Podcasts about pablo larrain

Sandro's film work includes the films: The White Space, The Best Offer, A Bigger Splash, Everest, Call Me By Your Name, Rome In Love, and Napoleon, and the series Masters Of The Air. Sandro was Set Decorator on Pablo Larrain's more recent acclaimed film Maria, starring Angelina Jolie as legendary opera singer Maria Callas, near the end of her life.

*This episode originally aired on January 18, 2025. This week on The Treatment, Elvis welcomes Emmy nominated actor Adam Scott, who stars in the long awaited season two of the Apple TV+ series Severance. Then, director Pablo Larrain stops by to talk about his new film Maria about the late opera star Maria Callas, starring Angelina Jolie. And on The Treat, Black Comedy in America  host and producer Tiffany Haddish reveals the person who nurtured her love for comedy.

En esta entrega habló sobre la nueva ficción biográfica de Pablo Larrain donde nos muestra los últimos siete días de vida de Maria Callas, una de las cantantes de Ópera más importantes de la historia, quien en esta ficción se enfrenta en sus delirios al pasado que la persigue y sus consecuencias.Sígueme en Letterboxd para más reviews: https://boxd.it/7P12DO en X como @elahditto para interactuar conmigo personalmente.https://linktr.ee/ElahDitto

Pablo Larrain je v svoji dosedanji karieri ustvaril že več odličnih del – med temi je meni najljubši satirični Klub, film o skupini nekdanjih duhovnikov, ki skupaj z redovnico, neke vrste oskrbnico, živijo v odročni hiši na čilski obali, kjer naj bi se kesali za svoje pretekle grehe. Larrain ima izjemen čut za prikaz človeške narave z vsemi posebnostmi in čudaštvi vred, kar je dokazal tudi v filmih, v katerih je obravnaval življenja slavnih žensk, na primer Jackie Kennedy in princese Diane. Na preteklem filmskem festivalu v Benetkah pa je prvič pokazal svoj film o eni izmed najbolj izjemnih umetnic opernega sveta, Marii Callas. Zdaj se film vrti tudi pri nas. Takole je Larrain razložil, zakaj se je lotil zgodbe o Marii Callas: »Zakaj pa ne? Že od malih nog sem bil oboževalec opere in Marie Callas. Vedno me je presenečalo, da je tako malo filmov o operi in opernih pevcih. Nekaj jih sicer je, ampak malo, če pomislimo, kako zanimiva je opera kot umetnostna zvrst. In tako sem dobil zamisel, da bi posnel film o verjetno najboljši pevki vseh časov, ki je imela zelo lepo in obenem zelo težko življenje.« Vlogo Marie je odigrala Angelina Jolie, ki se je za film morala naučiti petja. Potem so naredili preplet njenih pevskih vložkov in izvirnih arij operne dive. Kaj je zanjo merilo, da je zadovoljna s svojo vlogo? »Iskreno povedano, so merilo, ali sem vlogo izpeljala dovolj dobro, oboževalci Marie Callas in vsi tisti, ki ljubijo opero. Strah me je bilo, da bi jih razočarala. Lepo je tudi, če dobiš dober odziv ljudi v filmski industriji, ampak srčno sem si želela, da ne bi razočarala ljudi, ki to pevko obožujejo in jim veliko pomeni. Ko sem ustvarjala vlogo, mi je resnično prirasla k srcu, zato ji ne bi želela narediti slabe usluge.« Angelina Jolie pa v vlogi operne dive, čeprav je vanjo očitno vložila veliko truda in predanosti, nekako ne zaživi najbolje. Kot je nekoč povedal mehiški cineast Alejandro Gonzáles Iñárritu, je že v osnovi izziv v neko vlogo postaviti nekoga zelo slavnega, ne da bi gledalci v njem videli predvsem njega samega in ne osebe, ki jo naj bi upodobil. To je povedal v kontekstu komentarja, da je v svoj film Babel zasedel Brada Pitta, nekdanjega soproga Angeline Jolie. Žal v filmu Maria Angelino Jolie gledamo predvsem kot Angelino. Pri tem ne pomaga niti ugotovitev, da je scenarij pravzaprav zelo dober – napisal ga je Steven Knight, ki ga med drugim poznamo po filmu Locke. Zgodba Marie se osredinja na kratek izsek iz življenja dive, na njeno zadnje življenjsko obdobje. Umrla je leta 1977, stara komaj 53 let, in je živela ločeno od zunanjega sveta, samo s kuharico in osebnim pomočnikom, ki sta bila obenem (kar je tudi eden od poudarkov filma) pravzaprav njena družina proti koncu njenega življenja. Film Maria je vizualno razkošen. Poudarek je na prikazu psihičnega in fizičnega zloma velike umetnice. Prek fiktivnega intervjuja dobimo vtis o pevkinem doživljanju sveta. Zgodba nakaže nekaj ključnih trenutkov v njenem življenju, ki jih vzporeja z operami, v katerih je nastopala. Melodramatični, lahko bi rekli operni naboj, se filmu prilega prav zaradi teh vzporednic. Edina težava, ki pa jo težko prezremo, je na žalost izbor osrednje igralke.

Biopics … Eigentlich nicht mein Genre: Oft werden die wichtigen Stationen abgehakt, aber der Mensch, der im Mittelpunkt steht, hat entweder klischeehafte Züge oder wird als Symbol aufgeladen. Das ist nicht Pablo Larrains Herangehensweise: MARIA konzentriert sich auf die letzte Lebenswoche von Maria Callas 1977 in Paris. Seit viereinhalb Jahren steht sie nicht mehr auf der Bühne, ihre einst übermenschliche Opernstimme hat sie nicht mehr unter Kontrolle. Sie ist tablettensüchtig, schwer krank und behandelt ihre Haushaltsdame und ihren Butler mit einer Mischung aus Liebe und Schikane. Von hier springen wir in ihre Erinnerungen, an die deutschen Soldaten in Griechenland, an die sie ihre Mutter verkauft hat, an Triumphe auf allen großen Opernbühnen, an Onassis, der ihr das Singen verboten hat. Steven Knight findet in seinem Drehbuch eine bemerkenswert gelungene Balance zwischen psychologischen Einblicken auf der einen Seite und Prominenz und Popkultur auf der anderen Seite. (Steven Knight ist übrigens der Regisseur und Drehbuchautor von LOCKE!) Im Podcast direkt nach dem Film rede ich mit Katharina über Angeline Jolie, die eine außergewöhnliche Leistung als Schauspielerin zeigt, über Puccini und halluzinierte Interviews, über verschobene Klaviere, die Sucht nach Anbetung, über Star-Status und berührende Szenen.

durée : 00:06:53 - Le Masque et la Plume - Le cinéaste chilien Pablo Larrain consacre son nouveau biopic aux derniers jours de la célèbre cantatrice Maria Callas. Nos critiques se rejoignent et ont globalement trouvé le film raté, dénué d'émotions, et mal interprété par Angelina Jolie.

Pour ce focus du mois, retour sur le film Maria de Pablo Larrain, un biopic sur les derniers jours de la cantatrice Maria Callas incarnée par Angelina Jolie. L'équipe s'est réunie pour débattre sur le film et sur les deux autres biopics féminins du réalisateur, Jackie (2017) et Spencer (2021).Animation : Mariana AgierParticipantes : Diane Lestage, Léon Cattan, Hélyette Arnaut, Mariana AgierRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Invitée : Francesca ComenciniPrésence de Steven Soderbergh ; Maria de Pablo Larrain ; La Pampa d'Antoine Chevrolier ; Paddington au Pérou de Dougal Wilson ; Mon gâteau préféré de Maryam Moghadam et Behtash Sanaeha Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

De Michel Delage an d'Valerija Berdi beschwätzen: "The Brutalist" (Brady Corbet), "Maria" (Pablo Larrain), "Riefenstahl" (Andres Veiel) a "God Save the Tuches" (Jean-Paul Rouve).

De Michel Delage an d'Valerija Berdi beschwätzen: "The Brutalist" (Brady Corbet), "Maria" (Pablo Larrain), "Riefenstahl" (Andres Veiel) a "God Save the Tuches" (Jean-Paul Rouve).

De Michel Delage an d'Valerija Berdi beschwätzen: "The Brutalist" (Brady Corbet), "Maria" (Pablo Larrain), "Riefenstahl" (Andres Veiel) a "God Save the Tuches" (Jean-Paul Rouve).

Déjà auteur de deux films consacrés respectivement à Jackie Kennedy (" Jackie ") et à Lady Di (" Spencer "), le cinéaste chilien sʹintéresse, avec " Maria ", aux derniers jours de Maria Callas, incarnée à lʹécran par Angelina Jolie. Un biopic crépusculaire sur la femme et la diva. Pablo Larrain est au micro de Rafael Wolf.

par Rafael Wolf et Noémie Desarzens Maria de Pablo Larrain, avec Angelina Jolie, Alba Rohrwacher, Pierfrancesco Favino. The Brutalist de Brady Corbet, avec Adrien Brody, Felicity Jones, Guy Pearce. September 5 de Tim Fehlbaum, avec Peter Sarsgaard, Ben Chaplin, Leonie Benesch. Les conseils : Paddington au Pérou de Dougal Wilson, avec Antonio Banderas, Olivia Colman (autre sortie du jour) Le plus sauvage dʹentre tous (1963) de Martin Ritt, avec Paul Newman, (disponible en DVD et sur certaines plateformes de VOD)

Quelle Maria Callas incarne Angelina Jolie dans « Maria » ? Quelle perspective a choisi le cinéaste chilien Pablo Larrain pour raconter le destin de la mythique diva ? Quelles images inédites contient le documentaire « Riefenstahl » sur la cinéaste préférée du régime nazi ? Qui incarne le Roi d'Angleterre dans « God save the Tuche », cinquième volet de la saga française ? Les découvertes de «mardi follies » : - Red Sebastian - Strobe Lights - AlainSouchon, Ours, Pierre Souchon - À quoi tu penses ? - Véronique Jannot – Aviateur - Mickael Karkousse- Go Spor Go (theme For Sporting Hasselt) Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Dans ''Maria'', le réalisateur chilien retrace la vie de la plus grande chanteuse d'opéra, lors de ses derniers jours à Paris en 1977. La diva est interprétée par l'une des plus grandes actrices américaines.

It's another bumper, jam-packed edition of the Empire Podcast this week, folks! The great Angelina Jolie heads up our trio of amazing guests, as she talks to John Nugent about taking on the challenge of playing the legendary opera singer, Maria Callas, in Pablo Larrain's Maria. [20:48 - 34:02 approx] Plus, Chris Hewitt has a fascinating chat with Jason Reitman about how, exactly, he recreated Saturday Night Live's opening night for Saturday Night, [56:33 - 1:15:42 approx] and finally Chris sits down on Zoom with EE Rising Star Award nominee, the wonderful David Jonsson, for a natter about that, Rye Lane, the difference between a stroll and a strut, and tackling a very complex role in Alien: Romulus, which is now on Disney+. [1:38:23 - 1:56:21 approx] Meanwhile, back in the podbooth, Chris is joined by Helen O'Hara and James Dyer to share their thoughts on the recent West End version of The Tempest, put together a Mount Rushmore of SNL stars, discuss the week's movie news, and review Saturday Night, Companion, and Mike Leigh's Hard Truths. Enjoy.

We know that it is tough to celebrate a birthday in January! Either your gift is bunched up with your Christmas gift, or you don't get a gift at all. Plus growing up chances are you were never at school to celebrate your birthday, and your friends were probably away! We are coming to your rescue! This week we are giving you the opportunity to win tickets to Maria! We are hosting a movie night for all the people born in January. All you need to do is call in to our show and sing Happy Birthday in your best opera voice to win tickets for you and your friends! The movie night is on Thursday 30 January at STER KINEKOR ROSEBANK NOUVEAU Academy Award®-winner Angelina Jolie is Maria Callas, one of the most iconic performers of the 20th century in acclaimed director Pablo Larrain's operatic MARIA. The film follows the American-Greek soprano as she retreats to Paris after a glamorous and tumultuous life in the public eye. MARIA reimagines the legendary soprano in her final days as the diva reckons with her identity and life.See omnystudio.com/listener for privacy information.

Dutch writer-director Halina Reijn discusses her film Babygirl, a sexual thriller with Nicole Kidman in the lead as a powerful CEO who embarks on an affair with her much younger intern.Academy Award winning director Pablo Larrain on Maria, where Angelina Jolie stars as the world's greatest opera singer, Maria Callas.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Matthew CrawfordExecutive producer, Rhiannon Brown

Dutch writer-director Halina Reijn discusses her film Babygirl, a sexual thriller with Nicole Kidman in the lead as a powerful CEO who embarks on an affair with her much younger intern.Academy Award winning director Pablo Larrain on Maria, where Angelina Jolie stars as the world's greatest opera singer, Maria Callas.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Matthew CrawfordExecutive producer, Rhiannon Brown

Pablo Larrain's biopic, Maria, featuring Angelina Jolie as the illustrious Maria Callas has the opera world abuzz. Listen in as long-time LA Opera chorus member and vocal coach to Angelina Jolie for the film, Lori Stinson, sits down with Chorus Director Jeremy Frank to discuss her process in preparing Jolie for the role.

We know that it is tough to celebrate a birthday in January! Either your gift is bunched up with your Christmas gift, or you don't get a gift at all. Plus growing up chances are you were never at school to celebrate your birthday, and your friends were probably away! We are coming to your rescue! This week we are giving you the opportunity to win tickets to Maria! We are hosting a movie night for all the people born in January. All you need to do is call in to our show and sing Happy Birthday in your best opera voice to win tickets for you and your friends! The movie night is on Thursday 30 January at STER KINEKOR ROSEBANK NOUVEAU Academy Award®-winner Angelina Jolie is Maria Callas, one of the most iconic performers of the 20th century in acclaimed director Pablo Larrain's operatic MARIA. The film follows the American-Greek soprano as she retreats to Paris after a glamorous and tumultuous life in the public eye. MARIA reimagines the legendary soprano in her final days as the diva reckons with her identity and life.See omnystudio.com/listener for privacy information.

durée : 00:17:30 - L'interview de 9h20 - par : Léa Salamé - L'actrice Angelina Jolie est l'invitée de Léa Salamé pour le film “Maria” de Pablo Larrain. Elle y incarne la soprano américano-grecque Maria Callas dans ses derniers jours à Paris.

durée : 00:17:30 - L'interview de 9h20 - par : Léa Salamé - L'actrice Angelina Jolie est l'invitée de Léa Salamé pour le film “Maria” de Pablo Larrain. Elle y incarne la soprano américano-grecque Maria Callas dans ses derniers jours à Paris.

We know that it is tough to celebrate a birthday in January! Either your gift is bunched up with your Christmas gift, or you don't get a gift at all. Plus growing up chances are you were never at school to celebrate your birthday, and your friends were probably away! We are coming to your rescue! This week we are giving you the opportunity to win tickets to Maria! We are hosting a movie night for all the people born in January. All you need to do is call in to our show and sing Happy Birthday in your best opera voice to win tickets for you and your friends! The movie night is on Thursday 30 January at STER KINEKOR ROSEBANK NOUVEAU Academy Award®-winner Angelina Jolie is Maria Callas, one of the most iconic performers of the 20th century in acclaimed director Pablo Larrain's operatic MARIA. The film follows the American-Greek soprano as she retreats to Paris after a glamorous and tumultuous life in the public eye. MARIA reimagines the legendary soprano in her final days as the diva reckons with her identity and life.See omnystudio.com/listener for privacy information.

This week on The Treatment, Elvis welcomes Emmy nominated actor Adam Scott, who stars in the long awaited season two of the Apple TV+ series Severance. Then, director Pablo Larrain stops by to talk about his new film Maria about the late opera star Maria Callas, starring Angelina Jolie. And on The Treat, Black Comedy in America  host and producer Tiffany Haddish reveals the person who nurtured her love for comedy.

Returning to the Film Stories podcast, writer/producer/director Steven Knight is in writing mode for his latest project, Maria. Directed by Pablo Larrain and written by Knight, in a wide-ranging conversation he discusses the unusual unHollywood relationship between the pair. The chat also covers a rogue Christmas tree, a boiled egg, Birmingham Airport, and strange Google searches too... Learn more about your ad choices. Visit megaphone.fm/adchoices

On Truth & Movies this week, we discuss the erotic thrills of Babygirl then review Maria and interview its director Pablo Larrain. Finally, for film club we revisit the kinky classic Secretary.Joining host Leila Latif are film critics Christina Newland and Rafa Sales Ross.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Our latest guest on Soundtracking is Pablo Larrain, who returns to the podcast to discuss the release of his stunning biopic, Maria. Starring Angelena Jolie as Maria Callas, it follows the seven days before the opera singer's death in 1977 Paris as she reflects upon her life and career. 

Otra pelicula del chileno Pablo Larrain con una mujer fuerte como protagonistsa

T Lo review three films about women assessing their lives, choices, art and bodies: Pablo Larrain's "Maria," starring Angelina Jolie, Gia Coppola's "The Last Showgirl," starring Pamela Anderson, and Halina Reijn's "Babygirl," starring Nicole Kidman, PLUS: Lorenzo recommends "100 Years of Solitude." 

Parliamo dell'81ª edizione della Mostra d'Arte Cinematografica di Venezia. In ordine: (00:00) Intro (01:12) Esperienza generale (09:12) The Room Next Door, di Pedro Almodovar (13:00) Maria, di Pablo Larrain (18:46) Babygirl, di Halina Reijn (24:17) Cinema Italiano: Queer, Vermiglio e Diva Futura (33:50) Beetlejuice Beetlejuice, di Tim Burton (41:25) The Brutalist, di Brady Corbet (55:41) Joker: Folie à Deux, di Todd Philips (60:41) 4 Mini-serie interessanti (74:17) Cinema Giapponese: Kitano e Kurosawa (78:11) Horizon Parte 2, di Kevin Costner (80:49) Baby Invasion, di Harmony Korine

As "Beetlejuice Beetlejuice" stars arrive at the Venice Film Festival for its opening, film critic Emma Jones speaks to presenter Eve Jackson from the Lido about some of the most anticipated films of the Mostra, including Luca Guadagnino's "Queer", starring Daniel Craig, "Joker: Folie à Deux", with Joaquin Phoenix and Lady Gaga and Chilean director Pablo Larrain's "Maria", starring Angelina Jolie. We also review the French film of the week, "Visiting Hours" by Patricia Mazuy, starring this year's Venice jury president Isabelle Huppert, as well as actress Hafsia Herzi and Zoe Kravitz's directorial debut "Blink Twice", starring Kravitz's fiancé Channing Tatum.

[8x7] We're back for Pablo Larrain's alternate history of Chilean dictator (and vampire?) General Pinochet; a black comedy horror film that mixes real-world politics with the supernatural. It's El Conde. Does anyone care for a liquidised heart? Making another return to Vampire Videos to explore this fascinating film is author and podcaster Tony Black... Hosts: Dan Owen & Hugh McStay Guest: Tony Black Editor: Dan Owen "There's nothing more gruesome than seeing a man fall in love.." -- Margaret Subscribe and leave a rating or review to support the show. You can also leave a donation at Ko-fi and follow us on social media platforms here. A proud part of the Film Stories podcast network. Theme music by Nela Ruiz • Episode art by Dan Owen. Podcast art by Keshav. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historian Sir Simon Schama and FT deputy arts editor and film expert Raph Abraham join Lilah to discuss the historical epic ‘Napoleon'. Ridley Scott's new two-and-a-half-hour-long film stars Joaquin Phoenix, and documents a lot: Napoleon's rise and fall, some of his most famous battles, and his relationship with his wife, Josephine. But how well does it represent his character? We discuss what the film got right and wrong (historically and dramatically), why Napoleon continues to loom so large in culture, and whether historical epics still satisfy us.-------We are still collecting your cultural predictions for 2024! What's one thing you think will happen (or want to happen) in culture next year? Write us. You can email us at lifeandart@ft.com or message Lilah on Instagram @lilahrap. -------Links (all FT links get you past the paywall): – Simon's FT Weekend essay on Napoleon, and why so many writers and filmmakers try to depict him: https://on.ft.com/4861gbn– the FT's official review of Napoleon by Danny Leigh: https://on.ft.com/484moPh– An essay from Janan Ganesh on why Napoleon still matters: https://on.ft.com/3uWF8Sj– Simon recommends the 2012 movie ‘Lincoln', directed by Steven Spielberg– Raph is a fan of Pablo Larrain's ‘Jackie,' from 2016, and the Leonard Bernstein biopic ‘Maestro', directed by Bradley Cooper and available on Netflix on December 20– We interviewed Pablo Larrain in 2021 about his creative process: https://on.ft.com/3oofjVO – Lilah wrote a column about learning to draw: https://on.ft.com/46NBaZt – Simon is on X @simon_schama-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner. Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

At the heart of the three-day exhibition Manchestermodern: past present future, curated by Factory International and CHAOS SixtyNine with the support of CHANEL, a special edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] was held at the Victoria Baths in Manchester.In conversation with writer and critic Erica Wagner, author Jeanette Winterson, CHANEL ambassador and spokesperson Charlotte Casiraghi along with actress and CHANEL ambassador Kristen Stewart reveal what constitutes, according to them, the powers of literature. Together, they also talk about the books that are dear to them and the female literary figures who inspire them.© 2023 by Cities of Literature. All rights reserved.© 2023 Manchester Literature Festival. All rights reserved.© Jeanette Winterson. All rights reserved.Jeanette Winterson, Oranges Are Not the Only Fruit, © Grove Press, 1997.Jeanette Winterson, Oranges Are Not the Only Fruit, Vintage, 1997.Jeanette Winterson, The Passion, © Grove Press, 1997. Jeanette Winterson, The Passion, Vintage, 1997.Jeanette Winterson, Frankissstein: A Love Story, © Grove Press, 2019. Jeanette Winterson, Frankissstein: A Love Story, Vintage, 2019.Jeanette Winterson, 12 Bytes, © Grove Press, 2021. Jeanette Winterson, 12 Bytes, Vintage, 2021.Jeanette Winterson, Night Side of the River: Ghost Stories, © Grove Press, 2023.Jeanette Winterson, Night Side of the River: Ghost Stories, Vintage, 2023.© UK Honours System.© University of Oxford. All rights reserved.© The University of Manchester.© Toronto International Film Festival. All rights reserved.Into the Wild, © Paramount, 2007. Courtesy of River Road Entertainment, LLC.PANIC ROOM © 2002 Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy of Columbia PicturesCatherine Hardwicke, Bill Condon, Chris Weitz, David Slade, Twilight, © Summit Entertainment, 2008-2012. All rights reserved.Pablo Larrain, Spencer, © Shoebox Films, 2021. A Fabula, Komplizen, Shoebox Films Production, 2021.© Academy of Motion Picture Arts and Sciences. All rights reserved.© Académie des Césars. All rights reserved.Olivier Assayas, Clouds of Sils Maria, © CG Cinéma, 2014.Kristen Stewart, The Chronology of Water, © Scott Free Productions. All rights reserved. Jeanette Winterson, Why Be Happy When You Could Be Normal?, Vintage, 2012.Jeanette Winterson, Why Be Happy When You Could Be Normal?, © Grove Press, 2012. Kate Zambreno, Heroines, © Semiotext(e), 2012.© Theatre Royal Stratford East.© ITN / Getty images.Shelagh Delaney, A Taste of Honey, © Grove Press, 1994. Virginia Woolf, A Room of One's Own, 1929.Virginia Woolf, Orlando, 1928.

Historian Sir Simon Schama and FT deputy arts editor and film expert Raph Abraham join Lilah to discuss the historical epic ‘Napoleon'. Ridley Scott's new two-and-a-half-hour-long film stars Joaquin Phoenix, and documents a lot: Napoleon's rise and fall, some of his most famous battles, and his relationship with his wife, Josephine. But how well does it represent his character? We discuss what the film got right and wrong (historically and dramatically), why Napoleon continues to loom so large in culture, and whether historical epics still satisfy us.-------We are still collecting your cultural predictions for 2024! What's one thing you think will happen (or want to happen) in culture next year? Write us. You can email us at lifeandart@ft.com or message Lilah on Instagram @lilahrap. -------Links (all FT links get you past the paywall): – Simon's FT Weekend essay on Napoleon, and why so many writers and filmmakers try to depict him: https://on.ft.com/4861gbn– the FT's official review of Napoleon by Danny Leigh: https://on.ft.com/484moPh– An essay from Janan Ganesh on why Napoleon still matters: https://on.ft.com/3uWF8Sj– Simon recommends the 2012 movie ‘Lincoln', directed by Steven Spielberg– Raph is a fan of Pablo Larrain's ‘Jackie,' from 2016, and the Leonard Bernstein biopic ‘Maestro', directed by Bradley Cooper and available on Netflix on December 20– We interviewed Pablo Larrain in 2021 about his creative process: https://on.ft.com/3oofjVO – Lilah wrote a column about learning to draw: https://on.ft.com/46NBaZt – Simon is on X @simon_schama-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner.Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

WTOP Entertainment Reporter Jason Fraley marks tomorrow's 60th anniversary of the JFK assassination by flashing back to this interview with Oscar winner Natalie Portman at the 2016 Washington D.C. premiere of "Jackie" at the Newseum. You'll also hear from director Pablo Larrain, producer Mickey Liddell and screenwriter Noah Oppenheim. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP Entertainment Reporter Jason Fraley marks tomorrow's 60th anniversary of the JFK assassination by flashing back to this interview with Oscar winner Natalie Portman at the 2016 Washington D.C. premiere of "Jackie" at the Newseum. You'll also hear from director Pablo Larrain, producer Mickey Liddell and screenwriter Noah Oppenheim. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

Guti, Ismael, and Ron continue to fail to convince you that this isn't a political podcast when they talk about Pablo Larrain's 2023 Chilean horror satire El Conde. Biographics: Augusto Pinochet School of the Americas Follow @reellatinos on social media. (Including Guti's classic Hollywood blog and newsletter, Finite Cinema Dreams.)

Another fortnight passes and another episode of News & Reviews arrives, yet again we see a bumper week of new and less new releases. Andy has seen the latest DC offering ‘Blue Beetle' and passes his judgment while considering superhero fatigue. Meanwhile, Alex brings reviews of Celine Song's excellent debut ‘Past Lives', Pablo Larrain's reimagined Pinochet in ‘El Conde', Disney+ sci fi ‘No One Will Save You' and Canadian drama ‘Brother'. 

Recorded - 9/17/2023 On Episode 238 of the Almost Sideways Movie Podcast, we review an art house indie Netflix release from acclaimed director Pablo Larrain called El Conde. Then we deep dive a favorite Best Picture winner celebrating 35 years: Rain Man. Here are the highlights: What We've Been Watching (13:20) Todd BDN Review: Mistress (19:30) Zach Review: The Crush (25:00) Terry Oscar Anniversary Review: Girl With a Pearl Earring & Recent Review: A Haunting in Venice (32:20) Featured Review: El Conde 35th Anniversary Deep Dive: Rain Man (47:30) Trivia (1:18:00) Mt. Rushmore of Tom Cruise Oscar Snubs (1:32:50) Recasting Rain Man (1:43:20) Highest WAR, Worst Performance, Minor Character (1:57:50) Stickman, Douchebag, Punchable Face, Best Scene, Regal Quote (2:11:50) Gripes and Conspiracies (2:18:20) LVP, MVP, Quote of the Day Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Todd: Too Cool for Twitter Adam's Twitter: @adamsideways Apple Podcasts https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m Stitcher https://www.stitcher.com/podcast/almost-sideways-movie-podcast YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Et comment s'est-il fait remarquer à la Semaine de la Critique à Cannes ? Pourquoi Joe Dassin fait-il aujourd'hui un tabac dans les stades de rugby ? Après le retour de Louise Attaque, quel est le nouveau plan de Gaëtan Roussel ? Comment le drame « Sous contrôle » explore-t-il le supplice du bracelet électronique ? Quel acteur américain s'invite sur le nouveau titre du groupe de Louvain And then came fall ? Quelle parabole fantastique propose le film « El conde » de Pablo Larrain, récemment primé à la Mostra de Venise ? Que signifie le titre du nouvel album de Pascal Obispo « Le Beau qui pleut » ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » du mardi 19 septembre 2023

Grierson is back from the Toronto Film Festival, and we briefly talk about this time there. But not for too long, because we have movies to discuss. It's Kenneth Branagh's third Agatha Christie movie, "A Haunting in Venice." Also, Pablo Larrain's Netflix venture "El Conde" and the Gael Garcia Bernal wrestling picture "Cassandro." Timestamps: 14:12: "A Haunting in Venice" 41:19 "El Conde" 1:01:22 "Cassandro" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast.

They say you should never invite a vampire into your home, because then they can come and go as they please, without even stopping to do the dishes. But what if you invite the director of a vampire movie into your podcast? Well, frankly, Pablo Larrain, the brilliant Chilean director of Jackie, No, and Spencer is welcome to drop into the podbooth any time after this week's episode, in which Chris Hewitt invites him to sit down and natter all about his new movie, El Conde, in which the Chilean director, General Pinochet, is reimagined as a bloodsucking, power-hungry vampire. Either side of that chat (which starts at 41:36.00 approximately, and goes on to 1:00:52.00 approx.), Chris is joined in the podbooth by Helen O'Hara and James Dyer. Together, the trio chat about James' Indiana Jones-related mishap in a film quiz, they look at the week's movie news (such as it is; this was recorded before the Aquaman 2 trailer dropped); and review Kenneth Branagh's A Haunting In Venice, El Conde, Brother, Love Life, and Cassandro. Plus, they tackle a listener question about the impact of Covid and the current strikes on cinema chains, and come up with a revolutionary path forward for cinema. Enjoy.

Comenzaremos la primera parte del programa hablando de la cumbre del G20, en donde Brasil asumió la presidencia; y de la despenalización del aborto en México. Hablaremos también de un informe que alerta sobre las especies invasoras como el jacinto de agua; y para finalizar, del jugador de fútbol Neymar, quien ha roto el récord de goles de Pelé para la Selección de Brasil.    En nuestra sección Trending in Latin America hablaremos de dos temas muy interesantes. Primero, de la película de Pablo Larrain que muestra al dictador Pinochet como un vampiro. Y cerraremos la emisión hablando de los lugares más sagrados de América Latina. - Brasil asume la presidencia del G20 - México despenaliza el aborto a nivel nacional - La amenaza del jacinto de agua y otras especies invasoras - Neymar rompe el récord de goles del “rey” Pelé - La película que presenta al dictador Pinochet como un vampiro - La Basílica de Guadalupe y otros sitios sagrados de América Latina

Just a quick midweek drop in here at Breakfast All Day but it's loaded with good stuff. We have reviews of a couple of films we both really liked: Pablo Larrain's lushly beautiful, black-and-white  "El Conde," which depicts former Chilean dictator Augusto Pinochet as an actual vampire; and the witty and sweet indie dramedy "Scrapper," which has hints of "Paper Moon" in its unusual father-daughter bond. (Christy loved it.) In news, we discuss box office, Ashton Kutcher and Mila Kunis, Drew Barrymore and more. And over at our Patreon, we recap the star-studded latest episode of "Only Murders in the Building" on Hulu. Thanks for joining us! Here are the links we mentioned: Scarecrow Video's new rent-by-mail system "Scrapper" playdates

The Architect - a play marking the 30th anniversary of the racist murder of Stephen Lawrence - will take place on a double-decker bus travelling the route on which Stephen was attacked in 1993. Presenter Allan Little speaks to the director Matthew Xia and one of the playwrights, Bola Agbaje. Small independent publishers appear to be on a winning streak - last year several prestigious literary prizes were won by small presses, despite the inflationary pressures that have put some out of business. To discuss what's behind the rise - and fall - of small publishers, Allan is joined by Natania Jansz of Sort of Books, Valerie Brandes of Jacaranda Books, and Kevin Duffy of Bluemoose Books. Chilean film director Pablo Larrain has switched from biopics on Jackie Kennedy and Princess Diana to create a world in which dictator General Pinochet is a vampire - he talks to Alan about his new film, El Conde. Schools are being closed because of the discovery in their buildings of Reinforced Autoclaved Aerated Concrete (RAAC), which can crumble and cause sudden collapse. It was used from the 1950s to the 1980s, not only in schools and hospitals, but also in theatres and venues. Already, two theatres and a concert hall have had to close. Matthew Hemley of The Stage newspaper has been investigating and discusses the implications. Presenter: Allan Little Producer: Julian May The Architect 05:59 Small Publishers 14:56 El Conde 29:50

Ep. 200: Venice 2023 with Jonathan Romney: Maestro, Henry Sugar, The Palace, El Conde, Promised Land Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I'm reporting from the 80th Venice Film Festival in, you guessed it, Venice. This time I'm joined by Jonathan Romney of Screen Daily and the Observer. We talk about a number of films including Maestro, directed by Bradley Cooper; Wes Anderson's Roald Dahl adaptation The Wonderful Tale of Henry Sugar; Roman Polanski's The Palace; Pablo Larrain's El Conde; and Nikolaj Arcel's The Promised Land. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

We've got film critic Robert Daniels to help us answer the hard-hitting questions about a film about the kind of gutwrenching true story you wish were pure fiction. Questions like: Did you want to see this movie? Then, we take a hotline call that brings in a healthy dose of Black Joy. What's GoodDrea - wedding ridiculousness Robert - awesome Chicago weatherIfy - skincareITIDICAngelina Jolie Will Play Opera Singer Maria Callas in Pablo Larraín's Next FilmWarner Bros.' Cooks Up an NFT ‘experience': The Fellowship in 4KTim Burton Says He's Done with Disney after Dumbo DebacleStaff Picks:Drea - Clemency, Girls TripRobert - Aftersun, The Banshees of InisherinIfy - Watchmen (the show)Robert's TIME article: Witnessing Black Trauma Onscreen in 2022Buy Alonso's book - I'll Be Home for Christmas Movies            With:Ify NwadiweDrea ClarkRobert DanielsProduced by Marissa FlaxbartSr. Producer Laura Swisher