Podcast appearances and mentions of Jim Croce

Jim Croce once sang, “You don't tug on Superman's cape, you don't spit into the wind, you don't pull the[...]

If you've listened to Roots Music Rambler much at all you know Frank and Falls are suckers for the new wave of retro-sounding Americana and Country artists. (See our previous episode with Kimmi Bitter.) When we first heard Logan Ledger, the same fascination kicked in.  With sounds reminiscent of Marty Robbins, Jim Croce and The Byrds, it was easy to see why this Bay Area product was reclaiming the title of purveyor of California Country in early album reviews. His debut record in 2020 was produced by T. Bone Burnett. His sophomore effort, “Golden State,” was produced by none other than Shooter Jennings. And it's magnificent.  Ledger joined Roots Music Rambler this week to talk about his albums, his sound and how a long-time Nashville singer-songwriter found his way into the professional musician space by finding and amplifying his own style.  Falls shares his thoughts on a weird Jim Morrison documentary and he and Frank offer up their normal pickin' the grinnin' picks for the week as well. Download the episode and subscribe at rootsmusicrambler.com or wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Logan Ledger online Logan Ledger on Spotify Logan Ledger on Instagram Beyond the End documentary on AppleTV+ The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Humble Pie  First Aid Kit Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

The singer-songwriter recently released Heart of the Eternal , eleven original tracks, spanning genres, eras, and styles

The singer-songwriter recently released Heart of the Eternal , eleven original tracks, spanning genres, eras, and styles

Luke had an absolutely bizarre Lyft ride yesterday that involved a video of the driver singing a Jim Croce song with his son. Luke and Andrew also discuss the viral video of two identical twins who gave a simultaneous interview to a local TV station.

El que fa el fill del gran Jim Croce no

This week is a special - we look at the ten main threats to democracy today - 1) Wealth imbalance - the Wisconsin election, Trump's Tariffs; 2) Islam - the BBC and Bradford, the Salaah, Cardiff city council promotes Islam; 3) Anti-Semitism - Douglas Murray; John Anderson with Mark Durie and Richard Shumack;  4) Misuse of the police - Parents arrested for criticising school in UK, Scottish politician and the non hate crime of criticising non-binary ideology, FBI ordered gag on Hunter Biden laptop; 5) Progressive Woke ideology - Shanna Kattari, Ross Greer, Toddler suspended for transphobia, Quality Street becomes Equality Street, two tier justice;  6) Lawfare - Country of the week - France, the banning of Marine Le Pen, Yanis Varoufakis, Guy Verhofstadt; 7) Net Zero - destroying virgin forest in Australia, Myanmar earthquake, - when did the 24 hour day begin? 8) A Censored Media - death of Val Kilmer, Adolescence, Celtic's Shame, 9) Education as an indoctrination business - 10) The Decline of the Church  - including Feedback and the Final Word with music from Leonard Cohen, ACDC, Edith Piaf, the Kingston Trio, Jim Croce, and Sovereign Grace 

165 - A.J. Croce In episode 165 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist, pianist and bandleader A.J. Croce. In their conversation A.J. tells us about his current tour schedule and his new album “Heart of the Eternal” and the personnel on the album. He also talks about the vintage gear he used to record the album. A.J. then tells us about his guitar and amp collection which is impressive. A.J. talks about his shows and how much of his dad's (Jim Croce) he plays vs his own and he takes requests! A.J. talks about growing up with his dad's record collection (his dad passed away when he was two). A.J. discusses moving from keyboard to guitar and his successes after doing that and he also describes losing his sight at age four and how that impacted his musical skills. A.J. talks about how Mae Axton introduced him to Cowboy Jack Clement and how his first session with Cowboy Jack used him to replace Jerry Lee Lewis. A.J. shares the gear he's searching for.. To find out more about A.J. and where he's playing you can go to his website: ajcrocemusic.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AJCroce #JimCroce #HeartoftheEternal #MartinGuitars #CowboyJack #VintageGuitar #VintageGibson #theDeadlies #haveguitarwilltravelpodcast #HGWT . . . Please like, comment, and share this podcast! Download Link

NOCHES DE VINILO, ESTELARES.Qué bandas y qué músicos nos acompañaran!!!Los ingleses : Fleetwood Mac.Todo el rock de :Hot Tuna.El mago de la guitarra :Jimi Hendrix.El sonido infernal de :Mott the Hoople.Grandes de verdad :The Band.El señor del blues :Muddy Waters.Los hippies presentes :The Mamás and The Papas.El trovador :Jim Croce.Juan y más de la genial Cristina Peri Rossi.No te lo pierdasEn la radio en la cual el rock es el motor de cada día.El Aguantadero.En sus jóvenes 15 años.

Musician and son of Jim Croce, A.J. Croce will be playing Mtelus on April 1. He joined Montreal Now's aaron Rand to discuss his father's influence, his own career and the upcoming show.

TIME II Endnu et stort ord/begreb som tema i Sejrstimen og ét jeg havde på allerede i program #54. Så her er nu part 2. Der er så mange elementer ved fænomenet "tid", både de faktiske og filosofiske samt de mulige og mystiske, at jeg afstår (denne gang;) og lader disse kolleger beskrive det: Laurie Anderson, Jim Croce, Divine Comedy, Marianne Faithfull, Annie Lennox, Lonely Robot, Billy Mackenzie, Marillion, George Michael, MGMT, Morrissey, Siouxsie & The Banshees, Snow Patrol, Space, Sparks, Tame Impala, Talk Talk, Tom Waits og danske Baal, Lydmor plus MØ. Peter Gabriels fænomenale, succesrige og næsten 40 år! gamle album "SO" rummede ret forskellige udtryk og så var der nogle tekniske pioner-videoer til flere af dens hits.

Becky Brown, President of New Life Ministries and co-host of the New Life Live! radio program (heard weekdays at 1pm and 12am) joins the show today! She shares New Life's history and how the ministry and radio show can be of help. Brown has also created a special video with insight into reducing stress & anxiety, especially in today's culture. You can access the video by clicking here or by entering "NEW LIFE VIDEO" in the Search field at wfil.com :). A.J. Croce, singer/songwriter and son of the late Jim Croce (Bad, Bad Leroy Brown, Time In A Bottle, Operator), checks in to share about his new album "Heart of the Eternal," his family's local roots (Jim was born in South Philly and A.J. in Bryn Mawr), and his relationship with his dad. Find out more at www.ajcrocemusic.com. Sports clipZack Wheeler (Philadelphia Phillies starting pitcher) (courtesy of MLB.com)See omnystudio.com/listener for privacy information.

As far as we've come in the 50 years since Balfour Mount and Sue Britton opened the first palliative care at the Royal Victoria Hospital in Quebec, have we lost something along the way? In today's podcast we welcome some of the early pioneers in palliative care to talk about the roots of palliative care.  Sue Britton was the first nurse hired on that palliative care unit. Michael Kearney on a transformational meeting in Cicely Saunders's office, with Balfour Mount at her side and a glass of sherry.  Justin Sanders wants to be sure the newer generations of palliative care clinicians understand the early principles and problems that animated the founders of hospice and palliative care, including: Origins of the word “palliative” - it's not what I thought! Yes, it means “to cloak,” but there's more… Whole-person-care Total pain Healing as a process distinct from the deterioration of the body Sympomatologists The patient and family as the unit of care  Our guests referenced many articles on this podcast, linked above and below.  If you read just one, read Palliative Medicine - Just Another Specialty? by Kearney. I promise it's short. 2 pages.  Here's a taste:  …While there is an abusive and useless dimension to illness, pain and suffering which needs to be removed if at all possible, there is also potential in such experience…If we in palliative medicine fail to accept this view, a view which allows that there may also be a potential in the suffering of the dying process, if we sell out completely to the literalism of the medical model with its view that such suffering is only a problem, we will be in danger of following a pattern which could significantly limit our scope for development and lead to our becoming 'symptomatologists', within just another specialty.  And love that Jim Croce choice.  What's in a name? I've got a name.  Enjoy!  -Alex Smith   Links Link to the McGill National Grand Rounds Series on Palliative Care, Michael Kearney as initial presenter, and registration for future events. No, you don't need to be Canadian. Canadians are welcoming. Palliative Medicine - Just Another Specialty? In Palliative Medicine By Kearney Joe Wood's book on Total Pain  Balfour Mount's memoir Ten Thousand Crossroads paper on Healing Connections in JPSM and Healing and Palliative Care in Palliative Medicine Cicely Saunders: A Life and Legacy, by David Clark Self-Care of Physicians Caring for Patients at the End of Life, by Michael Kearney and colleagues in JAMA Perspectives on Care at the Close of Life series Twycross on Readdressing Balance in Hospice

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

This week, musicians born into powerful family musical traditions recorded live at the Ozark Folk Center State Park. Also, commentary from some of these living legacies. Legacy is something handed down from the past. The tradition of folk music and culture is rooted in legacy. Musical legacies can exist in the form of songs, melodies, musical instruments, styles of playing, and sometimes even people. A musician born into a powerful family music tradition may find themselves a living connection to that legacy for thousands of fans. On this week's show, we feature some of these living legacies: Amy Helm; A.J. Croce; Carlene Carter; Dale Jett; and Thom Bresh. Amy Helm is an American singer-songwriter and daughter of The Band drummer Levon Helm and singer Libby Titus. She is a past member of the Levon Helm's Midnight Ramble Band and Ollabelle, as well as her own touring band. Born in Woodstock, New York, Amy spent her childhood between Woodstock, Los Angeles, and New York City. She attended Trinity High School where she studied jazz with Dr. Aaron Bell, while singing in bands, and playing in New York City clubs and bars. A lifelong musician and music-lover, Helm's parents guided her training and influences. She later became a founding member of the alt-country collective Ollabelle and served as a backing musician in her father's Midnight Ramble Band. Adrian James "A.J." Croce is an American singer-songwriter. He is the son of singer-songwriters Jim Croce and Ingrid Croce. A.J. Croce has been inextricably linked to a version of his own story by virtue of his name. He's experienced a lifetime of comparisons to a father he lost at age two, whose music bears little resemblance to his own output yet still serves as a reference point despite the years that have passed and the many iconic mentors who have stepped in to offer their counsel, creativity, and endorsement throughout his long career. Carlene Carter is an American country singer and songwriter. She is the daughter of June Carter of the famed Carter Family and her first husband, Carl Smith. She became the step-daughter of Johnny Cash. Between 1978 and the present, Carter has recorded twelve albums, primarily on major labels. In the same timespan, she has released more than twenty singles, including three No. 3-peaking hits on the Billboard Hot Country Songs chart. Dale Jett is a proud bearer of the Carter Family musical legacy. Son of Jeanette Carter and grandson of A.P. and Sara Carter, Dale performs songs from the Carter Family song book with his group “Hello Stranger.” With his wife Teresa on bass, and Oscar Harris on auto harp, Dale keeps the music of his family tradition alive and relevant. Thom Bresh has led an incredible, multi-faceted life in the entertainment business. To start, his birth father is guitar royalty, Merle Travis. Thom was raised in California during the golden age of television and worked as a stuntman/actor during his youth. He went on to become one of the premier practitioners of his fathers “thumbpicking” style of guitar. Harnessing a quick wit and an equally quick set of ten fingers, there is nothing like a Thom Bresh performance. In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of country music legacy and our very own Mark Jones performing in the banjo style of his famous father Grandpa Jones the tune “Mountain Whippoorwill,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater describes therapeutic music and her role as a musician in a pediatric hospital.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it's clear that he holds an abiding love for all types of musical genres: Blues, Soul, Pop, Jazz, and Rock n' Roll. A virtuosic piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. A.J. has also co-written songs with such formidable tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen, and multi-Grammy winner Gary Nicholson. His albums have all charted on an impressive array of charts: Top 40, Blues, Americana, Jazz, College, and Radio 1. The Nashville-based singer/songwriter has landed 22 singles on a variety of Top 20 charts.  His songwriting and style has evolved from Jazz & Blues on his debut and sophomore albums, to the roots-rock of the more recent collaborative recordings like Cantos with Ben Harper, Twelve Tales with Allen Toussaint, and Just Like Medicine with Vince Gill. He recently toured with his show "Croce Plays Croce" where he paid tribute to his father, singer/songwriter Jim Croce.   

250 Episodes and a Special Reunion with A.J. CroceMilestones deserve something special, and for our 250th episode, I'm bringing back a guest from my original Someone You Should Know radio show in 2000. A lot has happened since then, and we have plenty to catch up on—plus some brand-new music to share!A.J. Croce may be the son of the legendary Jim Croce, but he's built his own impressive legacy as a BMG recording artist, singer-songwriter, and multi-instrumentalist. His unique blend of blues, jazz, and rock has captivated audiences worldwide.Join us for this unforgettable episode as we dive into his journey, his latest music, and stories from the past 24 years. You won't want to miss this one! A.J. Croce is truly Someone You Should Know. Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to A.J.'s WebsiteClick here to go to A.J.'s  FacebookClick here to go to A.J.'s InstagramClick here to go to  A.J.'s  Twitter/XClick here to go to A.J.'s YouTube ChannelVideos from this Episode (click the song title to see the video)I Got a FeelingComplications of LoveAll music used with permission from the artistSomeone You Should Know 2025 // CatGotYourTongueStudios 2025Feedback: Send us a text.How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

Playlist : BAD BAD LEROY BROWN > JIM CROCE 1972 / TRAGEDY > BEE GEES 1979 / I'M NOT IN… The post Le Musée des Oubliés-15-02-2025 first appeared on Radio Campus Angers.

It's time for Thomas's punishment...  Up top, Matt shares some classic songs from the effervescently beautiful songwriter Jim Croce. Things go downhill quickly however, as Thomas is made to share his "favorite" tracks from the infamous Kid Rock. Also the boys are ON TOUR this March! Details soon to follow. LMO Survey   https://www.thinlear.com/ https://www.niagaramoonmusic.com/ Bluesky IG Tiktok

National house plant appreciation day. Entertainment from 2010. Wendy's Launched "Where's the beef", Thomas Paine started selling "Common Sense" Edward Brooke R/Mass elected to US senate-1st African American. Todays birthdays - Ray Bulger, Johnny Ray, Sal Mineo, Jim Croce, Rod Stewart, Donald Fagin, Pat Benatar, Shawn Colvin, Brent Smith. David Bowie died.Intro- Pour some sugar on me - Def Leppard    http://defleppard.com/House plant - Young JeffreyTik Tock - KeshaConcider me gone - Reba McEntireWendy's TV commercialBirthdays - In da club - 50 Cent   http://50cent.com/Cry - Johnny RayBad Bad Leeroy Brown - Jim CroceMaggie May - Rod StewartReelin' in the years - Steely DanShadows of the night - Pat BenatarSonny came home - Shawn ColvinSecond chance - ShinedownSpace Oddity - David BowieExit - In my dreams - Dokken  https://www.dokken.net/

Episode 033: Time flies when you're sharing great music! As Six Picks Music Club celebrates our first trip around the sun, we're diving into an episode all about time. From memories of yesterday to dreams of tomorrow, we're exploring how music captures life's temporal journey. Join Geoff, Russ, and Dave as they turn back the clock, live in the moment, and look ahead with  tracks from Black Rebel Motorcycle Club, Streetlight Manifesto, Irma Thomas, Jim Croce, Pup, and Tom Waits. Plus, we're putting our own spin on New Year's resolutions. Thanks to all our listeners for making this past year unforgettable—here's to many more adventures in music! Apple Podcasts Instagram Spotify Playlist YouTube Playlist Official Site Listener Listens - Sierra Ferrell - Instagram

Michael Marcagi has had an absolutely epic year, and I'm psyched to have him on the show this week. Michael, whose most recent EP, American Romance, just dropped last month, has been hitting the road hard, but this only tells half the story. Late last year, his song, “Scared to Start,” became an overnight sensation — literally — when it received more than a million views by the day after he posted it.  Since then the song has gained over 4 billion views on TikTok and close to 400 million plays on Instagram!!To state the obvious, this put Michael on the map. But more importantly, Michael is speaking truths to a broad swath of listeners that have truly resonated with his message: learn who you are and be true to yourself no matter what. And Michael, in turn, is as real as what his songs have succeeded in projecting into the world.I talk to Michael about what his viral success has meant, how he manages to stay sane and so incredibly grounded — much to his credit — and how he has maintained his impressive level of much-needed perspective. This is a phenomenal interview with a super-talented artist, who, against all odds, is as absolute real as it gets. This is a truly great one!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Send us a textMy guest is legendary drummer, composer, producer and occasional house guest, Rick Marotta! A spontaneous LFMDR and TrackTalk episode where Rick and I do a deep dive into some of his iconic recordings including, Jackson Browne's "Boulevard," Warren Zevon's "Lawyers, Guns and Money" and Jim Croce's "I Got a Name." Rick gives us insights into these iconic songs as only Rick Marotta can, so come along for the ride and please subscribe to my YouTube channel!  Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor! https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Dave and Milt take a trip back to October 1981, analyzing the Billboard Top 10 albums of that week. They critique and celebrate albums from legendary artists like Billy Joel, Pat Benatar, The Police, Rolling Stones, and more. The duo also shares personal stories, including a car breakdown adventure that tests their friendship! Oh the drama! Just listen. Throw us a bone. Milt is still bitter about the Yankees. Now get out there and vote for Frank Stallone. Your country needs you.Topics01:27 Listener Feedback and Shoutouts02:53 Car Troubles. Fries for Milt. Mmmm.12:32 Exploring the Top 10 Albums of October 198117:12 Hall & Oates: Private Eyes23:57 Pat Benatar: Precious Time31:39 Billy Joel: Songs in the Attic41:43 The Police: Ghost in the Machine50:35 The Playdate. Milt sweats.51:00 Bruce Springsteen and John Steinbeck?51:25 Fleetwood Mac's Ghostly Figures51:58 Jim Croce's Ghostly Lover. Um what?52:29 Pearl Jam's Ghostly Mediocrity54:08 Dan Fogelberg's Run for the Roses. Dave gags.01:00:22 Stevie Nicks' Edge of Seventeen01:09:44 Foreigner's Jukebox Hero01:15:28 Bob Seger's Live Album01:20:25 Journey's Escape01:26:33 Rolling Stones' Tattoo You01:30:46 You don't have to go home but you can't stay here.

Election Day is almost here, and the campaigns are sprinting toward it in swing states like Arizona. Our Friday NewsCap panelists analyze that and the rest of the week's top stories. Plus, the son of legendary folk singer Jim Croce on keeping his father's legacy alive.

In the latest episode of Agatha All Along, titled "Death's Hand in Mine," writers Gia King and Cameron Squires, along with director Jac Schaeffer, explore Lilia's struggle with memory loss and her confrontation with mortality. Set in a spooky castle, the episode highlights themes of fear, connection, and personal growth.Agatha, dressed as the Wicked Witch, conducts a Tarot card reading that reveals Lilia's concerns and desires. With Billy as Maleficent, the characters bring a whimsical yet serious tone to the narrative.Lilia is portrayed as the Queen of Cups, showing empathy while facing her fears. The tension builds as she confronts the Salem Seven, leading to a powerful moment of acceptance.The episode wraps up with "Time In A Bottle" by Jim Croce, highlighting Lilia's newfound peace. Fans can look forward to the finale with episodes 8 and 9 streaming on Disney+ on October 30th.Marvel News: In other news, Disney has removed the Blade reboot from its release schedule and is shifting focus to three untitled projects set for 2028. Paul Bettany is set to return as Vision in a new series expected in 2026, and Tom Holland's Spider-Man 4 is scheduled for a July 24, 2026 release.

Today on AirTalk, we will cover the latest developments in the Menendez brothers' fight for freedom as LA County DA recommends resentencing. We will hear from the son of legendary folk singer Jim Croce, A.J., who is currently on a Croce Plays Croce 50th Anniversary tour in which he honors his father through music. On this week's Food Friday, the rivalry between NYC and LA reaches the kitchen with an LA restaurant called Bodega Park making a mean chopped cheese. Today on AirTalk: L.A. County DA announces recommendation of resentencing for the Menendez Brothers. What does this mean? (0:15) A.J. Croce honors his legendary folk singer father, Jim Croce, on tour (17:21) Bodega Park is serving up breakfast sandwiches (42:48)

Gone too soon, but leaving behind a collection of amazing folk songs, Jim Croce's impact on the world of music is still felt today. Now, Joseph Whalen returns to run through the 5-album discography, picking only one song from each. Which songs made the list? Tune in and find out. www.notthatbadcast.com Facebook - https://www.facebook.com/onlyonecast Social Media - @onlyonecast (X, Instagram, Threads, Bluesky) Learn more about your ad choices. Visit megaphone.fm/adchoices

What do Buddy Holly, the Big Bopper, Ritchie Valens, patsy cline, Jim Croce, Lynyrd Skynyrd, Ricky Nelson, and Stevie Ray Vaughn have in common? ...they all died when the private aircraft in which they were flying crashed.  Holly, the Big Bopper, and Valens were on a single-engine six-seater Beechcraft bonanza when it went down in bad weather in an Iowa cornfield in February 1959…Cline and two other musicians died in March 1963 when their six-seater piper Comanche…bad weather was to blame there, too. Jim Croce was onboard an 11-seater Beechcraft twin-engine when it hit a tree on takeoff from and airport in Louisiana…fog and pilot error. In October 1977, a chartered Convair CV-240 carrying members of Lynyrd Skynyrd and their crew somehow ran out of gas and crashed into a Mississippi swamp…i tell that story in episode 1 of this podcast. On December 3, 1985, Ricky Nelson was on an old DC-3 when an heater on the plane caught fire and crash-landed in a Texas cow pasture. And Stevie Ray Vaughn was in a helicopter leaving a Wisconsin music festival on August 27, 1990…it ended up all over the side of a ski hill…it was foggy and while the pilot was certified to fly a fixed-wing aircraft under such conditions, he wasn't licensed to fly a helicopter.  There are many more examples, but I think I've made my point.  On this episode, I want take a close look at two more private plane crashes that are still widely discussed…there's the accident that nearly killed blink-182 drummer Travis Barker and killed several other people…and the other crazy story of the aircraft accident that killed Ozzy Osbourne guitarist Randy Rhoads. I'm Alan Cross and this is episode 26 of “Uncharted: Crime and Mayhem in the Music Industry”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Morrison talks about how he liked giving interviews Connect the Dots Before They Were Famous - Brenda Lee  This Week in Music History The Five Second Quiz  Behind the Hits - Bad, Bad Leroy Brown by Jim Croce

How much Brown would a Leroy Brown if a Leroy could brown Brown? Fucked if I know and to be honest, I don't think it's overly relevant to this week's episode. There's a whole lot of Jim Croce, because Kev loves him and Kev does the edit, so Kev gets to put Jim Croce in there! Wanna argue? Double bass, tack piano, harmonized train whistles, pitch correction, and a whole hell of a lot of fun. It's all here, so come and get it! If Randy were to title this episode, he'd probably call it "Put a shotgun to his head" or possibly "Why can't we get along?"Today's episode looks at a Freddie's sizzling first foray into swing, "Bring Back That Leroy Brown" from 1974's "Sheer Heart Attack".NOTE: Skip forward to 16:48 if wanna get straight into the manifestations and wheel spin.The music at the end is "Hijack The Show" taken from "Residential Gas Leak", the second release by Randy's former band, Absofunkinlutely. You can find it here: https://youtu.be/zlTK_685DsYAlso, go check out our merch store, here! https://tinyurl.com/2e23nkk6Thanks to everyone who tuned in to the last episode and left us some comments on Twitter, Facebook, and BlueSky! Also, come join us on our Discord server, we'd be glad to have you! We'll always try to answer any questions you have and seriously appreciate any corrections you make to anything we get wrong. And thanks so much for all your support as usual. We're loving diving into the Queen fandom as much as we're enjoying recording the podcasts!Huge thanks to Corey Morrissette and Mark Camire for letting us copy and paste the format from their gold-standard podcast; And the Podcast Will Rock. You can find them at @PodcastWillRock on Twitter. Also, make sure you go check out our beautiful brothers and sisters over on the Deep Dive Podcast Network!Follow us onTwitter: @queenseasideFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

On the September 20 edition of the Music History Today podcast, John Lennon leaves the Beatles, Jim Croce passes away tragically, & a famous album cover is created. Plus, a Thompson Twin & 2 sets of twins are celebrating birthdays today. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Matt and Briggs create ultimate music playlists around a theme. This time the Ultimate Debut Singles of the 1970s   Follow us on:   Twitter: https://twitter.com/UPwithMB YouTube: https://www.youtube.com/channel/UCJWoLCPwdFdf9gjRQBd6Xsg   Matt's Music on Spotify: https://open.spotify.com/artist/4xxrTMyeailrpFvLXiyhDs?si=3cjpYTywT9GaRyjFV57EJQ

This episode completes our trio of X-Men 'One Perfect Scene' episodes, as Kieran joins me to discuss the Quicksilver kitchen scene from 'X-Men: Days of Future Past', where Evan Peters plays a mutant speedster who runs around the room, soundtracked by Jim Croce's 'Time in a Bottle'. (Also, the name of the unnamed actor we talk about for a spell is Clark Duke)

Many artists have those sliding door moments - being at the right place at the right time with just the right amount of talent, style and looks to make it out of having to work a “real job." Growing up in New York and then Paris where a young Madeleine began singing on the street, harnessing her deeply warm and eerily timeless voice (close your eyes and you might hear Billie Holiday) she went from being let go selling newspapers and toiling as a Applebees hostess in Nashville to creating beloved major-label jazz pop albums like Dreamland and Careless Love (one of my all time favorite albums) where she expertly sang out-of-box covers in English from singing poets and kindred spirits like Leonard Cohen and also jazzy French favorites that got her in front of millions of listeners around the world.  Slowly Peyroux began inserting personal and often politically powerful originals as her profile grew - leading to her new protest-forward all-original LP Let's Walk. While she was a staple of the early 2000s jazz pop best-sellers alongside Nora Jones and Diana Krall, the new record finally unleashes Peyroux's full creative potential: there's playful bluesy bops like “Showman Dan” which feels like a cheeky Jim Croce hit - and darkly prophetic songs like “Nothing Personal” which takes a clear-eyed view of sexual assault as a weapon of war. She's not holding back and her intuitive band, always a highlight, matches her intensity at every point. Much like her genre-defying albums, a conversation with Madeleine goes in many directions - she's got a lot on her mind, she has a lot of ideas and having lived much of her creative life in both America and France, she has a unique double perspective about what music and culture can do for our well-being and how governments and its citizens can support music more.

Segment 1: Summer Music Appreciation** - Featured Artists: Jim Croce and Gear Daddies - Discussing the timeless appeal and influence of Jim Croce's music. “Bad, Bad Leroy Brown” “Time in a Bottle” “Operator” Exploring the contributions and unique sound of Gear Daddies. “I Wanna Drive the Zamboni “ “Stupid Boy” “Little Red Corvette”** (21:21) Olympic Highlights from the 1970s and 1980s** - Awarding Gold, Silver, and Bronze Medals to the Biggest Stories: - **Gold Medal:** Bruce Jenner's 1976 Decathlon Victory - Analyzing why Bruce Jenner's achievements are less discussed today. - **Silver Medal:** Mark Spitz's Record-Breaking Performance - Investigating if Mark Spitz's iconic mustache provided any advantage. - **Bronze Medal:** The McDonald's Giveaway Fiasco in the 1984 Olympics - Delving into how McDonald's may have been the biggest loser of the 1984 Games.

One of the great underappreciated singer-songwriters of the rock era was Tulsa, Oklahoma native Claude Russell Bridges, better known as Leon Russell.  Russell was a musician and songwriter with records spanning rock, folk, country, gospel, bluegrass, and blues who began playing piano at the age of four.  He went to the same high school as David Gates (from Bread), and the two collaborated as a group called The Fencemen early on.  Russell went to Los Angeles and worked as a studio musician.  The list of folks he worked with is huge, including Jan and Dean, the Beach Boys, George Harrison, Eric Clapton, the Byrds, Barbara Streisand, Bob Dylan, and the Rolling Stones.  He was a big part of the group Delaney and Bonnie, and was a primary inspiration to a then-upcoming pianist who went by the name Elton John.Russell was born with cerebral palsy, which produced some paralysis on his right side.  He walked with a limp, and he was bullied as a kid over it.  He also developed a piano playing style that favored his left hand, and keyboardists will recognize that as unusual since the right hand typically plays the melody on songs.We are looking at the third solo studio album from Leon Russell called Carney.  This is Russell's most successful album in the United States, and comes when he was at his height as both a musician and a performer.  It went to number 2 on the Billboard Album chart.  Carney is organized with a first side that tends toward folk or roots rock, and a side two that is more psychedelic.  Russell was quite the start at this time, and he found that fame had some downsides.  Carney contains observations about the rock star lifestyle, and compares it two the performers at a carnival midway.  Russell's fame as a solo performer would fall off about three years after this album when he would trend in a more country direction.  He remained a force in the studio and as a songwriter throughout his life.  Leon Russell passed in his sleep in 2016 at home while recovering from heart surgery.Bruce presents this icon of the singer-songwriter era in today's podcast, as previous host Brian Dickhute sits in this week in Lynch's absence. Manhattan Island SerenadeWe're leading off with a deeper cut from the album.  It's lyrics are told from the perspective of a guy broken down on the side of the road, thinking about a long lost love as the rain falls and the cars drive by.TightropeThis is the big hit off the album.  It went to number 11 on the Billboard Hot 100.  This song encapsulates the theme of the album well, comparing the rock performer to a tightrope walker, with all the risks and the joys of performing stunts in front of the crowd.  If the Shoe FitsRussell takes on the groupies and hangers-on in this song.  It's a little like Pink Floyd's “Have a Cigar,” but instead of focusing on managers taking advantage of the band, this song looks at the parasitical elements of the press and the fans.  It maintains a light, satirical feel despite the pessimism embedded in the lyrics.This MasqueradeWhile never a hit for Russell, this song received some airplay as the B-side to “Tightrope.”  It would also be covered by a number of artists including Helen Reddy and the Carpenters, but it's most successful cover iteration would be from George Benson on this “Breezin'” album. ENTERTAINMENT TRACK:Dueling Banjos (from the motion picture Deliverance)Burt Reynolds stars in this action/horror film about a group of rafters who encounter strange back woods locals while rafting in Georgia. STAFF PICKS:I Can See Clearly Now by Johnny NashWayne gets us rolling on the staff picks with an optimistic song which went to number 1 in 1972.  The inspiration was an eye surgery that Nash had undergone which left him temporarily blind.  The song reflects the hope and joy when he was able to see again, and inspires hope during times of adversity. You Don't Mess Around with Jim by Jim CroceRob brings us one of Croce's signature lyrical stories.  Jim Walker was the baddest pool hustler around until Slim showed up at the pool hall and cut Jim to ribbons in a fight. “You don't tug on Superman's cape, you don't spit into the wind, you don't pull the mask of the old Lone Ranger, and you don't mess around with Jim.” Too Late to Turn Back Now by the Cornelius Brothers & Sister RoseBrian features  a family soul singing group out of Florida formed in the 60's as a gospel group before adding Sister Rose in 1970. Carter, Eddie and Rose Cornelius released this single as a follow-up to their hit “Treat Her Like a Lady.”  The follow-up was even more successful than the former hit, going to number 2 in the Billboard Hot 100, while the previous hit went to number 3.  I Wanna Be Where You Are by Michael JacksonBruce's staff pick is the third single off MJ's debut solo album.  It went to number 16 on the Billboard Hot 100.  Leon Ware and Arthur “T-Boy” Ross wrote this song, and Arthur Ross is the brother of Diana Ross.  Michael Jackson was producing solo work while continuing as a member of the Jackson 5, and his brothers are singing backup on this song. INSTRUMENTAL TRACK:Outta Space by Billy PrestonWe close out this week's podcast with a little sci-fi funk. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Myla McCune, in all of her loveliness, graced me with her presence for Episode No. 126.She's a daughter and a sibling and a sculptor and a gal that's not afraid to take on challenges. You can find her on Instagram or at mylalamar.com, if you're interested in checking out her work or commissioning her to do a piece for you.Myla and I talked about school and art and family and growing up and gender-role expectations that're maybe midwest-rooted. We also talked about a few of her favorite albums. Those were these:Jim Croce's Don't Mess Around With Jim (1972) Back to Black (2006), Amy WinehouseDuffy's Rockferry (2008)The Fame (2008), Lady GagaIt was a privilege and an honor that Myla made time for me amidst her then-busy, end-of-semester schedule. I'll be keeping my eyes peeled for cool stuff to continue to come from her neck of the woods. I understand she's been traveling, a bit off of the grid, and spending time with family back home for the summer, so I'm happy for her that her 2024 seems to have been full of a variety of good stuff.Thank you to Myla and to all of my guests. The e-mail address is badassrecordspodcast over on the Gmails if you're feeling like you'd like to be one or know of someone that would. My appreciation goes out to all who've supported the show in the various ways that that's possible.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I've poached from a track called, "Dirty Listening," by Groove Armada. It comes from their 1998 release, Northern Star, c/o Tummy Touch Records LLC.

In episode #38 of LLR, we explore and celebrate the deep discographies of some of our favorite artists. We'll revisit surprisingly solid solo efforts, sensational side projects, and often overlooked, audacious LP releases from way-back-when, which gave listeners a taste of the sonic greatness to come. Plug your noses and blow it out your ears, Podcast America…we're about to dive deep! Sonic contributors to episode thirty-eight of Lightnin' Licks Radio podcast include:  Derrick Harriott, Brothers Johnson, Holland-Dozier-Holland, Townes Van Zandt, James Todd Smith, George Gershwin & Michael Sweeney, Johnny Marr, The Smiths, Thin Lizzy, Ace Frehly, M. Ward, Bright Eyes, Monsters of Folk, Rose Royce, Jim Croce, Better Oblivion Community Center, Jim James, Desaparecidos, Modest Mouse, Califone, Ugly Casanova, Kids Bop kids (yeah!), Daryl Hall and John Oates, Dan the Automator, Gulliver, Tim Moore, Bay City Rollers, Adrianne Lenker, Buck Meek, Big Thief, Billy Bob Thorton, Phill Collins, James Taylor, Jackson Browne, Leland Sklar, Russ Kunkel, Kootch, Carol King, The City, Judee Sill, The Byrds, Dillard & Clark, Gram Parsons, Gene Clark, President Joe Biden, The Cars, Ric Ocasek, Ministry, Digable Planets, Beastie Boys, Shabazz Palaces, Latin Playboys, Los Lobos, Chris Keys, and the Clockers. LLR mixtape #38: [SIDE ONE] (1) Shabazz Palaces - #CAKE (2) Latin Playboys - Crayon Sun (3) Gene Clark - Strength of Strings (4) Desaparecidos - City on the Hill (5) Adrianne Lenker & Buck Meek - money [SIDE TWO] (1) Gulliver - Lemon Road (2) Ugly Casanova - Hotcha Girls (3) The City - Paradise Alley (4) Monsters of Folk - Losin' Yo Head Ric Ocasek - Time Bomb Thanks so much for tuning in. LLR will return in a few weeks with another bonus episode featuring a super-special-secret guest. Do your best to stay hydrated and practice selfcare. Making your way in the world today takes everything you've got. Taking a break from all your worries sure would help a lot. Wouldn't you like to get away? Why ask why? Try Blue Chair Bay flavored rums and head outside, let the sun hit you. Stream, rent, or buy the excellent documentary The Immediate Family, it's Kootch approved!

Dark Windows Podcast ep. 288: This week we are doing something a bit different than normal. Kevin C. found a couple of North American Folk singer / songwriters that have a couple of things tragically in common. I grew up listening to Jim Croce with my dad and found Stan Rogers as an adult and listen to him with my son, both of these guys were fantastic song writers and I would put money on the fact that just about everyone has heard some of their work even if they didn't realize it. https://pdcn.co/e/traffic.megaphone.fm/AOR1464637139.mp3?updated=1719535119 Check us out on Patreon and get every new episode early and ad free for $1 or if you want that PLUS a bonus episode every week that's only $5! patreon.com/darkwindowspodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Robby Hecht has been captivating audiences as a touring singer-songwriter for over two decades, combining quietly impactful songwriting reminiscent of Tom Waits or Jim Croce with the graceful vocal resonance of James Taylor. With a remarkable blend of insightful lyricism, memorable melodies, and a voice that carries both strength and tenderness, his music resonates with audiences from all walks of life.Robby's dedication to the craft and collaborative spirit have solidified his reputation as a versatile and respected artist within the industry. He garnered recognition as a songwriter's songwriter early in his career, winning a number of revered performing songwriter contests and touring across the US and Europe. His music has been the soundtrack for countless journeys, amassing over 25 million streams to date. And with more than 60 songs recorded by other artists, as well as numerous contributions as a featured vocalist, Robby has added his distinct touch to the work of fellow musicians, reaching music lovers through the voices of others.Beyond his musical endeavors, Robby is a passionate advocate for mental health awareness. Openly discussing his own journey with bipolar disorder, he shines a light on these issues, breaking the stigma and offering support and inspiration to those who may be facing similar struggles.Robby's highly anticipated album, Not a Number, is a powerful reflection on the evocative and turbulent journey of the past few years. Featuring twelve introspective tracks, each with the potential to become a personal favorite, the album weaves together themes of divorce, emotional recovery, nostalgia, the unity of humanity, and the profound significance of individual experiences. It is a musical tapestry that resonates deeply with listeners, meeting them wherever they may be on their own life's path.Not a Number was produced by veteran singer-songwriter and sought after guitarist Anthony da Costa, who also contributed much of the arranging and instrumentation on the album. The recording process spanned nearly two years, initially involving remote performances exchanged during isolation until Anthony and Robby were able to complete the project together in person. The album features notable guest vocal performances by acclaimed artists from Nashville and beyond including Caroline Spence, Jess Nolan, Jill Andrews, Katie Pruitt, Lydia Luce, The Sea The Sea, Ruth Moody, and Trousdale.Robby Hecht's music is a testament to the power of storytelling and the ability of songs to touch our souls. His insights and captivating melodies create a truly unforgettable musical experience, inviting you to embark on a contemplative journey through the landscapes of the heart and mind.https://www.instagram.com/robbyhechthttps://www.tiktok.com/@robbyhechthttps://www.youtube.com/robbyhechtvideoshttps://www.facebook.com/robbyhechtmusichttps://twitter.com/robbyhechtHost - Trey MitchellIG - treymitchellphotographyIG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Sponsorship Information  -  ftsunashville@gmail.comTheme Song - The Wanshttps://www.thewansmusic.com/

Welcome to the Aphasia Access Conversations Podcast. I'm Jerry Hoepner. I'm a professor at the University of Wisconsin – Eau Claire and co-facilitator of the Chippewa Valley Aphasia Camp, Blugold Brain Injury Group, Mayo Brain Injury Group, and Thursday Night Poets.  I'm also a member of the Aphasia Access Podcast Working Group. Aphasia Access strives to provide members with information, inspiration, and ideas that support their aphasia care through a variety of educational materials and resources. I'm today's host for an episode that will feature three voices, one of a partner of an individual with primary progressive aphasia, CeCelia Zorn, who also happens to be a former professor in the department of nursing at the University of Wisconsin – Eau Claire; along with Tania Riske, an SLP at the Mayo Clinic Health Systems Eau Claire, and Nancy Petersen, a social worker with expertise in grief and bereavement from Ability KC in Kansas City. Each of them have both professional and personal experience and expertise with grief and loss. June is aphasia awareness month, so we wanted to take this opportunity to share the lived experience directly. Today's episode will address grief, death, and loss: leaning into a much-needed discussion. Biosketch: Our first guest, CeCelia Zorn, Ph.D., met her husband Wayne in high school in rural northeastern Wisconsin. Wayne died from the consequences of primary progressive aphasia last August, 2023. Since that time, CeCelia has continued her work as an advocate for families living with primary progressive aphasia and more recently about grief, death, and loss as a care partner. Cecelia brings multiple perspectives to our conversation about grief, death, and loss. She is a registered nurse and a lifelong writer. She has been an award-winning university professor for 32 years. CeCelia reads voraciously, plays pickleball, and is relearning how to play the flute – taking individual lessons, playing in community bands and auditing university music history class. She volunteers at the local free clinic and is an active member of the Board of Directors for Wayne's former memory choir. On a daily basis, CeCelia strives for a life enriched by kindness, joy, perseverance, curiosity, patience, and collaboration. But she will be the first to tell you, “some days are easy but some days you just crash. Yet everyday it counts because I remind myself, life isn't waiting for the storm to pass it's about learning to dance in the rain.”   Tania Riske, MS, CCC-SLP is a speech-language pathologist at Mayo Health Systems – Eau Claire. She initially entered the speech language pathology field through her volunteer work with the Chippewa Valley Aphasia Group and graduated from the University of Wisconsin – Eau Claire Communication Sciences and Disorders program. Currently, she serves as an adjunct faculty member at UW Eau Claire, teaching undergraduate courses such as anatomy and physiology of the speech and hearing mechanism. Tania continues to enjoy treating patients with aphasia and their families within the LPAA Paradigm. Developing plans of care, counseling individuals' unique lifestyles, goals, interests, and priorities. Tania is an avid trail runner and equestrian. CeCelia, Wayne, and Tania were my guests for Episode 49 – Primary Progressive Aphasia: A conversation with Wayne Zorn, CeCelia Zorn, and Tania Riske. Nancy Petersen, MSW. Nancy grew up just outside Tulsa, OK and has an undergraduate degree in Speech Language Pathology from Oklahoma State University. She received a Master of Social Work from Jane Addams School of Social Work at the University of Illinois at Chicago, where she worked in urban hospitals and neighborhoods. Nancy is currently a Community Liaison for Ability KC, assisting patients as they transition from acute care to an intensive outpatient complex neuro-trauma rehab program. Her job also involves providing conferences and education to the medical and general Kansas City community. In her 30 years in the helping professions, she has learned much working in a variety of areas including nursing homes, hospice care, a suicide hotline, senior home care and case coordination. She has served on both the local and national Board of the Funeral Consumers Alliance providing education and advocacy relating to consumer protections in the funeral industry. Nancy is also involved with the Children's Mercy Hospital Rare Disease Patient Family Advisory Council, as well as the Ethical, Legal, and Social Integration (ELSI) Committee for the CMH Genome Project. Nancy has been married to Jimmy for 24 years and has an 18-year-old son with a rare disease, 21-year-old daughter, a cat, a dog and many wonderful friends. Take aways: Avoidance. We avoid difficult conversations and miss opportunities to engage our clients and their families in important discussions about loss and grief. Culture. There is a culture in the US of avoiding or sugar coating conversations about grief, death, and loss; using euphemisms to describe death. Prolonging. We (as a society) are often guilty of prolonging life at any consequence and failing to consider quality of life. Loss. Loss and grief do not exclusively apply to death and bereavement. They apply, as we know, to identity and loss of a whole host of pieces of our lives and identity, particularly following stroke and aphasia. PPA and degenerative loss. This loss is something we know is going to happen and open conversations about loss may help to open the door to bigger conversations about death and dying.   Interview Transcript: Jerry Hoepner: let's just kind of settle into a conversation. I really appreciate having the 3 of you here together. I know you all fairly well, but having the lens of a speech language pathologist, the lens of a social worker, and the lens of someone with the lived experience themselves is just a great way to have a conversation about a complicated and challenging conversation sometimes one that maybe people want to avoid. So, I'm just excited to talk to all of you. I'm going to open it up on the front end with a really broad question. I want to be careful, you know. I don't want to make you relive moments and things like that, but I also know that you are here because you want to be advocates for teaching and conversations about death and dying and grieving, and all of those processes. So, wondering if the 3 of you are willing to share a little bit about your personal background and experiences with grief. CeCelia, go ahead. CeCelia: Yup, yeah, I happy to start. Thanks, Jerry, for kind of pulling us all together. I really appreciate the opportunity to be part of the conversation. The thing that comes to mind when you pose that question is my family history around dying and grief and death and I'm so fortunate to have had that family experience. I think it was sort of a balance between the emotional side of dying and death, and the practical side of dying and death, and our family held both of those at the same time. It wasn't just the emotion, and it wasn't just the practical aspects, but it was sort of, I don't know, running down a river of white water with one foot in each canoe, and I remember specifically, at my dad's death bed. There were 7 of us kids, and we of course, mourned his passing and were extremely emotional about that, and stayed with him 24, 7 for 3 weeks, etc. Etc. And but at the same time we were talking about. Should we have spaghetti or ham at his funeral luncheon? So, sort of the practical aspects of how is this all gonna come together in a few weeks when we knew the funeral was coming? So, for me, that's a strength that has carried throughout my life. And I I just am so appreciative of that. And I can only speak to my experience. Perhaps other families have had similar experiences, or one versus the other, or neither. But I just wanted to sort of throw that out there. That sort of ability to handle both things sort of in the same at the same time, has been a source of strength for me. Jerry Hoepner: Wow! Thanks for sharing that, CeCelia. And I'm not sure that that is the experience of a lot of people that ability to do that. I want to take a step back, and mention something I should have mentioned. CeCelia. You kind of wear a couple of different hats, so you were a nursing faculty member for many, many years you have that holistic care, nursing perspective on grief and death as well, and then you also wear that lived experience hat as well. If I can use that metaphor in dealing with your husband. Wayne's death related to primary progressive aphasia. So just so. Our audience is understanding those perspectives. I think that's important. And to go back to what you just said, everyone has a different experience, and I'm not sure that everyone does process those things in parallel. Jerry Hoepner: Nancy, I'll invite you to share a little bit next. Nancy Petersen: Well, I'd be happy to. So, background is I have a master's in social work from Jane Adams at University of Illinois, at Chicago my experiences over the time figuring out what I wanted to be when I grew up, and what I ended up doing where I worked at a suicide hotline. For 3 years. I then worked in hospice for a number of years, including pediatric hospice while kind of in my life. At the same time my father died when I was 20, very unexpectedly at 52. I have worked in kind of every different version of the helping profession and nursing homes and pediatric settings and am currently working in complex neuro trauma rehab I was on the National Board for the funeral Consumers alliance when all of a sudden, my son was diagnosed with a rare progressive, neurodegenerative disease, 6 years ago and we're dealing with what that means and what that looks like. What that does to a 13-year-old when they get diagnosed with something that will limit his life. And so have kind of truly become aware of the difference between someone who talks about life and things that people need to know and what how things should be in an academic way, and truly have learned what it feels like to live that you know, your parents are important, but kids are different. They hit different. And when you kind of start living that deeply, what I have learned becomes a lot closer to home, it just hits really close to home. So that's kind of my background. I did a lot of I wrote a section for Jerry's book about you know, one of the textbooks about death and dying, and what I believe about it. I'm kind of curious having not read it for a while. How my! Just how the changes in what has happened in my life. And Clark was sick then. So, it's not brand new, but even then kind of the differences of what happens over time when you're living kind of a situation like that. And I just looked at something. I wrote a while back a presentation called Death as a 5-letter word and it has some interesting things in it as well. So, I think the topic of death has no answers. And the talk of bereavement has no answers, and very often people who are bereave, who are bereaved, or who are getting ready to, who are bereaving before the death, want there to be. And I think that's one of the biggest, although obvious. When you stop and think about it, that's one of the biggest issues that you're going to run into families is they want an answer to make it better. And it's very hard to explain to people they have to live it. That's part of the problem, and the issue with grief is that you can't step around it. If you do, you'll find yourself in far worse situation than if you live through it. So, I think for caregivers or those around you. There's a lot more to say about what to do for someone or with someone who's experiencing it. So, I try to look at it from all the different perspectives to see what sometimes nonsense I can spout. That sounds intelligent, because truly it is such an individual, it is so utterly individual. And there aren't right ways and wrong ways. People think there's a good way or a bad way, or they think there's a right way. And what happens is what happens. And the biggest problem is making sure that you know when it's kind of out of hand or when you need external kick assistance. You need to understand how long it lasts. You need to understand what happens in that and that it's okay. So much of what's going to happen that feels difficult or feels odd or feels out of place is normal. And maybe that's our goal is to normalize people's reaction to it is to normalize their own personal journey as not being something. Then you have to compare to anyone else's. Jerry Hoepner: Yeah, that's such an important point. And again, really emphasizes the fact that all 3 of you are experts with multiple lenses. And I guess everyone is at some point in their life. You know you. You bring your personal background to it, your professional background to it, and then your experiences with life and death and grieving, and all of those things. So, really, I mean, I think we're really fortunate to have this conversation with 3 individuals who have such a broad lens, and are able to view death and grieving from multiple lenses like you all are. Yeah, thank you for sharing that. Tania. I'll let you jump in next. If that's okay. Tania Riske: Yeah, that'd be great. Well, as a clinician, I think I really first sort of became interested in and in investing in conversations about grief because I saw a lot of patients who were facing terrible diagnoses and care partners who are trying to figure out how to sort that out and not having the opportunity to do that. Your neurologist was maybe going to be interested in providing analysis and checking in with you every few months, and maybe adjusting your medications. Your primary care provider was keeping an eye on your blood pressure and your cholesterol. And there just really wasn't a person or a provider who was acknowledging that there was going to be partings happening, that this you know, that this might be a diagnosis that was going to lead. Brief or certainly significant life changes. So it wasn't being talked about. It wasn't being supported, and that really started to make me feel like there was a that was a gap that needed to be filled, the conversations that needed to be opened and had and continued, it wasn't just a one and done kind of conversation, using it to be ongoing conversations and support. And as things change, the conversation maybe changes a little bit, and the resources change. So, I became really interested in the role of speech, language, pathologists, and other providers also in supporting brief and just. Incidentally, as this became a bigger part of what I was thinking about and taking up more headspace for me and making me really think about how I was practicing and how it's impacting patients and families. Incidentally, I lost an adult child. So, I have some of my own grief that I'm dealing with as well, and you can hear that coming up me a little bit right now. But it really shapes how I think about grief and how it's impacting families, and what they might need, or what they might want. And when I was hearing Nancy talk about there being no real answers, and gosh! Families want answers so badly and helping them explore through their grief. And what's right for them and supporting that. And when CeCelia talks about that practical versus the emotional standpoint having one foot in each canoe. I don't think that's an experience that a lot of families have. I think that that's such a lovely perspective and strength that you have, CeCelia but I don't think a lot of other families have that. So as a clinician, investing in families and helping them to have those conversations and recognize that there's not right or wrong answers. But the questions are very fair and very valid, and just be able to support that in a way that feels authentic and feels genuine and caring, and not filled with trite comments and superficial responses. And let's move on from this because we've got other things to talk about, I think, is really important. Jerry Hoepner: Yeah, thanks for sharing those perspectives. Tania. And one thing that I want to highlight for this particular podcast is, we're working with individuals with communication impairments who have maybe additional barriers to talking about death and dying. So, I mean beyond the challenges that we have with what that all of us have in everyday conversations about death and dying. That's just an additional layer. From the standpoint of sharing education with them, but also decision making and planning that becomes so much more challenging in that context. Nancy Petersen: Well, and more importantly, it may isolate them even further from those around them who could support them, who were having enough trouble, just having regular conversations with them. And now we need to have a conversation that's frightens them, that they don't know how to do and I will never forget one of my that I just read said that people who are trying to support people need to remember they're not expected to be Yoda like you. You aren't. You don't have to have the answers, and we for some reason think that is such an important thing that if you talk to someone about something difficult. I said. If you know suddenly, if you someone you know, has cancer, you're supposed to be able to talk to them about cancer treatment. I mean, I don't. The people that helped me the most in the most difficult situations in my life have been the ones who said the least and I don't know why that is hard for people to grasp or be okay with. Hmm. I think part of it is that we are really bad at silence in general and we feel like everything has to be filled. And I am one of those people who, when I get anxious, I just talk more so when I'm being silent is a learned skill, and that is something that many of us is skilled. Many of us don't have. Tania Riske: I think you're right on with that, Nancy. It's so hard to be quiet and listen and I think especially many of us who are in clinical or provider fields tend to feel like it is my job and my responsibility to try to fix this or make it better. But that's not true. But, boy, it's that's what we want to do. Nancy Petersen: Right. Even I have put in that situation, and knowing, you know, it's kind of the same thing about having a sick child, I know the right thing to do but I don't. My emotions. I'm not always. I don't always react with my brain. So, you have to have a lot of self-talk to say. Now, remember, you don't have to know everything, and quiet is good, and they know their own answers, and even with a degree in speech, I mean my undergrad in speech, pathology, so I only know enough to be dangerous. But my I mean social work teaches you to let people find their own answers, and it's still so difficult to do in a really serious situation to not want to fix and to not want to help and it's hard to believe that help is less in situations such as serious grief. CeCelia: And maybe it's not necessarily just sort of pure silence, but it might be reframing. Nancy Petersen: Reflection. Yeah, I agree. CeCelia: You know. Help me understand what you're thinking, or help me understand what you're feeling, rather than sort of tolerating the silencing. When this person is done talking. Then I can go on to some real things, but sort of reframing that silence in a new way might be helpful in some situations. Nancy Petersen: Certainly, active listening is/can be good. I mean, it can be very helpful in many situations. What I kept getting was, what can I do? when I was in that situation, all I wanted to say was, if you can't make my dad well, there's nothing you can do, and it almost angered me that people would ask, What can I do? Because there was only one thing I needed done, and nobody could do it. So, you kinda I would much have preferred, and I did prefer my friends, who were very active listeners, or who sat and padded in my leg or my arm, you know, and you also have to kind of figure out. Are they in the middle of the death, like are they? Is the death actively occurring right then, in which case silence might be helpful. But then, when they want to talk about it. When someone wants to really talk which happens inner, you know, it's interspersed in all of that that reflection and active listening and reframing and making sure you understand what they're saying can be, I think, most helpful. Tania Riske: Oftentimes I've really seen my role as inviting the conversation, opening the door and making it a safe space for that conversation. Even if a patient or family isn't ready to have a conversation about grief that either they're experiencing or they're anticipating they may be or they're going to experience in the future. To know that first of all, I'm acknowledging that, and then also really trying to create that safe space with an open door that we can go to that conversation and that this is this is an okay place to start thinking about what might be coming, what we're afraid of. So, I think starting the conversation early is also important. Nancy Petersen: Well, and here's one of the we. I'm sorry, CeCelia, do you wanna. CeCelia: I was just gonna sort of concur with you, Tania, in terms of, in addition to that sort of the idea of repetition and patience that it's not just a one-time shot. Okay, this happened on Tuesday, 3 weeks ago, and now I don't have the space to do that. But sort of the need to repeat that open door, and maybe I wasn't ready 3 weeks ago. But by God, I really need to do this again. So please be patient with me, and please repeat this opportunity. So, the idea of repetition and patience seems important. Nancy Petersen: And one of the differences is, a lot of people don't always have a Tania that they see regularly in life to do this and what the thing that I have seen happen so many times is that the person who so …, we get a lot of rehab and we do what we do. But sometimes we'll get people who have glioblastomas, and they want rehab and I'm not sure the patient wants rehab and that yes, getting stronger is helpful. And yes, that gives them more energy. And maybe they just had a reception, and maybe they really can build up a little bit, but it's so much the families who are in denial that want them to get better, and they'll grasp. But any straw to try to make their need to understand and accept what's happening to put it off just a hair longer. And when I worked in hospice specifically we would walk in. They actually even took the word Hospice off our name tags because families were insistent that we not tell the patient they were dying. What was always most amusing was that the patient always knew they were dying and would ask me not to tell their family they were dying. So, the conversations that weren't getting put off were grief related, and fear of death related so intensely. Both desperate to protect the other member of their family, the other group and we did a lot of trying to get to the elephant in the room trying to get to the thing that everyone knew was happening. But people get there so differently that it's very difficult, as the social worker put in the middle of that pers that situation, to figure out who's ready or what their reactions gonna be. If we decide to talk about this and how to handle that reaction because we would get I mean, we changed our name tags. We got so many families angry that we were supposedly letting their dying loved one in on the little secret they were dying and instead of us saying, It's not a secret. The word. Hospice is not going to come as a great surprise to them. We just took it off. Tania Riske: Wow! That's really interesting. I do see on a routine basis what you're talking about, where families do not want death dying hospice any of those words uttered around their loved ones, and sometimes vice versa, too, but almost always it's families protecting their loved one who is dying. But to take it to that extreme of. We can't even have this on a name Tag, because it's just saying too much angering. Too many people is really fascinating, and I think very telling about just our whole thought process around death dying and grief. Nancy Petersen: Our death, denying culture. What do you possibly mean? Having worked in it, I literally would sit at a table at an exposition. You know, when we're trying to talk to people about Hospice, and people would literally go away from our table and around like Hospice was somehow catching. Tania Riske: Wow. Nancy Petersen: And say, I'm not dying. I don't. Don't talk to me about it, and like literally avoid and it would catch me. So I mean I just I was always amazed at the number of ways people would avoid talking about something. That's one of the very few things you must never. You can't avoid. No matter how far away you walk them from my table. What it does instead is make you ill prepared for when it does come. Hmm, okay. CeCelia: Wonder if we need to reframe the language that we use to describe people's reaction. You know, thinking about the negativity associated with some of the labels. I'm just. I'm just thinking about the word denial and avoidance aren't very positive words in my book. And yet we continue to label people in denial and avoidance. And I wonder if we could think about the meaning of the language, and how that might help people I don't know. Just raising the question. I don't have any answers, but. Nancy Petersen: Well, I think there's a part of me that says, if you soft pedal it, you're not doing them any favors now, that's my belief, and I have been in working with death and dying my whole life. So, I know that I'm not your average person, but I blame society. I blame the way we talk about things in advertisements, the way we talk about things on the news. We don't even use the word die. We don't use the word death. We don't use the word, you know. We come up with all these euphemisms of passed on or lost. I think personally, they are not benefiting us. I don't think so personally softening the language. Now, if I'm dealing with a family that can't handle what I'm not trying to force this sudden societal change down everyone's individual throat. But what I am saying is that in general we probably need to. You know, when you talk in different cultures about death. It's something they talk about constantly. When you look at, look at the native Americans. Death is part of the circle of life. It's what there is. And we talk about. You know, vitamin water like it's gonna be the Fountain of Youth, and we're never gonna have to die if we take enough pills that are vitamins, and we drink this magic water, and we Yoga or Pilates that we suddenly have this option and America is known for I mean, I went and studied Hospice in England, and they were vastly different in how they approach death and how they handled pediatric deaths. Jerry knows not to get me started about that. We literally act in this country. We do not let children die, we will not, no matter how much we know. That's we can't stop it, we will not people die. I saw a 95-year-old woman with advanced Alzheimer's getting a feeding tube put in and I, who did not know where she was in the hospital. She was terrified. She didn't know what was happening. It was a horrible situation, and I thought, well, probably the best thing we need to do is put a lot of food in her that sounds like the best ending for this and it just the whole thing sums up our inability to understand that if we talked about it more we might have a better reaction to it when it was time because when I've been around hundreds of people who were actively dying. They're very comfortable talking about it and they're very. They're anxious to talk about what they want and what's meant things to them and what they want to hear, and I would have family. Say, mama, don't talk like that. I don't need to hear that. I can't hear you talk about you dying right now. Don't talk to me about things like that. We're going to go make dinner, and we're just going to have a great dinner together, and push back on the dying person's desire to speak their truth and their what they wanted to talk about at the end of their life. And that doesn't. That didn't work either. Tania Riske: I agree with that, Nancy, that we are really a society, that life at all costs prolong life at all costs, and I hadn't thought about that before in light of the fact that maybe that is tied into sort of our belief system in our conversations or the conversations and the beliefs that we don't have about death dying and grief. That because we don't talk about it, it's not Ok to talk about it that facilitates that we must prolong life no matter the costs. Not thinking about quality of life but instead, thinking about prolongation of life, and those are 2 very different things. Nancy Petersen: And I see it all the time I was with the family, Father had a massive stroke. Daughters adored him, wanted him at no matter what Dad needed to get better. And so, they were pushing it better, and the dad looked at me with aphasia after a massive stroke. And I'm doing all this talking about our program, and they're so excited. And he looked at me and said, Why. yeah. Tania Riske: There it is! Nancy Petersen: Wasn't long before they let him die. They stopped coming and pushing for all of this, because he knew that the kind of stroke he had had was not going to work well with Rehab, that he had had a massive stroke and did not want to live like that, but his family was absolutely unable to manage that until he finally, after months of coming here and pretending to get better and stronger for them. And that's the other thing is, you're trying not to be mean to the family that loves you so much. They don't want you to die. But you know, let's not even get into the amount of money we're spending in Medicare, keeping people alive who have no, who, if given the choice, would never choose to live like they were living. I guarantee you they would not. And we can get into the ethics of that. When I was in Hospice we had a 36 year old man who had a ventilator and we had a 92 year old woman who was unable to explain on a ventilator who didn't, couldn't talk. The 36-year-old, said, I want to die. I am of... I have no psychiatric illness. I am not. I cannot live on a ventilator. The rest of my life. I do not want this. I've done it for 2 years. I am not living this way. and people were horrified, would have nothing to do with taking this man off of ventilator, but had no issues, taking a woman who couldn't speak off of ventilator because of her age. Now she couldn't tell you if she wanted to die or not. But that was comfortable. But taking a 36-year-old, who could talk and make a conscious choice, was horrifying and I think that for me just summed up the way that we go, that we look at death and handle death, and think we somehow have some obligation to keep people alive or never, or the pain of discussing it needs to be prolonged. I don't know if it's life that needs to be prolonged. I don't. I don't know what that is, but it may be death in this culture is a failure. And it's framed that way in some of the words like lost the battle. Yep, yep, for sure. So, it's we do it like it's war. Jerry Hoepner: How do we open that dialogue, Tania? I know you and I talked about the PLISIT model, and that as an opening for conversations. But what do you think all of you, in terms of how do we open that dialogue? Nancy Petersen: I always. I'll open it with funerals. I don't know why it works sometimes, but funerals are a practical money situation. So, if you talk about funerals in a joking way, or in a kind of a, you know. By the way, we're all here at Thanksgiving. We've never talked about this. What do you want or not want? And if you can start a conversation with something that is less than so, you're going to die sometime. Why don't we talk about that instead, it's when you die. What do you want it to look like? And it feels less threatening. I think in many cases and it can start a conversation in a non, and I know it sounds weird to say funnels are non-threatening, but sort of a practical situation that people are always told to take care of their business before they need it. So, I don't know. I think sometimes jokes or humor, or practicality sometimes are less off putting. Tania Riske: Well, and for me as a clinician. I have to be in a certain place of having built a certain amount of report before we can jump into that, you know. I don't have the sort of built in, automatic family dynamics that you might when you sit down at that Thanksgiving dinner. So, having some rapport, and really knowing a little bit more about the patient or and or their family and the relationships. But for me, I it really requires me to consciously be bold and not use the euphemisms, not just avoid and skirt around, but to really be bold and open. That conversation of first of all, acknowledging that in the case of a degenerative condition, that that is where we are heading, we are ultimately heading toward death and opening that door for conversation, about losses that are anticipated. And whether it's changes in what a person can and can't do physically, cognition, health, opening the door to those conversations and re, and making sure that I revisit that and going back to that PLISIT model where really sort of the first step in that is granting that permission to have the conversations. Maybe it's not today. Maybe it's not in a month. And frankly, with some families and patients, maybe it's never but always being intentional about opening the door and keeping the door open. How does that resonate, CeCelia? When you hear these sides of the conversations where we're thinking about it from that provider standpoint. And you are. You've had the lived experience. How does what we're saying resonate with you. CeCelia: Right. I wonder if the idea of loss isn't just dying in death. In my experience, it was a lot of different loss for 9 years. So maybe framing the conversation around loss for Wayne's loss of speech and loss of cognition and loss of toiling abilities and loss of hygiene skills and how that evolved it's not just dying as loss, but it's a loss of everything over 10 years, and maybe I don't know. Maybe reframing that loss and not in not in terms of denial or avoidance. I still have issue with labeling people in that way. I don't think that fosters an acceptance. So, in addition to that, maybe reframing loss might be I think, was important to me. Nancy Petersen: And I absolutely please don't think that I was speaking to you. I was speaking in general about the denial I, or avoidance of death, as a rule, to someone who is not in a situation of actively managing that or even thinking about it. I was talking in general to people that are out getting freebies off my table at an exhibit hall who don't even wanna start the conversation because it's something that isn't happening to them. The other thing I want to say to you is, there are other losses that you're experiencing, that I talk. I've always talked about the loss of the husband that you had until he got sick, the loss of the ability to travel with him, the loss of conversations that you would have. So it's not just the losses of him, which, of course, you worried for him and those losses, but also to understand what you were losing, what everyone was losing. And I say this to people sometimes when I say grief can happen any time and grief is something that we should look at. We're going through all the time. If you lose a job if you lose, you know your home, you know. I just moved from my big house to this small house that my son could navigate, and there was loss involved in that. Not being a choice I wanted to make, and that being forced upon us, and that being the house, we hope to be in forever. So, people experience losses constantly and I don't think we give that enough thought. We're in America. We just seem to go and go and go. We're on the move forward wherever that is, and we don't. Maybe part of this is that we don't. We're not introspective all the time about loss and about, you know, when I talk to family sometimes, it's they haven't even sort of. They haven't put towards the losses that they've experienced. And those are losses, you know. That's not. Did you lose him when they died? But those are true losses. I once had to do a thing. I was gonna volunteer with Aids patients, and they gave us all these slips of paper with, we had to write down the 5 most important, you know who's the most important person in your life. What's your favorite hobby? And then they would make us take these pieces of paper and choose which piece of paper to remove from our pile, and that was gut wrenching, and all I was doing was wading up a piece of paper, so that just that activity was very hard, and made it so clear what losing parts of your life to a disease or to a situation could cause so please don't believe that I believe people that are in that situation are in denial in that respect, or that we should use that as a negative talk just that I think we live in death denial as a culture with the way we kind of act like. It's not a part of you know. We can show all kinds of medicine on TV. But if you put anything on there about a funeral or someone dying, people push back hard. We just have a problem with it. Jerry Hoepner: Yeah, so kind of related to your example of people walking around your booth to not get to not catch Hospice. Yeah. But the other thing I'm thinking about. Nancy, as you were describing. Some of those losses. I don't think people always recognize them as losses. Just to have a conversation about changes. That you've experienced like. For example, when you said the loss of you know your larger home for a smaller home that your son could navigate. I think some people would recognize that as a change until they really think about. I loved that old house I mean, I loved it, and just opening up that dialogue might be an important piece of that conversation, too. Tania Riske: A conversation that I'm having more often is conversations with patients and families, too, about loss of identity. And I think that ties into the same idea where, if your identity was, you know, I'm gonna I'm gonna live in this house with my healthy family. And you know, we're gonna do these activities. And we're gonna take these trips and and we're going to. And this is who I am and the vision that I have when that vision changes. I think there's a real loss of who am I? What does my future look like? What does this mean? And that I think that loss of identity is a really big, a really big deal, too, that we really need to support. Nancy Petersen: And we see a lot of men. And it's not only men, but we see a lot of men who, if they can't go back to their job. They've identified themselves as the breadwinner, or the a lawyer, or whatever it might be, and just that loss is almost. I mean, they think about it as a kind of death that they suddenly, you know nobody wants to be a burden, so everyone thinks of themselves as that. But when they lose their ability to do the thing that that made them who they were in their mind. We don't talk a lot about that we talk about. Well wouldn't get you. So, security disability. And, you know, like, money's gonna solve that problem. And now you can stay at home and watch TV. You don't like and not go golf anymore with your friends, and probably not be a part of those conversations that all your guys are having at poker, because you're not going anymore. Because you have. You know, you have aphasia. So you are absolutely right. And that's why I think that and why I was big about everybody who has a part of their life, who has a piece of that person, whether it's in rehab. And they're doing speech, pathology, or PT, and they're talking about it should be comfortable with having those harder discussions than you know. How about them chiefs, or whatever it is that you can have. Once well, here, you can have it a lot we win, but you know. But you know what I mean. Like you can. You need to have a conversation that gets a little deeper. Maybe you should feel comfortable having that come. Maybe you could do somebody more good if you were comfortable with that. Jerry Hoepner: Yeah. And I'm still glad you broaden the conversation to thinking about loss, not just as death and bereavement, but thinking about the application to everyone that we're working with in terms of, you know, people living with aphasia regardless of whether that's a degenerative aphasia or whether that is a stroke-based aphasia. There's a tremendous amount of loss and change, and even being able to have a conversation about that change, to be able to say those changes sound a lot like loss. I think that's an important piece of this conversation, too. Tania Riske: Over the years that I knew Wayne and CeCelia. I really had this, I think it was a very unique and awesome experience of seeing a partnership that works so well together to support identity. Even as Wayne went through changes with his primary, progressive aphasia. How they worked together and brought me into those conversations about, how do we continue to support Wayne, but also to support CeCelia as a partner and caregiver? And I think that's a part of a conversation that very often is overlooked by providers kind of circling back to when we first started this conversation. But about how do we support people as they're going through losses that affect their identity, that affect their physical health, their emotional health, their cognitive health? How do we support families, patients, loved ones. And I had the pleasure of just really seeing a phenomenal example of that. And that's not a support system that everyone has. How do we facilitate that. Jerry Hoepner: To me it feels like. It's not a support system until you open that door. Go ahead, CeCelia. CeCelia: I was just listening. Thank you, Tania. Jerry Hoepner: Gotcha, I mean, I feel like in this situation. Tania. You made it possible for some of those conversations to be initiated. I'd be interested in CeCelia's perspective about what it took, what kinds of doors were open for that conversation? Was that something that was initiated from only Tania? Or was it initiated in both directions? What are your thoughts on that. CeCelia: It certainly was Tania and per the other speech therapy colleagues, and the aphasia community and some friends and some family. I think one question that I heard that was or comment, and I heard it several times over the course of the years was being asked like, what are you experiencing, or what are you hearing other people say? That's painful for you and sort of letting that guide the conversation when people said such and such that was really painful. But when people said other things that you might think would be horrible, it wasn't horrible at all. So maybe kind of looking at, or listening, or asking for, What are people telling you? That's painful? I don't know if that sort of addresses your question, Jerry. Jerry Hoepner: Yeah, I think so in terms of initiating those conversations about. you know what's happening in your world. And how are you responding to that it actually made me wonder to what extent was Wayne a part of those conversations. To what extent was he involved in that process, especially early on. CeCelia: Well, Wayne wasn't a real chatty guy, but of course, in my heart of hearts I I you know, being married, and so on for decades. I knew what was painful for him, even though he wasn't able to say it, and I knew what was supportive to him. So, from Wayne's perspective, he would never have. It just wasn't part of him to say, well, this is really a crack of crap sort of a thing, you know. He just wouldn't say that so it hang out. Jerry Hoepner: Was it helpful for him to be there when you were having these conversations with Tania. CeCelia: Oh, absolutely just because of the inclusion of the 3 of us you know, and Tania was so skilled in in pulling out a picture off his iPad or whatever, and it wasn't just a picture of him golfing, but it was digging deeper around his golfing, for example. So, it was a springboard for conversation. That Tania would just do over and over and over again, and of course Wayne saw it as golfing, and the fact that oh, he wasn't really golfing 18 holes anymore. And he wasn't, you know, golfing a 92 or an 88, or whatever. And Tania's questions about so what's a birdie, and what's a bogey? And you know Wayne wanted to be helpful at all that. But of course it opened up a whole door of conversation from Tania's professional position in what was happening with his identity. It ends, it. Jerry Hoepner: Go ahead, Tania. Tania Riske: I was gonna say, thank you for really highlighting that, CeCelia, because that was. I guess how I learned so much about Wayne. So, I felt like I could help to better support his identity. So when I, when we were talking about pictures, that was my favorite, because I could see such a peek into what? Who he was? Which was so much better than if I would have brought in, you know, some pre created or commercial therapy products that told me really nothing about Wayne. So that was really something that was just such a great tool. But tool is such an inadequate word for that. It was just. It worked so well for me to learn about Wayne and for Wayne to be able to school me a little bit, too. Sometimes. CeCelia: And it's just an example, I think, of starting where the person in the family are at in in the pictures. Of course, that was, as you said, tool, or whatever it's called. It was like this is who Wayne is, and this is his life. It's like what's painful for him and for me and for us together. So, it was. It was the foundation that guided the discussion, and not something you know, sort of external, that that was sort of put upon us. If you will. Jerry Hoepner: Maybe this is a good time. I jotted a question down as we were talking from a life participation approach to aphasia. Why is it so important that people have this conversation, or that this is a part of our conversations about loss and grief and death and dying? Why is that such an important piece of the life participation approach. CeCelia: I don't know 1 one aspect that I thought about when you asked that, Jerry. It's of course going through the process, and the process never ends of dying and death. It never ends but it's so. It's sort of the day to day, but it's also sort of the memory of that. Now, when I look back 8 months later, I I those are the good things that I have. Those are the times in the bottle that I will keep forever and ever and ever. So, it's not just. Oh! Wayne was discharged. Wayne died on August 20, fifth, etc., etc. It's like, Oh, that that's been my life. So, it's that time in a bottle idea of, you know, one can go with Jim Croce idea. Jerry Hoepner: Yeah. And I think that alone is powerful, that I think some clinicians might feel like, Oh, don't even touch that time in a bottle, because that's sad when you really frame that time in a bottle as something really positive and meaningful for you. And I think that's a really good reframe on the entire lens, of talking about loss and death, and dying. Tania Riske: I feel like so much of that life participation model is also about honoring identity, honoring wishes. Honoring people as individuals, not as impaired patients who we must fix. But instead, as people with lives and dreams, and some of those dreams have just been shattered or maybe they were shattered years ago. But yet they are. These are people with identities who matter as individuals and really honoring that. And I think that's another reason these conversations are important to honor the fact that yes, there will be death, and we want to do kind of right by you and by your family and loved ones with how we approach that and also recognizing these losses that we've been talking about, now honoring those and not just throwing them away, but doing our best to continue to really celebrate honor, embrace individuals and grief anticipating grief. Bosses is all part of that. Nancy Petersen: So, I just have a question because you're typically talking about people who have a progressive situation so that it. Tania Riske: That's true. That's where my lens is a little bit focused right now. But yeah. Nancy Petersen: And so that would be an I don't want to say obvious, but a wise choice to add to those conversations. I wonder if it, I think it needs to be a conversation that's in any in any sort of situation where there has been loss. Even if it's someone who's trying to rehabilitate from a stroke like we talked about, or someone who doesn't have the path of degenerative situations. But maybe that whole thing about how we have a difficult time with loss or recognizing loss would be beneficial, because we would be in a better position when other losses occurred. In other words, that it would make believing, understanding, discussing, recognizing loss in many situations would help us. What happened with what happens when those final losses start to occur. Because I just don't think we look at Change. We try to put a positive spin on change, and there's nothing wrong with coming up with the good reasons for that change, but that we don't recognize the loss that comes with those changes, you know. Yay, Daddy got a new job in a new city, and we're leaving. And then you hear we're having trouble with the teenager, because you know, I know it's hard for her, and we're changing schools and all of this. But if you don't then recognize per loss, even if to you it seems like a lesser concern than the other things that are going on that you're telling people that those losses don't count, or that that emotion isn't important and I'm just thinking about our speech pathologists and the opportunities that they have, or that opportunities any speech pathologist would have after an event or a health event to make to make it more than just, you know. Let's talk about Bill, and how you know our story today, or whatever it is that they're doing. That's sort of the more traditional speech pathology like you mentioned Tania, the typical structured speech pathology session that they would have. Tania Riske: Nancy, that makes me so happy that you kind of bring that up, because that's something. CeCelia and I have had extensive conversations about and that I get really all worked up and excited about is really the role of speech pathologists in counseling in general, you know. Yeah, maybe it is more at times focused on grief. Maybe it's identity other times. But just that whole idea of there is lots and I think speech pathologists have a huge role in acknowledging that supporting that you know, there's lots of conversation going on right now about what kind of education do we need to provide for a speech pathologist to better enable them to counsel and counsel well, and still staying within our scope of practice. Of course, our very respectful boundaries. Nancy Petersen: Absolutely. I can tell you, I can tell you there's very little even in doctor schooling. Oh, I believe they don't get any. They just nobody gets this. So, I love Jerry's been doing and what you're doing. It's just if you have an hour with a person who's coming out of some sort of crisis or medical situation. Why not use it in a way that's beneficial in a larger scope than just working on your t's, or whatever it might be. Jerry Hoepner: Yeah. And this has just been such a fantastic conversation. And I think you've done a really nice job of tying things together in terms of the life participation approach. I mean, if I just take a step back and kind of summarize our conversation, part of what makes an effective interaction is not avoiding those difficult conversations, but leaning into them, asking the questions, creating that safe space, as Tania said, for the conversation, giving permission to discuss those tricky topics. And then just actively listening, beginning where the family and that that individual are at. So, I hopefully, I've some summarized those things. Well, any missing elements that we should discuss before we bring this great conversation to a close. Nancy Petersen: I just appreciate you guys, I don't know the 3 of you that well, and I'm trying not to. I get very excited. And on my soapbox about things that I've witnessed, and things I think we could do better. So, I just want to apologize if I don't know the kind of the framework. But I certainly learned a lot and appreciate very much what you all shared today. So, thank you for that. Tania Riske: I really enjoyed having conversation about things that are so often really kind of dismissed, or nobody wants to talk about that, Nancy. I really appreciated your frankness. I you know your honesty, and just putting out there the things that we tend to be so uncomfortable about. And I think you're so right that these conversations need to happen. And they need to happen outside of the traditional of this context that we're talking about where people are looking down the barrel at loss but also they need to happen at the Thanksgiving table. And now those they just those conversations are so valuable. But yet we do such a stellar job at not having them. So. Thanks for talking about that. Nancy Petersen: No problem. Thank you. Tania Riske: And, CeCelia, I'm always so appreciative and grateful for your willingness to be so vulnerable and to really put so much out there about your lived experience. CeCelia: Thank you. Jerry Hoepner: Well, I want to thank you all for having this conversation. It feels like we could talk for another day, but we'll bring it to a close, for now. Thank you all, and I look forward to more conversations in the future. Tania Riske: Thanks. Jerry. Nancy Petersen: Bye, Jerry. Jerry Hoepner: On behalf of Aphasia Access, thank you for listening to this episode of the Aphasia Access Conversations Podcast. For more information on Aphasia Access and to access our growing library of materials go to www.aphasiaaccess.org. If you have an idea for a future podcast series or topic, email us at info@aphasiaaccess.org. Thanks again for your ongoing support of Aphasia Access.

Forbes 50 top 50 leader, founder of six different companies, angel investor, Kim Kovacs is the CEO of agtech innovator element6 Dynamics. Hear about Kim's beginning days, starting with Ingrid Croce, widow of singer-songwriter Jim Croce. Listen to her journey featuring Oryx Energy, a company Kim co-founded. Their innovation led to the amendment of the Clean Air Act, earning recognition from the EPA and Congress. Her company was acquired by DuPont for $300 million. Next, Kim developed Option Ease, a platform designed to recognozed stock options. It was acquired by Solium and eventually by Morgan Stanley for more than $1 billion. Speed forward to element6 Dynamics, that is creating new revenue streams for farmers with the use of hemp to paper. While we may never eliminate the use of plastic, element6 Dynamics is making major in roads to paper based products.  Kim Kovacs is truly a person of significance, making America sustainably great. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Kevin just watched a horrible movie and can't wait to tell the Mayor all about it! So kids, welcome to 1978's Record City. It's purportedly a comedy, but yikes, not a single joke lands. But at least the setting is fun, since the whole thing takes place at a late 70s California record store, and they have the Blondie and Jim Croce posters to prove it. The movie is also notable for its ensemble cast of familiar faces from Flopcast favorites like Love Boat, Fantasy Island, Brady Bunch, Batman, Lost Saucer, and even Pink Lady and Jeff. Get ready for some wacky (and problematic and cringeworthy) record store hijinks that completely fail to entertain. Meanwhile, just outside Record City, there's a big talent show hosted by a certain Disco Duck-singing DJ, and starring a certain Sledge-O-Matic-wielding comedian. Do we recommend that you watch Record City? Absolutely not. Does Record City somehow feature just one single arm from a gorilla suit? Oh yes, it sure does. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Dragon Con Report!

Family trauma and drama flow through generations and can take on a form of fiction around “family unity,” “handed down traditions,” and “that's the way it is” that sweep the suffering under the rug. But two things can happen.Either you'll find yourself in pain from stepping on the lumps of dirt under the rug, or the rug will slip and slide due to the dirt making it less sticky to the floor – either way, you could fall when you least expect it.This need to create narratives could be part of why Lana McAra became a published fiction author, a coach and mentor to fiction writers, and host of an acclaimed podcast that delves deep into the ins and outs of fiction novel writing.Lana was raised in a conservative environment as the oldest of five children of a hospital handyman and a housewife. They lived in Amish country and belonged to a Mennonite community. Rustic, yes – however everything looked fine.But Fine is a 4-Letter Word – and the contradictions were just beginning.Her father seemed to be a pillar of integrity who upheld traditional values, while her mother was a rebel who didn't wear her bonnet or stockings and therefore “scandalized” the entire family. Eventually, her mother filed for divorce, her father moved to the opposite side of the country, and not even two weeks after the divorce, her mother married a volatile and abusive man.As de facto parent to her four younger siblings, Lana created the narrative that their father, who had become a successful tradesman in his new life, was the example they should follow – even though he had completely abandoned them. So much for moral rectitude from both parents, huh?Lana went to college with the intention of breaking free and blazing her own trail… only to almost immediately meet, and soon marry, a man who had the same hypocritical character and controlling manner her father did.Lana and her husband became missionaries, traveling to different countries like Grenada where her husband's efforts to control her didn't fly with the culture. It was a culture shock to come back to the United States and learn it all again.In the meantime, just as she had been the sole caretaker as a teenager for her four siblings, she now became this for her seven children, all while pursuing her lifelong passion for fiction novel writing.After 30 years, Lana and her husband divorced. Her family relationships unraveled as she formed short-term reunion bonds with her parents before they died. Then she became estranged from her siblings. All of this led to a nervous breakdown.The fiction stories she had written all fell apart – but then she met someone at a conference who led her toward literally tapping the depths of her trauma.You're about to meet Lana and discover the very real new story she is penning!Lana's hype song is "You Don't Mess Around with Jim” by Jim Croce.Resources:Lana McAra's website: http://LanaMcAra.com LinkedIn: https://linkedin.com/in/lanamcara Facebook: https://facebook.com/lana.mcara2 Instagram: https://instagram.com/lanamcara2 X (formerly Twitter): https://www.twitter.com/lanamcara Invitation from Lori:Now if, like Lana, you find yourself discovering that the life you think is real has turned out to be a...

Mikey & Jeremy Ketchup on Metallica's Black Album, Jim Croce, and Miley Cyrus. They also discuss Buffalo Cheezits, Original Cheezits, and White Cheddar Cheezits. 

This week kicks off DISGRACELAND's Halloween countdown, featuring all our spooky episodes daily. Jake teases the upcoming re-releases, and runs down past and current Disgraceland subject history, plus your emails. Jake wants to hear from you! What's your favorite sad sack 70s music? What's your favorite Jim Croce album? What are the best alter egos in music? Favorite Halloween songs? And what's your favorite Disgraceland Halloween episode? Drop a line at 617-906-6638, on socials @disgracelandpod, or disgracelandpod@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, DISGRACELAND wraps up our ten-part series on the Wu-Tang Clan, and Jake is talking current hip-hop news, old rock 'n' roll news, Coldplay, and Axl Rose. Jake wants to hear from you! What's your favorite sad sack 70s music? What's your favorite Jim Croce album? What are the best alter egos in music? Favorite Halloween songs? And what's your favorite Disgraceland Halloween episode? Get in touch at 617-906-6638, on socials @disgracelandpod, or disgracelandpod@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week in DISGRACELAND saw the premiere of the Ol' Dirty Bastard episode, and it's got Jake thinking about other famous alter egos. Plus, Halloween music, seventies music, your voicemails, texts, and DMs, and a tribute to you, the listener. What's your favorite sad sack 70s music? What's your favorite Jim Croce album? What are the best alter egos in music? Favorite Halloween songs? And what's your favorite Disgraceland Halloween episode? Drop Jake a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party. Learn more about your ad choices. Visit megaphone.fm/adchoices