Podcasts about Mulgrew Miller

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo

En este episodio hemos escuchado a Jeremy Pelt; Roy Hargrove & Mulgrew Miller; Bobby Hutcherson; Terri Lyne Carrington; Belén Bandera & Jaume Llombart; Tingvall Trio; Ali Watson Quartet. Seguir leyendo La Montaña Rusa. Episodio 03.2025. en La Montaña Rusa Radio Jazz.

Tonight's Jazz Feature spotlights one of the great voices of the alto saxophone who happens to live in Canada and is a proud Canadian.; Mr P.J.Perry. P.J. is alive and well and performing a few nights a week in Edmonton, Alberta where he has resided with his family for many years. This album issued on the Canadian label Unity Records presents P.J. at his best with a stellar rhythm section with the late and wonderful Mulgrew Miller on piano, Neil Swainson on bass and the superb Victor Lewis on drums. It was recorded in Toronto on Oct.10,1989. The album is a mixture of standards and original compositions by P.J., Phil Dwyer, and Torben Oxbol and Charlie Parker. Here is P.J. at his best on his beloved alto saxophone. A super Jazz Feature tonight..

M

M

Pianist Mulgrew Miller, born August 13, 1955, toured with the Duke Ellington Orchestra for three years right out of college, later accompanying singer Betty Carter, then three year stints with trumpeter Woody Shaw followed by Art Blakey's Jazz Messengers. He was already recording with his own groups when he joined drummer Tony Williams in quintet and trio settings, he also served as director of jazz studies at William Paterson college up unto his tragic death of a stroke at age 57. His playing never lost its roots as a church pianist, but he also incorporated the pyrotechnic technical influences of Oscar Peterson and the harmonic language of McCoy Tyner.

Versatile and sophisticated jazz guitarist Ron Jackson has performed, recorded and taught music in over 30 countries. With a varied career as a performer, composer and arranger, Highlights include shows and tours with artists such as Taj Mahal, Jimmy McGriff, Larry Coryell, Benny Golson, Oliver Lake, Russell Malone and Mulgrew Miller. Ron has been featured as a leader in jazz festivals all over the world, including the North Sea Jazz Festival, Edinburgh Jazz Festivals and Winter Jazzfest, NYC. Born in the Philippines, lived in many states as a kid, then settled in Harvard, Massachusetts, west of Boston, Ron was initially influenced by rock guitar greats like Jimmy Page, before falling under the spell of jazz and following the style and career of jazz guitar luminaries like Pat Metheny and George Benson. After attending Berklee School of Music on scholarship, studying jazz composition and arranging, Ron spent two formative years in the mid-1980's living and playing guitar with the lively expat jazz community in Paris, France. Ron moved to New York City where he remains an active participant in Gotham's always vibrant jazz scene. A master of the six, seven and twelve string guitars, Ron appeared on over 40 albums by such artists as Hal Singer, Graeme Norris, Ron Blake, Gisele Jackson and T.K. Blue, before founding the independent record label Roni Music in 2003 which has since released some of his eight of his albums as a leader including The Dream I Had (2003), Flubby Dubby (2008) and Akustik InventYours (2014). His latest project, Jazz Standards and Other Songs (2019) is an alluring mix of familiar jazz numbers and innovative adaptations of songs from other genre's like his trendsetting arrangement for jazz trio of Drake's “Passion Fruit.” Ron was grateful to be selected as the winner of the 1996 Heritage International Jazz Guitar Competition. He has also been a recipient of the 2012 Donald Knutson Memorial Development Fund and the 1991 and 2000 Meet the Composer Performance Fund. He endorses, Eastman Guitars, Kremona Guitars, Aria Classical Guitars, Paul Reed Smith Guitars and Godin Guitars. An acclaimed music educator, Ron currently teaches guitar at Jazz at Lincoln Center, The New School, Midori and Friends, and is the founder and director of the website www.practicejazzguitar.com. Ron has held master classes, concerts and workshops at Jazz at Lincoln Center-Jazz in the Schools, The Thelonious Monk Institute of Jazz, Escuela Creativa Musica in Madrid, Spain and California State University. Ron has made appearances in several major motion pictures including The Greatest Showman, Vulgar, and Fly by Night. He has also performed in pit orchestras on many Broadway and off-Broadway shows including Avenue Q, Fosse, Shuffle Along, and Bring In `Da Noise, Bring In `Da Funk. In recent years, Ron has also developed a side career as a freelance writer for Acoustic Guitar magazine where he's published educational and guitar instructional articles. WEBSITE: https://ronjacksonmusic.com/ FACEBOOK: https://www.facebook.com/ronjacksonmusic/ INSTAGRAM: https://www.instagram.com/ronjacksonmusic/ X (formerly Twitter): https://twitter.com/i/flow/login?redirect_after_login=%2Fronjacksonmusic SPOTIFY:

Kenny Garrett has been playing for more than 40 years. Originally from Detroit, he joined the Duke Ellington Orchestra in the late 70s, when it was being run by Ellington's son Mercer. He also played with Art Blakey and the Jazz Messengers, and with Donald Byrd, Woody Shaw, and Freddie Hubbard. He was a member of a young lions group put together by Blue Note Records in the 80s called Out Of The Blue that also included the late drummer Ralph Peterson, and he was already recording as a leader when he was invited to join Miles Davis's band in 1987. He played on the album Amandla, and was part of the Davis band all the way until the end of Miles's life in 1991. Miles Davis even made a very rare guest appearance on one of Garrett's albums, Prisoner Of Love, from 1989.Kenny Garrett's discography as a leader has taken him in a lot of really interesting directions. His 1995 album Triology, with Brian Blade on drums and either Charnett Moffett or Kiyoshi Kitagawa on bass, is a really intense, high-energy record that kind of marries bebop language to post-Ornette Coleman freedom, but the real key to the whole thing is the way he executes these really complex melodies on tunes like John Coltrane's "Giant Steps," Wynton Marsalis's "Delfeayo's Dilemma," and Mulgrew Miller's "Pressing The Issue." It's a tremendous showcase for his technical command of the saxophone. But the album that first got me interested in his work was Beyond The Wall, a 2006 release that was a collaboration with Pharoah Sanders that also featured Mulgrew Miller on piano, Bobby Hutcherson on vibes, Robert Hurst on bass, Brian Blade on drums, and on some tracks there were strings and harp and Chinese instruments and a six-member vocal ensemble. It's not spiritual jazz in the way that term is used now, and it's not world music, it's entirely its own thing, and it's particularly fascinating because you might not think of Kenny Garrett and Pharoah Sanders having that much in common, artistically speaking, but they really did. They also recorded a live album together that came out in 2008. Garrett talks about Pharoah a lot in the interview you're about to hear.And Kenny Garrett's latest album is going to surprise a lot of people. It's called Who Killed AI, and it's a collaboration with Svoy, an electronic music producer. Garrett plays alto and soprano sax on it, and all the rest of the music is made with synths and programmed drums. Even the horns are multi-tracked and fed through effects at times. It's structured as kind of a suite — the first track is called “Ascendence,” and there are also pieces called “Transcendence,” “Divergence” and “Convergence.” But there's also a really beautiful version of “My Funny Valentine,” which lays the ballad melody over these kind of shimmering keyboard sounds and a hard drum 'n' bass beat. It's not at all what I was expecting when I was told that there was a new Kenny Garrett album on the way.I'm really glad I had the chance to talk to Kenny Garrett. We discussed his history with Miles Davis and with Woody Shaw, his early musical upbringing, his work with Pharoah Sanders, his approach to synthesizing genres and musics from around the world, and much more. I think you're going to enjoy this conversation.

M

M

M

Generation Y - это квинтет, состоящий из самых динамичных молодых джазовых музыкантов. Лидер барабанщик Ulysses Owens Jr. обладатель трех премий GRAMMY и это его восьмой альбом. Первые две премии он получил на альбомах Kurt Elling и The Christian McBride Big Band, а в прошлом году за участие в записи альбома Generation Gap, который я обозревал. Он так же работал с Nicholas Payton, Wynton Marsalis, Mulgrew Miller, Joey Alexander и другими джазменами, благодаря чему узнал о наследии великих педагогов Art Blakey и Betty Carter. За последние пять лет карьера Улисса превратилась из «молодого льва» в роль воспитателя нового поколения талантов посредством своей исполнительской, продюсерской и образовательной карьеры. Благодаря своей профессорской работе в Джульярдской школе, он привлекает молодых музыкантов и работая с ними прививает любовь к джазу. Generation Y - динамичная группа, которая передает силу джазовой традиции, показывая, что будущее музыки в надежных руках. На этом альбоме представлен репертуар, который группа исполняла по всему миру за последние 4 года в турне. Альбом был записан в легендарной студии Руди Ван Гелдера в Энглвуде, штат Нью-Джерси, которая была штаб-квартирой многих великих джазовых музыкантов, записывавших альбомы на лейблах Blue Note, Prestige и Impulse. © 2024 Cellar Live И всё-таки я напутал - концовка прозвучала из Bird Lives, а лучшая вещь, которая попадет в мой плейлист Soulful. Ulysses Owens - drums  Sarah Hanahan - alto saxophone 1 - 7 Erena Terakubo - alto saxophone 8 Benny Benack III - trumpet 1, 3, 6, 7 Anthony Hervey - trumpet 2, 4, 5, 8 Luther Allison -piano 1, 3, 4, 5, 7 Tyler Bullock - piano 2, 9 Philip Norris - bass 1-7  Ryoma Takenaga bass 8 Milton Suggs - voice 6 Executive Producer: Cory Weeds Produced by Jeremy Pelt  Recorded at Van Gelder Recording Studio in Englewood Cliffs, New Jersey on March 13, 2023  Engineered by Maureen Sickler  Mixed & mastered by Dave Darlington Released January 19, 2024 СЛУШАТЬ АЛЬБОМ - https://album.link/i/1710810289 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #contemporaryjazz #bebop --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

BETTY CARTER IT'S NOT ABOUT THE MELODY New York, 1992In the still of the night (1,4,8)Betty Carter (vcl) acc by Craig Handy (ts-10) Cyrus Chestnut (p-1) Mulgrew Miller (p-2) John Hicks (p-3) Ari Rowland (b-4) Christian McBride (b-5) Walter Booker (b-6) Clarence Penn (d-7) Lewis Nash (d-8) Jeff “Tain” Watts (d-9) JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) GERI ALLEN IN THE YEAR OF THE DRAGON New York, March, 1989Oblivion, The InvisibleGeri Allen (p) Charlie Haden (b) Paul Motian (d) Juan Lazaro Mendolas (bamboo-fl-1) REGINA CARTER MOTOR CITY MOMENTS New York, April 19, 20, 21 & 25, 2000Don't git sassyMarcus Belgrave (tp) James Carter (b-cl,ts) Werner “Vana” Gierig (p) Regina Carter (vln) Darryl Hall (b) Alvester Garnett (d) ALICE COLTRANE PTAH, THE EL DAOUD Dix Hills, New York, January 26, 1970Mantra (1)Pharoah Sanders (ts-1,alto fl-2,bells) Joe Henderson (ts,fl) Alice Coltrane (p,harp-3) Ron Carter (b) Ben Riley (d) Chuck Stewart (bells) CARLA BLEY THE LOST CHORDS Live, Europe, October, 2003Tropical depressionAndy Sheppard (sop,ts) Carla Bley (p) Steve Swallow (el-b) Billy Drummond (d) MARIA SCHNEIDER CONCERT IN THE GARDEN New York, March 8-11, 2004Danca illusoria (1,2)Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen (tp,flhrn) Keith O'Quinn, Rock Ciccarone, Larry Farrell (tb) Pete McGuinness (tb-1) George Flynn (b-tb,contrabass-tb) Tim Ries (as,sop,cl,fl,alto-fl,b-fl) Charles Pillow (as,sop,cl,fl,alto-fl,oboe,eng-hrn) Rich Perry (ts,fl) Donny McCaslin (ts,sop,cl,fl) Andy Middleton (ts-2) Scott Robinson (bar,fl,cl,b-cl,contrabass-cl) Gary Versace (accor-3) Frank Kimbrough (p) Ben Monder (g) Jay Anderson (b) Clarence Penn (d) Jeff Ballard, Gonzalo Grau (cajon-4) Luciana Souza (vcl,pandeiro-5) Maria Schneider (comp,arr,dir) Continue reading Puro Jazz 07 marzo 2024 at PuroJazz.

BETTY CARTER IT'S NOT ABOUT THE MELODY New York, 1992In the still of the night (1,4,8)Betty Carter (vcl) acc by Craig Handy (ts-10) Cyrus Chestnut (p-1) Mulgrew Miller (p-2) John Hicks (p-3) Ari Rowland (b-4) Christian McBride (b-5) Walter Booker (b-6) Clarence Penn (d-7) Lewis Nash (d-8) Jeff “Tain” Watts (d-9) JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) GERI ALLEN IN THE YEAR OF THE DRAGON New York, March, 1989Oblivion, The InvisibleGeri Allen (p) Charlie Haden (b) Paul Motian (d) Juan Lazaro Mendolas (bamboo-fl-1) REGINA CARTER MOTOR CITY MOMENTS New York, April 19, 20, 21 & 25, 2000Don't git sassyMarcus Belgrave (tp) James Carter (b-cl,ts) Werner “Vana” Gierig (p) Regina Carter (vln) Darryl Hall (b) Alvester Garnett (d) ALICE COLTRANE PTAH, THE EL DAOUD Dix Hills, New York, January 26, 1970Mantra (1)Pharoah Sanders (ts-1,alto fl-2,bells) Joe Henderson (ts,fl) Alice Coltrane (p,harp-3) Ron Carter (b) Ben Riley (d) Chuck Stewart (bells) CARLA BLEY THE LOST CHORDS Live, Europe, October, 2003Tropical depressionAndy Sheppard (sop,ts) Carla Bley (p) Steve Swallow (el-b) Billy Drummond (d) MARIA SCHNEIDER CONCERT IN THE GARDEN New York, March 8-11, 2004Danca illusoria (1,2)Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen (tp,flhrn) Keith O'Quinn, Rock Ciccarone, Larry Farrell (tb) Pete McGuinness (tb-1) George Flynn (b-tb,contrabass-tb) Tim Ries (as,sop,cl,fl,alto-fl,b-fl) Charles Pillow (as,sop,cl,fl,alto-fl,oboe,eng-hrn) Rich Perry (ts,fl) Donny McCaslin (ts,sop,cl,fl) Andy Middleton (ts-2) Scott Robinson (bar,fl,cl,b-cl,contrabass-cl) Gary Versace (accor-3) Frank Kimbrough (p) Ben Monder (g) Jay Anderson (b) Clarence Penn (d) Jeff Ballard, Gonzalo Grau (cajon-4) Luciana Souza (vcl,pandeiro-5) Maria Schneider (comp,arr,dir) Continue reading Puro Jazz 07 marzo 2024 at PuroJazz.

Born in Fairborn, Ohio and raised in California Josiah Woodson started his musical journey under the tutelage of his mentor Khalil Shaheed in Oakland Ca at the age of 14. Beginning in Shaheed's own Oaktown Jazz Workshop among the now prominent musicians like Ambrose Akinmusire, Dayna Stevens, Jonathan Finlayson, and Geoffrey Countrymen, Josiah later went on to complete his undergraduate degree at the prestigious Oberlin Conservatory of Music. The late founder and director Wendell Logan alongside Marcus Belgrave, Billy Hart, and Donald Byrd among other mentors helped prepare Woodson for the masters program at New England Conservatory where he graduated with academic honors under the continued instruction of John McNeil, Cecil McBee, Jerry Bergonzi, and Danilo Perez.Since graduating, Josiah has gone on to pursue his career in New York, performing with such greats as Branford Marsalis, the late Mulgrew Miller, Ben Williams, and the late Clarence Clemons as well as recording with rappers Yasin Bey (formerly Mos Def) and Curren$y as well as recording on the grammy winning album “4” with Beyoné Knowles .Woodson's career has flourished after moving overseas to Paris, France where he has worked with musicians such as Mario Canonge, Gregory Privat, Arnold Doleman, Swaele Mbappe, Logan Richardson, Hermon Mahori, China Moses, and Blitz the Ambassador (Samuel Bazawulé).Notable performances include a season-opening performance of Woodson's own “Suite Elemental” (written, arranged, and scored for symphony orchestra by Josiah) with the Oakland Symphony, winning the 2019 Sibiu Jazz Competition, tours in Lebanon and Niger with Woodson's own projects, the unveiling of Moncer's fashion line with Pharrell Williams and Tobé Nwingwe in Milan, and the Scoring of Samuel Bazawule's first film “The Burial of Kojo” which went on to international success.Discography:Josiah Woodson “Suite Elemental”Beyoncé “4” (grammy winning)Mario Canonge “Zouk Out”Andy Narell “Like a Child”Olivier Robin title tbd release 2024David Garlitz - Cobra Fantastic title tbd release 2024Curren$y - “Pilot Talk”Mario Canonge/Michel Zenino “Quint'up”Mario Canonge/Michel Zenino “Quint'up II”David Levy's Out to Lunch “Melvin's Rockpile”David Levy's Out to Lunch “Excuse me while I do the Boogaloo”David Levy's Out to Lunch  “Uptown 6”David Levy's Out to Lunch  “Out to Lunch presents Etson”Sarah Thorpe title tbd release 2024Netflix's “The Eddy” series soundtrack “Falling” + appearance in ep #1https://www.facebook.com/josiah.woodson/Support the show

David SauzayBorn in 1972, David Sauzay began playing the saxophone at the age of 8 in Roger Michel Frederic's class.In 1988, it was during an exchange with the Doncaster music school in England led by John Ellis that he decided to become a jazz musician.He then studied at the Lyon Conservatory, at the EMN in Villeurbanne with Gilbert Dojat and at the AIMRA with Jacques Helmus.He had the opportunity to work with Mulgrew Miller, Tete Montoliu, John Abercrombie, Tim Ries, the big bands of Albert Mangelsdorf and Carla Bley.https://www.davidsauzay.com/biographie/biography/Support the show

Reuben is a jazz bassist who has played alongside of some music's most renowned artists including Wynton Marsalis, Joshua Redman, Charles Lloyd, Roy Hargrove, Marcus Roberts, Nicholas Payton, Mulgrew Miller, Jackie McLean and Dianne Reeves, and so many others. He's played on more than 300 recordings including his own outing as a bandleader with the 2006 release of The Things I Am. While he is constantly sharing his artistry in new settings, styles and challenges, Reuben's career is remarkable for the longevity of many of his artistic relationships. He maintains musical partnerships reaching back to his earliest mentors. He enjoys rewarding long-term collaborations with several artists, including notable tenures with Joshua Redman, the Aaron Goldberg Trio and Charles Lloyd. These are relationships that have lasted a decade or more. In this conversation, we talk about: The importance of relationships The 3 things that make up part of his personal philosophy  The choice of less and leaving space Trusting in your preparation  How constraints can create breakthroughs Choosing to relate to himself as an artist Focusing on your “body of work” What the greatest bandleaders have taught him about leadership Charles Lloyd has said of Reuben: "Reuben has a great talent and ability to play in the now with wonderful intelligence and a beautiful inventiveness. He is deeply passionate and brings humor and a warm humanity to the whole situation." I have no doubt you'll feel Reuben's presence, his passion, his humor, his wisdom and his humanity in this conversation. Please enjoy. --- Reuben: Reuben's Website Select Spotify album links: The Things I Am Corridors - 2023 Kendrick Scott release featuring Reuben Rogers and Walter Smith III YouTube: Joshua Redman Trio with Reuben Rogers and Kendrick Scott - Jarasum Int'l Jazz Festival 2017 Allan- Sign up for the ⁠Newslette⁠r! ⁠Allan's Website⁠ IG: ⁠@allanjaysantos⁠ FB: ⁠allan.santos1

Con Anita O'Day, Joan Chamorro & Alba Armengou, John Scofield, Mulgrew Miller y Nuno Ferreira entre otros. Otra de las entregas del serial "Joan Chamorro presenta a.. " ocupa nuestro tiempo de estrenos estatales, con la joven trompetista Alba Armengou como protagonista. El tiempo de estrenos internacionales lo dedicamos a John Scofield y su último trabajo, de título homónimo, que firma a guitarra sólo. Y como cada mes, nuestra última edición se convierte en el, a falta de uno físico y real en esta comunidad, particular y virtual, eso sí, "Club de Jazz" regional desde y en el que poder escuchar jazz en vivo. Así, recuperamos el paso del trío del pianista Mulgrew Miller, con Derrick Hodge y Karriem Riggins, las noches del 22 y 23 de Julio de 2003 por el Yoshi's de Aokland (California) cuando se cumplen 10 años de su fallecimiento (próximo lunes 29 de mayo). El "Estándar" de la semana en esta ocasión es el mítico "Sing, sing, sing" de Louis Prima en grabación de Anita 0'Day y "House", del guitarrista luso Nuno Ferreira en su "Long Distance Call" (FSNT), el "Favorito". Ahora Jazz, Ed. 2212. Con Javier del Barco.

M

Con T.Monk & J.Coltrane, Yvonne Walter, Benny Golson y Paco Charlín entre otros. Primera edición de este mes que recién acaba de comenzar que nos sirve para, en tiempo de estrenos estatales, presentar una nueva entrega discográfica producida por el vibrafonista Arturo Serra que en esta ocasión tiene por protagonista la voz de la cantante holandesa Yvonne Walter. Ya en capítulo internacional presentamos "The many moods of Benny Golson", compilatorio con el que redescubrir la esencia del saxofonista junto a maestros como Mulgrew Miller o Art Farmer. El "Estándar" de la semana es "Trinkle tinkle", de Monk en grabación mítica junto a Coltrane, Wilbur Ware y Shadow Wilson y "Next One", del sensacional contrabajista Paco Charlín en su "Ultimate Jazz Earth-Tet II", el "Favorito". Ahora Jazz, Ed. 2188. Con Javier del Barco.

Con T.Monk & J.Coltrane, Yvonne Walter, Benny Golson y Paco Charlín entre otros. Primera edición de este mes que recién acaba de comenzar que nos sirve para, en tiempo de estrenos estatales, presentar una nueva entrega discográfica producida por el vibrafonista Arturo Serra que en esta ocasión tiene por protagonista la voz de la cantante holandesa Yvonne Walter. Ya en capítulo internacional presentamos "The many moods of Benny Golson", compilatorio con el que redescubrir la esencia del saxofonista junto a maestros como Mulgrew Miller o Art Farmer. El "Estándar" de la semana es "Trinkle tinkle", de Monk en grabación mítica junto a Coltrane, Wilbur Ware y Shadow Wilson y "Next One", del sensacional contrabajista Paco Charlín en su "Ultimate Jazz Earth-Tet II", el "Favorito". Ahora Jazz, Ed. 2188. Con Javier del Barco.

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Родившийся в Гарлеме и живущий в Чикаго педагог блюзовой гитары Bobby Broom записал свой 14-й альбом Keyed Up совместно с пианистом Justin Dillard и своим трио. Альбом посвящается пьесам знаменитых пианистов: Bud Powell, Herbie Hancock, Chick Corea, McCoy Tyner, Horace Silver, Mulgrew Miller, Erroll Garner… Трио играет с 2000 года и записали вместе шесть альбомов, в том числе фаворит чарта JazzWeek альбом Bobby Broom Plays for Monk и получивший высокую оценку The Way I Play, Live in Chicago. Бытует мнение, что комбинация гитары и фортепиано не работает из-за дублирования аккордов. Но, дело в том, что надо просто знать музыку и всех тех, кто играет с правильной гармоничной точки зрения, - говорит Брум. Я услышал в игре Джастина что-то интригующее, и мне захотелось с ним записаться. Это было немного рискованно, потому что мы не играли в такой интимной обстановке до этого. Но нам не потребовалось много времени, чтобы понять друг-друга, сделать правильный выбор треков и хорошие аранжировки. ©️ Clean Sweep Music 2022 Bobby Broom - guitar Justin Dillard - piano & Hammond SKX Dennis Carroll - bass Kobie Watkins - drums Arrangements by Broom, Dillard, Carroll Recorded August 31 - September 3, 2021 Recording Engineer, Dennis Tousana at Soundmine Studio, Chicago Mixed and mastered by Patrick L. Smith #contemporaryjazz #lounge --- Send in a voice message: https://anchor.fm/konstantins/message

In the Jazz tradition, Walter Smith III has developed under the wings of many of the music's greats. Walter is/has been a member of several legendary groups (recording and/or touring) including the Roy Haynes Fountain of Youth Band, Terence Blanchard Quintet, Eric Harland's “Voyager”, Jason Moran's In My Mind:Monk at Town Hall, Ambrose Akinmusire Quintet, the Christian McBride “Situation”, Christian Scott group and the Sean Jones Quintet to name a few. Smith has performed all over the world participating in virtually every international festival as well as famed venues such as Carnegie Hall, the Village Vanguard, and the Kennedy Center. In addition, he has shared the stage and/or appeared on recordings with many Jazz notables including Mulgrew Miller, Eric Reed, Billy Childs and Joe Lovano. Today he joins us on the show to share his thoughts on music.Support the show

NEAL SMITH “LIVE SMALLS JAZZ CLUB” – New York, August 23 & 24, 2009 Stew peas, Junior Steve Wilson (as) Eric Alexander (ts) Mulgrew Miller (p) Mark Whitfield (g) Dezron Douglas (b) Neal Smith (d)             PAUL DESMOND “GLAD TO BE UNHAPPY” – New York, July 13, 1964 Angel Eyes, […]

Heyecan verici Roy Hargrove & Mulgrew Miller, Sevin Okyay seçkisiyle Caz ve Ötesinde.

Although it may appear Smith is a new voice on the scene, he is widely recognized as an adept performer, accomplished composer, and inspired educator. This spring, Smith welcomes his newest release, In Common III. The boundary pushing album features some of the most important and talked about musicians in the world - Matt Stevens, Kris Davis, Dave Holland and Terri Lyne Carrington.​Smith has developed under the wings of many of the music's greats. Walter is/has been a member of several legendary groups (recording and/or touring) including the Roy Haynes Fountain of Youth Band, Terence Blanchard Quintet, Eric Harland's “Voyager”, Bill Stewart Trio, Jason Moran's In My Mind:Monk at Town Hall, Ambrose Akinmusire Quintet, the Christian McBride “Situation”, Marquis Hill “New Gospel Revisited”, Gerald Clayton Quintet, Christian Scott group and the Sean Jones Quintet to name a few.​Smith has performed all over the world participating in virtually every international festival as well as famed venues such as Carnegie Hall, the Village Vanguard, and the Kennedy Center. In addition, he has shared the stage and/or appeared on recordings with many important artists including Mulgrew Miller, Billy Childs, Joe Lovano, Herbie Hancock, Maria Schneider, Dee Dee Bridgewater, Terri Lyne Carrington, Ralph Peterson, and a host of others. To date, Walter has appeared on over 100 recordings that are released worldwide.​Originally from Houston, TX, Smith now resides in Boston, MA and is Chair of Woodwinds at Berklee College of Music helping to prepare the next generation of young artists.https://www.waltersmith3.com

Bienvenidos amantes de la música, el trompetista Roy Hargrove fue una promesa del jazz actual que se perdió tempranamente a los 49 años debido a un problema renal. Fue un tímido apadrinado de Wynton Marsalis en sus inicios, y fue parte de "The Young Lions" en su desarrollo juvenil, una banda de defensores del jazz clásico. También incursionó en el Funk con su banda RH Factor. Hoy le escucharemos en una grabación en vivo de 2006, recientemente rescatada de los archivos en 2021. En piano le acompaña Mulgrew Miller con quien desarrollan un verdadero "Arte de Dúo", en esta interacción sincera de dos músicos que se escuchan y apoyan el uno al otro. Los temas son: 1. Ow! (Dizzy Gillespie) 2. Triste (Antonio Carlos Jobim) 3. Ruby, My Dear (Thelonious Monk) 4. Blues for Mr. Hill (Roy Hargrove) -Selección del álbum "In Harmony" Live (2021) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a material exclusivo y primicias que publicaremos regularmente) * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico * Me gusta, Comparte y Comenta.

In this episode, we talk with accomplished 29 year old drummer, Aaron Seeber, about not only his background but his new album, First Move, recorded live in Brooklyn at Ornithology Jazz Club on October 19, 2021, and released in May, 2022, on Cellar Live Records.  On this extraordinary album, he's joined by vibraphonist Warren Wolf, alto saxophonist Tim Green, pianist Sullivan Fortner, and bassist Ugonna Okegwo. The recording highlights selections by timeless luminaries including Charlie Parker and Charles Mingus, as well as modern legends such as Geri Allen and Mulgrew Miller. While in high school, Aaron attended Paul Carr's Jazz Academy of Music (JAM) Camp, where Aaron is now on as faculty drum instructor and combo teacher. He later attended SUNY Purchase, where he studied Jazz Drums under the tutelage of renowned instructors Kenny Washington and John Riley.  Aaron's shared the stage with numerous greats including Eric Reed, Pete Malinverni, Warren Wolf, Grant Stewart, Cyrille Aimée, Jeremy Pelt, Paul Bollenback, Tim Green, Ugonna Okegwo, Bruce Harris, Gary Smulyan,  Mike Ledonne, Freddie Redd, Butch Warren, Chuck Redd, and many others.  First Move is Aaron's first release as both drummer and bandleader. 

From an early age, Walter Smith III began taking music very seriously. “My first gig was playing at a McDonalds in Houston with another saxophone player. I took a solo on “Blue Bossa.” It was terrible. People clapped, and I figured if I could get away with that and get applause, how could I fail?” ​Although it may appear Smith is a new voice on the scene, he is widely recognized as an adept performer, accomplished composer, and inspired educator. This spring, Smith welcomes his newest release, In Common III. The boundary pushing album features some of the most important and talked about musicians in the world - Matt Stevens, Kris Davis, Dave Holland and Terri Lyne Carrington. ​Smith has developed under the wings of many of the music's greats. Walter is/has been a member of several legendary groups (recording and/or touring) including the Roy Haynes Fountain of Youth Band, Terence Blanchard Quintet, Eric Harland's “Voyager”, Bill Stewart Trio, Jason Moran's In My Mind: Monk at Town Hall, Ambrose Akinmusire Quintet, the Christian McBride “Situation”, Marquis Hill “New Gospel Revisited”, Gerald Clayton Quintet, Christian Scott group and the Sean Jones Quintet to name a few. ​Smith has performed all over the world participating in virtually every international festival as well as famed venues such as Carnegie Hall, the Village Vanguard, and the Kennedy Center. In addition, he has shared the stage and/or appeared on recordings with many important artists including Mulgrew Miller, Billy Childs, Joe Lovano, Herbie Hancock, Maria Schneider, Dee Dee Bridgewater, Terri Lyne Carrington, Ralph Peterson, and a host of others. To date, Walter has appeared on over 100 recordings that are released worldwide. ​Originally from Houston, TX, Smith now resides in Boston, MA and is Chair of Woodwinds at Berklee College of Music helping to prepare the next generation of young artists. We spoke recently about his early development, the Houston sound, his thoughts on education, practice, improvisation, leadership, raising a family as a musician, meeting your heroes, and LA real estate. www.third-story.com www.patreon.com/thirdstorypodcast

My guest today is Ben Rubin a producer, mixer, bassist, and composer in Brooklyn NY. Whether he's melding hip-hop and jazz with legends like Masta Ace and Donny McCaslin, playing upright bass at the Newport Jazz Festival with Dred Scott Trio, remixing Karsh Kale or WuTang's Killah Priest, rockin' on electric bass with Marshall Crenshaw, or producing Peter Bernstein solo jazz guitar, Grammy-nominated producer/(re)mixer/bassist/composer Ben Rubin (aka Benny Cha Cha) is renowned for making records that are pure or genre-bending or both. Picked seven times as a “Rising Star Producer” in DownBeat Magazine's International Critics' Poll, Rubin has well over 100 album credits to his name. Lately, he has been working with a diversity of artists including Queen Esther, Erik Deutsch & Theo Bleckmann, Steve Conte (New York Dolls), Stripmall Ballads, Rachel Eckroth (St Vincent), Lower Power, Caleb Wheeler Curtis, Drifter feat. Lucy Woodward, Buzzed Armstrong, and Jon Irabagon, as well as labels like Ropeadope, Sunnyside and Imani. Most recently, Rubin's attention has focused on Analog Players Society at the Bridge Studio in Brooklyn with APS founder Amon Drum creating cut-up hip-hop instrumental records and jazz albums released on Ropeadope and described by Downbeat Magazine as “truly compelling.” featuring legendary Juice Crew MC Masta Ace described as “in the direct lineage of classics like A Tribe Called Quest's Low-End Theory, and Guru's Jazzmatazz.” Bens production and mixing credits include Walking Distance feat. Jason Moran, Grammy nominated composer/pianist Emilio Solla, and many recordings for Smalls Live Records releasing more than 30 records with jazz greats including Larry Goldings, Louis Hayes, Tom Harrell, Johnny O'Neal, Chris Potter, Tim Ries, Roy Hargrove, Mulgrew Miller, Seamus Blake, and Cyrille Aimeé to name just a few. As a bassist, Ben has toured and recorded both upright and electric bass with a diversity of artists, including Dred Scott Trio, Patti Smith, James Maddock, Courtney Love, Mary J. Blige, Moby, Bill Frisell, and his own acclaimed, genre-bending band Mudville which I believe my brother Nate played in at one point. Ben has also composed scores for features and short films, including director Nelson Kim's feature film debut, Someone Else, which premiered at the Miami International Film Festival in 2015. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/2aB7hmdR5SWAEgLBsSPPaf?si=03284414c7fd418e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/342

Join Edwin Williams & Von Coulter, Tue, Mar 22th @ 7:30p with special guest, guitarist Russell Malone. Malone was born in Albany, Georgia, United States. He's played and toured with such artists as: Jimmy Smith, Harry Connick Jr. Diane Krall, Ron Carter, Roy Hargrove, and Dianne Reeves and more and has done session work with Kenny Barron, Branford Marsalis, Wynton Marsalis, Jack McDuff, Mulgrew Miller, and Eddie "Cleanhead" Vinson. He recorded his first solo album in 1992 and has led his own trio and quartet. Instagram @russell.malone Follow us on all social media JazzMattersATL. Don't forget to Subscribe, Like & Share. To learn more about Jazz Matters ATL, The Jazz Matters Store or become a Supporter, visit https://www.linktree/jazzmattersatl #jazz #jazzmatters #jazzradio #jazzhiphop #jazzrecords #jazzeducator #jazzcommunity #contemporaryjazz #jazzfunk #jazzfusion #jazzlife #jazzlover #jazzmusician #jazzpiano #jazzpodcast #musicislife #musicmatters #smoothjazz #creatives #jazzrecords #jazzlife #jazzlover #jazzmusicians #musicians #musicislife #lovejazz #jazzpodcast #atljazzfestival @russell.malone --- Support this podcast: https://anchor.fm/jazz-matters/support

“Gavin”! Don't fence me in! Game, set…scratch that!Drummer and vocalist, Bryan Carter approaches the craft with a beauty and honesty that is right on time. Over tea and cold brew, we talk about fostering an unexpected online community, breaking free of the expectations that others project onto a musician's career, and a crushing moment at the U.S. Open that rivals Novak Djokovic's defeat this season. FEATURED RELEASE:Bryan Carter“Dear Blue” (2020) Getting to Know: Bryan!With a confidence reflecting an instrumental and compositional maturity that both belie his age and announce the arrival of a remarkable talent, Bryan Carter exudes what promises a highly successful career.Shortly after completing his training at The Juilliard School in New York City and still at the very outset of his career, Carter has already played and/or recorded with many notable artists including Clark Terry, McCoy Tyner, Wynton Marsalis, Marcus Roberts, Mulgrew Miller, Kenny Barron, Michael Feinstein and Kurt Elling.Carter attended The Juilliard School as a Jazz Studies major and studied with Carl Allen and Kenny Washington. He was the recipient of the Irene Diamond Scholarship as well as the Samuel L Jackson Scholarship. While at Juilliard, Carter took a strong interest in composition, orchestration and interdivisional cross-collaborative performance.Bryan is currently touring the world with his band, “Bryan Carter & The Young Swangers”. He also served as the house drummer for NBC'S “Maya & Marty” starring Maya Rudolph, Keenan Thompson and Martin Short. The show has featured guests including Miley Cyrus, Tom Hanks, Drake, Steve Martin and Tina Fey.Aside from performing Carter conducts clinics, master-classes and workshops at schools, colleges and universities around the world. Currently Carter serves as a teaching artist for the Jazz at Lincoln Center, “Jazz for Young People” program in New York City and endorses Ludwig Drums, Vic Firth Drumsticks, Remo Drumheads, Zildjian Cymbals and 1964-Ears Monitors. Watch the interview on our YouTube channel here!

For Video Edition, Please CLick and Subscribe Here:  https://youtu.be/vsLJM9r6zdY Random Act of Kindness Day - Want to change the world? Start with a random act of kindness! One random act of kindness could be to tell a friend about this show! We will be joined by three special artists to be announced later this week who are creating against the odds of Covid. Versatile and sophisticated jazz guitarist Ron Jackson has performed, recorded and taught music in over 30 countries. With a varied career as a performer, composer and arranger, Highlights include shows and tours with artists such as Taj Mahal, Jimmy McGriff, Larry Coryell, Benny Golson, Oliver Lake, Russell Malone and Mulgrew Miller.  Ron currently teaches guitar at Jazz at Lincoln Center, The New School, Midori and Friends, and is the founder and director of the website www.practicejazzguitar.com. Chuck Muckle (director/playwright/actor/composer) directed IN LOVE WITH THE ARROW COLLAR MAN and MOURNING BECOMES RIDICULOUS at the New York New Works Festival last year. Lance Ringel's career as a writer and journalist has spanned more than four decades. His novel Flower of Iowa, an epic romance between two soldiers in the First World War, has met with unexpected success in the United States and Europe, receiving accolades from Kirkus Reviews and Stephen Fry, among many others. Both Arrow Collar Man and the musical Animal Story, for which Ringel wrote book and lyrics to Chuck Muckle's score, made the semifinals of the New York New Works Theatre Festival.  He also wrote the narrative for At Home in the World, a joint production of Vassar and Japan's Ashinaga Foundation, which played in Tokyo, New York, Washington, D.C., and Kampala, Uganda, under the direction of John Caird.

Puerto Rico Jazz con Wilbert Sostre @ Brave New Radio WPSC 88.7 FM, William Paterson University, New Jersey.@TuneIn Radio! http://tun.in/seoPJAlgunas de las mejores grabaciones del 2021.Con música de Eliane Elías, Ches Smith, Bob Mintzer, Roy Hargrove con Mulgrew Miller, Arturo O'Farrill, Rubén Blades y John Coltrane.Puerto Rico Jazz con Wilbert Sostre.Todos los Domingos 9am y 4pm (Puerto Rico) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJ Domingos 6pm @ Radio Prócer 1380AM, 98.5FM, Barranquitas, Puerto Rico. www.radioprocer1380.como en TuneIn http://tun.in/seoKuPara enviarnos su música y anunciar su negocio; jazzinmagazine@gmail.com*Diseño de logo de Puerto Rico Jazz por @Shaney Lara

Patreon: https://www.patreon.com/somethingcamefrombaltimore JANUARY 15, 2021 On February 26, the venerated multi-instrumentalist and composer Joe Chambers will release Samba de Maracatu, a notable Blue Note Records return for a significant figure in the label's history. The album's Brazilian flavored title track “Samba de Maracatu,” which is available today to stream or download, was composed by Chambers and features him performing drums, vibraphone, and percussion with Brad Merritt on keyboards and Steve Haines on bass. The album is a nine-song set of original compositions, standards, and pieces by Wayne Shorter, Bobby Hutcherson, and Horace Silver. In the mid-to-late 1960s, Chambers played drums for numerous Blue Note luminaries appearing on some of the decade's most progressive albums including Shorter's Adam's Apple and Etcetera, Hutcherson's Components and Happenings, Freddie Hubbard's Breaking Point, Joe Henderson's Mode for Joe, Sam Rivers' Contours, Andrew Hill's Andrew!!!, Donald Byrd's Fancy Free, and many more. The label's owners – Alfred Lion and Francis Wolff – offered Chambers a chance to record his own album for the imprint during that fertile period, but he was riding so high on recording and touring with so many jazz greats that he declined the opportunity. Chambers eventually did release his own Blue Note debut Mirrors in 1998 featuring trumpeter Eddie Henderson, saxophonist Vincent Herring, pianist Mulgrew Miller, and bassist Ira Coleman. On Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone. Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt's piano accompaniments and solos. While Samba de Maracatu isn't a Brazilian jazz album in this strictest sense, Chambers utilizes various rhythms and indigenous Brazilian percussion instruments on several pieces, including the title track, which references the syncretic Afro-Brazil rhythms that were originated in the north-east region of Brazil. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

HAROLD ASHBY – WHAT AM I HERE FOR ? – New York, November 30, 1990 What am I here for ?, Mood indigo, C jam blues Harold Ashby (ts) Mulgrew Miller (p) Rufus Reid (b) Ben Riley (d) – HARRY “SWEETS” EDISON – SWEETS – Los Angeles, September 4, 1956 Used to be Basie, Walkin’ […]

Four live records turn up on the boys' plates - of which do they happily partake?  The sessions range in recording dates from the late sixties to the 2010's, but three of the four came out in the last few months.  We talk about a listener-suggested album of "modern" stride piano, a scorching modal date that left the tape in tatters, a recently discovered live appearance from the dean of off-kilter piano and a series of charming duets by two musicians of more recent vintage who left us far too soon.  Which to pick up?  Just stay tuned.  Roy Hargrove & Mulgrew Miller – IN HARMONY; Roy Brooks – UNDERSTANDING; Stephanie Trick – LIVE; Monk – PALO ALTO.

Altı yaşında radyoda duyduğu parçaları kulaktan çalmaya başlayan Mulgrew Miller, sekiz yaşında ailesinin mutfak masraflarından kısarak ders aldırmaya başlamasından sonra ilk üçlüsünü lise yıllarında kuruyor ve müzikten para kazanmaya başlıyor. Dr. Hakan Rauf Tüfekçi bu hafta, Cazın Büyüsü ekibinin en sevdiği piyanistlerden Mulgrew Miller'ın hikayesini anlatıyor ve The Sequel albümünden seçkiler çalıyor.

Altı yaşında radyoda duyduğu parçaları kulaktan çalmaya başlayan Mulgrew Miller, sekiz yaşında ailesinin mutfak masraflarından kısarak ders aldırmaya başlamasından sonra ilk üçlüsünü lise yıllarında kuruyor ve müzikten para kazanmaya başlıyor. Dr. Hakan Rauf Tüfekçi bu hafta, Cazın Büyüsü ekibinin en sevdiği piyanistlerden Mulgrew Miller'ın hikayesini anlatıyor ve The Sequel albümünden seçkiler çalıyor.

M

M

Jazz Ahead 137 - Playlist: ..1. Charmolypi_Mystikòs, Giacomo Zanus, Kora, Auto Records, 2021..2. Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021..3. The Sharp Peak of the Science of Love, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..4. I remember Clifford, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021..5. Earth Sky Realms, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..6. Something lost, Something Gained, Giacomo Zanus, Kora, Auto Records, 2021..7. La cumbia me está llamando, Nubya Garcia ft. La Perla (Kaidi Tatham Remix), La cumbia me está llamando, Concorde Jazz, 2021..8. E tu, Cosa Cerchi, Giacomo Zanus, Kora, Auto Records, 2021..9. Monk's Dream, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021 10. The Keeper, Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021

Jazz Ahead 137 - Playlist: ..1. Charmolypi_Mystikòs, Giacomo Zanus, Kora, Auto Records, 2021..2. Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021..3. The Sharp Peak of the Science of Love, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..4. I remember Clifford, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021..5. Earth Sky Realms, Hank Roberts Sextet, Science Of Love, Sunnyside Records, 2021..6. Something lost, Something Gained, Giacomo Zanus, Kora, Auto Records, 2021..7. La cumbia me está llamando, Nubya Garcia ft. La Perla (Kaidi Tatham Remix), La cumbia me está llamando, Concorde Jazz, 2021..8. E tu, Cosa Cerchi, Giacomo Zanus, Kora, Auto Records, 2021..9. Monk's Dream, Roy Hargrove, Mulgrew Miller, In Harmony, Resonance Records, 2021 10. The Keeper, Hollow, Brogan Bentely, Diapason Rex, Leaving Records, 2021

This week we have a birthday tribute to four Jazz greats who are no longer with us but have left a legacy of fine music-from George Shearing's first recording to an exclusive LIVE date that I produced, pianist Mulgrew Miller, guitarist Joe Puma and the venerable Alto Saxophonist Benny Carter. 

https://www.billmoring.com/   Link to the Jamulus episode with Berklee Global's Jason Camelio: https://youtu.be/lV8F_ph3yfo   A veteran of the New York City jazz scene for over 30 years, bassist Bill Moring has established a reputation as one of the city's most in-demand players. Bill played with such notables as Dizzy Gillespie, Slide Hampton, and Cal Collins. Other big band experiences include the Village Vanguard Orchestra and the Toshiko Akiyoshi/Lew Tabakin Jazz Orchestra. Bill has played with renowned singers such as Joe Williams, Mel Torme, Diane Schurr, Dakota Staton, Maxine Sullivan, and Susannah McCorkle. He has played with jazz legends Frank Foster, Al Cohn, Clark Terry, Mickey Roker, Tommy Flanagan, Junior Cook, Roland Hanna, Vernel Fournier, Mel Lewis, and Ray Barretto. He has also performed and/or recorded with many contemporary artists including John Abercrombie, Gary Bartz, Manolo Badrena, Larry Coryell, Vic Juris, Dave Kikoski, Billy Hart, John Hart, Eddie Henderson, Joe Locke, Mulgrew Miller, Chris Potter, Dom Salvador, Dave Stryker, and James Williams.   #billmoring #bass #jazz   0:00 Intro  1:45 Warm-up questions  6:55 Bill's Apple Music list  08:49 Self-recording  12:30 Collaboration  26:50 Collaboration balance  34:53 Swing vs. Swung  42:09 Pop music trends  51:00 Sarah Partridge and Bill Moring  55:36 Asynchronous jazz  1:02:08 Lifestyle: Sleep  1:02:55 Lifestyle: Mindfulness & meditation  1:04:10 Lifestyle: Exercise  1:06:40 Lifestyle: How do people in your life support you?  1:11:13 Lifestyle: How do you define yourself?  1:15:03 Practice: Time of day  1:18:05 Practice: Maximum effective duration  1:24:40 Injury  1:30:35 Creativity: Steps to stay creative  1:31:30 Creativity: Time of day  1:32:00 Creativity: Burnout  1:32:54 Performance anxiety #musicians #songwriter #songwriters #composers #musicmajor #musicmajors #musiceducator #musiceducators #musiceducation #podcast #thebestmusicpodcast #clips #musicpodcast #singer #guitarist #guitarplayer #trombonist #trumpet #violin #viola #cello #bass #brass #trombone #mandolin #banjo #drums #percussion #timpani #marimba #oboe #sax #saxophone #clarinet #basoon #alto #soprano #tenor #piano #keyboard #musicians #songwriter #songwriters #composers #musicmajor #musiceducator #musicpodcast #singersongwriter #musiceducation #singer #trumpet #violin #viola #cello #bass #trombone #musiclife #musicmaker #musicteacher #drums #percussion #saxophone #clarinet #guitar #piano #podcast #thebestmusicpodcast #musicislife #musicindustry #PandoraPodcasts  Logo, Intro Video, and Branding: Arron Leishman  Audio and Video: Zach Ramey zacherylramey@gmail.com  Dan's Thumbnail Photo: John Mollura Photography

Eddie Cleanhead Vinson og félagar hans leika lögin Tenderly, Taxi Driver Blues, When My Baby Left Me, Old Maid Blues, Corn Fed, The Clean Machine og Non Alcoholic. John Coltrane og Cannonball Adderly leika lögin You're A Weaver Of Dreams, Limehous Blues, Stars Fell On Alabama, Wabash, The Sleeper og Grand Central. Mulgrew Miller tríóið flytur lögin Summer Me Winter Me, Another Type Thang, When I Get There, Small Portion, Somewhere Else, Words og Carousel.