Podcasts about Resonance Records

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

RSD - or Record Store Day for you vinyl virgins- comes but once, er, or twice a year, and while the main focus is who will win the privilege to buy a color-vinyl edition of the Wicked soundtrack, there's a little bit of jazz sprinkled in there, too.  The boys talk about four selections, three recently uncovered live dates on the prolific Resonance Records, and a studio date from German stalwart MPS.  Kenny Dorham  - BLUE BOSSA IN THE BRONX; Charles Mingus – IN ARGENTINA – THE BUENOS AIRES CONCERTS; Freddie Hubbard – ON FIRE: LIVE FROM THE BLUE MOROCCO; Nathan Davis – HAPPY GIRL.

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Maggie speaks with Zev Feldman, an internationally recognized, independent record producer and the Co-President of Resonance Records. He is also a consulting producer of archival and historical recordings for Blue Note Records. Over the last 25 years he has worked for PolyGram, Universal Music Group, Rhino/Warner Music Group, Concord Music Group, among others. He won DownBeat Magazine's International Critics Poll for "Rising Star Producer" in 2016 for his work on a staggering 26 historical jazz recordings that year and was called "The Indiana Jones of Jazz" by Stereophile Magazine. In addition to his lauded work at Resonance, where he works closely with the estates of jazz icons such as Bill Evans, Wes Montgomery and so much more. Maggie and Zev discuss B.B. King In France: Live at the Nancy Jazz Pulsations Festival (1977) is a previously unissued live recording from the legendary bluesman B.B. King captured by the ORTF in France on October 7, 1977 and released on producer Zev Feldman's Deep Digs label in partnership with Elemental Music and INA France.The limited-edition 180g 2 x LP set was mastered and cut by Matthew Lutthans at The Mastering Lab, and include rare photos by Thierry Trombert, Val Wilmer, Jan Persson and more; plus liner notes by the acclaimed french author Jean Buzeline; and testimonials from fellow blues icons who knew or were inspired by B.B. King.Also joining Zev & Maggie is Cary Baker, a writer based in Southern California but, born on Chicago's South Side, he not only had the chance to grow up with the blues but began his writing career at age 16 for the Chicago Reader. Mr. Baker is the author of “Down On The Corner: Adventures in Busking and Street Music.” His return to writing follows a 42-year hiatus during which he directed publicity for six record labels and two of his own companies. Prior to his PR years,  Baker wrote for, among others, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, and Record magazine. He has also written liner notes for historical reissues from labels including Universal and Capitol-EMI. Cary Baker has also been a voting member of the Recording Academy since 1979.Source: https://www.elemental-music.com/inicio/4860-bb-king-in-france-live-at-the-1977-nancy-jazz-pulsations-festival-8435395504581.htmlSource: https://recordstoreday.com/PromotionalItem/18422Source: https://www.allaboutjazz.com/the-archival-producer-zev-feldmanHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Donald Vega was trained classically in piano in his native Nicaragua. He emigrated to the United States at age 14 and found a musical home with the Colburn School of Performing Arts (CSPA). He began his studies there in classical piano with Teresa de Jong Pombo and Dr. Louis Lepley. Vega started to learn the language of jazz from mentor Billy Higgins at The World Stage and continued at CSPA with Jeffrey Lavner, then later with bassist John Clayton at the University of Southern California. He went on to graduate from the Manhattan School of Music and The Juilliard School where he studied with piano great Kenny Barron, Phil Markowitz, and Gary Dial. Vega currently performs internationally as the pianist for world-renowned bassist Ron Carter's Golden Striker Trio with whom he has recorded several albums. Mr. Vega is also a professor at The Juilliard School and Hofstra University and sits on the board of BackCountry Jazz. This non-profit organization provides music education programs and performances to underprivileged youth.  Vega's debut album, Tomorrows, was released in 2008 to rave reviews. In his sophomore album, Spiritual Nature (Resonance Records, 2012), he was joined by the regal rhythm tandem of bassist Christian McBride and drummer Lewis Nash. Vega teamed up again with Lewis Nash on his third album, Concerning Monty, (Resonance Records, 2015) along with Hassan Shakur, the great bassist and former Monty Alexander band member, and long-time friend and Grammy-nominated artist, Anthony Wilson on guitar.  Donald recently finished recording his latest album, As I Travel (2023), with Lewis Nash on drums and John Patitucci on bass, featuring Luisito Quintero on percussion. 

Maggie speaks with Zev Feldman, an internationally recognized, independent record producer and the Co-President of Resonance Records in Los Angeles. He is also a consulting producer of archival and historical recordings for Blue Note Records. Zev & Maggie discuss Live In France: The 1966 Concert In Limoges is a previously unissued live solo recording of the "Godmother of Rock n' Roll," Sister Rosetta Tharpe, captured at the auditorium of the Grand Theatre in Limoges, France on November 11, 1966. This is an official release on producer Zev Feldman's new Deep Digs record label. It is released in partnership with Elemental Music, and in cooperation with the Sister Rosetta Tharpe Estate and INA France. Transferred from the original tape reels, this recording was restored and mastered by multi-GRAMMY award-winning engineer Michael Graves at Osiris Studio, with lacquers cut by the legendary Bernie Grundman at Bernie Grundman Mastering Studios. The limited-edition 180-gram 2-LP edition (and deluxe CD) includes an extensive insert with rare photographs by Jan Persson, Hans Harzheim, Don Schlitten and Burt Goldblatt; two sets of liner notes by American and French Tharpe biographers — Gayle Wald (Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe) and Jean Buzelin (Sister Rosetta Tharpe: La femme qui inventa le Rock 'n' Roll); as well as statements by Susan Tedeschi, Henry Rollins, Bonnie Raitt, Shemekia Copeland, Billy Gibbons, Brian Ray and Rhea Hamilton. Special Record Store Day Edition - Available April 20thSource: https://www.elemental-music.com/classic-blues/4810-sister-rosetta-tharpe-live-in-france-the-1966-concert-in-limoges-8435395503706.htmlSource: https://www.elemental-music.com/content/4-about-usSource: https://resonancerecords.org/about/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

durée : 00:59:00 - Wes Montgomery & Wynton Kelly - par : Alex Dutilh - Wes Montgomery et Wynton Kelly nous éblouissent à nouveau avec “Maximum Swing”, le nouveau trésor d'archives, avec son lot d'inédits, sorti chez Resonance Records.

durée : 00:59:00 - Wes Montgomery & Wynton Kelly - par : Alex Dutilh - Wes Montgomery et Wynton Kelly nous éblouissent à nouveau avec “Maximum Swing”, le nouveau trésor d'archives, avec son lot d'inédits, sorti chez Resonance Records.

De un doble Cd recopilatorio publicado en 2020, 'Trip to Brazil: The Best of Brazilian Jazz on Resonance Records', grabaciones de Harris Simon Group ('Wind chant), Claudio Roditi ('Bons amigos'), Eddie Daniels ('Baião malandro'), Richard Galliano' ('The island'), Wynton Kelly & Wes Montgomery'('Once I loved'), Grant Green ('How insensitive'), Shirley Horn ('The boy from Ipanema'), Sarah Vaughan ('If you went away') y Andreas Oberg ('Aqui oh'). Escuchar audio

Harvey Brownstone conducts an in-depth interview with Polly Gibbons, Renowned Jazz Singer / Songwriter About Harvey's guest: Today's guest, Polly Gibbons, is an internationally renowned singer from England who's rich, powerful, soulful voice delivers a unique jazz fusion that incorporates her R & B, gospel, jazz, funk and blues influences.    She's been twice-nominated as "Best Jazz Vocalist" by the BBC and Jazz FM, and the London Sunday Times described her jazz vocals as “vintage R&B with shades of Aretha Franklin”.  With her raw, smouldering voice that's full of heat, she conquered the London jazz scene at the age of 17.    And since then, she's become a regular at the legendary jazz club, Ronnie Scott's in London.  She's performed at Royal Albert Hall, opening for George Benson and Gladys Knight, and in 2018 she had a residency at New York's legendary Birdland Jazz Club.  She's performed on tour across the USA, Europe and Asia, from Java Jazz in Indonesia to the Montreal Jazz Festival and the Pittsburgh Jazz Festival.    In 2014, renowned producer George Klabin signed her to his record label, Resonance Records in Los Angeles, where she's recorded 3 highly acclaimed albums: “Many Faces of Love”, “Is it Me?”, and “All I Can Do”.  On June 30, she'll be releasing her 9th studio album entitled, “As It Is”, containing 10 original songs composed by our guest, who not only produced the album – she accompanied herself at the piano, supported by a great team of musicians.  The songs on the album feature heartfelt stories of personal struggle and resilience, with magnificent vocals, always characterized by this brilliant singer's wit and grace.   In describing this woman's voice, we need go no further than Peter Quinn of Jazzwise Magazine, who proclaimed her “a truly exceptional, once-in-a-generation talent, possessing a voice of such sizzling intensity and raw emotion, that you could fry an egg on it.” For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Polly Gibbons, go to:https://www.pollygibbons.com/ https://www.facebook.com/pollygmusic/https://twitter.com/PollyGMusichttps://www.instagram.com/PollyGMusic/https://www.youtube.com/@PollyGmusichttps://open.spotify.com/artist/5HHILDuntfU7shOCmCECyF?si=B5GiF9l8TvKUWuLe7ngokA&nd=1https://soundcloud.com/pollygibbonsofficial #PollyGibbons  #harveybrownstoneinterviews

Harvey Brownstone conducts an in-depth interview with Angela Hagenbach, Acclaimed Jazz Vocalist About Harvey's guest: Today's guest, Angela Hagenbach, is one of America's most popular jazz singers, whose extraordinary 3-octave vocal range, unique phrasing and ebullient singing style make every song she sings truly her own – and very memorable.    With her sultry contralto voice, she sings everything from swinging, straightforward jazz and blues to sensual, rhythmic Latin Jazz with effortless agility.  She's recorded 6 albums entitled, “Come Fly With Me”, “Feel the Magic”, “Weaver of Dreams”, “Poetry of Love”, “Musa Nova”, and her latest album, “The Way They Make Me Feel”, beautifully produced by the brilliant George Klabin of Resonance Records, who selected some classic songs by Michel Legrand, Henry Mancini and Johnny Mandel.  It's been said by more than one music critic – and I agree – that when this woman sings, she has the uncanny ability to turn jazz into a spiritual experience.   In 2015 she finished as 1st runner-up at the Sarah Vaughan Jazz Vocal Competition.  That same year, she wrote the acclaimed “Jazz Alice: An Adventure in Wonderland”, a musical theatre production based on Lewis Carroll's classic book, set to the music of John Coltrane.   She performs regularly at jazz clubs and concert venues in her home town of Kansas City, as well as around the country, and internationally.   The renowned jazz historian Scott Yanow listed our guest as one of the greatest jazz singers of all time in his book, “The Great Jazz Singers: The Ultimate Guide”.   And if that weren't enough, our guest was TWICE chosen by the US State Department to represent the United States as a Cultural Jazz Ambassador in TWO world tours, starting at the Kennedy Center and performing in 17 countries. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://angelahagenbach.co/https://www.facebook.com/angela.hagenbach.1https://www.instagram.com/angelahagenbach/https://angelahagenbach.bandcamp.com/album/the-way-they-make-me-feelhttps://music.apple.com/us/artist/angela-hagenbach/4582211https://resonancerecords.org/artists/angela-hagenbach/ #AngelaHagenbach   #harveybrownstoneinterviews

We look at three 2022 releases this time (albeit one recorded way back in 1972) along with the first harbinger of the new year.  There's an electronic sounding long-playing debut by a pair of youtube wunderkinder (all played in real-time we promise), a straight-ahead tenor sax trio, another star-studded portfolio album from a rising sax star, and a sprawling live opus from the music's greatest bassist/composer.  For a chase, a sprawl of pop matters that ranges from gospel tunes to stereo demonstration discs to poor lonely Art Garfunkel.  Lakecia Benjamin – PHOENIX; Domi & JD Beck – NOT TIGHT; Adam Larson – WITH LOVE, FROM CHICAGO; Charles Mingus – THE LOST ALBUM FROM RONNIE SCOTT'S.

“I don't think I ever recovered from Tower going away” Zev Feldman tells us towards the end of this episode.If you worked at Tower Records on the East Coast, you most certainly worked with Zev Feldman. Starting as a salesman for Polygram Distribution, young Zev covered Washington DC, Philadelphia, New York City and Boston. A visit from Zev Feldman was full of energy, enthusiasm and a pure music fan's zeal. Later Zev had a stint with Rhino Records as the Northeastern Classical & Jazz Sales ManagerWhen Tower Records went away and the music business tried to figure itself out (has it succeeded?) Zev landed at Concord Music Group as a National Sales and Marketing Director for catalog recordings in Los Angeles. In 2009 Zev moved to Resonance Records where he was given free reign to search out previously unreleased recordings by some of the legends of Jazz. Zev's releases have been critical and sales smashes, so much so that he was elevated to the position of Co President of Resonance Records. As each ensuing project dominated the jazz landscape, Zev was hired as a consulting producer of archival and historical recordings for Blue Note Records in 2018 working with Don Was. But it doesn't stop there. Zev Feldman is also a consulting producer with Elemental Music, Sunset Blvd Records, Real Gone Music  and Reel To Real Recordings. Very recently Zev was named Best Producer in the 70th Annual DownBeat Critics Poll. Throughout our conversation Zev discusses growing up in Record Stores, working for Universal Distribution and doing all of his work in Record Stores, he explains the complicated process of putting these gorgeous jazz box sets together and how brick and mortar retail is always the jumping off point for releasing these labors of love. He also tells us about his regular visits to the Tower Records stores in Dublin Ireland and Japan  and the feelings invoked. Finally Zev tells us how Tower's demise hurt him personally.

Después de 49 años, la primera grabación oficial del concierto de Bill Evans, un trabajo de Resonance Records en este 2022.

Quest'anno - l'anniversario per l'esattezza cadeva il 22 aprile - ricorrono cento anni dalla nascita di una delle figure fondamentali del jazz moderno, Charles Mingus, e per l'occasione al grande contrabbassista e compositore dedichiamo due puntate di Jazz Anthology. In tre puntate del luglio dello scorso anno (che potete trovare in podcast) avevamo presentato tre significativi inediti di Mingus usciti negli ultimi anni: un live a Detroit nel '73; la riedizione, con un'ottantina di minuti inediti, di Mingus at Carnegie Hall, album ricavato da una storica esibizione di Mingus nel gennaio del '74 nella prestigiosa sala newyorkese; e un live a Brema nel '75, accoppiato con un live nella stessa città nel '64. Ora, col titolo The Lost Album From Ronnie Scott's, la Resonance Records - che si è distinta con la pubblicazione di importanti inediti - mette a disposizione due ore e mezzo di musica registrate nel famoso locale londinese in una serata dell'agosto del '72, che ci mostrano un Mingus vitalissimo, audace, travolgente: dopo gli inediti precedenti, si tratta di un ulteriore, notevole arricchimento della documentazione sull'ultima stagione di creatività di Mingus prima della malattia che nel gennaio del '79 lo porterà ad una morte prematura.

C'est l'histoire d'un contrebassiste révolté, d'une tournée épique et d'un album perdu édité par Resonance Records. L'histoire d'un géant qui renaît de ses cendres, seul contre tous. Alors, que s'est-il vraiment passé à Londres à l'été 1972 ? Et bien pour le savoir, Pour Qui Sonne le Jazz a mené l'enquête, de New-York à Nice en passant par Chateauvallon et Copenhague. Mais le voyage ne s'est pas déroulé sans accros.

Please enjoy our RECORD STORE DAY 2022 EXTRAVAGANZA as we run up to Record Store Day 2022, April 23. RSD co-founders Michael Kurtz and Carrie Colliton join author Larry Jaffee to talk about the new book, Record Store Day: The Most Improbable Comeback of the 21st Century (Rare Bird Books), PLUS: The Muffs' Ronnie Barnett on Kim Shattuck, Replacements' author Bob Mehr, Sweat Records' Lolo Reskin, The Plaid Room's Terry Cole, Resonance Records' "jazz detective" Zev Feldman, and cameo appearances by Devo's Mark Mothersbaugh & Gerald Casale, and Def Leppard's Joe Elliott. It's nearly 2 hours of music and talk! Sponsored as always by Dogfish Head Craft Brewery, and Tito's Handmade Vodka. Go to RecordStoreDay.com for up-to-the-minute RSD info. Please subscribe to us wherever you get your podcasts.

Zev Feldman is an internationally recognized, independent producer and the co-president of Resonance Records. He is also known for traveling the world in search of lost or forgotten records. Today, he joins us to talk about two stunning recordings documenting piano legend Bill Evans in Buenos Aires, Argentina. Morning Glory is a 1973 concert with Eddie Gomez and Marty Morell, and Inner Spirit is a 1979 date with Marc Johnson and Joe LaBarbera. Both will be issued as limited edition 2-LP Record Store Day on April 23 via Resonance, along with a new long-lost Charles Mingus recording that Feldman shares some info about in our podcast conversation. --- Support this podcast: https://anchor.fm/jazziz/support

For your continued aural pleasure, please enjoy an hour of tracks by: Format:B, Green Velvet, Prok|Fitch, Andrew Dance, Flytrap, Justin Jay, Deeper Purpose, Eli Brown, Lonely, Rhoowax, NTFO, Alexkid, Yoshimoto, Trentemoller, Jonn Hawley, Born I Music, Trademarq, Marc Spence, Nick Terranova, Joeski, The Sisters Of Mercy, Dirty Funker, Peaches and Magic & Johnson From the labels: Formatik, Relief, Great Stuff Recordings, CR2 Records, Resonance Records, Of Unsound Mind, La Pera Records, F Communications, SOUP, Classic Music Company, Toolroom, Tweekd Tunes, Milk & Sugar Recordings (and more). Please support the artists and labels who make these mixes possible! Much love, Beat Hussy

WALTER THEODORE ROLLINS was born on September 7, 1930 in New York City. He grew up in Harlem not far from the Savoy Ballroom, the Apollo Theatre, and the doorstep of his idol, Coleman Hawkins. After early discovery of Fats Waller and Louis Armstrong, he started out on alto saxophone, inspired by Louis Jordan. At the age of sixteen, he switched to tenor, trying to emulate Hawkins. He also fell under the spell of the musical revolution that surrounded him, bebop. In late 2020, the saxophonist released Rollins in Holland, a 2-CD/3-LP deluxe set via Resonance Records. The collection of unheard live and studio trio recordings from Rollins's 1967 Netherlands tour feature “take no prisoners” performances with bassist Ruud Jacobs and drummer Han Bennink. Support the show (https://www.buymeacoffee.com/thejazzpodcast)

Violinist, educator and composer, Christian Howes was voted #1 in the Downbeat Critics Poll (“Rising Stars/Violin”), named among the top three jazz violinists in the JazzTimes critics poll, and nominated for Violinist of the Year by the Jazz Journalist Association. He received the Residency Partner Award through Chamber Music America, earned a USArtists grant through the Mid Atlantic Arts Foundation, and was invited by the U.S. State department to teach and perform as a cultural ambassador twice, in Ukraine and Montenegro. His release on Resonance Records, “Southern Exposure” earned recognition in the New York Times, Wall Street Journal, Downbeat, Jazz Times, as well as a six-night run at Lincoln Center. His release, “American Spirit” was named among the Best Jazz Albums of 2015″ by the Huffington Post. Howes is the founder of “Creative Strings“, a 501(c)(3) non-profit organization with a mission to expand music education through the creation of online curriculum, an annual summer conference, and dozens of visits to schools annually teaching improvisation, contemporary styles, and related subjects. He endorses Yamaha violins and D'Addario strings. Connect with Christian on Facebook, YouTube, www.christianhowes.com, or www.creativestrings.org. --- Support this podcast: https://anchor.fm/orchestrateacher/support

Jazz Ahead 137 - Playlist: ..1. Charmolypi_Mystikòs, Giacomo Zanus, Kora, Auto Records, 2021..2. Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021..3. The Sharp Peak of the Science of Love, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..4. I remember Clifford, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021..5. Earth Sky Realms, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..6. Something lost, Something Gained, Giacomo Zanus, Kora, Auto Records, 2021..7. La cumbia me está llamando, Nubya Garcia ft. La Perla (Kaidi Tatham Remix), La cumbia me está llamando, Concorde Jazz, 2021..8. E tu, Cosa Cerchi, Giacomo Zanus, Kora, Auto Records, 2021..9. Monk's Dream, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021 10. The Keeper, Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021

Jazz Ahead 137 - Playlist: ..1. Charmolypi_Mystikòs, Giacomo Zanus, Kora, Auto Records, 2021..2. Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021..3. The Sharp Peak of the Science of Love, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..4. I remember Clifford, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021..5. Earth Sky Realms, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..6. Something lost, Something Gained, Giacomo Zanus, Kora, Auto Records, 2021..7. La cumbia me está llamando, Nubya Garcia ft. La Perla (Kaidi Tatham Remix), La cumbia me está llamando, Concorde Jazz, 2021..8. E tu, Cosa Cerchi, Giacomo Zanus, Kora, Auto Records, 2021..9. Monk's Dream, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021 10. The Keeper, Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021

Welcome to a new edition of the Neon Jazz interview series with Legendary Jazz Musician and Composer Eddie Daniels  .. Prior to the 2020 Election in the COVID-19 pandemic world we talked to him about his latest 2020 CD Night Kisses featuring Dave Grusin and Bob James that came out on Resonance Records. This new album comes off the heels of 2018’s Grammy-nominated album, Heart of Brazil .. He was born in New York City and became interested in jazz as a teenager and was moved by Frank Sinatra and his first instrument was the alto saxophone .. Get to know him .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

In this episode, Bailey sits down with jazz violinist and educator Christian Howes. Suzuki grad and Suzuki Dad, Violinist, educator and composer, Christian Howes is the founder of “Creative Strings“, a 501(c)(3) non-profit organization with a mission to expand music education through the creation of online curriculum, an annual summer conference, and dozens of visits to schools annually teaching improvisation, contemporary styles, and related subjects. Since March 2020 he has published over 150 Free Play Along Videos on his Youtube channel to support teachers and players of all levels. He was voted #1 in the Downbeat Critics Poll (“Rising Stars/Violin”), named among the top three violinists in the JazzTimes critics poll, and nominated for Violinist of the Year by the Jazz Journalist Association. He received the Residency Partner Award through Chamber Music America, earned a USArtists grant through the Mid Atlantic Arts Foundation, and was invited by the U.S. State department to teach and perform as a cultural ambassador twice, in Ukraine and Montenegro. His release on Resonance Records, “Southern Exposure” earned recognition in the New York Times, Wall Street Journal, Downbeat, Jazz Times, as well as a six-night run at Lincoln Center. His release, “American Spirit” was named among the Best Jazz Albums of 2015″ by the Huffington Post. "SuperNova" Suzuki Reimagined with David Cutler:https://www.kickstarter.com/projects/supernovacreativity/supernova-0Christian Howes' Website and Facebook Page:https://christianhowes.com/https://www.facebook.com/christianhowesviolinist/

Jazz elder and survivor Sonny Rollins shares his incredible stories from the past nine decades as one of the preeminent tenor saxophone players. He also delivers some existential wisdom for these challenging times and tells us why “It’s all good.” Watch the full episode here: https://youtu.be/PCLOfeA7mX8  Check out “Rollins in Holland”, a brand new archival release from Resonance Records in partnership with the Nederlands Jazz Archief, coming out later this year. The deluxe 2-CD and limited-edition 180g 3-LP set is officially sanctioned by Rollins and features three previously unissued performances with bassist Ruud Jacobs and drummer Han Bennink in May of 1967 at Vara Studio in Hilversum, the Arnhem Academy of Visual Arts, and a televised performance at the Go-Go Club in Loosdrecht. The new box set also includes an extensive booklet with never-before-published photos from each venue; essays by Rollins biographer Aidan Levy and Dutch jazz journalist/producer Frank Jochemsen; and interviews with Rollins and Bennink. You can pre-order at https://resonancerecords.org/product/sonny-rollins-rollins-in-holland/.Learn more at https://www.thetightropepodcast.com Facebook: https://www.facebook.com/thetightropepod Instagram: https://www.instagram.com/thetightropepod Twitter: https://www.twitter.com/thetightropepod Creator/EP: Jeremy Berry EP/Host: Cornel West EP/Host: Tricia Rose Producer: Allie Hembrough Producer: James Artis Beats x Butter (IG: @Butter_Records) #TheTightRope #CornelWest #TriciaRose #SonnyRollins #HarlemPride #Jazz

The new Resonance Records box set “Hittin’ The Ramp: The Early Years (1936-1943)” is the first large-scale collection of the pivotal early recordings of Nat King Cole’s 29-year recording career. Many tracks in the collection, which focuses on the instrumental work Cole did on piano before he became famous as a singer, are receiving their first official release. In this installment of Leonard Lopate at Large on WBAI, Zev Feldman and Will Friedwald, two of the producers who put the box set together, discuss the significance of Nat’s early work.

Our guest on the podcast today is trombonist and vocalist Aubrey Logan. Aubrey is a frequent guest of Scott Bradlee's Postmodern Jukebox and is currently on the road with saxophonist Dave Koz as part of his Summer Horns tour. She has just released a new album on Resonance Records, Where The Sunshine Is Expensive, a musical chronicling of her relocation from Seattle to Los Angeles. --- Support this podcast: https://anchor.fm/brian-zimmerman/support

Zev Feldman is an independent record producer who got started in the jazz business as a young man (in his early 20s) and came up through the ranks of sales (“schlepping a bag of CDs”), merchandising, marketing, distribution - all of the pieces of the business as it existed at the end of the last century. Over time he came to settle comfortably in an area of the jazzosphere that focuses on locating, unearthing and releasing previously unknown recordings. Some people know him as “the jazz detective.” Variety magazine called him “possibly the most widely admired archival producer working in the jazz field today,” Downbeat refers to him as “The Jazz Sleuth” and perhaps most famously, Stereophile Magazine called him “the Indiana Jones of jazz.”  He works with almost every major jazz label and many small independent labels, but his primary professional residence is with Resonance Records. He has shepherded the release of previously unknown recordings by the likes of Wes Montgomery, Bill Evans, Thelonious Monk, Eric Dolphy, John Coltrane, Joao Gilberto and many more (including my dad!). In the conversation it’s clear that as big of a jazz fan as he is, he is also in love with the business of jazz records. He goes out of his way to remember and name all of the people in the business who helped him along the way. Here he talks about becoming a producer (“it was like pouring gasoline on a fire”), the importance of “folklore and mythology” in the world of jazz collecting, why finding the right outlet for a recording is like finding shelter for an orphaned animal, and how he builds relationships. www.third-story.com www.resonancerecords.org

In todays BOOST podcast, I chat to George Smeddles about sending music to labels and he gives me his 5 tips. George Smeddles is a producer, DJ, & recently a label owner of Resonance Records alongside Max Chapman. Working alongside some of the biggest names in the industry is becoming the norm for rising star, George Smeddles. Based in the dance music hub that is the UK’s capital London, George has been immersed in music since a very young age and has built an impressive understanding when it comes to the creation of the driving tech-house that has become his signature sound. From inspiring dancefloors to turning heads in the production realms, George exudes the elements it takes to make up an influential artist and that has only been proven with both his debut tracks being snapped up by Javi Lopez and Max Chapman respectively. In this podcast i have a brand new microphone from Sudotack - It's a USB Podcast PC Microphone, Professional 96KHZ/24Bit Studio Cardioid Condenser Mic Kit with Sound Card Desktop Stand Shock Mount Pop Filter, for Skype Youtuber Gaming Recording - https://amzn.to/2ZCiGsE Follow Grahame Farmer: Facebook: https://goo.gl/Xy6oD7 Instagram: https://goo.gl/HEfUMr iTunes Podcast: http://apple.co/thedailyboostpod YouTube: https://goo.gl/3JmFbF Get Hypeddit: https://goo.gl/wKJwdD Join our DJ Tips Broadcast: http://bit.ly/gftelegram Learn to Produce: http://bit.ly/educationbass Loops: http://bit.ly/2Z1AIVQ Plugins: http://bit.ly/2Z3wnS7

Подкаст журнала «Джаз.Ру» снова в эфире! В 746 выпуске главный редактор «Джаз.Ру» Кирилл Мошков рассказывает о полном собрании ранних записей, которые сделал в своём родном Индианаполисе во второй половине 1950-х гг. легендарный джазовый гитарист Уэс Монтгомери — пионер современного искусства джазовой импровизации на электрогитаре. Двухдисковый альбом «Wes Montgomery. Back On Indiana Avenue — The Carroll Camp Recordings» в 2019 выпустила на CD и виниле фирма грамзаписи Resonance Records.

No record label has done more for the genre of jazz over the last decade than Resonance Records. The California independent has unearthed gems from a who’s who of jazz, from John Coltrane and Jaco Pastorius, to multiple releases by piano great Bill Evans and guitar master Wes Montgomery.Those last two artists are the subject of Resonance most-recent projects. Evans in England features previously unheard live performances from 1969, while Back on Indiana Avenue culls a collection of studio and live tapes of Wes Montgomery right before he became famous.We chat with Zev Feldman, the co-president of the label, about the crazy stories that led to unearthing these releases by two of the legends of jazz. He also tells us what new project the company is working on for the Christmas holiday.

Violinist/Composer/Educator/Producer Christian Howes is joining the conversation Cue To Cue today! Christian is bringing his wealth of knowledge as an artist in this episode. He opens up about his journey to becoming one of the top jazz violinists in the world and shares his experiences in a way that is sure to give you the kick in the pants you need to inspire you to get going and move towards the life you imagine for yourself as an artist.   In this episode:   How to practice your craft more effectively  How to define a vision for yourself as an artist Why it is important to develop a habit of self-forgiveness to be more authentic and feel less pressure to people, please. How to create the opportunity for yourself as an artist in a short amount of time. How crucial a skill set it is to learn how to sell and how to wrap your mind around this four letter word   A little about Christian:   Violinist, educator and composer, Christian Howes was voted #1 in the Downbeat Critics Poll (“Rising Stars/Violin”), named among the top three jazz violinists in the JazzTimes critics poll, and nominated for Violinist of the Year by the Jazz Journalist Association. He received the Residency Partner Award through Chamber Music America, earned a USArtists grant through the Mid Atlantic Arts Foundation, and was invited by the U.S. State department to teach and perform as a cultural ambassador twice, in Ukraine and Montenegro.  His release on Resonance Records, “Southern Exposure” earned recognition in the New York Times, Wall Street Journal, Downbeat, Jazz Times, as well as a six-night run at Lincoln Center.  His release, “American Spirit” was named among the Best Jazz Albums of 2015″ by the Huffington Post. Howes is the founder of “Creative Strings“, a 501(c)(3) non-profit organization with a mission to expand music education through the creation of online curriculum, an annual summer conference, and dozens of visits to schools annually teaching improvisation, contemporary styles, and related subjects. He endorses Yamaha violins and D’Addario strings. at www.creativestrings.org  Share the episode >> https://www.thisischelseajohnson.com/137   Follow Christian! I: @christitanhowesviolinist F: @christianhowesviolinist T: @chrititanhowes W: https://christianhowes.com/ or http://creativestrings.org

Tre dischi, tutti lanciati venerdì 25 gennaio: uno dei più interessanti giovani progetti del jazz italiano, un francese che sperimenta a Cuba e una storia romantica che include grandi jazzisti del passato...1. Storytellers,Simone Alessandrini, Storytellers, Parco della musica Records, 2017..2. Here and There, Francesco Diodati Yellow Squeeds, Never the Same,Auand 2019..3. River, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..4. Simple Lights, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..5. Que Vola?, Fidel Fourneyron/Que Vola?, Que Vola?, No Format, 2019..6. Mandrake, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019..7. Music Matador, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019

Tre dischi, tutti lanciati venerdì 25 gennaio: uno dei più interessanti giovani progetti del jazz italiano, un francese che sperimenta a Cuba e una storia romantica che include grandi jazzisti del passato...1. Storytellers,Simone Alessandrini, Storytellers, Parco della musica Records, 2017..2. Here and There, Francesco Diodati Yellow Squeeds, Never the Same,Auand 2019..3. River, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..4. Simple Lights, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..5. Que Vola?, Fidel Fourneyron/Que Vola?, Que Vola?, No Format, 2019..6. Mandrake, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019..7. Music Matador, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019

Tre dischi, tutti lanciati venerdì 25 gennaio: uno dei più interessanti giovani progetti del jazz italiano, un francese che sperimenta a Cuba e una storia romantica che include grandi jazzisti del passato...1. Storytellers,Simone Alessandrini, Storytellers, Parco della musica Records, 2017..2. Here and There, Francesco Diodati Yellow Squeeds, Never the Same,Auand 2019..3. River, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..4. Simple Lights, Francesco Diodati Yellow Squeeds, Never the Same, Auand, 2019..5. Que Vola?, Fidel Fourneyron/Que Vola?, Que Vola?, No Format, 2019..6. Mandrake, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019..7. Music Matador, Eric Dolphy, Music Prophet: The Expanded 1963 New York Studio Session, Resonance Records, 2019

Support the Burning Ambulance podcast on Patreon: http://patreon.com/burningambulance Episode 27 of the Burning Ambulance podcast—the first episode of Year Two of the show—is the first one not to feature an interview with a musician. Instead, I’m talking to Zev Feldman, who’s a producer working primarily with the Resonance Records label. Resonance has been around for ten years and has mostly specialized in releasing archival music by legendary jazz artists. Their first big release was Echoes Of Indiana Avenue by guitarist Wes Montgomery—it featured some previously unheard early recordings. They’ve subsequently done several other albums of his music, including a live concert recorded on his only European tour in 1965. They’ve also put out albums by Stan Getz, Charles Lloyd, Bill Evans, Larry Young, and John Coltrane, among many others, and Zev is the guy who actually travels the world locating these lost recordings and putting in all the legwork to get them licensed, make sure they’ve got the rights, and do everything else that leads to the physical release. The thing that makes Resonance releases so great, by the way, is that they’re not just about throwing the music out there—they have really in-depth liner notes, tons of historical photographs, interviews with the surviving musicians or people connected to the recordings in some way, and beautiful packaging overall. They’re all about preserving the love of physical music formats. They do special releases for Record Store Day every year, putting out the vinyl versions before the CD edition and stuff like that. They don’t just release archival music, either—they also put out CDs by new artists, and Zev and I talk a little bit about that in this interview. We also discuss some of the non-Resonance work he’s done, like the Thelonious Monk record Les Liaisons Dangereuses 1960 and a big project he did the other year, reissuing 25 titles from Xanadu Records, a small '70s label that really deserves much more attention than it’s ever gotten. There's a lot more music in this episode than usual. Here's a full listing of everything you'll hear: Thelonious Monk, "Well You Needn't" (Les Liaisons Dangereuses 1960) Grant Green, "I Don't Want Nobody to Give Me Nothing" (Funk in France: From Paris to Antibes 1969-70) Wes Montgomery, "Full House" (In Paris: The Definitive ORTF Recording) Bill Evans, "Very Early" (Another Time: The Hilversum Concert) Larry Young, "Mean to Me" (In Paris: The ORTF Recordings) John Coltrane, "Crescent" (Offering: Live at Temple University) Andreas Varady, "Radiska" (The Quest)

Phil Freeman talks to Resonance Records producer Zev Feldman.

George Smeddles is enjoying a massive summer of 2018. With releases on VIVa, Under No Illusion, Relief, Sola, and more, he’s on an absolute tear! Outside of his own productions, his label Resonance Records has kicked things up a notch this season as well, bringing out back to back Beatport Top 10 Tech House tracks, and his summer gigs have been spot on as well. Highlighted by big dates such as Amnesia in Ibiza, it’s clear to see George is enjoying a great summer and there was no better time to celebrate with him!

На лос-анджелесском лейбле Resonance Records вышел очередной проект продюсера Зева Фелдмана, специалиста по отысканию и изданию забытых и полузабытых шедевров золотого века джаза: двухдисковое издание трёх выступлений гитариста Гранта Грина во Франции в 1969 и 1970 годах — «Funk in France: From Paris to Antibes (1969-1970)». Российский журнал «Джаз.Ру» внёс этот альбом в список рекомендованных […]

After a serious discussion of where and where not a samosa should be put, the boys launch into examinations of two classic jazz releases and two much more recent efforts by the second wave of "young lions". Wes Montgomery – LIVE IN PARIS THE DEFINITIVE ORTF RECORDINGS; Alice Coltrane – MONASTIC TRIO; Jon Gordon – ALONG THE WAY; J. D. Allen – RADIO FLYER.

Jazz Ireland releases the fourth edition of The Hot Box, hosted by veteran jazz presenter Donald Helme. The show includes new releases from Resonance Records, previously unreleased gems by Bill Evans, Stan Getz and the Thad Jones/Mel Lewis Jazz Orchestra. All pristine and excellent recordings. The Bill Evans double album was recorded in Germany just days after the trio recorded their “Live at Montreux” album. The show also includes vocal jazz from Emilie Conway, Carmel McCreagh and Renée Marie. You can talk to The Hot Box by emailing .donald@jazzireland.ie

Legendary Motown Guitarist Talks New Archival Jazz Funk ReleaseDennis Coffey is truly one of the unsung heroes of the guitar.  In the late Sixties, he became a member of the famed “Funk Brothers” - the backing musicians that played on all the Motown hit singles.  His unique style can be heard on “Ball of Confusion” by the Temptations, “War” by Edwin Starr, and  “Someday We’ll Be Together" by the Supremes,  just to name a few. He also had a solo career, scoring the million-selling instrumental “Scorpio” in 1971.Resonance Records, usually known for their excellent jazz releases, has just issued “Hot Coffey in the D: Burnin’ at Morey Baker’s Showplace Lounge,” a previously-unheard live album from 1968, featuring Coffey, plus Lyman Woodard on organ and Melvin Davis on drums.We talk why it took so long for this fantastic recording to see a proper release.  Plus, he tells us how he first got involved with Motown Records, and how he helped discover the enigmatic singer, Rodriguez.

Resonance Records has just issued a pair of archival releases from legendary saxophonist Stan Getz, recorded at the Keystone Korner in San Francisco.  The first, Getz/Gilberto ’76, captures a rare performance between two giants of bossa nova, Getz and vocalist Joao Gilberto.  The second, Moments in Time, features Getz with a phenomenal trio of musicians.  We chat with label Vice President Zev Feldman, who also produced these two sets, on how he tracked down these hallowed recordings.  Plus, he discussed the recent Wes Montgomery treasures that the label issued.

Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Philp, the show airs live each Wednesday at 8pm on WPSC-FM, Brave New Radio. In this episode, Zev Feldman, Executive VP & GM of Resonance Records, talks about releasing archival jazz recordings, how he finds them, what deals are like, and more! Enjoy the talk, listener tweets, and see what you can get out of this. Like what you hear? Tweet us anytime: @MusicBiz101wp Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/​

To round off a sensational year here at Throne Room Records, we’ve been privileged enough to showcase a one hour exclusive mix featuring all the latest productions from Pete Dorling. With signings to labels such as Resonance Records, Viva Music and Hot Creations, Pete is certainly not one to be overlooked. 2017 is set to be an iconic year for Pete, with releases on some of the hottest labels on the circuit, so here is a taster of what to expect from him. https://soundcloud.com/petedorling-1 Download for free on The Artist Union

Without a doubt a hot first podcast will launch a series of Hipstercast's episodes. We invite you to listen to the real hits of the year. What is worth noting the most in 01 podcast? Amazing remix of Lana Del Rey and her Blue Jeans hit by Gesaffelstein a cult summer. The new release on the Culprit is always hot with a fat bass sound and stunning vocals. You can not go past the beautiful to the release of Eklektisch Sivesgaard. Remix from Crek on Ramon R - Sex Machine is perfect for any club party. The guys from No Artificial Colour always on top with a new track on the label Resonance Records. I hope you will appreciate the new track by Sebastien Tellier - Cochon Ville which sounds great in a remix of The Magician. It should also be noted the boys from The Mekanism pleasantly surprised with each new track. I hope you have time to stress the same tracks from Jay Shepheard, Tad Wily, DJ Glen, Matt Fear, Finnebassen as well as from Peaches, Munk with a really cool remix of CLASSIXX.

Without a doubt a hot first podcast will launch a series of Hipstercast's episodes. We invite you to listen to the real hits of the year. What is worth noting the most in 01 podcast? Amazing remix of Lana Del Rey and her Blue Jeans hit by Gesaffelstein a cult summer. The new release on the Culprit is always hot with a fat bass sound and stunning vocals. You can not go past the beautiful to the release of Eklektisch Sivesgaard. Remix from Crek on Ramon R - Sex Machine is perfect for any club party. The guys from No Artificial Colour always on top with a new track on the label Resonance Records. I hope you will appreciate the new track by Sebastien Tellier - Cochon Ville which sounds great in a remix of The Magician. It should also be noted the boys from The Mekanism pleasantly surprised with each new track. I hope you have time to stress the same tracks from Jay Shepheard, Tad Wily, DJ Glen, Matt Fear, Finnebassen as well as from Peaches, Munk with a really cool remix of CLASSIXX.

Mike Garson is an incredibly accomplished pianist and composer who is known for his work with David Bowie,  Nine Inch Nails, Free Flight, Billy Corgan and The Smashing Pumpkins, as well as an impressive solo career in both the jazz and classical realms. He recently premiered a twelve movement work entitled Symphonic Suite for Healing where he partnered with brain surgeon Dr. Christopher Duma and collaborated with patients to use music as an aid in the healing of various disorders, including Parkinson’s and Alzheimer’s. Mike is a lifelong learner who has studied with Leonard Eisner of Juilliard, Bill Evans, Herbie Hancock,  Lennie Tristano and more. He is also someone who shares his knowledge of music through teaching master classes and private instruction, as well as through guest lectures on university campuses worldwide. I had the opportunity to sit down with Mike at his home studio in Los Angeles and talk about his path as a musician and as a human being.I am really excited to have  Mike on the Podcast for two reasons. He is truly someone who is a master of his craft and yet claims to know less about music now than he did in his 20′s. He has demonstrated over and over a deep passion for music as an art and for using his talents and gifts to give back and inspire others. IN THIS EPISODE: Growing up in Brooklyn Why he enlisted in the Army What he has learned by devoting 160,000 hours of practice to the piano How he manages to “spiritually juggle’ his marriage of 46 years, 2 daughters, and 6 grandchildren Why he has a gratitude practice DISCOVERY QUOTE: “The prerequisite for any kind of new understanding requires you to realize you don’t know it all”  - click to tweet! CONNECT WITH MIKE: TWITTER | MIKEGARSON.COM | YOUTUBE Mike Garson – Searching on Resonance Records via Soundcloud Wikipedia Article in the Los Angeles Times about the Symphonic Suite For Healing All Music  

Next up an exclusive all vinyl mix from the Horsey Brothers. The boys have been mixing house music for over 15 years, and have had releases on Kaluki Musik, Resonance Records, Amenti Music & more.

Without a doubt a hot first podcast will launch a series of Hipstercast's episodes. We invite you to listen to the real hits of the year. What is worth noting the most in 01 podcast? Amazing remix of Lana Del Rey and her Blue Jeans hit by Gesaffelstein a cult summer. The new release on the Culprit is always hot with a fat bass sound and stunning vocals. You can not go past the beautiful to the release of Eklektisch Sivesgaard. Remix from Crek on Ramon R - Sex Machine is perfect for any club party. The guys from No Artificial Colour always on top with a new track on the label Resonance Records. I hope you will appreciate the new track by Sebastien Tellier - Cochon Ville which sounds great in a remix of The Magician. It should also be noted the boys from The Mekanism pleasantly surprised with each new track. I hope you have time to stress the same tracks from Jay Shepheard, Tad Wily, DJ Glen, Matt Fear, Finnebassen as well as from Peaches, Munk with a really cool remix of CLASSIXX.

So we've had a bit of a 3 month sabbatical from our podcast series, but we're now back on track with this very serious tape style mix from up and coming talent - hailing from the big smoke... Clinton Houlker! A little bit more info on Clinton... Born and raised in East London, Clinton Houlker comes to the table with no gimmicks, operating instead with just raw passion and vibe! Whether behind the decks or in the studio, Clinton's ultimate aim is to get his audience bouncing to his music. Renowned for his innate ability to bring out the best of two tracks at the same time when in the mix, Clinton has a natural knack for getting the party going immediately upon arrival. The rest of 2012 looks set to be a huge period for Clinton with a host of remixes to be released on Nurvous Records, Mexa, Sinq Records, Resonance Records and Lucid Dreaming in addition to two fresh EPs which will showcase his versatile flavours and deft ability. Watch this space, Clinton Houlker is about to fill it! The next Ruckus is Friday 14th August @ Arena w/ 'Hot Since 82' £5 Discounted Guestlist £7 OTD For more info on Ruckus / pictures from the night, give this page a like... https://www.facebook.com/pages/Ruckus-Tabu-Moby-Grape-Every-Friday/139445366154866