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5 episodes with Blank Generation
2 episodes with Blank Generation
2 episodes with Blank Generation
2 episodes with Blank Generation
Episode 404, including tracks from The Red Bastards, Alex Hellcat, Original Anger, Gone Feral, Blank Generation, Obvious Approach, MDOP, Pestpocken, Deathtraps, Black Widows, The Fods, Teeth For Eyes, and XSKULL8. Eric is unable to make it this episode but this episode is loaded with a bunch of new music shared with us, a great album, and wrap up the show with a hard rock/metal track.
El 2 de octubre de 1949 nació Richard Lester Meyers, a quien el mundo conocería como Richard Hell. Hoy cumple 75 años esta figura fundamental en el amanecer de la escena punk del Nueva York de los 70’s. Poeta y rock’n’roller de espíritu beatnik que encarnó como ningún otro el nihilismo más feroz del género. Un sujeto de imagen icónica que inspiró la estética del punk. Co-líder y miembro fundador de dos bandas tan seminales y trascendentales como Television o los Heartbreakers, además de lanzar dos álbumes al frente de los Voidoids, cuyo debut se conserva absolutamente rompedor frente a cualquier otro disco de su tiempo. Este tipo escribió el gran himno de la generación en blanco. Así que sí, es posible que unas cuantas cosas comenzase con Richard Hell.Playlist;RICHARD HELL and THE VOIDOIDS “Liars beware” (Blank Generation, 1977)RICHARD HELL and THE VOIDOIDS “New pleasure” (Blank Generation, 1977)THE NEON BOYS “(That's all I know) right now” (1972)TELEVISION “Blank generation” (Live at CBGB 1974)THE HEARTBREAKERS “Love comes in spurts” (demo, 1975)JOHNNY THUNDERS “Hurt me” (1984)BOB McFADEN “Beat generation” (1959)RICHARD HELL and THE VOIDOIDS “Blank generation” (Blank Generation, 1977)RICHARD HELL and THE VOIDOIDS “You gotta lose” (Electric Lady Studio alternate version, 1977)RICHARD HELL and THE VOIDOIDS “The kid with the replaceable head” (Destiny Street, 1982)RICHARD HELL and THE VOIDOIDS “Lowest common dominator” (Destiny Street Repaired, 2009)RICHARD HELL and THE VOIDOIDS “Ignore that door (demo)” (Destiny Street Repaired, 2009)RICHARD HELL and THE VOIDOIDS “Don’t die” (single 1980)RICHARD HELL “I’ve been sleeping on it” (In New Orleans, 1984)DIM STAR “The night is coming on” (Dim Stars, 1992)RICHARD HELL and THE VOIDOIDS “I'm your man” (single, 1979)RICHARD HELL and THE VOIDOIDS “Time” (Destiny Street Repaired, 2009)Escuchar audio
This week we talked to the legendary musician Bob Bert of Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch Retrovirus & Bewitched, who picked the equally legendary Danny Fields documentary, Danny Says, to discuss. We talk about Danny's trials with the bands he loved and discovered (including The Stooges, MC5, Jonathan Richman & The Ramones); the notion of chance meetings in art; Danny breaking the news of John Lennon saying ‘The Beatles are bigger than Jesus Christ' and the aftermath he created for them; changing a guitar string without stopping playing a song; 16 Magazine; Bob's early shows seeing Suicide, Wayne County, Patti Smith, New York Dolls & Television; the greatness of Dead Moon & The Scientists; WFMU; shoplifting MC5 records; the Super 8mm punk document Blank Generation; how he joined both Sonic Youth & Pussy Galore; Rock Scene magazine, the genesis of the Pussy Galore drum set he built and how it hurts to play it, his process with publishing BB Gun Magazine, doing drugs and seeing Pink Floyd, unsung NYC band heroes, planning out your whole week around rock shows, Max's Kansas City and why we haven't gotten a Jonathan Richman documentary yet!So, let's roll our eyes along with the singular force that changed music forever on this week's Revolutions Per Movie.BOB BERT:https://goner-records.com/products/im-just-drummer-bob-bert-book-hozacInstagram: @therealbobbertLIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
Sintonía: "New Rose" - The Damned"Judy Is A Punk" (Original 1975 Demo) y "My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg)" - Ramones; "Hanging On The Telephone" (The Nerves) y "Rip Her To Shreds" - Blondie; "Trash" - New York Dolls; "Born To Lose" (Lost ´77 Mix) - Johnny Thunders & The Heartbreakers; "California Über Alles" - Dead Kennedys; "Sonic Reducer" (Original Mix) - The Dead Boys; "Speed Queen" - Suicide; "Heart Of Darkness" - Pere Ubu; "Roadrunner" - Jonathan Richman; "Life During Wartime" - Talking Heads; "Blank Generation" - Richard Hell & The VoidoidsTodas las músicas extraídas de las recopilaciones: "CBGB´s and The Birth Of U.S. Punk" (Ocho, 2002) y "Little Steven's Underground Garage Presents CBGB Forever" (Wicked Cool Record, 2006)Escuchar audio
Hey Ho, Let's Go! It's our 100th Episode! Marky Ramone (Marc Steven Bell) is a legendary drummer who began playing drums in bands in the New York City area, before joining pioneering punk rock band Richard Hell and the Voidoids who toured the UK with The Clash and recorded the groundbreaking album "The Blank Generation". He then replaced original Ramones drummer Tommy Ramone in the Ramones in 1978, and took on the stage name Marky Ramone. The music of the Ramones has inspired the forming of garage bands around the world. In 2002, the Ramones were inducted into the Rock and Roll Hall of Fame. Marky Ramone continues to keep the Ramones legacy alive around the world with his band Marky Ramone's Blitzkrieg for fans of all ages and they are badass! You can catch Marky and the band at Temblor Brewing Co. in Bakersfield on Feb. 24, 2024! Episode contains music from Richard Hell and The Voidoids, Ramones, and segments from the 2019 "Punk" documentary press conference, and Late Night with Conan O'Brien. Sponsored by Chain Cohn Clark - Kern County's leading accident, injury, and workers' compensation law firm. Subscribe to Bakotunes at all podcast outlets and follow our socials!Instagram / More LinksContact: mattomunoz@gmail.com
We take revisit our look at The Heartbreakers Billy Rath in his final years with new details. Join this channel to get access to videos not available on the public channel: https://www.youtube.com/channel/UC6pX3ePQjr8TKBQqKRiobNQ/join FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Amos Poe is an American New York City-based director and screenwriter, described by The New York Times as a "pioneering indie filmmaker". Amos Poe is one of the first punk filmmakers and his film The Blank Generation[2] (1976)—co-directed with Ivan Král— is one of the earliest punk films. The film features performances by Richard Hell, Talking Heads, Television, Patti Smith, and Wayne County. Rolling Stone named it number 6 on its list of 25 Greatest Punk Rock Movies of All Time.[3] He is also associated with the birth of No Wave Cinema due to films such as The Foreigner (1978), featuring Eric Mitchell, Debbie Harry, Anya Phillips; and Subway Riders (1981),[4] starring Susan Tyrrell, Robbie Coltrane, and Cookie Mueller.[5] During this time he was also the director of the public-access television cable TV show TV Party hosted by Glenn O'Brien and Chris Stein. Hosted by Zef Cota
Olá, pessoal! Neste episódio vamos falar de um disco muito querido do podcaster: Entertainment (1979)!Em 1976, formava-se uma das bandas que, em meio ao cenário punk, iriam definir a sonoridade - ou uma das muitas sonoridades - do universo do pós-punk. O Gang of Four lançou seu primeiro álbum, Entertainment, em 79, já dois ou três anos depois das estreias de Sex Pistols, The Clash, Ramones e do Blank Generation de Richard Hell and the Voivoids. Também mais de 5 ou 6 anos depois de New York Dolls e do Glam, alguns anos depois de Horses da Patti Smith e mais de 10 anos depois das bandas do proto-punk, como The Stooges, Velvet Underground e MC5 sacudirem o mundo do #rock e nublarem o mundo colorido dos anos 60.Mesmo anos depois de tudo isso, junto com Fear of Music (do Talking Heads de David Byrne), Metal Box PiL (de Johnny Rotten, ex-Sex Pistols), ou mesmo Y (do The Pop Group, banda experimental representante inglesa da chamada No Wave), Entertainmen revolucionou o rock e o punk, colocando outros estilos como funk, disco, dub e dance no caldo do punk. Foi um dos discos definidores de uma das muitas sonoridades do pós-punk subsequente.Influenciou muitas cenas posteriores, de Red Hot Chilli Peppers a U2, Nirvana, Fugazi a INXX, Franz Ferdinand, Rage Against the Machine. No Brasil, Titãs, Paralamas, Legião ou mesmo bandas do cenário mais underground do pós-punk, como Smack. Muitas bandas bem diferentes em seus estilos manifestaram essa influência.O caldo, o creme do podcast está na análise das letras e da poética fina da banda. Fina e punk, sofisticada e punk. Gang of Four mostrou que isso é possível. Suas letras eram politizadas, mas não recheadas de citações a história e invocações à luta como o The Clash, nem cuspindo impropérios contra a monarquia e o status quo, como o Sex Pistols e sua fúria anarquista. O Gang of Four sempre esteve mais interessado em colocar a política sob um verniz menos direto, mas ao mesmo tempo escancarado em uma poética que refletia uma sociedade do espetáculo doente, em que o fetichismo exacerbado da indústria cultural e do entretenimento criavam uma espécie de disfuncionalidade nas relações afetivas, pessoais e amorosas.Bora dar o play!Segue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH
Paul's in Spain at the moment, and that means a great chance to feature a great new Cherry Red compilation! So get ready for some great songs from The Randoms, The Avengers, The Jetsons, The Bags, The Hard Toms, The Cosmopolitans, Rhino 39, Curtiss A and Shock.Blank Generation, no websites, Voice of Jeff, Comedy Suburbs, Nascar, Tony has your Facebook comments, last week, Tony forgot, Barbie, guitar hospital, Limozine, From the Vaults, Tony's International Gig Guide, this week, band practice?, Paul is in Spain, no Izzatwat, do you want a gig with Tony and the Babies?, Tina has a joke for us and a reminder of the ways you can listen to us.Song 1: The Randoms – Let's Get Rid Of New YorkSong 2: The Avengers – We Are The OneSong 3: The Jetsons – Genetically StupidSong 4: The Bags - SurviveSong 5: The Hard Toms – She's A LadySong 6: The Cosmopolitans – How To Keep Your Husband HappySong 7: Rhino 39 – Prolixin StompSong 8: Curtiss A – I Don't Wanna be PresidentSong 9: Shock - This Generations On Vacation
Episodes 463: Bow down because, one of punk's foremost guitar gods, Ivan Julian is here! Today on the show, listen in as Damian sits down to talk with the punk legend about the start of it all. From Tommy Keene and the DC cover band scene, to high school hash joints with HR, to waiting for punk in the UK with Topper Headon, to arrival of the Blank Generation, and so much more: this is not to be missed! Also, don't miss Ivan Julian's fantastic new solo-album "Swing Your Lanterns", available everywhere now. Also don't miss Ivan on tour! More info HERE
We dive into "Blank Generation: A Story of US/Canadian Punk & Its Aftermath 1975-1981" [Cherry Red Records] with Richard Hell & the Voidoids, Dogs, Television, Destroy All Monsters, Pointed Sticks, Shock, & The Pagans. We spin new tunes from NOBRO, Prong, Filth Is Eternal, Rivalry, Capra, Neon Kittens, Freya, & Mock Execution, classic punk and metal from Agnostic Front, Bikini Kill, Partisans, Toys That Kill, Partisans, Zero Boys, Subhumans (Canada), Sensabenza, Mumbles, Hightechnology Suicide, Metallica, Black Flag, Private Function, Daily Terror, GG Allin, Noose, & Radio Birdman, & the Luscious Listener's Choice! Rivalry- A Million Miles Toys That Kill- We Control The Sun Capra- Tied Up Partisans- Put Your Money Where Your Mouth Is Subhumans (Canada)- No Productivity Zero Boys- You Can Touch Me Zero Boys- Forced Entry Sensabenza- We Never Get Played On The Radio Neon Kittens- People In Glass Houses (Clean Version) Mumbles- Poly Vinyl Richard Hell And The Voidoids- Blank Generation Dogs- John Rock Television- Friction Destroy All Monsters- Bored Pointed Sticks- What Do You Want Me To Do Shock- This Generation's On Vacation Pagans- Street Where Nobody Lives Filth Is Eternal- Pressure Me Filth Is Eternal- Body Void Hightechnology Suicide- CD 1, Track 12 Freya- Back To Haunt Agnostic Front- Society Sucker Agnostic Front- Your Mistake Prong- Breaking Point Metallica- Seek And Destroy Black Flag- Thirsty And Miserable Bikini Kill- Feels Blind Private Function- Speed Bumps Daily Terror- Abhaun Mock Execution- Circle Of Madness G.G. Allin- Ass Fuckin, Butt Suckin, Cunt Lickin Masturbation NOBRO- Where My Girls At Noose- The Weekend Radio Birdman- Man With Golden Helmet
Esta semana, en Islas de Robinson, el cuerpo nos pide punk (falta nos hace). Caemos en 1977, explosión plena de la extrañeza del "háztelo tu mismo" en tierra de nadie. Angustia, fiereza, desahogo desafiante y amenazante... y también, por qué no, puro arte... art punk... Clásicos. Suenan: BUZZCOCKS - "BOREDOM" ("SPIRAL SCRATCH", 1977) / THE ADVERTS - "ONE CHORD WONDERS" (SINGLE 1977) / PENETRATION - "DON'T DICTATE" (SINGLE 1977) / THE OUTSIDERS - "ON THE EDGE" ("CALLING ON YOUTH", 1977) / MOTORHEAD - "WHITE LINE FEVER" (SINGLE 1977) / THE DAMNED - "ALONE" ("MUSIC FOR PLEASURE", 1977) / VIBRATORS - "SHE'S BRINGING YOU DOWN" ("PURE MANIA", 1977) / DOCTORS OF MADNESS - "BULLETIN" (SINGLE 1977) / X-RAY SPEX - "OH BONDAGE UP YOURS!" (SINGLE 1977) / PERE UBU - "MODERN DANCE" (SINGLE 1977) / MX-80 SOUND - "MAN ON THE MOVE" ("HARD ATTACK", 1977) / RICHARD HELL & THE VOIDOIDS - "LIARS BEWARE" ("BLANK GENERATION", 1977) / TELEVISION - "FRICTION" ("MARQUEE MOON", 1977) / WIRE - "LOWDOWN" ("PINK FLAG", 1977) / THE SCRUFFS - "I'M A FAILURE" ("WANNA MEET THE SCRUFFS?", 1977)/ Escuchar audio
“Time On Earth” In the early ‘80s, the British born singer-songwriter Pete Astor was the frontman for the band The Loft and when that outfit split up, he formed the Weather Prophets who put out a trio of albums including the fabulous Diesel River and the miraculous Judges Juries and Horsemen. Astor kept the dream alive after the Prophets split up, emerging with fabulous projects like The Wisdom of Harry and Ellis Island Sound. Currently, Astor is a senior lecturer at the University of Westminster, and in 2014, his book on Richard Hell and the Voidoids' Blank Generation, was published as part of Bloomsbury's ongoing 33⅓ series on seminal rock and roll albums. Over the years Astor hasn't stopped putting out solo albums which are practically peerless. From Submarine to One For The Ghost to his outstanding new one Time On Earth, Pete Astor remains one of the most compelling figures in modern music. He's quietly released a discography that's redolent with thought, lyrical dexterity, observational smarts and hooks galore. Astor is one of the most listenable artists out there. Of Time On Earth, Dave Cantrell of Stereo Embers Magazine wrote, “…it's punchy in the melodic, reassuring way we've come to expect, somehow poignant and unsentimental in equal measure, it's a worthy addition to an already-bursting canon of sublime pop jewels.” www.peteastor.com www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com www.alexgreenonline.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com
Ivan was a founding member of Richard Hell and the Voidoids in 1977, fronted The Outsets in the '80s, and has put out two solo albums while playing with Matthew Sweet, Shriekback, and other projects. We discuss "I am Not a Drone (Alone)" (and listen to "Voodoo Christmas") from Swing Your Lanterns (2023), the title track from Naked Flame (2011), and "Liars Beware," by Richard Hell and the Voidoids from Blank Generation (1977). Other clips: "Everything or Nothing" by Outsets from Punk Voodoo Collection (1984) and "Someone to Pull the Trigger" by Matthew Sweet from Altered Beast (1993). For more, see ivanjulian.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get an extra Ivan song with some more interview footage. Sponsor: Check out the Songs My Ex Ruined podcast.
Ivan was a founding member of Richard Hell and the Voidoids in 1977, fronted The Outsets in the '80s, and has put out two solo albums while playing with Matthew Sweet, Shriekback, and other projects. We discuss "I am Not a Drone (Alone)" (and listen to "Voodoo Christmas") from Swing Your Lanterns (2023), the title track from Naked Flame (2011), and "Liars Beware," by Richard Hell and the Voidoids from Blank Generation (1977). Other clips: "Everything or Nothing" by Outsets from Punk Voodoo Collection (1984) and "Someone to Pull the Trigger" by Matthew Sweet from Altered Beast (1993). For more, see ivanjulian.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get an extra Ivan song with some more interview footage. Sponsor: Check out the Songs My Ex Ruined podcast.
Ivan Julian has been one of music's most celebrated players and most in-demand collaborators for more than four decades. Indeed, Ivan Julian has spent his life soaking up a wealth of experiences, musical and otherwise. The son of a Navy officer, he grew up in such exotic locales as Guantanamo Bay, Cuba, nurturing a sensitive, creative streak that quickly manifested itself musically. At the age of 13, while living in Washington, D.C., he became the singer in a Led Zeppelin cover band; the following year, he began playing guitar. Having already studied bassoon and saxophone, Julian spent his high school years studying music theory as a part-time student in a college program. At 19, his wanderlust led him to London, where he joined U.K. R&B hitmakers The Foundations, (Build Me Up Buttercup) with whom he toured throughout Great Britain and Europe. It was during one of these tours that he decided to stay on in Macedonia to absorb and study the musical scales and rhythms that would have a major influence on his playing. Then Julian returned to the U.S. and settled in New York, just in time to become part of the emerging punk rock movement. A founding member of the seminal Richard Hell and the Voidoids, he was now playing alongside trend-setting punk poet Hell, fabled guitarist Robert Quine and drummer Marc Bell (a.k.a. Marky Ramone). Julian's instrumental and songwriting contributions to the band's classic album Blank Generation established him as one of the scene's most acclaimed and influential axemen. After the Voidoids disbanded, Julian stepped out to form the Outsets as a vehicle for his own vocal and songwriting efforts. Combining rock, funk and African rhythms, the Outsets became a beloved fixture on New York's burgeoning club scene, winning considerable critical acclaim for such releases as the debut single “I'm Searchin' for You”/”Fever,” a self-titled EP produced by Garland Jeffreys and the posthumously released The Punk/Funk Voodoo Collection. Teaming up with Bush Tetras singer Cynthia Sley Julian's next band, the Lovelies, won substantial attention with the release of the Mad Orphan LP. Also, during this time he regrouped with former bandmate Richard Hell to do an extensive tour of Japan. By this point, Julian's abilities as a collaborator had become sought after by a wide array of acts. He plays on “The Call Up” and “Ivan Meets GI Joe” with The Clash (on their Sandinista album), collaborated with Afrika Bambaataa and Bernie Worrell of Parliament/Funkadelic. He also joined England's Shriekback for two tours of North America and Europe. Julian spent much of the 1990s touring and recording with Matthew Sweet. In recent years, Ivan has concentrated mainly on studio work, producing and/or recording artist such as Sean Lennon and producing three albums by The Fleshtones. He's also developed his recording studio, SuperGiraffeSound into one of New York's hottest new recording facilities, working with numerous local, national and international bands. His solo LP, The Naked Flame was named one of the best records of the year by several trade magazines in Europe and the states including Trouser Press. Soon after came The Fauntleroys EP, Below the Pink Pony, a collaboration with Alejandro Escovedo, Nick Tremulis and Linda Pittman. His newest album ‘Swing Your Lanterns' is available on PRAVDA Records. The songs encompass his experiences of the past five years and more; Some of which, we have all lived through. Ivan's Info Web site home Spotify 5jcYTu6SCsjZnl4AEL5Rc2
Guitarist Ivan Julian is a punk rock lifer. Though born in the states, Ivan became a professional musician when he moved to London and started touring with The Foundations in 1972. Eventually he made his way back to NYC and was a principle of the CBGB scene and founding member of Richard Hell and the Voidoids. Even though their lone album, Blank Generation, is considered classic, the band didn't last long. Ivan has started a few other bands over the years, played with artists like The Clash, Matthew Sweet and Shreikback, produced bands like the Fleshtones, and released his own solo albums. In fact, he has a new one, Swing Your Lanterns, set for release in February and it's fantastic. Ivan discusses all of it, the uniqueness (or not) of being a black man in the punk world, and more. Enjoy! www.ivanjulian.com www.patreon.com/thehustlepod
Episode 292, including a great interview with Stu Folsom of SpiritWorld. Also including tracks from Decline, Blank Generation, Brigata Vendetta, Mike V & The Rats, Creeping Tide, Folk Hogan, and SpiritWorld. We play several new tracks, discuss live shows and upcoming shows, and discuss Slayer, metal, doing it your own way, the future of SpiritWorld and so much more with Stu. Wrapping up the show with a comedy song.
1000 Better Stories - A Scottish Communities Climate Action Network Podcast
In this episode we start a conversation about how community organisations can benefit from collaborating with creative practitioners. We talk to Claire Durfour, Climate Creative Producer for Creative Dundee, about their CULTIVATE project which has been partnering creative practitioners with Tayside community organisations working in climate justice. We also chat to members of one of the partnerships, Pauline Lockhart and Carol Malone from Community First based in Forfar, Angus and their creative partners, Kirsty McKeown and Jenny Reid. And to start us off you, will hear work by another one of SCCAN mini-grant recipients, Studio Youth Theatre in, Dumfries and Galloway. They show off a pilot episode of their brand new podcast, Blank Generation. We will continue conversations about the value of creative collaborations in the next episode, due out in a couple of weeks. Production and edit: Kaska Hempel Resources: Community First projects S-Mart (the good shop!) https://www.s-martscot.com/ BRAND Climate Conscious Clothing https://www.facebook.com/BRANDClimateConsciousClothing The Little Green Cafe https://www.facebook.com/thelittlegreencafeforfar/ Studio Theatre, Moffat https://thestudiotheatre.co.uk/ Tayside Climate Beacon events in May and June: https://creativedundee.com/2022/05/2022-tayside-climate-beacon-event-series/ CULTIVATE https://creativedundee.com/cultivate/ Culture Collective https://www.culturecollective.scot/
link 01. Plastic Bertrand — Ça Plane Pour Moi 02. Вопли Видоплясова — Танцi 03. Foo Fighters — Best of You 04. Richard Hell — Blank Generation 05. MFSB — Something For Nothing 06. Groove Armada — Suntoucher 07. Курара — СРБ 08. Johnny Cash — Ring of Fire 09. Dave Clarke feat. Chicks On … Продолжить чтение Lofstrom loop 286
This week its all about new music and music news of March 2022 plus- Getting stoked for the upcoming Midtown reunion shows- The differences between a radio show and a podcast- Doing interviews outside your comfort zone- Original blink-182 lineup reuniting to rerecord Flyswatter- Why John Doe is eternally cool- Compiling a playlist of all music from past Power Chord Hour guest & much moreSupport the artists heard on this episode Hot Water Music - Feel The Voidhttps://endhitsrecords.bandcamp.com/album/feel-the-voidGolden Richards - Shake Your Hairhttps://goldenrichards.bandcamp.com/track/shake-your-hairLower Expectations - Talking To Myselfhttps://lowerexpectationsband.bandcamp.com/album/talking-to-myselfCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg
Nueva entrega de la serie de la radio musical más esperada del año. ¡Diversiones para el niño y la niña! Playlist; (sintonía) LAIKA and THE COSMONAUTS “Mission imposible” (Lalo Schiffrin) THE REVEREND SHAWN AMOS “The Jean Genie” (David Bowie) THE HOTRATS “Mirror in the bathroom” (The English Beat) TIM ARMSTRONG “Summer of 69” (Bryan Adams) THE REVEREND PAYTON’S BIG DAMN BAND “Olympia, WA” (Rancid) GREEN DAY “Tired of waiting for you” (The Kinks) ROY LONEY “Oh pretty woman” (Roy Orbison) DMZ “Teenage head” (The Flamin Groovies) YESTERDAY’S KIDS “Tired of waking up tired” (The Diodes) NIGEL LEWIS and THE ZORCHMEN “(I belong to the) Blank Generation” (Richard Hell and the Voidoids) BLONDIE “Ring of fire” (Johnny Cash) TINA and THE TOTAL BABES “Tell that girl to shut up” (Holly and the Italians - Transvision Vamp) NUSHU “My best friend’s girl” (The Cars) THE CELIBATE RIFLES “Waiting for the man” (Velvet Underground) DM3 “Sweet hitch-hiker” (Creedence Clearwater Revival) NOUVELLE VAGUE “Guns of Brixton” (The Clash) Escuchar audio
Well here it is. The epitome of what this show is all about. Have you ever thought about a musician you really loved and thought, "what made them want to pursue a career in. music?" Well, here's the answer! And coming from a person that is such an incredible inspiration of generations of punks and rockers alike, about an album that is equally inspirational, Richard Hell and The Voidoids' Blank Generation! Wild Ass! Mike Watt is on tour NOW with MSSV. Click here to find all dates and tickets. https://mainsteamstopvalve.com/ Buy the mersh: https://nomadeelrecords.bandcamp.com/album/the-scott-aicher-ep https://mikebaggetta.bandcamp.com/album/main-steam-stop-valve Get to know Watt! http://www.hootpage.com/ And find out more about us and how to support our show here: www.psychicstatic.net Theme song written and performed by Jeff Robbins of 123 Astronaut.
In the second part of our series on American punk rock in the late 1970's we look at a most extraordinary musician and band in Richard Hell and the Voidoids and their 1977 album "Blank Generation" with Richard Hell we discover that punk rock is not always just three chords and loud guitars.
LINER NOTES: On this track, Kris has a candid conversation with punk legend Richard Hell, to talk about his recently published memoir, Chronicle. Which is described as "Hell muttering to himself in 88 parts, very fun—lyrical, perceptive, and also somewhat sobering."To get a copy of the Richard's memoir, you can purchase here. For more on Richard Hell, you can visit his official website. More about Richard Hell:Richard Hell is an American singer, songwriter, bass guitarist and writer.Hell was in several important, early punk bands, including Neon Boys, Television and The Heartbreakers, after which he formed Richard Hell & the Voidoids. Their 1977 album Blank Generation influenced many other punk bands. Its title track was named "One of the 500 Songs That Shaped Rock" by music writers in the Rock and Roll Hall of Fame listing and is ranked as one of the all-time Top 10 punk songs by a 2006 poll of original British punk figures, as reported in the Rough Guide to Punk.Since the late 1980s, Hell has devoted himself primarily to writing, publishing two novels and several other books. He was the film critic for BlackBook magazine from 2004 to 2006.--About the Podcast: ‘TEXT PROSE AND ROCK N ROLL'- is the only podcast dedicated to the written account of musicians. From artist memoirs to band bios, and anything in between. You'll hear first accounts from those who lived the lifestyle; a Book Club that rocks - literally. It was Created, Hosted & Executive Produced by Kris Kosach. It was Produced & Edited by Charlene Goto of Go-To Productions. For more on the show, visit the website. Or follow us on Instagram and Facebook @TextproserocknrollFollow Kris on Social Media: @KrisKosachFollow Producer Char on Social Media: @ProducerChar
Au milieu des années soixante-dix, le jeune débraillé Richard Hell signe un manifeste explosif, un hymne pour tous les jeunes artistes loubards de New York, Blank Generation. Hell n'avait pas baptisé la « génération du vide » par pessimisme : au contraire, ce vide était un terrain vierge où tout était à faire. Un espace libre où des gens comme Patti Smith, Blondie, Television, les Ramones ou Johnny Thunders pouvaient exercer leur créativité. Sur les cendres du Velvet Underground et des idéaux hippies, c'est une nouvelle contre-culture qui s'épanouit. Le CBGB's et le Max's Kansas City deviennent les bastions historiques de la musique underground. Lester Bangs inaugure le terme « Punk » dans un article fondateur, et Legs McNeil immortalise le mouvement dans un fanzine culte à l'image de son sujet : violent, poétique, comique, anticonformiste. Les anglais suivent ça de loin et prennent des notes. A l'origine de cette émulation créative, on retrouvait les inénarrables New York Dolls et leur guitariste intrépide, Johnny Thunders. Son parcours chaotique et tragique fut la parfaite illustration du punk : une épopée impitoyable et sonique où il ne fait pas bon vieillir. Quelques références… Livres : Le bouquin principal sur lequel je me repose pour ce podcast est Please Kill Me de Legs McNeil & Gillian McCain. Un incroyable recueil de témoignages autour de la scène newyorkaise des années 70, tous plus fous les uns que les autres. Johnny Thunders... In Cold Blood de Nina Antonia The Dark Stuff de Nick Kent Apathy For The Devil de Nick Kent Richard Hell : La mort, c'est ne jamais devoir dire qu'on est incomplet de Lester Bangs (article présent dans le livre Psychotic Reaction) Disques : Beaucoup d'albums illustrent la folie créative du mouvement punk NY des années 70. En voici une liste non-exhaustive. New York Dolls - New York Dolls (1973) Patti Smith Group - Horses (1975) Ramones - Ramones(1976) Richard Hell & The Voidoids - Blank Generation (1977) Television - Marquee Moon (1977) Johnny Thunders & The Heartbreakers - L.A.M.F. (1977) Talking Heads - Talking Heads 77' (1977) Suicide - Suicide(1977) The Dead Boys - Young, Loud & Snotty (1977) Johnny Thunders - So Alone (1978) Blondie - Parrallel Lines (1978) Johnny Thunders - So Alone (1983) Quelques docs : Looking For Johnny Thunders de Danny Garcia Born To Lose - The Last Rock'n'roll Movie de Lech Kowalski Punk : Attitude de Don Letts facebook instagram twitter
Before ’75 Part II: Blank Generation (#237) (846) In this History Lesson (originally aired on 10 September 2011), we offer some clips from some music documentaries, that focus on how all this wonderful music got started. This version is a little re-vamped from the original broadcast, for Jungle Room Listeners. This began last week! Feel … Continue reading Before ’75 Part II: Blank Generation
Gary Lachman, the original bass player of Blondie (as Gary Valentine), returns to the Bureau to tell of his time in the New York underground music scene of the 1970s. Now the UK's foremost writer on the esoteric, with 24 books under his belt including works on Aleister, Crowley, Jung, Gurdjieff, Magick and the occult, Gary was once deep in the heart of New York's 'Blank Generation'. We hear about living with Debbie Harry and Chris Stein in a loft on The Bowery, playing CBGB and Gotham's underground clubs, hanging with The Ramones and Patti Smith, touring with Television and Iggy Pop and living the countercultural life on the Lower East side in the years before and beyond new wave. For more on Gary www.garylachman.co.uk ---------- Get the Bureau's Newsletter Support our wild endeavours The Bureau of Lost Culture Home Go on - follow, rate and review us - or be in touch directly bureauoflostculture@gmail.com We'd love to hear from you. -------------
Episodio número 321 del programa "Rock Ladies". Presentado por Loreto Sánchez, Blanca Acebo y Juan Acebo. Qué contentos nos ponemos cada vez que viene Javier Duque de "Si la música hablase". Y es que hoy toca su colaboración quincenal. Además, no podía ser de otra forma que con un tema tan canalla como el "Protopunk", más conocidos por estos lares como... "POTROPUNK". Inspirados por el documental "The Blank Generation", nos vamos a teletransportar al Nueva York de los años 70 y a recordar a todos los musicazos que inspiraron al punk. Una escena cuya parada de rigor era el mítico club CBGB del propio Nueva York. ¡Dale al play que hoy toca puritita historia del rock!
We sing one last tune as we close out our "1980 The Musical Month". The Crew discuss yet another odd film called "The Blank Generation". Does this film convey a true punk spirit or have the crew been punk'd. The Crew also ponder how this is classified as a musical and what this film could have been. Crew in the Room: Ian and Mark "The Movieman". Don't forget to check out our Patreon Page, subscribe to us on Itunes, twitter @specialmarkpro and @spoilerroompdcs. Email us at spoilerroom.smp@gmail.com
The boys talk to Dr. Adam A.J. DeVille about psychoanalysis and why it's actually good. Recommended Reading: Adam A.J. DeVille, "The shrink and the spiritual director: Freud and the Jesuits" (America Magazine); https://www.americamagazine.org/faith/2019/12/13/shrink-and-spiritual-director-freud-and-jesuits Adam A.J. DeVille, "Orthodoxy and Freud: Is a Conversation Possible?" (Orthodoxy in Dialogue); https://orthodoxyindialogue.com/2017/11/21/orthodoxy-and-freud-is-a-conversation-possible-by-a-a-j-deville/ Adam A.J. DeVille, "Learning to Hate the Church?," The Wheel 20 (2020): 17-20; https://static1.squarespace.com/static/54d0df1ee4b036ef1e44b144/t/5e7927cffb066b2d1e93a133/1584998353388/Wheel20_03_DeVille.pdf Adam A.J. DeVille, Everything Hidden Shall Be Revealed: Ridding the Church of Abuses of Sex and Power (Angelico Press, 2019) Music: 1. Richard Hell & the Voidoids, "Blank Generation" 2. Marcy Playground, "Sex and Candy" Production: A.S. Wilson (aswilson.bandcamp.com)
The boys talk to David Bentley Hart about Gnosticism and why it's actually good. Recommended Reading: David Bentley Hart, Theological Territories: A David Bentley Hart Digest (University of Notre Dame Press, 2020). Music: 1. Richard Hell & the Voidoids, "Blank Generation" 2. Juss James, "Sweet Jesus" Production: A.S. Wilson (aswilson.bandcamp.com)
The boys show that neochalcedonianism is good... even in modern theology. Recommended reading: 1. Dennis Ferrara, "'Hypostatized in the Logos': Leontius of Byzantium, Leontius of Jerusalem, and the Unfinished Business of the Council of Chalcedon" (1997). 2. U.M. Lang, "Anhypostatos-Enhypostatos: Church Fathers, Protestant Orthodoxy, and Karl Barth" (1998). 3. Robert Jenson, "Jesus in the Trinity" (1999). Music: 1. Richard Hell & the Voidoids, "Blank Generation" 2. New Riders of the Purple Sage, "Lonesome L.A. Cowboy" Production: A.S. Wilson (aswilson.bandcamp.com)
The boys show that neochalcedonianism is actually good. Recommended reading: 1. Alois Grillmeier, “Der Neu-Chalkedonismus: Um die Berechtigung eines neuen Kapitels in der Dogmengeschichte” in Mit ihm und in ihm: christologische Forschungen und Perspektiven (Freiburg im Breisgau: Herder, 1975), 371-385 2. Johannes Zachhuber, “Christology after Chalcedon and the Transformation of the Philosophical Tradition: Reflections on a Neglected Topic” in The Ways of Byzantine Philosophy, ed. Mikonja Knežević (Alhambra: Sebastian Press, 2015), 89-110 Music: 1. Richard Hell & the Voidoids, "Blank Generation" 2. A.S. Wilson, "All at Once" Production: A.S. Wilson (https://aswilson.bandcamp.com)
Dee and Stoney FLICK OFF! on another double rock and roll film episode featuring discussion about a couple movies based on reality but not about real acts - BLANK GENERATION (1980) and ALMOST FAMOUS (2000) including music and more! Tune in to all episodes past and current at www.lokalloudnessmusic.com
Best known as the guitarist for Richard Hell and the Voidoids, Ivan Julian helped to shape the sound of punk rock as we know it. Having first toured as a teenager with British soul group the Foundations, Julian quickly became an integral member of the late-1970s New York City music scene when he appeared on the Voidoids' classic Blank Generation. After the demise of the Voidoids, Julian went on to form the Outsets and Lovelies, in addition to appearing on the Clash's Sandinista, performing with everyone from Sandra Bernhard to Matthew Sweet, and becoming heavily involved in production. Today Julian runs SuperGiraffeSound in Brooklyn. Today, the Voidoids' seminal releases on Ork, Sire, and Radar Records remain essential listening.
Do you belong to the Jack generation? Then chances are you have been enjoying The Raconteurs: Live at Electric Lady EP & documentary that was released this past May of 2020 in conjunction with Spotify and Youtube. In September of 2019, as The Raconteurs continued to barrel through their massive Help Us Stranger world tour, the band stopped by New York City's famed Electric Lady Studios (founded by Jimi Hendrix and John Storyk in 1970) to help celebrate the studio's impending 50th anniversary with the recording of a new cover song and an intimate concert that evening. Jack, Brendan, LJ and Patrick were joined by longtime friend, director Jim Jarmusch, to document the occasion and to sit down with the band for the type of candid interview only five old friends could truly have. Along with the electric (pun!) performance at the end of the night, The Raconteurs recorded a studio rendition of Richard Hell and the Voidoid's punk anthem Blank Generation, originally put down at Electric Lady for release in September of 1977. In this episode, we'll discuss the project and try something a little different in the form of a running fan-commentary of the documentary. We're excited as hell to have some new Racs music to sink our teeth into this year, and what better way to celebrate our penultimate episode of the season than with a journey into the blank generation? We know the Voidoids could take it or leave it each time - but we hope you'll take it and join us for the ride! See acast.com/privacy for privacy and opt-out information.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El embrión de los Ramones empezó a gestarse en Forest Hills, un barrio de clase media de Queens, Nueva York, donde vivían todos sus miembros fundadores. Jeffrey Hyman era un adolescente desempleado, hijo de un matrimonio divorciado, que ocupaba su tiempo tocando la batería y coleccionando discos, mientras su madre intentaba inculcarle el interés por la pintura y su padre le pedía que siguiese con su negocio de camiones.Jeffrey sufría un trastorno obsesivo-compulsivo que necesitó su ingreso en un centro psiquiátrico.A finales de los 60 formó parte de una banda de glam rock de corta vida llamada Sniper. John Cummings había sido alumno de una academia militar a la que entró por mandato de su madre. Como amigo de la infancia de Jeffrey, intentó formar un grupo con él y otro amigo durante su etapa en el instituto. A finales de los 60 fundó una banda de garage rock llamada Tangerine Puppets junto con Thomas Erdelyi, un húngaro de nacimiento que llevaba inmerso en el mundo de la música desde mucho antes que sus futuros compañeros. Douglas Colvin pasó toda su infancia en Alemania debido al trabajo de su padre.? miembro de la División de Investigación Criminal del ejército estadounidense. Se mudó a Nueva York con su madre y sus hermanas a los 14 años, y cuando entró en el grupo era el único de los componentes que tenía un trabajo (peluquero).A principios de los años 1970, Jeffrey era cantante en una banda local. En uno de sus conciertos conoció a Douglas, a quien volvió a ver en un concierto de los New York Dolls. John era amigo de Douglas y también amigo de Jeffrey (estuvo con su hermano Mitch Hyman en la misma banda), y a su vez amigo de Thomas.De este modo, la primera alineación del embrión de los Ramones tenía como integrantes al guitarrista John Cummings, el guitarrista rítmico y vocalista Douglas Colvin, el batería Jeffrey Hyman y Richie, un amigo de todos, al bajo, quien acabaría abandonando al poco de comenzar.Thomas actuaría como representante del grupo, y fue el que consiguió la primera sala de ensayos del grupo, Performance Studio, en Manhattan.9? En esta sala tocaron su primer concierto, el 30 de marzo de 1974 ante una audiencia de 30 personas y con un repertorio compuesto únicamente por versiones de otros artistas.12? En este concierto la banda ya era conocida como Ramones, un nombre inventado por Douglas.14? A partir de ese momento, todos los miembros llevarían el apellido Ramone (el mismo que utilizaba Paul McCartney en el periodo Silver Beetles ),14? de modo que los tres miembros serían conocidos como Joey Ramone (Jeffrey Hyman), Johnny Ramone (John Cummings) y Dee Dee Ramone (Douglas Colvin). Este primer concierto resultó un desastre, causado principalmente por la imposibilidad de Dee Dee de tocar y cantar a la vez. Como solución, Dee Dee se dedicó solamente al bajo y Joey se hizo con el puesto de cantante. Para rellenar su hueco en la batería se eligió a Thomas, el representante y amigo de los componentes, que pasó a llamarse Tommy Ramone.6? El 16 de agosto se produjo su debut oficial en un local llamado CBGB. A partir de esta primera actuación pasaron a tocar allí una vez a la semana junto con otros músicos emergentes como Blondie, Johnny Thunders, Talking Heads, Patti Smith o Television.12? Su primer concierto fuera de Nueva York tuvo lugar como teloneros de Johnny Winter ante 20 000 personas en Waterbury, Connecticut, y fue un sonado desastre.12?6? En diciembre de ese año grabaron una demo de 15 canciones producidas por Tommy, de las cuales siete irían a parar al primer álbum y dos al segundo. Otras dos fueron publicadas en All the Stuff (and More), mientras que aún hay cuatro de estas canciones inéditas. En junio de 1975, una compañía discográfica semidesconocida, Sire Records, les ofreció grabar un sencillo, pero declinaron la oferta. Linda Stein, la mujer de uno de los fundadores de esta compañía, Seymour Stein, los había visto actuar en el CBGB y les recomendó a su marido, que consiguió convencer a Sire para ofrecerles un contrato de cinco años.12? El 2 de febrero de 1976, los Ramones empezaron a grabar su primer álbum, Ramones, con un presupuesto de 6400 dólares,15? en contraste con los altos presupuestos que gastaban los grandes grupos de rock.2? Dos semanas y media después, el disco ya estaba terminado, y salió a la venta el 23 de abril. El 10 de mayo compartieron escenario con la banda inglesa Dr. Feelgood. Este concierto fue presenciado por un empresario inglés que les ofreció realizar un concierto en el Roundhouse de Londres el 4 de julio junto con el grupo de San Francisco The Flamin' Groovies y los ingleses The Stranglers. El concierto resultó un éxito y allanó considerablemente el camino a las bandas inglesas de punk como Sex Pistols o The Clash.14? De este concierto se dice que lo presenciaron los futuros líderes de estas bandas que se harían famosas poco después, un hecho falso puesto que ese mismo día The Clash se encontraba teloneando a los Sex Pistols en el Black Swan de Sheffield.16? El concierto de los Ramones en el Roundhouse está considerado como un momento crucial en el desarrollo del punk en todo el mundo.2? Los siguientes dos álbumes fueron publicados en 1977 bajo los nombres de Leave Home y Rocket to Russia, este último alabado por la revista Rolling Stone como "el mejor ‘rock & roll’ estadounidense del año". Ambos álbumes fueron producidos por Tony Bongiovi, primo de Jon Bon Jovi. Rocket to Russia contiene los tres únicos sencillos que consiguieron entrar en las listas de éxitos de los Estados Unidos: "Sheena Is a Punk Rocker" (número 81), "Rockaway Beach" (puesto 66) y "Do You Wanna Dance" (puesto 86).2? El 31 de diciembre de 1977 grabaron el directo It's Alive, un álbum doble que recoge su actuación en el Rainbow Theatre de Londres, finalmente publicado en 1979 solo en Europa y Asia.2? El título es una referencia a la película de terror del mismo nombre. Tommy, cansado de hacer giras con el grupo, abandonó la banda para ser productor,12? y fue sustituido por Mark Bell, que accedió al puesto con el nombre de Marky Ramone. Marky había trabajado anteriormente con un grupo de rock sureño llamado Dust, que publicó dos álbumes en 1971 y 1972, y había grabado junto a Richard Hell el disco Blank Generation.12? En 1978 la banda publicó el primer álbum con su nuevo miembro, Road to Ruin. Este álbum incluye por primera vez en la discografía de los Ramones canciones con guitarras acústicas, varias baladas, el primer solo de guitarra de Johnny y las dos primeras canciones de más de tres minutos, aunque los resultados de ventas siguieron siendo desfavorables. No obstante, la canción "I Wanna Be Sedated" se convirtió en una de las más famosas del cuarteto neoyorquino.Tras el debut de la banda en la industria del cine en la película Rock 'n' Roll High School, dirigida por Allan Arkush y producida por Roger Corman (1979), el legendario productor Phil Spector, que había alcanzado la fama produciendo discos de las Ronettes, los Beatles y Tina Turner entre muchos otros, se interesó por la banda y produjo su álbum End of the Century en 1980,14? que ascendió hasta el puesto 44.º en los Estados Unidos, siendo el disco que más alto llegó en las listas de éxitos en la carrera de la banda.2? Sin embargo, el resultado no satisfizo a los miembros del grupo, alegando diferencias entre ellos y Spector, quien llegó a apuntar a Dee Dee con una pistola para que repitiera un riff.14?18? En varias entrevistas, Johnny declaró que él siempre había estado a favor del punk más agresivo, mientras que End of the Century presenta un material más apartado del sonido clásico del grupo debido a la influencia de Spector, destacando el sonido suave de "Baby, I Love You" (una versión de las Ronettes que, no obstante, se convirtió en el sencillo más exitoso del grupo, alcanzando el octavo lugar en el Reino Unido),2? muy lejos del característico punk del cuarteto neoyorquino. A pesar de las diferencias musicales, el álbum resultó un éxito de público y la banda se dirigió por primera vez a España, donde dieron tres conciertos. En 1981, el cuarteto publicó el disco Pleasant Dreams, que continuó la senda establecida por End of the Century al presentar un punk mucho menos agresivo que en los cuatro primeros álbumes. En esta ocasión el productor fue Graham Gouldman, componente del dúo británico de música pop 10 cc.1? En posteriores declaraciones, Johnny dijo que tomar esta dirección fue una decisión de la compañía discográfica en un vano intento por atraer la atención del público estadounidense. En esta época comenzaron las primeras diferencias serias entre integrantes y los primeros problemas con las drogas y el alcohol. El 1 de agosto los Ramones se convirtieron en la primera banda entrevistada en la MTV, que por aquel entonces daba sus primeros pasos, aunque con la expansión del canal la banda salió de su programación.6? Hacia esta época comenzaron los primeros problemas serios entre los miembros de la banda, especialmente entre Joey y Johnny. Ambos músicos habían sido fuente de múltiples discusiones anteriormente, especialmente políticas (mientras Johnny era un firme conservador, Joey se consideraba como una persona de izquierdas),6? y continuaron en la tortuosa grabación de End of the Century: por un lado, Johnny intentaba que el grupo siguiese la senda de los primeros discos del grupo, mientras que por otro, Joey quería explorar otros caminos musicales más allá del punk.6? Su relación llegó al límite cuando Johnny le "robó" a Joey su novia, llamada Linda Danielle, para acabar casándose con ella.19? Ante esto, Joey compuso la canción "The KKK Took My Baby Away" (incluida en Pleasant Dreams) en referencia a este suceso ("KKK" son las siglas del Ku Klux Klan, lo que pone de manifiesto las tendencias conservadoras de Johnny). En una entrevista a Johnny Ramone poco antes de morir, este dijo: «Nos llevábamos mal de cualquier modo. La situación no ayudó, pero tampoco nos poníamos de acuerdo en nada. No sé. Simplemente, éramos diferentes». La relación entre el vocalista y el guitarrista nunca pudo recuperarse completamente, y permaneció así hasta la muerte de Joey en 2001.19? Tras la edición de Subterranean Jungle en 1983, Marky Ramone fue despedido del grupo a causa de sus problemas de alcoholismo.6? Este disco pone de manifiesto los problemas creativos del grupo, al camuflar en dos canciones el riff de "Blitzkrieg Bop" e incluir tres versiones de otros artistas en un ligero viraje hacia el new wave.20? Además, Johnny Ramone fue herido en una pelea y tuvo que pasar por una delicada operación en la que su vida llegó a correr peligro, aunque pudo recuperarse satisfactoriamente.12? Tras la vuelta de Johnny, el objetivo era suplir la baja de Marky, y el elegido fue Richie Ramone (nacido como Richard Reinhardt). Una vez superadas las dificultades, la banda reapareció con el disco Too Tough to Die (Demasiado duro para morir, nombre que proviene del incidente de Johnny) en 1984, producido por Tommy Ramone. Este álbum resultó una vuelta a las raíces musicales del grupo tras los fracasos de los tres anteriores trabajos y presenta su primer tema instrumental, "Durango 95". Algunos críticos musicales consideran que este fue el último álbum de calidad de la banda.21? En 1986, los Ramones fueron invitados a grabar la banda sonora de la película Sid and Nancy, que narra los últimos años de vida del bajista de los Sex Pistols Sid Vicious. Durante la grabación hubo varios problemas con el contrato, que fue finalmente cancelado. Sin embargo, el grupo aprovechó algunas de las canciones compuestas para este proyecto fallido para introducirlas en el álbum Animal Boy, que vio la luz ese mismo año. Este trabajo fue producido por Jean Beauvoir, miembro de Plasmatics, y presenta tanto canciones agresivas como canciones más comerciales. Una de las canciones de este trabajo, "Bonzo Goes to Bitburg", habla sobre la visita de Ronald Reagan a un cementerio nazi.1?22? El revuelo que causó y las protestas del propio Johnny Ramone obligaron a cambiarla de título en las ediciones del álbum en los Estados Unidos a "My Brain Is Hanging Upside Down".22? Un año después se grabó el último álbum con Richie, que llevó por título Halfway to Sanity y que fue producido por Daniel Rey, exguitarrista de Shrapnel (otro de los grupos de la escena de Nueva York). Richie abandonó la banda en agosto de 1987, molesto con el trío porque, tras cinco años, no habían compartido los beneficios de la venta de camisetas con él.6? Richie fue sustituido por Clem Burke (Elvis Ramone), de Blondie.12? Según Johnny, los conciertos con Burke fueron un desastre, y fue despedido tras el segundo porque no era capaz de seguir el ritmo del resto al tocar.6? Su reemplazo fue un sobrio y recuperado Marky Ramone. Los cambios en la formación continuaron en 1989, con la salida de Dee Dee Ramone, por aquel entonces el compositor más prolífico del grupo,6? después de la publicación de Brain Drain. Dee Dee fue repuesto por Christopher Joseph Ward (C.J. Ramone), que mantuvo su puesto hasta la ruptura del grupo. Sin embargo, Dee Dee continuó componiendo para la banda,2?23? a pesar de comenzar una breve e infructuosa carrera como rapero bajo el nombre de Dee Dee King,14? aunque antes había adoptado el seudónimo de Dougie Fresh.12? Su debut como rapero salió al mercado con el título de Standing at the Spotlight en 1989.En enero de 1990 Joey Ramone sufrió un accidente durante un concierto en el Ritz de Nueva York en el cual sufrió una rotura de ligamentos cruzados en su rodilla que lo obligó a mantener seis semanas de reposo.12? Ese año, Sire Records lanzó All the Stuff (and More), un álbum doble donde se incluyeron versiones reeditadas de sus dos primeros discos y otras demos y temas inéditos que sirvió para dar a conocer los inicios del grupo en aquellos países en los que no habían sido publicados los primeros álbumes.12? Poco después, el grupo viajó a Toronto y actuó en la película de Bill Fishman Car 54, Where Are You?, una película inspirada en la serie del mismo nombre trasmitida a finales de los años 1960.12? Además, los Ramones organizaron conciertos en Canadá, Bélgica, Suecia y Finlandia y tocaron en el primer festival de música realizado tras la reunificación de Alemania. En los shows tocaron nuevamente junto a Iggy Pop y en Bélgica lo hicieron con Sonic Youth y The Pogues. En el año 1991 se editó Loco Live, un álbum grabado en vivo en Barcelona, España, que recibió malas críticas al ser comparado con It's Alive.12? A su vez, el 26, 27 y 28 de abril de 1991 los Ramones hicieron su segunda incursión en Buenos Aires, Argentina presentándose en el estadio Obras Sanitarias. En julio de ese año, Marky y Joey participaron como panelistas del seminario Rock the Vote, una entidad encargada del registro de votantes y la adopción de incentivos para que la gente participe en la política activamente. Los Ramones filmaron un vídeo para esta organización que se difundió por MTV. Un año más tarde la banda grabó Mondo Bizarro, álbum editado por Radioactive Records y producido por Ed Stasium que contó nuevamente con la participación de Dee Dee Ramone en la composición de dos temas.24? El 16 de septiembre los Ramones se presentaron nuevamente en la Argentina realizando cuatro shows a sala llena en el estadio Obras Sanitarias, dando también varios conciertos en España. El siguiente disco del grupo fue Acid Eaters, un álbum de versiones de temas de los años 60 grabado en tan solo una semana. Ya en 1995, dos años después de Acid Eaters, el grupo grabó el que sería su último álbum de estudio, ¡Adiós Amigos!, donde Daniel Rey y Dee Dee Ramone colaboraron activamente en la composición. Más tarde ese año, los Ramones tocaron seis días seguidos con todas las entradas vendidas en el estadio Obras Sanitarias de Argentina. Los telonearon bandas importantes de la escena punk argentina como Flema, Attaque 77, 2 minutos, Doble Fuerza, Mal Momento, Cadena Perpetua y Superuva y el grupo tocó "Spider-Man" (por primera vez) y "R.A.M.O.N.E.S." (una canción original de Motörhead que compuso Lemmy Kilmister a modo de homenaje al cuarteto neoyorquino) en vivo.12? El 26 de febrero de 1996 la banda tocó en The Academy, Nueva York en un recital que daría lugar al álbum en directo Greatest Hits Live. El 16 de marzo de ese año Ramones volvió una vez más a la Argentina para dar su último concierto en Sudamérica y, según lo que habían calculado, el último de su carrera. El grupo llenó el estadio Estadio de River Plate, Antonio Vespucio Liberti con 65.000 personas presenciando el recital.25? Sin embargo, poco después Ramones decidió tocar en algunos recitales del festival Lollapalooza en los Estados Unidos antes de su separación. Su último recital fue el 6 de agosto de 1996, en The Palace, Los Ángeles y su último disco, We're Outta Here, contiene la grabación de ese concierto.Después de la fallida incursión en el mundo del rap, Dee Dee regresó al punk con su disco solista I Hate Freaks Like You, en la vuelta del bajista original de los Ramones al sonido de su antiguo grupo. El disco fue publicado en 1996 y grabado en los Países Bajos.26? El 20 de julio de 1999, Dee Dee, Joey, Johnny, Marky, C. J. y Tommy aparecieron juntos en una tienda de la cadena de música Virgin en Nueva York para firmar autógrafos. Esta fue la última vez que se reunieron los exmiembros del grupo antes de la muerte de Joey el 15 de abril de 2001 a causa de un linfoma.3? Los trabajos inacabados de Joey fueron recopilados en el álbum Don't Worry About Me.27? En homenaje a su memoria, el ayuntamiento de Nueva York descubrió una placa con su nombre en la esquina entre las calles Bowery (la calle en la que estaba el CBGB) y 2nd Street en noviembre de 2003, pasándose a llamar Joey Ramone Place.En 2002, Johnny, Dee Dee, Joey, Tommy y Marky Ramone fueron incluidos en el Salón de la Fama del Rock and Roll, el que fue uno de las últimas apariciones de Dee Dee antes de su muerte. El 5 de junio de ese mismo año fue encontrado muerto en su casa de Hollywood a causa de una sobredosis de heroína.13? En febrero de 2003 salió a la venta el CD We're a Happy Family. A Tribute to Ramones, un disco de versiones de los temas más famosos de la banda coordinado por Rob Zombie (líder de White Zombie) y Johnny Ramone, en el que participaron artistas como U2, Red Hot Chili Peppers, Tom Waits, Metallica, Kiss, Marilyn Manson, Garbage, Eddie Vedder, The Pretenders, Green Day, The Offspring y el propio Rob Zombie.29? En el verano de 2004 se publicó un documental sobre la banda, End of the Century: The Story of the Ramones. Johnny Ramone murió el 15 de septiembre tras una lucha contra un cáncer de próstata.30? Un año después, en conmemoración de su muerte, abrió sus puertas el primer museo dedicado a la banda en Berlín, Alemania, con una colección de casi trescientos objetos relacionados con el cuarteto neoyorquino.31? A lo largo de 2006 se estrenó un musical de teatro llamado Gabba Gabba Hey basado en la historia de los Ramones, en el que se incluyen dieciocho canciones del grupo neoyorquino y que contó con la participación de Tommy Ramone, tanto en la producción del mismo como en escena.32? En octubre de 2007 se publicó un DVD en directo llamado It's Alive 1974-1996, con 118 canciones tocadas en 33 conciertos que repasan la carrera musical del grupo. En 2012 se publicó el segundo álbum póstumo de Joey Ramone titulado Ya Know? El 11 de julio del 2014 falleció en Queens, Estados Unidos el último miembro original de la banda. Tommy Ramone, de cáncer de vías biliares.Los Ramones formaron parte de la primera ola del punk, que tuvo a la ciudad de Nueva York como uno de sus centros neurálgicos, junto con Londres.2? Además de los Ramones, surgieron en Nueva York otros grupos de punk como Television, Blondie o Talking Heads y artistas como Richard Hell y Patti Smith, pero que sonaban distintos a los Ramones.1? Mientras estos grupos eran más intelectuales y concebían la música que hacían de un modo más artístico, los Ramones componían canciones muy cortas de un puñado de acordes con letras muy simples o incluso sin sentido.1? El resultado fue una fórmula que volvía a las raíces del rock and roll de los 50 y 60,33?2? antes de la llegada de los Beatles, pero con un tempo considerablemente más rápido que el de este género y que sonaba como algo totalmente nuevo.1? La música minimalista, ruidosa y rápida está influida por la música rock con la que los miembros de la banda crecieron en la década de los años 50 y 60, como The Beach Boys, The Kinks, The Who,7? The Beatles y The Rolling Stones, así como algunas de las bandas de proto punk como The Stooges y New York Dolls.6? También significa una reacción contra el rock complejo y muy producido de los 70, con exponentes como Led Zeppelin o los artistas de rock progresivo y que dominaban las listas de popularidad en esta década. Los Ramones fueron considerados como los líderes de la escena punk, gracias en gran medida a sus cuatro primeros álbumes, que constituyeron la base sobre la que se asentaron las demás bandas de punk posteriores.1? Este sonido influyó en buena medida al de la nueva ola del heavy metal británico que surgió en Gran Bretaña a mediados y finales de los 70, con bandas como Motörhead (que compuso la canción "R.A.M.O.N.E.S."), Judas Priest y Iron Maiden, así como al speed metal.2? La carrera de los Ramones en los años 80 se adentró en los terrenos del hardcore punk, con álbumes como Too Tough to Die o Halfway to Sanity, ejerciendo también una considerable influencia en este género.2? Por otra parte, la frescura y melodía del grupo (plasmada en temas como Rock N Roll Highschool) los sitúa como una importante influencia para el llamado pop punk, con bandas como Green Day. Los Ramones y el resto de grupos de punk posteriores ayudaron a trasladar el rock de estadio a clubes más pequeños de acuerdo con la filosofía más simple que predica este género musical.2? En escena, la banda siempre se colocaba de cara al público, teniendo el bajista y el guitarrista las piernas abiertas y el instrumento inclinado entre ellas. A Johnny Ramone no le gustaban los guitarristas que tocaban mirando hacia la batería, el amplificador o cualquier otra cosa que no fuera el público.Durante la carrera de los Ramones, la tensión entre Johnny y Joey fue patente. Tenían ideas políticas contrarias, siendo Joey un liberal y Johnny un conservador. Sus personalidades también chocaban: Johnny provenía de una familia militar que le inculcó valores de autodisciplina,34? mientras Joey padecía trastorno obsesivo compulsivo.35? Johnny, en ocasiones atormentaba a Joey con comentarios antisemitas.36? A principios de los 80, Johnny empezó salir con la novia de Joey, Linda, con quien más tarde se casaría. Como consecuencia y a pesar de que siguieron tocando juntos, dejaron de hablarse.37? Johnny no volvió a llamarle hasta el día de su muerte. En un documental posterior dijo que la semana después de la muerte del vocalista fue la peor de su vida. Aparte del conflicto principal, el trastorno bipolar de Dee Dee y su frecuente adicción a las drogas también causaron numerosos roces.38? Tommy dejó la banda afirmando haber sido "amenazado por Johnny, despreciado por Dee Dee e ignorado por Joey".36? Conforme se fueron uniendo nuevos miembros, los asuntos de dinero y actuaciones fueron fuente de conflicto.39? En 1997 Marky y Joey protagonizaron una discusión en la radio sobre sus respectivos problemas con el alcoholLa imagen de los Ramones en escena complementaba la temática de sus temas y sus conciertos. Todos los miembros de la banda salían a los conciertos con chaquetas de cuero, pantalones vaqueros rasgados, deportivas, camisetas y pelo largo,5? en honor a las estrellas de rock de los 50,1? y poniendo de manifiesto que no era necesario vestir de manera extravagante y lujosa para tocar música rock.4? Esta moda enfatizaba el minimalismo de su música, que constituyó una gran influencia en la escena neoyorquina de los 70. Tommy Ramone recalcó que, tanto musical como visualmente, "estábamos influidos por los cómics, el trabajo de Andy Warhol y el cine vanguardista". El logo de la banda fue creado por el artista Arturo Vega,9? un amigo de Joey y Dee Dee que les ofreció alojarse en su piso.6? Vega produjo las camisetas de la banda, su mayor fuente de ingresos, basando la mayor parte de las imágenes en una fotografía en blanco y negro que había sacado de su cinturón con la hebilla del águila calva, y que aparecía en la contraportada del primer álbum de la banda.41? El artista se inspiró en un viaje a Washington D.C. para crear el logo: Los vi como la última banda de todos los estadounidenses. Para mí, ellos reflejaban el carácter estadounidense en general; una casi infantil agresividad inocente. Entonces, la primera vez que fui a Washington D.C., estaba impresionado por la atmósfera oficial de los edificios y organismos y con banderas por todas partes. Pensé: "El gran sello del presidente de los Estados Unidos sería perfecto para los Ramones, con el águila sosteniendo las flechas, para simbolizar la fuerza y la agresividad que se usa contra cualquiera que se atreva a atacarnos, y una rama de olivo, que se ofrece a aquellos que quieren ser amigos". Pero decidimos cambiar un poquito. En lugar de la rama de olivo, teníamos una rama de manzano, ya que los Ramones eran tan estadounidenses como el pastel de manzana. Y como Johnny era un fanático del béisbol, pusimos al águila con un bate en lugar de las flechas.41? En el rollo del pico del águila originalmente ponía "Look Out/Below" (Cuidado/Abajo), pero fue cambiado por "Hey ho! Let's go!" por los gritos de apertura de "Blitzkrieg Bop", mientras que las cabezas de flecha del escudo venían de un diseño de una camiseta del propio Vega. Donde en el sello presidencial ponía "Seal of the President of the United States" alrededor del águila, Vega puso en su lugar los nombres de los cuatro miembros de la banda, que cambiarían según los movimientos en la alineación de la misma. Finalmente, Vega fue contratado también como el encargado de la iluminación de la banda en los conciertos y como encargado del merchandising..
The boys show that neochalcedonianism is actually good. Recommended reading: 1. Alois Grillmeier, “Der Neu-Chalkedonismus: Um die Berechtigung eines neuen Kapitels in der Dogmengeschichte” in Mit ihm und in ihm: christologische Forschungen und Perspektiven (Freiburg im Breisgau: Herder, 1975), 371-385 2. Johannes Zachhuber, “Christology after Chalcedon and the Transformation of the Philosophical Tradition: Reflections on a Neglected Topic” in The Ways of Byzantine Philosophy, ed. Mikonja Knežević (Alhambra: Sebastian Press, 2015), 89-110 Music: 1. Richard Hell & the Voidoids, "Blank Generation" 2. A.S. Wilson, "All at Once" Production: A.S. Wilson (https://aswilson.bandcamp.com)
In Episode #2 of Bax Trax, Baxie takes a look at one of the most important figures in the New York Underground music scene of the 1970’s—Richard Hell and his classic song “The Blank Generation”! It’s part #2 of the ten-part series of the songs that changed everything on Baxie’s Musical Podcast
This episode features songs with the shortest track length that we’ve ever played; it’s PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore and 2nd Wave of Punk scenes. We discuss the origins of the movement: the bands that were punk before punk, and the bands that were the contemporaries of the bands that we all know as Punks.Songs this week include:The Modern Lovers – “She Cracked” from The Modern Lovers (1972)Hollywood Brats – “Chez Maximes” from Hollywood Brats (1973)Death – “Freakin’ Out” from …For the Whole World To See (1975)Radio Birdman – “Burn My Eye” from Essential Radio Birdman (1976)Crime – “Baby You’re So Repulsive” from Hot Wire My Heart 7” (1976)Dead Boys – “Sonic Reducer” from Young, Loud, and Snotty (1977)Johnny Thunders & The Heartbreakers – “One Track Mind” from L.A.M.F.The Lost Mixes (1977)Richard Hell & The Voidoids – “Blank Generation” from Blank Generation (1977)Destroy All Monsters – “You’re Gonna Die” from Bored (1978)The Alley Cats – “Nothing Means Nothing Anymore” from 7” Single (1978)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!:https://www.redbubble.com/people/InObscuria?asc=u
Dari fans untuk fans, sebagaimana seharusnya etos kemandirian do it yourself dijalankan, kegiatan bootlegging atau mengekspoitasi karya sebuah band/artis adalah bentuk pemujaan dalam konteks kejahatan piracy, sebenarnya. Abu-abu. Kebanyakan tukang bootleg—perekam konser, pengganda video, maupun para seniman sablon—melakukan pekerjaannya dengan hormon lapar seorang penggemar musik yang terpuji. Uang bukanlah motivasi utama mereka, itu yang membedakan dengan pedagang bajakan, melainkan berbagi harta karun ilegal; demo basement th. 84' atau versi kor Opera Ken Arok atau long sleeve Blank Generation 77' Tour atau VHS Summer 28', bahkan kompilasi wawancara Ziggy Stardust yang hilang. Arian13, pelaku, korban, konsumen bootleg kami pertemukan dengan host tamu episode istimewa kesepuluh ini, Farid Amriansyah aka Rian Pelor dan saling bincang keduanya perihal habitat bajak-membajak subkultur bootleg.www.amvibe.id
Punksploitation! Is it a thing? Lee says it is, because he'll be damned if he's going to manage to re-record a new show from scratch before the month is over. Lee spins some of his favourite cuts from film soundtracks that (mostly) in some way use punk rockers, punk music, or some sort of other punk aesthetic in the film. Playlist: --Out of Luck from "Out of the Blue" (1980) --The Pointed Sticks --Something Else from "The Great Rock 'n' Roll Swindle" (1980) --Sex Pistols --Liars Beware from "Blank Generation" (1980) --Richard Hell & The Voidoids --Ain't Got No Sense from "Class of 1984" (1982) --Teenage Head --It Takes a Worried Man from "Human Highway" (1982) --Devo --Sister Darkness from "Burst City" (1982) --Battle Rockers --No God from "Suburbia" (1983) --The Germs --Wash Away from "Suburbia" (1983) --T.S.O.L. --When the Shit Hits the Fan from "Repo Man" (1984) --The Circle Jerks --Let's Have a War from "Repo Man" (1984) --Fear --Eyes Without a Face from "Return of the Living Dead" (1985) --The Flesheaters --Take a Walk from "Return of the Living Dead" (1985) --Tall Boys --Partytime (Zombie Version) from "Return of the Living Dead" (1985) --45 Grave --Love Kills from "Sid and Nancy" (1986) --Joe Strummer --Taxi to Heaven from "Sid and Nancy" (1986) --Pray for Rain --Urban Struggle from "Dudes" (1987) --The Vandals Opening and closing music: Money Orgy from "Danger Diabolik" by Ennio Morricone & Main Theme from "The Horror of Dracula" by James Bernard.
Today's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioNegro Terror-Voice Of Memphis (Unreleased live track 2018)Public Practise-Bad Girl(s) (From the self released 12’’ EP ‘Distance Is A Mirror’ 2018)Cherry Glazerr-Wasted Nun (From the Secretly Canadian Records album ‘Stuffed & Ready’ 2019)Priests-The Seduction Of Kansas (From the forthcoming Sister Polygon Records album ‘The Seduction Of Kansas’ 2019)Martha-Love Keeps Kicking (From the forthcoming Big Scary Monster Records album ‘Love Keeps Kicking’ 2018)Martha Valez-Get Up, Stand Up (From the Sire Records album ‘Escape From Babylon’ 1976)The Lemonheads-Unfamiliar (From the Fire Records album ‘Varshons 2’ 2019)The Members-Offshore Banking Business (Virgin Records 12’’ 1979)The Specials-10 Commandments (From the Universal Records album ‘Encore’ 2019)Bob Mould-Lost Faith (From the Merge Records album ‘Sunshine Rock’ 2019)Madder Rose-Beautiful John (From the Seed Records album ‘Bring It Down’ 1993)The Strokes-Someday (From the Rough Trade Records album ‘Is This It’ 2001)Richard Hell & The Voidoids-Walking On The Water (From the Sire Records album ‘Blank Generation’ 1977)Bromure-Place Du Terte (From the self titled Une Vie Pour Rien Records album 2018)Mammoth Penguins-I WannaThe Beths-River Run: Lvl 1 (From the Carpark Records album ‘Future Me Hates You’ 2018)
Hey, it's a show for kids! WARNING: HARSH LANGUAGE. NOT FOR CHILDREN. Written & Produced by Hank Pattison ... To assist with funding the Death By Media Man Channel: www.patreon.com/DeathByMediaMan
This week is a double-sized, packed episode that includes new stuff from Iron Chic, The Pathogens, The Slow Death, Sneakers Award, Attic Salt, and Oklahoma's Girls Club plus classics from Morrissey, The Gaslight Anthem, The Odd Numbers, and Stiff Little Fingers and much more. 1. "Lead Ashtray" by Fresh (from Fresh)2. "Little Love Letters" by Sad Blood (from Little Love Letters)3. "Never Say Die" by Sneakers Award (from Demo)4. "Chewing Gum" by Muskets (from Chew)5. "Digital Age" by Hang Tight (from Grind EP)6. "Bury Your Idols" by Hot Water Music (from Light It Up)7. "Steady Diet of Sugar" by Goddamnit (from I'll Never Be Okay, I'll Never Be the Same)8. "Not Me" by Girls Club (from Polyglamorous)9. "Way Back" by Save Ends (from A Book About Bad Luck)10. "Be The One" by The Slow Death (from Punishers)11. "Drive" by The Gaslight Anthem (from Sink or Swim)12. "Marie" by Supersuckers (from The Sacrilicious Sounds of the Supersuckers)13. "Diane" by Material Issue (from International Pop Overthrow)14. "One to Two" by Dag Nasty (from What If? Sessions)15. "Problematic" by ALL (from Punk-O-Rama, Vol. 5)16. "Never Coming Down" by Willamette Stone (from If I Stay [Original Motion Picture Soundtrack])17. "Anything" by Static Radio (from Resentiments)18. "Tonight" by The Warning Shots (from Tonight!)19. "Freaks on the Street" by The Pathogens (from Freaks on the Street)20. "Love Is Not an Answer" by John Moreland (from Big Bad Luv)21. "Purple Mountains" by Able Baker Fox (from Visions)22. "Dead Meat" by Talk Show Host (from Not Here to Make Friends)23. "Old Men Die In New Suits" by Michael Kane & The Morning Afters (from Laughing at the Shape I'm In)24. "The Third Floor" by The Rentiers (from Bring Me the Finest World Map Shower Curtain in All the Land)25. "Candle Wax" by Sincere Engineer (from Rhombithian)26. "Nickel Arcade" by Wicked Bears (from Tuning Out)27. "Spun" by Wagers (from New Guilt)28. "Handouts" by Black Train Jack (from You're Not Alone)29. "Love Comes In Spurts" by Richard Hell & The Voidoids (from Blank Generation)30. "Start With" by Seaweed (from Spanaway)31. "Nobody's Hero" by Stiff Little Fingers (from Nobody's Heroes)32. "Don't Bother Me" by The Odd Numbers (from About Time)33. "Star Sign" by Teenage Fanclub (from Bandwagonesque)34. "Working Class War" by Hudson Falcons (from Desperation & Revolution)35. "Reunion" by Drop Acid (from Making God Smile)36. "Verse Chorus Verse" by Nirvana (from No Alternative)37. "Everyday Is Like Sunday" by Morrissey (from Viva Hate)38. "Where Eagles Dare" by Misfits (from Collection I)39. "Hometown" by Attic Salt (from Attic Salt)40. "Dizzy Wizard" by Hard Girls (from Floating Now)41. "To Shreds, You Say?" by Iron Chic (from You Can't Stay Here)
September 1977: Rush, Van Der Graaf, Ronnie Lane, Pete Townshend, Talking Heads, Steely Dan, Stranglers, Billy Joel, Richard Hell and the Voidoids
En este episodio de La Historia del punk seguimos en EEUU en 1976 con la aparición del simple Blank Generation de Richard Hell y del simple Final Solution de Pere Ubú. Seguimos recorriendo bandas que comenzaron a definir ya el movimiento punk en EEUU.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
He played with Patti Smith and Blondie, he was friend and toured with Iggy Pop, Ramones, Television, Heartbreakers... He lived his life with legends and he is one. The post Ivan Kral – The blank generation #TFF34 appeared first on Fred Film Radio.
The Immortals are on to something. Nope, still not the ominous messages from Intern, not the government conspiracy to cover up aliens, and not even Sarah's thing about people stopping her from eating the food. It's that the people in Faces may not be having a good time. It's worth looking into. They discuss this plus Tom Wait's voice, the voice of Richard Hell, we'll listen to the voice of T.S. Eliot and…the truth that is out there. Get excited. Intro 0:00 – 2:50 Faces 2:50 – 27:28 Heartattack and Vine 27:28 – 39:26 Razor Clam 39:26 – 40:04 Blank Generation 40:04 – 47:45 Old Possum's Book of Practical Cats 47:45 – 59:07 The X-Files 59:07 – 1:32:23 Outro 1:32:23 – 1:39:47 --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air. Email Twitter iTunes YouTube Join us Thursday next as we discuss more things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!) Artwork by Ray Martindale Opening Tune by Adam Lord
In this Hoax Busters Call Special Report, John and I (Chris) rejoin Nino Teuheneugh for our continuing discussion on: The New York Punk Scene, Lou Reed, Church of Light,Alice Bailey, John Sinclair, A2 CIA Building Bombing, Chelsea Hotel, New York Dolls, The Ramones, Meghan McCain, Johnny Ramone, Malcolm McLaren, Buster Poindexter (David Johansen), Johnny Thunders, Wayne Kramer, Zodiac Records, Gimme Shelter(documentary), Altamont Free Concert, George Lucas, Meredith Hunter, Lance Loud, â??An American Familyâ??, â??Cinema Veriteâ??, Meg White, Jackson Smith, Patti Smith, Fred "Sonic" Smith, Continental Drift Club, Lenny Kaye, Robert Mapplethorpe, The Hotchkiss School, Samuel Jones Wagstaff, Jr., The Institute for Advanced Study of Human Sexuality, Warren Buffet, Danny Fields, Leslie Conway "Lester" Bangs, Debbie Harry, Ted Bundy, Gloria Steinem, H.R. Giger, The Talking Heads, David Byrne, Church of the SubGenius, Tina Weymouth, Chris Frantz, Philip Leslie "Phil" Graham,hoaxbusterscall.com
[NOTE: There are a few discontinuities in the audio from technical issues.] In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, Free Jazz, John Cale, Fluxus Movement, John Cage, Hotel Chelsea, Timothy Leary, Skull and Bones, Suicide(band), Martin Rev , Alan Vega, New York University, CBGBâ??s, Situationist International Philosophy, Electrosynth, Richard Hell(first â??punk rockerâ??), Television(band), Charles Bukowski, 27 Club, Harry Everett Smith, Into Music: Blank Generation by Richard Hell and the Voidoids, Outro Snippet-â??Punk: Attitudeâ??, Film by Don Letts, hoaxbusterscall.com
Welcome to episode 32 of See Hear podcast. Can you imagine Francois Truffaut visiting New York in the seventies, walking into CBGBs, and thinking "I really need to make a film inspired by this new thing called punk"? (except he'd probably be thinking it n French....but apart from that, can you imagine it?) It seems that Ulli Lommel had one of those "what if" moments, and so a man more known for horror films came up with Blank Generation. Blank Generation concerns the tempestuous relationship between a French journalist (Carole Bouquet) and a punk singer (Richard Hell) in NYC during the seventies. Does Godard and punk music mix? Does the film work as a romance? Does it work as a punk film? Does it work as a tribute to the French New Wave? Is it a decent way to spend 78 minutes? Will Nada and Billy ever get to the beach? Would GG Allin have liked it? Bernie, Tim and Maurice will clue you in. But wait....there's more. Four years earlier in 1976, Amos Poe and Ivan Kral put together a film called THE Blank Generation featuring a lot of poorly edited black and white footage of some unknown punk bands like Blondie, Patti Smith Band, Talking Heads and The Ramones playing at CBGBs. The film was shot silent but had the bands' music place on top of the film with no attempt to synchronise the audio and visual (maybe not even doing the same songs). We discuss this time capsule and whether despite its amateurish nature, if it had something to offer. We had a fun time discussing these films and hope you enjoy our chat. We only discovered in post production there were some audio issues, but hopefully, you should still enjoy the content. If you dig what we do, could you please rate us at iTunes or even better, spread the word that the show exists so more folks can tune in. You can download the show by searching for See Hear podcast on iTunes or download from http://seehear.podbean.com/ Please join our friendly Facebook discussion group at https://www.facebook.com/groups/seehearpodcast/ You can send us emails at seehearpodcast@gmail.com to make suggestions of films you’d like us to discuss, give us your thoughts on what we do, or anything music film related.
CONTAINER PODCAST [54] SILVA RYMD Since the first hour Silva Rymd is resident at ://about blank, Berlin – her "living room" as she calls it. Influenced by labels like Sandwell District or Prologue and the dark and echoing Techno sound of this time, she started DJing in 2009. Today she passionately conjures the events named Ghosts*, Blank Generation and Zeroize and when she's not playing her records at ://about blank you can find Silva DJing at venues like Vicious Club, IFZ (Leipzig), Duplex (Tel Aviv)… @silva-rymd www.residentadvisor.net/dj/silvarymd www.facebook.com/pages/Silva-Rymd/150696234985335 Tracklist: Metsän Sydän _ Ø _ Sähkö Creep _ Stephanie Sykes _ Vent Rubber Soul (Lex Gorrie Rmx) _ Micol Danieli _ Resiliens Ben’s Wolves _ Mod 21 _ Prologue CRC666 _ Nagasaki Nightriders _ Crème Organization Insomnia _ Z.I.P.P.O. _ Enemy Architectural Lie _ Max_M _ M_Rec Ltd Ballorama _ Jeff Derringer _ L.A.G. Equinox (Jonas Kopp Sword Rmx) _ Farron _ Shaw Cuts For Real _ Len Faki _ Ostgut Resin _ Gorgio Gigli & Ness _ Planet Rhythm Imperious _ Lewis Fautzi _ Figure Shock Waves _ Exium _ Mord Cursed _ Mutecell _ Mutewax Nocturnal _ Côme _ Ritual Process Pic by Ema Discordant
Welcome dear listener(s) to another edition of Turned Out A Punk. This week Damian sits down with the director of seminal Toronto punk film the Last Pogo (and more recently The Last Pogo Jumps Again) to talk about the onset of Punk in Toronto, and his life after that. Find out how a need to document the Nazi Dogs suicide show led to a life in film and TV. Also touched on: -Nash The Slash the punk before Punk in Toronto -Blank Generation: the movie that made you want to build a stage -The Last Pogo's original release show: Buzzcocks, Viletones and Gang Of Four -Viletones and the rockabilly era -Bringing your teacher to see the Viletones the night Stephen Leckie promises to kill himself -Working the door at the first Ramones show outside of New York after a three-paper-oiler joint -NEVER BRING UP THE VELVET UNDERGROUND TO JOHN CALE -The brilliance of the Scenics and the downside of not being in the clique -For get The Ugly and The Viletones, here’s the The Curse: A band that scared you. -The enduring “overnight transformation into a punk” -Driving cab: the upsides and the downsides -Making Roadkill -Picking up the Ramones in a cab and winding up casting Joey -Gary Topp: Unsung Canadian hero -The Canadian movie question. -Highway 61 (The Movie) Revisited -The bygone scams of an analog world -Iggy gets an ego post Cannes and has to be replaced by Art. -Neil Young’s talking head monolog being a deal breaker. -Hangin’ with Kenneth Anger and getting the dirty secrets of living with Alejandro Jodorowsky -Six years making The Last Pogo Jumps Again -The Last Bound Up: not shot and thus forgot
I DREAMED I WAS A VERY CLEAN TRAMP (Ecco) How this legendary downtown artist went from an ordinary childhood in the idyllic Kentucky foothills to igniting the “punk” movement that would take over New York and London's restless youth culture—and spawn the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, Debbie Harry, and the Ramones—is just part of the fascinating story Hell tells. With Joycean powers of observation, he delves deeply into the details of both the world that shaped him and the world he helped to shape. From an early age, Hell dreamed of running away. His father died when he was seven, and at seventeen he left behind his mother and sister and headed to New York City, a place of limitless possibilities. He arrived penniless; ten years later he was a pivotal voice of the age of punk, starting or co-founding such seminal bands as Television, The Heartbreakers, and Richard Hell and the Voidoids—whose song “Blank Generation” remains the defining anthem of the era. As much as any one person, Hell established CBGBs as the ground zero of punk. He and the Voidoids would tour with the Clash, and Malcolm McLaren would credit him as an inspiration for the Sex Pistols. There was the kinetic excitement of nights at Max's Kansas City, the descent into drug addiction, and the ever-present yearning for redemption through poetry, music, and art. Richard Hell is the author of the novels Go Now and Godlike, and the collection of essays, diaries, and lyrics, Hot and Cold. Hell has published essays, reportage and fiction in such publications as Spin, GQ, Esquire, The Village Voice, Vice, Bookforum, Art in America, The New York Times and The New York Times Book Review. From 2004-2006 he was the film critic for Black Book magazine. Hell lives in New York City. Photo by Iniz & Vinoodh THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS MARCH 27, 2013. COPIES OF BOOKS FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9780062190833
Säkerhetsnålen, så liten och vanlig att vi knappast tänker på den, lyckades under mitten av 1970-talet att sticka hål på konventioner. Under punken blev den en av modets tydligaste symboler för revolt och omkullkastande av gamla ideal. Men hur ser säkerhetsnålens egen historia ut? Om den berättar vi i veckans STIL. Säkerhetsnålen, som vi känner till den idag, är inte så gammal. Den är närmare bestämt 164 år. Det var nämligen den 10 april 1849 som amerikanen Walter Hunt lämnade in en patentansökan i New York om en ”dress pin”. En sorts dubbelnål med en spiralfjäder och ett litet knäppe som hindrade den från att glida iväg i klänningstyget. Men prototyper till den fanns långt tidigare. Redan de gamla grekerna…zzzzzznark. Men jo, så var det faktiskt. De fäste ihop tygstycken med nålar (som var mer eller mindre säkrade genom spännen och spärrrar) som kallades för fibulae. Men inte ens under antiken var själva nålandet av plagg en ny idé. Den är lika gammal som tanken på att skyla oss med djurhudar och tygstycken. Mer om nålens historia berättar vi i programmet. Liksom om säkerhetsnålens. Vi har även mött den man som i mitten av 1970-talet började att bära trasiga plagg ihophållna av säkerhetsnålar – Richard Hell. Det är ingen tillfällighet att han har kallats för ”punkens pappa”. Under 70-talet var Richard Hell en av förgrundsgestalterna i New Yorks groende punkvärld. Han spelade i band som Neon Boys, Television och Richard Hell & The Voidoids, vars låt Blank Generation inspirerade Sex Pistols till att skriva låten Pretty Vacant. Ja, Richard Hell har inspirerat till en hel del som har med punkens estetik att göra. På måndag publiceras hans självbiografi I Dreamed I Was a Very Clean Tramp i USA. Om den, och han stil, får vi höra mer om. Vi har även träffat sångerskan och musikern Nike Markelius, kanske mest känd som trummis i punkbandet Tant Strul. Hon har klätt sig punkigt i över 30 år. Och hon har inga planer på att sluta. Hon berättar om hur hon finner både kraft och självförtroende i punkens plagg. Vi får också höra om en sorts kusin till säkerhetsnålen, broschen. Den ligger inte längre på trendtoppen ifråga om smycken, men det borde den kanske göra. Broschen är en av de mest kommunikativa, och kreativa, accessoarerna som finns. Mer om det berättar journalisten Barbro Hedvall och smyckesdesignern Maria Nilsdotter. Och så har vi träffat den svenska konstnären Stina Opitz som gjort hela klänningar konstruerade av just säkerhetsnålar. Veckans gäst är dräkthistorikern och författaren Tonie Lewenhaupt.
Episode 9! Another great podcast of mental rock and roll to infect your brain. Hellbillys | Blood Trilogy Vol. 1 | Blank Generation Stan Zvezda | Psycho Attack Over Poland | James Dean The Tailgators | The Tailgators | 21 Days The Termites | Overload | Out Of My Mind The Meteors | Teenagers From Outer Space | Another Half Hour Till Sunrise Tazmanian Devils | Evil Boppin' | Beware Of The Martians Skitzo | Vertigo | Misery Calamitiez | Calamitiez | Army Of The Underworld Grais | Grim Rock Stomp | Midnight Express Luna Vegas | Strange Men Weird Women | Mr Shroom The Tony Montanas | Destination Hell | Eat You Alive Surf Rats | Welcome To Killafornya | Cruel Aint The Word I Woulda Use Atomic Fiends | Race To Hell | Firecracker Baby Mad Dog Cole | Ultra Violence | Fuck Your Cadillac Dr. Bizarro's Victims | California Psychobilly | Don't Lose Your Cool Brigitte Handley/Danny B. Harvey | Stand Your Ground | Mad At You Mad Sin | Survival Of The Sickest | Nothing's Alright The Rocketz | We Are... | I Wanna Get A Mohawk
Download Link: Eddie-V Music Show - Episode# 1I figured since Andrew and I have not been able to find a time to do the ManFB show, I figured I would give a shot at a pure PodSafe Music Show for fun..... Hope you enjoy it! -EddieV-Featured Artists:1. Diamants - "Mechanistic"2. Soraia - "Runaround"3. The Risk - "Mary"4. Don Air - "Joy Dub Remix"5. Holly Long - "Shine a Light"6. Jette-Ives- "Darker Than You"7. Asurbans.com - "The Blank Generation"
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