Podcast appearances and mentions of Paul Haslinger

Auch im zweiten Teil der Interviewhighlights 2023 präsentiert Olaf Zimmermann noch einmal Parts aus zwölf weiteren Interviews. Diesmal mit dabei Brandt Brauer Frick, Hanno Leichtmann aka Chromacolor, Kruder Di Gioia, Paul Haslinger, Thomas Fehlmann, Daniel Myer, St.raumen, Hackedepicciotto, The Allegorist, de Gruppe Automat, Hauschka und Oliver Koletzki.

(May 2021) Gil is a world renowned drummer who shares his deep passion and knowledge for Reggae drumming in this great episode. He takes us through all the sub genres such as ska, rocksteady, dub, and dancehall. Plus he teaches us about the legends in Reggae drumming such as Lloyd Knibb and Carlton Barrett and the gear that these Jamaican drummers would use when playing with icons such as Bob Marley, Peter Tosh, Lee Perry and many more. Here is some more info on Gil: Los Angeles native, Gil Sharone, is highly regarded as one of the most versatile session and touring drummers in the world, who is known for his creativity, authenticity and strong pocket. He is a multiple-time industry award winner as a drummer, but will often wear other hats as a co-writer, producer, and an educator/clinician. Gil came to notoriety in the rock world as a former member of  The Dillinger Escape Plan, Puscifer, Marilyn Manson, Stolen Babies and Team Sleep. However, he is widely known as an expert in other genres. Reggae, ska and rocksteady were part of his earliest influences along with jazz, funk, hip hop and fusion. Gil has established himself in the Jamaican drumming styles, authoring an award winning DVD and book entitled Wicked Beats, after playing with legends Eek-A-Mouse, HR of Bad Brains, Dave Wakeling of The English Beat, Fishbone, Western Standard Time Ska Orchestra and more recently with Slightly Stoopid, Morgan Heritage, and his current reggae/dub outfit, Gil, Migs and Rog. Gil is also an active member of a genre bending music collective, Saudade, where you can hear his jazz fusion collaborations with jazz greats John Medeski, David Torn, Robert Thomas Jr., Dr. Know and Chuck Doom. Gil's work further extends into the film/television world, working with composers Tyler Bates and Paul Haslinger. His work can be heard in Deadpool 2, Guardians of The Galaxy 2, all three John Wick movies, The Punisher (Netflix), Kingdom and Stumptown. He has also contributed both as a player and co-writer on the DC Comics: Dark Nights Metal Soundtrack, and his most recent work can be heard in the musical score for the live action Cirque du Soleil show, R.U.N.

(May 2021) Gil is a world renowned drummer who shares his deep passion and knowledge for Reggae drumming in this great episode. He takes us through all the sub genres such as ska, rocksteady, dub, and dancehall. Plus he teaches us about the legends in Reggae drumming such as Lloyd Knibb and Carlton Barrett and the gear that these Jamaican drummers would use when playing with icons such as Bob Marley, Peter Tosh, Lee Perry and many more. Here is some more info on Gil: Los Angeles native, Gil Sharone, is highly regarded as one of the most versatile session and touring drummers in the world, who is known for his creativity, authenticity and strong pocket. He is a multiple-time industry award winner as a drummer, but will often wear other hats as a co-writer, producer, and an educator/clinician. Gil came to notoriety in the rock world as a former member of  The Dillinger Escape Plan, Puscifer, Marilyn Manson, Stolen Babies and Team Sleep. However, he is widely known as an expert in other genres. Reggae, ska and rocksteady were part of his earliest influences along with jazz, funk, hip hop and fusion. Gil has established himself in the Jamaican drumming styles, authoring an award winning DVD and book entitled Wicked Beats, after playing with legends Eek-A-Mouse, HR of Bad Brains, Dave Wakeling of The English Beat, Fishbone, Western Standard Time Ska Orchestra and more recently with Slightly Stoopid, Morgan Heritage, and his current reggae/dub outfit, Gil, Migs and Rog. Gil is also an active member of a genre bending music collective, Saudade, where you can hear his jazz fusion collaborations with jazz greats John Medeski, David Torn, Robert Thomas Jr., Dr. Know and Chuck Doom. Gil's work further extends into the film/television world, working with composers Tyler Bates and Paul Haslinger. His work can be heard in Deadpool 2, Guardians of The Galaxy 2, all three John Wick movies, The Punisher (Netflix), Kingdom and Stumptown. He has also contributed both as a player and co-writer on the DC Comics: Dark Nights Metal Soundtrack, and his most recent work can be heard in the musical score for the live action Cirque du Soleil show, R.U.N.

SUMMER...despite all the great new things we have to worry about these days, good old sunshine and heat still inspire our bodies to move, explore, and expand, while our minds open up to new sounds. On this transmission of Hearts of Space, we mix up a refreshing cocktail of summer electronica, world rhythms, cool horns and trancey vocals, on a program called SUMMERTRONICA 3. Music is by LUCID, JON HASSELL, PAUL HASLINGER, AL GROMER KHAN, MICHAEL BROOK & DJIVAN GASPARYAN, STILL LIFE, LOTUS, and ISHWISH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Composer Paul Haslinger sits down for a brand new Film.Music.Media conversation! Paul takes us back through his amazing career in music from his time with Tangerine Dream, moving to Los Angeles and exploring other avenues of music, and eventually focusing on a career as a composer for film and TV. We explore what it was like to be an electronic musician in the 80's and how those working with synths and electronics were shunned in the composing community. Paul talks about several of his projects including the Underworld films, Crazy/Beautiful, Crank, Shoot 'Em Up, and more! We also dive into his newest score for The YouTube Effect. The documentary directed by Alex Winter explores how YouTube has left a troubling legacy on how it has impacted society as a whole. Paul talks about his unique approach to scoring the film, and why he did not want to go the conventional route. While the score was written for the film, the stylings and structure of the album allow it to stand on its own almost as its own experience. You can listen to the album from Node Records on all digital platforms. Paul is one of the pioneers of electronic music, and his music has left a lasting impact through all the amazing scores and albums he's composed throughout his career. A Film.Music.Media Production | Produced & Presented by Kaya Savas

Paul Haslinger lebt und arbeitet seit gut 30 Jahren in Los Angeles und ist ein sehr erfolgreicher Komponist von Hollywood-Filmen und -Serien. Er ist, weit angereist, zwei Stunden lang "elektro beats"-Studiogast von Olaf Zimmermann. Der in Linz geborene Musiker und Produzent hat eine sehr spannende Biographie. Bevor er nach Amerika ging, war er von 1986 bis 1991 Mitglied bei Tangerine Dream. Die Sendung macht eine musikalische Zeitreise - es geht u.a. um aktuelle Produktionen, seine Soloalben, seine zahlreichen Soundtracks und nicht zuletzt die Zeit bei Tangerine Dream. Außerdem gibt es mit Musik aus "The You Tube Effect" einige Radiopremieren.

Episode 93 Playlist for Part 2 Noise and Improvisations I found a mother lode of noise and experimental music hiding in the crates of my local New York record store. Corum, “Effigy Mounds: Ceremonial Music For Spore Alter” side a from Effigy Mounds: Ceremonial Music For Spore Alter” (2014 Psychic Sounds). Effigy Mounds is the second album of the Beguiling Isles Trilogy (Born of Earth's Torments / Effigy Mounds / Magic Mirror). This LP is about spore modification, the rise of the puffs, and juice modification. All with tabletop electronics and found sounds. Played and recorded 2012/2013. 20:07 Crumer-Franco, “Agony In The Zodiac” from Agony In The Zodiac (2008 Ahaziah). Vinyl, 12", Single Sided, Limited Edition. Droning, beautiful noise, hums, and crackling. Collaborative recording by Jason Crumer and Matt Franco made during the "American Band" sessions. Limited to 100 copies. 13:17 Noise Nomads, “Side B” from Ernest Thrasher (2013 Feeding Tube Records). Vinyl, 12", Album, Limited Edition. Noise and rhythmic noise by Jeff Hartford. Using Tascam 424 With Greenwood Electronics 2012 - 2013. 14:07 Jojo Hiroshige, Pika, Paal Nilssen-Love, Lasse Marhaug, Osaka Fortune (2013 Premier Sang). French release of noise/jazz improvisation. More Drums, Paal Nilssen-Love; Drums, Pika; Guitar, Jojo Hiroshige; Noises, Lasse Marhaug. Recorded at Osaka Chika-Ikkai, February 10th 2011. This noise romp is side two of this record. It begins with a supplementary drum track that sounds like mono to which Pika adds her own crashing, continual rhythms in stereo. 14:58 Pod Blotz, The Swamp Command (2006 Fish Pies). Vinyl, LP, Limited Edition. Pod Blotz is the electronic, experimental noise project of Suzy Poling, started in 2002. Limited to 320 numbered copies. 7:00 Rodger Stella, Kites, “Untitled” (side 1). from Interior Moon (2011 Mutter Wild). Both sides of the LP end in a locked groove. Rhythmic noise that is modulated in real time to gradually shift the timbres of the piece from beginning to end. 17:56 UW OWL, “Black Flag” from Thorn Elemental (2006 Phaserphone). Vinyl, LP, Limited Edition Recorded in 2003 on a broken, dust-filled concrete basement floor in Bushwick, NY. Die-cut record sleeve with letter-pressed inner tip-on. Copy 118 of edition of 333. Electronics and drum machines. Reminiscent of early Cabaret Voltaire. 3:13 Atmospheres Among the new arrival finds were several tracks that I categorize as atmospheric or ambient. Skanfrom, “A Fax” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:15 AGE, “Landscape” and “Electronics” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo with an affinity for ominous electronics. 9:12 AGE, “Hymalaya” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo. I wanted contrast this soothing electronic sound with the previous tracks from this group. 2:34 Tangerine Dream, “Ride on the Ray” from Underwater Sunlight (1986 Relativity). Composed, Performed, Produced by Chris Franke, Edgar Froese, Paul Haslinger. Recorded April 1986, Berlin, West Germany. Another entry into the TG catalog. This album has some sounds and textures quite like Le Parc from 1985. 5:31 Nobuyoshi Koshibe (越部信義), Takashi Kokubo (小久保隆), “Midnight Submarine” (ミッドナイト・サブマリ) from Urashiman Synthesizer Fantasy (未来警察ウラシマン シンセサイザー・ファンタジー) (1983 Columbia). Continuing the water theme, some nicely produced Japanese synth music. 5:44 Opening background music: Thom Holmes, “Blader-WW1” (2019 no label). 16:36   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Nuclear Submarine Connecticut. We aren't safer. We're becoming more dangerous. The USS Connecticut may have come close to sinking in the South China Sea. We've built up our military making high ranking officers wealthy working in our military industries producing weapons and it hasn't made us safer. We have the largest defense budget in the world and it's been used to protect our policy of the Petro-Dollar. We've controlled the price of oil for fifty years and we've been a debtor country for fifty years. No we aren't safer. MUSIC Carl Orff, Paul Haslinger, Robert Cobert, John Barry, Trent and Atticus Ross, Charles Wain.

Unser Interview mit Edwin Wendler vom 27.03.201300:00 Musikalischer Werdegang05:18 Umzug nach USA & Österreich08:03 Vorbilder12:00 Letztes Soundtrack-Album in der Sammlung15:21 Lieblingsinstrument18:27 Inspiration20:55 Komponieren: Handwerk oder Kunst24:43 Das Schönste am Komponieren27:07 Das weniger Schöne am Komponieren29:42 Erstes Projekt und Zeitfrage32:58 LieblingsGenre & Komponieren: Charaktere/Handlungsorte oder Filmstimmung36:35 Zusammenarbeit mit Paul Haslinger, John Ottman und Stephen Trask41:32 "Home The Horror Story"44:08 "Cheshire Adventure" & Kurzfilme allgemein48:20 Regisseurtyp50:56 Die moderne Filmindustrie55:26 Lieblingsfilm & Traumgenre58:02 Kommende und aktuelle Projekte60:37 Fünf Begriffe

  Reaction RT: The Irregulars (2:39:07)↑Consulting Fans Hope, Emma Grant, finnagain, Science, Johnlocked, and others react to the first episode of the new Netflix series, The Irregulars  The Irregulars on Netflix This segment was first released on May 1, 2021 in Episode 116: Ever Giving Fandom: A Fandom Life For Me! Music Credit Unless otherwise indicated, music is available for purchase through online retailers such as amazon.com and iTunes. Reaction RT: The Irregulars – Paul Haslinger, The Irregulars OST: The Irregulars (Main Theme) Production CreditsProducer/Editor: Hope Banner Art: Fox EstacadoDistribution funded by fans! Contact Email: bored@three-patch.comWebsite: https://www.three-patch.comFacebook: https://www.facebook.com/threepatchpodcastSkype: threepatch.podcastTwitter: https://twitter.com/threepatchTumblr: http://threepatchpodcast.tumblr.com/ How to CiteAPABy Three Patch Productions. (2021, May 1). Reaction Roundtable: The Irregulars Three Patch Podcast Episode 116 Ever giving Fandom: A Fandom Life For Me! Podcast segment retrieved from https://www.three-patch.com/casefiles//116-irregulars

Gil is a world renowned drummer who shares his deep passion and knowledge for Reggae drumming in this great episode. He takes us through all the sub genres such as ska, rocksteady, dub, and dancehall. Plus he teaches us about the legends in Reggae drumming such as Lloyd Knibb and Carlton Barrett and the gear that these Jamaican drummers would use when playing with icons such as Bob Marley, Peter Tosh, Lee Perry and many more. Here is some more info on Gil: Los Angeles native, Gil Sharone, is highly regarded as one of the most versatile session and touring drummers in the world, who is known for his creativity, authenticity and strong pocket. He is a multiple-time industry award winner as a drummer, but will often wear other hats as a co-writer, producer, and an educator/clinician. Gil came to notoriety in the rock world as a former member of  The Dillinger Escape Plan, Puscifer, Marilyn Manson, Stolen Babies and Team Sleep. However, he is widely known as an expert in other genres. Reggae, ska and rocksteady were part of his earliest influences along with jazz, funk, hip hop and fusion. Gil has established himself in the Jamaican drumming styles, authoring an award winning DVD and book entitled Wicked Beats, after playing with legends Eek-A-Mouse, HR of Bad Brains, Dave Wakeling of The English Beat, Fishbone, Western Standard Time Ska Orchestra and more recently with Slightly Stoopid, Morgan Heritage, and his current reggae/dub outfit, Gil, Migs and Rog. Gil is also an active member of a genre bending music collective, Saudade, where you can hear his jazz fusion collaborations with jazz greats John Medeski, David Torn, Robert Thomas Jr., Dr. Know and Chuck Doom. Gil's work further extends into the film/television world, working with composers Tyler Bates and Paul Haslinger. His work can be heard in Deadpool 2, Guardians of The Galaxy 2, all three John Wick movies, The Punisher (Netflix), Kingdom and Stumptown. He has also contributed both as a player and co-writer on the DC Comics: Dark Nights Metal Soundtrack, and his most recent work can be heard in the musical score for the live action Cirque du Soleil show, R.U.N.

This week on Dread Media, help ring in episode 700 with us as Desmond and Tom review the entire Resident Evil series! All six films get reviews this week, so make sure to jump in on the action of Milla being purty, poor continuity, and the inability to tell these movies apart. It ain't pretty, but it's really fun. Also, all of these songs are from the RE film series except one: "Invisible Wounds (The Sulutre Mix)" by Fear Factory, "Dirt" by Depeche Mode, "Vermilion" by Slipknot, "My World" by Emigrate, "The Outsider (Resident Renholder Remix)" by A Perfect Circle, "Flying through the air (Resident Evil Retribution main theme)" by Tomandandy, "Ascension (Resident Evil the Final Chapter OST) by Paul Haslinger, and "Rocket Collecting" by MIlla. You're all going to die down here. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week on Dread Media, help ring in episode 700 with us as Desmond and Tom review the entire Resident Evil series! All six films get reviews this week, so make sure to jump in on the action of Milla being purty, poor continuity, and the inability to tell these movies apart. It ain't pretty, but it's really fun. Also, all of these songs are from the RE film series except one: "Invisible Wounds (The Sulutre Mix)" by Fear Factory, "Dirt" by Depeche Mode, "Vermilion" by Slipknot, "My World" by Emigrate, "The Outsider (Resident Renholder Remix)" by A Perfect Circle, "Flying through the air (Resident Evil Retribution main theme)" by Tomandandy, "Ascension (Resident Evil the Final Chapter OST) by Paul Haslinger, and "Rocket Collecting" by MIlla. You're all going to die down here. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

Solénoïde (26.10.2020) - Entrez dans une zone d’hypersensibilité acoustique, zone où l’utilisation du casque haute-fidélité est vivement conseillée ! Pour un confort d’écoute optimal, la recherche d’un environnement calme s’imposera; vous pourrez ainsi apprécier ce programme dédié à l’exploration des musiques ambient. L’occasion de stimuler votre imaginaire dans un monde sonore d’où peuvent s’élever vagues éthérées comme bruits naturels…

It’s been a crazy spring/summer here in Oz, after all the fires & drought, the rains came, fires out but now the floods, landslides & extensive beach erosion, especially in New South Wales & Victoria. Heaviest falls in 30 years, some having a years worth in 48 hours & more to come. Let's look on the bright side we still have some storming music for you and I must omit it’s a very diverse selection. Philippe is a composer of new age music & ambient electro in the line of Jean-Michel Jarre, Vangelis & Era. Ex Tangerine Dream players Paul Haslinger and Peter Baumann new self-titled album Neuland. Exciting melodies and detailed subtleties of Mikael Fyrek. Through cosmic vortexes & comet zones the synthetic neo-kraut vessel E-Musikgruppe-lux-Ohr. Drawing influences from vintage ambient synth libraries, New Age/spiritual music and menacing horror film canon from Stateside Steve Moore, elements of genres as diverse as jazz post-rock and even classical can be heard playing their part in this original mind-bending tapestry by Yodok III, with many more simultaneously exquisite and deceptively unsettling music from our lineup. From the ladies, Internationally acclaimed harpist Kirsten Agresta, with beautiful introspective melodies and ambient soundscapes, modular exploration from sound designer Helene Vogelsinger, French composer Delphine Tesla with etherial bells chimes and atmospheric sounds, Irma Orm known as Demen, using her voice coolly calmly swathed in reverb with dark cavernous tones and slow rhythms which surround and envelop her & finally Dora Gaitanovici soaring voices against the mighty spacious filling chords of Thy Veils founder Daniel Dorobantu. Vintage tracks take us back to 1981 with Earthstar’s second album, Atomkraft Nein Danke! from the original vinyl version. Sequences Podcast No 167 03.00 State Azure ‘Sea Of Clouds’ (album Painted Skies) www.stateazure.bandcamp.com 14.55 Obukhovaudio ‘Blue Cyclone’ (album Darksequences) www.obukhovaudio.bandcamp.com 24.27 Philippe ‘Remember' (album Sharing Emotions) www.studio-mathusalem.bandcamp.com 27.55 Philippe ‘First Sight’ 31.36 Steve Moore ‘Your Sentries Will Be Met With Force’ (album Beloved Exile) www.stevemoore2600.bandcamp.com 36.43 AnAstromo ‘Celeritas II’ (EP Celeritas) www.anastromo.bandcamp.com 42.52 Paul Ellis ‘Interstellar Nataraja Part 2’ (album Interstellar Nataraja) ***www.groove.nl 53.48 Neuland ’Moons Ago’ (album Neuland) www.neuland.bandcamp.com 59.35 Neuland ‘Cascade’ 01.04.13 Delphine Tesla ‘Bells Of Ether’ (album Eko Lunae) http://www.delphinetesla.com 01.10.25 Phobos ‘Mentalscape’ (album A Visual Presence) www.phobos.bandcamp.com 01.20.24 David Parsons ‘Manipura’ (album Chakra) www.gterma.bandcamp.com 01.30.10 E-Musikgruppe Lux Ohr ‘Der Doppelgänger’ (DBL album Non Plus Ultra) *** https://e-musikgruppeluxohr.bandcamp.com 01.36.31 E-Musikgruppe Lux Ohr ‘Der Ewige Wanderer’ *** 01.44.14 Springer ’Shadow Map’ (album Internecine) www.springer.bandcamp.com 01.49.17 Springer ’Subsurface’ 01.53.47 Helene Vogelsinger ‘Dimension’ https://www.youtube.com/watch?v=gsYxPHWloqY 01.58.54 Daniel Dorobantu & Dora Gaitanovici ‘Acasa-In Millenium’ https://danieldorobantu.bandcamp.com 02.06.19 Demem ’Niorum’ (album Nektyr) www.demen.bandcamp.com 01.09.59 Yodok III ‘This Earth We Walk Upon’ (album This Earth We Walk Upon: Live At Dokkhuset 2010) *** https://yodokiii.bandcamp.com 02.20.21 Mikael Fyrek ’Bau’ (album Further Asunder) www.kahvicollective.bandcamp.com 01.24.30 Mikael Fyrek ‘Keres’ 02.30.05 Stan Dart ‘Loneliness’ www.stan-dart.com 02.35.13 Earthstar ‘Golden Rendevous’ (album Atomkraft? Nein, Danke!) 02.42.04 Earthstar ‘Garden’s End’ 02.44.53 Kirsten Agresta Copely ‘Riflessioni (Reflection)’ (album Around The Sun) www.musiccityharp.com 02.48.43 Kirsten Agresta Copely ‘Winter’s Bone’ 02.53.07 Robert Thies & Damjan Krajacic ‘Forest Path’ (album Blue Landscapes III: Frontiers) www.myndstream.com Edit ***

As we all huddle around the fireplace to escape the wintery weather this week, what better way to pass the time, than to pop on Geektown Radio and catch up with the latest tv news, film info, and listen to an exclusive interview with composer Michael Wandmacher!Michael is an American composer of music for film, television, and video games. His work is an interesting eclectic mix of genres, from films such as 'Drive Angry', ‘Piranha 3D’, ‘Punisher: War Zone’, and 'Ben 10: Alien Swarm' to tv shows such as 'Imaginary Mary', and ‘Night Stalker’ to games like ‘Bloodborne’, and ‘Twisted Metal’. His latest 2 projects are equally polar opposites, as his main tv show day job is providing the music for 80’s period sitcom ‘The Goldbergs’, whilst his latest movie project is ‘Underworld: Blood Wars’, which he takes over from composers Paul Haslinger and Marco Beltrami.If working in tv, film and gaming wasn’t enough, Michael also performs as remixer under the pseudonym "Khursor", remixing popular songs into more cinematic versions for use on tv and film. Below is an example of a remix he did for Sting's ‘Every Breath You Take’, which was featured on the trailer for the 3rd season of 'The Americans'.Also On This Week's Show:We coax Bex out of winter hibernation to chat about the tv shows and films we've been watching including 'The Grand Tour', the 'Crisis On Earth X' DC crossover, and... 'Jonathan Creek'...We take a look at all the latest tv & film news, including a round up of the headlines from the past week, the Quentin Tarantino 'Stark Trek' movie, trouble on the Queen biopic, and Netflix’s ‘The Umbrella Academy’ casting.We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.

Composer Edwin Wendler has quickly made a name for himself scoring some supremely engaging scores like Escape and The Right To Love: An American Family. He has also worked with some big-name composers like John Ottman, Stephen Trask and Paul Haslinger doing arranging, orchestrating and additional composing. For this interview Edwin shares about how he got started in music and eventually moved to Los Angeles to pursue film scoring. He shares about his techniques and approaches to some of his recent scores. Edwin also shares what he's learned while working with great composers like John Ottman, most recently as an additional composer on John's score to the blockbuster Non-Stop starring Liam Neeson. A truly great interview with an enormous talent. Interview Conducted By:Kaya Savas Special Thanks:Edwin WendlerPeter Hackman

Episodio dedicado al libro En defensa de la conversación de la profesora del MIT Sherry Turkle, publicado recientemente en español por la editorial Ático de los Libros. En un mundo desbordado en apariencia por la conversación digital a través de redes sociales, la profesora Turkle advierte sobre como los teléfonos móviles y las redes sociales han propiciado una conversación fragmentada, impersonal y que no fomenta la empatía. El libro de Sherry Turkle es una defensa a ultranza de la conversación cara a cara, como un medio para fomentar la creatividad y la capacidad de empatía. El libro es fruto de una sólida investigación académica y un análisis a partir de decenas de entrevistas con usuarios de diferentes edades. En defensa de la conversación es un libro que no censura la tecnología, sino que intenta revelar los retos que tenemos para adaptarla a nuestras necesidades personales y profesionales. Un libro muy interesante especialmente para padres y educadores. Enlace del libro en español en Ático de los Libros http://aticodeloslibros.com/index.php?id_product=106&controller=product Intro del episodio, charla TED de Sherry Turkle y música de fondo, It Speaks de Paul Haslinger, banda sonora Halt & Catch Fire. Encantado de recibir valoraciones, sugerencias o comentarios a este episodio. Visita mi web https://javierarcheni.com o la web del podcast https://republicaweb.es

Episodio dedicado al libro En defensa de la conversación de la profesora del MIT Sherry Turkle, publicado recientemente en español por la editorial Ático de los Libros. En un mundo desbordado en apariencia por la conversación digital a través de redes sociales, la profesora Turkle advierte sobre como los teléfonos móviles y las redes sociales han propiciado una conversación fragmentada, impersonal y que no fomenta la empatía. El libro de Sherry Turkle es una defensa a ultranza de la conversación cara a cara, como un medio para fomentar la creatividad y la capacidad de empatía. El libro es fruto de una sólida investigación académica y un análisis a partir de decenas de entrevistas con usuarios de diferentes edades. En defensa de la conversación es un libro que no censura la tecnología, sino que intenta revelar los retos que tenemos para adaptarla a nuestras necesidades personales y profesionales. Un libro muy interesante especialmente para padres y educadores. Enlace del libro en español en Ático de los Libros http://aticodeloslibros.com/index.php?id_product=106&controller=product Intro del episodio, charla TED de Sherry Turkle y música de fondo, It Speaks de Paul Haslinger, banda sonora Halt & Catch Fire. Encantado de recibir valoraciones, sugerencias o comentarios a este episodio. Visita mi web https://javierarcheni.com o la web del podcast https://republicaweb.es

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from 5 brand new albums. You’ll hear selections from Ramin Djawadi’s THE GREAT WALL, Paul Haslinger’s RESIDENT EVIL: THE FINAL CHAPTER, and Lorne Balfe’s LEGO BATMAN. Our re-recording of the week is Varese Sarabande’s new album featuring the piano music of Bruce Rowland called THE MAN FROM SNOWY RIVER AND OTHER THEMES FOR PIANO. And our video game selection of the week is Chris Tilton’s new score to DIVIDE; a game he helped produce. Our John Williams selection of the week is JAWS released in 1975. Our film music vault selection is Franz Waxman’s classic score to PEYTON PLACE released in 1957. And we end off the program celebrating the 40th anniversary of Clint Eastwood’s THE GAUNTLET featuring music by Jerry Fielding. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

IS THIS REALLY THE FINAL CHAPTER? Was this a fitting end to the RESIDENT EVIL cinematic saga? Can we expect more? Tracy B joins Fish and Connor for one final chat about the Resident Evil franchise with a full review of RESIDENT EVIL: THE FINAL CHAPTER! LOOK OUT! SPOILERS AND EXPLICIT LANGUAGE! And don't forget you can find all of our reviews on iTunes, Podbean and Stitcher. Subscribe now and never miss an episode! Fish and Connor Saw a Movie does not own any rights to the film 'Resident Evil: The Final Chapter', its marketing or its soundtrack and no infringement is intended. The track 'Entering Racoon City' is perfromed by Paul Haslinger and the track 'The Good, the Bad and the Ugly (Titles)' is performed by Ennio Morricone.

I'm sure by now that most of you have seen or heard about the TV show "Stranger Things" on Netflix.  If you haven't seen it, definitely check it out. It totally rips off Close Encounters, ET, Poltergeist, Stand By Me, Firestarter, etc. but it doesn't matter because it's ripping them off in a loving way. The same is true for the soundtrack.  It's got a great analog synth sound reminiscent of Tangerine Dream and John Carpenter soundtracks.  The minute I heard the Stranger Things theme I knew I had to make a mix featuring the new retro sound. Even though the music in this mix sounds like it's from the 70s or 80s all of it is new, with most cuts being from 2015 & 2016.  In addition to the Stranger Things theme I of course had to include the Tangerine Dream remix of it. Thanks to Mike of Ambient Music Guide for the heads up on the soundtrack from Halt & Catch Fire by Paul Haslinger. It's fantastic!  Another soundtrack that made it's way into the mix is from Mac Quayle music for Mr. Robot - more analog loveliness. I hope everyone enjoys the mix, I know had a ball putting it together. Cheers! T R A C K L I S T: 00:00    Kyle Dixon & Michael Stein - Stranger Things 01:04    Tangerine Dream - Stranger Things Theme Remix 03:17    Harry Gregson-Williams - Hexadecimals 05:30    Paul Haslinger - Macmillan Utility 06:55    Pye Corner Audio - Approach 08:40    John Carpenter - Utopian Façade 12:04    Mac Quayle - trustyourself 15:15    Prins Thomas - B 22:30    The Analog Roland Orchestra - Lay Down 24:36    20SIX Hundred - Collapse of Classical Reality 27:07    Panabrite - Sunlight Dive 29:33    Kyle Dixon & Michael Stein - Hanging Lights 30:48    Nonkeen - Happy Juno 33:15    Paul Haslinger - A Wolf in Unix 34:21    Jean Michel Jarre - The Heart of the Noise 36:54    Mac Quayle - m0rphine 38:40    Pye Corner Audio - Vorsicht 41:02    Cliff Martinez - Son of Placenta Previa 43:15    Qluster - von weiter ferne ganz nah 49:45    Pye Corner Audio - Sleep Chamber 52:00    Bop - Odd Meaning 55:21    Panabrite - Dune 59:15    Kyle Dixon & Michael Stein - Cops are Good at Finding 60:12    Paul Haslinger - It Speaks 64:15    end

Lakeshore Records Podcast No 6 www.lakeshorerecords.com Tony Giles talks to composer Paul Haslinger about his soundtrack for the hit AMC show, Halt and Catch Fire. Recorded and Edited by Tony Giles

Well, we thought this episode was going to a quick one but boy did we have a lot to say about Poncho, Rainbow Six Siege and Invisible Inc. These juicy details and more on this week's Game Byes Show! Intro: "PONCHO" - PONCHO, by Jack Odell. Outro: "Load Out" - Rainbow Six: Siege, by Ben Frost & Paul Haslinger

Episode #5: Intv. Andrew Skrabutenas (The Hunt for Gollum) Recorded April 18, April 24, 2009 Published April 24, 2009 Episode Highlights 00:35 - Introduction 04:10 - New Releases 07:51 - The Soundcast Spotlight: Marius Masalar 11:42 - Interview: Andrew Skrabutenas 22:37 - Interview Preview: Paul Haslinger 25:38 - Close Music Clips (Select musical clips contained in this podcast) 00:00: The Hung for Gollum: "Journeying" 03:42: The Escapist: "End Titles" 04:43: Assassins Creed: "City of Jerusalem" 06:01: Fast and Furious: "Memorial" 07:07: Heroes: "Title" 07:24: The Last House on the Left: "The House" 07:43: Lost World Returns: "Prologue" 08:13: Lost World Returns: "Spitfire Gameplay" 11:09: The Hunt for Gollum: "Journeying" 16:31: Fellowship of the Ring: "The Bridge of Khazad Dum" 18:24: The Hunt for Gollum: "Gollum" 19:59: The Hunt for Gollum: "Theme Suite" 22:20: X-Men Origins Wolverine (VG): "Gambit Fight" 24:35: X-Men Origins Wolverine (VG): "Menu"

Rhythms, grooves and assorted funkiness from Astromill, Jon Anderson, Exxos, Pete Namlook, Paul Haslinger and others.

Rhythms, grooves and assorted funkiness from Astromill, Jon Anderson, Exxos, Pete Namlook, Paul Haslinger and others.

From Delhi to Timbuktu; music inspired by the rhythms of India and West Africa, from Caitlin Marin, Vas, Azam Ali, Paul Haslinger, Paolo Modugno and Daniel Bouliane.

From Delhi to Timbuktu; music inspired by the rhythms of India and West Africa, from Caitlin Marin, Vas, Azam Ali, Paul Haslinger, Paolo Modugno and Daniel Bouliane.