Podcasts about patrick sheridan

In this episode, Aaron sits down with Patrick Sheridan, a BJJ black belt and co-owner of Satori – Academy of Excellence, which he runs with his brother John. Patrick shares his journey into BJJ, detailing how he and John started Satori and built it into a thriving academy. He recounts the incredible experience of bringing a team of young competitors to the UK to compete at the elite junior world championships this year, highlighting the dedication and excitement that marked the event. Patrick also explores the inspiration behind the SubOnly brand and events, reflecting on its decade-long journey and over 100 successful events that have made a significant impact on the Irish BJJ community. He discusses the unique benefits of having a brother who shares his passion for BJJ, sharing humorous and memorable stories from their training and competition days in the US. Finally, Patrick offers his insights on the future of BJJ, discussing where the sport is headed and the exciting developments practitioners and fans can anticipate. Chapters: 0:00 - 10:18 Intro and how Pat got into BJJ 10:19 - 16:14 Competitions after Covid 16:15 - 23:29 Junior World Championships 2024 23:30 - 41:39 Origins of SubOnly Brand & Events 41:40 - 46:11 Banning Heel Hooks in Competition 46:12 - 47:26 CJI & Breaking Knees 47:27 - 58:29 Having a brother to train with 58:30 - 1:04:27 Future of BJJ? 1:04:28 Closing Make sure to follow Pat and his gym Satori on the following: https://www.instagram.com/satoripat/ https://www.instagram.com/satoribjj/ https://www.instagram.com/subonlyevents/https://www.facebook.com/Satori.BJJ.Dublin Make sure to check out some of the upcoming SubOnly events on Smoothcomp! https://subonly.smoothcomp.com/en/federation/5/events/upcoming If you enjoyed this episode of the podcast, please Like, Share and Subscribe! ---------------------------------------------------------------------------- Want to support the podcast? Check out the links below! Beginner's BJJ Gi for men: https://amzn.to/3Ry6czJ Beginner's BJJ Gi for Women: https://amzn.to/3KUZm3O My finger tape of choice: https://amzn.to/3xsjGq2 Adidas Judo Gi: https://amzn.to/45CzV0q Blue Yeti Microphone that I use for my podcast: https://amzn.to/3RDQjbd For remote podcasts, I use Riverside.fm! Records 4K video and great audio! https://www.riverside.fm/?via=aaron-murphy

On this episode, I'm joined by Pat from Fit For An Autopsy to chat about his very deep love of coffee, his musical background, going from hardcore to a more metal scene, the importance of good-sounding recordings, and upcoming plans. During the episode I was drinking Costa Rica Rosa Aura from De Mello. Photo provided by Patrick. Episode Links: https://www.modcup.com/ https://hellodemello.com/ https://fitforanautopsy.co/ https://www.beansandbreakdowns.com/

This audio is brought to you by Wearcheck, your condition monitoring specialist. Gold mining company AngloGold Ashanti is taking steps to become part of a search for gold in Guyana, a country on South America's North Atlantic coast. The New York- and Johannesburg-listed company, led by CEO Alberto Calderon, intends owing 11.7% of exploration company G2 Goldfields, which has been involved in the discovery of millions of ounces of gold in Guyana. "This strategic investment will provide us with a strong position in one of the world's key gold provinces with significant potential for new discoveries," Calderon stated in a release to Mining Weekly on Tuesday, December 19. Being banked on is G2's continued exploration success in the Guiana Shield, which, in Guyana alone, hosts the six-million-ounce Aurora mine, the five-million-once Omai mine and the seven-million-ounce Toraparu deposit. In addition to finding gold in Guyana, G2 has also been involved in the financing and development of Aurora. G2's principal OKO project is made up of the OKO Main Zone deposit and the Ghanie deposit. Last year, the indicated mineral resource estimate for the OKO Main Zone was 220 000 oz of gold (793 000 t at 8.63 g/t), and the Inferred mineral resource estimate 974 000 oz (3 274 000 t at 9.25 g/t). A mineral resource update is expected in the first half of 2024. G2 has other exploration targets within a 20km radius of OKO Main and Ghanie, and these are located next to Reunion Gold Corporation's OKO West discovery, where an Indicated and inferred mineral resource of 4.24-million ounces at 1.91 g/t was published in June. G2 executive chairperson is Patrick Sheridan and its CEO is Dan Noone. AngloGold expresses the belief that the company's exploration properties have significant growth potential. As part of the share subscription, which is expected to close in next month, AngloGold will be granted pre-emptive and top-up rights for future security issuances by G2.

High tides raise all ships, and right now as we speak we are watching this band rise, and rise, and rise. I am so honored to welcome back to Scandalous Podcast Patrick from one of my favorite bands ever, Fit for an Autopsy. We talk about the progression of FFAA, how hard work pays off, and Patrick's favorite part of their live show. Make sure to catch Fit for an Autopsy on their current headlining US tour. Follow: https://www.instagram.com/patricksheridanffaa/ https://www.instagram.com/fitforanautopsy/ https://www.instagram.com/scandalousofficial/ Merch: https://www.scandalousofficial.com/shop

This week we talk with Mike Doerr and Patrick Sheridan from A Sound Education in Brookfield. In addition to lessons they offer equipment sales and rental services as well as repairs. You have to check them out - especially at the 4th of July Parade. 

Patrick sits down with Robb for a rollercoaster conversations that goes from the power of (or lack thereof) social media, why Dio-Black Sabbath might be the best era of Sabbath, not getting Covid on their last US tour at the height of Omicron, going to Slayer shows at 10 years old, growing up poor in New Jersey, childhood trauma's that effected them both, how music saved him and opened up his life to new friends and cultures, and so much more.#NFR 122WATCH & SUBSCRIBE on YouTubehttps://www.youtube.com/channel/UC9bKRKhpgFRTudsVfPkFlMg?sub_confirmation=1ALL NEW NFR every WEDNESDAY at 3PM ET ONLY on GaS DigitalOr catch the YouTube Premiere later in the week: THURSDAY NIGHT at MIDNIGHT EThttps://GaSDigitalNetwork.com/LIVESign up to #GasDigitalNetwork with promo code NFR for a 7 Day FREE TRIAL to get access to the HD livestreams, the live chat, and EVERY episode of NFR On Demand in HD.https://GaSDigitalNetwork.com/high-octane-all-accessFOLLOW THE WHOLE SHOW ON SOCIAL MEDIA!ROBB FLYNNInstagram: https://instagram.com/robbflynnTwitter: https://twitter.com/TheGeneralMHPATRICK SHERIDANInstagram: https://instagram.com/PATRICKSHERIDANFFAATwitter: https://twitter.com/patrickffaaGAS DIGITALInstagram: https://instagram.com/gasdigitalTwitter: https://twitter.com/gasdigital#RobbFlynn #Podcast #Metal #GaSDigitalNetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the ultimate Fit For An Autopsy mega-fan's deep dive on the new record with Patrick Sheridan. Fit For An Autopsy's new album “Oh What The Future Holds”, feels more like a movie than an album. All encompassing, and larger than life. Touring, new album intentions, art work, and family. Follow: https://www.instagram.com/patricksheridanffaa/ https://www.instagram.com/fitforanautopsy/ https://www.instagram.com/scandalousofficial/ Merch: https://www.scandalousofficial.com/shop

In this episode we have a conversation with Patrick Sheridan, of Fit For An Autopsy. I had a great time talking with them about all kinds of stuff including; new music, defining their sound, connecting music to the world around them, and even a hot take he has musically!They recently dropped their latest album, “Oh What The Future Holds”, and are pushing to have the biggest year of their careers to date. 2022 is looking bright for these guys and they have all kinds of tour plans and things on the horizon. Be sure to give them a follow below. Follow Fit For An Autopsy:www.instagram.com/fitforanautopsy/https://twitter.com/fitforanautopsyhttps://www.facebook.com/FitForAnAutopsyOfficial/

We had the pleasure of interviewing Will Putney of Fit For An Autopsy over Zoom video!  New Jersey six-piece FIT FOR AN AUTOPSY — Joseph Badolato [vocals], Patrick Sheridan [guitar], Timothy Howley [guitar], Will Putney [guitar], Peter Blue Spinazola [bass], and Josean Orta Martinez [drums] — just released their sixth album, Oh What the Future Holds, via Nuclear Blast.The band has also shared the video for "Two Towers.""Conceptually, 'Two Towers' is an abstract story which follows the journey of your past self and future self, and the forces that pull them apart," the band explains. "Realizing the impossible concept of them meeting, one is faced with the reality of accepting the things you cannot change. It's a little out of the box for us, but it was challenging and fun to create a unique song for the record. Shout out to director Frankie Nasso and his team for the animated video that brought this story to life."FFAA returned to the road on a headline U.S. tour, which kicked off on January 5. The band and tour will certainly add a hefty dose of death metal to your winter doldrums. The trek began in Columbus, Ohio, and runs through February 12 in New York City. All dates are below. Enterprise Earth, Ingested, Signs of the Swarm, and Great American Ghost will also appear. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #WillPutney #FitForAnAutopsy #zoom  Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! 

This session shares my conversation with candidate for Town Council Patrick Sheridan   This is one of a series of conversations with candidates for the Franklin Election on Nov 2, 2021. I do this to provide Franklin, MA voters with accurate and timely information that they can use to cast an informed vote.  Publication of the answers or interview responses does not constitute an endorsement of this or any candidate. We cover the candidate questions as previously developed in conjunction with the community and shared with the candidates in advance. Five of the questions are ‘general' in nature, the sixth is specific to the role of the candidate. In this case, for the Town Council Our conversation runs about 9 minutes, so let's listen to my interview with Patrick Sheridan.  -------------- Candidate questions -> https://www.franklinmatters.org/2021/09/election-2021-candidate-interview.html (https://www.franklinmatters.org/2021/09/election-2021-candidate-interview.html)  Candidate page ->  https://www.facebook.com/patforFTC (https://www.facebook.com/patforFTC)   Election Collection 2021 ->  https://www.franklinmatters.org/2021/07/franklin-election-collection-2021.html (https://www.franklinmatters.org/2021/07/franklin-election-collection-2021.html)  ------------- We are now producing this in collaboration with http://www.franklin.tv/ (Franklin.TV) and Franklin Public Radio (http://www.wfpr.fm/ (wfpr.fm)) or 102.9 on the Franklin area radio dial.  This podcast is my public service effort for Franklin but we can't do it alone. We can always use your help. How can you help? If you can use the information that you find here, please tell your friends and neighbors If you don't like something here, please let me know Through this feedback loop we can continue to make improvements. I thank you for listening. For additional information, please visit https://www.franklinmatters.org/ (Franklinmatters.org/)  or http://www.franklin.news (www.franklin.news)  If you have questions or comments you can reach me directly at shersteve @ gmail dot com The music for the intro and exit was provided byhttp://www.eastofshirley.com/ ( Michael Clark and the group "East of Shirley"). The piece is titled "Ernesto, manana"  c. Michael Clark & Tintype Tunes, 2008 and used with their permission. I hope you enjoy! ------------------ You can also subscribe and listen to Franklin Matters audio on iTunes or your favorite podcast app; search in "podcasts" for "Franklin Matters"

In this episode of the Saint Leo 360 podcast, we discuss the biology degree program at Saint Leo University and two areas of focus within this undergraduate program – STEM education and chemistry. Our guests are Prof. Cheryl Berry, an instructor of biology and life sciences, and Dr. Patrick Sheridan, an associate professor of chemistry. The two professors talked about: Their personal and professional backgrounds Their teaching careers and journey to Saint Leo A brief history and general overview of the biology degree program at Saint Leo Where the program is offered Types of students this program is intended for An overview of courses and topics covered in the education and chemistry minors An overview of the faculty who teach in the program and these two specific tracks Relevant campus organizations, honor societies, and clubs for students interested in biology and the natural sciences The ACES Scholars program and a significant scholarship opportunity for students pursuing STEM teaching careers Career opportunities with a bachelor's in biology degree and specific tracks for STEM education and chemistry students Pursuing graduate studies with a biology degree What sets Saint Leo's biology degree program apart from others Learn more about the biology degree program at Saint Leo University on the degree program page at https://www.saintleo.edu/biology-bachelor-of-science-degree. Find out more about the education minor available to biology majors at https://www.saintleo.edu/biology-bachelor-education-minor-degree. Learn more about the chemistry minor at https://www.saintleo.edu/chemistry-minor. Find out if you or your student may qualify for the ACES Scholars program at https://www.saintleo.edu/stem-teaching.

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Some highlights from ten years of podcast releases.  With Sam Pilafian, Patrick Sheridan, Alfred Watkins, Greg Bimm, Doug Thrower, Tom Rarick, Vince Oliver, Michael Cesario, and Lindsey Vento.

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Colly, Conor, Melon and first timer Patrick Sheridan chat weekend Premier League fixtures, Melons Moan, Conors Crypto Corner and bets/tips. also big shoutout to Joov ireland for the Muscle balm and hydro tabs check them out on instagram !

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

Patrick Sheridan, a successful serial entrepreneur, shares advice on how to build culture in a distributed team.PEOPLEGuest: Patrick Sheridan, Cofounder & Managing Partner, Modus CreateHost: Anil Hemrajani, Founder of Startup SidekickTAKEAWAYSYour work is your speech (e.g. what did you produce yesterday, what are your plans for tomorrow)Every company should play to their strengths (e.g. access to talent)Map out your employee journey, from onboarding to termination; support them with tools, processes, policies, systemsBusiness don’t fail because of remote work but what’s already going on inside the companyBuild routines to support culture (e.g. onboarding, celebrations, support)TIMELINE01:10 Overview of Patrick’s company, Modus Create02:47 Definition of remote work, building core culture and systems07:12 How Modus establishes and maintains culture (e.g. onboarding, reduce administrative work)12:25 Modus work-life balance, communications, best practices, systems15:30 Takeaways (see above)

Born and raised in San Diego, Greg Hix currently serves as the Artist Liaison for the San Francisco Symphony. Prior to that, he was the Manager of Artistic Operations for the Grand Teton Music Festival in Jackson Hole, WY. He was a full-time member of the Civic Orchestra of Chicago, the training orchestra of the Chicago Symphony, where he was able to sub on several occasions. He has an MM in horn performance from Northwestern University, where he studied with Gail Williams, Bill Barnewitz, and Jon Boen. Greg also holds a BA in horn performance from UCLA where he studied with Brian O’Connor, Christopher Cooper, and Patrick Sheridan.Support the show (https://thatsnotspit.com/support/)

Dylan sits down with composer Peter Meechan, speaking about his musical upbringing, musical influences, compositional process, life as a composer, his friendship and the impact of trumpeter Ryan Anthony, ideas to consider when planning for the fall and more! For this month’s featured repertoire, we feature the third movement of Pete’s, trumpet concerto, Renaissance of Wonder, composed for Ryan Anthony.In honour of the memory of Ryan Anthony, please consider donating to the Ryan Anthony Foundation: https://www.cancerblows.com/addgift.php?v2glid=126909Help Support the Band Room Podcast by Becoming a Patron Through Patreonhttps://www.patreon.com/bandroompodBRP Storehttp://www.bandroompod.com/storeMusic used in this episodeKorn Symphony – Mov. II | At the Cathedral Gate by Peter Meechan Performing Ensemble: Royal Canadian Air Force BandCaptain Matthew Clark – ConductorRenaissance of Wonder, Hymn: Dreamer of dreams, the makers of music by Peter MeechanRyan Anthony, TrumpetPerforming Ensemble: Musicians of the Dallas SymphonyJerry Junkin – ConductorAbout PeterThe music of Canadian-based British composer Peter Meechan (b. 1980, Nuneaton, UK) is extensively performed throughout the world. His music has been commissioned, recorded, broadcast and performed by some of the world’s leading symphony orchestras, wind orchestras, brass bands, conductors and soloists, including: “The President’s Own” United States Marine Band, Dallas Symphony Orchestra, Black Dyke Brass Band, Jens Lindemann, Ryan Anthony, Bramwell Tovey, David Childs, Steven Mead, Patrick Sheridan, Les Neish, and many more. Meechan’s music is featured on over 120 commercial recordings and has been featured at festivals and clinics globally.Peter resides in Winnipeg, Manitoba, with his wife Michelle (a band teacher) and their miniature dachshund dogs: Stevie and Jurgen (not band teachers), and when not writing music can usually be found watching his beloved Liverpool Football Club.More information can be found at: www.MeechanMusic.comEpisode LinksPeter Meechan Websitehttp://meechanmusic.com/Ryan Anthony Foundation – Cancer Blowshttps://www.cancerblows.com/ryananthonyfoundation.php​Song of Hope, Ryan Anthony and The Dallas Windshttps://www.youtube.com/watch?v=9rBqVl7DxMURe:mission - Rubato (Live), Ryan Anthony, Trumpethttps://music.apple.com/us/album/re-mission-rubato-live/1485926816?fbclid=IwAR0xRed-rUs0_ItW-yvuAyEhsgkK_6-sOOZYdOJ1ZkjL9KaEL0Hn7lShGogRCAF Band (Can also find Above and Beyond Album info here)https://rcaf-arc.forces.gc.ca/en/rcaf-band/index.pageSupport the show (https://www.patreon.com/bandroompod)

El episodio 90 de Tubas y Tubos está dedicado a contaros todo sobre el Italian Brass Week, uno de los festivales de metal más famosos del mundo.

Episode 002 - Long time friend Patrick Sheridan of Fit For An Autopsy joins the show. We talk a little about Pat's journey of personal growth, a little about the inner workings of FFAA, the metal and hardcore scenes, and his longtime friendship with Len & Gary. We also get pretty deep into the long term effects of the pandemic on touring musicians and their family life, and the current political and social climate in the United States.     ------------------------     Upgrade your mind - Hosts Len Carmichael & Gary Muttley talk about music, politics, MMA, pro wrestling and all kinds of pop culture. We will also connect with guests from around world to talk, share experiences and probably make fun of people.     ------------------------     http://www.theupgradepodcast.net     ------------------------     http://www.facebook.com/theupgradepodcast     ------------------------     http://www.instagram.com/theupgradepodcast     ------------------------     

In our latest episode we have guitarist Pat Sheridan from Fit For An Autopsy. He speaks on his life during quarantine and the impact of the pandemic within the music business and beyond. FFAA also dropped a new track appropriately titled "Fear Tomorrow" and he dives into the bands future outlook, including an amazing story about Trivium's frontman Matt Heafy and his growing friendship with him.

Robb sits down with Patrick Sheridan (Fit For An Autopsy) to discuss his incredible 160 pound weight loss, workouts, his sex life in quarantine, the Coronavirus and its effects on the touring/music industry, and his favorite quarantine films.

A "distilled and refined" Patrick Sheridan returns to the show to share his thoughts on passion projects and reflects on the loss of Sam Pilafian. In this fun and lively discussion, we cover: Shiverfest Wide in the hips Harry Watters Susan Rider Marine Band Scratch and Sniff How he picks projects Playing, teaching, conducting and publishing Distilled and refined Seeing Pat in action at American Band College How the project vetting has changed I'm on your porch Rainman of the tuba Four Star Brass commission 9-digit zip code Big Bottom Band "RooDoo VooDoo" Space Viking Mambo G-Nasty: Private Eye ABA Convention in Miami Conducting the USAF Band at Midwest Turtle dickies Jacobs Quotes Plate in Pat's head Saying no to things The gig mix and how it changes from year to year Breathing Gym next steps project ideas Passion projects Dos Amigos Brian McWhorter's "slactice" Play vs. Work Bassoons and thumbs Madlibs Icons Abby Lannnan needs to return Lance's trombone Reflections on the loss of Sam Fasting for 100 days Creed vs. Nickleback Show notes Skinny Jeans and Bad Shirts Sorrow Soup LINKS: Pat's Facebook page Pat's Instagram Pat's first appearance on the show in episode 35 Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ123: Sam Pilafian Tribute On October 25, 2019, Sam Pilafian would have turned 70. To mark this special occasion we decided to reach out to some of Sam's best friends to ask for stories, thoughts, reflections, and impressions. Mark Gould, Marty Hackleman, Jose Sibaja, Michael Sachs, JD Shaw, Patrick Sheridan, and Jose Sibaja shared stories ranging from hilarious to moving and we hope you find it as therapeutic as we have. Happy Birthday, Sam! #yeahman ----- We are happy to announce the next offering from Pedal Note Media: The Brass Legacy Project! Each season will feature stories from people around the music business about a different brass legend. Who better to feature in Season One of the Brass Legacy Project than Sam Pilafian! Sign up for the Brass Junkies newsletter and be the first to learn about when Season One will launch. Yeah man! ----- Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Welcome to the History of Computing Podcast, where we explore the history of information technology. Because understanding the past prepares us for the innovations of the future! Today we're going to look at Java. Java is an Indonesian island with over 141 million people. Java man lived there 1.7 million years ago. Wait, wrong java. The infiltration of coffee into the modern world can really trace its roots to ancient coffee forests on the Ethiopian plateau. Sufis in Yemen began importing coffee in the 1400s to make a beverage that would aid in concentration and as a kind of spiritual intoxication. Um, still the wrong java… Although caffeine certainly has a link somewhere, somehow. The history of the Java programming language dates back to early 1991. It all started at Sun Microsystems with the Stealth Project. Patrick Naughton had considered going to NeXT due to limitations in C++ and the C APIs. But he stayed to join Stealth, a secret team of engineers led by a developer Sun picked up from Carnegie Mellon named James Gosling . Stealth was formed to explore new opportunities in the consumer electronics market. This came up when Gosling was writing a program to port software from perf to vax and emulating hardware as many, many, many programers had done before him. I wonder if he realized when he went to build the first Java compiler and the original virtual machine code that would go on to write a dozen books about Java and it would consume most of his professional life. I wonder how much coffee he would have consumed if he had. They soon added Patrick Sheridan to the team. The project was later known as the “Green” project and with the advent of the web, somewhat pivoted into more of a web project. You see, Microsoft and the clones had some runaway success but Apple and other vendors were a factor in the home market. But Sun saw going down market as the future of the company. They added a few more people and rented separate offices in Menlo Park. Lisa Friendly was the first employee in the Java Products Group. Gosling would be lead engineer. John Gage would direct the project. Jonni Kanerva would write Java FAQ1. The team started to build C++ ++ —. Sun founder Bill Joy wanted a language that combined the the best parts of Mesa and C. In 1993, NCSA gave us Mozilla. That Andreessen guy was on the news saying the era of the desktop was over. These brilliant designers knew they needed an embedded application, one that could even be used in a web browser, or an applet. The language was initially called “Oak,” but was later renamed “Java” in 1995, supposedly from a list of random words but really due to massive consumption of coffee imported from the island of Java. By the way, it only aids in concentration up to a point. Then you get jumpy. Like a Halfling. It took the Java team 18 months to develop the first working version. It is unknown how much Java they drank in this time. Between the initial implementation of Oak in the fall of 1992 and the public announcement of Java in the spring of 1995, around 13 people ended up contributing to the design and evolution of the language. They were going to build a language that could sit on top of the operating systems on the market. This would allow them to be platform agnostic. In 1995, the team announced that the evolution of Mosaic, Netscape Navigator, would provide support for Java. Java gave us Write Once, Run Anywhere platform independence. You could run the code on a Mac, on Solaris, or on Windows. Java derives its syntax from C and many of the object oriented features were influenced by C++. Several of Java's defining characteristics come from—or are responses to—its predecessors. Therefore, Java was meant to build on these and become a simple, object-oriented, distributed, interpreted, robust, secure, architectural neutral, portable, high performance, multithreaded, and dynamic language. Before I forget. The "Mocha Java" blend pairs coffee from Yemen and Java to get a thick, syrupy, and highly caffeinated blend that is often found with a hint of cinnamon or clove. Similar to all other computer language, all innovation in the design of the language was driven by the need to solve a fundamental problem that the preceding languages could not solve. To start, the creation of C is considered by many to have marked the beginning of the modern age of computer languages. It successfully synthesized the conflicting attributes that had so troubled earlier languages. The result was a powerful, efficient, structured language that was relatively easy to learn. It also included one other, nearly intangible aspect: it was a programmer's language. Prior to the invention of C, computer languages were generally designed either as academic exercises or by bureaucratic committees. C was designed, implemented, and developed by real, working programmers, reflecting how they wanted to write code. Its features were honed, tested, thought about, and rethought by the people who actually used the language. C quickly attracted many followers who had a near-religious zeal for it. As such, it found wide and rapid acceptance in the programmer community. In short, C is a language designed by and for programmers, as is Java. Throughout the history of programming, the increasing complexity of programs has driven the need for better ways to manage that complexity. C++ is a response to that need in C. To better understand why managing program complexity is fundamental to the creation of C++, consider that in the early days of programming, computer programing was done by manually toggling in the binary machine instructions by use of the front panel or punching cards. As long as programs were just a few hundred instructions long, this worked. Then came Assembly and Fortran and then But as programs grew, assembly language was invented so that a programmer could deal with larger, increasingly complex programs by using symbolic representations of the machine instructions. As programs continued to grow, high-level languages were introduced that gave the programmer more tools with which to handle complexity. This gave birth to the first popular programing language; FORTRAN. Though impressive it had its shortcomings as it didn't encourage clear and easy-to-understand programs. In the 1960s structured programming was born. This is the method of programming championed by languages such as C. The use of structured languages enabled programmers to write, for the first time, moderately complex programs fairly easily. However, even with structured programming methods, once a project reaches a certain size, its complexity exceeds what a programmer can manage. Due to continued growth, projects were exceeding the limits of the structured approach. To overcome this problem, a new way to program had to be invented; it is called object-oriented programming (OOP). Object-oriented programming (OOP) is a programming methodology that helps organize complex programs through the use of inheritance, encapsulation, and polymorphism. In spite of the fact that C is one of the world's great programming languages, there is still a limit to its ability to handle complexity. Once the size of a program exceeds a certain point, it becomes so complex that it is difficult to grasp as a totality. While the precise size at which this occurs differs, depending upon both the nature of the program and the programmer, there is always a threshold at which a program becomes unmanageable. C++ added features that enabled this threshold to be broken, allowing programmers to comprehend and manage larger programs. So if the primary motivation for creating Java was the need for a platform-independent, architecture-neutral language, it was to create software to be embedded in various consumer electronic devices, such as microwave ovens and remote controls. The developers sought to use a different system to develop the language one which did not require a compiler as C and C++ did. A solution which was easier and more cost efficient. But embedded systems took a backseat when the Web took shape at about the same time that Java was being designed. Java was suddenly propelled to the forefront of computer language design. This could be in the form of applets for the web or runtime-only packages known as Java Runtime Environments, or JREs. At the time, developers had fractured into the three competing camps: Intel, Macintosh, and UNIX. Most software engineers stayed in their fortified boundary. But with the advent of the Internet and the Web, the problem that the portability of software between platforms suddenly got important in ways it hadn't been since the forming of ARPANET. Even though many platforms are attached to the Internet, users would like them all to be able to run the same program. What was once an irritating but low-priority problem had become a high-profile necessity. The team realized this pressing need and later made the switch to refocus Java from embedded, consumer electronics to Internet programming. So while the desire for an architecture-neutral programming language provided the initial spark, the Internet ultimately led to Java's large-scale success. So if Java derives much of its character from C and C++, this is by intent. The original designers knew that using familiar syntax would make their new language appealing to legions of experienced C/C++ programmers. Java also shares some of the other attributes that helped make C and C++ successful. Java was designed, tested, and refined by real, working programmers. Not scientists. Java is a programmer's language. Java is also cohesive and logically consistent. If you program well, your programs reflect it. If you program poorly, your programs reflect that, too. Put differently, Java is not a language with training wheels. It is a language for professional programmers. Java 1 would be released in 1996 for Solaris, Windows, Mac, and Linux. It was released as the Java Development Kit, or JDK, and to this day we still refer to the version we're using as JDK 11. Version 2, or 1.2 came in 1998 and with the rising popularity we had a few things that the burgeoning community needed. These included event listeners, Just In Time compilers, and change thread synchronizations. 1.3, code named Kestrel came in 2000, bringing RMI for CORBA compatibility, synthetic proxy classes, the Java Platform Debugger Architecture, Java Naming and Directory Interface in core libraries, the HostSpot JVM, and Java Sound. Merlin, or 1.4 came in 2002 bringing the frustrating regular expressions, native XML processing, logging, Non-Blocking I/O, and SSL. Tiger, or 1.5 came in 2004. This was important. We could autobox, get compile time type safety in generics, static import the static part of a class, annotations for declarative programming, and run time libraries were mapped into memory - a huge improvements to how JVMs work. Java 5 also gave us the version number change. So JDK 1.5 was officially recognized as Java 5. JDK 1.6, or Mustang, came in 2006. This was a big update, bringing monitoring and management tools, compiler access gave us programmatic access to javac and pluggable annotations allowed us to analyze code semantically as a step before javac compiles the code. WebStart got a makeover and SE 6 unified plugins with webstart. Enhanced XML services would be important (at least until he advent of son) and you could mix javascript up with Java. We also got JDBC 4, Character Large Objects, SwingWorker, JTable, better SQL datatypes, native PKI, Kerberos, LDAP, and honestly the most important thing was that it was stable. Although I've never written code stable enough to encounter their stability issues… Not enough coffee I suppose. Sun purchased Oracle in 2009. Wait, no, that's one of my Marvel What If comic book fantasies where the world was a better place. Oracle bought Sun in 2009. After ponying up $5.6 billion dollars, Oracle had a lot of tech based on Sun products and seeing Sun as an increasingly attractive acquisition target by other companies, Oracle couldn't risk someone else swooping in and buying Sun. With all the turmoil created, it took 5 years during a pretty formative time on the web, but we finally got Dolphin, or 1.7, which came in 2011 and gave us compressed, 64-bit pointers, strings in switch statements, the ability to make a binary integer and use underscores in literals, better graphics APIs, more cryptography algorithms, and a new I/O library that gave even better platform compatibilities. Spider, or 1.8, came along in 2014. We got the ability to Launch JavaFX application Jars, statically-linked JNI libraries, a new date an time API, annotation for java types, unsigned integer arithmetic, a JavaScript runtime that allowed us to embed Javascript code in apps - whether this is a good idea or not is still tbd. Lambda functions had been dropped in Java 7 so here we also got lambda expressions. And this kickstarted a pretty interesting time in the development of Java. We got 9 in 2017, 10 and 11 in 2018, 12, 13, and 14 in 2019. Of these, only 8 and 11 are LTS, or commercial Long Term Support releases, basically meaning we got the next major release after 8 in 2018 and according to my trend line should expect the next LTS in 2021 or 2022. JDK 13, when released later in 2019, will give us text blocks, Switch Expressions, improved memory management by returning unused heap memory to the OS, improves application class and data sharing, and brings back the legacy socket API. But it won't likely be an LTS release. Today there are over 45 billion active Java Virtual Machines and java remains arguably the top language for micro service, ci/cd environments, and a number of other use cases. Other languages have come. Other languages have gone. Many are better in their own right. Some are not. Java is not perfect. It was meant to reduce complexity. But as languages evolve they become more complex. A project with a million lines of code is monolithic and probably incorporates plugins or frameworks like spring security as an example, that make code even more complex. But Java is meant to reduce cyclomatic complexity, to allow for a language that is simple enough for a professional to pick up quickly and only be as complex as the quality of the code being compiled. I don't personally love Java. I respect it. And I adore high-quality programmers and their code in any language. But I've had to redo so much work because other languages have come and gone over the years that if I were to be starting a new big monolithic web-app today, I'd probably use Java every time. Which isn't to say that Java isn't useful in micro-service architectures. According to what's required from the contract testing on a service, I might use Java, Go, node, python or even the formerly hipster Ruby. Although I don't love drinking PBR… If I'm writing an Android app, I need to know Java. No matter what the lawyers say. If I'm planning on an enterprise webapp, Java needs to be in the conversation. But usually, I can do the work in a fraction of the time using something like python. But most big companies speak Java. And for good reason. Because of the write once run anywhere approach and the level of permissions a JRE needs, there have been security challenges with running Java on desktop computers. Apple deprecated Java on the Mac in 2010. Users could still instal lications and is the gold standard for those. I'm certainly not advocating going back to the 90s and running Java apps on our desktops any more. No matter what you think of Java, one thing you have to admit, the introduction of the language and the evolution have had a substantial impact on the IT industry and it will continue to do so. A great takeaway here might be that there's always a potential alternative that might be better suited for a given task. But when it comes to choosing a platform that will be there in a decade or 3, getting support, getting a team that can scale, sometimes you might end up using a solution that doesn't immediately seem as well suited to a need. But it can get the job done. As it's been doing since James Gosling and the rest of the team started the project back in the early 90s. So thank you listeners, for sticking with us through this episode of the History of Computing Podcast. We're lucky to have you.

Patrick Sheridan is one of the first Sahaja Yogis in the West and he has written this book, Expecting to Flyer, in an attempt to reach out to all the lost seekers, especially those taking drugs. Long time ago, Shri Mataji (founder of Sahaja Yoga) asked him to write such …

The legendary Sam Pilafian on Empire Brass, Leonard Bernstein, and life-threatening pedagogy. We talk about his life as a tubist, arranger, composer, educator, performer, producer, and mentor (and countless other descriptors) on our 100th episode. Sam Pilafian is perhaps best known as a founding member of the internationally renowned Empire Brass Quintet (1971-1993). He has also recorded and performed with the Boston Symphony Orchestra, the New York Philharmonic Orchestra, the Orchestra of St. Luke’s, the Metropolitan Opera Orchestra, the Duke Ellington Orchestra, Lionel Hampton, and Pink Floyd among others. His long career has earned him an Emmy for Excellence in Instructional Video Production, the Walt Disney Award for Imagination and Innovation in Design, the Walter Naumberg Chamber Music Award, the Harvard Music Association Prize, the University of Miami’s Distinguished Alumni Award, the Brevard Music Center Distinguished Alumni Award, the Robert Trotter Visiting Professorship at the University of Oregon and the annual Outstanding Teacher Award from Arizona State University. Sam is the co-author, with Patrick Sheridan, of the best selling pedagogy texts and DVD’s “Breathing Gym” and “Brass Gym”. Professor Pilafian previously served for 44 years on the faculties of Boston University, the Tanglewood Institute, Berklee College of Music, Frost School of Music at the University of Miami and is Professor Emeritus at Arizona State University.  In this fun and lively (and tearful) discussion, we cover: The meaning of J Andrew as a student of Sam "Up an octave" story Life-threatening pedagogy The amazing story of Sam's recent battle with cancer Beating 3+ Million to 1 odds How studios turn into family Meeting Lance part 1, Midwest Band and Orchestra Clinic Meeting Lance part 2, Army Band Conference Brass Band of Battle Creek Scott Hartman fruit salad Meeting Andrew, Andrew was 12 at Tanglewood Meeting Andrew, Andrew was 14 at BUTI The amazing array of young players Sam heard, coached and taught at Tanglewood Hearing Michael Sachs as a young player Leonard Bernstein and the beginnings of Empire Brass Oak trees Gunther Schuller, Michael Tilson Thomas, and Bernstein inspiring the beginnings of Empire Brass Gunther Schuller and Eugene Goossens playing name that tune Parallels with the Emerson String Quartet and how that inspired Empire Brass Finding the nucleus in the music Playing bass lines Working onstage with Alvin Ailey Dance Company at the opening of the Kennedy Center (in brown pajamas) Being Bernstein's daughter's bodyguard at the Kennedy Center reception How Empire Brass become a full-time gig Rolf Smedvig's playing A major Empire Brass blowup at Tanglewood witnessed by Andrew in 1993 How Andrew got the gig with Dallas Brass while in a lesson with Sam The line between obnoxious and oblivious Scrapshoot Winning the 1976 Naumburg Chamber Music Prize, the first brass group to do so, leading to being picked up by Columbia Artists The Empire Brass recordings Bernstein "Always go towards growth" Seeing America on tour Learning to talk on stage His teacher, Connie Weldon Coming up in Miami Frederick Fennell encouraging Sam to diversify his career LINKS: Sam's site Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

This is not the post I wanted to write. This is not the episode I wanted to do. But here we are. Patrick Sheridan passed away yesterday. Here is his memorial fund. Please donate to it. I had interviewed Patrick on December 22, 2016, two days before what he referred to as his “expiration date.”...

This is not the post I wanted to write. This is not the episode I wanted to do. But here we are. Patrick Sheridan passed away yesterday. Here is his memorial fund. Please donate to it. I had interviewed Patrick on December 22, 2016, two days before what he referred to as his “expiration date.”...

Doc speaks with Fit For An Autopsy guitarist, Patrick Sheridan about how losing weight has affected his former "Fat Pat" persona, how he got into the hardcore scene, the violence and crew culture of the 90s New Jersey hardcore scene, what he did to improve as a guitar player, why is almost quit music, the success of Fit For An Autopsy, and what has caused him to evolve as a person. This episode features the song "Heads Will Hang" by Fit For An Autopsy. Follow Patrick on Instagram @prstattooffaa Follow Doc on Instagram and Twitter @DocCoyle Support our show sponsor and buy official band merch at Rockabilia.com. Use the code PCEXMAN for 15% off. Listen to more great podcasts like this at JabberJawMedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Amy Horn, 29-year member of The President’s Own Marine Band and Adjunct Professor of Horn at George Mason University joins Andrew & Lance to explain how to bloom where you’re planted. A native of Ohio, Amy studied at Bowling Green University with Herb Spencer and played under legendary bandmaster Mark Kelly. We hear the amazing story of her audition for the Marine Band (including camping out in her pea-green Chevy Citation), how she cut a rug on the road with Patrick Sheridan and why she switched from trombone to horn. We learn how she started the Capital Horns, hear stories about her teaching and performing career, including gigs with the Washington Symphonic Brass and the Washington Conservatory of Music.   Her biggest question for Jens is J or Y. Frankly, the world wants to know.   Links:   George Mason University bio   Marine Band Bio   Capital Horns Facebook Page Turak, Business Secrets of the Trappist Monks Want to help the show? Take a minute to leave us a rating and a review on iTunes. The Brass Area of the Mary Pappert School of Music at Duquesne University in Pittsburgh PA is our new partner (and Lance has been teaching euphonium there since 2000). If you are interested in learning more about the program, visit the site HERE! Check out Parker Mouthpieces fine offerings (including the Andrew Hitz and Lance LaDuke models) by clicking PARKER! You can help offset the costs of producing the show by making a small donation at https://www.patreon.com/thebrassjunkies. Your support is greatly appreciated! Last but not least, we are now on Instagram! Follow us at instagram.com/pray4jens/ TODAY! Expertly produced by Joey Santillo with love, care, and enthusiasm.

In this episode we review Friday's concert at Gamechanger World in Howell, NJ with After The Burial, Emmure, Fit For A King, Fit For An Autopsy, and Invent Animate. We have preshow interviews with Frank Palmeri of Emmure and Patrick Sheridan of Fit For An Autopsy and both are played on this episode. Playlist: "Johnny B. Goode" - Chuck Berry (out of respect for him passing away this weekend at the age of 90) "Iron Moon" - Fit For An Autopsy "Flag of the Beast" - Emmure "Lost in the Static" - After The Burial "Smokey" - Emmure "Deathgrip" - Fit For A King "Black Mammoth" - Fit For An Autopsy

We talked about new music from Immolation, Aeternam, Sunlights Bane, The Ominous Circle, and reviewed the After the Burial/Fit for an Autopsy show as well as the Metal Blade 35th anniversery tour featuring Allegaeon, Goatwhore, Cattle Decapitation, & Whitechapel. We also reviewed the new Fit For an Autopsy Album "The Great Collapse" out on March 17th and interiewed the guitarist Patrick Sheridan. We apologize for the noise during the interview but the 2nd half gets a bit quieter. Listen here, on Stitcher, or on the iTunes podcast app and talk to us at the below links: www.facebook.com/intothecombine www.Twitter.com/intothecombine www.instagram.com/intothecombine Email: Thecombine586@gmail.com   Music Featured on the episode: - Spawn of Posession "Bodiless Sleeper" - Aeternam "Demascus Gate" - Sunlights Bane "Praise the Venom Shield" - Immolation "Destructive Currents" - The Ominous Circle "Poison Fumes" - Fit For an Autopsy "Heads Will Hang" & Iron Moon

In episode 5 of the Positively Pro Wrestling Podcast Steve and Eric are joined by special guest Patrick Sheridan. We talk some of our favorite wrestling toys and video game memories including: -Our favorite Hasbro toys and how Steve and Eric regret getting rid of their old toys including that damn yellow hasbro ring -The epic ending to the 60 man battle royal Steve and Pat had while playing WCW/nWo revenge in Nintendo 64 -Relying on video game magazines to find out about your favorite upcoming wrestling game -Eric's custom CM Punk Mattel figure -The thrill of finding a toy you have been looking for: Featuring a story where Steve convinced his childhood friend to climb the shelves at a toys r us And much more!

Patrick Sheridan is the Executive Director and Host of the Emerging Filmmakers Project. He also works with young actors and prepares them for how to act on film. Patrick has also served as a script doctor and done punch up for a number of projects. He’s a prolific, talented and engaged artist. But his primary...

Patrick Sheridan is the Executive Director and Host of the Emerging Filmmakers Project. He also works with young actors and prepares them for how to act on film. Patrick has also served as a script doctor and done punch up for a number of projects. He’s a prolific, talented and engaged artist. But his primary...

World-renowned tuba player Patrick Sheridan sits down with Andrew & Lance and the three of them foolishly try to have a normal conversation. From his early start as the renowned soloist on "Hey Mr. Banjo" in elementary school, to his time in The President's Own Marine Band and his MBA from the University of Michigan, Pat details his journey. He is currently the conductor of Salt River Brass in Arizona and is one of the founders of the Band Director Academy in Oregon. Oh, and he and Lance may have kissed once. Or twice. Links: Salt River Brass Band Director Academy Focus On Music You can help offset the costs of producing the show by making a small donation at https://www.patreon.com/thebrassjunkies. Your support is greatly appreciated! Produced by Austin Boyer of FredBrass

Patrick Sheridan is a conductor, world renowned tuba player and the entrepreneur behind products like The Breathing Gym and The Brass Gym. Show notes for all episodes of TEM including topics discussed, links to all books and websites referenced can be found at: http://www.andrewhitz.com/shownotes Want to help "keep the lights on" and make future episodes of TEM possible? Please visit our Patreon page to see how you can help:  https://www.patreon.com/tempodcast Produced by Austin Boyer and Buddy Deshler of FredBrass

Music for a Summer Evening Thursday, August 2, 2012 Rolston Recital Hall Featuring resident artists from the Piano Master Class and Brass Master Class Programs Piano Sonata No. 60 in C major Hob XVI: 50 - Franz Joseph Haydn (1732-1809) I. Allegro II. Adagio III. Finale: Allegro molto Hyoseon Sunny Kim, piano Vier Klavierstücke, op. 119 - Johannes Brahms (1833 -1897) I. Intermezzo. Adagio II. Intermezzo. Andantino un poco agitato III. Intermezzo. Grazioso e giocoso IV. Rhapsody. Allegro risoluto Li-An Chen, piano Sonata No. 4 in C minor, Op. 29 - Sergei Prokofiev (1891-1953) I. Allegro molto sostenuto II. Andante assai III. Allegro con brio, ma non leggiero Robert Fleitz, piano Intermission Transmissions: for Maggie - David L. McIntyre (b.1950) (commissioned by the Maggie Morrison Exposure to the Arts Fund) Maggie Morrison, piano Variations, Op. 41 (1984) - Nikolai Kapustin (b.1937) Chelsea Wang, piano Concert Piece No. 1 in F minor, Op. 11 - Vassily Brandt (1869-1923) Jonathan Heim, trumpet Simon Callaghan, piano Three Miniatures for tuba and piano (1990) - Anthony Plog (b.1947) I. Allegro vivace II. Freely III. Allegro vivace Clayton Maddox, tuba Simon Callaghan, piano Trumpet Concerto No. 1 in E flat - Johann Wilhelm Hertel (1727-1789) I. Allegro Mary Bowden, trumpet Melissa Wilmot, violin Martina Trumpp, violin Drew Ricciardi, viola Sophie Benn, cello Jeffrey Cotton, bass Cavatina Pacifica (2008) - Ian McDougall (b.1938) New Age Brass John Maurer, trumpet Daniel Stauffer, trumpet Thomas Rieger, horn Nathaniel Reit, trombone Daniel Meeker, tuba Grande Polonaise Brillante, Op. 53 - Frederic Chopin (1810 -1849) arr. P. Sheridan All-Star Brass Jens Lindemann, trumpet Ryan Anthony, trumpet Martin Hackleman, horn Keith Dyrda, trombone Patrick Sheridan, tuba This concert was recorded by: Benjamin Gendron-Smith (Canada) and Denis Martin (Canada) Recording of this performance is under the supervision of guest audio faculty Shawn Murphy.