Podcasts about Pressburger

A Canterbury Tale (1944) / Three the Hard Way (1974) This week we're talking threesomes as we make a propaganda pilgrimage with Powell & Pressburger and try to stop a genocidal plot with Gordon Parks Jr.'s action supergroup

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I'm Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell's infamous (and masterful) opus Peeping Tom, the duo's later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell's autobiography, and the career of Jennifer Jones. Be sure to give us a follow on social at @tfsbside.bsky.social.

Michelle is back to conclude our conversation about the remarkable films of Michael Powell & Emeric Pressburger, this time with looks at the brilliant A Matter of Life and Death and Thief of Bagdad.Then it's time for the really good stuff as each of us rate the P&P films - and agree on our top choice.As always, we think this is a fun and interesting listen.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I'm Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell's infamous (and masterful) opus Peeping Tom, the duo's later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell's autobiography, and the career of Jennifer Jones.

Hosts Josh and Jamie and special returning guest Andrew Law (of Boonta Vista) discuss ultraviolent men-on-a-mission films with a double feature of Hong Kong martial arts legend Sammo Hung's Heroic Bloodshed/kung fu version of maximalist RAMBO-esque Vietnam War action spectacle EASTERN CONDORS (1987) and classy Powell & Pressburger cinematographer Jack Cardiff's surprisingly nasty and gruesome DIRTY DOZEN inspired Congo Crisis adventure pulp actioner DARK OF THE SUN (1968). Next week's episode is a patron-exclusive bonus episode on 90s submarine thrillers: THE HUNT FOR RED OCTOBER (1990) + CRIMSON TIDE (1995), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:03 EASTERN CONDORS // 12:03-1:23:20 DARK OF THE SUN // 1:23:20-2:32:50 Outro // 2:32:50-2:34:40 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Se dice que los que hacemos habla más fuerte que todas nuestras palabras. No siempre es cierto, pero hay ocasiones en que lo único que podemos decir es con nuestros actos. Jesús dice que hay algo en lo que se reconocerá a sus discípulos, que es en su amor, los unos por los otros (Juan 13:35). Este capítulo comienza con el ejemplo de humillación del Señor lavando los píes a sus siervos (vv. 1-20). El que fuera guitarrista de Bob Dylan en la gira que hizo hace medio siglo, T-Bone Burnett, se ha convertido en uno de las figuras más importantes de Nashville, como productor y autor de bandas sonoras, pero continua haciendo canciones como esta de su último álbum, que que refleja su fe en el Rey Siervo, "Él descendió" (He Came Down 2024). Marcus Mumford es hijo de los responsables de la Comunidad de la Viña durante más de veinte años en Gran Bretaña e Irlanda. Pasó de dirigir la música de alabanza a ser una estrella de "rock" y casarse con una de las más populares actrices inglesas, Carey Mulligan, que conoció en un campamento evangélico. Ahora no se llama cristiano, pero hace todavía canciones que parecen oraciones, como "Bajo mis píes" (Below My Feet 2012): "Qué mire en lo que pueda servir y aprender con mis manos / cuando Jesús me diga que todo está bien". La entrega de Jesús contrasta con la traición de Judas (vv. 21-30). El líder del grupo The Verve, Richard Ashcroft, llevaba mucho tiempo flirteando con el cristianismo hasta que hizo pública su fe, al emprender su carrera en solitario. En la canción que hizo con el grupo sobre "Judas" en 2008, lucha con los sentimientos que nos llevan a negar a quien más queremos. Martin Scorsese ha hecho el año pasado un documental sobre las impresionantes películas de dos directores ingleses en los años 40 y 50, Powell y Pressburger. Una de las más sorprendentes es "Narciso negro" (1947), la historia de una comunidad de monjas anglicanas (sí, ¡también hay monjas anglicanas!), que bajo la dirección del personaje que interpreta Deborah Kerr, forman un convento en los Himalayas, donde tenía un rajá indio, el palacio de su harén. Viven la tensión entre un cínico inglés y un joven general fascinado por el cristianismo, que encarna el actor indio Sabu. José de Segovia comenta algunas escenas de la versión doblada con la música de fondo de la banda sonora original de Brian Easdale. Suena también la de Gregoire Hertzel para la película francesa sobre una monjas polacas embarazadas, al ser violadas por las tropas rusas, "Las inocentes" (2016). así como la de Anne Dudley para el film sobre la monja mística "Benedetta" (2021) del holandés Paul Verhoeven, criado por su madre en una iglesia pentecostal. "Sin amor, no eres nada", dice Larry Norman en su crítica al "Justo Rockero" (Righteous Rocker) en el primer álbum de la maravillosa trilogía que comenzó a grabar en Londres en 1972, "Sólo de visita en este planeta" (Only Visiting This Planet), calificado por la Biblioteca Nacional del Congreso estadounidense como "la obra clave de la historia del rock cristiano". Acabamos el programa con la invitación a unirse a la "Caravana del amor" (Caravan Of Love) de los hermanos Isley en 1985 y su pregunta de si "estás preparado", porque "Él viene".

Nachrichten, Tagesthema, Magazin – Konzert der Preisträger des „Pressburger Paganini“ in Wien. Die Architektur von Bratislava mit den Augen von Štefan Cipár (nicht in der Podcast-Ausgabe enthalten).

A real blast from the past this week, Rob is back on the show! But for real, we are all the way back in the 40's this week, with 1946's A Matter of Life and Death. Jake's first introduction to the British directing duo of Powell and Pressburger, and what an introduction it is. The two dig into the film, talk about what works, what doesn't hold up, and then Jake waxes a lot of poetic about how the movie is secretly gay. It's a good time!

Welcome to It's A Wonderful Podcast! A fantastical series for February on the main show as Morgan and Jeannine look at a variety of heightened, stylised, and other worldly movies from Old Hollywood and Britain that emphasise some incredibly moving themes! Powell & Pressburger's deeply romantic, hyper spiritual, and grandly stylised tale of the power of love over death in time of war and tragedy, and how human togetherness is the key to a life worth living for Morgan and Jeannine this week as they celebrate A MATTER OF LIFE AND DEATH (1946) starring David Niven, Kim Hunter & Roger Livesey! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!!

Michelle is back to continue her exploration with Jason of the films of Michael Powell - this time without his longtime partner Emeric Pressburger. What sorts of things does Powell create without his longtime partner? One of the things he delivers is the deeply upsetting and strange Peeping Tom, a movie much scathed when it was first released but which has re-emerged into public esteem. Jason ercently had a change to see Peeping Tom in a rapt theatre, and has a great chat with Michelle about the uncanny, fascinating nature of the film. Then they get over to talking about Age of Consent, which on the surface feels like it might be a pervy excuse for James Mason to stare at a much-too-young Helen Mirren (who spends much of the film naked). The movie actually has surprising depth, especially in the larger context of all of Powell's career, so that is an interesting thread for our hosts to pull on.

Michelle is back again to continue our discussion of the beautiful films of Michael Powell and Emeric Pressburger. This time we look at perhaps P&P at their most exquisite, as we discuss how The Red Shoes, The Tales of Hoffmann and Bluebeard's Ghost all appeal to us, who aren't opera or ballet fans but who love a beautiful film. The big surprise for us was Bluebeard's Ghost, a short film for German TV that's rarely seen today. We tracked down a copy and found the film gorgeous in its minimalism - well, hey, listen to the pod to hear what we thought of it in detail!

Michelle is back to hang out again with Jason and discuss the amazing films of Michael Powell and Emeric Pressburger. This time they look at a great combination of classic and obscure P&P films, all of which have to do in some way with war and its impact on people: 49th Parallel, The Life and Death of Colonel Blimp and The Small Back Room. The pair get into a discussion of the complex ways P&P think about war, their flawed lead characters, and the basic humanity of these characters. It's a great listen and we hope you enjoy this week's show!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005

This week, we're feeling the documentary Made In England, the films of Powell & Pressburger, and Agatha All Along. We then discuss Sean Baker's newest film, Anora.  Follow us on Twitter: https://twitter.com/FeelingItPod Leave a review on iTunes: http://apple.co/1PXfRMS  Feel free to use the chapter buttons to skip between segments!

Halloween is over, which means Christmas is creepin' upon us so who better to start making your shopping lists with than Erik Childress and Peter Sobczynski on this week's physical media show. They include a pair of Christmas films including a perennial classic and a more modern one with a Wham twist. The king of the monsters has its origin upgraded to 4K by Criterion. Samuel L. Jackson goes to Yemen and Mel Gibson goes to Vietnam in a pair of military films just before Veterans Day. One of the original babysitter horror films gets a 4K upgrade and you can also see the first French adaptation remade as a particularly awful Ashley Judd film. Finally, there are a trio of film documentaries ranging from Powell and Pressburger to The Monster Squad to the year 1982 plus one of the all-time classic sitcoms gets the Blu-ray treatment. 0:00 - Intro 0:58 – Criterion (Godzilla 4K) 6:29 – Universal (Last Christmas 4K) 13:23 – Paramount (White Christmas 4K, We Were Soldiers 4K) 26:08 – Kino (Rules of Engagement 4K, Fright 4K, Deadly Circuit, Made in England, Wolfman's Got Nards) 52:17 - MVD (1982: Greatest Geek Year Ever) 59:22 – Television on Blu-ray 1:06:42 – New Theatrical & Streaming Titles On Blu-ray 1:14:20 – New Blu-ray Announcements

As November marks the TV premiere on BBC 2 of Made in England: The Films of Powell and Pressburger, as well as a season of films on the BBC and iPlayer, Ellen E Jones and Mark Kermode explore the films of these two titans of British Cinema.Film and culture writer, Lilian Crawford shares with Mark why the works of Powell and Pressburger are a matter of life and death, and how the duo's technicolour films took their cue from the worlds of ballet and opera. Mark also speaks to British filmmaker Jeanie Finlay, for whom Powell and Pressburger's films hold a strong personal allure. She discusses the technical wizardry and in-camera magic found across their productions, and how that has inspired her own image-making. Meanwhile, Kevin Macdonald, the Academy Award-winning filmmaker and grandson of Emeric Pressburger, shares with Ellen how some Powell and Pressburger films are nuanced examples of wartime propaganda, and why some still resonate and remain relevant to Britain today. Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

Starting yet another series on Jason and the Movienauts, this time talking about the beautiful, transcendent films of Michael Powell and Emeric Pressburger. Michelle joins Jason and the duo talk about their deep appreciation for I Know Where I'm Going, A Canterbury Tale and Black Narcissus - three films which are all about travel in some way, and all of which find uniquely P&P insights into the idea of travel. It's a great conversation full of smart thoughts and we hope you enjoy!

Happy Halloween! Duncan Skiles, director of the chilling The Clovehitch Killer and the forthcoming comedy thriller Neighborhood Watch, went trick or treating into the oubliette and brought back a Peeping Tom. This proto-slasher from Michael Powell, one half of the famous British duo Powell and Pressburger, emerged in the same year as Hitchcock's Psycho and explores similar territory: a handsome, unassuming man with a homicidal compulsion spurred by parental abuse. But while one film was an instant box office sensation that became a landmark in horror history, the other was savaged by scandalised critics and destroyed its director's career. Rescued from obscurity over a decade later by Martin Scorsese, Peeping Tom has become an influential cult favourite. But does it deserve to escape the oubliette with a fulsome sack of calorific treats? Or should it be thrown back with some candy corn and a rotten apple? Find out! Follow Duncan Skiles on Instagram, Facebook or his website! Look out for Neighbourhood Watch in Spring 2025. Follow us on Tiktok, Facebook and Instagram. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

On the audio version of the latest ep of ChinStroker VS Punter Paul and Mike talk about A WHOLE LOAD of what they have been watching including: Episode timings: 00:00 - Intro 01:08 - Rings of Power 19:51 - The Films of Powell and Pressburger 26:04 - The Lone Gunmen 35:20 - Final Destination 42:42 - Nothin But a Good Time: The Uncensored History of Hair Metal 54:20 - Night of the Comet 01:03:040 - Gary 01:12:08 - The Creation of the Humanoids Subscribe (and review us) at Apple Podcasts Check out Mike's other show  The Rewatch Project Check out Mike's new video series covering 80's action TV shows Rolling Thunder Feedback appreciated at chinstrokervspunter@gmail.com and hang with us on facebook Video version of the podcast available on the Chin Stroker VS Punter YouTube Channel  

Vasárnap véget ért az idei, hetedik Budapesti Klasszikus Film Maraton, amelyet az NFI, illetve az NFI-hez tartozó Filmarchívum szervezett. Mind a ketten több filmet is megtekintettünk a több mint száz előadás közül, különkiadásunkban ezekről a vetítésekről számolunk be.  Az alábbi filmekről és a vetítésekkel kapcsolatos élményeinkről hallhattok: A zenedoboz (Music Box, Costa-Gavras, 1989) - 00:05:30 Lisszaboni történet (Lisbon Story, 1994, Wim Wenders) - 00:14:14 Alice a városokban (Alice in den Städten, 1974, Wim Wenders - 00:24:30 Made in England - Powell és Pressburger filmjei (Made in England - The Films of Powell and Pressburger, 2024, David Hinton) - 00:32:45 A zen érintése, Sárkány fogadó (1971, 1967, King Hu) - 00:44:55 Rám csaj még nem volt ilyen hatással (1994, Reich Péter) - 01:18:45 Sci-fi a századelőn – Filmkoncert a Jérôme Seydoux–Pathé Alapítvány némafilmjeiből - élőzenés némafilmvetítés a BMC-ben - 01:32:00 Adásunk az NFI-vel együttműködésben jött létre, ebből következően termékelhelyezést hallhattok benne.  Ha böngészni akarjátok az általunk említett filmeket, a BKFM weboldalán megtehetitek. Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

On this episode of Recommend or Refute, Dixon brings Made in England: The Films of Powell and Pressburger, a documentary that --despite his opinions of England-- has impressed him with its historic insights and its Scorsese affiliation. As far as you know, John brings the first horror movie "made for home video audiences" (as far as we know) with Blood Cult (1985). Ryan pushes us home as he talks about his family viewing of Little Miss Sunshine (2006). Get in the van, y'all, we're going off-roading for some of this episode, but by the end we'll be in California.

After his 1980s collaboration with legendary filmmaker Michael Powell on a documentary chronicling Powell's career, director David Hinton knew the story was only half told. Now, Hinton returns with the complete portrait of The Archers, Britain's visionary filmmaking duo, Michael Powell and Emeric Pressburger. In this episode, Hinton sits down with host Elliot to reveal why only Martin Scorsese could narrate the intertwined lives of these cinematic icons, the enduring magic of Powell & Pressburger's films, and how their partnership—rooted in friendship and migration—redefined British cinema. This documentary isn't just a tribute, it's a celebration of how two kindred spirits shaped the art of film forever. Book your tickets for Made in England: The Films of Powell & Pressburger @ LAB111 Show Notes & Films Mentioned

On the two hundred and forty-seven episode of THE THIRD ACT PODCAST, the crew are fiends for mojitos.Christian and Jericho are joined by guest Robert Gassaway from The Flicksation Podcast for a very special Michael Mann-themed episode entitled "Auteurist Trash 2: Waste MANNagement". First, however, they launch into Horizon: An American Saga-Chapter 1, The People's Joker, Made in England: The Films of Powell & Pressburger, and the Olympics coverage during the Recently Watched segment before grabbing their digital camcorders for reviews of two notoriously maligned films from Mann's back catalog, 2006's MIAMI VICE and 2015's BLACKHAT.They also discuss vibe-based filmmaking, Audioslave needle drops, and the possibilities of a Hola Chica extended cinematic universe.Follow Robert on his podcast! https://flicksation.libsyn.com/home/2020/04Keep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

You demanded it. We listened. Presenting: More Martika talk. Featuring... What's This Shit? - A bad movie vaguely described. Corey has to guess what it is. Except the movie Rachel describes is... a good movie??? What We're Watching - Thelma, Civil War, The Teachers' Lounge, Made in England: The Films of Powell and Pressburger (playing at the Sidewalk Cinema Aug. 16-18! www.sidewalkfest.com!), Bound Hosted by your own personal cinematic Violet Affleck and Ben Affleck! Music by Splash '96 Recorded & Edited by Boutwell Studios Write us about your Martika Fever at podcast@sidewalkfest.com!! Never gonna stop talking about Martika!! Sidewalk is on Threads! Follow us! Join us at the 26th annual Sidewalk Film Festival Aug. 19-25! Get tickets and passes now at www.sidewalkfest.com!

Are you ambitious? Would you be able to sacrifice love for art? Would you succumb to the allure of the dance. Hopefully, you don't miss your quick change as tonight Good Movie Podcast? spins into Powell and Pressburger's The Red Shoes (1948). When the cold-hearted impresario, Lernmatiov plucks both a talented composer and a flawless dancer from obscurity how will their passionate love triangle influence the drama on and offstage? This film has adorned the top of many great film lists and has influenced every cinephile from London to Monte Carlo. Join us tonight as we view this cautionary tale full of dance, music, and artistry. Why do we podcast? Why do you live?  Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: Cab Calloway, Irving Mills and Clarence Gaskill – “Minnie the Moocher” – RCA Instrumental/Karaoke Version Dave Flesischer – “Let's All Go to the Lobby”- National Film Registry/Library of Congress Kansas Joe McCoy, Herb Morand– “Why Don't You Do Right” – Claudia Santoro Instrumental/Karaoke Version

Send us a Text Message.5:43 Trap22:08 The Instigators30:12 Kneecap37:12 Sing Sing46:06 Coup!52:46 Doctor Jekyll59:19 Sebastian1:05:40 Detained01:13:31 War Game01:21:14 Made in England: The Films of Powell and PressburgerOn this week's  'Roger (Ebert) & Me,' an imitation 'Siskel & Ebert' movie review show that keeps 'At The Movies' alive, film critics Brett Arnold of The New Flesh & markreviewsmovies.com's Mark Dujsik take on ten (10) new release movies out in theaters and streaming the week of Friday August 2nd 2024 (08/02/2024).Check out markreviewsmovies.com for several more movies reviewed by Mark. Brett's a slacker!For more on TRAP, check out The New Flesh,  Brett's other show, out on Monday. Thank you to Banshee Beat for the incredible original theme song.  Alien Ant Farm's music video for 'Movies' closes the show.  And thanks to Mary Houlihan for the killer hand-drawn artwork."Roger (Ebert) & Me" is a celebration of the late, great Roger Ebert, aiming to keep his unique spirit of film criticism alive by reviewing new movies in the easily digestible format that he pioneered. In other words, it's a movie review podcast. A podcast for regular moviegoers and people who like to keep up with new release movies.Every Friday, join Brett and veteran film critic Mark Dujsik as they review all the movies set for theatrical or streaming release that day and let you know if they're worth your time and money. 

Does director Lee Isaac Chung (“Minari”) put his stamp on”Twisters”? Adam and Josh debate. Plus, Martin Scorsese celebrates The Archers in the new doc “Made in England: The Films of Powell and Pressburger.”   (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:02) Review: “Twisters” (00:02:03-00:38:39) Next Week, Notes (00:38:40-00:47:03) Massacre Theatre (00:47:04-00:52:41) The Films of Powell and Pressburger (00:52:42-01:23:41) Notes/Links: -“Made in England: The Filmspotting of Powell and Pressburger” https://cohenmedia.net/product/made-in-england-the-films-of-powell-and-pressburger -Follow @filmspotting on Instagram https://www.instagram.com/filmspotting -“Unspooled” with Amy Nicholson and Paul Scheer https://www.unspooledpodcast.com/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest film releases include Deadpool & Wolverine, Didi, The Fabulous Four, and Made In England: The Films of Powell and Pressburger. Weighing in are Shawn Edwards, film critic for FOX4 News in Kansas City and co-founder of the African American Film Critics Association, and Katie Walsh, film reviewer for The Tribune News Service and The Los Angeles Times.

Want to grab food in Santa Ana before heading to KCRW’s Summer Nights at the Bowers Museum on Aug. 10? Consider Chapter One, Alebrijes, Heritage BBQ, and more. Gov. Gavin Newsom announced new efforts to clear homeless encampments on state land, and issued guidelines to California cities to do the same. Critics say the policy is unlikely to fix the problem.  Friday is the opening of The Paris Olympics, which includes a new competitive sport inspired by break dancing. It may be the last Olympics for some of the most dominant American athletes in recent history. Critics review the latest film releases: “Deadpool & Wolverine,” “Didi,” “The Fabulous Four,” and “Made In England: The Films of Powell and Pressburger.”

It's not every day you talk to Martin Scorsese's editor AND the wife of Michael Powell, Thelma Schoonmaker. But Emily and I did as part of the release of the new documentary Made in England: The Movies of Powell and Pressburger. Schoonmaker and director David Hinton sat down with us to discuss what makes Powell and Pressburger iconic directors, Thelma's work with Scorsese, and more! (This might be the highlight of our year.) Made in England is in theaters now! This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins McF Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Debbi Lynne J Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Brittany Brock Cat Cooper Daniel Tafoya David Baxter Diana Madden Emily Edwards Harry Holland Lucy Soles Nick Weerts Paul Rosa Tammy Sara Folger

Legendary filmmaker Martin Scorsese first encountered the films of Michael Powell and Emeric Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic - real film magic.” In the documentary film, Made in England, The Films of Powell & Pressburger, director David Hinton, with the help of Scorses tells the story of his own lifelong love-affair with their movies, including The Life and Death Of Colonel Blimp, Black Narcissus, The Red Shoes and The Tales of Hoffmann. Drawing on a rich array of archive material, Hinton explores in full the collaboration between the Englishman Powell and the Hungarian Pressburger - two romantics and idealists, who thrived in the face of adversity during World War II but were eventually brought low by the film industry of the 1950's. Scorsese celebrates their ability to create “subversive commercial movies” and describes how deeply their films have influenced his own work. Director David Hinton (Dead Dreams of Monochrome Men, Strange Fish) joins us to talk about how long it took this project to be completed, working with Scorsese and his role as the film's guide through their work, Scorsese's personal connection to Michael Powell and the impact their work continues to have on filmmakers. For more go to: cohenmedia.net/made-in-england-films-of-powell & pressburger

This week, we review Longlegs. We also discuss our Cinematic Police Squad in Concessions of a Cinephile, and more! The Bloody Awesome Movie Podcast delivers a spoiler-free film review, usually a new release with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture-related topics in a series of segments. For some movies, a bonus episode that is full of spoilers will drop a few days later.  Review of Longlegs Director, writer, and cast provided by Letterboxd.com IMDb.com Synopsis: In pursuit of a serial killer, an FBI agent uncovers a series of occult clues that she must solve to end his terrifying killing spree.. RATINGS: 86% RT critic  65% RT audience 78 Metascore,  7.4 IMDb user score 3.6 Letterboxd,  RELEASE location / DATE: now playing Concessions of a Cinephile In this segment, we switch to movie-motivated conversations of a large variety that could include headlines, trailers, top five lists, best of, competitions, etc…. Topic Cinematic Police Squad Movies about cops, FBI Agents, detectives, etc, are among some of our favorites. Their process of catching the bad guys is often so compelling. Archetypes: The loose canon, the sleuth, the rookie, grizzled veteran, crooked, undercover, and others… Loose Canon - Popeye Doyle - French Connection William Somerset - Se7en Clarise Starling - Silence of the Lambs Nicholas Angel - Hot Fuzz Gary Johnson - Hit Man Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's consumption Exhuma The Acolyte finale, Euro 2024 Jon's consumption The Postman, The Big Chill, Made in England: The Films of Powell and Pressburger, Poms, Klute, Stagecoach, Before the Devil Knows you're dead, Henry: Portrait of a serial killer Listen on Spotify | Apple Podcast | Stitcher BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.comBerkreviews.com | WhatIWatchedTonight.co.uk --- Support this podcast: https://podcasters.spotify.com/pod/show/bloody-awesome/support

“Made In England: The Films Of Powell And Pressburger” had its world premiere at the Berlin International Film Festival earlier this year, where it received rave reviews for delving into the films and careers of two of the greatest storytellers the medium as ever known: Michael Powell and Emeric Pressburger. From “Black Narcissus” to “The Red Shoes,” to “A Matter of Life and Death,” to “The Tales of Hoffmann,” their collaboration inspired a generation and is still revered for their daring artistry to this day. Director David Hinton and Executive Producer Thelma Schoonmaker (and Powell's widow wife) were both kind enough to spend a few minutes answering questions about the documentary, which is now playing at Quad Cinema in New York City and will open in Los Angeles at the Landmark's Nuart Theater on July 26th with a national rollout to occur afterward. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Martin Scorsese and his long time editor Thelma Schoonmaker have delivered another marvelous piece of film history with their new documentary, "Made in England: The Films of Powell and Pressburger." Schoonmaker analyzes the impact of one of the most important cinematic partnerships of all time, and shares stories of how her late husband Michael Powell advised Scorsese on several of his early films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Als Thelma Schoonmaker 1980 als Cutterin und Editorin von Martin Scorsese begann, war sie als Frau in der Branche eine absolute Ausnahme. Heute ist sie 84, eine Legende – und unser Gast. Wir schauen in ihre Doku "Made in England – The Films of Powell & Pressburger".**********Ihr hört in dieser Folge von "Eine Stunde Film":00:02:12 - Filmreview "Made in England - The Films of Powell & Pressburger" (Kino / Mubi)00:09:34 - Interview Thelma Schoonmaker (Editorin von Martin Scorsese, Produzentin "Made in England")00:18:38 - Serienreview "Eric" (Netflix)00:23:50 - Serienreview "Wo wir sind, ist oben" (ARD Mediathek)00:31:36 - Serienreview "Wir Weltmeister" (ARD Mediathek)**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Graeme is an old friend of the podcast. We've talked to him in the past about his books on Phil Lynott and John Martyn. ‘Under The Ivy: the Life And Music of Kate Bush' first appeared in 2010, and was revised in 2015 after her Before the Dawn concerts and it's now been updated again as, despite no new music or public appearances, her worldwide reputation has rocketed through the roof. We look back here at various key points in the story including ...   … why the way she made records was ahead of its time. … the ‘70s footage and recordings that were “supressed”. … the “reclusive” decade and how the press filled the vacuum. … divinely daft and humorous TV appearances eg with Delia Smith: “Waldorf Salad – that's got waldorfs in it!” … her bohemian childhood and the powerful influence of male counterparts, particularly eldest brother and erotic poet John Carder Bush. … the unconventional Smash Hits interview of 1981. … the ‘Before the Dawn' concerts and the reason she staged them. … her seven-year stand-off with Top Of The Pops. … her ‘70s rock group – the KT Bush Band (still going!) – and the songs they played eg The Stealer by Free, Brooklyn by Steely Dan, Shame Shame Shame by Johnny Winter. … Danny Baker's NME review – “nothing she writes about matters”. … Pamela Stephenson's vicious pastiche and Alan Partridge's part in her comeback. ... Talk Talk, Blackadder, Monty Python, Powell & Pressburger, Oscar Wilde, Celtic folk, the Pre-Raphaelites and other early influences. … and the advantage of never being cool. Order 'Under The Ivy' here …https://www.amazon.co.uk/Under-Ivy-Music-Omnibus-Remastered/dp/1915841356Find out more about how you can help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Graeme is an old friend of the podcast. We've talked to him in the past about his books on Phil Lynott and John Martyn. ‘Under The Ivy: the Life And Music of Kate Bush' first appeared in 2010, and was revised in 2015 after her Before the Dawn concerts and it's now been updated again as, despite no new music or public appearances, her worldwide reputation has rocketed through the roof. We look back here at various key points in the story including ...   … why the way she made records was ahead of its time. … the ‘70s footage and recordings that were “supressed”. … the “reclusive” decade and how the press filled the vacuum. … divinely daft and humorous TV appearances eg with Delia Smith: “Waldorf Salad – that's got waldorfs in it!” … her bohemian childhood and the powerful influence of male counterparts, particularly eldest brother and erotic poet John Carder Bush. … the unconventional Smash Hits interview of 1981. … the ‘Before the Dawn' concerts and the reason she staged them. … her seven-year stand-off with Top Of The Pops. … her ‘70s rock group – the KT Bush Band (still going!) – and the songs they played eg The Stealer by Free, Brooklyn by Steely Dan, Shame Shame Shame by Johnny Winter. … Danny Baker's NME review – “nothing she writes about matters”. … Pamela Stephenson's vicious pastiche and Alan Partridge's part in her comeback. ... Talk Talk, Blackadder, Monty Python, Powell & Pressburger, Oscar Wilde, Celtic folk, the Pre-Raphaelites and other early influences. … and the advantage of never being cool. Order 'Under The Ivy' here …https://www.amazon.co.uk/Under-Ivy-Music-Omnibus-Remastered/dp/1915841356Find out more about how you can help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

BRIT PICK! Stand up and salute the Union Jack, 'cause Jason keeps us seaborn with this week's film THE BATTLE OF THE RIVER PLATE! Can it hang with the other films? Did Paste Magazine even watch this one? It's Powell and Pressburger, for chrissakes. Next week: The director of Kanal is BACK... in pog form. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) The Battle of the River Plate stars Bernard Lee, Peter Finch, John Gregson, Anthony Quayle, Ian Hunter, Jack Gwillim, Patrick Macnee, Andrew Cruikshank, Anthony Newley and Christopher Lee; directed by Michael Powell and Emeric Pressburger. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Universal 1946 episode, we chose a B-movie double bill, The Cat Creeps (directed by Erle C. Kenton, best known for Island of Lost Souls) and She-Wolf of London (directed by Jean Yarbrough, Abbott and Costello specialist), hoping for hidden gems. But did we find any? And in the Fear and Moviegoing in Toronto segment, our Powell and Pressburger retrospective viewing continues with Black Narcissus and Michael Powell's notorious investigation of cinema, voyeurism, and violence, Peeping Tom. Time Codes:  0h 00m 30s:       THE CAT CREEPS [dir. Erle C. Kenton] 0h 12m 00s:       SHE-WOLF OF LONDON [dir. Jean Yarbrough] 0h 26m 03s:       Fear and Moviegoing in Toronto – Black Narcissus (1947) by Powell and Pressburger and Peeping Tom (1960) by Michael Powell Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

*Podporte podcast Dejiny v aplikácii Toldo na sme.sk/extradejiny Zistiť, vyšetriť, informovať, varovať a niekedy aj potrestať. Takto v stručnosti by sa dali charakterizovať opatrenia, ktoré mali zamedziť nekontrolovanému šíreniu správ v habsburskej monarchii v období Veľkej francúzskej revolúcie či neskôr, v časoch napoleonských vojen. Tie sa šírili neraz aj napriek varovnému prstu cenzora a vzbudzovali pozornosť úradov, ktoré mali dohliadať na stabilitou domácich pomerov a zabrániť prenikaniu nebezpečných revolučných myšlienok. Ich nositeľom, pochopiteľne, bola už v tomto čase tlač a rodiaca sa žurnalistika, ktorá si nachádzala miesto na stránkach prvých novín. Takými boli aj Pressburger Zeitung, ktoré opakovane spôsobovali roztrpčenosť dokonca i viedenského policajného riaditeľstva. Od začiatku sa tak toto nové remeslo stretávalo so snahou o kontrolu, dohľad či dokonca snahu využiť nové médium pre štátnu propagandu. Čo vlastne vyvolávalo toľkú pozornosť? Ako na prelome 18. a 19. storočia vznikali noviny a ako do ich práce zasahovali cenzori? A kto vlastne boli prví redaktori a ako fungovala ich komunikačná sieť napriek zákazom a dohľadu úradov? Jaro Valent z časopisu Historická revue sa o počiatkoch novinárskeho remesla rozprával s historičkou Ivonou Kollárovou z Historického ústavu SAV. – Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/suhrnsme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Ďakujeme, že počúvate podcast Dejiny.See omnystudio.com/listener for privacy information.

Mark Kermode and Ellen E Jones examine the rich history of style and the moving image, from Pret A Porter to The Devil Wears Prada. Ellen talks to fashion historian and curator Amber Butchart about the close relationship between couture and cinema. They discuss the timeless influence on high fashion of Fritz Lang's Metropolis and Powell & Pressburger's The Red Shoes, and the movies that inspire what we all wear in real life. Mark enlists the help of a Screenshot regular, critic Christina Newland, to explore how the fashion industry has been depicted on screen, from the fashion editors of Funny Face and The Devil Wears Prada to the male models of Zoolander. And Mark talks to director Kevin Macdonald about his new documentary, High & Low: John Galliano, which follows the disgraced British fashion designer. Producer: Jane Long A Prospect Street production for BBC Radio 4

One of Martin Scorsese's favourite films and guess what? We agree, it's brilliant. Contemporary audiences detested it, preferring to ignore why they derived pleasure from realistic, filmed torture and terror. This film has everything from Freudianism to a Hitchcock doppelganger. Cuts made by censors might be lost forever but it still shocks and gives us a perfect amount of ick.Peeping Tom (1960) dir. Michael Powell, starring Karlheinz Boehm, Anna Massey, Moira Shearer Psycho (1960) dir. Alfred Hitchcock, starring Anthony Perkins, Janet Leigh. The Red Shoes (1948) dir. Powell and Pressburger, starring Anton Walbrook, Moira Shearer. Support us!And, Merch Hosted on Acast. See acast.com/privacy for more information.

Director and writer Harrison Atkins (Lace Crater) joins for a discussion of Michael Powell and Emeric Pressburger's rhapsodic 1947 drama, BLACK NARCISSUS starring Deborah Kerr, Kathleen Byron, David Farrar and Sabu. Based on Rumer Godden's novel, BLACK NARCISSUS tells the story of Anglican nuns establishing a convent on a Himalayan mountaintop. Overwhelmed by the region's natural beauty and their own natural urges, the sisters begin to question their lives as nuns. Shot in stunning Technicolor by cinematographer Jack Cardiff, BLACK NARCISSUS is one of Powell and Pressburger's defining films, a thorny, surprisingly modern work on female devotion, repression, lust and madness. Join Mama Needs a Movie as it gazes into BLACK NARCISSUS, with some diversions into Annihilation, Paris Is Burning, declining horniness, Madeline, Silence, haircuts, Sister Wendy and much, much more! BLACK NARCISSUS is available to stream with subscription to The Criterion Channel or Max, and can be streamed for free on Freevee, Tubi, and The Roku Channel. 

Every once in awhile, your host takes a flier, choosing a film for us to watch that I’ve seen once or twice, if at all. Also arising from the 2022 draft episode is this English romance from 1945. It’s from the filmmaking team of Powell and Pressburger, and stars Wendy Hiller, so on credentials alone, it’s worth your attention. A young woman travels to the Hebrides to marry an older, wealthy man. But circumstances change her thinking Shelly Brisbin with Randy Dotinga, Micheline Maynard and Nathan Alderman.