Podcasts about hermann melville

Goðsagan um Orfeus hefur fylgt okkur frá því að tímatalið hófst og óteljandi lístamenn nýtt hana sem efnivið. Og nú gefst okkur tækifæri til að sjá glænýja útgáfu Ernu Ómarsdóttur og Íslenska dansflokksins. Í verkinu Hringir Orfeusar og annað slúður er gerð tilraun til þess að túlka þessa söguna á nýjan leik, en verkið byggir á uppfærslu sem Erna samdi ásamt Gabríelu Friðriksdóttur og Bjarna Jónssyni fyrir Borgarleikhúsið í Freiburg árið 2022. Við ræðum við Ernu í þætti dagsins. Við heyrum einnig rýni Kötlu Ársælsdóttur í einleikinn Kafteinn Frábær eftir Alistar McDowall og Gauti Kristmannson rýnir í Billy Budd eftir Hermann Melville, sem kom nýverið út í íslenskri þýðingu Baldurs Gunnarssonar.

After referencing Joytime Killbox on hundreds of TMR episodes, we finally break it down with the author himself! Conversation includes ideas about short stories and how they function, the nature of endings, and how Brian has grown as a writer since this collection first came out, while also examining the intent behind a number of the stories, and how they work. This week's music is "All My Friends" by Broken Social Scene. You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know. Starting next week we'll kick of Season 24, which will include both Confidence-Man by Hermann Melville and then Melvill by Rodrigo Fresán. Full reading schedule available here. Follow Open Letter, Two Month Review, Chad W. Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.

After referencing Joytime Killbox on hundreds of TMR episodes, we finally break it down with the author himself! Conversation includes ideas about short stories and how they function, the nature of endings, and how Brian has grown as a writer since this collection first came out, while also examining the intent behind a number of the stories, and how they work.  This week's music is "All My Friends" by Broken Social Scene. You can find all previous seasons of TMR on our YouTube channel and on Apple Podcasts, Spotify, etc. Please rate and review! It helps more than you know.  Starting next week we'll kick of Season 24, which will include both Confidence-Man by Hermann Melville and then Melvill by Rodrigo Fresán. Full reading schedule available here. Follow Open Letter, Two Month Review, Chad W. Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.

On the first ever one-off episode of the Two Month Review, Chad breaks down Virginie Despentes's Dear Dickhead for Kaija and Brian, a novel about . . . well, just listen. (It'll be more fun if you don't know what's coming.) This new format really digs into the book in a way that you can't in (to quote Zoé Katana) "lamestream media," and, simply put, rocks. This week's music is "Cannonball" by Grouplove. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subscribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. In two weeks, we'll be back with a singular podcast on Joytime Killbox, and then in November-December, we'll be talking about Confidence-Man by Hermann Melville and Melvill by Rodrigo Fresán. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.

On the first ever one-off episode of the Two Month Review, Chad breaks down Virginie Despentes's Dear Dickhead for Kaija and Brian, a novel about . . . well, just listen. (It'll be more fun if you don't know what's coming.) This new format really digs into the book in a way that you can't in (to quote Zoé Katana) "lamestream media," and, simply put, rocks.  This week's music is "Cannonball" by Grouplove. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subscribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. In two weeks, we'll be back with a singular podcast on Joytime Killbox, and then in November-December, we'll be talking about Confidence-Man by Hermann Melville and Melvill by Rodrigo Fresán.  Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.

Bartleby el escribiente es uno de los relatos que siempre aparece en el listado de las mejores obras cortas de la literatura. Su autor, Herman Melville (1819-1891), de origen estadounidense, es conocido por su obra más famosa Moby Dick, que está considera una de las grandes obras clásicas, sin embargo en este relato de Bartleby el escribiente Melville alcanza cotas de calidad literaria poco frecuentes.La trama gira en torno a un abogado de Wall Street, quien contrata a un nuevo escribiente llamado Bartleby para realizar tareas de copia y archivo en su oficina. Bartleby comienza siendo un empleado diligente, pero a medida que avanza la historia, su actitud cambia radicalmente. Cuando se le pide que realice una tarea que no sea copiar, su respuesta constante es "Preferiría no hacerlo".Esta frase se convierte en su lema y una especie de resistencia pasiva. A medida que Bartleby se niega a seguir las normas de la oficina y a realizar sus deberes, su presencia se convierte en un misterio y una molestia para el abogado y sus colegas. El abogado se esfuerza por comprender a Bartleby, pero a medida que la situación se complica, el narrador comienza a darse cuenta de que Bartleby es un personaje enigmático y perturbado.La obra explora temas como la alienación, la conformidad, la rebeldía y la soledad."Bartleby, el escribiente" es considerada una obra precursora del existencialismo y ha sido objeto de múltiples interpretaciones a lo largo de los años. La historia de Bartleby y su actitud de "preferiría no hacerlo" ha sido vista como una expresión de la resistencia pasiva y como un cuestionamiento a la monotona rutina de la vida laboral.La novela corta de Melville sigue siendo relevante hoy en día y es ampliamente estudiada y analizada en el ámbito de la literatura y la filosofía. Bartleby es un personaje icónico que personifica la lucha contra la conformidad y la búsqueda de significado en un mundo que puede parecer absurdo y alienante.Puedes escuchar este audiolibro competo tambien en nuestro canal: Bartleby el escribiente de Hermann Melville

2022 war es kein Problem: Thomas Sarbacher konnte beim 2. Literaricum Lech »Bartleby der Schreiber« von Hermann Melville komplett vorlesen. Der Vortrag der vollständigen Erzählung dauerte keine zwei Stunden, und alle Besucherinnen und Besucher des Literaricums kannten den Text. Die Lesezeit von »Stolz und Vorurteil« hingegen würde 12 Stunden deutlich überschreiten.  Daher war diesmal eine »komprimierte Lesefassung« angekündigt. Für welche Ausschnitte und Passagen würde sich Thomas Sarbacher entscheiden? Stattdessen las Sarbacher den Anfang des Romans. »So werde ich am ehesten den sprachlichen Entfaltungsmöglichkeiten des Werkes gerecht«, war Sarbacher schnell klar. Bei Jane Austen müsse man den Text zur Geltung bringen, weil auf der Handlungsebene so viel gar nicht passiere. »Die Eigentlichen Sensationen geschehen im sehr kleinen Bereich der zwischenmenschlichen Begegnungen«, sagt Sarbacher. Jane Austens Text ist ironisch und witzig. Wie legt man dies beim Lesen an? Macht Text mit Dialogen beim Vorlesen mehr Spaß als andere? Und würde Thomas Sarbacher doch gerne einmal den kompletten Roman vorlesen? Hören Sie das ausführliche Gespräch mit Thomas Sarbacher vom Literaricum Lech, im Podcast des literaturcafe.de. Nutzen Sie den Player unten nach dem Beitrag. Der Podcast des literaturcafe.de ist zudem auf allen Portalen wie Apple iTunes, Spotify oder Deezer zu hören und zu abonnieren. So verpassen Sie künftig keine Folge mehr.

Fabrizio Gavosto"Festival Mirabilia"https://www.festivalmirabilia.it/"Strange Beasts from Outer Space", questo il titolo della XVIma edizione di Mirabilia International Circus & Performing Arts Festival, ideato e organizzato dall' Associazione IdeAgorà con la direzione artistica di Fabrizio Gavosto.Il Festival multidisciplinare di circo, danza e teatro che non si è mai fermato negli ultimi due anni di emergenza sanitaria ritorna con una grande edizione che mette al centro l'uomo, attraverso il suo rapporto con la natura, con il selvaggio così come fece Hermann Melville con il suo Moby Dick. A Mirabilia dunque le folli e acrobatiche performance di Eventi Verticali, il grande veicolo della Compagnia Akoreacro, l'enorme balena del Teatro dei Venti, gli strani figuri di CirkVost e moltissime altre performance, intime o di grandi dimensioni, capaci di narrare il rapporto di scontro e conflitto e insieme di amore e indivisibilità fra uomo e natura. Per l'edizione 2022 Mirabilia presenta - ora che le normative nuovamente lo possono consentire - un cartellone di grandissimi eventi, a cui si affiancano veri e propri percorsi di scoperta delle aree più innovative delle performing arts in cui generi e stili si destrutturano per ricomporsi in forme nuove e talvolta ancora da esplorare. Il pubblico potrà così scoprire le grandi Compagnie europee, per poi passare ai teatri, cortili, giardini e piazze, soffermarsi sugli spettacoli di teatro di strada e confrontarsi con linguaggi diversi e talvolta più intimi.Una programmazione che conferma la continuità del lavoro di Mirabilia e il prezioso e fondamentale legame del Festival con la Città di Cuneo, con il cuneese e con il Piemonte, regione che dal punto di vista delle arti performative, è oggi fortemente identificata dal circo contemporaneo così come dalla danza e dai linguaggi performativi fisici che non conoscono barriere di linguaggio. Un Mirabilia non solo Festival di programmazione ma anche di creazione in un'ottica di valorizzazione che segue gli artisti in un percorso completo che si concretizza con il sostegno alle Compagnie, con spazi di creazione offerti alle stesse attraverso Residenze artistiche che hanno luogo a Busca e programmate durante l'intero anno sul territorio con il coinvolgimento del pubblico e delle realtà che lo abitano.Come il direttore artistico Fabrizio Gavosto conferma attraverso le sue parole "Lo sviluppo di un evento dipende dallo sviluppo e dalla crescita dei suoi fruitori, del suo staff, della sua coscienza, del suo impatto, ma soprattutto dallo sviluppo della realtà che lo circonda. Nessun festival è un'isola a se stante, ma bensì fibra di un tessuto, parte integrante e necessaria di tutte quelle fibre diverse che insieme compongono la nostra società". IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

This week, we're discussing In the Heart of the Sea: The Tragedy of the Whaleship Essex, by Nathaniel Philbrick, the real life story of the shipwreck that inspired Moby Dick, a book we PROMISE that at SOME POINT we will read. Amelia gushes with frankly alarming intensity about how metal whaling culture and Nantucket Quakers were. Sarah offers some Monday morning quarterbacking about nautical survival techniques. We both feel extremely sad about people, whales, and Galapagos turtles while our cat in the background tries to destroy our recording area. Sorry about some of the audio and flow on this one. Everything I cut out in editing was our wild, frenzied cat attempting to eat the microphone. Media discussed:In the Heart of the Sea: The Tragedy of the Whaleship Essex, by Nathaniel PhilbrickIn the Heart of the Sea, the movie neither of us watched but nevertheless discuss a weird amountMoby Dick, by Hermann Melville, the book neither of us read but WE'RE GONNA SOMEDAY WE PROMISE 

Welcome to the Instant Trivia podcast episode 305, where we ask the best trivia on the Internet. Round 1. Category: Declaration Of Independence Signers 1: We all know John Hancock signed it, but how many of you know he did it representing this state. Massachusetts. 2: He's the only signer the World Almanac lists with the occupation "printer, publisher". Benjamin Franklin. 3: Francis Lewis was the only signer born in this U.K. country--he was from Llandaff. Wales. 4: Before Benjamin Harrison landed the job of signer, he was getting his hands dirty in this occupation. farmer. 5: Elder statesman John Witherspoon was the only clergyman to sign; he was part of this church of "Elders". Presbyterian. Round 2. Category: A"Ha" 1: Its nicknames include the "Paradise of the Pacific" and "The Pineapple State". Hawaii. 2: Well, Praise the Lord! It means "Praise the Lord". Hallelujah. 3: In 1640 Henry Dunster became this university's first president; he was also the entire faculty. Harvard. 4: Type of men's store once owned by Harry Truman. Haberdashery. 5: This king's reign has been referred to as the Golden Age of Babylon. Hammurabi. Round 3. Category: Nations Of Africa 1: Add 2 letters to Niger to get the name of this country just south of it. Nigeria. 2: In a song title, this country whose capital is Nairobi might come before "Feel the Love Tonight". Kenya. 3: In a song title, this country whose capital is Accra might come before "Fly Now". Ghana. 4: (Hi, I'm NBA All-Star Dikembe Mutombo) One of the many languages I speak is this official one of my birthplace, Congo. French. 5: Milton Obote, no bargain either, ran this country before and after Idi Amin. Uganda. Round 4. Category: Jon Stewart's America 1: "This follow-up to 'The Articles of Confederation' is the rare sequel that's more bicameral than the original!". the Constitution. 2: He was "quoted" as saying, "the only thing we have to fear is fear itself...oh, and starvation. We might all starve". Franklin Roosevelt. 3: This D.C. building's rotunda "was made famous by the Stephen Baldwin/Pauly Shore vehicle Bio-Rotunda". the Capitol. 4: This 1215 document "served as a wake-up call that Europe would be forced to answer...in about 500 years". the Magna Carta. 5: This mascot "is like Uncle Sam, only shorter and fatter, clearly playing to the British infatuation with stoutness". John Bull. Round 5. Category: American Novelists 1: Tired of whaling, he jumped ship in the Marquesas Islands in July 1842 and lived there for a month. (Hermann) Melville. 2: Having served on a mine-sweeper during World War II, he wrote about one in "The Caine Mutiny". Herman Wouk. 3: This author of "The Good Earth" wrote 5 books using the pseudonym John Sedges. Pearl Buck. 4: This "tasty" author bakes her novels a while: 1992's "The Secret History" was her 1st, and "The Goldfinch" from 2013 is her 3rd. Donna Tartt. 5: This "tasty" author bakes her novels a while: 1992's "The Secret History" was her 1st, and "The Goldfinch" from 2013 is her 3rd. Donna Tartt. Thanks for listening! Come back tomorrow for more exciting trivia!

This week we'll travel back to the early 18th century (and the middle of the Pacific) with In the Heart of the Sea! Join us to learn more about issues of race and ethnicity on whaling ships, Herman Melville, cannibalism, the mysterious skeletons found in a cave on Henderson Island, and more! Sources: Race and the Crew: Nancy Shoemaker, Native American Whalemen and the World: Indigenous Encounters and the Contingency of Race (Chapel Hill: UNC Press, 2015). Nancy Shoemaker, "Mr. Tashtego: Native American Whalemen in Antebellum New England," Journal of the Early Republic 33:1 (Spring 2013): 109-132. https://www.jstor.org/stable/23392572 Nathaniel Philbrick, In the Heart of the Sea: The Tragedy of the Whaleship Essex (New York: Penguin, 2000). Thomas Nickerson, Owen Chase, and Others, The Loss of the Ship Essex, Sunk by a Whale: First-Person Accounts (New York: Penguin, 2000). Timothy G. Lynch, "Black Ahab of the Bay: William T. Shorey and the San Francisco Whale Fishery," Gender, Race, Ethnicity, and Power in Maritime America ed. Glenn Gordinier, 135-41 (Mystic, CT: Mystic Seaport Museum, 2008). Marilyn Halter, Between Race and Ethnicity: Cape Verdean American Immigrants, 1860-1965 (University of Illinois, 1993). Lawrence C. Howard, "A Note on New England Whaling and Africa Before 1860," Negro History Bulletin 22:1 (October 1958): 13-16. https://www.jstor.org/stable/44215363 Kelly K. Chaves, "Before the First Whalemen: The Emergence and Loss of Indigenous Maritime Autonomy in New England, 1672-1740," The New England Quarterly 87:1 (March 2014): 46-71. https://www.jstor.org/stable/43285053 Film Background: Scout Tafoya, The Unloved, In the Heart of the Sea: https://vimeo.com/412586427 Perri Nemiroff, "Ron Howard Discusses Making In the Heart of the Sea With a Low Budget Mentality," Collider: https://collider.com/ron-howard-interview-in-the-heart-of-the-sea/ Matt Zoller Seitz, Review of In the Heart of the Sea, Rogerebert.com: https://www.rogerebert.com/reviews/in-the-heart-of-the-sea-2015 Interview with Tom Holland, In the Heart of the Sea: https://www.youtube.com/watch?v=_RsWoxF_UD8 Melville and Hawthorne: Steven B. Herrmann, "Melville's Portrait of Same-Sex Marriage in Moby Dick," Jung Journal: Culture and Psyche 4, 3 (2010) Charles N. Watson, Jr. "The Estrangement of Hawthorne and Melville," New England Quarterly 46, 3 (1973) Melville and Hawthorne, Excerpt from The Life and Works of Hermann Melville, available at http://www.melville.org/hawthrne.htm "Read a Love Letter from Hermann Melville to Nathaniel Hawthorne," LitHub, available at https://lithub.com/read-a-love-letter-from-herman-melville-to-nathaniel-hawthorne/ Herman Melville, Moby Dick, Full Text available at https://www.gutenberg.org/files/2701/2701-h/2701-h.htm Cannibalism: Nathaniel Philbrick, In the Heart of the Sea: The Tragedy of the Whaleship Essex (New York: Penguin, 2000). Thomas Nickerson, Owen Chase, and Others, The Loss of the Ship Essex, Sunk by a Whale: First-Person Accounts (New York: Penguin, 2000). A.W.B. Simpson, "Cannibals at Common Law," The Law School Record 27 (Fall 1981): 3-10. Duncan Frost, "'Provisions being scarce and pale death drawing nigh,/They'd try to cast lots to see who should die': The Justification of Shipwreck Cannibalism in Popular Balladry," Exchanges: The Interdisciplinary Research Journal 7:2 (2020): 17-34. Paul Cowdell, "Cannibal Ballads: Not Just a Question of Taste..." Folk Music Journal 9:5 (2010): 723-747. https://www.jstor.org/stable/25654209 Henderson Island: Vincent H. Stefan et al, "Henderson Island Crania and their Implications for Southeastern Polynesian Prehistory," The Journal of Polynesian Society 111, 4 (2002) Marshall I. Weisler, "The Settlement of Marginal Polynesia: New Evidence from Henderson Island," Journal of Field Archaeology 21, 1 (1994) Owen Chase, Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-Ship Essex. 1821 Thomas Ferrell Heffernan, Stove By a Whale: Owen Chase and the Essex. Wesleyan University Press, 2013 F.R. Fosberg et al, "Henderson Island (Southeastern Polynesia): Summary of Current Knowledge," Atoll Research Bulletin, no 272. 1983.

Call me Ishmael... Birge. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul, then, I account it high time to get to the nearest Starbucks as soon as I can. With apologies to Hermann Melville, today marks anniversary of the opening of the first Starbucks coffee shop in Seattle, Washington, Now, since Starbucks gets its name from the first mate of the Pequod, the whaling ship made famous in Melville’s classic American novel “Moby Dick,” in addition to a steaming hot cup of Mr. Starbuck’s coffee, we celebrate composer Jake Heggie’s ambitious “Moby Dick” opera, which premiered in Dallas in 2010. “When I write an opera, at a certain point the characters start singing to me,” Mr. Heggie said about wrestling with his great white whale. “But this was the first piece where I felt there was a physical cost, an exhaustion ... ‘Moby Dick’ deserved that.” And no doubt the Dallas Opera stage director, Leonard Foglia, needed more than a few cups of Mr. Starbuck’s coffee to bring Melviille’s epic drama to life on stage. He said, “I had to sink the ship in eight bars of music.”

Call me Ishmael... Birge. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul, then, I account it high time to get to the nearest Starbucks as soon as I can. With apologies to Hermann Melville, today marks anniversary of the opening of the first Starbucks coffee shop in Seattle, Washington, Now, since Starbucks gets its name from the first mate of the Pequod, the whaling ship made famous in Melville’s classic American novel “Moby Dick,” in addition to a steaming hot cup of Mr. Starbuck’s coffee, we celebrate composer Jake Heggie’s ambitious “Moby Dick” opera, which premiered in Dallas in 2010. “When I write an opera, at a certain point the characters start singing to me,” Mr. Heggie said about wrestling with his great white whale. “But this was the first piece where I felt there was a physical cost, an exhaustion ... ‘Moby Dick’ deserved that.” And no doubt the Dallas Opera stage director, Leonard Foglia, needed more than a few cups of Mr. Starbuck’s coffee to bring Melviille’s epic drama to life on stage. He said, “I had to sink the ship in eight bars of music.”

l’adaptation d’un texte d’un grand nom de la littérature. --- Thierry Bellefroid évoque le 9éme art, la Bande Dessinée, avec les sorties et les rééditions. Passezdu bon temps, un album à la main, le mercredi à 13h45 dans Lunch Around The Clock.

Kerstin findet ihr Buch nicht: Moby Dick. Sie hätte zu gerne ein bisschen darin gelesen für diese Folge. Aber stattdessen liest sie auf Wikipedia. Wie spannend, denn statt fiktiven Ereignissen stehen dort die wahren Begebenheiten. Kerstin erzählt euch, was Hermann Melville, den Autoren von Moby Dick, inspirierte. Ihr erfahrt (leider) auch, dass Kerstin „Massachusetts“ nicht aussprechen kann; Und dass man besser auf den Kapitän hören sollte, wenn er einen Richtungsplan hat; dass nur 8 Männer des Walfangschiffs Essex überlebten und warum 7 Männer als Nahrung dienten. Außerdem wisst Ihr nach dieser (für Kerstin) langen Folge: Wie ein Pottwal die Essex rammte und dass der 1. Offizier des Schiffes einen Tatsachenbericht schrieb, der einen unglaublich langen Titel trägt. Den müsst Ihr bis zum nächsten Mal auswendig lernen ;-) Für weitere Informationen empfiehlt sie Euch: https://de.m.wikipedia.org/wiki/Owen_Chase und https://de.m.wikipedia.org/wiki/Essex_(Schiff) --- Send in a voice message: https://anchor.fm/forelle-gelb/message

Erst mal einen Jubel auf Bas Kast – „das Wohlbefinden hat sich total verbessert“, das Buch im Selbsttest: Matz hat 3,5 Kilo abgenommen – verrückt - also, unbedingt nochmal in Folge #10 reinhören. Heute klären wir ob man Goldfische grundsätzlich Wanda taufen sollte? Wie man eine Wiederbelebung beim Fisch durchführt. Fischbowle oder Emergency Room – der Fisch hat was krasses erlebt! Und können wir direkt zum Wal übergehen, wen interessiert denn Günther Krass? So oder so, der Butt hat immer seine Flossen im Spiel… Also schieb den Wal zurück ins Meer! Und der Ultimative Integrationstipp für alle die neu in ein Küstendorf ziehen – „Immer erst mal einen Wal retten“ - Hier ist nichts instinktiv, die anonymen Fische planen alles – also Blub Blub und reingehört! Buchtipps: Der Butt, Günther Krass Der Wal und das Ende der Welt, John Ironmonger Pinoccio, Carlo Collodi Kinderbibel Moby Dick, Hermann Melville Wir haben es nicht gelesen, trotzdem wollen wir es euch nicht vorenthalten – für alle experimentierfreudigen Tier bzw. Fischeversteher unter euch Was Fische wissen: Wie sie lieben, spielen, planen: unsere Verwandten unter Wasser, Jonathan Balcombe Filmtipps: Der weiße Hai https://www.youtube.com/watch?v=U1fu_sA7XhE MEG https://www.youtube.com/watch?v=udm5jUA-2bs Findet Nemo https://www.youtube.com/watch?v=-DtskGhT8t8 Sharktopus https://www.youtube.com/watch?v=GN2CFKmfOY0 Sharknaido 1-6 https://www.youtube.com/watch?v=M-pXDoe5a0E Musiktipps: Walkampf – die Toten Hosen https://www.youtube.com/watch?v=-2BQQkoj3i4 **please support your local Bookdealer!** Für alle Schramberger: wir spielen jetzt mit der Buchlese, die besprochenen Bücher findet ihr mit einer „Schuss vorm Buch“ Fahne markiert. www.buchlese.net https://www.facebook.com/SchussvormBuch/ https://www.instagram.com/schussvormbuch/ Konzept + Produktion, Copyright AudiotexTour, https://audiotextour.de/

Es ist Zeit, mal wieder ein paar Klassiker aus dem Regal zu nehmen. Zum Beispiel "Emma" von Jane Austen, "Bartleby" von Hermann Melville oder eine ganz neue Entdeckung: ein neuer alter Roman von Françoise Sagan.

Schön, dass du auch bei dieser Folge vom "TO TELL IS TO SELL - Podcast" dabei bist und somit in deine eigene Story mit Happy End investierst. Vielen Dank und Herzlich Willkommen! In der heutigen Folge thematisiere ich anlässlich des 200. Geburtstags von Hermann Melville dessen Meisterwerk "Moby Dick" und berücksichtige dabei die Aspekte einer guten Story. Schön, dass du dabei bist. __________ Melde dich jetzt zum kostenlosen "TO TELL IS TO SELL - Newsletter" an und erhalte regelmäßig die besten Tipps & Tricks für deine persönliche Story: https://veit-etzold.de/newsletter-anmelden/ __________ Hier findest du mehr Informationen rund um deine eigene Story und Strategie: Instagram: https://www.instagram.com/etzoldveit/ LinkedIn: https://www.linkedin.com/in/vetzold/ Facebook: https://www.facebook.com/veit.etzold/ Auf deinen Erfolg, dein Veit Etzold

Als junger Matrose erlebte Hermann Melville an Bord schärfsten Drill und drakonische Strafen. Die harten Erfahrungen auf See prägten seine Weltsicht – und flossen mit in seine Romane ein. [Heute vor 200 Jahren wurde der Schriftsteller geboren: am 01.08.1819] Von Anna-Dorothea Schneider.

Zum 200. Geburtstag von Hermann Melville erscheint der wildeste seiner Seefahrerromane in neuer Ausgabe. Eine Rezension von Brigitta Lindemann.

A centosessant’anni dalla pubblicazione, mercoledì 13 marzo 2013 i Docenti Preoccupati organizzano una giornata di discussione intorno al racconto di Melville e alla “lunga storia dell’ombra di Bartleby sulle letterature contemporanee”, a cui interverranno Ermanno Cavazzoni, Daniele Giglioli, Bruno Giorgini , Christian Raimo, Wu Ming 4, il collettivo Bartleby, Federico Bertoni, Monica Dall’Asta, Maurizio Matteuzzi, Donata Meneghelli. Da “Il Fatto Quotidiano”: Bartleby, aula stracolma per i Docenti Preoccupati Ecco la playlist coi video di tutti gli interventi.