Podcast appearances and mentions of Sam Levy

In this episode, Ryan invites Sam Levy to celebrate a selection of music choices from the SCREAM films. In addition, Ryan asks Sam, “What is your SCREAM philosophy,” kicking off a new segment for the podcast. Also, Ryan and Sam investigate their love for the television shows “Buffy the Vampire Slayer” and “The Good Wife.”  Introduction Scream Speed Round Music in Scream Buffy the Vampire Slayer The Good Wife Champagne Problems Subscribe Patreon.com/screamwithrcs Find us on Instagram, Facebook, X, TikTok, BlueSky, and Youtube. Host & CEO: @ScreamWithRCS  Producers: @squirrelandspud9 @ninnetimes @joneshiphop @tjonesfilms Guest: @sam.b.levy Taylor Swift Song of the Day: “Champagne Problems” (evermore)

Sam Levy's body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is often best used in service of disappearing. If you are enjoying the podcast, please consider supporting our efforts on Patreon.Sam Levy's Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

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During this episode of ROCKnVINO, hosts Coco and Michelle talk with Sam Levy, Food and Beverage Manager for the Flamingo Resort and Spa, and Zack Darling, Programming Director at Vintage Space at Flamingo Resort & Spa. Each holiday season, the Flamingo's Lazeaway Club undergoes a transformation, with an explosion of lights and holiday decor, as well as a special Sippin' Santa menu with festive drinks in special drinkware. Cocktail mugs include a shark wearing a Santa hat, a merman Santa, and an adorable reindeer shaped shot glass, among other fun designs.  We also chat about the entertainment programming led by Zack Darling at Vintage Space, a retro-futuristic venue within the Flamingo. Comedy, live music, dancing, DJ's, karaoke, trivia nights and more! Don't miss out on the epic New Year's Eve Studio 54 themed party!   Learn more at flamingoresort.com ROCKnVINO is sponsored by American AgCredit.  

On this episode, I spoke to cinematographer Sam Levy about his work on His Three Daughters.  Levy is an award-winning cinematographer known for his work on the films Lady Bird (Greta Gerwig), Frances Ha (Noah Baumbach), Wendy and Lucy (Kelly Reichardt), Rothaniel (Bo Burnham) and Mayday (Karen Cinorre). MORE ABOUT HIS THREE DAUGHTERS: A tense, touching and funny portrait of family dynamics follows three estranged sisters as they converge in a New York apartment to care for their ailing father and try to mend their own broken relationship with one another. The film was written and directed by Azazel Jacobs. The film stars Carrie Coon, Natasha Lyonne and Elizabeth Olsen. 

On this episode of the podcast we chat with cinematographer Sam Levy about his latest work on the HBO original series Fantasmas. Sam was originally on the show back in 2017 when he came on to chat about lensing Lady Bird. If you missed that episode (Episode #107) be sure to give that one a listen after […] The post The Wandering DP Podcast: Episode #449 – Cinematographer Sam Levy appeared first on Cinematography Podcast & Tutorials.

Anyone that has worked on an IPO knows the amount of preparation, diligence and detail needed for a successful move into the public markets. But a combination of economic headwinds and a spac induced hangover have meant the pipeline cut to a slow drip. 2024 is looking more promising, and that means financial executives tasked with preparing for the transition have already begun planning the work do be done. In this episode of the FEI Weekly podcast we speak with Oracle NetSuite's Ranga Bodla and Sam Levy to discuss the outlook for IPOs in 2024 and the tools financial executives will need to be prepared. Special Guests: Ranga Bodla and Sam Levy.

We chat all things liquid with Sam Levy, Fern Bar's operating partner, former bar manager at the (once) 3 Michelin starred The Restaurant at Meadowood and current bar consultant at the newly revamped Nick's Cove

Today I'm joined by Cinematographer and friend of the show Sam Levy. I had Sam on the show to discuss his work on his latest film SHE CAME TO ME. The film features Anne Hathaway, Peter Dinklage, and Marisa Tomei. The film is centered on a composer who is creatively blocked and unable to finish the score for his big comeback opera. At the behest of his wife, Patricia, formerly his therapist, he sets out in search of inspiration and finds much more than he bargained for. SHE CAME TO ME is currently playing in theaters everywhere and is worth your time. Make sure you check this one out. It was nice to leave a film (in October) feeling better than when I walked in. Sam is one of my favorite guests to have on the show and I'm always looking for an excuse to chat with him for an hour or so.    Enjoy the show. --- Support this podcast: https://podcasters.spotify.com/pod/show/followingfilms/support

Welcome to another captivating episode of the "IN LOVE WITH THE PROCESS Podcast." In this installment, your host and acclaimed director, Mike Pecci, dives deep into the world of cinematography with none other than the illustrious Sam Levy. Known for his outstanding work on films like "Lady Bird," "Frances Ha," "His Three Daughters,"and "She Came To Me" (releasing on Oct. 6), Sam shares his incredible journey in the film industry. Join us as Sam Levy takes us back to his humble beginnings as an assistant camera operator for the legendary cinematographer Harris Savides. Discover how his early experiences paved the way for his remarkable career, and how he navigated the dynamic world of cinema. Sam's collaboration with director Greta Gerwig, notably on "Lady Bird," provides fascinating insights into the art of storytelling through the lens. Listen in as he unravels the intricacies of crafting memorable dialog scenes that resonate with audiences. But it doesn't stop there. Mike Pecci and Sam Levy delve into the vital aspects of filmmaking, discussing the critical importance of assembling the right crew, protecting their creative energy, and embracing accountability for one's work. This episode is a must-listen for anyone passionate about cinematography, filmmaking, or storytelling. Join us on this enlightening journey as we explore the art of capturing moments on film, only on the "IN LOVE WITH THE PROCESS Podcast." Welcome to our ever-growing Cinematography collection at ILWP! --------------------------------- Go to inlovewiththeprocess.com to see trailers and clips! ►Sams website: https://samlevydp.com/?sec=about ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music from: ►Code Elektro ►Mitch Murder ►Timecop 1983 The Episode is Sponsored by ► bokehrentals.com/ ► Puget Systems: puget.systems/go/ILWTP ► Fotodiox: fotodioxpro.com/ ► FujiFilm: fujifilm-x.com/ ► FujiFilm Shop: bit.ly/3Q2zTHw ► FujiFilm Refurb: bit.ly/3I9NLh4 ► FujiFilmX-H2S: bit.ly/3i22hN5 ►Black Magic: https://www.blackmagicdesign.com/

In a beautiful and wide-ranging interview, Sam Levy brilliantly articulates how distorted grief is impacting her world three years after the love of her life Pete died in the blink of an eye. “His life ended and nothing happened,” Sam says. “I can say I'm a widow, but I don't believe what I'm saying, it's just a word. Knowing and understanding that he's gone are two different things.”Sam walks us through the colourful and fun life she shared with Pete, a larger-than-life, funny, grumpy, loveable, cider-loving character who sometimes liked to shock with his potty mouth. Sam also explores the importance of voice recordings, legacy, and how: “It warms my soul to see him in my dreams.”This is a must-listen episode for anyone who is experiencing Covid grief and for anyone who is interested in people and life stories. Sam is the founder of the Covid Bereavement Support Group on Facebook. Credit The Cure, Love Song.Created, produced, and hosted by Karen Rice, the Stolen Goodbyes podcast won gold in the fiercely competitive Best Lockdown category of the British Podcast Award 2021.Stolen Goodbyes is described as: "outstanding ethical and trauma-informed journalism. Karen Rice manages to capture a historic event in real-time by listening with empathy. Future generations will listen to this podcast and know what it felt like to live through this pandemic." Dart Centre for Journalism and Trauma.Please listen to, review, and share this podcast with your network, it really helps!If you would like to make a donation (no matter how small) to the running costs of this passion project, please visit: https://karen-rice.com/podcast/ or http://bit.ly/3kMSKLgYou can follow Karen on Twitter @Ricekmc and Stolen Goodbyes on Instagram: https://bit.ly/3ITXSFC Facebook: https://bit.ly/3kGGwnG and Youtube: http://bit.ly/3Yq0jW5Support this show http://supporter.acast.com/stolen-goodbyes. Hosted on Acast. See acast.com/privacy for more information.

Host: Kevin Smith Dives into the weekly news most impactful to the HeartlandHEADLINESAs Nashville reels from school shooting, Tenn. lawmakers consider loosening gun restrictionsChalkbeat Tennessee - https://tn.chalkbeat.org/2023/3/28/23661164/nashville-school-shooting-tennessee-covenant-gun-policy-protest-legislatureThe Onion - https://www.theonion.com/no-way-to-prevent-this-says-only-nation-where-this-r-1850269373NBC - https://www.nbcnews.com/politics/congress/tennessee-rep-burchett-says-school-shootings-re-not-gonna-fix-rcna77185Michigan is passing gun safety laws. Most counties may not enforce themBridge Michigan - https://www.bridgemi.com/michigan-government/michigan-passing-gun-safety-laws-most-counties-may-not-enforce-themLIGHTNING ROUNDMissouri,Hundreds gathered at the Capitol to protest on behalf of trans rights. Fox - https://fox2now.com/news/missouri/hundreds-protest-anti-transgender-legislation-at-missouri-capitol/Senate Democrats filibuster attack on Initiative petition.Missouri Independent - https://missouriindependent.com/2023/03/29/democratic-filibuster-blocks-vote-on-bill-making-it-harder-to-amend-missouri-constitution/Missouri House lawmakers voted on Tuesday to strip all state funding from public libraries.KY3 Missouri - https://www.ky3.com/2023/03/29/missouri-house-votes-strip-state-funding-public-libraries/Two GOP senators are at odds over red flag law ban.STLPR - https://news.stlpublicradio.org/government-politics-issues/2023-03-29/bid-to-ban-red-flag-laws-defeated-in-missouri-senate-committeeIllinois, The Rosenberg Moon Habitat named 2023's "Coolest Thing Made in Illinois" Daily Herald - https://www.dailyherald.com/business/20230329/moon-habitat-named-coolest-thing-made-in-illinois$200 million investment to improve freight mobility throughout the state of Illinois. WSILTV - https://www.wsiltv.com/news/illinois/200-million-to-improve-freight-routes-throughout-illinois/article_af3e8804-cf12-11ed-988b-8f19cd78baa6.htmlWisconsin,The St. Patrick's Catholic Church in Cottage Grove WI engaged in potentially illegal political campaigning.Wisconsin State Journal - https://madison.com/news/local/govt-and-politics/elections/blatant-electioneering-wisconsin-group-calls-for-irs-investigation-into-cottage-grove-church/article_1e9849b9-75bb-5b6d-87a9-4af24613a464.htmlKansas, Senate republicans gut opioid assistance bill in order to virtue signal.Kansas Reflector - https://kansasreflector.com/2023/03/29/senate-clashes-over-gutting-of-kansas-overdose-fatality-bill-unanimously-passed-by-house/And Lastly,Let's round off this week with a showcase of states attempting to loosen gun regulations yet further.Donald gets gotVOTE!

Host: Kevin Smith Dives into the weekly news most impactful to the HeartlandHEADLINESAs Nashville reels from school shooting, Tenn. lawmakers consider loosening gun restrictionsChalkbeat Tennessee - https://tn.chalkbeat.org/2023/3/28/23661164/nashville-school-shooting-tennessee-covenant-gun-policy-protest-legislatureThe Onion - https://www.theonion.com/no-way-to-prevent-this-says-only-nation-where-this-r-1850269373NBC - https://www.nbcnews.com/politics/congress/tennessee-rep-burchett-says-school-shootings-re-not-gonna-fix-rcna77185Michigan is passing gun safety laws. Most counties may not enforce themBridge Michigan - https://www.bridgemi.com/michigan-government/michigan-passing-gun-safety-laws-most-counties-may-not-enforce-themLIGHTNING ROUNDMissouri,Hundreds gathered at the Capitol to protest on behalf of trans rights. Fox - https://fox2now.com/news/missouri/hundreds-protest-anti-transgender-legislation-at-missouri-capitol/Senate Democrats filibuster attack on Initiative petition.Missouri Independent - https://missouriindependent.com/2023/03/29/democratic-filibuster-blocks-vote-on-bill-making-it-harder-to-amend-missouri-constitution/Missouri House lawmakers voted on Tuesday to strip all state funding from public libraries.KY3 Missouri - https://www.ky3.com/2023/03/29/missouri-house-votes-strip-state-funding-public-libraries/Two GOP senators are at odds over red flag law ban.STLPR - https://news.stlpublicradio.org/government-politics-issues/2023-03-29/bid-to-ban-red-flag-laws-defeated-in-missouri-senate-committeeIllinois, The Rosenberg Moon Habitat named 2023's "Coolest Thing Made in Illinois" Daily Herald - https://www.dailyherald.com/business/20230329/moon-habitat-named-coolest-thing-made-in-illinois$200 million investment to improve freight mobility throughout the state of Illinois. WSILTV - https://www.wsiltv.com/news/illinois/200-million-to-improve-freight-routes-throughout-illinois/article_af3e8804-cf12-11ed-988b-8f19cd78baa6.htmlWisconsin,The St. Patrick's Catholic Church in Cottage Grove WI engaged in potentially illegal political campaigning.Wisconsin State Journal - https://madison.com/news/local/govt-and-politics/elections/blatant-electioneering-wisconsin-group-calls-for-irs-investigation-into-cottage-grove-church/article_1e9849b9-75bb-5b6d-87a9-4af24613a464.htmlKansas, Senate republicans gut opioid assistance bill in order to virtue signal.Kansas Reflector - https://kansasreflector.com/2023/03/29/senate-clashes-over-gutting-of-kansas-overdose-fatality-bill-unanimously-passed-by-house/And Lastly,Let's round off this week with a showcase of states attempting to loosen gun regulations yet further.Donald gets gotVOTE!

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

"I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

"I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“I studied for a year under Eric Rohmer at The University of Paris-Michelet, and his class was called Cinematography with Eric Rohmer, but we didn't shoot anything. We just watched films, mostly his films, and he would turn the sound off and just talk. It was fantastic. And then we would write papers and discuss. And he talked a lot about his cinematographer Néstor Almendros who shot My Night at Maud's, Pauline at the Beach, Claire's Knee, most of his better-known films.I think the big thing that I got from studying with Rohmer was just his movies are extremely dialogue-heavy, but they're very cinematic. And the way that he would talk about shooting scenes and n a film like My Night at Maud's, that's like largely in one apartment, dialogue spoken between two people, and how to shoot a story that's told through dialogue, but not have it feel like television.And that came in handy later when I did meet Noah Baumbach and Greta Gerwig. Noah's a huge, huge Rohmer fan, so we talked about him a lot. And I think that helped me a lot to have confidence that if a film has a lot of dialogue, for it to feel cinematic and interesting, you don't just need many different angles for the scene to play well. You can kind of show some restraint and even have a scene unfold in one shot and be dynamic, even if people are talking a lot."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“I studied for a year under Eric Rohmer at The University of Paris-Michelet, and his class was called Cinematography with Eric Rohmer, but we didn't shoot anything. We just watched films, mostly his films, and he would turn the sound off and just talk. It was fantastic. And then we would write papers and discuss. And he talked a lot about his cinematographer Néstor Almendros who shot My Night at Maud's, Pauline at the Beach, Claire's Knee, most of his better-known films.I think the big thing that I got from studying with Rohmer was just his movies are extremely dialogue-heavy, but they're very cinematic. And the way that he would talk about shooting scenes and n a film like My Night at Maud's, that's like largely in one apartment, dialogue spoken between two people, and how to shoot a story that's told through dialogue, but not have it feel like television.And that came in handy later when I did meet Noah Baumbach and Greta Gerwig. Noah's a huge, huge Rohmer fan, so we talked about him a lot. And I think that helped me a lot to have confidence that if a film has a lot of dialogue, for it to feel cinematic and interesting, you don't just need many different angles for the scene to play well. You can kind of show some restraint and even have a scene unfold in one shot and be dynamic, even if people are talking a lot."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Versatility is key. Sam Levy's professional career has fell nothing short of unexpected. After finishing his undergrad in marketing, Sam fell into the world of real estate – with a helpful nudge from his seasoned grandmother. Utilizing the skills and strategies he perfected throughout his college years, Sam has learned to connect with his clients successfully and genuinely, on a daily basis. There's a world ahead of Sam, and we are patiently waiting to see what's in store! his first real estate deal at age 22 (5:21) his Jewish grandmother (6:43) video marketing (10:29) authenticity on social media (12:35) being a North Central authority (13:52) The Brokery (19:04) Business and life coaching (23:09) the shift in the local market (30:24) how LinkedIn has impacted his business (32:43) Reads (41:00) the sales and marketing dichotomy (43:09) SOCIAL MEDIA Instagram @aboveandbeyondagent @thebrokery LinkedIn YouTube Channel BOOKS Can't Hurt Me: Master Your Mind and Defy the Odds by David Goggins Principles: Life and Work by Ray Dalio Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers by Tim Ferriss American Kingpin: The Epic Hunt for the Criminal Mastermind Behind the Silk Road by Nick Boltin ADDITIONAL RESOURCES CORE Real Estate Coaching @thepropercut @properboxingclub @ryanserhant The Scout Guide | Phoenix & Scottsdale --- Send in a voice message: https://anchor.fm/intothestorm/message

Watch the full video interview here Our guest today, Sam Levy, is a founding partner at Lauxera Capital. Lauxera is an independent, international, healthcare-focused asset management company based in Paris. Sam started his career as a management consultant at McKinsey & Company in New York before moving to Boston to attend Harvard Medical School. As a second-year medical student, Samuel co-founded Allurion Technologies and built a fully-integrated, global medical device company from the idea stage to commercialization in more than 30 countries. For more Finding Genius content check out our Substack(s) (https://findinggenius.substack.com/) & (https://startuproi.substack.com/) --- Send in a voice message: https://podcasters.spotify.com/pod/show/startup-roi-audio/message

Sam Levy with The Brokery joins us to discuss his real estate business in Arizona. Sam shares how he finds off market properties. He also talks about working with first time buyers. Enjoy this fun show.

Sucio.Talk.Podcast Presents Sam Levy. Sam Levy Is The Owner Of Fernbar In Sebastopol, California. I Consider Sam Levy A Brother, A Stand Up Human Being Who I Got To Know In The Trenches Of A Restaurant That Showed No Quit And Pushed You To Your Absolute Limit. Sam Is A Master Of His Craft Blending Flavors And Techniques With The Seasonal Produce Of Northern California. I Had Never Seen Such Passion When It Came To The Beverage Side Of Things Before I Met Sam. He Was Spending As Much Time As We Did On The Food Creating And Tweaking New Cocktails Both At Meadowood And The Charter Oak. He Was So Dedicated To The Place You Felt It Emanating From His Presence And Through The Years We Became Family. His Inquisitive Style And Positive Outlook Contributed To The Vision At His Place Fernbar. A Plant Filled Space That Makes You Feel Like You Are Somewhere Familiar. Combined With The Talented Team And The Beautiful Local Product This Is An Incredible Restaurant Bar. Im So Happy That Sam Was Able To Achieve His Dream Of Opening A Bar Of His Own Where He Can Create His Flavors Within A Positive Culture. ShoutOut To Sam 2 TIMES (Carl Voice!!), It Was A Pleasure Honing My Craft Alongside Of You.  Ladies & Gentleman Please EnjoyEpisode Ep 69 "Everyday Is Game Seven"#Sucio_Talk Also Available On@SpreakerPodcast@GooglePodcast@ApplePodcast@AudiblePodcasts@youtubeSUBSCRIBE.REACH OUT.REPOST.SHARE.SUCIOTALK@GMAIL.COMWRITE IN KITCHEN STORIES TO BE FEATURED ON THE SHOW.SHOW SOME LOVE ON SOCIAL MEDIA.LET PEOPLE KNOW ABOUT YOUR FAVORITE FOOD PODCAST.#sucio_talk #suciotalk #suciotalks #david_sucio #davidguilloty  #chefdavidguilloty #boricua #puertorico #100x35 #420 #badassesingeneral #spreakerpodcasts #foodie #chefs #chef #cook #cooks #cooking #cuisine #history #travel #entrepreneur #food #love#brownchefsPEACE!

The full interview with Karen Cinorre and Sam Levy the cinematographer of the 2021 Sundance film Mayday.   Follow to receive every new episode: https://www.podbean.com/podcast-pbblog-8zDNGRf2NIOG-follower Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile   ► FACEBOOK: https://www.facebook.com/YourFilmPodcast ► YOUTUBE:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes: https://podcasts.apple.com/us/podcast/the-film-podcast/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories.   

If you want to be successful you have to know yourself and your abilities. On today's episode we talk with one of the best real estate agents in Arizona about how to become the best of the best. Through the death of your ego and above and beyond service to others you will start to see great success. Tap In With Sam: Instagram:https://www.instagram.com/aboveandbeyondagent/ Connect With Us: Text Me “podcast" to 4805717347 for a new positive friend https://my.community.com/millionairemacclub Tik Tok: https://www.tiktok.com/@millionairemacclub?lang=en Instagram: https://www.instagram.com/millionairemacclub/ Facebook Group: https://www.facebook.com/groups/262727048674118/ Pinterest: https://pin.it/3zE0Fzj We believe Millionaire is not defined by monetary value but by your mindset and We are helping raise consciousness and maximizing limitless potential in order to make the world better. Support this podcast

After studying filmmaking with Leslie Thornton at Brown University, and French New Wave director Eric Rohmer at The University of Paris-Michelet, Sam Levy began his professional career as an apprentice to cinematographer Harris Savides. Sam first gained recognition as a cinematographer in his own right when he photographed Wendy and Lucy for director Kelly Reichardt - voted one of the “Best 25 Films of the 21st Century” by The New York Times. Sam went on to shoot three films for director Noah Baumbach: Frances Ha, Mistress America, and While We're Young. Sam's recent films include Lady Bird - nominated for 5 Academy Awards including Best Picture - as well as two projects for director Spike Jonze: Changers and Untitled Frank Ocean Project. Sam has photographed commercials and music videos for such directors as Spike Jonze, Mark Romanek, Fredrik Bond, Stacy Wall, Randy Krallman, Lisa Rubisch, and Brigitte Lacombe among others. Show Notes: New experiences while shooting “Mayday” Sam's experience being a producer and cinematographer Logical and emotional headspaces The genesis of “Mayday”  Women filmmakers Using reference material Sam's path into cinematography  Spirituality The role of a filmmaker / How it's changing Sam's upcoming project Wrap up www.artistdecoded.com www.samlevydp.com www.instagram.com/samlevydp

In director Karen Cinorre's bold new action fantasy film MAYDAY, Ana (Grace Van Patten) finds herself transported to a dreamlike and dangerous coastline. Once there, she joins a female army engaged in a never-ending war where the women lure men to their deaths with radio signals, like 20th century sirens. Though Ana finds strength in this exhilarating world, she comes to realize she is not the killer they want her to be. Also starring Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin and Juliette Lewis, MAYDAY was released by Magnolia Pictures on October 1st in theatres and on demand. Today I had the chance to speak with MAYDAY cinematographer Sam Levy about his work on the film. We also discuss the rules artists impose on themselves, expressionism in film, and Sam avoids my questions about the upcoming Fletch film.  Quick note about this episode... this is the 3rd time I've had the chance to speak with Sam, the first time was around the release of MAGGIE'S PLAN, the 2nd was for MAYDAY, aaaaannnnd the 3rd was for MAYDAY. We had audio issues the first time around, Sam was incredibly generous with his time and decided to give it another shot. We touch on this in our conversation but I wanted to take a moment to thank Sam for doing this! He is one of my favorite guests and I absolutely love speaking with him. So, its my pleasure to share our 3rd conversation with you. Make sure you check out MAYDAY, its one of the good ones.    --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/followingfilms/support

In this Roundtable we are joined by Director Karen Cinorre and Cinematographer Sam Levy. Karen is the writer and director of Mayday, which premiered this year at the virtual Sundance film festival.  Along with lensing Mayday, Sam has collaborated with Karen on a range of projects, including marriage. Sam’s career behind the lens took off when he was an apprentice to cinematographer Harris Savides and his talent has not gone unnoticed since. He has shot critically acclaimed films such as Lady Bird and Frances Ha. Leading the conversation is  David Ebershoff. David’s debut novel, The Danish Girl, was released in 2000 and was subsequently adapted into an Academy Award winning film. Along with a prolific writing career, David worked at Random House for twenty years, working his way up to executive editor and has also taught writing at NYU, Princeton, and Columbia. They cover a range of topics in this captivating chat, from the inspiration and evolution of Mayday, the casting process of the film, the influence of sound in Karen’s work, their upcoming joint project, and David leads them through a fun lightning round of questions. Sam and Karen turn the tables on David and ask him questions about his work and his experiences seeing it adapted to the screen.

Enjoy this bonus episode with Jared and Christian as they riffle off some lightning round questions to cinematographer Sam Levy. New this season, video interviews, check out the full conversation with Sam Levy at https://www.youtube.com/watch?v=lueHyKrRn88 Hosts: 
Christian Schultz https://www.christianmschultz.com/ Jared Hogan http://www.jaredhogan.com/ Guest: Sam Levy http://samlevydp.com/ Video Edit: Sam Nickelson https://www.samnickelson.com/ Mix: Christian Stropko https://www.strop.co/ Designer: Alyssa Barnes alyssabarnes.com 
Theme Song: https://www.musicbed.com/artists/eames/43912 Musicbed/Film Supply Song: Eames Sponsors: Musicbed.com (Promo Code: GOOD) Filmsupply.com (Promo Code: GOODPODCAST)

Christian and Jared are BACK. And with a bang. Kicking off Season 6 with Cinematographer Sam Levy. Known for his work on Golden Globes Winning Best Picture Lady Bird, Frances Ha, and Kayne & Lil Pump infamous video ‘I Love it’. We get personal, talking about his process of “making pictures” and the importance of collaboration. New this season, video interviews, check out the full conversation with Sam Levy at [youtube link] Hosts: 
Christian Schultz https://www.christianmschultz.com/ Jared Hogan http://www.jaredhogan.com/ Guest: Sam Levy http://samlevydp.com/ Video Edit: Sam Nickelson https://www.samnickelson.com/ Mix: Christian Stropko https://www.strop.co/ Designer: Alyssa Barnes alyssabarnes.com 
Theme Song: https://www.musicbed.com/artists/eames/43912 Musicbed/Film Supply Song: Eames Sponsors: Musicbed.com (Promo Code: GOOD) Filmsupply.com (Promo Code: GOODPODCAST)

055 Sam Levy is the COO of Hinge, he joined Hinge when there were only 6 people. Under his leadership, Hinge has grown significantly and is one of the most popular dating apps in the US and Internationally. He led a team to rebuild the Hinge App from the ground up, and the amount of conversations users were having in the new product 9x-ed as compared to the previous app. Prior to Hinge, he was an early employee at LivingSocial where he directly worked with the CFO to build the finance team. https://www.SmartVenturePod.com IG/Twitter/FB @GraceGongGG LinkedIn:@GraceGong YouTube: https://bit.ly/gracegongyoutube Join the SVP fam with your host Grace Gong. In each episode, we are going to have conversations with some of the top investors, super star founders, as well as well known tech executives in the silicon valley. We will have a coffee chat with them to learn their ways of thinking and actionable tips on how to build or invest in a successful company.

Before he entered filmmaking Cinematographer Sam Levy would not have described himself as a technical person. He didn’t have the J.J. Abrams Super 8 childhood that many other creatives grew up with. Instead, Levy pitched this missing piece as an asset, not a liability. Levy’s ability to leap without worry of what was underneath him has lead to an impressive career, where he’s shot for directors like Greta Gerwig and Noah Baumbach, and worked on projects for Jerry Seinfeld, Judd Apatow, Norman Lear, and Kanye West. This background led to Levy’s latest project, Mayday, which was written and directed by Karen Cinorre. The story, which is the first project of this scale produced by Levy, is about a girl who is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war on the coast. In this interview, the Cinematographer talks about the 1992 documentary Visions of Light, how work ethic is often more important than experience, his fascination with the film Citizen Kane, why creatives should compartmentalize ambitious goals, and how to choose team members who have creative stamina. If it’s your first time listening, make sure to subscribe and visit my new website for information on the YouTube channel, the blog, this podcast, and my new book ‘Ink by the Barrel’ which takes advice from these 200+ interviews at the link below… Join the email list here: www.writerfieldnotes.com

The Very talented Cinematographer Sam Levy (Academy Award Nominated film LADYBIRD) joins the Show to discuss his new film MAYDAY which debuts at this year's Virtual Sundance Film Festival! We discuss Sam's Journey to becoming a Cinematographer, Working with First Time Director Karen Cinorre on MAYDAY, Having double duties as a Producer and Cinematographer on the movie, Shooting in Croatia, the Talented Cast, Collaborations with Greta Gerwig and Noah Baumbach, Shooting Generational actors such as Saoirse Ronan and Timothee Chalamet and So much more!

Private equity professionals continue to adjust their management and investment approaches to be more long-term focused amid a rapidly changing market. In the latest episode of BDO’s Private Equity PErspectives Podcast, Todd Kinney spoke with Jeff Volling, Principal and Investment Officer with Bessemer Investors, and Sam Levy, a Director at Equiteq, about the latest trends in private equity and how their market observations are informing their playbooks for success. During the Coffee Break segment, Doug Hart, BDO’s Managing Partner and co-leader of the firm’s Technology practice, shares his insights on how the tech sector is still getting deals done and where to look for investment opportunities within the space.

Judeus e Árabes da Península Ibérica - Encontro de Religiões, Diálogo de Culturas Comunicação proferida no seminário organizado pelo Centro Nacional de Cultura e pela Comissão Nacional da UNESCO no convento da Orada, em Monsaraz, em janeiro de 1993. Sam Levy representou a comunidade Judaica num painel dedicado ao tema “Interculturalismo: testemunhos e vivências”

Growing up in Sydney, Sam Levy is a Theatre Producer who now resides in New York City. He has produced works on Broadway, Off-Broadway and in the West End.Prior to founding his own company, Trumper Park, Sam was a member of the executive team at ATM Productions, a company that produces theatre in New York and London, and which has received over 80 Tony and 35 Olivier nominations since 1998. Recent productions include Dear Evan Hansen, Les Liaisons Dangerous, An Act of God, The Elephant Man and I’ll Eat You Last starring Bette Midler.Until 2009, Sam was Director of Programming at the New York Summer Play Festival, an acclaimed incubator of new plays and musicals at the award-winning Public Theatre in New York City. With an exceptional track record of identifying emerging talent, the Festival’s writers and artists have gone on to receive numerous accolades, including awards and nominations for the Oscar, Tony, Olivier, Emmy and Golden Globe, as well as the Pulitzer Prize for Drama.Sam recently co-produced The Ferryman by Jez Butterworth; a play which was awarded Best New Play at the 2019 Tony Awards. He is part of the producing team bringing the new musical juggernaut, SIX, to Australia in 2020. And he has recently opened the musical Come From Away in Melbourne. It was during a recent visit to the show that we were able to sit down and discuss our favourite topic - The Theatre, and the Business that it is.

We are on location again, Today we are at Fern Bar in Sebastopol, With The bar manager and partner Sam Levy! WE talk about him growing up in Sebastopol and how he got into hospitality and why he never works out anymore cheers!

Sam Levy from Fern Bar Sam Levy from Fern Bar, a new locale in Sebastopol, is our first guest today. Ron Lindenbusch from Lagunitas is also in the studio today. This is Fern Bar's third week of operation. Sam Levy is one of the partners there. He used to be bartender at the three-star restaurant Meadowood. Steve says it's about time to bring back the fern bar. They were popular starting in the late 1960s in San Francisco. Sam Levy tells about how fern bars may have become a bit kitschy but they are ready for a comeback because of their strengths. Among many attractions, they have live music, but casually, not as a full-scale music venue. A young listener called to issue a "geek alert" to ask Steve what is a Fern Bar. Sam tells about how they were a popular style beginning in the late '60s. Henry Africa's was the first big one, and TGI Fridays is in the style too. Herlinda says its cozy, with couches and chairs and a jazz trio. Sam mixes a cocktail in the studio, a Tequila cocktail he calls a Guerra, made with tequila blanca, grapefruit juice, lime juice, elder flower liqueur, Aperol and Thai pepper shrub. The next drink is called Chaiwalla, a chai-infused blend of rums, which includes burning sage. He wants his cocktails to be refreshing and not produce a hangover from too much sugar. They have a Type 75 license because they will start brewing their own beer. Their seven-barrel tank system will produce three different beers. His partner Victoria who was wine director at Meadowood. She has put the wine selection together with a lot of the popular local varieties and also some more exotic unfamiliar wines. Sam makes a lot of non-alcoholic cocktails as well. He thinks it's important to have strong flavor combinations because other cocktails can rely on the booze for flavor, but not if there is no alcohol in the mix. The new Hopland Tap House Ron Lindenbusch is in to talk about his new Hopland Tap House, on the grounds of the old Hopland Brewery. Reading from the Ukiah Daily Journal, "When Ron Lindenbusch was tavern manager at the former Hopland Brewery, the famous brew pub on the 101 that featured one of California's original micro brews, the infamous Red Tail Ale..." It was a time that Ron always remembers was packed with fun. The new Hopland Tap House is now open. Ron moved to California in 1984 he was "fresh out of Missouri" and tasted the beer. He visited a little brewery in Hopland and had a "transcending mind-blowing moment." It's the opposite of the classy look of a fern bar. Ron says it's a wonderful feeling to be back in that building. He worked for Tony Magee at Lagunitas for 23 years. When he drove by and saw it had a "for lease" sign out front, he had to stop to make a call. They're going to grow hops and have music from local bands. It is open now even as they are still working on the kitchen. Don Barkley was the original brew master at Mendocino making Red Tail Ale and now he is making it again at Napa Smith. Everyone is really pleased that all these great brews are coming back.

Sam studied filmmaking at Brown University, and The University of Paris-Michelet, before apprenticing with acclaimed Cinematographer Harris Savides.  Sam has worked on commercials and music videos for such directors as Spike Jonze, Mark Romanek, and Stacy Wall.  His film projects include, Wendy and Lucy for director Kelly Reichardt, Maggie's Plan for Rebecca Miller, Green Porno for Isabella Rossellini, and Frances Ha for director Noah Baumbach. Sam's most recent feature film is the acclaimed semi-autobiographical Oscar nominated coming of age tale Lady Bird, written and directed by Greta Gerwig.

Lady Bird Writer/Director Greta Gerwig, Editor Nick Houy and Cinematographer Sam Levy joins Deadline Hollywood's Anthony D'Alessandro for a discussion about their film. Produced by David Janove.

This episode of Zack's Film Talks at SDSU is hosted by Libsyn. My guest is cinematographer Sam Levy. As DP for Greta Gerwig's 2017 film Lady Bird, Sam here gives a master class in his craft. Using Lady Bird as a case study, he talks about each step of his job: from making a 110-page shot list for the film to screening the rough cut in Technicolor and doing the color timing—going frame by frame to make sure all the colors are set. He also touches on: the tools of his trade, including graph paper for drawing the set and shot-blocking diagrams varying the grammar of shots in a film coming up with a blueprint of the emotional arc of the story being told the differences between shooting in color and black-and-white the work of cinematographer Emmanuel Lubezki (The Revenant) Sam studied comparative literature at Brown University and took Leslie Thornton's 16mm filmmaking class there.    Episode edited by Chris Burke.

"Don’t be a nuisance. We don’t need that." Kelly Reichardt has been called a minimalist film director, and if you’re comparing her to someone like Michael Bay or Steven Spielberg or the Hughes brothers, that certainly seems to be the case, at least based on her 2008 film Wendy and Lucy. This film doesn’t have a lot of pizazz or a large cinematic sense. What it does have, though, is a character study in which we dig deeply into our protagonist during a difficult few days in her life. In that aspect, it isn’t minimal at all. Perhaps calling it incredibly focused would be a better way to describe it. Join us – Pete Wright and Andy Nelson – as we kick off a new series on director Kelly Reichardt with her 2008 lost dog film Wendy and Lucy. We talk about this ‘minimalist’ type of filmmaking and how it fits into the larger context of filmed stories that we know and love. We talk about how the story came about and was developed by Reichardt and writer Jon Raymond. We discuss Michelle Williams and her incredible (and incredibly internal) performance as Wendy, and how inadvertently she’s in all three of Reichardt’s films that we’re discussing in this series. We also chat about other actors in the film like Will Patton, Will Oldham, Wally Dalton and John Robinson and what they bring to the table. We look at the cinematography by Sam Levy and chat about what it brings to this story, notably the ‘naturalistic’ grainy and dark scenes. And we touch on the sound design and how Reichardt chose to use train sounds instead of score throughout the film. It’s a touching film yet one we oddly aren’t sure we’d return to anytime soon, but certainly is one well worth talking about. Check out this movie then tune in to the show! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Andy's Trailer: Ingrid Goes West — "Aubrey Plaza seems to carry the balance between comedy and insanity quite well as demonstrated here. This looks darkly hilarious, if one can laugh at mental instability. Add in Elizabeth Olsen and O’Shea Jackson Jr., you’ve got what looks to be an awesome movie." Pete's Trailer: Black Butterfly — "A remake of Papillon Noir starring Jonathan Rhys Meyers and Antonio Banderas. It’s a Misery trailer that ducks subtlety and goes completely haywire too soon for my tastes, but I’m a sucker for ‘I’m a writer…’ stories so I’ll give this one a shot."

"Don't be a nuisance. We don't need that." Kelly Reichardt has been called a minimalist film director, and if you're comparing her to someone like Michael Bay or Steven Spielberg or the Hughes brothers, that certainly seems to be the case, at least based on her 2008 film Wendy and Lucy. This film doesn't have a lot of pizazz or a large cinematic sense. What it does have, though, is a character study in which we dig deeply into our protagonist during a difficult few days in her life. In that aspect, it isn't minimal at all. Perhaps calling it incredibly focused would be a better way to describe it. Join us – Pete Wright and Andy Nelson – as we kick off a new series on director Kelly Reichardt with her 2008 lost dog film Wendy and Lucy. We talk about this ‘minimalist' type of filmmaking and how it fits into the larger context of filmed stories that we know and love. We talk about how the story came about and was developed by Reichardt and writer Jon Raymond. We discuss Michelle Williams and her incredible (and incredibly internal) performance as Wendy, and how inadvertently she's in all three of Reichardt's films that we're discussing in this series. We also chat about other actors in the film like Will Patton, Will Oldham, Wally Dalton and John Robinson and what they bring to the table. We look at the cinematography by Sam Levy and chat about what it brings to this story, notably the ‘naturalistic' grainy and dark scenes. And we touch on the sound design and how Reichardt chose to use train sounds instead of score throughout the film. It's a touching film yet one we oddly aren't sure we'd return to anytime soon, but certainly is one well worth talking about. Check out this movie then tune in to the show! Film Sundries Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Andy's Trailer: Ingrid Goes West — "Aubrey Plaza seems to carry the balance between comedy and insanity quite well as demonstrated here. This looks darkly hilarious, if one can laugh at mental instability. Add in Elizabeth Olsen and O'Shea Jackson Jr., you've got what looks to be an awesome movie." Pete's Trailer: Black Butterfly — "A remake of Papillon Noir starring Jonathan Rhys Meyers and Antonio Banderas. It's a Misery trailer that ducks subtlety and goes completely haywire too soon for my tastes, but I'm a sucker for ‘I'm a writer…' stories so I'll give this one a shot."

In this episode Sam Levy talks to Andy Davis about staffing and what he has learnt from his time at Hinge and his move to Living Social. Staffing is an important and often overlooked element of business growth and Sam in his capacity as a business analyst has advice and insights for new businesses. Show Notes Who is Sam and where does he work? 1.01 Sam’s leadership style and how it has developed 1.28 Leadership style of Sam’s business mentors 3.28 Leadership style and management style are not the same 4.02 Different tactics to motivate different talent pools 5.17 Consistent one-on- ones in order to learn personal management styles 6.35 How overlooked is on-boarding as part of business growth? 7.45 Allocating resources to the recruitment process when on a budget 9.22 The hiring book 10.07 Every person you hire has an impact on the company 12.07 Should a startup be using staffing firms? 14.32 Top leadership tips 15.45 Building a company’s culture 16.44

The Next Reel's Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month's episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston's 1972 boxing film Fat City.

The Next Reel's Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month's episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston's 1972 boxing film Fat City.

The Next Reel's Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month's episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston's 1972 boxing film Fat City.

"How'd you like to wake up in the morning and be him?"The Next Reel's Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month's episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston's 1972 boxing film Fat City. We talk about the depressing story presented here as these characters try to reach the good life and why some of us can connect easier to it than others. We look at the incredible (and incredibly dark) cinematography by Conrad L. Hall and discuss the importance of a cinematographer getting to time their own film. We chat about the brilliant cast, from the actors like Stacy Keach, Jeff Bridges, Susan Tyrrell and Nicholas Colasanto; to the real-life boxers like Curtis Cokes and Sixto Rodriguez. We discuss Kris Kristofferson's song “Help Me Make It Through the Night” and why it works so well in this movie. And we touch on what critics thought of the movie compared with how it did at the box office. John Huston was at a period in his career where he'd been making some duds so it's great to see him return to top form with Fat City. It's a master class in cinematic realism and a boxing film well worth watching and discussing. Check it out then tune in!Film Sundries Watch this film: iTunes • Amazon Screenplay Original theatrical trailer Original poster artwork Fat City by Leonard Gardner Flickchart Letterboxd Sam Levy on Instagram Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!Star your own podcast journey with the best host in the business. Try Transistor today!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

"How’d you like to wake up in the morning and be him?" The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston’s 1972 boxing film Fat City.  We talk about the depressing story presented here as these characters try to reach the good life and why some of us can connect easier to it than others. We look at the incredible (and incredibly dark) cinematography by Conrad L. Hall and discuss the importance of a cinematographer getting to time their own film. We chat about the brilliant cast, from the actors like Stacy Keach, Jeff Bridges, Susan Tyrrell and Nicholas Colasanto; to the real-life boxers like Curtis Cokes and Sixto Rodriguez. We discuss Kris Kristofferson’s song “Help Me Make It Through the Night” and why it works so well in this movie. And we touch on what critics thought of the movie compared with how it did at the box office.  John Huston was at a period in his career where he’d been making some duds so it’s great to see him return to top form with Fat City. It’s a master class in cinematic realism and a boxing film well worth watching and discussing. Check it out then tune in! Film Sundries Watch this film: iTunes • Amazon Screenplay Original theatrical trailer Original poster artwork Fat City by Leonard Gardner Flickchart Letterboxd Sam Levy on Instagram

Another terrific week on BEHIND THE LENS as we welcome actress STEPHANIE SHAMIE who co-stars in director Paul Duddrige's new film, MOTHERS AND DAUGHTERS. Listen as Stephanie talks about her journey navigating the acting waters thus far, the craft of acting and her process, plus some insight into being part of an ensemble cast that boasts the talents of Susan Sarandon, Sharon Stone, Courteney Cox, Christina Ricci, Selma Blair and Mira Sorvino. Then you'll hear excerpts of film critic debbie elias' exclusive interview with MAGGIE'S PLAN cinematographer Sam Levy as he goes in-depth talking about collaborating with director Rebecca Miller and cinematically achieving her visions for the film of being "awake" and with a "metaphysical overlay." And on this National Classic Movie Day, one more snippet from TCM Film Festival and TCM programming guru Charlie Tabesh! http://behindthelensonline.net http://eliasentertainmentnetwork.com

On this episode, Greta Gerwig’s latest MISTRESS AMERICA has us talking about her influence in two prior starring roles in LOLA VERSUS and DAMSELS IN DISTRESS. In one, a breakup has her leaning on friends and in the other she seeks out people to help guide them to happiness. Britt from the pop culture blog Eclectic Pop guides us through The Greta Gerwig Effect. But first, we talk with Sam Levy, director of photography for MISTRESS AMERICA, about his work with writer/director Noah Baumbach.  

Nachum presented a great Monday morning of Jewish music and featured Snackette healthy snack chips with Sam Levy