Podcasts about Experimental music

Support Night Clerk Radio on Patreon In this month's episode, we're checking out what's going on with some “recent” climatewave releases. This is an episode topic that we are doing at random. For absolutely no reason. None. We picked five recently released (or rereleased) albums that cover climatewave from 2013 to 2026. For a narrow definition of “everyone,” there is almost certainly something for everyone here. Check out these albums and join us! Tracks Sampled [carteBlanche] - blue airmail 黄金の砂 from ぬけがけしないで by ｔｅｐｈ　ｃｏ. 愛, [carteBlanche], & 常世Nordwrong from Nordwrong by Lindsheaven Virtual Plaza Albums Discussed ぬけがけしないで by ｔｅｐｈ　ｃｏ. 愛, [carteBlanche], & 常世weatherscan by channel 71ʀᴇᴄʀᴇᴀᴛɪᴏɴᴀʟ ᴘʟᴀɴɴᴇʀ by

Today our hosts are joined by Isaac Nelson to talk about the development of Beam Splitter. Isaac is the other half of OBNE's R&D department, and an actor of some renown, recognizable for characters such as Old Ike and whatever we call the corporate guy who drinks the Sunlight tincture. Isaac gives nod to his object (a blue strat) and describes himself as not a particularly curious gear guy, while also giving insight into the inspiration behind his triple tracking multi-distortion mono stereo trereo embiggening behemoth, Beam Splitter. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Leave us a voicemail at 505-633-4647!

In this episode, Christoph Wichert shares his journey from classical beginnings to a professional career in music, offering valuable insights into orchestra life, practicing, and performance etiquette. Discover practical tips for musicians and get a glimpse of upcoming concerts and tours with the Singapore Symphony Orchestra. Christoph shares insights on contemporary music, the importance of cultural diversity in composition, and practical advice for young musicians navigating their careers. Discover how to foster creativity, build networks, and embrace experimentation in the world of classical and contemporary music.Biography:Austrian bassoonist and artistic researcher Christoph Karl Wichert has been a member of the Singapore Symphony Orchestra since 2008. He graduated from the Conservatory of Vienna, where he studied Bassoon Performance under Michael Werba (Principal Bassoon, Vienna Philharmonic Orchestra) and Music Education, further enhancing his training through masterclasses with leading musicians.In Vienna, Christoph was regularly invited to work with prominent Viennese ensembles such as the Wiener Kammerorchester. He also worked as a substitute musician for the Vienna State Opera and the Vienna Philharmonic Orchestra, collaborating with renowned conductors like Zubin Mehta, Seiji Ozawa, Mariss Jansons, Riccardo Muti, and Nikolaus Harnoncourt. An active soloist, Christoph has performed in various recitals and with orchestras, showcasing concertos by Mozart, Weber, Pauer, and Hartl, among others. Before relocating to Singapore, he served as Principal Bassoonist with the Orchester der Vereinigten Bühnen Wien for their productions and taught bassoon, music theory, and symphonic wind band at the music school in Tulln. There, he successfully prepared students for admission to prestigious music universities and co-founded a composition workshop with his colleague Cordula Bösze.Beyond his role with the Singapore Symphony Orchestra, Christoph teaches at the Yong Siew Toh Conservatory of Music in Singapore Contemporary and Experimental Music and is a guest artist at the Princess Galyani Vadhana Institute of Music in Bangkok.In 2015, Christoph co-founded SETTS, Singapore's first fully professional contemporary music ensemble, alongside other dedicated musicians.Chapters00:00 Introduction to Christoph Wichert's Musical Journey02:19 Starting with Classical Music and Early Influences04:16 The Sound That Inspired a Career in Bassoon05:00 Moving to Vienna and Studying the Bassoon07:00 Transition from Austria to Southeast Asia08:50 Balancing Freelance Work and Orchestra Positions11:44 Auditioning in Frankfurt and Singapore12:43 The Singapore Symphony Orchestra Opportunity14:22 Deciding to Stay in Singapore15:04 Memorable Concerts with the Singapore Symphony16:55 Upcoming Tours and Concerts20:52 Working with the New Chief Conductor, Hannu Lintu23:06 Tips for Second Bassoon Players37:26 Encouraging Students and Practice Mindset39:01 Handling Mistakes and Performance Anxiety40:24 The Power of Frustration and Growth Mindset41:18 The Joy of Improvisation and Experimental Music

Today our hosts discuss two solo sets. Andy recently returned from Post Fest, where he played his first solo set in several years. He talks about how it went, the one technical difficulty he ran into, and the overall setup to create a visually and aurally compelling experience. Then Dan talks about prepping for his first solo set in a couple years, and the line between exploratory instrumental improvisation and simply singing the songs he's written. Then, some voice mails allow them to both give and take advice. If you don't feel like listening, just remember this: it's ok. The show will go on. You're doing great! Listen to the episode of Stompboxing referenced by Dan: https://youtu.be/-aWzA0b_hdM?si=I9aAg8Ej69IWdWYM Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Leave us a voicemail at 505-633-4647!

James is in the midst of the ATG site build and Gav has pissed off to Turkey for his “10th holiday of the year”.But those small hurdles can't stop 2 Promoters talking about ATG's big move in 2027.Why? Where? How? And will we get a Forest Stage in the new gaff.James answers all your questions.Your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.

Julian Butterfield is a scholar of medieval Chinese Buddhist literature with a special interest in how Mahāyāna Buddhist narratives depict and solicit feeling. His current monograph project recovers the aesthetic and affective dimensions of Lotus Sūtra devotion in fifth-to-eighth-century China, arguing that the transmission of this pivotal Buddhist scripture relied heavily on the cultivation of strong emotions among practitioners. A secondary, public-facing research project investigates the interactions of Buddhist media and musical experimentation from the nineteenth century to the present. Julian holds a BA and MA from the University of Toronto and a PhD in Religious Studies from Stanford University, where his research was supported by the Social Sciences and Humanities Research Council of Canada and a Robert H.N. Ho Family Foundation Dissertation Fellowship. He is currently a Lecturer in the Department of Religion at Princeton University. Read: https://tricycle.org/magazine/eliane-radique-alien-roots/ Visit Sacred Writes: https://www.sacred-writes.org/ Visit Julian Butterfield: https://julianbutterfield.com/  

Today our hosts chat with Zak Sherman of The Audio Cultivation Project. They talk about his entrance into pedal building coming at an early stage in his musical development, and how that leads to designs that come from an unexpected place. They also talk about the upcoming Midwest Pedal Fest, and why he and Alec Breslow chose to host it in Detroit. And of course, they talk about his chosen object: a particularly modded Telecaster that speaks to who he is as a player and pedal designer. They try to tackle the important questions, like what is a Telecaster, what is the midwest, and who in this room is a poser? Check out The Audio Cultivation Project: https://audiocultivationproject.bigcartel.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @audiocultivationproject Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears this Fall, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Jazz Drums Electric—Early 1970s. This was a live drumming session played by my friend John Scarpulla back around 1971. We recorded this in his room in Philadelphia. I then added some shortwave and Moog modular sounds as overdubs. John is a truly stellar jazz drummer and he is still active in multiple bands. A big thank you to John for agreeing to let me post this podcast. Thanks for listening and see you next time.

Today our hosts welcome back one of the finest minds in Objects: Jesse Honig of 29 Pedals and Believable Audio. They discuss his recent video on the differences between preamps, and our hosts experience a freewheeling wonderment of knowledge. Subjects include capturing the spirit in the room, leaning into the noises, letting an idea be fully explored on its own, a hot take involving acoustic treatment, and how the five percent difference only matters when it matters to you and your creative process. Watch "Side quest for mic pre skeptics": https://youtu.be/4pJk9laRR1c?si=ZUwceWD8P2smWCRs Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @29pedals Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Avec Rim Battal, Fanny Chiarello & Alex Tamécylia Un dimanche par mois, durant une heure, Chloé Delaume vous présente ses coups de cœur poétiques. Trois invités pour des lectures à voix nue, et une sélection de textes récemment parus lus, par elle-même. À lire – Rim Battal, x et excès, Le Castor astral, 2024. L'eau du bain, Le Castor astral, 2024 – Fanny Chiarello, Spécimens sensibles, éd. Cambourakis, 2023. Basta Now, Women, Trans & Non-Binary in Experimental Music, Permanent Draft, 2024 – Alex Tamécylia, Les Féministes t'encouragent à quitter ton mari…, Le Nouvel Attila, 2025 – Chloé Delaume, Par 64 fois j'y ai cru, éditions de l'Ogre, 2025 ; Sans oublier qu'en plus c'est bien la fin du monde, Castor Astral, 2026

Today our hosts spread the worship around, focusing on a few topics that touch on many objects. Andy has a new amp, Dan has some experiences looking at noise relationships when multiple pedals get involved, each of them gets excited about playing a solo show, and they take an unprompted voicemail. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Shortwave Crickets 2.0. I will let the music speak for itself. Thanks for listening and see you next time.

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear April Shortwave. I will let the music speak for itself. Thanks for listening and see you next time.

This is our second NO-FI Unleashed. I hope you guys enjoy the bangers we play for yall.Send us Fan Mail Follow NO-FI Radio on Instagram!

Valeria Mongardini - "Se Sapessi Mio Caro" - Library of Sound Grooves best of Psycho-Grooves Doctor Wize - "Tell A Vision" - The American Music Compilation various Pierre Henry - "Enforcement" - Labyrinth I Crumbsuckers - "Trapped" - Life of Dreams Polidrico - "Sin Titulo (extracto)" - Golpea Tu Cerebro - Spanish Underground Cassette Culture 1980-1988 (v/a) Po - "Laydo" - Alternate African Reality: Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora African Head Charge - "Free Chant" - Shrunken Head Kenneth Walker - "Et Sneak Attack" - The Alien Factor OST Tom Dissevelt & Kid Baltan - "Whirling" - Electronic Movements 7" Stanley Black & His Orchestra - "Temptation" - Exotic Percussion Les Baxter - "Trpoicana (excerpt)" - Kaleidoscope Herb Pilhofer - "Pan-Am Suite" - Lidestyle Marketing Larry Wendt - "Sparten From the Start (excerpt)" - Recordings '75-'79 Clauio Simonetti - "Phenomena" - Creepers OST Lesego Rampolokeng & the Kalahari Surfers - "Transistions" - End Beginnings https://www.wfmu.org/playlists/shows/165493

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts talk about their favorite off-label uses for pedals: an Expression Ramper as an expression splitter, a trereo overdrive pedal as a lofi tape machine, a pedal with perfectly spaced knobs as a phone holder, etc. They take calls and some comments from the Discord, all focused around pedal usage that goes beyond the marketing and expectations of the user interface into unexpected sonic corners. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear The Seam 9.0. I will let the music speak for itself. Thanks for listening and see you next time.

Making a living as a musician has always been hard. For classical and experimental artists, it can feel nearly impossible. Ye Jin Min knows this firsthand. A violinist, composer, singer, and conductor equally at home in Carnegie Hall and the avant-garde, she has spent her career navigating the brutal economics of professional music-making. Her answer is Unboxed Musicians — a bold new venture designed to build sustainable, creative ecosystems where musicians and composers can actually thrive. In this conversation with the Tällberg Foundation, Ye Jin reflects on the joy and discipline of making music, the structural barriers that hold artists back, and why reimagining the business of music may be just as important as the music itself.

A companion episode to our conversation with Ye Jin Min. Sit back and listen to three pieces she imagined, composed, and played: Vinyl Road, Honey, and Four Moons with Koriobots.

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I have been releasing a few select experiments of my own in electronic sound. This episode is loosely connected to the book. I put together a series of sound experiments using AudioMulch and source material from the famous Stockhausen lectures in the early 1970s. This is one of the experiments. This piece is called EcoStockhausen.  Thanks for listening and see you next time.

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Cybelle. I will let the music speak for itself. Thanks for listening and see you next time.

Today our hosts welcome Philippe Herndon of Caroline Guitar Company. He talks about their latest pedal, a self-proclaimed normie pedal called the Aaron Graves Overdrive. We talk about specific design choices, the story of its namesake, and the importance of versatility even in a fairly fundamental pedal. Plus, we get the scoop on why they use pictures instead of labels, and Philippe has a surprise for us in lieu of the traditional object talk. It's basically a two parter, so fire it up and get listening! Check out the Aaron Graves Overdrive and other pedals from Caroline: https://carolineguitar.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

  Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Clouds. I will let the music speak for itself. Thanks for listening and see you next time.

Support Night Clerk Radio on Patreon Started as an IndieGoGo campaign in 2020, Nobody Here: The Story of Vaporwave, is an ambitious attempt to document and capture ephemeral history of vaporwave from its rise around 2010 to the early 2020s. After numerous production delays due to COVID, growing scope, and other production factors it's finally out and available for everyone to see. We get into the documentary, crowd-funded documentaries in general, and the general difficulty in tackling this subject. Like any attempt to capture recent history, there is also disagreement and controversy around the film and its handling of several topics. We highly encourage you to look into these issues, where possible, as we just cannot comment on these things with any confidence. We're just dummies. Outro Sample Donor Lens - Distant from NOBODY HERE: The Story Of Vaporwave by Various Artists Where To Find Nobody Here Nobody Here | 'The Story Of Vaporwave' - Full MovieNobody Here - WebsiteNOBODY HERE: The Story Of Vaporwave by Various Artists Additional Links Dead links: Inside Nobody Here, a documentary about vaporwaveNobody Here: ‘The Story of Vaporwave' – A Review Credits Music by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Frizzle. I will let the music speak for itself. Thanks for listening and see you next time.

Today our hosts welcome themselves! Andy talks about his recent show at a planetarium: the gear involved, the style of preparation, and the experience of performing with previous guest Matt Kidd. Then they take some calls with questions about a variety of things, and their answers range from "we've never heard of it" to "sorry, that was a lot of information and I don't know if I answered your question." It's another hour of unabashed whatever this is! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Elite Beats. I will let the music speak for itself. Thanks for listening and see you next time.

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Steve Funyon and Robert Price on Miami's The Funyons, Street Performances, and MoreIn this episode we welcome Steve Funyon and Robert Price of the experimental folk band The Funyons, a project that emerged in 1991 in Miami and operated largely outside traditional music venues. The conversation traces the band's origins through friendships connected to the Churchill's scene and explores how they rejected conventional club settings in favor of street performances across Miami Beach, Lincoln Road, and other public spaces. Robert Price also reflects on his work founding experimental bands The Prom Sluts and Kreamy 'Lectric Santa.The discussion covers the band's unconventional setup, including junk percussion, found objects salvaged after Hurricane Andrew, minimal amplification, and spontaneous arrangements. They share stories of encounters with police, difficult crowds, and surreal performances in places like Metrorail cars, abandoned boats, and punk picnics in the Everglades and quarries, all of which became central to their identity and reinforced their focus on live, moment-driven music rather than recorded output.They also reflect on the broader DIY culture that surrounded the band, with brief mention of punk zines like Scam, created by Eric Dawn Lyle, known at the time as Iggy Scam, along with the tight-knit community that supported their work.

Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today the whole Object Worship world suffers a Setback - did I say suffers? I mean revels in! Our hosts are talking all about the new Old Blood Noise Endeavors Setback, a reverse pedal with all the bells and whistles. They start with some anecdotes about their personal gear journeys, then dive into Setback: the development process, control choices, art and name, and why you're gonna wanna set back and play one. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

The Stick Figures Return: Late 70s–Early 80s Tampa Art Punks on Newly Released Recordings and MoreIn this episode we welcome back Maready Evergreen, Bill Carey, and Robert Dansby of The Stick Figures, following their 2022 episode. The conversation revisits the band's origins in the late 1970s and early 1980s Tampa and USF art scenes, and how they developed their creative approach within a DIY community.They discuss influences including punk, post-punk, 1960s rock, experimental film, and visual art, along with early recording sessions, studio experiments, and the challenges of making music outside major cultural centers. They also reflect on the recent release of early recordings that had remained unheard for decades.The episode explores legacy, collaboration, and reconnection, with reflections on friendship, artistic curiosity, and the lasting value of simply getting into a band and creating something meaningful.

Today our hosts welcome Dave Gill of Baltimore Sonic Research Institute. Dave is a long-time hog, first time guest, and we have a great time getting into a lot of specifics about Boss pedals, particularly the PS-5 Super Shifter. We ponder the historical arc of Boss' popularity, the different considerations looking at a company that size vs a company like Old Blood vs a company like BSRI, and we reiterate that the best thing about this industry is the people. It's a good hang, and you're invited! Buy some BSRI: https://www.bsriaudio.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @bsriaudio, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome Blair White, owner of Eastside Music Supply in Nashville Tennessee. As a stockist and a friend, Blair's history runs in parallel with Old Blood's in a lot of ways, and we talk a lot about what it's like to create a business around the idea that a Nashville guitar store should actually be weird and cool and a good time. We focus the object talk around his Rickenbacker 330, and talk about the many ways he experiences music, whether at the shop, playing out, playing at home, or on the road teching for Adrian Belew. Visit Eastside Music Supply online: https://eastsidemusicsupply.com/ (And if you're in or around Nashville, go check it out in person!) Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @eastsidemusicsupply, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Romulo Del Castillo on Miami Music Culture, Soul Oddity/Phoenecia, Schematic, Touring, and MoreIn this episode, we're joined by Romulo Del Castillo for a deep dive into his journey through South Florida's experimental electronic music scene. We trace his path from early encounters with sound and club culture to decades of creating, touring, and building community.Romulo reflects on growing up in Miami during the 1980s and 1990s, and how those experiences shaped his approach to experimental electronic music. He discusses early projects like Super Soul, Soul Oddity, and Phoenecia, along with the rise of rave culture in South Florida.He also talks about touring internationally, working with Astralwerks and Warp, and co-founding Schematic Records to support independent artists.Today, he remains active through DJing, live performances, and mentoring, sharing perspectives on longevity, community, and adapting to new technology.

Support Night Clerk Radio on Patreon We're getting back on schedule with a one-time only accelerated release cadence! Also, you gotta release March new music in March. Those are just the rules. I don't make em. In this episode, we follow our traditional approach of having literally zero coordination leading to the selection of two very different albums. First up, we have a delightful ambient album from composer Nick Bowers that was written to accompany a painting exhibit. Then, we get into the most recent compendium from classic dungeon synth artist DIM. All that plus some questionable shout outs and more! Come join us! Shout Outs Despiser on IMDbWarlock Corpse / Труп Колдуна - You and I are in a Dark Crypt ForeverPortal Man on IMDbMax Cooper - A Sense Of Getting CloserBorn Into A Dream on IMDbCenter Core Never More Albums Discussed Music for Chromaticism by Nick BowersCompendium V by DIM Credits Music by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Today it's a whole bunch of topics! Dan starts with an anecdote about selling gear, and the listeners bring in their would-you-rathers, guest suggestions, and other pressing thoughts and concerns. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

French producer SNKLS steps into our session slot w/ a live set of reggae glitch, bass, + breakbeats. Plus, new music from Aloka, Andew Nolan, Anna Hjalmarsson, Commissar Lag, Cristian Vogel, D3070, Ferdinger, Flore, Dublin's GOTD, James Shinra, Kerrie, + Paleman. Tracklist — https://darkfloor.co.uk/mantisradio366 Join our Patreon — https://patreon.com/mantisradio for exclusive content and bonus material.

Today our hosts talk about Andy's experience recording with last episode's guest, and his discovery of the Roland JC-40 through that process. An amp that manages to be both a direct-in silent recording solution and an in-the-room tool. We talk about various tonal revelations, and get reminders that sometimes you need the confidence to say this is good and I will now perform well. Also we're both coming off head colds so who knows what we were on about! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome back Jeremy SH Griffith. He's guested, he's guest-hosted, and now he... well we don't know, he's just a friend making great conversation. He has a few objects to talk about, chief among them the Vhikk X Forge-TME, and opens the conversation with a question about objects more broadly: what is the value of a complex hardware setup to a young producer in an in-the-box world? Listen to Jeremy's album Kimbo: https://jeremyshgriffith.bandcamp.com/album/kimbo Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @_j_s_h_g_, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Find Dale:  https://lxdmusic1.bandcamp.com https://novex.bandcamp.com/album/novex-ll-side-a https://www.instagram.com/thrillpagan/?hl=en https://www.instagram.com/steelpolebathtubofficial/?hl=en Find Dirk: patreon.com/vhus  

Support Night Clerk Radio on Patreon We've emerged from our winter slumber to share some new music. First, we're listening to the latest collaboration from City Girl & Guided Tour, Mana Lake, which takes the listener on an evocative journey through house, lofi, and vaporwave. Then we're checking out personalFX, the debut album from

Today our hosts discuss experiments in gear: those times where you buy something, experience or learn something new with it, then realize it is no longer for you. They revisit one of Dan's objects of the past, take a lot of calls, and analyze a lot of common thoughts around what drives a gear purchase and, eventually, a gear sale. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

As Yoko Ono approaches her 93rd birthday, the conversation around her is changing.With new exhibitions and Beatles films putting her back into the cultural spotlight, we take a deeper look at the artist behind the headlines. Often reduced to myth and controversy, Yoko Ono has spent decades shaping avant-garde art, experimental music, and the language of performance itself.This episode features an interview with Madeline Bocaro, author of In Your Mind: The Infinite Universe Of Yoko Ono. A new expanded e-book has just been released. We explore Yoko's life, influence, and groundbreaking sound — from conceptual art and boundary-pushing recordings to the cultural impact she continues to have today. Plus, a preview of Bocaro's upcoming new book examining how Yoko's fearless approach to sound helped redefine what music could be.Whether you think you know her story or not, this conversation might change how you hear Yoko Ono forever. Purchase a copy of In Your Mind - The Infinite Universe of Yoko Ono (hard and soft cover)Purchase a copy of In Your Mind - The Infinite Universe of Yoko Ono (e-book)Visit InYourMindBook.comListen to Episode 109 "In Your Mind - The Infinite Universe of Yoko Ono"/Madeline Bocaro----------

Today our hosts are joined by Scott Harper, aka Knobs. Scott is a quiet figure who's had great influence in the world of effects pedal demos, bringing depth, fun, and true knowledge of the product to his presentations. He's also been creatively involved in bringing to light some modern classics from Chase Bliss, like MOOD and Blooper. Today we talk about the weirdo delay microlooper that marks a turning point in his journey, as well as many of ours: the Montreal Assembly Count to 5. There's also one and a half minutes of fountain pen conversation, and etc.Buy some Chase Bliss: https://www.chasebliss.com/Buy some Old Blood: https://oldbloodnoise.com/Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @knobs.creative, @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Today, our hosts welcome Emily Hopkins and Russ back to the show to discuss the newest Old Blood Noise Endeavors pedal, Parting! They were the creative force behind it, and have a lot of tales to tell about working with Dan to create, hone, and fully realize the vision of this glitchy and wondrous object. There's a lot of behind the scenes product development talk, and then some voicemails for good measure.Buy yourself a Parting: http://www.oldbloodnoise.com/partingJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @emilyharpist, @danfromdsf, @andyothling, @oldbloodnoise,See the video at Dan's studio: https://youtu.be/WRcm2b877ekSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Hamburg's bass obsessive Fatwires showcases his joint project w/ Japan's Atsushi Izumi. Exploring hypnotic percussion, heavy low end, + slabs of noise. Catch new music from Bruce, Charli xcx, Charles Hayward, dälek, DJ Producer, Robin Marsden, + Winchester. Plus, there's great cuts from Blur, The Bug, Dead Man's Chest, Nine Inch Nails, Robert Hood, Surgeon, + Tech Itch. Tracklist — https://darkfloor.co.uk/mantisradio365 Join our Patreon — https://patreon.com/mantisradio for exclusive content and bonus material.

Today, our hosts discuss the Spin Semiconductor FV-1, the chip at the heart of many digital pedals from the boutique pedal boom. They talk about what makes it special, both in strengths and weaknesses, and how key it was to Dan's arc as a pedal creator. Listen, enjoy, and ask yourself: is this really cool pedal made with an FV-1?Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!