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18 episodes with gearslutz
2 episodes with gearslutz
2 episodes with gearslutz
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En este episodio hablaremos del Moog Sound Studio, el fallecimiento de Malcom Cecil del dueto TONTO, celebramos el cumpleaños de Dave Smith, el nuevo Polysix de Behringer es en realidad un Polyeight y Gearslutz cambia de nombre a Gearspace. 2hp Launchbox.
Uli nous prépare encore un nouveau synthé revival vintage avec son prototype Polyeight, parce que c'est vrai quoi, on a tous 8 doigts et pas 6. Et s'il vous reste encore du temps, on débattra du pourquoi le monde est toujours en train de se bagarrer à choisir entre synthé analogique et synthé numérique. Distribuez votre musique en ligne via iMusician pour vos sorties sur Spotify, Apple Music, Deezer et des centaines d'autres en utilisant notre lien d'affiliation : https://bit.ly/3pxCNFR Réduction de 10% sur le tarif de votre première sortie avec le code LESSONDIERS ! Behringer donne 1510 synthés : https://www.musictech.net/news/industry/music-tribe-and-behringer-donate-synths-underprivileged-children/?amp&__twitter_impression=true Non Daw pour Raspberry PI : http://non.tuxfamily.org/ Keda Tabla Touch : https://keda.co.uk/electronic-tabla/ Démo Tabla Touch : https://www.youtube.com/watch?v=RXn_pTHget4&t=120s Behringer Polyeight : https://www.synthtopia.com/content/2021/04/02/behringer-polyeight-copies-korg-polysix-ups-polyphony/ Masterclass Ableton Live 11 en Français : https://fb.me/e/2iHRioSH7 Gearslutz devient Gearspace : https://www.gearslutz.com/ - https://gearspace.com/ Erica Synths Black System III : https://www.ericasynths.lv/shop/eurorack-systems/black-system-iii/ Moog Synthesizer Studio Experience : https://www.moogmusic.com/news/moog-music-introduces-complete-synthesizer-studio-experience 00:00 Intro 02:17 Début de l'émission 10:18 AskSondiers (stockage) 21:05 AskSondiers (Analogique ou numérique) 38:15 AskSondiers (DAW sur Raspberry PI) 46:48 Keda Tabla Touch 52:39 Behringer donne des MS-1 aux enfants défavorisés 56:20 Behringer Polyeight 01:01:19 Sponsor (iMusician) 01:02:34 Masterclass Ableton Live en Français 01:03:44 Gearslutz devient Gearspace 01:07:45 Endorphin.es Ground Control Performance Sequencer et Gold Master 01:09:59 Erica Synths Black System III 01:17:44 Moog Studio Synthesizer Experience Rejoignez-nous sur Discord avec ce lien : https://discord.gg/kdhwmay ---- SOUTENEZ NOUS ---- Tipeee ! Même de petites sommes nous aident ! http://tipeee.com/les-sondiers Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com Suivez nous sur Twitch : https://twitch.tv/lessondiers Twitter : https://twitter.com/lessondiers Instagram : https://instagram.com/lessondiers Facebook : https://facebook.com/lessondiers YouTube : https://youtube.com/lessondiersFR
PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!!I just setup an email to contact me on the Podcast!! - emlyninthemix@gmail.comGive me a follow on Spotify - dropping music monthlyhttps://open.spotify.com/artist/09EVg...
NAAM was a bit different this year (for obvious reasons), but that hasn't stopped us from looking at all the announcements and releases. As it was a virtual event we even got to attend...kind of! We chat about what we liked, didn't like and what bemused us. Plus Mark gives us his verdict on Slash's signature string set from Ernie Ball. Will this signature string set annoy just as much as the Jimi Hendrix guitar lead? Only one way to find out. We also discuss Gearslutz and if it's time to change the name of this infamous forum. Hit that play button! Bandcamp: orbitaldecayrecords.bandcamp.com Facebook: www.facebook.com/OrbitalDecayRecords/ Twitter: twitter.com/OrbitalDecayRec Instagram: www.instagram.com/v1shyyy/
Gearslutz (soon to change its name) is one of the most popular forums on the web for anyone wanting to discuss how music is made in a 'professional' or home studio. In this episode of the Darko.Audio podcast, Gearslutz founder Jules Standen and I chat about the differences between the hifi world and the studio world. PATREON: www.patreon.com/johndarko Gearslutz: https://www.gearslutz.com/ Producer: Nick McCorriston Music: Ben Pitt
Guests Gaz Williams - Producer, bassplayer, music technologist Yoad Nevo - producer, mix engineer Waves Developer Mark Tinley- sound artist, Sonusmagus.com Youtube Video version: https://youtu.be/ixabyJA4jlg Save 10% On All iZotope purchases by using the following code at checkout SONIC10 Go to iZotope.com/sonictalk for details of whats on offer from the selection of professional audio tools Please check out our new Freeze Machines Racks for Ableton Live - lush, atmospheric frozen reverb textures: 00:00 Intro and hellos 09:15 Moog Model 15 App for Big Sur 21:19 @ranzee and #FFS Filter February Sweep 23:39 NAMM and how to present a virtual show 31:39 https://iZotope.com/sonictalk SONIC10 for 10% discount 33:30 Gearslutz.com to change name 39:25 Sonicware Liven XFM 50:42 #jamuary21 57:00 Makenoise Strega premier 58:00 Goodbyes and wrap Where to Watch/Listen - We now stream the live show to Youtube Live, Facebook Live as well as at Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED
Keep your fanmail coming in GsolesFanMail@gmail.com https://teespring.com/en-GB/stores/guitarsoles-podcast https://www.ormsbyguitars.com/
What do we call this? Duocast? Budscast?Whatever it is that’s what’s coming at you this week, as Hank and Dave riff through the little NAMM news we actually get this season. Covered: Korg’s Gadget VR software/ARP2600M, Fender, Squier, Gibson Signatures, Way Huge, Jackson Audio, Walrus Audio’s Mako Series, Earthquaker Devices, and low-end machines from Yamaha, Sandberg, EMG, and Tech21.Also discussed: Gearslutz name change, our new subsegment Touchin’ Tips with Dave, the smarts in iPhone Notes, Jazzmaster pickguards, boomin’ on Craigslist, slippers at the space, Madonna docs, and a little Dave/Focusrite gearnews.Gonna see more bumper than a bodyshop.
Gearslutz is an online forum where people argue fiercely about this stuff with gusto.
Gearslutz is an online forum where people argue fiercely about this stuff with gusto.
Jules Standen is a producer, engineer, and founder of the audio website gearslutz.com. Beginning in 2002 as a forum for engineers, Gearslutz has grown into a Mecca for all things audio, from gear forums and classifieds, to gear databases and reviews, Q&A sessions with famous producers and engineers, and a worldwide audio community. Jules began his career in music in the early ’80s at Matrix Studios in London, working with the likes of The Smiths and Siouxsie and the Banshees. He went on to a successful freelance career as a producer and engineer, before devoting his full attention to the website. Listen in as Jules talks to John and Stewart about how he got started, demo production, click tracks, and the beginnings and future of Gearslutz.com.
The guys talk about the time Dave found an internship on Gearslutz.
Det har blivit dags för oss att ta tag i en av de viktigaste delarna i en studio - akustiken. Det är lite av en vodoo-vetenskap för oss vanliga dödliga, men det går faktiskt att räkna på hur ett rum bör behandlas för att få så bra akustikmiljö som möjligt. Med oss i studion för att hjälpa oss med just det har vi Jens Eklund. Han är en av Sveriges bästa akustiker har byggt studios runt om i hela världen, dessutom bygger han diffusorer och högtalare under namnet Resonator Stockholm.Har du funderingar kring akustik i studiomiljöer så kan "Studio Building Acoustics" på Gearslutz vara en bra start. Programmet som Jens nämner i avsnittet heter Room EQ Wizard och det kan hämtas gratis här. Sist men inte minst - vill du följa Jens på Instagram så finns han under namnet Holonor.SPONSRA OSS PÅ PATREON - bonusmaterial endast för våra sponsorer!För mer länkar till artiklar och online-tjänster som Jens nämner, se avsnittets inlägg på vår hemsida musikproducent.seProgramledare: Joakim Jarl och Magnus Lindberg See acast.com/privacy for privacy and opt-out information.
Working Class Audio #220 with Butch Vig!!! “Artist” is the single word which best describes producer, mixer, composer, and multi-instrumentalist Butch Vig. Born in Viroqua, Wisconsin, his parents Doc and Betty exposed Butch to a variety of music and fine arts culture during his youth. While attending the University of Wisconsin Madison, where he received a degree in filmmaking, Vig focused on experimental music composition – an area that would serve him well into the future. While at the UW, Butch jumped into the local music scene and joined the band Spooner as its drummer. Unlike most drummers, content to bang out the rhythms, Vig pursued music composition with the band and stepped behind the studio glass to shape the recorded sound as a producer. After graduating from the UW, Butch co-founded Smart Studios and began producing and mixing albums. His perseverance as an independent producer in Madison carried far beyond Wisconsin’s borders, as artists from around the country began to hear the clear, edgy, hard rock sound shaped by Butch’s productions. His work with Nirvana, Sonic Youth, Smashing Pumpkins and Soul Asylum in the 90s has been hailed by music critics and authors who have placed his work at the top of the decades best recordings. Additionally, Vig has created many exciting remixes for such prominent artists as U2, Beck, Korn, Alanis Morrissette, Depeche Mode and Nine Inch Nails. In 1995 Vig returned to performing and writing with a band he formed that goes by the name of Garbage. The multi-platinum, Grammy Nominated band has achieved worldwide critical and commercial success as it ushered in yet another new direction for rock music. Recently, Vig has produced critically acclaimed albums for Against Me, Green Day, and The Foo Fighters, winning a Grammy for their album “Wasting Light.” He was recently ranked #9 on NME’s Top 50 Greatest Producers Ever. In 2014, Butch produced The Foo Fighters HBO documentary “Sonic Highways.” In 2016 Garbage released their acclaimed sixth album “Strange Little Birds”. In 2018 Butch produced the soundtrack for Puppy Love, and he recently wrapped up production on the new Silversun Pickups album. -Jim Berkenstadt About this Interview: Butch joins me to talk about growing up in Viroqua, Wisconsin, the trajectory of Smart Studios, one band leading to another, being diverse, vibe crushers as well as Nirvana, Smashing Pumpkins and Garbage. Show Notes and LinksButch on Twitter: @butchvigWCA Patreon Subscriptions: https://goo.gl/iSPLTSAudio-Technica Samples:https://goo.gl/xnHHD7UA Deal for WCA listeners: https://www.uaudio.com/workingclassaudioAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWGJessica Thompson site: http://www.jessicathompsonaudio.com/CreditsHost: Matt BoudreauWCA Theme Music: Cliff TruesdellAnnouncer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
Working Class Audio #219 with Don Setaro!!! Don Setaro is a producer and engineer based in the Central Valley of California with over 40 years in the world of music and audio. Don is also is involved in live sound, owns a record label and has an extensive background doing studio installation and wiring. About this Interview:Don Joins me at Highwire Coffee in Oakland, California for a chat about soldering thousands of cables, working on model trains for Neil Young, building studios, running a record label and his love for audio and making records. Show Notes and LinksDon’s Record Label: http://iacrecords.com/WCA Patreon Subscriptions: https://goo.gl/iSPLTSAudio-Technica: https://www.audio-technica.com/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWGNational Audio Company (Cassettes): https://www.nationalaudiocompany.com/NAC Video Story: https://goo.gl/g8ssjeNAC video: https://youtu.be/4QL9g72FMAECassette Sales Figures: https://goo.gl/Ytx2rK
Working Class Audio #218 with Nick Luca!!! Nick Luca is a multi-instrumentalist musician, singer/songwriter/composer, music producer and audio engineer. He has toured throughout Europe, USA, Mexico, Canada and Australia with Iron and Wine, Calexico, John Doe (X) and his own band, Luca. As a session musician and audio engineer, Nick has credits on over 100 albums with artists such as Neko Case, DeVotchka, Robyn Hitchcock, Margaret Cho, M Ward, Darren Hanlon and many others. About this Interview:Nick joins me to talk about scenes, spirit animals, Calexico, Los Angeles, Kelsey Grammer, recording Hip Hop and diversification. Enjoy!-Matt Show Notes and LinksNick’s Site: http://www.nickluca.com/WCA Patreon Subscriptions: https://goo.gl/iSPLTSOneMic Series: http://www.johncuniberti.com/onemic/Audio-Technica: https://www.audio-technica.com/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #216 with Adam Gonsalves!!! Adam Gonsalves has mastered over a thousand releases from artists around the world. He is equally at home mastering for digital formats and cutting lacquers for vinyl. Prior to mastering Adam worked for 7 years as a tracking and mixing engineer at Anchorhold Recording. From 2010-2013 Adam also produced the Square Cad Mastering Podcast. In 2017 he was featured in the book Why Vinyl Matters. Adam received a master’s degree in Music Technology from New York University. Adam is approved to provide Mastered for iTunes masters. Clients include: Willie Nelson, Peter Buck, Elliott Smith, Sleep, Blitzen Trapper, The Last Artful Dodgr, Sufjan Stevens, Pure Bathing Culture, Tender Loving Empire, Southern Lord, TKO, Living Music, Crane City Music, Typhoon, My Brightest Diamond, Dead Moon, Emma Ruth Rundle, Steve Aoki, Poison Idea, Rogue Wave, Ty Segall, Pelican, John Craigie, Earth, Horse Feathers, Blackwater Holylight, Calvin Johnson, Haley Heynderickx, Widowmaker, and many more. Additional credits available at Sound Credit. About this Interview:Adam joins me to talk about the Square Cad Mastering podcast, interrogating your own workflow, his journey into lacquer cutting and his work/life balance. -Enjoy Show Notes and LinksWCA Patreon Subscriptions: http://www.patreon.com/workingclassaudioTelegraph Mastering: http://telegraphmastering.com/Square Cad Mastering Podcast: http://squarecad.net/Audio-Technica: https://www.audio-technica.com/world_map/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA Ribbon Mics: https://www.aearibbonmics.com/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG
Zotope product manager Dan Gonzalez speaks with Brynner about the company's history, products, engineering and what's ahead. Dan also speaks about his part in the company and what's led him through the doors of iZotope. Brynner also discusses his takeaway from NAMM 2019, sharing stories and moments from the show.
Working Class Audio #215 with NAMM 2019!!! NAMM 2019 was fantastic as usual. Always so much to see. This episode is a little different compared to the others. Many WCA alumni come back for interviews including Vance Powell, Chris Selim and Lij Shaw and Alex Oana makes his debut explaining how his new venture Audio Test Kitchen works. About this Interview: I hang out with Vance Powell as he tells me about his recent projects with The Stray Cats and Trey Anastasio. Alex Oana tells me all about Audio Test Kitchen and we wrap up with a semi-drunken ambush interview with Chris Selim and Lij Shaw at our AIRBNB. Enjoy! -Matt ________________________________ Show Notes and Links WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudioVance’s Site: http://www.sputniksound.com/vance/Audio Test Kitchen: https://audiotestkitchen.squarespace.com/Recording Studio Rockstars: https://recordingstudiorockstars.com/Chris Selim’s Cubase Course: https://mixdownacademy.thinkific.com/?ref=98cf4bAudio-Technica: https://www.audio-technica.com/world_map/UA Promo: https://www.uaudio.com/uad-accelerator-promoAEA R88: https://www.aearibbonmics.com/products/r88/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #214 with Bart Thurber!!! What started as a hobby, soon became an obsession that led me to start House Of Faith Studios in Palo Alto. When the graffiti covered building was torn down, my studio moved to Oakland. After 28 years, recording over 700 bands, I’m still amazed by the musicians I work with. Every band I’ve recorded has something unique and remarkable about them. I truly enjoy helping people achieve the recordings that they hear inside. As I tell my bands : ” I want this recording to sound like you, only more so. “ About this Interview: I head over to House of Faith in Oakland for a chat with Bart about the most common musician personality types, people skills, studio sharing and his recent (2014) transition from analog to digital. Enjoy! -Matt ________________________________ Show Notes and Links WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudio Barts site: http://www.bartthurberrecording.com/ Chris Selim’s Cubase Course: https://mixdownacademy.thinkific.com/?ref=98cf4b Audio-Technica: https://www.audio-technica.com/world_map/ UA Promo: https://www.uaudio.com/uad-accelerator-promo AEA R88: https://www.aearibbonmics.com/products/r88/ One Mic Series: https://www.youtube.com/channel/UCGQDixBKOy2ZqIXABrAD__g Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #213 with Ken Riley!!! Ken Riley’s career started in 1980 at 3D Studio’s in Costa Mesa with Doug Doyle. Recording such names as The Altor Boys, Crumbacher, Daniel Amos and The Life Savors. Then creating the group Common Bond where he was lead vocalist, and the bass player. Common Bond toured and had 3 albums on Front Line Records. Then moving his career along to New York at Electric Lady Studios where he worked with the best in the industry. Bringing it to today where he is in his own well established Rio Grande Studios in Albuquerque, New Mexico recording. 8 ½ years as traveling musician and recording artist, producing two gold records. 10 years as engineer and musician in Los Angeles, 8 ½ years as engineer in New York City at: Electric Ladyland Studios. Unique Studios. PowerStation, Fantasy, 10 years of operating a studio in New Mexico. About this Interview: Ken joins me to talk about his history, his hunt for the New Mexico sound, the importance of artists knowing who they are, his partnership with Drew Newman and the beauty of New Mexico and it’s people. ________________________________ Show Notes and Links WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudio Rio Grande Studios: http://riograndestudios.com/ UA Promo: https://www.uaudio.com/uad-accelerator-promo AEA R88: https://www.aearibbonmics.com/products/r88/ One Mic Series: https://www.youtube.com/channel/UCGQDixBKOy2ZqIXABrAD__g Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #212 with Gentry Studer!!! Gentry Studer grew up with a definitive love of music. He played various instruments from an early age, later joining rock bands in high school. But with a name like “Studer”, although no actual relation to the famous tape machine, he was bound for the engineering world. Gentry graduated from the prestigious Conservatory of Recording Arts and Sciences program in 2013. He moved to Los Angeles and worked under one of the most iconic mastering engineers. In 2015 Gentry started his own company, Epicenter Mastering. In 2016 the operation moved into Paramount Recording Studios in Hollywood, California. In 2018 Epicenter Mastering relocated down south to Nashville, Tennessee in the historic RCA Studio A building. His combined creative and technical backgrounds have informed Gentry’s approach to the art of mastering– not only to preserve and enhance the sonic qualities of an artist’s vision in the mix but also to bring across its feel and emotional intentions. As he puts it, “it’s amazing the advances on the technical side and what it allows us to do but you can also fall into its trap. My musical background and extensive ear training allow me to go off feel, not just a spectrum analyzer.” “The idea is to preserve the recordings life, passion and blood sweat and tears the artist has poured into their work.” Gentry loves to stay busy in the studio – equating mastering projects with “having the privilege of meeting new interesting people everyday.” When he’s not working he spends time seeing live music, enjoying the outdoors, trying craft beers and whiskeys, and eating endless amounts of hot chicken and BBQ. About this Interview:Gentry joins me to talk about interning with Howie Weinberg, moving around the US, his new studio located in the RCA building in Nashville and communication with remote mastering clients. Enjoy! – Matt Show Notes and LinksWCA Patreon Subscriptions: http://www.patreon.com/workingclassaudioGentry’s Site: http://www.workingclassaudio.comAudio-Technica AE3000- https://www.audio-technica.com/cms/wired_mics/7f62abd816a70bf3/index.htmlAEA KU5A-https://www.aearibbonmics.com/products/ku5a/Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/UA Promo: https://www.uaudio.com/uad-accelerator-promoWCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #211 with Jaimeson Durr!!! Jaimeson Durr is a San Francisco Bay Area recording engineer, mixer and producer that works on a variety of music genres from local legends like, Sammy Hagar, Joe Satriani, Chickenfoot, The Circle, The Dead, Dan the Automator as well as many other new promising artists. For the past 14 years Jaimeson has been primarily working out of his own studio Wally’s Hyde Out (formally Studio C) in the legendary Hyde Street Recording Studio complex where many well known artists recorded including Santana, Clearance Clearwater Revival, Jefferson Airplane,The Grateful Dead, Green Day, Train, and many, many more. He has also performed on and mixed several songs for hit prime time TV shows and movie trailers 90210, The Mindy Project, Ugly Betty, Rango, Arthur, The Lorax, Tangled and many more. About this Interview: Jaimeson joins me for coffee at Philz Coffee in Lafayette, California to discuss his journey, his mentors, never quitting and his work with Sammy Hagar. Enjoy! – Matt ________________________________ Show Notes and Links Jaimeson’s Website: http://www.jaimesondurr.com/ UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK – https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html Audio-Technica AT5045 https://www.audio-technica.com/cms/wired_mics/dcdc76fdb9d115c1/index.htm Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #210 with David Streit!!! David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years. David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California. Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments. About this Interview: David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt Show Notes and Links David Streit's Website: www.davidstreit.com UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK – https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html Audio-Technica AT5045 https://www.audio-technica.com/cms/wired_mics/dcdc76fdb9d115c1/index.html WIN AN AEA KU5A!!!!: https://www.aearibbonmics.com/workingclassaudio/ Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #209 with Mike Stevens!!! Mike Stevens is a Producer, Engineer, Drummer & Percussionist. A life-long lover of music, bringing more than 20 years working as a professional musician throughout the US and abroad, as well as a decade of producing, recording and mixing San Francisco Bay Area bands. Coming from New York City in 2006, his diverse experience has brought a unique perspective into his work. He has been called upon to work with many San Francisco artists and bands (including ska pioneers The Uptones and Red House Painters/Sun Kil Moon frontman Mark Kozelek), as well as playing percussion for Donna Summer’s 2008 Crayons tour. He has a deep understanding of what makes a song great, both as a musician and listener, in the studio, onstage and on the air. Mike started his own Recording Studio in 2009 to establish an artist-friendly hub for creators of great music and the people who listen to it. When he isn’t touring or performing on stage, he dedicates his time to working with new and seasoned artists, helping them discover what is authentic and unique to them. About this Interview: Mike joins me to talk about how he combines the world of recording with the world of home schooling for his kids, helpful landlords, picking the right gigs and the authenticity of a performance. Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html Audio-Technica AT5045 https://www.audio-technica.com/cms/wired_mics/dcdc76fdb9d115c1/index.html WIN AN AEA KU5A!!!!: https://www.aearibbonmics.com/workingclassaudio/ Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ NAMM 2019: https://www.namm.org/thenammshow/2019/info WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #208 with Manny Sanchez!!! Manny Sanchez began his professional career in audio in 1999 as an unpaid intern at Chicago Recording Company. He had no formal training but a hunger to learn and quickly began assisting on high profile sessions. In 2000 he was the third assistant on the last Smashing Pumpkins sessions before they had their first hiatus. He befriended Billy Corgan and Billy insisted he be placed on any further sessions at CRC. In 2001 Billy formed Zwan and asked producer Bjorn Thorsrud to inform Manny that Billy would like him to engineer the demos for the band. This was a daunting task for Manny and he had to request that the demos be recorded to analog tape because he hadn’t learned Pro Tools yet. Billy agreed and eventually Manny was asked to record their album “Mary Star of the Sea” alongside producers Alan Moulder and Bjorn Thorsrud. The recording of this record would have a profound affect on Manny and would shape his entire career. After finishing up a long and arduous stint working solely for Billy, Manny decided he needed to branch out on his own. He built IV Lab Studios in 2004 in a 100 year old vault inside a family friend’s building in Wrigleyville. This decision to build inside a building that he did not own would play a significant roll in the life of the studio, but as a hungry young twenty-something he didn’t question the opportunity when it came to him. The studio was a great success considering the changing landscape of the music business and played host to the best of local talent as well as national acts. It was within the walls of IV Lab that he solidified his relationship with jam/prog favorites Umphrey’s McGee, as well as pop-punk icons Fall Out Boy, both of whom he still works with today, In 2012 the building that housed the studio was lost to foreclosure and the new owners wanted nothing to do with the studio. This crossroads put things into perspective for Manny and he began to seek out new homes for the business as well as other potential work that was in line with his experience. Luckily for the studio, it found a new home in Lincoln Park with some new partners that owned the space so the hope was it would be its forever home. Manny was happy the studio would survive but also unsettled by his own career trajectory and ready to make a change. In late 2012 he was contacted by former Fall Out Boy tour manager Dan Suh and asked if he could come to LA and engineer for PSY at the height of his “Gangnam Style” popularity. This wasn’t the most ideal creative outlet for Manny but it was an opportunity he couldn’t pass up. The gig was open-ended and he remained in LA after it was over and planted his roots. About this Interview: Manny joins me to chat about his early experience in Chicago working with Billy Corgan, studio ownership, the cost of real estate, working with Psy in smoky control rooms and his ever-expanding world of post working on film trailers in LA. Enjoy! – Matt Show Notes and Links Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html Audio-Technica AT5045 https://www.audio-technica.com/cms/wired_mics/dcdc76fdb9d115c1/index.html WIN AN AEA KU5A!!!!: https://www.aearibbonmics.com/workingclassaudio/ Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Manny's site: http://ivlabstudios.com/manny-sanchez/ Manny on Linkedin: https://www.linkedin.com/in/manny-sanchez-0518537/ NAMM 2019: https://www.namm.org/thenammshow/2019/info WCA on Youtube: https://goo.gl/g5nsWG
Working Class Audio #207 with Brian Gibbs!!! Brian Gibbs is Producer, Engineer and Owner at Tool Shed Studios (70+ record credits 2017). An accomplished musician and performer with a B.M. Degree from Berklee College of Music, he brings his diversified portfolio of skills and passion past the stage to his roles as a producer, studio engineer, FOH engineer, music teacher (percussion, keyboard, strings and vocal instruction) and as a mentor to the college interns at the studio. Assistant Engineer (pre-production) 2015 Grammy winning album “Realidades”/ Los Tigres Del Norte AES San Francisco Treasurer (3 years) AES International Diversity & Inclusion Committee Audio GANG Member Berklee College of Music Alumni Committee Recording Academy Voting Member Recording Academy P&E Wing Advisory Committee (SF Chapter) Recording Academy District Advocacy Captain About this Interview: Brian joins me for a one on one chat about immersive audio, the details of running a studio business, buying your neighbors wine and making your bed. Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html WIN AN AEA KU5A!!!!: https://www.aearibbonmics.com/workingclassaudio/ Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Toolshed Studios (Brian Gibbs): http://www.toolshedstudio.com/index.html Skyline EP: http://skylineep.com/ Hear 360: https://hear360.io/ Rode Ambisonics Mic: https://en.rode.com/ntsf1 Facebook Spaitial Workstation: https://facebook360.fb.com/spatial-workstation/
Working Class Audio #206 with Music Expo SF!!! Hosted in association with Sound On Sound Magazine, Music Expo is a series of annual events full of workshops, lectures, studio sessions, discussions and product demos bringing 3,000 musicians, engineers, technophiles and tastemakers together. The event was the idea of Loïc Maestracci who does an amazing job bringing people together. WCA #206 is just one of many panels that takes place at Music Expo as as well as many lectures and workshops. About this Interview: I was headed out the door to appear on a panel for Music Expo SF when I saw a notification on Twitter from Matt Carnes of Colorado Recording. Matt asked if I would be recording the panel. To be honest it never occurred to me until I read Matt's tweet. As a result I was able to capture my conversation with Karrie Keys, Piper Payne, Brian Gibbs and Frank Socorro for a panel called "Survival of the Fittest - How to Really Make A Living In Audio". Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html AEA KU5A: https://goo.gl/km8139 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Music Expo: https://musicexpo.co/ Sound Girls (Karrie Keys): https://soundgirls.org EQL Directory: https://makeiteql.com/ Neato Mastering (Piper Payne): http://neatomastering.com/ Toolshed Studios (Brian Gibbs): http://www.toolshedstudio.com/index.html Colorado Recording (Matt Carnes): https://www.coloradorecording.com/
Working Class Audio #205 with Frank Socorro!!! Franklin Emmanuel Socorro started his audio career in the early 2000's working in the Miami area recording the diverse styles that happen in a city thats such a melting pot. During that time an opportunity to work on a Bad Boy project put him on a fast track that led to him working with artist's such as Mary J Blige, Lenny Kravitz and Lauryn Hill. Eventually he would land a position as head engineer for super producer Salaam Remi. This new position brought a wider range of projects from Nas and Cee-Lo to major motion picture work for Rush Hour and Sex and the City. Along the way came 5 grammy nominations and several gold and platinum plaques. He currently operates his own studio while working with the future of audio at the SAE miami campus About this Interview: Frank joins me to tell of his incredible story of his rise to the top and the thing that changed it all, his early training with Charles Dye, working with Salaam Remi, Diddy, Tony Maserati and finding peace in claiming control of his time. Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/classic-apollo-promo Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html AEA KU5A: https://goo.gl/km8139 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
Working Class Audio #204 Streaky!!! Streaky’s mastering journey began in 1996 when he landed his first job at Zomba’s Battery Studio in London, learning the art of compact disc mastering alongside Chris Parmenidis. The first record he mastered was 'Return of the Mac' by Mark Morrison, following that early Groove Armada and other 90's club classics! Moving on to The Soundmasters in 2000 learning how to master for vinyl under the veteran mastering engineer Kevin Metcalfe. Here working with some legendary artists including Kasabian, Snow Patrol, Usher, The Prodigy to name a few. In 2003 whilst at Soundmasters Streaky setup the worlds first online mastering studio 'eMasters' this method has now become the norm for mastering as the internet has developed. 2013 saw Streaky base himself at Metropolis Mastering in London, taking the opportunity of working alongside mastering legends John Davis, Stuart Hawkes & Tim Young where he continued to help artists big and small to achieve their dream sound. 2017 Streaky opened his own mastering studio within Pinewood Studios, the story continues... About this Interview: Streaky joins me to chat about his journey to mastering starting out as a 12 year old DJ, his perspective on mastering, networking, minimalism, cracked plugins, and mentoring the next generation. Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/classic-apollo-promo Audio-Technica ATM230PK - https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html AEA KU5A: https://goo.gl/km8139 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Matt Carnes Colorado Recording: http://coloradorecording.com/ Streaky's Site: https://streaky.com/ Streaky's Youtube Channel: https://www.youtube.com/channel/UCSvxjA3B1UURjGrdAJX_Yjg
Working Class Audio #203 Doug Clarke!!! Doug Clarke is a passionate audio engineer, mixer, sound designer, and musician. Based in Sydney’s Inner West, Doug works as a freelance engineer at multiple studios. Working with artists and songwriters as well as doing sound design and mixing for TV and Films. Following his graduation from the Queensland University of Technology in 2013 with a Bachelor of Music, Doug worked at Hunting Ground Studios recording bands such as Bayharbour, Sun Heights (Pee Records), Matt McGuire, SkullClub (Sony), Skies Collide, First Sight, El Monstro, and Courtney Heaton. After an intense 18 months of recording nonstop Doug moved to Sydney in late 2015 and began working at various studios such as One Flight Up and A Sharp Recording. Going freelance in late 2016, Doug extended his audio network into post production by working at Two Dogs TV, Warner Bros ITVP and Endemol Shine. 2018 has been a busy year for Doug as he finished producing and mixing the debut record with Vacant Shade at Arthur Street Studios, mixing Channel 10’s hit new shows ‘Pointless’ and ‘Bachelor in Paradise’, as well as doing sound design/effects editing for ‘Under the Cover of Cloud’ (Melbourne International Film Festival 2018), Living Universe (Event Cinemas), and ‘Own The Sky’ (TBC). About this Interview: Doug joins me to talk about his journey from university in Brisbane to moving to Sydney and jumping into the world of live sound, studio recording and post production. From survival, mistakes, and negotiating to picking and choosing his own gigs . Enjoy! – Matt Show Notes and Links Instagram: https://www.instagram.com/_dougclarke/ SoundCloud: https://soundcloud.com/dougclarke-3 IMDB: https://www.imdb.com/name/nm8897822/?ref_=nv_sr_2 UA Promo: https://www.uaudio.com/classic-apollo-promo At Headphones I'm trying: https://goo.gl/m7X51z AEA KU5A: https://goo.gl/km8139 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Dourrough! https://www.dorrough.com/
It's time to join The Numerical Suffix Twins and The Ultimate Frisbee Conspiracy for another bout of testing concepts (and SM58s) to destruction! Nibbling their hand-monogrammed biscuits, your intrepid hosts take on the 'jukebox musical' phenomenon, delivering their verdict on which 1980s TV shows would best suit the format, whether Kurt Cobain ever sang the part of Jean Valjean, and why there's clearly such a scarcity of grumpy-looking white men who can't sing. The facepalm action is bang up to the minute too, as Mike mugs himself with multiple mix revisions and erotic mic cables, while Jon bemoans auditory dog hair and the onerous dance rituals required by the God Of Acoustic Guitars. Plus we have Gearslutz repaying its debt to humanity, Mike swearing appreciatively at Yo-Yo Ma, parents playfully tasing their own children, and our mole at NPR Tiny Desk making banana smoothies. Fancy more of this nonsense? Then please support the podcast!
It's time to join The Numerical Suffix Twins and The Ultimate Frisbee Conspiracy for another bout of testing concepts (and SM58s) to destruction! Nibbling their hand-monogrammed biscuits, your intrepid hosts take on the 'jukebox musical' phenomenon, delivering their verdict on which 1980s TV shows would best suit the format, whether Kurt Cobain ever sang the part of Jean Valjean, and why there's clearly such a scarcity of grumpy-looking white men who can't sing. The facepalm action is bang up to the minute too, as Mike mugs himself with multiple mix revisions and erotic mic cables, while Jon bemoans auditory dog hair and the onerous dance rituals required by the God Of Acoustic Guitars. Plus we have Gearslutz repaying its debt to humanity, Mike swearing appreciatively at Yo-Yo Ma, parents playfully tasing their own children, and our mole at NPR Tiny Desk making banana smoothies. Fancy more of this nonsense? Then please support the podcast!
Working Class Audio #201 with Christopher Scott Cooper!!! Christopher Scott Cooper has played guitar since age 5, composer/songwriter since age 15, and audio engineer/producer for the last 30+ years. Became a FOH mixer/Live Sound Engineer by default and spent the late 80s touring and providing services for many a band. In the 1990 decided a new path in the studio was a better option and spent the next 15 years at Music Annex studios going from an intern to Chief Engineer. 15 years ago he chose the independent route and built a cozy high end studio (Blue Seven Audio), and came full circle to being a FOH mixer again for the Fox Theatre in Redwood City and for various events and bands around the Bay Area. Experienced in live recording, live sound, sound effects capture, sound design, studio recording, toys, games, TV/Film, wiring, system installs, computer/data management, electronics repair... all by necessity. He has also taught courses at Cogswell College and guest lectures at various Audio Institutions. Chris still writes and composes for his band New Sun, TV/Film and various unusual ambient labels. About this Interview: Chris joins me at Highwire Coffee in Oakland, California for not only coffee but a chat about his time at the Music Annex, building his own studio, diversification, survival in audio and his start in live sound. Enjoy! – Matt Show Notes and Links UA Promo: https://www.uaudio.com/twin-arrow-promo At Headphones I'm trying: https://goo.gl/m7X51z AEA KU5A: https://goo.gl/km8139 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ Home Workout App on IOS: https://goo.gl/TpWugp Home Workout App on Android: https://goo.gl/pPQreJ Christopher's studio: http://www.bluesevenaudio.com Christopher's band: http://www.new-sun.com Highwire Coffee: https://www.highwirecoffee.com/
New York City techno/tech house/house producer Agent Orange talks about his career with The Producer Podcast DAW of choice: Ableton Live and Pro Tools Workflow: Starts with templates Production tips: Sidechaining and parallel compression Training resources: He reads Gearslutz and KR audio Influences: Todd Terry, Jay Lumen Favorite Softsynth: Albino and Massive Favorite Effects: UAD Apollo Twin plug-ins, Legacy Pull Tech, Precision multiband compressor and maximizer, Effectrix, Hardware: Knight EQ 3D Successful career actions: Head lining Ultra mainstage. Getting a job at Satelite records. Best advice for aspiring producers: Don’t rush it. Enjoy the journey. Links: Soundcloud: https://soundcloud.com/agent-orange-nyc Facebook: https://www.facebook.com/agentorangenyc Website: http://www.agentorangenyc.com YouTube: https://www.youtube.com/user/arasoundsystem Show notes by Sean Hanagan aka Time Aperture https://soundcloud.com/timeaperture
Uli nous prépare encore un nouveau synthé revival vintage avec son prototype Polyeight, parce que c'est vrai quoi, on a tous 8 doigts et pas 6. Et s'il vous reste encore du temps, on débattra du pourquoi le monde est toujours en train de se bagarrer à choisir entre synthé analogique et synthé numérique. Distribuez votre musique en ligne via iMusician pour vos sorties sur Spotify, Apple Music, Deezer et des centaines d'autres en utilisant notre lien d'affiliation : https://bit.ly/3pxCNFR Réduction de 10% sur le tarif de votre première sortie avec le code LESSONDIERS ! Behringer donne 1510 synthés : https://www.musictech.net/news/industry/music-tribe-and-behringer-donate-synths-underprivileged-children/?amp&__twitter_impression=true Non Daw pour Raspberry PI : http://non.tuxfamily.org/ Keda Tabla Touch : https://keda.co.uk/electronic-tabla/ Démo Tabla Touch : https://www.youtube.com/watch?v=RXn_pTHget4&t=120s Behringer Polyeight : https://www.synthtopia.com/content/2021/04/02/behringer-polyeight-copies-korg-polysix-ups-polyphony/ Masterclass Ableton Live 11 en Français : https://fb.me/e/2iHRioSH7 Gearslutz devient Gearspace : https://www.gearslutz.com/ - https://gearspace.com/ Erica Synths Black System III : https://www.ericasynths.lv/shop/eurorack-systems/black-system-iii/ Moog Synthesizer Studio Experience : https://www.moogmusic.com/news/moog-music-introduces-complete-synthesizer-studio-experience 00:00 Intro 02:17 Début de l'émission 10:18 AskSondiers (stockage) 21:05 AskSondiers (Analogique ou numérique) 38:15 AskSondiers (DAW sur Raspberry PI) 46:48 Keda Tabla Touch 52:39 Behringer donne des MS-1 aux enfants défavorisés 56:20 Behringer Polyeight 01:01:19 Sponsor (iMusician) 01:02:34 Masterclass Ableton Live en Français 01:03:44 Gearslutz devient Gearspace 01:07:45 Endorphin.es Ground Control Performance Sequencer et Gold Master 01:09:59 Erica Synths Black System III 01:17:44 Moog Studio Synthesizer Experience Rejoignez-nous sur Discord avec ce lien : https://discord.gg/kdhwmay ---- SOUTENEZ NOUS ---- Tipeee ! Même de petites sommes nous aident ! http://tipeee.com/les-sondiers Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com Suivez nous sur Twitch : https://twitch.tv/lessondiers Twitter : https://twitter.com/lessondiers Instagram : https://instagram.com/lessondiers Facebook : https://facebook.com/lessondiers YouTube : https://youtube.com/lessondiersFR
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