used to rather earnest, scholarly, people, not to someone like Simon who was clearly ambitious and very showbiz. His repertoire at this point consisted mostly of songs from the first two Dylan albums, a Joan Baez record, Little Willie John's "Fever", and one song he'd written himself, an attempt at a protest song called "He Was My Brother", which he would release on his return to the US under yet another stage name, Paul Kane: [Excerpt: Paul Kane, "He Was My Brother"] Simon has always stated that that song was written about a friend of his who was murdered when he went down to Mississippi with the Freedom Riders -- but while Simon's friend was indeed murdered, it wasn't until about a year after he wrote the song, and Simon has confused the timelines in his subsequent recollections. At the time he recorded that, when he had returned to New York at the end of the summer, Simon had a job as a song plugger for a publishing company, and he gave the publishing company the rights to that song and its B-side, which led to that B-side getting promoted by the publisher, and ending up covered on one of the biggest British albums of 1964, which went to number two in the UK charts: [Excerpt: Val Doonican, "Carlos Dominguez"] Oddly, that may not end up being the only time we feature a Val Doonican track on this podcast. Simon continued his attempts to be a folkie, even teaming up again with Art Garfunkel, with whom he'd re-established contact, to perform in Greenwich Village as Kane and Garr, but they went down no better as a duo than Simon had as a solo artist. Simon went back to the UK again over Christmas 1963, and while he was there he continued work on a song that would become such a touchstone for him that of the first six albums he would be involved in, four would feature the song while a fifth would include a snippet of it. "The Sound of Silence" was apparently started in November 1963, but not finished until February 1964, by which time he was once again back in the USA, and back working as a song plugger. It was while working as a song plugger that Simon first met Tom Wilson, Bob Dylan's producer at Columbia. Simon met up with Wilson trying to persuade him to use some of the songs that the publishing company were putting out. When Wilson wasn't interested, Simon played him a couple of his own songs. Wilson took one of them, "He Was My Brother", for the Pilgrims, a group he was producing who were supposed to be the Black answer to Peter, Paul, and Mary: [Excerpt: The Pilgrims, "He Was My Brother"] Wilson was also interested in "The Sound of Silence", but Simon was more interested in getting signed as a performer than in having other acts perform his songs. Wilson was cautious, though -- he was already producing one folkie singer-songwriter, and he didn't really need a second one. But he *could* probably do with a vocal group... Simon mentioned that he had actually made a couple of records before, as part of a duo. Would Wilson be at all interested in a vocal *duo*? Wilson would be interested. Simon and Garfunkel auditioned for him, and a few days later were in the Columbia Records studio on Seventh Avenue recording their first album as a duo, which was also the first time either of them would record under their own name. Wednesday Morning, 3AM, the duo's first album, was a simple acoustic album, and the only instrumentation was Simon and Barry Kornfeld, a Greenwich Village folkie, on guitars, and Bill Lee, the double bass player who'd played with Dylan and others, on bass. Tom Wilson guided the duo in their song selection, and the eventual album contained six cover versions and six originals written by Simon. The cover versions were a mixture of hootenanny staples like "Go Tell it on the Mountain", plus Dylan's "The Times They Are A-Changin'", included to cross-promote Dylan's new album and to try to link the duo with the more famous writer, and one unusual one, "The Sun is Burning", written by Ian Campbell, a Scottish folk singer who Simon had got to know on his trips to the UK: [Excerpt: Simon and Garfunkel, "The Sun is Burning"] But the song that everyone was keenest on was "The Sound of Silence", the first song that Simon had written that he thought would stand up in comparison with the sort of song that Dylan was writing: [Excerpt: Simon and Garfunkel, "The Sound of Silence (Wednesday Morning 3AM version)"] In between sessions for the album, Simon and Garfunkel also played a high-profile gig at Gerde's Folk City in the Village, and a couple of shows at the Gaslight Cafe. The audiences there, though, regarded them as a complete joke -- Dave Van Ronk would later relate that for weeks afterwards, all anyone had to do was sing "Hello darkness, my old friend", for everyone around to break into laughter. Bob Dylan was one of those who laughed at the performance -- though Robert Shelton later said that Dylan hadn't been laughing at them, specifically, he'd just had a fit of the giggles -- and this had led to a certain amount of anger from Simon towards Dylan. The album was recorded in March 1964, and was scheduled for release in October. In the meantime, they both made plans to continue with their studies and their travels. Garfunkel was starting to do postgraduate work towards his doctorate in mathematics, while Simon was now enrolled in Brooklyn Law School, but was still spending most of his time travelling, and would drop out after one semester. He would spend much of the next eighteen months in the UK. While he was occasionally in the US between June 1964 and November 1965, Simon now considered himself based in England, where he made several acquaintances that would affect his life deeply. Among them were a young woman called Kathy Chitty, with whom he would fall in love and who would inspire many of his songs, and an older woman called Judith Piepe (and I apologise if I'm mispronouncing her name, which I've only ever seen written down, never heard) who many people believed had an unrequited crush on Simon. Piepe ran her London flat as something of a commune for folk musicians, and Simon lived there for months at a time while in the UK. Among the other musicians who stayed there for a time were Sandy Denny, Cat Stevens, and Al Stewart, whose bedroom was next door to Simon's. Piepe became Simon's de facto unpaid manager and publicist, and started promoting him around the British folk scene. Simon also at this point became particularly interested in improving his guitar playing. He was spending a lot of time at Les Cousins, the London club that had become the centre of British acoustic guitar. There are, roughly, three styles of acoustic folk guitar -- to be clear, I'm talking about very broad-brush categorisations here, and there are people who would disagree and say there are more, but these are the main ones. Two of these are American styles -- there's the simple style known as Carter scratching, popularised by Mother Maybelle Carter of the Carter family, and for this all you do is alternate bass notes with your thumb while scratching the chord on the treble strings with one finger, like this: [Excerpt: Carter picking] That's the style played by a lot of country and folk players who were primarily singers accompanying themselves. In the late forties and fifties, though, another style had become popularised -- Travis picking. This is named after Merle Travis, the most well-known player in the style, but he always called it Muhlenberg picking, after Muhlenberg County, where he'd learned the style from Ike Everly -- the Everly Brothers' father -- and Mose Rager, a Black guitarist. In Travis picking, the thumb alternates between two bass notes, but rather than strumming a chord, the index and middle fingers play simple patterns on the treble strings, like this: [Excerpt: Travis picking] That's, again, a style primarily used for accompaniment, but it can also be used to play instrumentals by oneself. As well as Travis and Ike Everly, it's also the style played by Donovan, Chet Atkins, James Taylor, and more. But there's a third style, British baroque folk guitar, which was largely the invention of Davey Graham. Graham, you might remember, was a folk guitarist who had lived in the same squat as Lionel Bart when Bart started working with Tommy Steele, and who had formed a blues duo with Alexis Korner. Graham is now best known for one of his simpler pieces, “Anji”, which became the song that every British guitarist tried to learn: [Excerpt: Davey Graham, "Anji"] Dozens of people, including Paul Simon, would record versions of that. Graham invented an entirely new style of guitar playing, influenced by ragtime players like Blind Blake, but also by Bach, by Moroccan oud music, and by Celtic bagpipe music. While it was fairly common for players to retune their guitar to an open major chord, allowing them to play slide guitar, Graham retuned his to a suspended fourth chord -- D-A-D-G-A-D -- which allowed him to keep a drone going on some strings while playing complex modal counterpoints on others. While I demonstrated the previous two styles myself, I'm nowhere near a good enough guitarist to demonstrate British folk baroque, so here's an excerpt of Davey Graham playing his own arrangement of the traditional ballad "She Moved Through the Fair", recast as a raga and retitled "She Moved Thru' the Bizarre": [Excerpt: Davey Graham, "She Moved Thru' the Bizarre"] Graham's style was hugely influential on an entire generation of British guitarists, people who incorporated world music and jazz influences into folk and blues styles, and that generation of guitarists was coming up at the time and playing at Les Cousins. People who started playing in this style included Jimmy Page, Bert Jansch, Roy Harper, John Renbourn, Richard Thompson, Nick Drake, and John Martyn, and it also had a substantial influence on North American players like Joni Mitchell, Tim Buckley, and of course Paul Simon. Simon was especially influenced at this time by Martin Carthy, the young British guitarist whose style was very influenced by Graham -- but while Graham applied his style to music ranging from Dave Brubeck to Lutheran hymns to Big Bill Broonzy songs, Carthy mostly concentrated on traditional English folk songs. Carthy had a habit of taking American folk singers under his wing, and he taught Simon several songs, including Carthy's own arrangement of the traditional "Scarborough Fair": [Excerpt: Martin Carthy, "Scarborough Fair"] Simon would later record that arrangement, without crediting Carthy, and this would lead to several decades of bad blood between them, though Carthy forgave him in the 1990s, and the two performed the song together at least once after that. Indeed, Simon seems to have made a distinctly negative impression on quite a few of the musicians he knew in Britain at this time, who seem to, at least in retrospect, regard him as having rather used and discarded them as soon as his career became successful. Roy Harper has talked in liner notes to CD reissues of his work from this period about how Simon used to regularly be a guest in his home, and how he has memories of Simon playing with Harper's baby son Nick (now himself one of the greats of British guitar) but how as soon as he became successful he never spoke to Harper again. Similarly, in 1965 Simon started a writing partnership with Bruce Woodley of the Seekers, an Australian folk-pop band based in the UK, best known for "Georgy Girl". The two wrote "Red Rubber Ball", which became a hit for the Cyrkle: [Excerpt: The Cyrke, "Red Rubber Ball"] and also "Cloudy", which the Seekers recorded as an album track: [Excerpt: The Seekers, "Cloudy"] When that was recorded by Simon and Garfunkel, Woodley's name was removed from the writing credits, though Woodley still apparently received royalties for it. But at this point there *was* no Simon and Garfunkel. Paul Simon was a solo artist working the folk clubs in Britain, and Simon and Garfunkel's one album had sold a minuscule number of copies. They did, when Simon briefly returned to the US in March, record two tracks for a prospective single, this time with an electric backing band. One was a rewrite of the title track of their first album, now titled "Somewhere They Can't Find Me" and with a new chorus and some guitar parts nicked from Davey Graham's "Anji"; the other a Twist-beat song that could almost be Manfred Mann or Georgie Fame -- "We Got a Groovy Thing Goin'". That was also influenced by “Anji”, though by Bert Jansch's version rather than Graham's original. Jansch rearranged the song and stuck in this phrase: [Excerpt: Bert Jansch, “Anji”] Which became the chorus to “We Got a Groovy Thing Goin'”: [Excerpt: Simon and Garfunkel, "We Got a Groovy Thing Goin'"] But that single was never released, and as far as Columbia were concerned, Simon and Garfunkel were a defunct act, especially as Tom Wilson, who had signed them, was looking to move away from Columbia. Art Garfunkel did come to visit Simon in the UK a couple of times, and they'd even sing together occasionally, but it was on the basis of Paul Simon the successful club act occasionally inviting his friend on stage during the encore, rather than as a duo, and Garfunkel was still seeing music only as a sideline while Simon was now utterly committed to it. He was encouraged in this commitment by Judith Piepe, who considered him to be the greatest songwriter of his generation, and who started a letter-writing campaign to that effect, telling the BBC they needed to put him on the radio. Eventually, after a lot of pressure, they agreed -- though they weren't exactly sure what to do with him, as he didn't fit into any of the pop formats they had. He was given his own radio show -- a five-minute show in a religious programming slot. Simon would perform a song, and there would be an introduction tying the song into some religious theme or other. Two series of four episodes of this were broadcast, in a plum slot right after Housewives' Choice, which got twenty million listeners, and the BBC were amazed to find that a lot of people phoned in asking where they could get hold of the records by this Paul Simon fellow. Obviously he didn't have any out yet, and even the Simon and Garfunkel album, which had been released in the US, hadn't come out in Britain. After a little bit of negotiation, CBS, the British arm of Columbia Records, had Simon come in and record an album of his songs, titled The Paul Simon Songbook. The album, unlike the Simon and Garfunkel album, was made up entirely of Paul Simon originals. Two of them were songs that had previously been recorded for Wednesday Morning 3AM -- "He Was My Brother" and a new version of "The Sound of Silence": [Excerpt: Paul Simon, "The Sound of Silence"] The other ten songs were newly-written pieces like "April Come She Will", "Kathy's Song", a parody of Bob Dylan entitled "A Simple Desultory Philippic", and the song that was chosen as the single, "I am a Rock": [Excerpt: Paul Simon, "I am a Rock"] That song was also the one that was chosen for Simon's first TV appearance since Tom and Jerry had appeared on Bandstand eight years earlier. The appearance on Ready, Steady, Go, though, was not one that anyone was happy with. Simon had been booked to appear on a small folk music series, Heartsong, but that series was cancelled before he could appear. Rediffusion, the company that made the series, also made Ready, Steady, Go, and since they'd already paid Simon they decided they might as well stick him on that show and get something for their money. Unfortunately, the episode in question was already running long, and it wasn't really suited for introspective singer-songwriter performances -- the show was geared to guitar bands and American soul singers. Michael Lindsay-Hogg, the director, insisted that if Simon was going to do his song, he had to cut at least one verse, while Simon was insistent that he needed to perform the whole thing because "it's a story". Lindsay-Hogg got his way, but nobody was happy with the performance. Simon's album was surprisingly unsuccessful, given the number of people who'd called the BBC asking about it -- the joke went round that the calls had all been Judith Piepe doing different voices -- and Simon continued his round of folk clubs, pubs, and birthday parties, sometimes performing with Garfunkel, when he visited for the summer, but mostly performing on his own. One time he did perform with a full band, singing “Johnny B Goode” at a birthday party, backed by a band called Joker's Wild who a couple of weeks later went into the studio to record their only privately-pressed five-song record, of them performing recent hits: [Excerpt: Joker's Wild, "Walk Like a Man"] The guitarist from Joker's Wild would later join the other band who'd played at that party, but the story of David Gilmour joining Pink Floyd is for another episode. During this time, Simon also produced his first record for someone else, when he was responsible for producing the only album by his friend Jackson C Frank, though there wasn't much production involved as like Simon's own album it was just one man and his guitar. Al Stewart and Art Garfunkel were also in the control room for the recording, but the notoriously shy Frank insisted on hiding behind a screen so they couldn't see him while he recorded: [Excerpt: Jackson C Frank, "Blues Run the Game"] It seemed like Paul Simon was on his way to becoming a respected mid-level figure on the British folk scene, releasing occasional albums and maybe having one or two minor hits, but making a steady living. Someone who would be spoken of in the same breath as Ralph McTell perhaps. Meanwhile, Art Garfunkel would be going on to be a lecturer in mathematics whose students might be surprised to know he'd had a minor rock and roll hit as a kid. But then something happened that changed everything. Wednesday Morning 3AM hadn't sold at all, and Columbia hadn't promoted it in the slightest. It was too collegiate and polite for the Greenwich Village folkies, and too intellectual for the pop audience that had been buying Peter, Paul, and Mary, and it had come out just at the point that the folk boom had imploded. But one DJ in Boston, Dick Summer, had started playing one song from it, "The Sound of Silence", and it had caught on with the college students, who loved the song. And then came spring break 1965. All those students went on holiday, and suddenly DJs in places like Cocoa Beach, Florida, were getting phone calls requesting "The Sound of Silence" by Simon and Garfunkel. Some of them with contacts at Columbia got in touch with the label, and Tom Wilson had an idea. On the first day of what turned out to be his last session with Dylan, the session for "Like a Rolling Stone", Wilson asked the musicians to stay behind and work on something. He'd already experimented with overdubbing new instruments on an acoustic recording with his new version of Dylan's "House of the Rising Sun", now he was going to try it with "The Sound of Silence". He didn't bother asking the duo what they thought -- record labels messed with people's records all the time. So "The Sound of Silence" was released as an electric folk-rock single: [Excerpt: Simon and Garfunkel, "The Sound of Silence"] This is always presented as Wilson massively changing the sound of the duo without their permission or knowledge, but the fact is that they had *already* gone folk-rock, back in March, so they were already thinking that way. The track was released as a single with “We Got a Groovy Thing Going” on the B-side, and was promoted first in the Boston market, and it did very well. Roy Harper later talked about Simon's attitude at this time, saying "I can remember going into the gents in The Three Horseshoes in Hempstead during a gig, and we're having a pee together. He was very excited, and he turns round to me and and says, “Guess what, man? We're number sixteen in Boston with The Sound of Silence'”. A few days later I was doing another gig with him and he made a beeline for me. “Guess what?” I said “You're No. 15 in Boston”. He said, “No man, we're No. 1 in Boston”. I thought, “Wow. No. 1 in Boston, eh?” It was almost a joke, because I really had no idea what that sort of stuff meant at all." Simon was even more excited when the record started creeping up the national charts, though he was less enthused when his copy of the single arrived from America. He listened to it, and thought the arrangement was a Byrds rip-off, and cringed at the way the rhythm section had to slow down and speed up in order to stay in time with the acoustic recording: [Excerpt: Simon and Garfunkel, "The Sound of Silence"] I have to say that, while the tempo fluctuations are noticeable once you know to look for them, it's a remarkably tight performance given the circumstances. As the record went up the charts, Simon was called back to America, to record an album to go along with it. The Paul Simon Songbook hadn't been released in the US, and they needed an album *now*, and Simon was a slow songwriter, so the duo took six songs from that album and rerecorded them in folk-rock versions with their new producer Bob Johnston, who was also working with Dylan now, since Tom Wilson had moved on to Verve records. They filled out the album with "The Sound of Silence", the two electric tracks from March, one new song, "Blessed", and a version of "Anji", which came straight after "Somewhere They Can't Find Me", presumably to acknowledge Simon lifting bits of it. That version of “Anji” also followed Jansch's arrangement, and so included the bit that Simon had taken for “We Got a Groovy Thing Going” as well. They also recorded their next single, which was released on the British version of the album but not the American one, a song that Simon had written during a thoroughly depressing tour of Lancashire towns (he wrote it in Widnes, but a friend of Simon's who lived in Widnes later said that while it was written in Widnes it was written *about* Birkenhead. Simon has also sometimes said it was about Warrington or Wigan, both of which are so close to Widnes and so similar in both name and atmosphere that it would be the easiest thing in the world to mix them up.) [Excerpt: Simon and Garfunkel, "Homeward Bound"] These tracks were all recorded in December 1965, and they featured the Wrecking Crew -- Bob Johnston wanted the best, and didn't rate the New York players that Wilson had used, and so they were recorded in LA with Glen Campbell, Joe South, Hal Blaine, Larry Knechtel, and Joe Osborne. I've also seen in some sources that there were sessions in Nashville with A-team players Fred Carter and Charlie McCoy. By January, "The Sound of Silence" had reached number one, knocking "We Can Work it Out" by the Beatles off the top spot for two weeks, before the Beatles record went back to the top. They'd achieved what they'd been trying for for nearly a decade, and I'll give the last word here to Paul Simon, who said of the achievement: "I had come back to New York, and I was staying in my old room at my parents' house. Artie was living at his parents' house, too. I remember Artie and I were sitting there in my car one night, parked on a street in Queens, and the announcer said, "Number one, Simon & Garfunkel." And Artie said to me, "That Simon & Garfunkel, they must be having a great time.""

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Barneys, Deader Than Ever, Is Becoming a Spirit Halloween

Cooper And Anthony Show

Play Episode Listen Later Aug 13, 2021 9:54

You want some October gloom a little early? How's this: The original Barneys store on Seventh Avenue, after sitting forlorn and empty for nearly two years, is being filled with a new tenant, if only for the season. And that occupant is, of all retailers, Spirit Halloween. More at www.CooperandAnthony.com, and watch us nightly at 7pm EST https://www.twitch.tv/cooperandanthony

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Barneys, Deader Than Ever, Is Becoming a Spirit Halloween

Cooper And Anthony

Play Episode Listen Later Aug 13, 2021 9:54

spirit halloween barneys deader seventh avenue

Gazette Daily News Briefing, August 7 and August 8

Ready For Takeoff - Turn Your Aviation Passion Into A Career

Play Episode Listen Later Aug 7, 2021 3:49

This is Stephen Schmidt from the Gazette digital news desk and I'm here with your update for Saturday, August 7th and Sunday, August 8th. We could see some rain Saturday and Sunday. According to the forecast from the National Weather Service there will be a slight chance for showers and thunderstorms all day on Saturday. Otherwise, it will be partly sunny, with a high near 88 degrees. The chance for rain will become more pronounced on Saturday night into Sunday, rising to a 50 percent chance overnight and a 70 percent chance on Sunday. As for Sunday, it is expected to range from partly sunny to mostly cloudy, with a high near 89 degrees. Avoiding a murder trial, an Anamosa State Penitentiary inmate admitted Friday to bludgeoning correctional Officer Robert McFarland and prison nurse Lorena Schulte to death with a hammer during a failed prison escape last spring. Inmate https://www.thegazette.com/crime-courts/trials-reset-for-inmates-charged-with-killing-anamosa-prison-employees/ (Thomas Woodard, 34, )admitted that he intentionally struck McFarland, 46, of Ely, at least twice to the back of his head and struck Schulte, 50, of Cedar Rapids, at least twice to her face and head. He wouldn't admit that he had an intent to kill Schulte. He said his intention when attacking Schulte was to try to keep her from calling for help. Woodard, who was serving time at Anamosa for robbery, pleaded guilty to all the charges against him: two counts of first-degree murder, attempted murder and second-degree kidnapping. He faces two life sentences without parole and up to 50 years on the other two. His only condition for pleading to the charges was that he be sent to a Nebraska prison to serve his terms. Another inmate who attempted to escape, Michael Dutcher, is accused of the same charges. He has asked for a non-jury trial, which hasn't been scheduled yet. Dutcher plans to claim self-defense or that he acted in defense of others. Following a https://www.thegazette.com/health-care-medicine/state-halts-university-of-iowa-plans-for-new-hospital-in-north-liberty/ (denial in February) and an unexpected delay over the summer, University of Iowa Health Care's revamped application to build a $230 million facility off Interstate 380 in North Liberty is set to have a second shot this month before the State Health Facilities Council. On May 20, UIHC https://www.thegazette.com/higher-education/university-of-iowa-health-care-reapplies-to-build-north-liberty-hospital/ (resubmitted an application) to build “one of the most expensive proposed projects in council history” after the five-member appointed group on Feb. 17 — following seven hours of testimony — narrowly voted 3-2 to deny permission to build. In its reapplication the university hospital is attempting to argue for a narrower purpose for the location that fits its research mission. The original proposal was strongly opposed by other hospitals in the area, as they argued an expanded UIHC would hurt competition, and in the case of Mercy Iowa City, potentially put them out of business. The new Sixth Avenue in Marion, a road project over a decade in the making, is now fully open to traffic. The city held a ribbon cutting Friday morning to celebrate the opening of the road that runs between two roundabouts at Seventh Avenue and Seventh Street and at 26th Street, the former Marion Iron site. The plan, set into motion in 2009, was to build a street along the right of way so downtown traffic would be balanced between Sixth and Seventh avenues, creating a more pedestrian-friendly Uptown. In addition, properties that once housed warehouses and industry were removed and are now in a position to become a mix of commercial and residential. With the Iowa football season rapidly approaching, there will be more Hawkeye news to come soon. If you want to have the latest football insights emailed directly to you, sign up for Leah Vann's exclusive weekly Talkin' Hawks newsletter at thegazette.com/hawks... Support this podcast

RFT 519: United Airlines Flight 286/Trans World Airlines Flight 266

Play Episode Listen Later Jul 22, 2021 8:24

On Friday, December 16, 1960, a United Airlines Douglas DC-8, bound for Idlewild Airport (now John F. Kennedy International Airport) in New York City, collided in midair with a TWA Lockheed L-1049 Super Constellation descending into the city's LaGuardia Airport. The Constellation crashed on Miller Field in Staten Island and the DC-8 into Park Slope, Brooklyn, killing all 128 people on the two aircraft and six people on the ground. It was the deadliest aviation disaster in the world at the time. The death toll would not be surpassed until a Lockheed C-130B Hercules was shot down in May 1968, killing 155 people. In terms of commercial aviation, the death toll would not be surpassed until the March 1969 crash of Viasa Flight 742, which crashed on takeoff and killed all 84 people on board the aircraft, as well as 71 people on the ground. The accident became known as the Park Slope plane crash or the Miller Field crash, after the crash sites of each plane respectively. The accident was also the first hull loss and first fatal accident involving a Douglas DC-8. United Airlines Flight 826, Mainliner Will Rogers, registration N8013U, was a DC-8-11 carrying 84 people from O'Hare International Airport in Chicago to Idlewild Airport (now John F. Kennedy International Airport) in Queens. The crew was Captain Robert Sawyer (age 46), First Officer Robert Fiebing (40), Flight Engineer Richard Pruitt (30), and four stewardesses.[1] Trans World Airlines Flight 266, Star of Sicily, registration N6907C, was a Super Constellation carrying 44 people from Dayton and Columbus, Ohio, to LaGuardia Airport in Queens. The crew was Captain David Wollam (age 39), First Officer Dean Bowen (32), Flight Engineer LeRoy Rosenthal (30), and two stewardesses. Star of Sicily's sister ship N6902C, Star of the Seine, was destroyed in another mid-air collision with a United Airlines flight in 1956. At 10:21 A.M. Eastern Time, United 826 advised ARINC radio — which relayed the message to UAL maintenance — that one of its VOR receivers had stopped working. ATC, however, was not told that the aircraft had only one receiver, which made it more difficult for the pilots of flight 826 to identify the Preston intersection, beyond which it had not received clearance. At 10:25 A.M. Eastern Time, air traffic control issued a revised clearance for the flight to shorten its route to the Preston holding point (near Laurence Harbor, New Jersey) by 12 miles (19 km). That clearance included holding instructions (a standard race-track holding pattern) for UAL Flight 826 when it arrived at the Preston intersection. Flight 826 was expected to reduce its speed before reaching Preston, to a standard holding speed of 210 knots or less. However, the aircraft was estimated to be doing 301 knots when it collided with the TWA plane, several miles beyond that Preston clearance limit. During the investigation, United claimed the Colts Neck VOR was unreliable (pilots testified on both sides of the issue). ("Preston" was the point where airway V123 — the 050-radial off the Robbinsville VOR — crossed the Solberg 120-degree radial and the Colts Neck 346-degree radial.) However, the CAB final report found no problem with the Colts Neck VOR. The prevailing conditions were light rain and fog (which had been preceded by snowfall). According to the DC-8's FDR, the aircraft was 12 miles (19 km) off course and for 81 seconds, had descended at 3,600 feet per minute (18 m/s) while slowing from more than 400 knots to 301 knots at the time of the collision. One of the starboard engines on the DC-8 hit the Constellation just ahead of its wings, tearing apart that portion of the fuselage. The Constellation entered a dive, with debris continuing to fall as it disintegrated during its spiral to the ground. The initial impact tore the engine from its pylon on the DC-8. Having lost one engine and a large part of the right-wing, the DC-8 remained airborne for another minute and a half. The DC-8 crashed into the Park Slope section of Brooklyn at the intersection of Seventh Avenue and Sterling Place (40°40′38″N 73°58′25″W), scattering wreckage and setting fire to ten brownstone apartment buildings, the Pillar of Fire Church, the McCaddin Funeral Home, a Chinese laundry, and a delicatessen. Six people on the ground were killed. The crash left the remains of the DC-8 pointed southeast towards a large open field at Prospect Park, blocks from its crash site. A student at the school who lived in one of the destroyed apartment buildings said his family survived because they happened to be in the only room of their apartment not destroyed. The crash left a trench covering most of the length of the middle of Sterling Place. Occupants of the school thought a bomb had gone off or that the building's boiler had exploded. The TWA plane crashed onto the northwest corner of Miller Field, at 40.57°N 74.103°W, with some sections of the aircraft landing in New York Harbor. At least one passenger fell into a tree before the wreckage hit the ground. There was no radio contact with traffic controllers from either plane after the collision, although LaGuardia had begun tracking an incoming, fast-moving, unidentified plane from Preston toward the LaGuardia "Flatbush" outer marker. The likely cause of the accident was identified in a report by the US Civil Aeronautics Board. United Flight 826 proceeded beyond its clearance limit and the confines of the airspace allocated to the flight by Air Traffic Control. A contributing factor was the high rate of speed of the United DC-8 as it approached the Preston intersection, coupled with the change of clearance which reduced the en-route distance along Victor 123 by approximately 11 miles. The only person to initially survive the crash was an 11-year-old boy from Wilmette, Illinois. He was traveling on Flight 826 unaccompanied as part of his family's plans to spend Christmas in Yonkers with relatives. He was thrown from the plane into a snowbank where his burning clothing was extinguished. Although alive and conscious, he was badly burned and had inhaled burning fuel. He died of pneumonia the next day. In 2010, on the 50th anniversary of the accident, a memorial to the 134 victims of the two crashes was unveiled in Green-Wood Cemetery, Brooklyn. The cemetery is the site of the common grave in which were placed the human remains that could not be identified. The events of the collision are documented in the 5th season, episode 1, of The Weather Channel documentary Why Planes Crash. The episode is titled "Collision Course" and was first aired in April 2013. https://youtu.be/ilFKPhgMGqM As a result of this accident, the following changes were instituted: Pilots must report malfunctions of navigation or communication equipment to ATC. All turbine-powered aircraft must be equipped with Distance Measuring Equipment (DME). Jet aircraft must slow to holding speed at least 3 minutes before reaching the holding fix. Aircraft are prohibited from exceeding 250 knots when within 30 nautical miles of a destination airport and below 10,000 feet MSL.

Gazette Daily News Briefing, July 3 and July 4

Play Episode Listen Later Jul 3, 2021 3:50

This is Stephen Schmidt from the Gazette digital news desk and I'm here with your update for Saturday July 3 and Sunday July 4. Happy 4th of July Weekend! The weather should be pleasant for your holiday weekend as well. According to the National Weather Service it will be sunny with a high near 88 degrees on Saturday in the Cedar Rapids area, with the temperature dropping down to 65 Saturday night and the skies remaining mostly clear. On Independence Day Sunday there will be a high near 90 degrees with sunny skies. There will be a moderate wind on Sunday and a small chance for showers and thunderstorms Sunday night. According to the Associated Press there was the second court setback in a week for renewable fuels, as a federal appeals court Friday threw out a Trump-era Environmental Protection Agency rule change that allowed for the sale of a 15 percent ethanol gasoline blend in the summer months. The decision deals a blow to the ethanol industry and corn farmers. They had anticipated increased demand through year-round sales of the higher blend. Most gasoline sold in the United States is blended with 10 percent ethanol. Corn farmers and ethanol makers have pushed for the government to allow widespread sale of a 15 percent ethanol blend. As a busy travel weekend is here, Iowa traffic enforcement officials are pitching a highway safety message to drive home the stakes of safe driving. So far this year, there have been https://www.iowadot.gov/mvd/stats/daily.pdf (144 people die in traffic crashes on Iowa roadways) heading into three of the deadliest months historically during the peak summertime travel period. A coalition of enforcement, transportation and safety groups are making a concerted effort in the second half of 2021 to make this the first year in nearly a century that deaths due to motor vehicle crashes stay below 300. The last time that happened was in 1925 when Iowa recorded 261 traffic fatalities. The Iowa State Patrol is also trying to curb a behavior picked up by some motorists during the pandemic, leading to an increased number of traffic stops where the driver was going faster than 100 mph. A decade in the making, Marion's long-awaited Seventh Avenue streetscape project is beginning this month. The $6.9 million Uptown project is expected to begin on July 13 in the 1200 block of Seventh Avenue and proceed west, a city news release said. The project is being funded by local-option sales tax dollars and bonding through the city's capital improvement program. The project will include the reconstruction of the street and sidewalks as well as the replacement of underground utilities, sanitary sewer, storm sewer and water main on Seventh Avenue and side streets between Eighth and 12th streets and Sixth and Eighth avenues. A Solon man was seriously injured Friday night after falling out of a truck he was driving in northern Linn County. A Linn County Sheriff's Office news release said Trent Vincent, 36, fell out of his truck while driving in the area of Paris and Valley Farm Roads northwest of Central City and north of Pinicon Ridge Park. The truck ran over Vincent, who lost his phone when he fell. Vincent managed to get back into his truck and drive himself to Central City for help shortly before 7 p.m., the news release said. Center Point Ambulance Service took VIncent to Mercy Medical Center in Cedar Rapids. The investigation is continuing. The Iowa Ideas 2021 virtual conference will be here before you know it, and we would like you to be our guest on the house. The Gazette is providing free access to this two-day gathering with more than 50 sessions- filled with thought-provoking local, and national speakers-- all ready to engage you on a variety of important and timely Iowa-issues. Join us October 14th and 15th for this can't miss, idea-exchange experience. Learn more and register for the event at iowaideas.com Be sure to subscribe to The Gazette Daily news podcast, or just tell... Support this podcast

Weekend Jazz Meetup #204（前半）

jazz meetup lights out seventh avenue

Play Episode Listen Later Jun 7, 2021 43:59

6月04日（土）前半にお届けした作品： 1 Mamiko Watanabe #渡辺麻美子 / Like Someone In Love（2017年のアルバム「Flying Without Wings」から） 2 Nobuki Takamen #高免信喜 / Gee, Seventh Avenue（2020年のアルバム「Life Is Now」から） 3 Jesse Forest feat. Kaoru Azuma #JasseForest #東かおる / I Will Wait（2016年のアルバム「Lights Out」から） 4 Three Hunters Trio #ThreeHuntersTrio … Continue reading →

Pair Of Elevators To Enhance Nyc Subway Accessibility

Elevator World

Play Episode Listen Later Mar 30, 2021 4:55

Welcome to the Elevator World News Podcast. Today’s podcast news podcast is sponsored by elevatorbooks.com: www.elevatorbooks.com PAIR OF ELEVATORS TO ENHANCE NYC SUBWAY ACCESSIBILITY NYC’s Metropolitan Transportation Authority (MTA) plans to install two elevators at the 14th Street and Seventh Avenue subway stations in Manhattan, a move hailed by disability-rights activists at a press conference on March 27, gothamist reports. Proponents, including Sen. Chuck Schumer, urged the Federal Transportation Administration to approve and release the funds, and said he would lobby for additional accessibility funding in an upcoming infrastructure bill. The MTA announced it would install the elevators after it failed to build four elevators at 14th Street and Sixth Avenue in 2020. The authority announced the four-elevator plan in response to a 2018 accessibility lawsuit. Without providing a cost estimate, MTA put the two-elevator project out for bid in February and aims to complete the work by 2023. Image credit: by Harrison Leong for Wikimedia Commons To read the full transcript of today's podcast, visit: elevatorworld.com/news Subscribe to the Podcast: iTunes │ Google Play | SoundCloud │ Stitcher │ TuneIn

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#373 - Nordstrom to Move Out of One Downtown Seattle Office Tower

Only in Seattle - Real Estate Unplugged

Play Episode Listen Later Feb 11, 2021 17:22

After a year that saw the Seattle-born retailer lay off workers and close stores, Nordstrom said Tuesday it will leave its offices on Seventh Avenue near Olive Way downtown, where it occupies a large part of a 24-story tower.In a statement, the company framed the move as a chance to rethink office work post-pandemic.“As we think about returning to our corporate offices later this year, we find ourselves with the rare opportunity to reimagine how these teams will work and collaborate in the future,” the company said.The 1700 Seventh Ave. office tower has nearly 500,000 square feet of space. Nordstrom said it occupied 360,000 square feet on 15 floors of the building.Nordstrom said it will still have 700,000 square feet of other office space in two downtown Seattle buildings.Join your host Sean Reynolds, owner of Summit Properties NW and Reynolds & Kline Appraisal as he takes a look at this developing topic.Support the show (https://buymeacoff.ee/seattlepodcast)

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Episode 27: w/Donovan Scherer-Studio Moonfall

Ktown Connects

Play Episode Listen Later Jan 21, 2021 45:28

At Studio Moonfall, located at 5031 Seventh Avenue, Donovan Scherer’s house of art and stories creates illustrated novels taking readers of all-ages on adventures into worlds of fantasy, horror, and science fiction. More recently, you may know him as the artist behind the Color of Kenosha coloring books featuring everyone who is anyone in our city! Visit these links to see more about Donovan and his creations: www.studiomoonfall.com www.colorofkenosha.com www.patreon.com/donovanscherer This episode was recorded on December 7th, 2020 at Luigi’s Pizza Kitchen, 7531 39th Avenue. - Big thanks to our sponsors: Bluhorn Digital, https://bluehorn.digital/ - Wink Beauty Boutique, 10909 Sheridan Road.- Drop us an email at ktownconnects@yahoo.com - Find us on Facebook, Instagram and Twitter – and at ktownconnects.com - Your hosts are Donny Stancato and Jason Hedman - Theme music performed by Dropping Daisies, written by James “Red” McLeod.

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Episode 26: w/Sam Jacquest-Blue House Books

Ktown Connects

Play Episode Listen Later Jan 15, 2021 52:43

Samantha Jacquest took her love of books and made a career as the owner of Kenosha’s independent bookstore, Blue House Books, located in Downtown Kenosha at 5615 Seventh Avenue. Stop on down at Blue House Books where Sam will be happy to recommend something for you, or place a special order! This episode was recorded on November 30th, 2020 at Luigi’s Pizza Kitchen, 7531 39th Avenue. - Big thanks to our sponsors: Bluhorn Digital, https://bluehorn.digital/ - Lulu Birds, 720 58th St. - Drop us an email at ktownconnects@yahoo.com - Find us on Facebook, Instagram and Twitter – and at ktownconnects.com - Your hosts are Donny Stancato and Jason Hedman - Theme music performed by Dropping Daisies, written by James “Red” McLeod.

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Supertall Plan Involves Madison Square Garden Relocation

Elevator World

Play Episode Listen Later Jan 11, 2021 7:27

Welcome to the Elevator World News Podcast. Today’s podcast news podcast is sponsored by elevatorbooks.com: www.elevatorbooks.com SUPERTALL PLAN INVOLVES MADISON SQUARE GARDEN RELOCATION The New York City Council agreed during a meeting earlier this month to move forward with Garden City, a massive plan to relocate Madison Square Garden between two new supertalls of unspecified height in Midtown Manhattan, New York YIMBY reports. Including two shorter buildings, the plan was initially proposed by Vishaan Chakrabarti, founder of Practice for Architecture and Urbanism (PAU), in 2016. Illustrated by an array of renderings, the latest iteration includes preserving the cylindrical shape of Madison Square Garden but removing several floors, recladding the façade with a double-skin curtain wall and adding entryways. The venue would move to an eight-acre site bound by Sixth Avenue to the east, West 32nd Street to the south, Seventh Avenue to the west and West 34th Street to the north. Despite no heights being given, the source observed the supertalls "would easily eclipse the height of the Empire State Building and 30 Hudson Yards." No construction timeline was provided. Image credit: by PAU To read the full transcript of today's podcast, visit: elevatorworld.com/news Subscribe to the Podcast: iTunes │ Google Play | SoundCloud │ Stitcher │ TuneIn

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Weekend Jazz Meetup #179（前半）