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3 episodes with Fred Waring
3 episodes with Fred Waring
7 episodes with Fred Waring
3 episodes with Fred Waring
2 episodes with Fred Waring
4 episodes with Fred Waring
2 episodes with Fred Waring
3 episodes with Fred Waring
2 episodes with Fred Waring
What does it take to build a cultural empire when the doors are closed to you?This episode comes courtesy of The Black Hum, produced by Knockabout Media and hosted by Cindy Charles. In this special feed drop, we bring you the extraordinary story of Rufus Rockhead, a Jamaican immigrant, First World War veteran, railway porter, bootlegger, and visionary entrepreneur who built Rockhead's Paradise into the beating heart of Montreal's jazz scene.If you enjoy this episode, find The Black Hum wherever you get your podcasts and dive into Season 2 for five powerful stories of Canadians who changed the cultural landscape.*Download our Discussion Questions for your class*Host Cindy CharlesWriter Nuruddin QoraneExecutive Producer Ryan BarnettAssociate Producer Cindy CharlesVoice Director & Editor Sonia GemmitiResearcher Dr. Sarafina PagnottaSeries Consultants Kathy Grant & Mathias JoostThis series features interviews with Lt. Jerome Downey, Robert Downey, Jr., Michael Marville, Stephen Dame, Mathias Joost, Kathy Grant, Constance Backhouse, Dr. Dorothy WilliamsAdditional voices by Keith Francis & Matthew BarnettFeaturing "Hello Montreal" performed by Fred Waring & The PennsylvaniansA Knockabout Media ProductionThis podcast was made possible thanks to funding from Veterans Affairs Canada's Commemorative Partnership Program.*This program and all relevant content is for educational purposes only and to the best of our knowledge is being used under Fair Dealing/Fair Use Act guidelines and within Canadian and United States standards of fair dealing/fair use* Hosted on Acast. See acast.com/privacy for more information.
This episode was originally released on 12/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 110 we continue our mini-series on the 1948-49 radio season by focusing on news and programming during Christmas week, 1948. —————————— Highlights: • Jack Benny: Leaving for CBS • A northeast blizzard starts holiday week • Edgar Bergen: Also leaving NBC • Walter Winchell's big new ABC deal • Soaps, Queens, and the Chesterfield Supper Club • Monday night belongs to CBS • Lunch with WOR while NBC still owns Tuesday evenings • Fred Waring and Yukon King Gear up For Xmas • Blackie, Gildy, Duffy, and Bing • Abbott, Costello, and Jolson fade, while Suspense soars on Thursday • ABC wins Friday while Skelton gets ready to leave NBC too • Merry Christmas from the Royal Roost in Manhattan • Mary Lee, Grand Central, and Elgin Celebrate Xmas • Sinatra's up-and-down 1948 • Benny and Bergen say goodbye to NBC —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air — By John Dunning • Network Radio Ratings, 1932-53 — By Jim Ramsburg As well as articles from: • Broadcasting Magazine • The Los Angeles Times • NationalParkService.gov • The New York Daily News • Radio Daily • WhiteHouseHistory.org —————————— On the interview front: • Edgar Bergen, Mel Blanc, Himan Brown, Ken Carpenter, Gale Gordon, Jim Jordan, Harold Peary, Alan Reed, Lurene Tuttle, and Don Wilson were with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Edgar Bergen, Hans Conried, John Gibson, Jim Jordan, and Jan Miner were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at Goldenage-WTIC.org. • Ralph Bell, Himan Brown, and Jack Johnstone were with SPERDVAC. For more information, go to SPERDVAC.com • Bing Crosby and John Scott Trotter were with Same Time, Same Station • Eve Arden was with John Dunning • Phil Harris with Jack Carney • Bob Hope with Johnny Carson • Jo Stafford with Michael Feinstein • Frank Sinatra with Larry King • Red Skelton was with Dini Petty —————————— Selected music featured in today's episode was: • It's the Most Wonderful Time of the Year — By Andy Williams • Christmas Dreaming — By Frank Sinatra • Somewhere in My Memory and Star of Bethlehem — By John Williams for Home Alone • Christmas Blues — By Washboard Pete • Tomorrow Shall Be My Dancing Day — By The Marlborough Cathedral Choir • Christmas Carols for 1928 — By Elsie Holt • White Christmas — By Bing Crosby • Have Yourself a Merry Little Christmas — By Mel Torme • Ya Viene La Vieja — By JP Torres
How big can stickers be, on album covers? Because if this new band, Master's Ashes, decide to bring out all the awesome bands their members will be in, the actual artwork might be completely covered. Straight up, we have Afzaal himself, our guest, the guitarist and songwriter for the absolutely legendary Crisis, which should be enough to already make you sit up and take notice. He comes armed with Eric Forrest, Dan Kaufman, Fred Waring, Jeff Golden and Katie Crimson, a goddamn amazing cast.On this chat with the big man we get the lowdown on everything there is to know about Master's Ashes for now, of course, but also some precious memories and insights about his past in Crisis - including how and why that frankly revolutionary band was cast aside by many people in a close-minded, conservative scene -, and several stories from his many years spent paying his dues in the underground, like the beautiful friendship he struck with Piggy from Voivod among others.
The news stories of Victory in Japan day, August 14, 1945, 80 years ago. In addition we hear the Fred Waring show from August 14, 1945 with a live shortwave report from Jack Benny in Europe. Then Command Performance, from August 14, 1945, Victory Extra. The program begins with a prayer by Ronald Colman, followed by "Ave Maria," sung by Rise Stevens. Bing Crosby hosts the show as Bob Hope is in Europe. Performers included Rise Stevens, Dinah Shore, Bette Davis, Jimmy Durante, Jose Iturbi, Lionel Barrymore, Marlene Dietrich, Burgess Meredith, Ginny Simms, Frank Sinatra, Janet Blair, William Powell, Harry Von Zell, Lucille Ball, The King Sisters, Cary Grant, Robert Montgomery, Loretta Young, and Lena Horne.We close with Fourteen August as broadcast on CBS August 14, 1945. A moving and dramatic anti-war reading written on short notice by Norman Corwin and read by Orson Welles.
El programa se lanzó el 3 de febrero de 1935, originalmente como una emisión de relleno entre la cobertura del juicio de Bruno Hauptmann, el secuestro y posterior asesinato del hijo de Charles Lindbergh a manos de un carpintero del Bronx. Con José Manuel Corrales.
El Cotton Club era en gran medida un producto de la Prohibición. A principios de la década de los años 20, la banda del mafioso Owney Madden se topó con el Club DeLuxe, dirigido por el campeón de los pesos pesados Jack Johnson. Con José Manuel Corrales.
OK, it's not really Fibber and Molly, but as promised in last week's episode, this is the replacement program featuring Fred Waring and his Pennsylvanians, while Fibber and Molly take…
Dave and Alonso send you a free episode of their Patreon podcast of the television for the holiday season. Those Prada housewares ads, a vintage Pennsylvanians x Ronald Reagan collab, and fond reminiscences of Cher, Captain Kangaroo, and Sealab 2021. Want more LKTV? Join our Patreon.
Songs include: Here Comes Santa Claus by Bing Crosby and the Andrews Sisters, Jingle Bells by Les Paul, Oh Come All Ye Faithful by Kate Smith, Boogie Woogie Santa Claus by Patti Smith, the Russian Dance from the Nutcracker by Herbert von Karajan and the 12 Days of Christmas by Fred Waring.
Fred Waring & His Pennsylvanians - Grandma's Thanksgiving
Uur 1 1. Make someone happy – Carmen McRae 2. Çe Lundi-là – Michel Delpech 3. Nu jij dan bent geboren – Ernst Jansz 4. Adia – Sarah McLachlan 5. I go to sleep – Peggy Lee 6. I don't care to dance – J.E. Sunde 7. Todo cambia – Mercedes Sosa 8. Caroline – Laura Marling 9. To beat the devil – Kris Kristofferson 10. Zondagmiddag Lilian – Louis Neefs 11. God only knows – Mary Coughlan 12. Cançao dos velhos amantes – Trio Esperança 13. Forever blue – Little River Band Uur 2 1. Just like a woman – Bob Dylan 2. Dry bones – Fred Waring & His Pennsylvanians 3. Kambaya – Tchéga 4. De een is de ander niet – Henny Vrienten 5. Broadway – Alison Krauss 6. Steppin' out – Trevor Horn & Seal 7. Junta a un canaveral – Guillermo Portabales 8. Laat me gaan – Elly Aerden & Maarten Decombel & Jan van Rossem 9. Give me the night – George Benson 10. Fly me to the moon – Frank Sinatra 11. Koortsdroom (nooit spijt) – Vic Willems 12. See Emily play – Martha Wainwright 13. Les p'tits bonheurs – Thomas Dutronc 14. Got to give up – Marvin Gaye
What would you like me to play next? email me at Buckbennyotr@gmail.com Dinah Shore's Open House Thursday, January 4, 1945 Dinah Shore's Open House Thursday, March 22, 1945 Fred Waring 1943 Fred Waring Tuesday, February 20, 1945 Guy Lombardo Monday, March 12, 1945 Guy Lombardo Monday, April 16, 1945 Your Hit Parade Saturday, September 9, 1944 Mail Call 1945 Mail Call 1945 Mail Call 1945 Melody Hour Monday, December 11, 1944 Melody Hour Monday, February 12, 1945 Melody Hour Monday, April 23, 1945 Melody Hour Monday, July 2, 1945 Morgan & Brice 1940s Concert Hall 1940s Concert Hall 1940s John Charles Thomas Sunday, December 10, 1944 Intermezzo 1940s Intermezzo 1940s Intermezzo 1940s Intermezzo 1940s Melody Round-Up 1944 Melody Round-Up 1944 Melody Round-Up 1944 Melody Round-Up 1944 Melody Round-Up 1945 Lum and Abner Wednesday, April 12, 1944 Lum and Abner Thursday, April 13, 1944 Lum and Abner Monday, April 17, 1944 Lum and Abner Tuesday, April 18, 1944 Lum and Abner Wednesday, April 19, 1944 Lum and Abner Thursday, April 20, 1944 Lum and Abner Monday, April 24, 1944 Lum and Abner Tuesday, April 25, 1944 Lum and Abner Wednesday, April 26, 1944 Lum and Abner Thursday, April 27, 1944 Lum and Abner Monday, May 1, 1944 Lum and Abner Tuesday, May 2, 1944 Lum and Abner Wednesday, May 3, 1944 Lum and Abner Thursday, May 4, 1944 Lum and Abner Monday, May 8, 1944 Lum and Abner Tuesday, May 9, 1944 Lum and Abner Wednesday, May 10, 1944 Lum and Abner Thursday, May 11, 1944 Lum and Abner Monday, May 15, 1944 Lum and Abner Tuesday, May 16, 1944 Lum and Abner Wednesday, May 17, 1944 Lum and Abner Thursday, May 18, 1944 Lum and Abner Monday, May 22, 1944 Lum and Abner Tuesday, May 23, 1944 Lum and Abner Wednesday, May 24, 1944 Lum and Abner Thursday, May 25, 1944 Lum and Abner Monday, May 29, 1944 Lum and Abner Tuesday, May 30, 1944 Lum and Abner Wednesday, May 31, 1944 Lum and Abner Thursday, June 1, 1944 Lum and Abner Monday, June 5, 1944 Lum and Abner Tuesday, June 6, 1944 Lum and Abner Wednesday, June 7, 1944 Lum and Abner Thursday, June 8, 1944 Lum and Abner Monday, June 12, 1944 Lum and Abner Tuesday, June 13, 1944 Lum and Abner Wednesday, June 14, 1944 Lum and Abner Thursday, June 15, 1944 Lum and Abner Monday, June 19, 1944 Lum and Abner Tuesday, June 20, 1944 Lum and Abner Wednesday, June 21, 1944 Lum and Abner Thursday, June 22, 1944 Lum and Abner Monday, June 26, 1944 Lum and Abner Tuesday, June 27, 1944 Lum and Abner Wednesday, June 28, 1944 Lum and Abner Thursday, June 29, 1944 Bing Crosby-Rosemary Clooney Show, The Monday, September 11, 1961 Bing Crosby-Rosemary Clooney Show, The Tuesday, September 12, 1961 Bing Crosby-Rosemary Clooney Show, The Wednesday, September 13, 1961 Bing Crosby-Rosemary Clooney Show, The Thursday, September 14, 1961 Bing Crosby-Rosemary Clooney Show, The Friday, September 15, 1961 Bing Crosby-Rosemary Clooney Show, The Monday, September 18, 1961 Bing Crosby-Rosemary Clooney Show, The Tuesday, September 19, 1961 Bing Crosby-Rosemary Clooney Show, The Wednesday, September 20, 1961 Bing Crosby-Rosemary Clooney Show, The Thursday, September 21, 1961 Bing Crosby-Rosemary Clooney Show, The Friday, September 22, 1961 Bing Crosby-Rosemary Clooney Show, The Monday, September 25, 1961 Bing Crosby-Rosemary Clooney Show, The Tuesday, September 26, 1961 Bing Crosby-Rosemary Clooney Show, The Wednesday, September 27, 1961 Bing Crosby-Rosemary Clooney Show, The Thursday, September 28, 1961 Bing Crosby-Rosemary Clooney Show, The Friday, September 29, 1961 Bing Crosby-Rosemary Clooney Show, The Monday, October 2, 1961 Bob Crosby Show, The 1950s Bob Crosby Show, The 1950s Bob Crosby Show, The 1950s Bob Crosby Show, The 1950s Stars on Parade Friday, November 24, 1950 Stars on Parade Friday, December 1, 1950 Stars on Parade Friday, April 27, 1951 Stars on Parade Friday, May 4, 1951 It Pays to Be Ignorant Friday, October 6, 1944 It Pays to Be Ignorant Friday, October 13, 1944 Guest Star Sunday, September 12, 1954 Of These We Sing May 1952 Let Freedom Sing May 1952 Let's Go to Town 1950s Let's Go to Town 1950s Let's Go to Town 1950s Let's Go to Town 1950s Let's Go to Town 1960 Let's Go to Town 1960 Charlie Barnet Show, The 1957 Charlie Barnet Show, The 1957 Navy Swings, The 1950s Navy Swings, The 1950s Guest Star Sunday, June 23, 1957 Guest Star Sunday, June 30, 1957 Guest Star Sunday, February 17, 1957 Guest Star Sunday, February 24, 1957 Manhattan Melodies 1958 Manhattan Melodies 1958 Manhattan Melodies 1958 Manhattan Melodies 1958 Melody Round-Up 1945 Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Melody Round-Up 1940s Music America Loves Best Sunday, March 11, 1945 Major Bowes' Original Amateur Hour Thursday, April 3, 1941 Major Bowes' Original Amateur Hour Thursday, May 22, 1941 Major Bowes' Original Amateur Hour Thursday, May 29, 1941 Major Bowes' Original Amateur Hour Thursday, July 24, 1941 Major Bowes' Original Amateur Hour Thursday, July 31, 1941 Jubilee 1950s Sports Answer Man, The 1947 Sports Answer Man, The 1947 Lone Ranger, The Lone Ranger, The Wednesday, May 3, 1950 Lone Ranger, The Monday, March 20, 1950 Lone Ranger, The Monday, July 24, 1950 Lone Ranger, The Wednesday, July 5, 1950 Lone Ranger, The Monday, July 10, 1950 Lone Ranger, The Wednesday, June 28, 1950 Lone Ranger, The Friday, March 24, 1950 Lone Ranger, The Monday, August 28, 1950 Lone Ranger, The Friday, August 4, 1950 Lone Ranger, The Monday, July 17, 1950 Eternal Light, The Radio Short Stories 1930s Chet Huntley Friday, January 11, 1952 For The Record Monday, August 21, 1944 NBC Symphony 1940s General Tire Program, The Friday, May 18, 1934 General Tire Program, The Friday, August 3, 1934 One Night Stand Sunday, October 8, 1944 Log Cabin Jamboree Saturday, October 23, 1937 General Tire Program, The Friday, August 24, 1934 New York Philharmonic Symphony, The November 1950 New York Philharmonic Symphony, The Sunday, December 24, 1950 Shadow, The Sunday, October 23, 1938 Shadow, The Sunday, October 30, 1938 Shadow, The Sunday, November 5, 1939 Shadow, The Sunday, November 12, 1939 Shadow, The Sunday, November 19, 1939 Shadow, The Sunday, November 26, 1939 Shadow, The Sunday, December 31, 1939 Shadow, The Sunday, January 7, 1940 Shadow, The Sunday, January 21, 1940 Shadow, The Sunday, October 13, 1940 Shadow, The Sunday, October 20, 1940 Shadow, The Sunday, December 29, 1940 Shadow, The Sunday, January 5, 1941 Shadow, The Sunday, January 19, 1941 Shadow, The Sunday, December 8, 1946 Shadow, The Sunday, December 15, 1946 Shadow, The Sunday, November 9, 1947 Shadow, The Sunday, November 16, 1947 Shadow, The Sunday, November 23, 1947 Shadow, The Sunday, November 30, 1947 Shadow, The Sunday, March 14, 1948 Shadow, The Sunday, March 21, 1948 Shadow, The Sunday, March 28, 1948 Shadow, The Sunday, April 4, 1948 Shadow, The Sunday, January 11, 1948 Shadow, The Sunday, September 14, 1947 Shadow, The Sunday, February 15, 1948 Shadow, The Sunday, December 29, 1946 Frontier Town Friday, September 26, 1952 Frontier Town Friday, October 3, 1952 Frontier Town Friday, October 10, 1952 Frontier Town Friday, March 27, 1953 Frontier Town Friday, April 17, 1953 Frontier Town Friday, April 24, 1953 Frontier Town Friday, May 15, 1953 Frontier Town Friday, May 22, 1953 Gunsmoke Saturday, January 24, 1953 Gunsmoke Saturday, January 31, 1953 Gunsmoke Saturday, February 21, 1953 Gunsmoke Saturday, February 28, 1953 Gunsmoke Saturday, May 9, 1953 Gunsmoke Saturday, May 30, 1953 Gunsmoke Saturday, November 28, 1953 Gunsmoke Saturday, December 5, 1953 Gunsmoke Monday, September 6, 1954 Gunsmoke Sunday, August 9, 1959 Hopalong Cassidy Sunday, April 16, 1950 Hopalong Cassidy Sunday, March 19, 1950 Hopalong Cassidy Sunday, April 16, 1950 Hopalong Cassidy Sunday, May 21, 1950 Hopalong Cassidy Saturday, February 3, 1951 Hopalong Cassidy Saturday, February 10, 1951 Hopalong Cassidy Saturday, February 17, 1951 Hopalong Cassidy Saturday, February 24, 1951 Hopalong Cassidy Saturday, June 23, 1951 Hopalong Cassidy Saturday, June 30, 1951 Hopalong Cassidy Saturday, September 22, 1951 Hopalong Cassidy Saturday, September 29, 1951 Hopalong Cassidy Saturday, October 6, 1951 Hopalong Cassidy Saturday, October 13, 1951 Whistler, The Friday, July 2, 1943 Whistler, The Saturday, June 5, 1943 Suspense Tuesday, June 1, 1943 Suspense Tuesday, June 8, 1943 Suspense Tuesday, June 29, 1943 Suspense Tuesday, July 6, 1943 Suspense Tuesday, June 15, 1943 Suspense Tuesday, June 22, 1943 Suspense Thursday, December 5, 1946 Suspense Wednesday, September 2, 1942 Suspense Tuesday, February 2, 1943 Suspense Tuesday, February 16, 1943 Suspense Wednesday, September 16, 1942 Suspense Wednesday, September 30, 1942 Suspense Tuesday, July 20, 1943 Suspense Tuesday, July 27, 1943 Suspense Tuesday, April 20, 1943 Suspense Tuesday, April 27, 1943 Suspense Saturday, August 28, 1943 Suspense Thursday, September 2, 1943 Suspense Tuesday, April 6, 1943 Suspense Tuesday, April 13, 1943 Suspense Tuesday, December 22, 1942 Suspense Wednesday, September 23, 1942 Suspense Wednesday, August 19, 1942 Suspense Tuesday, November 24, 1942 Stars Over Hollywood Saturday, November 10, 1951 Suspense Tuesday, November 10, 1942 Suspense Tuesday, August 3, 1943 Suspense Tuesday, August 10, 1943 Suspense Tuesday, May 4, 1943 Suspense Tuesday, October 27, 1942 Suspense Tuesday, December 1, 1942 Suspense Tuesday, November 17, 1942 Suspense Tuesday, May 11, 1943 Suspense Tuesday, May 18, 1943 Suspense Saturday, January 17, 1948 Suspense Strange Dr Weird, The Tuesday, November 14, 1944 Strange Dr Weird, The Tuesday, November 28, 1944 Strange Dr Weird, The Friday, January 5, 1945 Strange Dr Weird, The Friday, January 5, 1945 Strange Dr Weird, The Friday, January 5, 1945 Strange Dr Weird, The Friday, January 5, 1945 Strange Dr Weird, The Sunday, November 11, 1945 Strange Dr Weird, The Thursday, January 11, 1945 Strange Dr Weird, The Tuesday, April 17, 1945 Strange Dr Weird, The Thursday, January 11, 1945 Strange Dr Weird, The Wednesday, January 24, 1945 Strange Dr Weird, The Wednesday, January 24, 1945 Strange Dr Weird, The Tuesday, April 17, 1945 Strange Dr Weird, The Tuesday, April 17, 1945 Strange Dr Weird, The Wednesday, February 21, 1945 Strange Dr Weird, The Wednesday, February 21, 1945 Strange Dr Weird, The Wednesday, March 7, 1945 Strange Dr Weird, The Wednesday, March 7, 1945 Strange Dr Weird, The Wednesday, March 21, 1945 Strange Dr Weird, The Wednesday, March 21, 1945 Strange Dr Weird, The Wednesday, April 4, 1945 Strange Dr Weird, The Wednesday, April 4, 1945 Strange Dr Weird, The Wednesday, April 25, 1945 Strange Dr Weird, The Wednesday, April 25, 1945 Strange Dr Weird, The Wednesday, May 2, 1945 Strange Dr Weird, The Wednesday, May 2, 1945 Strange Dr Weird, The Wednesday, May 23, 1945 Strange Dr Weird, The Wednesday, May 23, 1945 Stars Over Hollywood Saturday, November 24, 1951 Stars Over Hollywood Saturday, December 1, 1951 Stars Over Hollywood Saturday, January 12, 1952 Stars Over Hollywood Saturday, March 1, 1952 Stars Over Hollywood Saturday, March 8, 1952 Stars Over Hollywood Saturday, March 15, 1952 Suspense Thursday, April 5, 1951 Suspense Monday, June 2, 1952 Tales of the Texas Rangers Sunday, January 7, 1951 Tales of the Texas Rangers Sunday, January 14, 1951 Family Theater Thursday, February 13, 1947 Family Theater Thursday, February 20, 1947 Family Theater Thursday, February 27, 1947 Family Theater Tuesday, March 4, 1947 Family Theater Tuesday, March 11, 1947 Family Theater Tuesday, March 18, 1947 Musical Varieties Musical Varieties Musical Varieties Victory Parade of Spotlight Bands, The Monday, April 23, 1945 Family Theater Tuesday, March 25, 1947 Family Theater Thursday, April 3, 1947 Family Theater Thursday, April 10, 1947 Family Theater Thursday, April 17, 1947 Family Theater Thursday, April 24, 1947 Family Theater Thursday, May 1, 1947 Family Theater Thursday, May 8, 1947 Family Theater Thursday, May 15, 1947 Family Theater Thursday, May 22, 1947 Family Theater Thursday, May 29, 1947 Family Theater Thursday, June 5, 1947 Family Theater Thursday, June 12, 1947 Family Theater Thursday, June 19, 1947 Family Theater Thursday, June 26, 1947 Family Th
The Skagit Valley Chorale was founded in 1984 by Joan Penney with the support of the Skagit Valley College Foundation. Under the current direction of Dr. Yvette Burdick it numbers 80 some singers. Skagit Valley Chorale's twice annual and highly popular performances are its "Heralding Christmas" concert, presented shortly after Thanksgiving and featuring classical and contemporary choral works along with a variety of seasonal favorites, and its "Celebrating in Song" concert, presented in the spring and featuring classical choral works as well as a variety of choral music by contemporary composers representing the diversity of world traditions and cultures. With its Celebrating in Song 2024 concert just a few weeks away, I talk with Dr. Burdick about her musical journey -- and how it led from the woods east of Clallam Bay to McIntyre Hall and the artistic leadership of a beloved choral group. We also talk about the history of Skagit Valley Chorale and what it takes to be a part of it. Our discussion takes a historical turn with the topic of the upcoming concert, which features the choral works of Fred Waring and the Pennsylvanians and an homage to the dawn of the Age of Television. Suffice it to say that the music you'll be hearing on May 4-5 at McIntyre Hall will be a one of a kind experience.
"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO: ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England aka “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album. Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1: Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast: December 15, 1971 Hill Auditorium, Ann Arbor, MI SHOW No. 2: Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set. Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version. SHOW No. 3: God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone. Story here is the way Jerry and David play so tight, trading off leads and filling in gaps. A great sound for a traditional tune. There are many sides of Jerry and we don't get to see all of them. Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4: Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”. On some occasions, Jerry was known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st: August 30, 1978Last: June 18, 1995 Giants Stadium OUTRO: Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00 Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de “Así la escuché yo...” El reconocido cantante español Raphael, grabó en 1965 su álbum “Raphael canta la Navidad” el cual contenía una versión al español de una canción navideña titulada “Carol of the drum” (Villancico del tambor). Raphael la grabó bajo el título “La canción del tamborilero”. Así la escuché yo… El grupo The Trapp Family Singers grabó por primera vez, en 1951, “Carol of the drum”, la cual con el tiempo fue conocida popularmente como “The Little drummer boy” (El tamborilero), basado en una partitura de la compositora estadounidense Katherine Kennicott Davis. Con el tiempo, muchos artistas han grabado esta canción navideña y, para la muestra, aquí está la versión del gran Frank Sinatra del año 1964. ¿Y tú, conocías el origen de esta canción? Autora: Katherine Kennicott Davis - Adaptación al inglés: Henry Onorati & Harry Simeone - Versión al español Manuel Clavero La canción del tamborilero - Raphael (1965) “Raphael canta la Navidad” álbum (1965) Raphael (nombre real Miguel Rafael Martos Sánchez, español) Carol of the drum - The Trapp Family Singers (1951) “Christmas with The Trapp Family Singers” álbum (1951) The little drummer boy - Frank Sinatra & Fred Waring and his Pennsylvanians (1964) single “The little drummer boy/I heard the bells on Christmas Day” (1964) Frank Sinatra (nombre real Francis Albert Sinatra, estadounidense) ___________________ “Así la escuché yo…” Temporada: 1 Episodio: 66 Sergio Productions Cali – Colombia Sergio Luis López Mora
Songs include: Sonny Boy, Ramona, I Can't Give You Anything But Love, Old Man River, Black and Tan Fantasy and Struttin With Some Barbecue. Performers include: Al Jolson, Duke Ellington, Fred Waring, Louis Armstrong, Bing Crosby, Gene Austin and Cliff Edwards.
This episode is a Christmas special looking at the stories and connections with some awesome Christmas tunes including Bing Crosby, The Andrews Sisters, Fred Waring, Greg Lake and Aled Jones.Wise Choice is an official Wise Music Group podcast celebrating 50 years of Wise Music and taking the opportunity to delve into the vast catalogue of incredible songs and artists that are part of the Wise family. The show is hosted by Wise Music songwriting and composing team Adam and Paula Pickering aka The Daydream Club. They asked the Wise Music teams from all over the world to choose their absolute favourite songs from the Wise Music catalogue (their Wise Choice). From this list Adam & Paula look into the history surrounding the songs and where the story leads them with connections to other notable versions, covers and samples.New episodes every other Wednesday.If you liked this you might also enjoy Composing Myself - an official Wise Music podcast featuring interviews with composers and songwriters, taking an in-depth look at their process.Tracklist:Here Comes Santa Claus - Bing Crosby & The Andrews SistersWe Three Kings - Fred Waring & His PennsylvaniansI Believe In Father Christmas - Emerson, lake and PalmerChristmas Wish - She & HimSnow - Sleeping At LastSilent Night - Lullaby CornerChristmas Will Really Be Christmas - Black PumasWalking In The Air - Aled Jones Hosted on Acast. See acast.com/privacy for more information.
The Brian Setzer Orchestra: Jingle Bells // JD McPherson: What’s That Sound? // The Divine Comedy: Christmas With The Hannons // Christine Hunter: Santa Bring Me Ringo // PP Arnold: It Won’t Be Christmas Without You // Margo Guryan: I Don’t Intend To Spend Christmas Without You // Andy Partridge: Let There Be Snow // Aventuras De Kirlian: Hiru izar // Javier Sun: Canción navideña // Undercovers (Xabier Montoia & Javi Pez): M. C. Alka-Seltzer // Mikel Erentxun: Navidad en mi corazón // Joserra Senperena / Juan Luis Zabala / Idoia Asurmendi: Elur-ama // Barón Roskow La Momia Acústica: Mon Oncle // J’aime: Silent Night / Noche de paz // The Light Music Company: Swinging Christingle // Dropkick: All I Want For Christmas Is A Rest (Is It Only Another Day?) // Eli Paperboy Reed: Merry Christmas To Me // Low: Long Way Around The Sea // The Crookes: You’re Just Like Christmas // Chris Isaak: Almost Christmas // Al Caiola, Riz Ortolani: The Little Drummer Boy // The Blue Hawaiians: Christmas Time Is Here // Gene Autrey & Rosemary Clooney: Look Out The Window // Tony Bennett: All I Want For Christmas Is You // Bing Crosby, Frank Sinatra, Fred Waring & the Pennsylvanians: We Wish You The Merriest // Barón Roskow La Momia Acústica: Mon Oncle Elur-ama Elurrarekin jolasteko gogoa izan nahi nuke lehen nuen bezala, haur nintzenean. Baina tristatu egiten naiz ordea zu gabe ez baita elurra alaia. Non zaude, ama? Zuri-zuri dago dena baina ilun dut gogoa. Zu falta zara. Non zaude, ama? Non, non? Non, non? Non, non, non, non? Ez egin negar, erantzun dit telurrak, neu nauzu amatxo zugana etorria. Zu alaitzera! Zuri-zuri dago dena eta argi daukat gogoa. Nirekin zaude. Ama, zu zara! Zu zu. Zu zu. Zu, zu, zu, zu. Zu zu. Zu zu. Zu, zu, zu, zu. (Juan Luis Zabala) Me gustaría tener ganas de jugar con la nieve como tenía antes, cuando era niño. Pero me pongo triste porque sin ti no la nieve no es alegre. Todo está blanco, pero no estoy animado. Me faltas tú. ¿Dónde estás, ama? Dónde? Dónde? Dónde? No llores, me ha dicho la nieve, yo soy la madre que ha vuelto contigo. Para alegrarte! Todo está blanco y estoy contento. Estás conmigo. Ama, eres tú! Tú. Tú. Tú. (Juan Luis Zabala)
Shellac Stack No. 289 wanders away with Fred Waring's Pennsylvanians then walks back with Doc Evans' Band. Along the way, we hear from Earl Hines, Marion Harris, Cy Walter, Isham Jones, Johnny Hamp, Don Byas, Benny Goodman, and more. Thank you for supporting the “Shellac Stack” on Patreon: patreon.com/shellacstack
This week we feature, Command Performance and their second episode starring Fred Waring and Joe Louis This episode aired March 9, 1942. Fred Waring (b. June 9, 1900 - d. July 29, 1984) was a popular musician, bandleader and radio-television personality. Joe Louis (b. May 13, 1914 - d. April 12, 1981) was a very famous professional African-American boxer, known as "The Brown Bomber." Command Performance aired from 1942 to 1949, on the Armed Forces Radio Network (AFRS) and transmitted by shortwave to the troops overseas — with few exceptions, it was not broadcast over domestic U.S. radio stations. My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- THE COMPLETE ORSON WELLES. You can subscribe to my channels to receive new post notifications, it's 100% free to join. If inclined, please leave a positive rating or review on your podcast service. Instagram @duane.otr Thank you for your support. This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
Sein Rauswurf aus dem Studentenchor an der Uni wurmt ihn derart, dass er auf eigene Faust eine steile Musikkarriere hinlegt. Fred Waring expandiert in Sachen Bandgröße, arrangiert selbst große Orchester und Chöre und wird schließlich selbst Gesangslehrer. Der Mann, der Amerika das Singen beibrachte.
Uur 1 1. How about you – Judy Garland 2. Voce abusou – Maria Creuza 3. Litanie bij een terugkeer – Beatrice van der Poel 4. The head and the heart – Chris de Burgh 5. Libertango – Sharon Shannon & Kirsty MacColl 6. Demain demain – Blick Bassy, Clou e.a. 7. Goodnight moon – Shivaree 8. Zilverspar – Joris Linssen & Caramba 9. You and I – Stevie Wonder 10. You are the sunshine of my life – Frank Sinatra 11. Tower of song – Willie Nelson 12. Del o brishind – Bela Lakatos & Gypsy Youth Project 13. El burro song – Calexico 14. I wish – Stochelo Rosenberg Uur 2 1. Factory – Bruce Springsteen 2. Dry bones – Fred Waring's Pennsylvanians 3. Moete gij nie werken – Gerard van Maasakkers 4. Kompliziertes Innenleben – Dota Kehr & Konstantin Wecker 5. Wow – Kate Bush 6. Oradour – Anna Linde 7. Ruimtevaarder – Kommil Foo 8. Mon amour – Stromae 9. Wanting things – Mathilde Santing 10. What's new pussycat – Bob Marley & His Wailing Wailers 11. Dans met mij het leven door – Laroux 12. She's waiting for me – A.J. Croce 13. Adelita – Sergent Garcia 14. Stay – Scott Bradlee's Postmodern Jukebox 15. Little by little – Dusty Springfield 16. Watermelon man – Mongo Santamaria
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
The series began on NBC Radio as a summer replacement situation comedy in 1944, featuring vocalist Bea Wain. It then moved to ABC Radio with Jean Gillespie portraying Young's girlfriend Betty. The program was next broadcast by NBC for a 1946–47 run and was off in 1948. When it returned to NBC in 1949, Louise Erickson played Betty and Jim Backus was heard as wealthy and snobbish playboy Hubert Updike III, a character he later adapted as Thurston Howell III in Gilligan's Island.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
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It's time to put on your top hat and do some stepping out, cuz it's New Year's Eve!00:00 Fred Waring31:31 Jack Benny1:00:57 Suspense1:22:39 Phil Harris1:52:49 outrohttps://archive.org/download/211231-new-years-eve/211231%20New%20Year%27s%20Eve.mp3
This week on the RTC Weekly Download: Happy New Year! Featuring a special NBC New Years broadcast of Fred Waring and The Pennsylvanians and an episode of "Casey, Crime Photographer"
Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de “Así la escuché yo...” El reconocido cantante español Raphael, grabó en 1965 su álbum “Raphael canta la Navidad” el cual contenía una versión al español de una canción navideña titulada “Carol of the drum” (Villancico del tambor). Raphael la grabó bajo el título “La canción del tamborilero”. Así la escuché yo… El grupo The Trapp Family Singers grabó por primera vez, en 1951, “Carol of the drum”, la cual con el tiempo fue conocida popularmente como “The Little drummer boy” (El tamborilero), basado en una partitura de la compositora estadounidense Katherine Kennicott Davis. Con el tiempo, muchos artistas han grabado esta canción navideña y, para la muestra, aquí está la versión del gran Frank Sinatra del año 1964. ¿Y tú, conocías el origen de esta canción? Autora: Katherine Kennicott Davis - Adaptación al inglés: Henry Onorati & Harry Simeone - Versión al español Manuel Clavero La canción del tamborilero - Raphael (1965) “Raphael canta la Navidad” álbum (1965) Raphael (nombre real Miguel Rafael Martos Sánchez, español) Carol of the drum - The Trapp Family Singers (1951) “Christmas with The Trapp Family Singers” álbum (1951) The little drummer boy - Frank Sinatra & Fred Waring and his Pennsylvanians (1964) single “The little drummer boy/I heard the bells on Christmas Day” (1964) Frank Sinatra (nombre real Francis Albert Sinatra, estadounidense) ___________________ “Así la escuché yo…” Temporada: 1 Episodio: 66 Sergio Productions Cali – Colombia Sergio Luis López Mora
November 11, 1934 - In this early episode Jack Benny plays the Chinese detective Charlie Chan from the film series of the same name. References include the record breaking streamline train, California Governor Frank Merriam, Popeye the sailor, Babe Ruth visiting Japan (ballplayers Dizzy Dean, Daffy Dean, Hack Wilson and Frankie French), Senator Huey Long getting a black eye, boxers Max Baer and Jack Dempsey, comedian Lou Holtz, the Marx brothers (Harpo in particular), the song "Carioca", orchestras Fred Waring and his Pensilvanians, Guy Lombardo and his Royal Canadians, Abe Lyman's Californians, and movie stars John Barrymore, Mirna Loy, Greta Garbo, Joan Crawford, Gloria Swanson, Kay Francis and Miriam Hopkins. Not to mention mention "Charlie Chan in London".
From PALM SPRINGS, join the BIG W for the next hour as he explores, with a drink in hand, Capitol 2-track "Z" reel-to-reel tapes from 1957 & 1958.....in LIVING STEREO! Playlist for show 419: When Your Lover Has Gone - Keely Smith Elks' Parade - Glen Gray Nice Work If You Can Get It - Ray Anthony Begin The Beguine - Gordon Macrae Ring For Porter - Harry James Lover - Stan Kenton What Is There To Say - George Shearing Quintet There Is Nothin' Like A Dame - Fred Waring & His Pennsylvanians This Was - Nelson Riddle Stardust - Nat King Cole A Cottage For Sale - Nat King Cole Love Is The Thing - Nat King Cole The Commuter - Les Baxter I'm Gonna Wash That Man Right Out Of My Hair - Les Baxter Monkey Dance Of Bali - Les Baxter Ol' Man River - Gordon Macrae Lonely Night In Paris - Ray Anthony I Get Along Without You Very Well - Stan Kenton Where Are You? - Frank Sinatra Baby Won't You Please Come Home - Frank Sinatra Symphony In Riffs - Glen Gray When Day Is Done - Keely Smith
Music includes: The Star Spangled Banner, God Bless America, Lift Every Voice And Sing, Blues From An American In Paris, Boogie Woogie Bugle Boy, American Patrol and El Capitan. Performers include: Sousa's Band, Edwin Franco Goldman, The Andrews Sisters, Fred Waring, Ralph Flanagan, The Boston Pops Orchestra and Horace Heidt.
Sein Rauswurf aus dem Studentenchor an der Uni wurmt ihn derart, dass er auf eigene Faust eine steile Musikkarriere hinlegt. Fred Warning expandiert in Sachen Bandgröße, arrangiert selbst große Orchester und Chöre und wird schließlich selbst Gesangslehrer- Der Mann, der Amerika das Singen beibrachte.
You're listening to Fred Waring and his Pennsylvanians with Coast Guard Forever.
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Welcome to There's No Choir Like Show Choir! In our first episode Allison and Vince introduce us to the world of show choir as the answer the age old question: "*What is Show Choir*" [ShowChoir.com](https://showchoir.com) [Show Choir Wikipedia Page](https://en.wikipedia.org/wiki/Show_choir) [Pitch Perfect](https://www.youtube.com/watch?v=8dItOM6eYXY) [Glee](https://www.youtube.com/watch?v=sefQqCMusJI) [Show Choir Performances](https://www.youtube.com/watch?v=gzyVJ08c-Ak) [History of Show Choir Article](http://www.angelfire.com/or3/tcsingers/SChistory.htm) [Fred Waring Wikipedia Page](https://en.wikipedia.org/wiki/Fred_Waring)
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Nel 1957 Sinatra incide un intero album di canzoni natalizie, A Jolly Christmas from Frank Sinatra, in cui reinterpreta alcune delle canzoni che aveva già inciso e ne propone di nuove. Nel '64 poi Sinatra è - assieme a Bing Crosby e al bandleader Fred Waring - cointestatario dell'album 12 Songs of Christmas: Sinatra interpreta da solo tre canzoni - fra cui The Little Drummer Boy, una delle più curiose canzoni natalizie create negli Stati Uniti nel Novecento - e duetta con Crosby in altri due brani. A cura di Marcello Lorrai.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll celebrate the birthdays of Howard Dietz, Arthur Freed, and the State of California, and fulfill a request. So, why not stay a while and linger a while. Enjoy the show! Here’s the complete playlist: Segment 1: (Linger) a while Linger Awhile – Sam Lanin's Orchestra Once In A While – Louis Armstrong and His Hot Seven After A While – Benny Goodman's Boys Stay Awhile – Arthur Tracy Segment 2: You’re The One You're The One For Me – Freddie Rose You're The One I Care For – Ruth Etting You're The One That I Adore – Lou Gold Orch / Irving Kaufman, v. Segment 3: California Commemorating California's admission to the union in September 1850. California Swing – Paul Howard's Quality Serenaders / Lionel Hampton, v. Beautiful California – Irwin Abrams / Arthur Singer, v. California Blues – Abe Lyman's Ambassador Hotel Orchestra Segment 4: Topic Arthur Grossman was born 9 September 1894 in Charleston, South Carolina – but he’s better known as singer, writer, pianist and lyricist Arthur Freed and was part of a songwriting duo with Nacio Herb Brown. You Were Meant For Me – The Broadway Nitelites (Ben Selvin) / Dick Robertson, v. I'm Danicing On A Rainbow – Don Bestor AHO / Maurice Cross, v. Should I? – Hotel PA Orch / Scrappy Lambert, v. Segment 5: Howard Dietz Although he had a successful 30 year career in advertising, at the same time lyricist Howard Dietz, born in New York City on 6 September 1896, was writing hit Broadway shows, and collaborating with Arthur Schwartz. Got A Bran' New Suit – Fats Waller and His Rhythm / Fats Waller Dancing In The Dark – Fred Waring ah Pennsylvanians / The Three Girl Friends, v. I'll Always Remember – Ray Starita and His Ambassadors Band / Lou Abelardo, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 11 September 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Ray Klages and Fred Waring, spend some time on the farm, and look up at the clouds. Enjoy the show! Here’s the complete playlist: Segment 1: Raymond KlagesJune 10 marked the birth in 1888 in Baltimore, Maryland of lyricist Raymond Klages. Doin' The Raccoon – The Knickerbockers (Selvin) / Unidentified, v. At Close Of Day – Paul Specht AHO / Johnny Morris, v. Just You – Just Me – Johnny Johnson AHO / Bob Treaster, v. Pardon Me, Pretty Baby (Don't I Look Familiar To You) – Ben Bernie AHO / Ben Bernie, v. Segment 2: FarmingMy friend and listener Cory asked “what about playing some old tunes about farming and farmers”, so… We Won't Have To Sell The Farm – Ben Bernie AHO / Ben Bernie, v. Melody Farm – Will Osborne AHO / Will Osborne, v. The Farmer Took Another Load Away Hay! Hay!”- Paul Whiteman AHO / Billy Murray, v. Segment 3: Fred WaringJune 9 marked the birth in 1900 in Tyrone, Pennsylvania of bandleader, songwriter and inventor Fred Waring. It Seems To Be Spring – Waring's Pennsylvanians / The Three Girl Friends, v. Who's Blue Now? – Fred Waring's Pennsylvanians Anybody's College Song – Waring's Pennsylvanians / Band, v. Segment 4: Real Farming Got The Farm Land Blues – Carolina Tar Heels Farm Relief Song – Al Craver (Vernon Dalhart) Fun On The Farm – Arthur Lange AHO Segment 5: CloudsMy friend Tim in Tennessee was known as “Capt. Cloud”, and a note from him reminded me of this, and inspired this topic. Up In The Clouds – Harry Archer AHO / Franklyn Baur, v. Clouds – Emil Coleman AHO / Unidentified, v. Behind The Clouds – Harry Reser's Syncopators THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 12 June 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we celebrate the birthdays of Michael H. Cleary, Duke Ellington and Louisiana, but the first two segments of the show are going to be like night and day. That's because they're about night and day..or day and night Enjoy the show! Here’s the complete playlist: Segment 1: Day There's A New Day Coming – The Midnight Minstrels / Sam Browne & Trio, v. Lucky Day – Lou Gold AHO / Arthur Fields, v. Rhythm Of The Day – Vincent Lopez and his Casa Lopez Orch When Day Is Done – Edisonians Segment 2: Night What A Night – Irving Mills and His Hotsy Totsy Gang Night Wind – Fats Waller and His Rhythm / Fats Waller, v. Night Owl – Cliff Edwards Segment 3: Michael H. ClearyApril 27 marked the birth in 1902 in Weymouth, Massachusetts, of composer Michael H.Cleary. Singin' In The Bathtub – Hotel Pennsylvania Music / Scrappy Lambert, v. Hello, Baby – Fred Waring and His Pennsylvanians / Will Morgan, v. “Here It Is Monday And I've Still Got A Dollar” – Chick Bullock, v. with Chick Bullock's Levee Loungers Vaniteaser – California Ramblers (The Golden Gate Orchestra) Segment 4: Duke EllingtonApril 29, marked the birth in 1899 in Washington, D.C. of Edward Kennedy Ellington, better known as the very stylish Duke Ellington. Chicago Stomp Down – Duke Ellington AHO / Adelaide Hall, v. Swampy River – Duke Ellington, Piano Jungle Jamboree – The Harlem Footwarmers Segment 5: Louisiana On April 30 in 1812, the Territory of Orleans, with a few boundary changes, became the 18th of the United States, Louisiana. Louisiana Bo Bo – Georgia Cotton Pickers Louisiana Breakdown – Hot and Heavy Louisiana Glide – Blind Leroy Garnett THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 1 May 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we're going to hear the difference between whose and who's, there and there, and your and you're. Enjoy the show! Here’s the complete playlist: Segment 1: Who’s Look Who's Here – Roger Wolfe Kahn AHO Who's That Knocking At My Door – The University Six / Arthur Fields, v. Who's Blue Now? – Fred Waring and His Pennsylvanians / Band, v. Who's Your Little Who-Zis – Vic Irwin AHO / Eton Boys, v. Segment 2: There There Goes My Attraction – Jack Shilkret AHO / Larry Stewart, v. Them There Eyes – The Midnight Minstrels (Stan Greening) / Tom Barratt, v. There Must Be A Silver Lining – Ray Starita and His Ambassadors Band / Irving Brodsky, v. Ya Got Something There – Jack Hylton AHO / Sam Browne, v. Segment 3: Their Lookin' For Love – Mike Riley and Eddie Farley and Their Onyx Club Boys Happiness Ahead – The Pickens Sisters and Their Orchestra / The Pickens Sisters, v. Bed Bugs Makin' Their Last Go-Round – Oscar Craver Segment 4: Your Keep Your Temper – Blue Rhythm Orchestra Take Your Tomorrow – Jackson and His Southern Stompers How's Your Uncle? – The Troubadors / Chick Bullock Keep Your Skirts Down, Mary Ann – Raymond Dance Band (Stan Greening) Segment 5: You’re You're Just A Great Big Baby Doll – The Piccadilly Players When You're Feeling Blue – Jack Purvis AHO You're The One I Care For – Glen Lietzke's Midnite Serenaders / Glen Leitzke, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 17 April 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll play some sparkling songs, and celebrate the birthdays of Vaughn DeLeath, Al Hoffman, Frank Crumit, and several others. Enjoy the show! Here’s the complete playlist: Segment 1: SparklingCome On Spark Plug – Arthur Lange AHO Sparkling Blue Eyes – Carlisle's Kentucky Boys / Sonny Boy, Tommy Carlisle, v. The Sunshine Always Shines For Me – The Merry Sparklers / Harvey Hindermyer Segment 2: Al HoffmanSeptember 25 marked the birth in 1902 in Minsk, Russia of composer Al Hoffman. A Picnic For Two – Fred Waring and His Pennsylvanians / Nelson Keller, Clare Hanlon, Tom Waring The Prize Waltz – Don Bestor AHO / Neil Buckley, v. It's Winter Again – Isham Jones AHO / Frank Sylvano, v. Segment 3: Frank CrumitSeptember 26 marks the birth in 1889 in Jackson, Ohio, of comic actor, singer and ukulele player, Frank Crumit. Timbuctoo – Paul Biese Trio / Frank Crumit, v. Oh, By Jingo! Oh, By Gee! You're The Only Girl For Me – Frank Crumit What Kind Of A Noise Annoys An Oyster? – Frank Crumit Segment 4: Vaughn DeLeathSeptember 26 marks the birth in 1894 in Mt. Pulaski, Illinois of “The First Lady of Radio”, or “The Original Radio Girl”, Vaughn DeLeath, born Leonore Vonderleith. If Tears Could Bring You Back To Me (I'd Cry My Eyes Out For You) – Park Lane Orchestra / Vaughn De Leath, v. Drowsy Head – Gennett Dance Orchestra No Wonder I'm Happy – George Hamilton Green's Star Trio / Vaughn De Leath, v. Segment 5: This Week In Recording HistorySeptember 24, 1900 – Poley McClintock September 22, 1894 – Composer Dave Dreyer September 26, 1898 – George Gershwin September 26, 1901 – Ted Weems Any Ice Today, Lady? – Fred Waring's Pennsylvanians / Poley McClintock, v. I Want To Be Known As Susie's Feller – Isham Jones AHO / Tom Stacks, v. (Dave Dreyer) Soon – Red Nichols and His Five Pennies / Gene Krupa, v. (George Gershwin)Play That Hot Guitar – Ted Weems AHO / Parker Gibbs, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 26 September 2010 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we're gonna get under some blankets, hear from Billy Baskette, have a “peach” of a set, celebrate the birthday of Edward Eliscu and listen to this past week in recording history. Enjoy the show! Here’s the complete playlist: Segment 1: Blankets‘Neath A Blanket Of Stars – John Robinson and His Varsity Vagabonds / Unidentified, v. Under A Blanket Of Blue – Don Bestor AHO / Florence Case, v. A Hot Dog, A Blanket & You – Gene Kardos AHO Segment 2: Billy Baskette In a round about way Lloyd and Melissa, hosts of “Sunday Swing Shift” on KRVM in Eugene, Oregon, provided the inspiration for this segment celebrating composer Billy Baskette. Hoosier Sweetheart – Johnny Johnson AHO / Charles Murray, v. Heart Broken Strain – Frankie Quartell and His Melody Boys Mighty River – Chick Bullock Night Time In Picardy – Garden Dancing Palace Orchestra / Bill Doric, v. Segment 3: PeachyJust about two years ago, longtime faithful listener Rich in Illinois sent an email requesting Fred Waring's recording of “Little Peach”. At the time, I didn't have it, so instead, I played Jack Stillman's version in a set of “peachy” songs. Well, I now have a copy of Waring's “Little Peach”, so here's another “peachy” set. It's a little late, Rich, but here's Waring's Pennsylvanians. Little Peach – Waring's Pennsylvanians / Tom Waring, v. A Peach Of A Pair – Ben Bernie / Unidentified, v. When You've Picked Your Basket Of Peaches – Joseph C. Smith's Orch Segment 4: Edward EliscuApril 2 marked the birth in 1902 in New York City of lyricist, playwright, producer and actor, Edward Eliscu. You Forgot Your Gloves – Bill Carlsen AHO / Jack Teter, v. More Than You Know – Libby Holman Without A Song – Paul Whiteman AHO / Bing Crosby, v. Segment 5: This Week In Recording HistoryHappy birthday to a few songs that were recorded this past week in years past.Jimbo-Jambo – Billy Murray, v. Dismal Dan – Jack Purvis AHO Clearing House Blues – John Sylvester AHO Wonderful Dream – Original Memphis Melody Boys / Billy Meyers, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 4 April 2010 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll hoist a pint or two, make some “hey”, catch some shuteye, and celebrate the birthday of Stan Greening. Enjoy the show! Here’s the complete playlist: Segment 1: Beer We’re celebrating the relaunch of the fine public house, Churchill's Pub & Grille, in San Marcos, California, with many congratulations to publican Ivan, and Tony and the rest of the staff, cheers! Spiked Beer – Lawrence Welk's Novelty Orchestra Beer Garden Blues – Clarence Williams AHO A Little Beer, A Little Pretzel & You – Tom Berwick AHO (As Sid Peltyn) Beer Barrel Polka – Harry Roy AHO / Harry Roy, Bill Currie, Ray Ellington, Wendy Clark, v. Segment 2: Hey Last week I also had the pleasure of attending a concert of the Armadillo String Quartet in Pasadena, California, playing the music of PDQ Bach, with Professor Peter Schickele himself. Now, if you have a listen to this first piece from Schleptet in E-Flat Major you might see how this segment game to be. Hey Nonnie Nonnio – PDQ Bach New Charleston – Miami Dance Orchestra Hey! Hey! – Charles Fulcher AHO / Charles Fulcher, v. Hey-Hey-Hey! Have You Had Your Corn Today – Joe Haymes AHO / Band, v. Hey! Hey! Hazel – Six Jumping Jacks / Tom Stacks, v. Segment 3: SleepFebruary 28 was National Public Sleeping Day, which seems like the perfect excuse to lay your head down while you’re tapping your feet.I Wonder How I Look When I'm Asleep – Six Jumping Jacks / Tom Stacks, v. I Lay Me Down To Sleep – Ramona Davies Sleep – Fred Waring and His Pennsylvanians / Band, v. The Sleepy-Town Express – Ben Bernie AHO / Ben Bernie & Pat Kennedy, v. Segment 4: Stan GreeningMarch 1 marked the birth in 1888 in Kensington, England of bandleader Stan Greening. Laughing At Life – The Society Serenaders / Unidentified, v. Together – Raymond Dance Band / John Thorne, v. Puttin' On The Ritz – Selections Au Revoir, Pleasant Dreams – The Rhythmic Troubadors / Tom Barratt, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 7 March 2010 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.
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