Podcasts about Julie London

The mood can change very quickly in The Flood band room, often depending on whatever is the next song that crosses Charlie Bowen's rattlin' brain.For instance, in the first few seconds of this week's podcast, you'll hear the guys still laughing from the inside jokes and joys of the previous tune, while Bowen is ready to conjure up a more somber mood with some opening chords.Almost at once, Danny Cox and Randy Hamilton recognize the lead-in and join in on the 1950s torch song, “Cry Me a River.” Seconds later, Jack Nuckols is slapping a rhythm and Sam St. Clair is offering moody accents.Anything But PlebeianThe story of this song's troubled childhood — rejected in its first bid for movie stardom, initially passed over by the queen of jazz ballad, etc. — in an earlier post, but let's take another swing at it, this time focusing on a single word in its otherwise rather pedestrian lyrics.The bridge of “Cry Me a River” contains what writer Molly Leikin, in her book How to Write a Hit Song called “the best multisyllabic internal rhyme I've heard.” Specifically, the song rhymes: You told me love was too plebeian with Told me you were through with me'n'…“‘Too plebeian' and ‘through with me'n',” Leikin wrote, “are just as delicious now as when they were first written. This quadruple rhyme isn't just four syllables that rhyme, but four unique syllables.”But Jack Said No, And So Said MitchCool enough, but it was not everybody's cup of tea. In fact, plebeian (which, of course, is a snooty way of saying “commoner”) was just too highfalutin for many show biz folks.For instance, director Jack Webb originally wanted the song for his 1955 movie Pete Kelly's Blues, but he hated the use of the word and when songwriter Arthur Hamilton refused to change it, Webb yanked the song from the film.The lyric had no better luck at Columbia Records where the A&R chief — one Mitch Miller (of early TV's “Sing Along with Mitch” fame) — joined the plebeian haters and blocked it from being recorded there by Peggy King.The Stubborn SongwriterStill the songwriter stood his ground and refused to change his lyric. Wonder why, given the riches promised to Hamilton by having his song included in a Hollywood film? Well, writer John E. Simpson in his online newsletter “Running After My Hat,” has an intriguing theory.As noted in the earlier Flood Watch article, 27-year-old singer and aspiring actress Julie London, who would ultimately record “Cry Me a River” and have a monster hit with it, was married to Jack Webb at the time he would working on Pete Kelly's Blues.When Webb thought it would be a great idea to have some original songs, not just old standards, wife Julie remembered Arthur Hamilton. He was a young guy she'd graduated from high school with; in fact, he'd taken her to the senior prom.She and Arthur had drifted out of touch since their school days in the mid-1940s, but Julie remembered he'd wanted to be a songwriter. She gave him a call, asked if he was still writing music.“I was,” Hamilton recalled years later, “but I was writing them on the backs of prescription blanks, working as a delivery boy for a prominent drugstore chain.”When got the call from Hollywood, Hamilton cranked out three tunes — “He Needs Me,” “Sing a Rainbow” and (ta-duh!) “Cry Me a River” — the first two of which Webb used in the picture, but then Webb blocked the winner of the bunch because of Hamilton's refusal to change that problematic rhyme. Was It Code?So, again, why?“I've got my own pet theory about this,” Simpson writes in his newsletter, “completely unsupported by anything except speculation and a taste for intrigue: I wonder if the word ‘plebeian' was an in-joke of some kind between Hamilton and London? Lord only knows what sort of in-joke it would be. But it's a fun idea, isn't it?”Indeed. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Podcast Jazztime 677 – 13.05.25 Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE – Anspiel diesmal ist : „On the sunny Side of the Street” – geschrieben 1930 und einer der beliebtesten Jazz Standards. Folgende Titel sind zu hören: 1. Bad, bad Leroy Brown – Frank Sinatra 2:51 2. Midnight samba – Stan Getz 2:10 3. Nice'n'easy – Barbra Streisand 4:28 4. King Porter Stomp – Wynton Marsalis 3:15 5. When I fall in Love – Julie London 3:23 6. On the sunny Side of the Street – D.Gillespie, S. Stitt & S. Rolllins 5:43 7. Something – Sarah Vaughan 4:20 8. Basin Street Blues – Louis Armstrong & His All Stars 3:50 9. But beautiful – Diana Ross 2:51 10. High Heel Sneakers – Ramsey Lewis Trio 2:27 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Styrktarfélag lamaðra og fatlaðra kallar eftir hugmyndum um nýtt nafn fyrir félagið. Þegar félagasamtökin voru stofnuð, um miðja síðustu öld, geysaði skæð farsótt, lömunarveikin, sem lagðist af þunga á fjölmörg börn og ungt fólk. Tímarnir hafa breyst og margt hefur breyst til hins betra í samfélaginu og enn er ýmsir þröskuldar á vegi fólks með fötlun, áþreifanlegir og óáþreifanlegir. Bergljót Borg, framkvæmdastjóri Styrktarfélags lamaðra og fatlaðra, kom í þáttinn og sagði okkur sögu samtakanna og leitinni að nýja nafninu, sem þau vilji að verði einkennandi fyrir gildi, starfsemi og framtíðarsýn félagsins. Jazzsöngkonur koma saman síðasta vetrardag og syngja lög þekktra söngkvenna eins og Peggy Lee, Judy Garland, Julie London og fleiri. Rebekka Blöndal, Kristjana Stefáns og Silva Þórðar, þrjár af fimm söngkonum sem koma fram á tónleikunum, komu til okkar í dag og spjölluðu um líf jazzsöngkonunnar og þau verkefni sem þær eru að fást við. Svo kom Einar Sveinbjörnsson til okkar í veðurspjallið, en í dag ræddi við okkur um borgarskóga og áhrif þeirra á til dæmis veðurfar. Hann talaði um umskiptin í veðrinu framundan og hugtakið páskahret og svo auðvitað að skoðaði hann aðeins páskaveðrið sem lítur bara nokkuð vel út víðast hvar um landið. Tónlist í þættinum í dag: Ég hef heyrt / BG og Ingibjörg (Lois Armstrong, texti BG og Ingibjörg) Fever / Peggy Lee (John Davenport og Eddie Cooley) Tenderly / Rosemary Clooney (Walter Cross og J.Lawrence) Sukiyaki / Kyu Sakamoto (Hachidai Nakamura & Rokusuke Ei) UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Songs include: After You've Gone by Django Rheinhardt, When Your Lover Has Gone by Billie Holiday, He's a Real Gone Guy by Nellie Lutcher, Long Gone Lonesome Blues by Hank Williams and Gone With the Wind by Julie London. 

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE- Anspiel ist diesmal: „Groovin‘ High“– eine frühe Bebop Komposition von Dizzy Gillespie aus dem Jahr 1944. Folgende Titel sind zu hören: 1. Topsy – Count Basie & his Orchestra 3:16 2. Things have changed – Curtis Stigers 4:59 3. Groovin' high – Dizzy Gillespie Sextet 2:39 4. Close enough for Love – Tony Bennett 4:29 5. For the Love of you – Candy Dulfer 5:04 6. Air Mail Special – Benny Goodman 3:39 7. Something was missing – Harry Connick Jr. 4:16 8. Cry me a River – Julie London 3:00 9. Sing, sing, sing – Eddie Daniels 3:40 10. Fine and dandy – Teddy Wilson 1:44 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de

De cuando el cine imitaba a la vida y Hollywood no era una pasarela de besos, abrazos y nuevos ricos vendiendo buenismo y vacias consignas. De cuando la realidad contada por insobornables artesanos como Donald Sirk en películas como “Imitación a la Vida” (1959) con Lana Turner en el papel de aspirante al estrellato sin escrúpulos. De cuando la reyes del cine cantaban -y bailaban- en sus propias voces como Audrey Hepburn o Marlon Brando, Marilyn o Julie London, BB o Jeanne Moreau. De cuando abarrotaban las salas y eran modelos a seguir y del presente que en forma de entregas de premios -los Oscar o los Goyas locales- escenifican la cruda realidad y las odiosas pero imprescindibles comparaciones. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

De cuando el cine imitaba a la vida y Hollywood no era una pasarela de besos, abrazos y nuevos ricos vendiendo buenismo y vacias consignas. De cuando la realidad contada por insobornables artesanos como Donald Sirk en películas como “Imitación a la Vida” (1959) con Lana Turner en el papel de aspirante al estrellato sin escrúpulos. De cuando la reyes del cine cantaban -y bailaban- en sus propias voces como Audrey Hepburn o Marlon Brando, Marilyn o Julie London, BB o Jeanne Moreau. De cuando abarrotaban las salas y eran modelos a seguir y del presente que en forma de entregas de premios -los Oscar o los Goyas locales- escenifican la cruda realidad y las odiosas pero imprescindibles comparaciones. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

This cut, from Julie London's album of the same name, became a camp classic. It's undeniably bawdy, with the torch songstress purring like a mod Mae West, with tongue solidly in cheek. The original, generated by neutered, pre-fab bobble heads, The Ohio Express, is a prepubescent rocker, lacking any lubriciousness whatsoever, but, emanating from Julie's throat it's an open invitation to bed, or a post-coital pillow declaration.Julie is Her Name, her first album, was released in 1955, and YUMMY YUMMY YUMMY was her last, arriving in 1969, when she was 43 years old. Being an aging sex star is hard, but doing it in the 1960s during the youth movement must have been agonizing. Following this, she retired from recording altogether to concentrate on her acting career, which served her well. In '72, her ex-husband, Jack Webb, cast her in the tv show Emergency! alongside her current spouse Bobby Troup,- (the composer of Route 66) - and that show lasted 6 years.In 2000, throat cancer claimed the life of the sultry voiced siren, after a lifetime of dedicated smoking. She was 74, leaving behind a discography full of yearning and heartache. I discovered her decades after her Hey Day, on a collection of Lounge numbers, and was smitten.  

In Episode 317, My Favorite Christmas Music, Sam Waldron presents 17 recordings from six previous holiday episodes of 45RPM, Music of the 40s and 50s. Performers include Ernest Tubb, Dean Martin, Julie London, Nat King... Read More The post Episode 317, My Favorite Christmas Music appeared first on Sam Waldron.

CW: This episode discusses cinematic sexual violence. Aaron and Carlee from the Hit Factory podcast return from San Francisco to discuss one of Anthony Mann's best films, the psychological western Man of the West, starring Gary Cooper in one of his final performances as a former outlaw who has worked to get away from his sordid past and rebuild his life, only to find himself by circumstance back in league with the very “family” of killers who raised him, in a classic film noir scenario transposed to the Western genre. Jean-Luc Godard hailed Man of the West as the best film of 1958 and in this episode we discuss the psycho-sexual complexities of this western and how it pointed the way to the future of American cinema including the horror genre, how like Michael Mann's Manhunter it implicates the audience by depicting an “audience” within the movie forced to watch sexually-charged violence unfold, and the modernity of the performances by Lee J. Cobb as the crazed paterfamilias of the killers and the singer Julie London as the “saloon singer” held hostage by the gang. We also discuss what this film has to say about violence as the substance that forged Western expansion and which, as we've seen in the wake of Donald Trump's re-election, still courses through the American bloodstream today. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilter Follow Aaron and Carlee on Twitter, and support the Hit Factory Patreon. Julie London's title theme for Man of the West, un-used in the film itself Trailer for Man of the West (Anthony Mann, 1958)

  | The Cookers Quintet  | Don't Look Now | Julie London  | Every Time We Say Goodbye | Tom Keenlyside  | All of you | Don Drummond  | Garden of Love | Ray Baretto  | Acid | Wayne Gorbea  | Estamos en Salsa | Tommy Olivencia  | Trucutu | Brother Jack Mcduff  | Teardrops | Grant Green  | Miss Anns Tempo | Quincy Jones  | Ironside | Soul Media  | Breeze | Steely Dan  | Fm

Oh it's a big day in Summerfield, at least for Gildy, because his old flame, Katy Lee returns to warble the cockles of his heart. If you'll recall on our Sounds Like Radio Volume 131 singer Katy Lee came to town the first time and bewitched Gildersleeve with her songs. Gildy hasn't forgotten her and can't wait to see her again IF Katy Lee can make the time for him. Hmmm. Well, perhaps Your Humble Host can lend his expertise with the help of a few experts in luuuv- Julie London, Dean Martin, Judy Garland & Bing Crosby dueting, Merle Haggard, Patti Page, Nat King Cole, Dinah Washington and even an encore with our House Singer-Bing as he goes tropical on us. It's all with our Great Gildersleeve show origjnally heard June 4, 1952.

Extrait : « … au moment d'embrasser goulûment une carrière artistique, elle se choisit un pseudonyme inspiré de Casablanca, dans lequel Victor Lazlo, héros de la résistance, parvient à fuir le Maroc grâce à l'aide de Rick, l'américain amer et cynique aux amours contrariées, puis elle connaît le succès avec la chanson Pleurer des rivières, version française de Cry me a river, l'un des grands standards du jazz, composé en 1955 par Arthur Hamilton et interprétée par Julie London, pour les besoins du film La blonde et moi, avec l'explosive Jane Mansfield … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dedicamos el episodio al guitarrista Barney Kessel como acompañante de grandes cantantes. Escucharemos grabaciones de las decapadas de 1950 y 1960 con las voces de Julie London, Billie Holiday, Ella Fitzgerald y Sylvia Telles. Tracklist: Julie London: - Cry Me a River (Arthur Hamilton). - I'm Glad There Is You (Paul Madeira & Jimmy Dorsey) - Say It Isn't So (Irving Berlin) - 'S Wonderful (George Gershwin) - It Never Entered My Mind (Richard Rodgers) - No Moon At All (Redd Evans & Dave Mann) - Easy Street (Alan Rankin Jones) Billie Holiday - Speak Low (Ogden Nash & Kurt Weill) - One For My Baby (And One More For The Road); (Harold Arlen. Ella Fitzgerald - Let's Do it (Cole Porter) - Solitude (Irving Mills, Eddie De Lange & Duke Ellington), - In a Sentimental Mood (Duke Ellington, Irving Mills & Manny Kurtz) Silvia Telles - Sábado em Copacabana (Dorival Caymmi, Carlos Guinle) - Estrada do sol (Antônio Carlos Jobim, Dolores Duran) - Meu Amanhã (Aloysio de Oliveira, Roberto Menescal) - Manhã de carnaval(Antônio Maria, Luiz Bonfá) Barney Kessel - Moon River Cha Cha Cha (Henry Mancini)

This Sounds Like Radio is bubbling over with waterlogged excitement!! The Great Gildersleeve is worried about a new water specialist showing up in this 1/26/49 classic episode.  Water though was never more musical as Sounds Like Radio shows us here. There's the watery music from Grandpa (Walter Brennan), Julie London (as depicted in this week's picture) & Bing Crosby provides the protection from being soaked.  While Dean Martin prefers wine, Helen Ward says Not For Me, Emmylou Harris will become a Wayfaring Stranger & even Steve Lawrence & Eydie Gorme show up Side By Side. Wowzers, is this a show or what?  OK, now all you have to do is enjoy!

Today's show is all about the many varied forms of whistling.  As the Great Gildersleeve  3/30/49 show has Gildy trying to catch a whistling bandit.  And we grab the pea by the whistle and listen to just some of the various great whistling songs that have come along. From some unforgettable whistling instrumentals to our favorite whistlers like Julie London, Bing Crosby, Louis Prima, Al Jolson & even Harpo Marx!!  We'll also remember our wild wild Wildwood vacations by the sea!  Pucker up and give a little whistle with your Humble Host in today's wild episode.

Sounds Like Radio Volume 168 is here and with it Your Humble Host has brought with him a couple of hives of bees!! Yipe, don't worry, it's all for Leroy who wants to start up a bee business. The Great Gildersleeve wanted Leroy to think of ways to make money he didn't count on it being bees though. Never Fear Your Humble Host is here with a gang of friendly folks all with a bit of help for Gildy. Today we hear from Jimmie Rodgers, Doris Day, Bing Crosby, Billie Piper (featured with this show's picture), Dean Martin, Burl Ives, Julie London, & Johnny Hartman. Now that's what I call assistance.

Grabaciones del clásico de Vernon Duke y Yip Harburg 'April in Paris' por Kurt Elling, Billie Holiday, Ella Fitzgerald y Louis Armstrong, Tierney Sutton, Blossom Dearie, Count Basie y Bud Powell. 'I´ll remember April' que grabaron Johnny Hartman, Julie London y Stéphane Grappelli y Michel Petrucciani. Y 'April child', de Moacir Santos, en grabaciones de la cantante Maúcha Adnet y del pianista Jovino Santos Neto. También el guitarrista Earl Klugh con 'The April fools'. Escuchar audio

Welcome to Season 03 Episode 15 - the "Snowmower" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Robert Strauss on Live at the Met's La Rondine; Prof. Dan Lendzian on SUNY Fredonia's Department of Theatre and Dance productions of The Crucible and Abigail/1702; and Dr. Eliran Avni and Mr. Rick Davis on the Young Artist Recital Series. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Dr Robert Strauss/Live at the Met La Rondine  02:23 Prof. Dan Lendzian/The Crucible/Abigail 1702  17:26 Arts Calendar  34:12 Dr. Eliran Avni & Mr. Rick Davis/Young Artist Recitals  37:50 Media I'll Remember April", music by Gene DePaul, lyrics by Patricia Johnston and Don Raye, 1941. Performed by Julie London, from her album Calendar Girl, 1956, Liberty Records "Chi il bel sogno di Doretta”, from the opera La Rondine, composed by Giacomo Puccini, libretto by Giuseppe Adami; performed by Angel Blue from the Metropolitan Opera production, March 2024 excerpt from Act I Scene I of the National Theatre (London) production of The Crucible; Lyndsey Turner, director; December 2022. Summerland, William Grant Still, composer (1935); performed by the SIngapore Wind Symphony, August 2017 Sonata for Cello and Piano, I. Allegro maestoso; Henriëtte Bosman, composer (1919); performed by the Ekstasis Duo; Eliran Avni, piano, Natasha Farney, cello; September 2022. "I'll Remember April", music by Gene DePaul, lyrics by Patricia Johnston and Don Raye, 1941. Performed by Charlie Parker, saxophone, from the album Charlie Parker with Strings, July 1950, Verve label Artist Links Dr. Robert Strauss Prof. Dan Lendzian Dr. Eliran Avni Ekstasis Duo Link to SUNY Fredonia School of Music Event Calendar   BECOME AN OPERA HOUSE MEMBER!  

#135 Broadcast 135 - Episode 128 - The Crooners - 20240323 - 3 in 1 = Julie London by Jim Reeves

durée : 00:59:33 - Banzzaï du mercredi 20 mars 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Ella Fitzgerald “Every Time We Say Goodbye”Julie London “Fly Me To The Moon”Dinah Washington “Call Me Irresponsible”Lena Horne & Ray Ellis And His Orchestra “In Love In Vain”Tina Turner “Night Time Is The Right Time”Bonnie Raitt “I Can't Make You Love Me”Erma Franklin “Light My Fire”Aretha Franklin “Today I Sing The Blues”Nina Simone ”Wild Is The Wind”Kay Starr “Baby Won't You Please Come Home”Peggy Lee “The Man I Love”Sarah Vaughan & Jimmy Jones & His Orchestra “Stormy Weather”Betty Lavette “Let Me Down Easy”Irma Thomas “Wish Someone Would Care”Bettye Swann “Tell It Like It Is”Billie Holiday With Paul Whiteman And His Orchestra “Trav'Lin Light”Cassandra Wilson “Time After Time”Escuchar audio

Enter the soulful world of jazz, where the vibrant spirit of New Orleans and the healing power of music converge. Join Joanna Pena-Bickley on a special episode of Designed By as she welcomes the incomparable Judith Owen.Today, on Designed By, we are honored to introduce Judith Owen to our audience. Her music, a seamless fusion of drama, classical elegance, and jazz spontaneity, serves as a testament to the power of intentional design.Hailing from a musically rich Welsh family and honing her craft in London and New Orleans, Judith's creative evolution transcends genre boundaries. Her latest album, "Come On & Get It," pays homage to trailblazing women of jazz and blues such as Julia Lee, Nellie Lutcher, Julie London, Dinah Shore, and Peggy Lee. Through this project, deeply rooted in New Orleans' musical legacy and brought to life with the Gentleman Callers, Judith exemplifies her dedication to intentional musical innovation and cultural design.At Designed By, we believe that designing our world with purpose is the pinnacle of creativity and leadership. Judith's journey underscores this ethos, demonstrating that her music is not just about notes and rhythms; it's about living with purpose and passion. It's about finding harmony in our choices and melody in our stories. Join us as we embark on this inspiring exploration of Judith Owen's remarkable journey.Episode Links & References:Judith Owen's WebsiteJudith's LinkTreeUnapologetically Judith OwenCome On & Get ItJudith On InstagramEpisode Chapters00:00 Donate To Ai Design Corps00:00 Judith Wisdom2:19 Where Her Story Begins06:47 Music Is The Lifeline09:18 The Ridiculously Late Revelation 10:56 Growing up with true live of music - unapologetic women14:25 Unapologetically Judith Podcast15:26 The Shoulder We Stand On - The Attacks On Women24:06 Keeping Creativity Alive26:13 Mardi Gras 202430:43 Ad Break - Come On & Get It39:12 The Fight Against You Mind41:22 The First Paying Gig51:20 Power Through The Bleak To Get To The Shine53:04 Read Out57:44 Credits58:17 Producer Notes59:20 Substance MonikerSupport the show

Taylor Rowley returns to the podcast with a copy of torch singer Julie London's debut album. A huge hit in its day, the album continues to be influential yet London's overall cultural impact has been lost to time. We discuss this and more as we listen.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content, or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

Lady Sings The Blues CD1:Norah Jones “Don't Know Why”Aretha Franklin “(You Make Me Feel) Like A Natural Woman”Dusty Springfield “The Look Of Love”Etta James “I Just Wanna Make Love To You”Ella Fitzgerald “Night & Day”Billie Holiday “That Ole Devil Called Love”Dinah Washington “Mad About You”Nancy Wilson “All Night Long”June Christy “Something Cool”Sarah Vaughan “Misty”Erma Franklin “Piece Of My Heart”Bobbie Gentry “Son Of A Preacherman”Julie London “Cry Me A River”Dinah Shore & André Previn “My Funny Valentine”Ella Fitzgerald “Summertime”Nina Simone “I Loves You Porgy”Escuchar audio

This is Volume 7 of our series of Christmas Special shows featuring the greatest Christmas music you may not have heard in a while and a Great Gildersleeve Christmas show too. This is a Christmas Gildy show from December 21, 1949 when Marjorie & Bronco have a very special announcement and Gildy has a very touching gift for Marjorie. It's one of the best written episodes of the Gildy series. This is the main reason we present the Great Gildersleeve each week, it was such a quality written show, amusing and at times quite touching and emotional. This episode is an example.   Enjoy our wonderful Christmas music we have for you here and also a very nice Christmas episode of The Great Gildersleeve. (By the way, that's Julie London pictured here with this show dressed as Santa as she'll be singing us a really sweet song today on Volume 7 too.)

Modern Jazz Quartet, Julie London, Teddy Wilson, Erroll Garner, Nina Simone, Nellie Lutcher, Lalo Schifrin, Paul Horn, Gene Bertoncini w. Michael Moore, Jim McHarg w. Lonnie Johnson. Those are records I dug from my storage locker: great albums I played for myself this week.. And I found at least one track from each I wanted…Continue reading Episode 254: More From my LP Collection

"Sway" is under the Same Difference microscope this episode, but is it really Jazz? Join AJ and Johnny as they try to answer that question, with versions by Nelson Pinedo, Dean Martin, Cab Calloway and Scatman Crothers, Julie London, Diana Krall, and new-to-us (well, new to AJ anyway) artist Sal Valentinetti.

This interview was so good. Jason Matheny, Biden's former top tech + national security advisor, has recently reached one year as CEO of RAND. We had a truly classic ChinaTalk-style conversation, hitting on: How to design a world-class research organization The right and wrong lessons to learn from RAND's heyday in the 1950s Existential risks around AI and bio Government's capacity to grok and implement technology strategy What national security professionals can learn from art and architecture And a ton more. Thanks to Check out the Hudson Institute's defense research center here: https://www.hudson.org/policycenters/center-defense-concepts-technology Some 1950s vibes for our outtro music: Julie London: https://open.spotify.com/track/6crfO56bDm0RjpctUuGs5X?si=5a434079b24b4d03 Doris Day: https://open.spotify.com/track/20G1XJaTwIm2IuwA3Pjg1d?si=22095e2f9aa842cc Learn more about your ad choices. Visit megaphone.fm/adchoices

This interview was so good. Jason Matheny, Biden's former top tech + national security advisor, has recently reached one year as CEO of RAND. We had a truly classic ChinaTalk-style conversation, hitting on: How to design a world-class research organization The right and wrong lessons to learn from RAND's heyday in the 1950s Existential risks around AI and bio Government's capacity to grok and implement technology strategy What national security professionals can learn from art and architecture And a ton more. Thanks to Check out the Hudson Institute's defense research center here: https://www.hudson.org/policycenters/center-defense-concepts-technology Some 1950s vibes for our outtro music: Julie London: https://open.spotify.com/track/6crfO56bDm0RjpctUuGs5X?si=5a434079b24b4d03 Doris Day: https://open.spotify.com/track/20G1XJaTwIm2IuwA3Pjg1d?si=22095e2f9aa842cc Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Matheny, Biden's former top tech + national security advisor, has recently reached one year as CEO of RAND. We had a truly classic ChinaTalk-style conversation, hitting on: How to design a world-class research organization The right and wrong lessons to learn from RAND's heyday in the 1950s Existential risks around AI and bio Government's capacity to grok and implement technology strategy What national security professionals can learn from art and architecture And a ton more. Thanks to Check out the Hudson Institute's defense research center here: https://www.hudson.org/policycenters/center-defense-concepts-technology Some 1950s vibes for our outtro music: Julie London: https://open.spotify.com/track/6crfO56bDm0RjpctUuGs5X?si=5a434079b24b4d03 Doris Day: https://open.spotify.com/track/20G1XJaTwIm2IuwA3Pjg1d?si=22095e2f9aa842cc Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Matheny, Biden's former top tech + national security advisor, has recently reached one year as CEO of RAND. We had a truly classic ChinaTalk-style conversation, hitting on: How to design a world-class research organization The right and wrong lessons to learn from RAND's heyday in the 1950s Existential risks around AI and bio Government's capacity to grok and implement technology strategy What national security professionals can learn from art and architecture And a ton more. Thanks to Check out the Hudson Institute's defense research center here: https://www.hudson.org/policycenters/center-defense-concepts-technology Some 1950s vibes for our outtro music: Julie London: https://open.spotify.com/track/6crfO56bDm0RjpctUuGs5X?si=5a434079b24b4d03 Doris Day: https://open.spotify.com/track/20G1XJaTwIm2IuwA3Pjg1d?si=22095e2f9aa842cc Learn more about your ad choices. Visit megaphone.fm/adchoices

We have the music of Cole Porter tonight, with performances by Julie London, Tal Farlow, Django Reinhardt with Stéphane Grappelli, Ella Fitzgerald, Louis Armstrong & Oscar Peterson, Sonny Stitt, Frank Sinatra, Tony Bennett, June Katz, Bireli Lagrene, Steve Gadd, Harold Mabern Trio, and Terry Gibbs.

1, 2부 (09:05 ~ 10:00) * 편지 1 : 논산 샘들이여! 당당하게 추석 명절 잘 보내세요. ( 김수인 / 세종특별자치시 한누리대로 ) * 편지 2 : 친정에 갈 수 없는 명절 ( 신춘하 / 충청북도 진천군 ) 아침 창가에서 #M1 : fly me to the moon _ Julie London 미담 디톡스, 쓰담쓰담- * 편지 3 : 저도 좋은 것이 생기면 나눠 드리지요 ( 신영희 / 서울 성동구 왕십리로 ) * 편지 4 : 18년만에 고향 나들이 ( 김매향 / 충북 영동군)

Música para chicas que ven pasar chicos que ven pasar chicas, lo habitual. El nombre del juego, pasar y ver pasar, ver sin ser visto. Herb Alpert o Julie London, Robbie Williams, Esquivel o Pink Martini, por uno de esos azares del destino etiquetados como” lounge”, perfectos para ello. "Music to Watch Girls by” para ver pasar no sólo chicas, también jirafas, paquidermos e incluso humanoides radiofónicos o estrellas del político “fake" . Música con estilo para pasar, ver pasar e incluso irse con estilo. mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Free tickets to see Judith at the Jazz Cafe London on Monday 24th of July. www.judithowen.nethttps://www.instagram.com/judithowenmusichttps://twitter.com/judithowenJudith Owen, a performer whose stylistic range spans rock, pop, classical, jazz, blues, and musical theatre, Owen is also a comedic actress and master storyteller. Born into an overtly musical Welsh family, Judith Owen grew up in London surrounded by classical music, ballet, theatre, and the fine arts. Owen was also exposed to many jazz icons and Broadway musicals that her parents loved (the mixture would become her signature sound). Owen quickly began performing at a variety of different venues around London. Her unique hybrid of classical/ jazz-influenced styled sound soon affirmed a regular slot at Ronnie Scotts. The latest iteration of Owen began with the arrival of her 13th album, Come On & Get It. The project is rooted in her childhood fascination with the jazz music of some of the ballsiest women of the Jazz and Blues world, including unsung trailblazers - Nellie Lutcher and Julia Lee - whom she discovered hidden on the shelves of her father's record collection. Captivated and enchanted by these "unapologetic" chanteuses of the 40's/50's (along with Pearl Bailey, Dinah Washington, Blossom Dearie, Peggy Lee, Julie London), Owen made it her mission to dig deep and find out more from both a musical and historical perspective. The album was recorded at Esplanade Studios in New Orleans - the city Owen now calls home - with a stellar cast of musicians, including Jason Marsalis, Donald Harrison, Charlie Gabriel, Nicholas Payton, David Torkanowsky, Kevin Louis, Evan Christopher, Ricardo Pascal and many more. The result is the most joyful, uplifting, and empowering project. With the London Times calling it ‘one of the most joyous releases of the year', and having garnered support from flagship Jazz radio stations Jazz FM in the UK, TSF in France, and plays across NPR stations in the US, the album has already reached over a million streams on Spotify. Owen kicked off 2023 performing to thrilled audiences in Europe with sold out shows in both Paris and Milan. Accompanied by her All Star New Orleans band ‘the Gentlemen Callers', Owen's live shows are an ‘exercise in confidence' as she “lights up the room with her red hair and her charisma.” “In a snap of her fingers, she takes her .. audience with her, and dictates the tempo to her musicians with a naturalness that is almost divine.” [Toute la Culture] Owen will be on the road for much of 2023 starting with shows in New Orleans this May, before taking a 5 night residency at The McKittrick in New York. She returns to Europe this summer for a series of festival dates and a headline show promoted by Jazz FM at London's Jazz Cafe, before touring across the US in the fall. Judith Owen is co-creator and co-host of the annual “Christmas Without Tears” charity variety show, alongside husband Harry Shearer, that has featured guests including Steven Merchant, Tim Minchin, Catherine O'Hara, and many others.  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Episode 269, Jazz 1935-1949, presents 15 famous jazz standards. Performers include Julie London, Mel Torme, Tony Bennett, Louis Armstrong, Ella Fitzterald, The Duprees, Merle Haggard, Judy Garland, and a dozen more.   Episode 269 Jazz... Read More The post Episode 269, Jazz 1935-1949 appeared first on Sam Waldron.

Episode 269, Jazz 1935-1949, presents 15 famous jazz standards. Performers include Julie London, Mel Torme, Tony Bennett, Louis Armstrong, Ella Fitzterald, The Duprees, Merle Haggard, Judy Garland, and a dozen more.   Episode 269 Jazz... Read More The post Episode 269, Jazz 1935-1949 appeared first on Sam Waldron.

In this Roots Radio episode, co-hosts Lisa Bonta Sumii and Richie Nuñez feature musician, singer, songwriter, and creator, Mara Hruby.About Mara Hruby: Mara Hruby doesn't just play music—she lives it. Since the onset of her career, the Oakland, CA native has poured her soul into her velvet confections, drawing inspiration from lessons that she's gleaned in her personal life and funneling them into rich, organic compositions. In just a few years, the singer-songwriter has become one of acoustic soul's fastest-rising up-and-comers, gaining a loyal following.With influences such as Julie London and Patsy Cline to The Moonglows, Curtis Mayfield and Brook Benton, singer/songwriter Mara Hruby personifies the sound and soul of an alternative jazz legend. Her debut EP released in 2010 conceptually titled From Her Eyes featured Ms. Hruby soulfully covering classics originally performed by men. Ranging from the likes of Jamiroquai, Bob Marley, and D'Angelo, she would re-interpret their work while adding her own feminine touch. Marking over 80K+ downloads the project propelled Ms. Hruby into her own lane, scoring thousands of loyal fans and supporters. A captivating performer, Ms. Hruby has notably sold out shows at Yoshi's Oakland and Blue Note Jazz Club in NYC. She has also performed in venues stretching from Philadelphia, DC, to Grammy Weekend (2012 & 2016) in Los Angeles, the 28th Annual Long Beach Jazz Festival (2015), The Clift Hotel's Centennial Celebration (2015) in San Francisco, and the 75th Annual Stern Grove Festival in San Francisco (2012).Ms. Hruby's most recent work, titled Archaic Rapture released in 2014 and received a nod of approval from Billboard. Billboard premiered her first single “Cry Me A River” by way of a live studio performance. Filled with her power, emotion, and depth shine vividly, the video gives the audience a small glimpse into the full EP. Ms. Hruby's Archaic Rapture may be briefly defined by her heartbreak, but it bleeds deeper down into the details. Her Sophomore EP overflows with pure emotion not to convey weakness, but to show strength in being honest with oneself. Within the first week of its release, Archaic Rapture reached the coveted #1 spot on the iTunes Jazz charts.You will come to understand, fairly quickly, that Ms. Hruby exudes pure creative power and sentimental care through her body of work. It's only a matter of time before her art receives international acclaim on a large scale. (source)Lisa Bonta Sumii, LCSW, CSW | Athlete Mindset podcast host:Lisa is a psychotherapist and mental performance consultant to high-performing athletes at the youth, collegiate, Olympic-hopeful, and professional levels. She is the first-ever Mental Health & Performance Coach for the Oakland Roots SC, a men's professional soccer team, in the USL. Lisa is the Founder & CEO of AthMindset, a diverse team of licensed mental health clinicians and mental performance consultants, who serve alongside her.Wrapping up:Athlete Mindset is part of the KazSource Podcast NetworkPresented by SportsEpreneur: a digital sports media brand for entrepreneurs engaged in sportscontent brings people together: KazCMSocial media and more:Lisa Bonta Sumii: LinkedIn | Twitter | AthMindset websiteRichie Nuñez: LinkedInSportsEpreneur:  TikTok | Instagram | TwitterRelated episodes to Play Music, Live Music with Mara Hruby:Sports As An Outlet | Oakland “Roots Radio”The Fictional UniverseTwo current projects:We published a book! Check it out on Amazon: Altered State of AffairsShort-form video production: KazCMCredits:This podcast was produced by the team at KazCMBeat Provided By freebeats.io | Produced By White HotSportsEpreneurThe post Play Music, Live Music with Mara Hruby | Oakland “Roots Radio” appeared first on SportsEpreneur.

Liberty Records was founded in 1955 by Simon Waronker after his cousin, Herb Newman, suggested they go into the record business. The early years found the label in the deep end of easy listening pop with the likes of Julie London, novelty music featuring The Chipmunks, Patience and Prudence, Martin Denny, and Henry Mancini. But rock n' roll was hitting its stride, and in the late fifties they released a blend of pure rock and rockabilly with Eddie Cochran. But the 60s found a more tame version with hitmakers like Bobby Vee, Johnny Burnette, Timi Yuro, Buddy Knox, and the post-Buddy Holly Crickets. At the peak of it's hit-making machine the whole lot was sold to an umbrella company that also featured the catalogs of Imperial, Aladdin, Minit, and Dolton…we'll share a host of Liberty releases with you in the show today. With the exception of Eddie Cochran, we'll just call it rock ‘n roll ‘lite'.

We have jazz standards tonight by Billie Holiday, Louis Prima, Artie Shaw, Julie London, Ella Fitzgerald & Buddy Bregman, Benny Carter, Johnny Hodges, Joni James, Chuck Wayne Trio, Budd Johnson with Earl "Fatha" Hines, Oscar Peterson, Rahsaan Roland Kirk, Dianne Reeves, The Duke Robillard Jazz Trio, and Larry Carlton.

As we celebrate Jazz Appreciation Month,i'll be playing your favorite Classio-Traditional Jazz from back in the day.Selections from Miles Davis,Herbie Hancock,Lionel Hampton,Quincy Jones,The Ramsey Lewis Trio,The George Benson Quartet,Diana Krall,and The Manhattan Transfer.Plus selections from:Ray Charles,Linda Ronstadt,The Pointer Sisters,Julie London and many more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/samuel-wilsonjr/message

Tonight's show: Oscar Aleman, Fats Waller with Jack Teagarden & Eddie Condon, Julie London, Dave Brubeck, Freddie Gambrell, Benny Carter with Ben Webster & Barney Bigard, Jimmy Smith & Lalo Schifrin, Frank Strozier, Oscar Peterson, Stanley Turrentine, Dianne Reeves, and Cornell Dupree.

Tonight's show: the music of George and Ira Gershwin. First George Gershwin himself, then Benny Goodman, Helen Merrill, Mel Tormé with Marty Paich, Julie London, Miles Davis, Eddie "Lockjaw" Davis, Ella Fitzgerald, the Vince Guaraldi Trio, Stan Getz, Art Pepper & Bill Perkins, Lester Young with the Oscar Peterson Trio, Joe Pass, Dianne Reeves, and Marian McPartland with Gene Harris.

Records left of earlier podcasts, plus a tribute to musicians who died in 2022.  Performers include: Julie London, Bing Crosby, Spike Jones, Harry James, Alexander Boroweski, Henry Thoma and Jackie Gleason.

Episode 243, “All I Want for Christmas is My Sweetie,” is full of holiday-themed love songs performed by Marty Robbins, Carole King, Elvis Presley, Tony Bennett, Frank Sinatra, Julie London, Dolly Parton, and a dozen... Read More The post Episode 243, “All I Want for Christmas is My Sweetie” appeared first on Sam Waldron.

Już ponad 300 osób zostało zabitych w antyrządowych zamieszkach w Iranie. ONZ rozpoczyna dochodzenie w celu ustalenia przebiegu i skutków wydarzeń w tym kraju. Irańskie siły bezpieczeństwa potęgują represje, zwłaszcza w irańskim Kurdystanie skąd pochodziła Mahsa Amini, której śmierć w areszcie wywołała ruch protestu. Czy ten ruch doprowadzi do znaczących zmian politycznych w kraju? Ukraina wychodzi z paraliżu po rosyjskich atakach na infrastrukturę krytyczną kraju. Parlament Europejski uznał Rosję za państwo sponsorujące terroryzm. W programie rozmowa o sytuacji na froncie i w całej Ukrainie ze słowackim reporterem, autorem znakomitej książki na temat wojny. Co ma filantropia i myślenie o przyszłości planety i ludzi do upadku wielkiej giełdy kryptowalutowej? Dużo, jak się okazuje. W Chinach protesty przeciwko obostrzeniom związanym z kolejną falą koronawirusa. Dlaczego władze stosują tak ostrą strategię wobec choroby? Europa ma nowych astronautów – co będą robić i kto za to zapłaci? I jeszcze o merytokracji, która ma być lekiem na miernotę, choć bywa jej potwierdzeniem. Rozkład jazdy: (2:26) Shervin Hajipour - Baraye (4:56) Jagoda Grondecka o zamieszkach w Iranie (25:57) Tomas Forro o sytuacji na froncie w Ukrainie (50:29) Koorosh, Raha, Sami Low - Ye Roozi (53:46) Świat z boku - Grzegorz Dobiecki o merytokracji (58:57) Podziękowania (1:03:53) Adrian Bąk o upadku giełdy FTX (1:28:55) Michał Bogusz o kolejnej fali koronawirusa w Chinach (1:42:22) Tomasz Rożek o europejskich astronautach (2:07:57) Do usłyszenia (2:08:31) Julie London, Gregory Porter - Fly Me to the Moon

As broadcast November 25, 2022 with like...all the feels.  Tonight we are joined by River Westin, a brilliant young artist out of New York whose latest album The Honeymoon Suite really captured our attention in the lead-up to release last Friday.  A scintillating yet slow motion collection of tunes inspired by lo-fi, classic jazz standards, and ballads, this album is the pop classics of the 50's & 60's (and even earlier) for a new generation of inclusive listener and a bit of a reclamation project for the LGBTQ community.  That is, the record aims to make the songs of Sinatra and the like about love again, but with no exclusion or bigotry but with a stated LGBTQ twist that includes love for all.#feelthegravityTracklist (st:rt)Part I (00:00)Cleo Sol – 23 Billie Eilish - Billie Bossa NovaRicky Rosen - HomeGalimatias - BlowbackBacao Rhythm & Steel Band - XxplosiveRiver Westin - Made in the ShadeRiver Westin - Cinema Part II (34:02)Nat King Cole - The Very Thought of YouBobby Vinton - Blue VelvetThe Flamingos - Mio AmoreRicky Nelson - AgainThe Drifters - Up on the RoofBen E. King - Spanish HarlemEtta James - Stormy WeatherFrank Sinatra - That's Life Part III (61:55)River Westin – Pink Velvet Julie London – I'm In The Mood For LovePaul Anka – Put Your Head On My ShoulderFrank Sinatra – Autumn In New YorkBen E. King – Moon RiverRitchie Valens – We Belong TogetherBobby Vinton – Mr. Lonely Part IV (94:33)River Westin – Flowers Joey Pecoraro – Your EyesArlo Parks – Green EyesLaufey – Like the MoviesLana Del Rey – How to disappearHarry Styles – Music for a Sushi RestaurantNovember Ultra – soft & tender 

Several years ago, I wrote a time-travel film treatment called “Song Trippers” about a quartet of lonely, damaged people who found solace through music. Each lost soul connects to a song that transports them back in time to the place in their youth when they were the happiest. Of course, we all know that music has magic power. There are songs that can trip my memory far from the here and now to earlier states of joyful wonderment, and sadness, too, if that's what's called for. It's strong medicine.For each episode in this series, I'll take an 8 Track down from the shelf and share it with you, along with some special memories, bonded by that spiritual epoxy that has forged the framework of my life's scaffold. - Captain Billy"CARRYING A TORCH"THE END OF THE WORLD by Julie London (Liberty, 1963)That indelible contralto voice… smoky, sultry, and so sexy: the quintessential “torch” singer, Julie London's singing career almost didn't happen. She had given up show business for her first husband, Jack Webb (Sgt. Friday in Dragnet, and successful Hollywood producer). When the marriage broke up she linked up with their friend, Bobby Troup, the musician and composer of Route 66, and great things started happening for the vocalist.In 1956 she recorded Cry Me a River, produced by Troup, for the film The Girl Can't Help it, and the tune entered the ledger of all time classic jazz standards (#48 in NPR's 50 Greatest Jazz Vocals). She went on to make over 30 albums, and this one, released in 1963, though more heavily orchestrated, features her blasé, no frills approach, standing unperturbed at the center of the lush arrangements. Adaptation was easy for this singer - check out her insouciant cover of Yummy Yummy Yummy I Got Love in My Tummy. (MUCH BETTER than the original).In legendary fashion, the gorgeous Julie Peck was discovered in 1945, running an elevator in Los Angeles, and an acting career was inevitable. 30 years later, still alluring, Julie was nominated for a Golden Globe for her portrayal of Dixie McCall in Emergency! (Produced by ex-husband Webb). Troup was also in the series: they all stayed friends.I'm melting as I enjoy this lounge classic, and in full agreement with record producer Simon Waronker's observation: “the lyrics poured out of her like a hurt bird”. Julie was a chain smoker from the age of 16, and it was lung cancer that brought her down in 1999. Was it a “Faustian” bargain: to trade the ravages of tar and nicotine for an eternally immortal sound? I'll let the philosophers puzzle that out.

Actors who took a crack at singing. "Singers" include: Joan Crawford, Mel Blanc, Robert Mitchum, Betty Hutton, Fred Astaire, Bob Hope, Jane Russell, Dick Powell and Julie London.