Podcasts about hoofbeats

After a successful debut on Hoofbeats Music, Xylym returns with a massive banger – "COMPOUND", dropping on March 27, 2025! This release delivers a high-energy neurofunk dancefloor weapon, packed with razor-sharp sound design, relentless drive, and grooves that will set every club on fire. "COMPOUND" comes in two versions – Vocal and Instrumental. The vocal version adds an extra layer of intensity and dark atmosphere, while the instrumental mix lets Xylym's masterful production shine through. Expect crushing basslines, hard-hitting drums, and electrifying arrangements – everything you'd expect from Hoofbeats. This release proves Xylym's ability to push the boundaries of neurofunk while delivering pure dancefloor destruction. Brace yourself for heavy drops and pounding bass – "COMPOUND" is here to shake the scene! Don't miss out – add it to your playlists and get ready for impact! Follow XYLYM: Instagram_ https://www.instagram.com/xylymofficial/ Facebook_ https://www.facebook.com/xylym Soundcloud_ https://soundcloud.com/xylym

With the new club season, I'm kicking things off with "Dirty Dirty Funk" – a dark neurofunk journey filled with deep bass and raw funk. This drum and bass track is more for listening than for the dance floor, but don't be fooled by its smoother vibe – this is just the beginning! "Dirty Dirty Funk" pulls you into a world of dark, intricate sounds, where funk merges with hard rhythms to create a unique atmosphere. This track serves as an introduction to what's yet to come. We're starting the season with something lighter to get you ready for what I've got in store – much harder and more uncompromising tracks that will really turn up the heat. "Dirty Dirty Funk" is all about how dark, gritty tones meet funk in a perfectly balanced mix that draws you into its world. It's just the first step in what will be a wild and intense musical season. Get ready – this is just the warm-up before the real storm hits. Follow QO: Instagram_ https://www.instagram.com/qo_music/ Facebook_ https://www.facebook.com/qosobu Soundcloud_ https://soundcloud.com/qosobu

Wolf Family Recaptured  (Starts 1:40)    Colorado Parks & Wildlife did not reply to our request for an update on the fate of Colorado's newly captured wild wolf family.  CU Boulder Professor Marc Bekoff did, offering suggestions for how to improve human-wolf interactions under the voter mandate to reintroduce wolves to Colorado.  Go here for … Continue reading "Hoofbeats – Horses & Human History//Colorado Wolf Family ReCaptured"

TWiV reviews a case of polio in Gaza, more Mpox, COVID-19 boosters, effectiveness of Ebola virus vaccine, measles cases across the US, an endogenous retroviral envelope protein that regulates human cardiomyocyte development, and submergence of an encephalitic alphavirus caused by receptor shifts. Hosts: Vincent Racaniello, Alan Dove, Rich Condit, and Kathy Spindler Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode MicrobeTV Discord Server Gaza baby has polio (Times Israel) Monkeypox virus clade Ib in Thailand (CIDRAP) Updated COVID-19 vaccines (FDA) Effectiveness of Ebola virus vaccine (Lancet Inf Dis) Measles cases in Georgia, Oregon (CIDRAP) Retrovirus protein regulates cardiomyocyte development (Cell Stem Cell) Receptor shifts govern submergence of encephalitis arbovirus (Nature)   Letters read on TWiV 1145 Timestamps by Jolene. Thanks! Weekly Picks Kathy – Googlegangers and AWWW clip Rich – RP FLIP (floating instrument platform) Alan – Big labs are bad for careers Vincent – So You're Underwater: Why Do You See That Circle of Light Above You? Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv Content in this podcast should not be construed as medical advice.

Buck Jones in Hoofbeats 36-xx-xx (03)

In this episode, Kathy Simmers, author of Jump the Moon and Posey's Problem: A Pony Tale, joins Regina to discuss the true stories behind her heartwarming books. Kathy also gives us a preview for her new book about Pickles, another real-life pony! Kathy's journey as an author began after her daughter's beloved lesson pony, Me Too, was sold out from under her at a horse show. Years later, as an adult, Kathy's daughter set out on a quest to find the long-lost Me Too and, finally, bring her beloved pony home. Kathy knew that this remarkable story about Me Too needed to be told and Jump the Moon was published. Just like Jump the Moon, Posey's Problem: A Pony Tale is based on a real pony. As we all know, when a kid outgrows their pony, the pony is usually sent off to another kid. The pony doesn't have a choice. Kathy wondered, “What is it like from the pony's perspective?” As Kathy says, Posey has left a piece of her heart with each kid. This episode - and Kathy's books - will touch your heart.  Link: https://www.readjumpthemoon.com/ Listen in to learn more :  (07:28 - 08:09) Beloved Pony's Impact on Family (09:57 - 11:21) The Plight of Show Ponies (15:57 - 17:04) Inspiring Message of Not Giving Up (23:00 - 24:16) Kathy's Emotional Investment in Characters (26:09 - 27:28) Interpreting the Girl With Long Hair Links:  Children's Picture Book | Jump The Moon (readjumpthemoon.com)

In this episode, Heather interviews Terri Delbridge -- And what a story Terri has! Terri is a carded Arabian judge. She's been in the center of some of the biggest show pens in the fine horse world, like the Scottsdale Arabian Horse Show. Yet, not everyone knows the challenges she's faced. Terri survived a flesh-eating bacterium that resulted in a 4-month stay at the University of Michigan with a 1% chance of survival. She has endured 20 surgeries and a mountain of physical challenges. She's persevered through it all with a positive outlook. Terri feels that one of her most significant contributions to the industry is her “eye” - she discusses what she sees from the judge's perspective at the center of the show pen. First impressions are essential. Terri continues to persevere as a judge and coach. As she continues to travel the country, she says she learns something from everyone she works with. Terri is an inspiration for us all! To learn more about this episode: (03:37 - 05:17) Early Beginnings in Horse Training (08:17 - 09:54) Specialization in Horse Disciplines (16:16 - 17:09) Busy Show Season Ahead (26:29 - 27:50) Diverse Horse Industry Conversations

For everything WoM related from Tickets to Events, Merch, Tracks, Podcasts head to:⬇️https://link.v1ce.co.uk/wordofmouthevents⬆️

Buck Jones in Hoofbeats 36-xx-xx (02)

The provenance of this saying -- “When you hear hoofbeats behind you, don't expect to see a zebra.” -- lies in the mid-20th century. Dr. Theodore Woodward, a professor at the University of Maryland School of Medicine, used this phrase to teach medical students the principle of searching for the most common and likely diagnosis when faced with a set of symptoms, rather than jumping to rare and exotic conditions. It's a principle grounded in probability and practicality, an anchor in the turbulent seas of medical diagnosis where myriad possibilities can often cloud judgment.

In this installment of the Horse Industry podcast, hosts Regina, Lynn, and Heather delve into the complexities of juggling marriage and a passion for horses. They explore the challenging yet rewarding task of balancing these two significant aspects of their lives. While Lynn enjoys a somewhat smoother experience, thanks to her equally horse-enthusiastic partner Kevin, who also plays the role of driver for distant horse shows, Regina and Heather navigate a more solitary equestrian journey, separate from their partners. To learn more about this episode :  (00:05) - Horse Industry Podcast and Personal Experiences (10:09) - Navigating Life With Horses (22:26) - Appreciating Non-Horse Person Spouse

Buck Jones in Hoofbeats 36-xx-xx (01)

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Hi Guys,Remember the first time you heard about the sport dressage? Did you have to google it or are you reaching for your phone right now? You're not alone! Even in a country where we are based - the UAE- and a region where equestrian traditions date back centuries, dressage (and we've just dropped a hint here), is only just growing in popularity.So, what do you find when you google dressage? A captivating equestrian art form, a meticulously orchestrated dance that unfolds gracefully between rider and horse—a true synergy of kindred spirits.In the UAE, dressage is experiencing a surge in popularity, marked by a remarkable 120% increase in rider registrations over the past year, with 20% of them being Emirati participants. Today, we're joined by our guest, Natalie Lankester, an accomplished equestrian who proudly represented the UAE alongside her four-legged companion, Cash DXB, at the 19th Asian Games in September. Their performance took them all the way to the Freestyle Dressage qualifying round of the competition.For Natalie, horse riding is a familial legacy, and upon moving to the UAE, dressage became everything from a competitive outlet to therapy. In this sport, where proficiency deepens with age and experience, Natalie shares insights into her profound connection with her horses and their welfare in sports, the collaborative training journey, the honour of representing the UAE internationally, her remarkable performance at the Asian Games, and the promising trajectory of dressage in the Emirates.For cyclists accustomed to only grappling with bike "mechanicals," this conversation offered us a unique perspective in the delicate partnership in equestrian sports.To find Natalie on Instagram: @natalie_lankester_dressage and @dxbhorsesFor more about equestrian sports in the UAE visit the UAE Equestrian and Racing Federation: https://uaeerf.ae/en/Natalie's sponsors include LeMieux (@lemieuxproductsofficial) and Saddle Box Spain (@saddleboxspain)Natalie is represented by @wearedarkhorse.co and thank you to Hannah and team for organizing this interview! If you've been enjoying our content and finding value in our discussions, please take a quick moment to show your support. Just hit the subscribe button wherever you are listening to us so that you never miss an episode.Please also leave a review - 5 ⭐ only - and follow @themettleset on Instagram, YouTube and LinkedIn. This really helps us in our commitment to bring you the best possible show and the most interesting guests. We hope you enjoy the episode! Dawn & Afshan

What a magical time of the year! Christmas preparations are underway throughout the village, and the plaza clamors with happy noise. Neighbors call out friendly greetings and tidings of joy. Hoofbeats echo off the cobblestones as wagonloads of fresh-cut trees arrive at the marketplace. The impatient horses snort small white clouds into the wintry air. Exuberant children, their eyes bright like the twinkling strings of colored lights overhead, dash recklessly among the shoppers laden with holiday parcels. Merchants scurry to serve their customers, cheerful doorbells tinkling as the patrons come and go. Everyone is eager for the festivities to begin. At the church, carolers rehearse while the rector readies the bells to proclaim the good news. Each wreath, each shiny ornament, and each candle in the window hails the holiday season. The eternal spirit of Christmas flourishes here, and all are welcome! ---

Welcome to Psychiatry Boot Camp Season 2: Hoofbeats on Broadway! We are basing this season around the axiom, "When you hear hoofbeats on Broadway, think horses, not zebras." Our global experts will introduce the fundamentals of psychiatric diagnosis before walking  us diagnosis-by-diagnosis through the psychiatric stables. Stay tuned!

Jan Markell talks to Pastor Barry Stagner for the hour. The hoof beats of the Four Horsemen are in the distance and are revealed in the intensity of the signs. Does King Charles play an apocalyptic role? Why would God never beat up His Bride, the church? We are promised to be spared God's coming wrath. To support this ministry financially, visit: https://www.oneplace.com/donate/407/29

Jan Markell talks to Pastor Barry Stagner for the hour. The hoof beats of the Four Horsemen are in the distance and are revealed in the intensity of the signs. Does King Charles play an apocalyptic role? Why would God never beat up His Bride, the church? We are promised to be spared God's coming wrath. To support this ministry financially, visit: https://www.lightsource.com/donate/1472/29

Watch Jan Markell from Understanding the Times To support this ministry financially, visit: https://www.lightsource.com/donate/1472/29

Buck Jones in Hoofbeats 36-xx-xx (01)

Hoofbeats on the Turnpike

Today's headlines could be taken directly from the book of Revelation in the Bible.  In this episode of Finish Strong, Bible scholar John Hope explains the meaning behind the Four Horsemen of the Apocalypse.  In 1983, Reverend Billy Graham wrote, “I have heard the distant sound of hoofbeats that signify the soon return of our Lord Jesus Christ.”  Today, the hoofbeats are coming closer as we approach the end of time.As Christians, our hearts should be filled with anticipation and excitement as we witness the fulfillment of Biblical prophecy!Websiteffaith.orgFearless Faith Websiteffaith.orgTo leave a review - Open Finish Strong on the Apple Podcast app and scroll down until you see "Ratings & Reviews". There will be a link to click so that you can "Write A Review"FacebookYouTubeInstagram

In this episode Kate and Mikayla talk about their regretful bookish choices (centaurs, really?), their reads from this week, and then have a heated discussion about the pros and cons of having to give birth to a hooved baby. Trigger warnings: during the Hoofbeats discussion we talk about SA. List of books discussed at @upthesmutpod in Instagram.

Daniel and Kelly are listening to Dylan one random song at a time. This episode tackles the fine lines of comedic timing and just what happened at Bear Mountain in Dylan's “Talkin' Bear Mountain Picnic Massacre Blues.”initial reactions + guitar (5:00) | context, the actual bear mountain picnic, and writing disasters (9:00) | versions (22:00) | song itself + comedic timing (27:30) | does this song work today? (36:00) | we're a real podcast with a playlist (44:15) | recommendations (1:00:30) | endings (1:20:00)Follow us elsewhere: sotwpod.com | twitter | instagramPlaylists: see that my playlist is kept clean | episode playlistIf you're inclined: patreon | substackNext episode: Hoofbeats like castanets on stone This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit signonthewindow.substack.com/subscribe

M2s Matt, Happy, and Jacob, and MD/PhD student Levi welcome Rachel Barron and M4 Dao Tran to talk about a program which links medical students with families and patients suffering from rare genetic conditions. Rare Compassion seeks to build mutual understanding between learners and people with untreatable or unknown conditions as they navigate a healthcare system that has difficulty dealing with ambiguity.

1 Wilkinson & Issey Cross - Used to This 2 A.M.C - Brazil 3 Friction - Ultrafunk 4 Delta Heavy - Heartbeat 5 Wilkinson - Frontline 6 SiLi - TRONCE 7 Wilkinson - Take You Higher 8 Sub Focus, Culture Shock - Recombine 9 Delta Heavy - Ascend 10 Impex, AL/SO - House Party 11 Subsonic - Last Time 12 Akrom - Nephyd 13 TC - Tap Ho 14 Basstripper - Getting Hyped 15 Fox Stevenson - Miss You (D&B Mix) 16 Culture Shock - Bunker 17 Tantrum Desire - In The Dance 18 Delta Heavy - Work It 19 Camo & Krooked, Mefjus - Sientelo 20 Grafix - Stutter 21 Smooth, State Of Mind - Runaway Train 22 Kanine - Get Down 23 Muzzy - Photons 24 Notion - Hooked (Grafix Remix) 25 Armodine - Release My Anger 26 Muzz - Spectrum (Futurebound Remix) 27 Dizzee Rascal - Bonkers (Millbrook Bootleg) 28 Friction vs Jonny L - Back To Your Roots 2021 29 A.M.C - Bass 30 Gydra - Muzzle 31 Basstripper - Laminar Flow 32 Ray volpe - Laserbeam Blanke's ÆON EDIT 33 Mean Teeth - Keepin It Dirty 34 A.M.C - Operator 35 Dimension - Danger (feat. MC GQ) 36 Grafix - Acid Generation 37 Jon Void - Everytime (Original Mix) 38 Justin Hawkes, Andrew Hellier - Better Than Gold feat. Andrew Hellier 39 Aktive, Blvck Crowz - Collide 40 Ed Solo, Deekline - Tutti Fruti 41 Tantrum Desire - Zealous

Can you identify where along the clinical reasoning pathway the learner is struggling? What coaching exercises can be helpful? What feedback do you fall back on when working with learners? What are common challenges?Digital Education Conference 2022 in Oct 7 2022: https://cmecatalog.hms.harvard.edu/digital-educationShow notes, Transcript and References: https://www.coreimpodcast.com/2020/12/09/hoofbeats-strugg…inical-reasoning/ACP CME: https://www.acponline.org/cme-moc/cme/internal-medicine-podcasts/core-im

Pastor Ken Ortize of Calvary Spokane joins the OFF-HAND podcast to discuss the 4 horsemen of the apocalypse. Their hoofbeats are approaching with breakneck speed and intensity. The shadows they cast are very crisp. Pastor Ken brings great insight to this very apropos and timely subject from Revelation 6. If you enjoy the content of these podcasts/interviews, would you prayerfully consider supporting the ministry of Serpents & Doves® with a one time donation or a recurring monthly donation via PayPal... DONATE HERE: https://bit.ly/3IBfZOq _______________________________________________ SHOP/BROWSE THE SERPENTS & DOVES® SITE: https://www.SerpentsNDoves.com _______________________________________________ CALVARY SPOKANE WEBSITE: https://www.calvaryspokane.com PASTOR KEN'S BLOG WEBSITE: https://www.kenortize.com PASTOR KEN'S PODCAST 'WHAT'S THE WORLD COMING TO': https://whatstheworldcomingto.buzzsprout.com BOOKS BY PASTOR KEN: https://www.kenortize.com/store ______________________________________________ • SOCIAL MEDIA • INSTAGRAM: https://bit.ly/31r0QN8 TWITTER: https://bit.ly/34zsLMM FACEBOOK: https://bit.ly/2Eqf5cs --- Support this podcast: https://anchor.fm/serpentsndoves/support

Even in the darkest moments of human experience, history does not move forward at the will of wicked men, but instead unfolds through the sovereign declaration of Jesus Christ our Lord.

Even in the darkest moments of human experience, history does not move forward at the will of wicked men, but instead unfolds through the sovereign declaration of Jesus Christ our Lord.

The Doc and Colonel arrange to employ a little red flower and some dynamite to dispose of Ruby Buckaroo. But at least Marshal Brown is cured of “Hoofbeats in His Heart.”

Today's headlines could be taken directly from the book of Revelation in the Bible.  In this episode of Finish Strong, Bible scholar John Hope explains the meaning behind the Four Horsemen of the Apocalypse.  In 1983, Reverend Billy Graham wrote, “I have heard the distant sound of hoofbeats that signify the soon return of our Lord Jesus Christ.”  Today, the hoofbeats are coming closer as we approach the end of time.As Christians, our hearts should be filled with anticipation and excitement as we witness the fulfillment of Biblical prophecy!Websiteffaith.orgTo leave a review - Open Finish Strong on the Apple Podcast app and scroll down until you see "Ratings & Reviews". There will be a link to click so that you can "Write A Review"FacebookYouTubeInstagramThe Kingdom Investor | PodcastTake your generosity to the next level, impact more lives and build a godly legacy! Listen on: Apple Podcasts Spotify

Lem and Fanshaw roll into a little town just in time to stop an unjust hanging... but can they find out who truly deserves the rope?   Written and Produced by Julie Hoverson Cast List Lemuel Roberts / Deadeye Kid -  J. Spyder Isaacson Clarence Fanshaw  -  J. Hoverson Sheriff Mortimer - Rick Lewis Larkey Collins - J.D. Lloyd Harp Fowler - Molly Tollefson Maddy Fowler - Krystal Baker Lute Fowler - Gene Thorkildsen Amity Fowler - Kris Keppeler Meg Pickens - Julia Lorraine Rafe Jenkins - Reynaud LeBoeuf Kentucky Pete - Sidney Williams (Fear On Demand) Jeb - Robyn Paterson (Kung Fu Action Theatre) Gabby, dead drunk - Sean Connor Harmonica music by Jere Canote (Canote.com) Other Music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson Cover Design:  Brett Coulstock Cover Photo:  Lauren Burbank (courtesy of Stock Xchange.com) "What kind of a place is it? Why it's a mountain pass in late spring, can't you tell...?" ******************************************************************** A HANGING AT PICKENS ROCK Cast: [credits/olivia] Lemuel Roberts, the Deadeye kid Clarence Fanshaw Lute Fowler, accused murderer Harp Fowler, 11 Madrigal "Maddy" Fowler, 7 Amity Fowler, dead mother Rafe Jenkins, victim Sheriff Mortimer Larky Collins, henchman Meg Pickens, Rafe's fiancee Kentucky Pete, Gambler Gabby, town drunk OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a mountain pass in late spring, can't you tell?  1_ARRIVING MUSIC SOUND    EARLY MORNING NOISE, WOODS, TWO HORSES AMBLING FANSHAW    So many things I miss - out in the wilderness like this. LEMUEL    What?  You got air and water.  Freedom.  What else you need? FANSHAW    [longing] Tea.  LEMUEL    There's tea all over.  But you cain't even-- FANSHAW    It's not the drink itself, it's the act - the ceremony, if you will, of taking tea.  Tea and crumpets.  LEMUEL    What on god's green earth is a crumpet? FANSHAW    It's a... a... rather like a muffin, but more... refined.  LEMUEL    So you want boiled leaves and a refined muffin?  Next town we roll into, I'll make sure and rustle y'up some. FANSHAW    You don't understand.  Tea is a symbol.  Sitting down to tea with someone - it represents refinement.  Civilization. SOUND    CREAK OF SIGN HUNG FROM TREE LEMUEL    Speakin o' civilization-- FANSHAW    [sarcastic]  Ah.  Yes.  I'm certain any town out here will be chock-a-block with tea and crumpets. LEMUEL    "Pickens Rock".  Makes me think of... FANSHAW    Slim pickings? LEMUEL    [agreeing] I reckon. 2  TOWN MUSIC SOUND    SLOW HOOFBEATS ON HARDPACK.  SLIGHT ECHO, EMPTINESS FANSHAW    Slim pickings, indeed.  No one appears to be in residence. LEMUEL    Don't look abandoned, though.  Ev'thing's shut up tight.  Mebbe there's a county fair or sumpin? FANSHAW    Possible, yes.  Oh, there's someone-- LEMUEL    Sir? GABBY    [drunk and confused]  Whaa-a-at? LEMUEL    I'm shore sorry to bother you, feller, but-- GABBY    h-h-hh- who are you? LEMUEL    --where is ev'body? GABBY    They's a-a-a-all just gone off to the hangin.  Who a-a-are y'all? LEMUEL    Which way?  [prompting] To the hangin'? GABBY    Follow the rud, as you're goin.  At the fork, take a-a-a-a left.  You'll hear 'em by then.  They's mighty worked up. FANSHAW    Lemuel, what are you thinking? LEMUEL    Tell me, old feller - who they fixing to set dancin? GABBY    Nice boy, thaa-a-at Lute Fowler.  Never woulda pegged him for a-a-a drygulcher. LEMUEL    Figgers.  We never end up nowhere, but they's an emergency awaitin us.  Come on.  [clicks to the horses] SOUND    HOOVES TAKE OFF FANSHAW    [calling back] Thank you very much! GABBY    [calling] D-d-d-ont mention it! 3  CROWD MUSIC SOUND    ANGRY CROWD SOUND    HOOVES APPROACH LEMUEL    Whoa, there. SOUND     HORSES PULL UP SHORT.  CROWD     QUIETS, THEN BUZZ STARTS FANSHAW    I can't wait to hear this. LEMUEL    [through gritted teeth] Shut up.  [voice raised]  I hear there's fixin to be a hangin? CROWD    BUZZ SHERIFF    [off, yelling]  Who's askin? LEMUEL    Y'ever hear of the Texas Rangers? CROWD    BUZZ!!!!! SOUND    PEOPLE MOVE, FEET APPROACH SHERIFF    [Coming on, suppressed fury, trying to be civil]  Well, now.  This is strictly local business.  We don't need no help.  But I do thank you for looking in on us. LEMUEL     That feller on the horse?  He's your - uh - SHERIFF    Duly tried and convicted murderer. LEMUEL    Lucky town, to have a judge handy. CROWD    BUZZ of MISGIVING LARKY    Well, we don't-- SHERIFF    Put a bit in it, Larky.  We didn't need no judge, ranger.  We got ourselves a confession. LUTE    [yelling, very hoarse] I never did-- [gulp as noose is tightened] HARP and MADDY    [scream and cry] LEMUEL    Funny.  That sounds like a denial t'me.  You do realize that without a judgment from a legal court o' law, this ain't no execution, it's a murder. CROWD    BUZZ, STARTING TO FALL APART. FANSHAW    Is it?  SHERIFF    I'm the law in this here town, friend.  I don't take kindly to you walkin in here and trying to cause a commotion. LEMUEL    I ain't tryin to do nothin of the sort, Sheriff.  I just don't want to see a lawman like yerself let hisself get swept up by a mob and, uh-- FANSHAW    --be forced to condone an injustice? LEMUEL    --be forced to condone an injustice.  I know how tetchy a mob can be, and I cain't rightly blame you for not wantin a try and face 'em down - but with me at your side, I reckon we could stand. SHERIFF    [furious, but trying to stay jovial]  Well, now.  I guess I'll thank you very kindly, and..... [long breath, calming self, then turns away to call out]  Good people!  As I have long maintained, we must wait for the proper authority to conduct this properly.  We'll keep Lute Fowler locked up in jail until the circuit judge comes through next month - just as we shoulda done from the start.  [back]  Larky, go get that - gentlemen - down and back to the jail. LEMUEL    That's right big of you, Sheriff.  Now I'd be mighty honored to help you with any little thing you might need, seeing as I'm in town for a while. SHERIFF    For a while?  How long? LEMUEL    Don' rightly know.  Depends on how long it takes me to find what I'm looking for. SHERIFF    What's that? LEMUEL    'fficial business.  Caint go into it. SHERIFF    Very well, then.  I've got to get back to town, see this varmint locked up tight.  [grits teeth]  Again.  SOUND    FOOTSTEPS STOMP AWAY FANSHAW    A Ranger?  You've never--? LEMUEL    Never said I was - just ast if they'd heered of 'em. FANSHAW    What happens when they demand to see your credentials?  I somehow think that things are not so different over here -  impersonating an official is bound to get you into hot water. LEMUEL    I'll cross that bridge when I get there-- HARP    Mister? LEMUEL    What?  Oh, hello l'il pardner.  Didn't I see you standin up front--? HARP    You saved my pa, din't you? MADDY    [yes] Uh-huh! LEMUEL    Now, I just saw that justice is done proper-like.  If he's proven guilty, then he deserves-- HARP    He din't do none of this. MADDY    [no] Uh-uh. LEMUEL    Do either of you gotta name? [teasing] or any manners? HARP    Sorry, sir.  We's just real upset, y'unnerstand?  I'm Harp Fowler, and this is my little sister Maddy - Madrigal. LEMUEL    Well, I tell you what, Harp.  And Maddy.  I promise I will look into the case.  That's all.  If your pa's innocent, then I'll find it out.  All right? HARP    I reckon.  Well, if you need any help or anything, you can find me at the Lazy H ranch, up Blackbird Gulch.  I can shoot a gun! LEMUEL    I'll keep that in mind.  Y'all get on now. FANSHAW    [musing] Harp, Lute, and Madrigal?  What would they have named the next child? MADDY    Viola if twas a girl.  Fortay for a boy.  That's what mama always says. HARP    [annoyed] Oh, c'mon. SOUND    SMALL FEET WALK AWAY FANSHAW    [shocked] I... say. LEMUEL    What? FANSHAW    That child - the little girl.  She's...  she spoke to me.  She heard me. LEMUEL    [sorry for the kid] Damn.  4  SCENE OF THE CRIME MUSIC SOUND    FEET ON ROUGH GROUND LARKY    Just about here, I spect.  LEMUEL    Thankee kindly. LARKY    Whatchoo specting a find?  Lute kilt the Jenkins boy nigh on a week ago, and it's rained since. RAFE    Hello?  You lookin fer me? LEMUEL    Jest tryin to get a feel fer whut happened.  [beat] I kin find my own way back to town. LARKY    I'd be right pleased to get a chance to observe a real Ranger at work.  I won't make no bother.  LEMUEL    [reluctant]  Fine. RAFE    Hey, I'm over here. FANSHAW    [whisper] Keep him busy.  I'll see what I can find out. LEMUEL    [thinks, then] Where'd you say you thought the shooter was? RAFE    Shooter?  What shooter? LARKY    Up thissaway. SOUND    FOOTSTEPS OFF RAFE    [calling] Hey!  Fellers! FANSHAW    Hold on there. RAFE    What you want?  FANSHAW    My apologies sir, but I'm afraid I have some rather bad news for you.  RAFE    Why you talk like that? FANSHAW     There's no kind way to say this.  [sigh]  I'm afraid you are dead. RAFE    Dead?  What're you, then, an ayngel? FANSHAW    Oh!  No.  We - that gentleman over there and I - are trying to find out what happened to you. RAFE    How come he ain't askin me hisself? FANSHAW    Well, he would - but that fellow with the colorful name "Larky" would probably find it odd. RAFE    I... guess I see.  Tsch.  Dunno what I can tell you - I guess I really didn't even ... yet... FANSHAW    Realize that you're dead?  It's not uncommon, I fear. 5  OUTHOUSE MUSIC SOUND    WOODEN DOOR SWINGS SHUT LEMUEL    [quiet]  Where in hell are you, Fanshaw? FANSHAW    [shocked, muffled] Lemuel!  Don't you prefer some privacy? LEMUEL    [quiet] Consarn it, ya ninny.  That Larky is on me like a tick on a tinhorn.  I figgured this is the only way to get out from under him. FANSHAW    Well, I hope it's a two-seater.  [coming on]  Rafe didn't see anything - he was ambushed.  Shot in the back. LEMUEL    I got sumpin more important.  This. SOUND    SOMETHING PULLED OUT OF A POCKET FANSHAW    A badge? LEMUEL    A ranger's badge, and I surely didn't whittle it myself.  Someone slipped it inta my pocket.  I'm thinkin it musta been in that crowd at the hangin - only time anyone but Larky's been near enough.  Don't reckon you saw nothin'? FANSHAW    Terribly sorry, but no.  No one that stood out. LEMUEL    Seems the coach line here sees enough traffic that there's more'n a few strangers in town.  I couldn't poke much more'n that. FANSHAW    But who could have given that to you, and why? LEMUEL    How's this fer a guess - there's a ranger, here in town, and he don't want no one to know who he is. FANSHAW    But to give his badge away? LEMUEL    I'm figgurin he 'preciated my stoppin the hangin and dint want them fellers to find out I weren't no ranger and start the whole thing up again.  Jest acause he's hidin out don't mean he thinks we don't need no ranger in town. FANSHAW    [slight exasperatd sigh] Perhaps if you could get away from this Larky fellow, the real ranger would make himself known to you. LEMUEL    I'll see what I can do. 6  BRIGHT AND EARLY MUSIC SOUND    WINDOW SLIDES UP, CIGARETTE LIT AMBIANCE    EARLY MORNING NOISES LEMUEL    [blows out a long breath] SOUND    SOFT RAPPING AT THE DOOR SOUND    CHAIR SQUEAKS, A COUPLE OF BARE FOOTSTEPS, A GUN SNATCHED UP OFF A TABLE LEMUEL    [quiet] Yup? HARP    [whispered through door]  I needs to talk to you, Ranger. LEMUEL    [not quite being funny] You strapped? MADDY    [muffled giggle, through door] HARP    Shh.  [very serious]  Nope.  I come peaceable.  LEMUEL    All right then.  Come on. SOUND    DOOR OPENS CAREFULLY AND QUIETLY, SMALL FOOTSTEPS ENTER, DOOR SHUTS AMITY    Thank you kindly, sir. LEMUEL    [a bit surprised] Um.  Y'all have a seat? SOUND    CREAK OF WOOD HARP    You rangers see a lot of strange stuff, dontcha? LEMUEL    Strange how? HARP    My sister is a might tetched. MADDY    I ain't. HARP    She ain't rightly crazy, just thinks she sees folks as has gone and passed away.  MADDY    Where's your friend? LEMUEL    He- he'll be-- HARP     [to Maddy] Oh, hush.  Men're talkin' here. AMITY    They grow up so fast. LEMUEL    One thing rangers always do, fella, is get to the point.  You can't shock me, so come on. HARP    My sister says our dead momma is following us around to look after us [clears his throat as he tries to avoid breaking into tears] while our pa is in the hoosegow.  AMITY    I really tried to teach them to speak better, sir.  HARP    Maddy also says-- MADDY    There he is! FANSHAW    Is... this a party? LEMUEL    Ah, hell.  [comes to a decision]  Look, I'm gonna tell you the whole truth, but you can't let no one else hear this.  Swear? HARP    On my mama's grave. MADDY    That's not fair - she's right here. AMITY    It's all right, sweetheart.  You promise too. MADDY    All right, I promise too. LEMUEL    We gotta talk quiet.  Make sure no one hears. HARP    [avid]  All right! LEMUEL    I ain't never told no one alive what I'm about to tell you, and I can offer you proof, afore you go off thinkin I'm foolin wit'cha, here. HARP    I'ud never think you'us foolin. LEMUEL    Firstly, I ain't a real ranger.  It was the only thing I could think of t'say t'stop the hangin.  See, I'm being plumb truthful here, now. HARP    [hopes dashed] Not a ranger? LEMUEL    Sorry, son, I'm just plain Lemuel Roberts - retired gunslinger.  FANSHAW    He used to be the Deadeye Kid. MADDY    You were the Deadeye Kid? HARP    How you know that? LEMUEL    My pal Fanshaw just told her. HARP    Who?  What's agoin on? LEMUEL    Lissen t'me, your sister aint tetched a'tall. She's ... like me.  Whether it's a blessin or a curse, we both see and hear "them as has passed on". HARP    'Zat mean our mama's truly here? LEMUEL    Is your mother a tall woman with big hands, a long plain face and a real sweet smile? HARP    [suddenly a small child] Momma? AMITY    I'm always with them both.  But Maddy will have to be the one to speak fer me. LEMUEL    Ma'am.  I spect you know there's a reason you're here? AMITY    Doesn't everyone remain after their clay has returned to dust? LEMUEL    I reckon the world would be an awful crowded place if t'were the case.  I found it's mostly just them with unfinished business that stay tethered.  AMITY    And my business--? FANSHAW    If I ain't mistaken, ma'am, they's sittin right here. AMITY    [laughs]  You're a very perceptive man. MADDY    [yes] Uh-huh! HARP    [sniffles, then gets down to brass tacks] So my sister ain't crazy.  Well, that's right fine, but howzit gonna help clear our pa? AMITY    He didn't do it, you know.  I was with him all night, as I always am, but I doubt I could be very credible as a witness. LEMUEL    [mildly amused] No, ma'am.  Spect not.  Harp, from everything I've heard, your pa's innocent, but I'm better off trying to find out who done it than trying to prove he din't.  What you know that I might not'a heard yet? HARP    Well, Rafe was dry-gulched around dusk, six days back.  My dad was at home.  LEMUEL    Why'ud the sheriff think your pa'ud done it? HARP    He wooden! MADDY    They's all sayin pa kilt Rafe cause Rafe assid--  assud-- AMITY    Accidentally. MADDY    Assidentally kilt our ma.  His cart run her down when he lost control o' his team.  AMITY    It was an accident, and Maddy and I have assured Lute of that, best we could.  Even if I didn't already know where he was all night long, he would never have hurt that poor boy. HARP    I believe Maddy.  And... and [almost breaking up] ma. LEMUEL    [sincere] Faith is a grand thing, son.  Don't you never lose it. HARP    Faith ain't gonna hep save our pa.  What can we do to hep you? LEMUEL    Is there anyone else in town might have a grudge against this fella Rafe? HARP    Nope.  He'us a nice feller.  His folks got the big spread up to the plateau. LEMUEL    Any other kin likely to get money if'n he died? HARP    I don't rightly know - reckon his folks are well off, and he got him four brothers, but they're all regular church-going folks - none'a them'ud do that. AMITY    [whispering] tell them about Meg. MADDY    Rafe was courting Meg Pickens.  Her folks own half the town.  [whispering] I saw 'em kissin once. HARP    Ew.  LEMUEL    And someone shot this poor feller, who everyone liked, in the back. 7  MEG MUSIC AMBIANCE    BUSY WESTERN STREET SOUND    BOOTS ON WOODEN SIDEWALK LEMUEL      [talking low] Looks like I need to scout the road out of town, figger out where they plan their ambuscade. FANSHAW     Ambuscade?  I'm impressed. LEMUEL    Pshaw.  I was thinkin-- MEG    [challenging]  Are you the Ranger? LEMUEL    [sigh] I spect I'm the one you're lookin fer.  And you are? FANSHAW    She appears to be in mourning - did Rafe have any sisters? MEG    I'm Meg Pickens, and you're the one who stopped the hanging of the ki-yote who killed my ...  [breaking a bit]  my beau. FANSHAW    Ah, the sweetheart. LEMUEL    You so sure Lute'us the right man?  I hate to orphan no children without being dead certain. MEG    Everyone knows he did it - he blamed Rafe for the accident that took his Amity! LEMUEL    Lute's children said he never spoke a harsh word agin the boy. MEG    Of course they'ud say that. LEMUEL    Now, miss, I won't never say that children ain't known to lie from time to time, but they don't, if y'understand, always know what lies t'tell.  MEG    I don't take your point--. LEMUEL    If'n I ast them if their pa killed the man, shore they'd say no, cause even if'n it was true, they'd know that was the right lie to tell.  But I ast if their pa ever had harsh words agin your feller, and they said no - he was powerful torn up over their ma's passin, and was angry the boy lost control, but he never said it were no one's fault but providence. MEG    [softening] He never did? FANSHAW    Nottingham approacheth. LEMUEL    Eh? FANSHAW    My apologies - the sheriff. SOUND    BOOTS ON WOOD SHERIFF    [coming on] Ah, Ranger.  [smarm] Meg, my dearest girl.  You know I have nothing but sympathy for your loss. FANSHAW    Nothing?  The old letcher, he's practically salivating. MEG    Thank you kindly, sheriff Mortimer. SHERIFF    Can't you call me Henry? FANSHAW    It's rather like a wolf and a lamb. MEG    [disturbed] It really isn't appropriate, Sheriff.  I -- I just have... so much respect for your office. LEMUEL    I was just explaining to [slight emphasis] Miss Pickens here that I am just as het to see Rafe Jenkins' killer hung as anyone, but the law allows every man a proper trial, and you and I both, we're sworn to that law. SHERIFF    [nearly a growl] O'course.  Nothin's more important than the law. LEMUEL    Yep. MADDY    [off]  Psst. FANSHAW    What?  Oh.  I'll see what she wants. SHERIFF    Whuzzat?  Oh, the brat-- [grinds out] little Fowler child. MEG    I do feel sorry fer her.  If her father's a murderer and all. SHERIFF    If?  [anger rising] If?  A'course he's a murderer.  I wooden'a put him away if'n he weren't! SOUND    LITTLE FEET RUN AWAY MEG    [gasp, afraid] Sir!  Sheriff!  I understand you feel strongly about this-- SHERIFF    I'm shore sorry to let you see me in a pet like that.  [deep breath]  Last thing I'd ever want to do is show you the rough edge of my temper, Meg. LEMUEL    Sheriff, I'll take my leave, if'n you don't mind.  [goodbye] Miss Pickens. SOUND    BOOTS ON WOOD FANSHAW    You shouldn't leave her alone with him. LEMUEL    I wooden if they'us inside, but there's folks out and about here.  FANSHAW    That look in his eye - I would swear he's barely human. LEMUEL    Ayep.  You thinkin we just mighta seen the start of all this ruckus? FANSHAW    The sheriff?  You think he--?  Over the girl--?  Oh.  That is a sticky wicket, indeed. 8  SALOON MUSIC AMBIANCE    SALOON SOUND    BOOTS APPROACH MEN AT TABLE SHERIFF    Gimme three. SOUND    CARDS BEING DEALT KENTUCKY     And you? LARKY    Nothin' - no, wait.  Uh, one. SOUND    CARDS LEMUEL    Sorry, I thought this was dinner. SHERIFF    Will be shortly, Ranger.  Care to sit in for a coupla hands? LEMUEL    Don't mind if I do.  SOUND    SCRAPE OF CHAIR KENTUCKY    We'll just finish here first.  Won't be long.  Call? SHERIFF    Three tens. LARKY    Damn. SOUND    CARDS TOSSED DOWN OTHER MEN    [grumbling] SOUND    MORE CARDS, COINS, ETC. SHERIFF    And you, Kentucky? KENTUCKY    [sucks his teeth, then] Weeellll.  I've got two Jacks. SHERIFF    [chuckles avariciously] KENTUCKY    And three queens. SOUND    CARDS LAID DOWN SLOW AND TRIUMPHANT SHERIFF    What?  LEMUEL    I believe that makes a full house. SHERIFF    [furious!]  Cheater!  Sharp! KENTUCKY    I did not--! SOUND    TABLE FLIPS, CARDS, MONEY, GLASSES, FALL TO FLOOR SHERIFF    We don't hold with cheatin in this here town! KENTUCKY    I assure you-- SOUND    PUNCH, THEN A GRAB, and a SWING THAT MISSES LEMUEL    Sheriff, I reckon you need ta calm down.  SHERIFF    [spluttering]  That bastard--! LEMUEL    Larky, take your boss here and get him a shotta whiskey - I'll search this feller, and if he's holdin out, well then I'll arrest him. LARKY    [trying to be brave, but frightened] C'mon boss. LEMUEL    Up you come.  [grunts as he helps K up] KENTUCKY    [groans]  I think he broke my nose. LEMUEL     [amused] Musta been a good pot. KENTUCKY    Not more than ten dollars.  [long juicy sniff, grunt of pain]  You that ranger? LEMUEL    That's got around, eh? KENTUCKY    Hard not to, town like this.  I assure you, sir, I was not cheating.  Frankly, it's hardly necessary against players who... well, aren't particularly skilled. SOUND    RUSTLE OF CLOTHING LEMUEL    I'll check your sleeves and pockets anyway, just so's they don't think you're talkin your way past me. KENTUCKY    I appreciate that. SOUND    RUSTLING OF CLOTHING, PAT ON THE BACK LEMUEL    Well, that's it - nothin.  Now I'll go see if the Sheriff's still colicky.  I'm thinkin you should get while the gettin's good.  SOUND    DRINK POURED, GULPED [SHER], GLASS SLAMMED DOWN ON BAR LARKY    Boss!  He's comin. SHERIFF    [slurry drunk] I'm gon kill him.  Ranger or not, he'll still bleed red. LARKY    Shh.  Only works if he don' know it's comin.  [up] Ranger!  You let him go? SHERIFF    What? SOUND    SCUFFLE AS SHERIFF TURNS FROM THE BAR AND ALMOST FALLS LEMUEL    He wasn't holdin.  I convinced him to take his stake and go.  You'n yer men can go and collect your own - it's all still there on the floor. FANSHAW    Lem, that sheriff person is making no secret of his plans to assassinate you. LEMUEL    [accepting] Mm.  [up to the men] I'm thinkin I'll grab some grub and turn in - even rangers can only take so much excitement in a day. SHERIFF    [dark] Reckon so.  SOUND    FOOTSTEPS AWAY LARKY    Not in the hotel, boss.  SHERIFF    [snarls] How dare you? LARKY    Sir, I mean - woodenit be better to get him on his way outta town?  Then everyone'll know he was fine when he left - won't blame you - I mean, us.  SHERIFF    [grunt] FANSHAW    Despicable blackguards. 9  SHERIFF'S OFFICE MUSIC AMBIANCE      WESTERN STREET, MORNING SOUND    FOOTSTEPS ON WOODEN SIDEWALK, SOUND     SECOND PAIR OF FOOTSTEPS TROT UP LARKY    [coming on, puffing a bit]  Hey, ranger! LEMUEL    [muttered] Ah hell. LARKY     You headin to Sheriff's office?  Me too.  Messenger just come in, said the circuit judge'll be here two-three days at the outside.  Good news eh?  Lute can have his trial, then I reckon the town can have its hangin. LEMUEL    [muttered] Consarn it. LARKY    Whassat? LEMUEL    Come on. MUSIC SOUND    DOOR OPENS, WALK INTO OFFICE LARKY     Hey Jeb!  Sheriff in? JEB    Uh, no - he's off to look on on Meg Pickens.  He said he's worried cause her folks are away. FANSHAW    Oh, that's not good.  That young lady will be defenseless. LEMUEL    [snort of agreement, trying hard not to sound anxious]  How long ago did he leave?  We might could catch him up? JEB    Oh, round half hour ago, but I figgered he'd stop home to, uh, spruce hisself up a bit.  He's plumb sweet on that li'l lady. LARKY     That he is. LEMUEL    Larky, you kin show me how to head him off? LARKY     Cain't it wait til tomorra?  I sorely doubt that this would be a good time t'interupt him.  LEMUEL    I - I found sumpin he needs to see.  It'd prove Lute's case. LARKY     Hmm.  Sheriff'll be happy to hear that.  Make the judge's job real easy. LEMUEL    [level but forced] Get me to him. A1  RIDING OUT MUSIC SOUND    HOOFBEATS, TROTTING LARKY     He ain't gon' thank you, and he ain't gon' be best pleased with me, neither. LEMUEL    I don't care a whit for whether he's pleased or not.  Whoa! SOUND    HORSES PULL UP LARKY     What? LEMUEL    Whassat? LARKY     Where? LEMUEL    [irritated] Over there.  Lean this way.  See?  SOUND    THUMP ON HEAD LARKY     augh! SOUND    BODY SLOWLY LOWERED OFF HORSE TO GROUND, CRUNCHES ON GRASS LEMUEL    Cain't have you behind me Larky, old hoss.  FANSHAW    Leveled the playing field, I see.  You should take his horse - in case he recovers quickly. LEMUEL    Thick skull like that, he jest might. A2  SHOWDOWN_1 MUSIC SOUND    HOOVES, WALKING SOUND    HOOVES APPROACH QUICKLY LEMUEL    [coming on]  Sheriff! SHERIFF    What the blue blazes?  You?  What in hell do you want? SOUND    SECOND PAIR OF HOOVES SLOWS LEMUEL    Lute Fowler's escaped! SHERIFF    What! SOUND    HORSE REINS UP, SECOND HORSE REINS TOO SHERIFF    That sheep-loving son of a bitch!  I knew he'd try somethin. LEMUEL    I figgured this'd be worth trackin you down for.  I got a hunch tells me where he might go, as well. SHERIFF    Really?  LEMUEL    You and me, we can take him down. SHERIFF    [evil realization]  You and me?  Ye-e-e-es. MUSIC SOUND    HORSES SLOW, THEN STOP LEMUEL    We'll have to leave the horses.  Cain't let him hear us. SHERIFF    [sly] Course not. SOUND    CREAKS AS THEY DISMOUNT SHERIFF    Show the way. LEMUEL    Stay here fr'a minute. SOUND    RUNS OFF THROUGH BUSHES SHERIFF    [fading off] Whatever you say, [dangerous] ranger. FANSHAW    Maddy told me of a big rock just over that rise.  Quickly now - you'll want cover.  He's rather agitated. LEMUEL    [snort]  SOUND    BUSHWHACKING STOPS LEMUEL    [calling]  Lute?  Lute Fowler? SHERIFF    [off, deliberately calling weakly] He there? You hear him? SOUND    STEALTHY MOVING THROUGH BUSHES LEMUEL    Shh! FANSHAW    He's closing on you.  He moves awfully quietly for a big man. SHERIFF    [almost a whisper, trying to sound farther away than he is]  Ranger? FANSHAW    Are you going to shoot him? LEMUEL    I - No. FANSHAW    What? SOUND    MOVEMENT STOPS, THEN SUDDEN NOISE AS LEM TURNS TO FACE THE SHERIFF LEMUEL    Y'coverin me, or fixin to shoot me in the back, Sheriff? SHERIFF    [tries to laugh it off] Lute's a desperate man.  Surprised you're still in leather. LEMUEL    Lute ain't here.  It's jest you and me. SHERIFF    Eh?  If you're plannin to plant me, boy, you shoulda thought twice.  Only gun to hand right now is mine. SOUND    TWO STEPS FORWARD LEMUEL    [calm and even] I see that.  And I know you can shoot a man in the back.  But that - uh - shake t'yer hand says maybe you cain't look me in the face and do it. SHERIFF    I can do anything I please.  No one'll even ask once you're gone. LEMUEL    Oh, there's a couple.  You think any ranger'd be fool enough to come out here without a man t'watch his back? SHERIFF    What I've seen from you, I ain't much impressed with rangers. LEMUEL    Huh.  Well you gonna shoot me or what? SHERIFF    I... will.  You gonna give me a reason? LEMUEL    Nope.  I'm figgurin you'll show yellow til you get riled 'nuff.  So I don' plan to rile you none. SHERIFF    [flash of anger] Yellow? LEMUEL    Rafe'us unarmed, barely old enough t'shave, and still you hadta shoot him in the back.  That says yellow louder than-- SHERIFF    [screaming]  Yellow!  I'm the damn sheriff!  The Sheriff I tell you! HARP    [screams from off]  Sheriff! SOUND    GUNSHOT GOES WILD SOUND    BODY HITS GROUND, ROLLS A BIT FANSHAW    Lemuel?  Lemuel? SOUND    GUNSHOT FROM FAR AWAY SHERIFF    Argh! A3 SHOWDOWN 2 LEMUEL    [spitting gravel, annoyed]  I'm fine. SOUND    BODY HITS GROUND FANSHAW    But that shot? LEMUEL    Well I was biting dirt, so I din't rightly see. HARP    Ranger!  Get up!  He's a-coming! SOUND    SLOW FOOSTEPS ACROSS HARD GROUND SOUND    SCUFFLE AS LEM TURNS TO FACE NEWCOMER LEMUEL    Well.  You do have a thick skull, don'tcha? SOUND    A COUPLE MORE SLOW STEPS, THEN LARKY    [chuckles, then sounding a lot less stupid and rough than before]  Good thing too.  You pack a wallop. FANSHAW    The sheriff is still breathing. LEMUEL    What happens now? LARKY    You hit the ground pretty hard.  Need a hand up?  LEMUEL    [beat] I - I'm a mite confused now. LARKY    I think you have something of mine. LEMUEL    What? SOUND    RUNNING FEET APPROACH HARP    You stop right there, Larky!  SOUND    COCKING OF HAMMER ON GUN LEMUEL    [getting it] I - I think it's all right Harp.  Slowly now, let that hammer down. HARP    But he's one o' them that railroaded my pa! LARKY    I'm truly not-- LEMUEL    Harp, don't be loco.  He's the one goes with this-- SOUND    SOMETHING PULLED OUT OF POCKET LEMUEL    Ain't you, Ranger Larky? A4 RANGER MUSIC AMBIANCE    BACK IN THE HOTEL LARKY    You understand why I couldn't do anything - if I came forward, I would have wasted months of work, getting myself next to the Sheriff.  But-- LEMUEL    I still don't see-- LARKY    Hold on!  I swear to you, though, I would not have let Lute Fowler get hung just to keep my cover.  You came in at the nick of time. LEMUEL    Reckon we're even now.  LARKY    Reckon we are.  So where you off to? LEMUEL    Spect I don' know no more 'bout that than you do.  I jest... drift.  LARKY    Ever consider takin up the star? LEMUEL    [surprised] Me?  A ranger?  I don' think so. LARKY    And why not?  Takes grit, and you have that by the cartload. LEMUEL    I don't reckon I'd take to havin t'answer t'anyone.  LARKY    [chuckles] None o'us do.  But it ain't so bad when it means you got someone at yer back.  [long beat]  You'll let me know if'n you change yer mind? LEMUEL    You'll be the first. A5 TEA  MUSIC SOUND     PACKING THINGS INTO A RUCKSACK AS LEM TALKS LEMUEL    Now you don' forget-- MADDY    I don't never talk to no one in public less'n my brother talks to 'em first. LEMUEL    Yup.  And? MADDY    And if anyone catches me talkin to myself, I says I'm tryin to recall my lessons, and not that I's talking to dead folks. LEMUEL    That'll take you far.  You be careful, now. AMITY    Don't forget what you brought. LEMUEL    And what's 'at? MADDY    [remembering] Oh!  [grunt as she moves something heavy] SOUND    BASKET SET ON TABLE, CHAIR SQUEAKS LEMUEL    What... is it? MADDY    You sit on down, now.  Where's Mr. Fanshaw? SOUND    CHAIR SQUEAKS LEMUEL    [calling] Fanshaw! FANSHAW    [off, coming on] Eh?  What? SOUND    THINGS BEING TAKEN OUT OF THE BASKET AND SET ON THE TABLE MADDY    You sit rightchere. AMITY    [promptin] On my left. MADDY    [importantly] On my left. FANSHAW    [slowly realizing] Oh! LEMUEL    What? MADDY    Mama, you'll have a seat on my right? AMITY     Thank you kindly. SOUND    CLATTER OF PORCELAIN LEMUEL    Will someone please explain? MADDY    Would you like one lump or two, Mr. Lemuel? AMITY    [prompting] Mr. Roberts. MADDY    Mr. Roberts. LEMUEL    One lump of what?  I hate to tell you, child, but them plates and bowls is all empty. FANSHAW    [prompting] That's not the point, Lem.  Say One lump, no milk. LEMUEL    I ain't sayin-- aw, heck.  One lump no milk. SOUND    RATTLE OF PORCELAIN, CHING OF METAL ON CUP MADDY    And you, Mr. Fanshaw? FANSHAW    Oh, I would simply adore two lumps, and just the slightest bit of milk.  And are these biscuits? MADDY    No.  They's cookies.  I made 'em my self. FANSHAW    Well, they look delicious.  May I? MADDY    [giggles] You go on ahead now.  They's plenty where that come from. LEMUEL    But there ain't--  What is it?  What is all this folderol? FANSHAW    Why Lem, it's -- tea! MUSIC END

This episode is from the article by Jonathan Bretner The Sound of Approaching Hoofbeats — Jonathan Brentner  

Horse lovers of every age will love meeting three highly-skilled horsewomen of different generations and very different riding disciplines. Michelle Conrad, dressage; Sarah Mauzey, western performance; and Caroline Berg, hunter/jumper were all little girls who loved horses and have found ways to keep these magnificent spirits in their lives. This episode will inspire horse lovers of any age to answer the call of the hoofbeats in their hearts. 

Ruby Buckaroo, The Bandit Queen of the Cowboys, collapses from a mysterious illness. Traveling showmen Doc Blister and Colonel Charles Tucker Bucket provide a questionable diagnosis – that it's a reaction to Marshal Shiloh Brown, who is contagious with “Hoofbeats in His Heart.”

Join Joey and Caitlin as we journey through the Lord of the Rings, horse by horse. If you have questions about horses or anything LOTR-related, send them to us at shadowfactspod@gmail.com! This episode covers Return of the King, the film, from mm03:40:15 to THE END. We will be publishing at least one more episode after this to wrap up, with some possible bonus content before that, so stay tuned! Police brutality and broader issues of racism have not ended. Please find ways to participate/contribute to the abolition of policing and prisons as you are able. Also check out this document for a few resources on racism in fantasy:  https://docs.google.com/document/d/11ExziJbBteK8eJn9xgrjm17P23Vg_Ucm8rAyYAkm9yc/edit?usp=sharing   Find us on Twitter:  @shadowfactspod @celloandbehold @joeytheprince Cover art: Annie Johnston-Glick (@dancynrew) Music: Horse by Horse, a medley of "Concerning Hobbits" and "The Ring Goes South" composed by Howard Shore, arranged by Caitlin Lukin and performed by Caitlin Lukin and Joey Rose Rysen. Other sounds:  "Horse Whinny, Close, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org "Hoofbeats, wood on cardboard" by Joey Rose Rysen

How can a former rider living in a busy city connect with the animals that helped shape her? Find out in this episode of Barn Stories. This episode is brought to you by 5/A Baker. The 5/A Baker brand has been around for 156 years and the feel of a Baker blanket is like no other on this earth. The quality is second-to-none and the durability is tough as nails. To view the full product line, visit BakerBlanket.com or head to Jacksmfg.com to find a retailer near you. The Barn Stories podcast is made with you, this listener, in mind. So we'd like to get to know you better! Help us deliver you the best content by filling out our survey. See acast.com/privacy for privacy and opt-out information.

Joyce Gioia CMC®, CSP, FIMC and CEO of The Herman Group of Companies and author of the forthcoming book: Experience Rules: How Positive Experiences Will Drive Profit into the Future. A World-Class Speaker and Futurist, her weekly Herman Trend Alert is read by almost 30,000 people in 91 countries. Joyce writes regularly about the workplace and what companies and workers must do to be successful in our turbulent times. Email: joyce@hermangroup.comAnthony Pomes has worked steadily as a freelance writer/editor and frequent ghost writer for more than two decades. He is presently the vice president of marketing/sales/PR for Square One Publishers, and has worked as research editor on a number of books including a series of trivia titles with showbiz legends Fred Willard, Dick Van Patten, and Joe Franklin together with former Monkees singer/actor Micky Dolenz. He has had the honor of naming a book Taking Woodstock by Elliot Tiber and Tom Monte - a book that then became an acclaimed 2009 feature film from two-time Oscar winning director Ang Lee. https://www.squareonepublishers.com/Edwin Wald is a veteran actor, director, designer, composer, voice and dialect coach has performed in more than one hundred theatrical productions. As a voice actor, he has also brought to life many characters for the renowned Kathy Burks Theatre of Puppetry Arts, and Dallas Puppet Theatre. Edwin voices Marshal Shiloh Brown, and others, in the hilarious, “old-time-radio-style-musical-western” podcast, Hoofbeats in my Heart. He is a proud member of SAG-AFTRA and Actors' Equity Association. https://waldaudio.com/

Join Joey and Caitlin as we journey through the Lord of the Rings, horse by horse. If you have questions about horses or anything LOTR-related, send them to us at shadowfactspod@gmail.com! This episode covers chapters 7 through 9 of Book 6 (aka THE LAST THREE CHAPTERS). Next episode will cover a TBD section of the film! Police brutality and broader issues of racism have not ended. Please find ways to participate/contribute to the abolition of policing and prisons as you are able. Also check out this document for a few resources on racism in fantasy:  https://docs.google.com/document/d/11ExziJbBteK8eJn9xgrjm17P23Vg_Ucm8rAyYAkm9yc/edit?usp=sharing   Find us on Twitter:  @shadowfactspod @celloandbehold @joeytheprince Cover art: Annie Johnston-Glick (@dancynrew) Music: Horse by Horse, a medley of "Concerning Hobbits" and "The Ring Goes South" composed by Howard Shore, arranged by Caitlin Lukin and performed by Caitlin Lukin and Joey Rose Rysen. Other sounds:  "Horse Whinny, Close, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org "Hoofbeats, wood on cardboard" by Joey Rose Rysen

Equine-led growth resonance healing coach, Gloria Lybecker, joins Dr. Pamela in a conversation about Family Constellations Work with Horses. This work looks beyond quantum mysticism and includes morphic resonance as a systems therapy and existential phenomenology. This three-dimensional healing process takes on new meaning when horses enter the equation. Listen and learn more about how Constellations Work with Horses helps break patterns that no longer serve us along with the energy field that contains memories and specific energies of a group. We know the healing power of horses-constellations with horses takes healing to another level for releasing challenges, dysfunctional family patterns, and barriers. For more information about Gloria Lybecker and Constellations Work with Horses visit: www.healingyousanctuary.com/constellations Pamela L. Maynard, PhD is "The Passion-Driven Equinologist." She has dedicated her life to the horse! Dr. Pamela helps devoted horse owners—who are beyond frustrated—support their horse's overall quality of life through supplementation and natural approaches to horse care. As a writer, podcaster, women's circle facilitator, and intuitive wellness practitioner—she has been called a human-equine translator, mystic horsewoman, and a crazy horse lady. Along with her non-conventional ways of woo-woo horse care, Dr. Pamela wholeheartedly believes that our health is interconnected with the health of our horses. Join Dr. Pamela in her arena and go for a ride down the path of inner health practices, Riding After 40, Woo-Woo Horse Care and more! Listen to the Conscious Hoofbeat Podcast on: https://anchor.fm/conscioushoofbeat Apple Podcasts, Spotify and Google! Schedule your FREE 30-minute Preventive Equine Health & Wellness Strategy Session at: www.conscioushoofbeat.com … [The Healing You Method - Episode 145] #TheHealingYouMethod

What's your comfort level with managing hyponatremia and how does it change in unfamiliar environment? How can you vary your practice to build up adaptive exerptise? Show notes, Transcript & References:  https://www.coreimpodcast.com/2022/01/26/hoofbeats-consult-case/ Get CME-MOC credit with ACP: https://www.acponline.org/cme-moc/cme/internal-medicine-podcasts/core-im Time stamps01:36 Case10:42 Case analysis 22:45 An unfamiliar domain25:50 Lab review40:04 ConclusionsTags: IM Core, CoreIM, hyponatremia, preeclampsia, reasoning, adaptive expertise, situational awareness

Hour 3 - Gunsmoke, originally broadcast October 7, 1956, The Gambler. Also The Lone Ranger, originally broadcast October 7, 1945, Hoofbeats to Arizona

Catherine Plano is here today with Joanne Verikios. Joanne Verikios is an accomplished author, trusted health and lifestyle consultant, experienced horse breeder and trainer, award-winning athlete, speaker and successful real estate investor. Having received her first pony at the age of nine, Joanne's earliest ambition in life was to be a bareback horse rider in a circus. Although she never ran off to join the circus, after working her way through the Pony Club ranks, she earned the qualification of Pony Club instructor at the age of sixteen. One of the many highlights of her early riding career was being a member of the Downs Pony Club team that won the Duke of Edinburgh Pony Club Games Championship in 1972. While working at the Australian Public Service, Joanne qualified for an Australian Owner Trainer Permit to train and race Thoroughbreds. She also pursued her love of horses by founding the Highborn Warmblood Stud, where she was Stud Manager for sixteen years. The horses Joanne bred went on to win both under saddle and in breed classes, including Royal Show Championships. They included the stallion, Highborn Powerlifter, who passed Colt Selection and Performance Testing with flying colours. In addition to serving on several horse sport committees and officiating at many shows and events, Joanne is a past Federal President and Federal Registrar of the Australian Warmblood Horse Association, which she continues to serve as a Classifier and Classifier Trainer, Judge and Judge Trainer and National Assessment Tour Australian representative. In recognition of her outstanding contribution and commitment to the Association for over 30 years, Joanne was granted Honorary Life membership in 2015. Joanne was also an Australian Powerlifting Champion, holding State, National, and Commonwealth records. Twice, Joanne represented Australia at the Women's World Powerlifting Championships and was ranked seventh in the world both times. In peak condition, Joanne was able to deadlift more than triple her bodyweight. Her feats of strength are recorded in the 1989 and 1991 Guinness Book of Records with Australian Supplement. Joanne has published articles in many equine publications including Hoofbeats, Horsezone, Horses & People, The Horse Magazine, Australian Horse and Rider Yearbook, and Hoofs & Horns. She has also published articles in several recreational and sports magazines, including Bellydance Oasis, SPORTZlife, and The Pump. Find Out More About Joanne Verikios Joanne's Website Winning Horsemanship on Facebook Joanne Verikios on Facebook Joanne on Twitter @lifestyletolove Joanne Verikios on Instagram @winninghorsemanship Joanne on LinkedIn Joanne at USANA Are you ready to be inspired? Tune in to this powerful conversation! Interviewed by: Catherine Plano Subscribe: iTunes | Stitcher | RSS

Catherine Plano is here today with Joanne Verikios. Joanne Verikios is an accomplished author, trusted health and lifestyle consultant, experienced horse breeder and trainer, award-winning athlete, speaker and successful real estate investor. Having received her first pony at the age of nine, Joanne's earliest ambition in life was to be a bareback horse rider in a circus. Although she never ran off to join the circus, after working her way through the Pony Club ranks, she earned the qualification of Pony Club instructor at the age of sixteen. One of the many highlights of her early riding career was being a member of the Downs Pony Club team that won the Duke of Edinburgh Pony Club Games Championship in 1972. While working at the Australian Public Service, Joanne qualified for an Australian Owner Trainer Permit to train and race Thoroughbreds. She also pursued her love of horses by founding the Highborn Warmblood Stud, where she was Stud Manager for sixteen years. The horses Joanne bred went on to win both under saddle and in breed classes, including Royal Show Championships. They included the stallion, Highborn Powerlifter, who passed Colt Selection and Performance Testing with flying colours. In addition to serving on several horse sport committees and officiating at many shows and events, Joanne is a past Federal President and Federal Registrar of the Australian Warmblood Horse Association, which she continues to serve as a Classifier and Classifier Trainer, Judge and Judge Trainer and National Assessment Tour Australian representative. In recognition of her outstanding contribution and commitment to the Association for over 30 years, Joanne was granted Honorary Life membership in 2015. Joanne was also an Australian Powerlifting Champion, holding State, National, and Commonwealth records. Twice, Joanne represented Australia at the Women's World Powerlifting Championships and was ranked seventh in the world both times. In peak condition, Joanne was able to deadlift more than triple her bodyweight. Her feats of strength are recorded in the 1989 and 1991 Guinness Book of Records with Australian Supplement. Joanne has published articles in many equine publications including Hoofbeats, Horsezone, Horses & People, The Horse Magazine, Australian Horse and Rider Yearbook, and Hoofs & Horns. She has also published articles in several recreational and sports magazines, including Bellydance Oasis, SPORTZlife, and The Pump. Find Out More About Joanne Verikios Joanne's Website Winning Horsemanship on Facebook Joanne Verikios on Facebook Joanne on Twitter @lifestyletolove Joanne Verikios on Instagram @winninghorsemanship Joanne on LinkedIn Joanne at USANA Are you ready to be inspired? Tune in to this powerful conversation! Interviewed by: Catherine Plano Subscribe: iTunes | Stitcher | RSS

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Catherine Ryan Hyde is the author of 24 published and forthcoming books including, her bestsellers, Don't Let Me Go, and Pay It Forward.  Her two new novels,Take Me With You and The Language of Hoofbeats will be released in July and December of 2014.  An avid hiker, traveler, and amateur photographer, she recently released her first book of photos entitled, “365 Days of Gratitude:  Photos from a Beautiful World.”  Her best-known novel, Pay It Forward, was adapted into a major motion picture, chosen by the American Library Association for its Best Books for Young Adults list, and translated into more than 23 languages for distribution in over 30 countries. She is the founder and former president of the Pay It Forward Foundation. As a professional public speaker she has addressed the National Conference on Education, twice spoken at Cornell University, met with Americorps members at the White House and shared a dais with Bill Clinton. Visit her website at www.catherineryanhyde.com Get the OFF TO WORK CD by Sister Jenna  Like America Meditating on Facebook and Download our FREE Pause for Peace app. Visit our website at www.meditationmuseum.org and follow us on Twitter