POPULARITY
18 episodes with Black Narcissus
9 episodes with Black Narcissus
4 episodes with Black Narcissus
2 episodes with Black Narcissus
2 episodes with Black Narcissus
2 episodes with Black Narcissus
2 episodes with Black Narcissus
2 episodes with Black Narcissus
2 episodes with Black Narcissus
Send us Fan MailWe continue our theme of "Movies That Couldn't Be Made Today" with one that literally couldn't (for TECH-nical reasons). . . we are watching something filmed in vibrant, beautiful, and now extinct TECHNICOLOR!!! Our shining example of this format is 1947's "Black Narcissus." Directed by the duo of Powell and Pressburger, starring Deborah Kerr and David Farrar, this film is about a group of nuns tasked with setting up a convent high in the Himalayas, leaving familiarity behind and grappling with the mysticism and other-worldliness of this strange setting.We also review in layman's terms what the Technicolor process is, what made it so special, and why it is not possible to recreate it in today's world.So, as Hamlet tells Ophelia, so we advise you, "Get thee to a nunnery... go!"
Muriel Spark wrote it in months while Nixon was still in office. Fifty-two years later, Melanie and Ed test whether the joke still lands. Spark's 90-page novella, subtitled "A Modern Morality Tale," relocates Watergate to a Benedictine convent in Cheshire. The newly elected Abbess Alexandra has bugged the grounds, rigged her election, and reads Yeats and Milton over dinner while her sisters eat dog food. Her working theory is that the world wants a myth and facts don't matter. A stolen thimble doubles as the Watergate burglary; Sister Gertrude, the Kissinger figure, phones in advice from Peru while negotiating between cannibals and vegetarians. Melanie carries Alexandra's strategy forward into 2026 without much trouble; Ed flags the tonal divergence — Spark's abbess is composed and unbothered, where Nixon was paranoid and raving at portraits. The honest verdict is mixed: dry, esoteric, of its time. Glenda Jackson played Alexandra in Michael Lindsay-Hogg's 1977 film adaptation Nasty Habits. Related episodes: - Black Narcissus (1947) — https://whothehellarewe.libsyn.com/website/10th-anniversary - Lilies of the Field (1963) — https://whothehellarewe.libsyn.com/website/lilies-of-the-field Full discussion notes and the WTHAW catalog: https://melanieanded.substack.com Who the Hell Are We? is hosted by novelists Melanie Benjamin and Edward Kelsey Moore. New episodes roughly monthly.
This week Harrison will review "Black Narcissus (1947)" Join this channel to get access to perks: https://www.youtube.com/channel/UCi-kQg1mJOVRRy6J53p4rbQ/join Social Media Links: https://linktr.ee/reelyoldmovies This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit reelyoldmovies.substack.com
In which the Mister and Monsters join me in reviewing BLACK NARCISSUS (1947) from the novel by Rumer Godden and written and directed by The Archers, Michael Powell and Emeric Pressburger. In this Technicolor masterpiece, a group of Anglican nuns led by the ambitious Sister Clodagh (Deborah Kerr) travels to a remote, wind-swept palace in the Himalayas to establish a school and hospital. As the sisters struggle with the thinning air and isolation, the palace's history as a former harem begins to exert a sensual and destabilizing influence on their suppressed desires and psychological stability. The tension reaches a fever pitch as the unstable Sister Ruth (Kathleen Byron) becomes obsessively infatuated with a local British agent, Mr. Dean (David Farrar) leading to a haunting confrontation that threatens the very foundation of their mission. The film clocks in at 1 h and 41 m, is rated Approved and you can find it on HBO Max, Plex, Pluto TV, The Roku Channel, Tubi and to buy/rent on Prime Video. Please note there are SPOILERS in this review.#BlackNarcissus #RumerGodden #MichaelPowell #EmericPressburger #DeborahKerr #SisterClodagh #FloraRobson #SisterPhilippa #JennyLaird #SisterHoney #JudithFurse #SisterBriony #KathleenByron #SisterRuth #DavidFarrar #MrDean #Sabu #TheYoungGeneral #JeanSimmons #Kanchi #MayHallatt #AnguAyah #EddieWhaleyJr #JosephAnthony #ShaunNoble #Con #NancyRoberts #MotherDorthea #LeyOn #Phuba #Drama #PsychologicalDrama @TCM @HBOMax @Plex @PlutoTV @RokuChannel @Tubi @PrimeVideo #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library
On episode 145 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Editor-In-Chief of InSession Film Dave Giannini to discuss the latest film in their Powell and Pressburger series, Black Narcissus (1947). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. In taking a darker turn with their latest film, Powell and Pressburger explore the role of temptation, guilt has on the mind when dealing with religion in Black Narcissus. A film that is about a group of nuns coming to a small village to spread their word of god only to be internally turned upside down by the human impulses being challenged by their beliefs in god and their mission, thus leading to one of the hottest, most complex films the duo ever created. Ryan, Jay, and Dave break down their thoughts on the film, the religious conversations the film is having, how gorgeous the film is, how sexy David Farrar is as Mr. Dean, the use of color photography in the film, and a silly summer movie bet between the two co-hosts that is from a galaxy far, far away. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h06m. The guys will be back later this week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, The Red Shoes. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
On episode 144 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jesse Nussman to discuss the latest film in their Powell and Pressburger series, A Matter of Life and Death (1946). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. In the start of a run of episodes that will feature the guys talking about Powell and Pressburger's signature masterpieces, the Archers take a look at the power of love in the face of death and how having love can mean more than anything on this planet or in the afterlife. In a beautiful blend of black and white photography and technicolor, Powell and Pressburger delivered a cinematic statement that as long as a you have true love, nothing else matters and it's stronger than logic, reason, or whatever else you want to throw at someone when they are under the spell of love; matters of the heart mean more than matters of the brain, thus is a necessity of life. Ryan, Jay, and Jesse break down their thoughts on the film, the power of love, various iconic shots within the film, map painting, and a special Nussman surprise at the end of the episode. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h02m. The guys will be back next week to continue their series on the films of Michael Powell and Emeric Pressburger with a review of their next film, Black Narcissus. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
-Jenny Holland of Saving Culture From Itself joins us to talk about how you can go from a bohemian 90s leftist chick to a middle-aged conservative. Join us for your political makeover! -Black-people-specific narcissism is the elephant in the room (along with misandry) that the U.S. doesn't want to talk about. We're going to talk about it using the Tourettes-at-the-BAFTAs as a jumping off point. -Do you remember when adults recognized that some people are liars? Have you noticed how no one wants to say it anymore? Positive projection by decent, normal people is getting us killed. Did you like the show? Throw us some cash support! https://www.paypal.com/donate/?hosted... -Disaffected is sponsored by purveyors of the finest cured meats. Visit biltongusa.com and use promo code JOSH to get 10 percent off your order. -Slocum Consulting: You can book an hour with Josh on video to talk about troubled relationships, political clashes at work, and more. If you're looking for someone who won't call your concerns "crazy," Josh is the guy you want. Book at https://www.joshuaslocum.netSee omnystudio.com/listener for privacy information.
In which we continue our Powell and Pressburger coverage and identity three primary life lessons: men should wear more shorts, don't repress your emotions and thus lose your mind, and no colonialism. Let's talk about Black Narcissus.
As we continue revisiting past Oscar winners, this week we're spotlighting a former Best Cinematography winner with Michael Powell and Emeric Pressburger's Black Narcissus.A masterclass in color, atmosphere, and visual storytelling, Black Narcissus remains one of the most stunning films ever put to screen. Shot almost entirely on soundstages yet feeling vast and untamed, the film's cinematography transformed painted backdrops and controlled lighting into something mythic and haunting.We break down how the visuals shape the psychological tension, why its use of Technicolor still feels revolutionary, and whether modern audiences fully appreciate just how groundbreaking this film was.Lush, hypnotic, and visually unforgettable — this is Oscar-winning craftsmanship at its finest.#WatchTowerFilmPodcast #OscarSeason #BlackNarcissus #BestCinematography #PowellAndPressburger #ClassicCinema #Technicolor #FilmPodcast #AcademyAwards #Cinematography
Rebecca and Tori chat about their second recommendation from the Criterion Closet Picks, 'Black Narcissus.' Recommended by director Edgar Wright, we discuss British colonialism, emotional repression, and the many mirror representations between characters.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoPodcast Jazz Bossa Nova Acoustic Guitar Good Mood Music | by Denis-Pavlov-Music | PixabayTwinkle Twinkle Little Star | by Maksym Dudchyk Music | PixabayShining Star Flourish: Sound Effect by u_it78ck90s3 from PixabaySpotlight Flourish: Sound Effect by StudioKolomna from PixabayMovie ClipShout! Studios | Black Narcissus Full Movie | 13 Nov 2025 | YouTube SourcesMatte painting - WikipediaFilmboards | Black NarcissusSabu (actor) - WikipediaJean Simmons - WikipediaKathleen Byron | British actress (1921–2009)» Blog Archive » David Farrar – Film Star with An Interesting and varied careerFlickside | Deborah Kerr, ActorDiscover the Cinematic Mastery of Black Narcissus (1947): A Spellbinding Classic That Shaped Film History - Beyond Pop CultureBlack Narcissus (1947) | The Definitives | Deep Focus ReviewAltitude Sickness: What It Is, Symptoms, Treatment & PreventionRoger Ebert | Black Narcissus: Which Electrified ScorseseBlack Narcissus - Wikipedia
In this episode we revisit three Technicolor melodramas made by British cinema's great auteur duo Michael Powell and Emeric Pressburger, bursting with vibrant emotions and sensuality that exercise a dangerous allure over their protagonists: Clive Candy, the upper-class colonialist twerp played by Roger Livesey in The Life and Death of Colonel Blimp (1943) who discovers the poetry in his soul thanks to the influence of three in-Kerr-nations of Deborah Kerr and the friendship of Anton Walbrook; Sister Clodagh (Kerr again) in Black Narcissus (1947), futilely pitting the Protestant work ethic against the infinite; and Victoria Page (Moira Shearer) in The Red Shoes (1948), torn between the demands of art and mere humanity. And in Fear and Moviegoing in Toronto, more Naruse: Flowing (1956), a study of a declining geisha house through the perspective of Kinuyo Tanaka's kindly but powerless servant, and The Stranger Within a Woman (1966), a film noir about being consumed by guilt while the world just wants you to move on. Time Codes: 0h 00m 25s: Brief Intro - Powell and Pressburger 0h 07m 11s: THE LIFE AND DEATH OF COLONEL BLIMP (1943) [dir. Michael Powell & Emeric Pressburger] 0h 29m 14s: BLACK NARCISSSUS (1947) [dir. Michael Powell & Emeric Pressburger] 0h 46m 41s: THE RED SHOES (1948) [dir. Michael Powell & Emeric Pressburger] 1h 06m 35s: Fear and Moviegoing in Toronto – Mikio Naruse's Flowing (1956) and The Stranger Within a Woman (1966) at TIFF Lightbox +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
“HABITS, COLLARS & CLOSEUPS IN CLASSIC CINEMA” - 1/12/2026 (122) Classic cinema has always had a fascination with clergy and nuns — not just as religious figures, but as real people caught between faith and the challenges of the world. When these characters take center stage, the stories often become less about doctrine and more about conscience, compassion, and moral choices. Sometimes with a good dose of humor thrown in. In today's episode, we're going to dive into classic films that put nuns and clergy at the heart of the story. The characters portrayed are thoughtful, conflicted, sometimes heroic, and always deeply human, with stories that explore grace, hope, and the consequences of our choices. This week, we take a look back at some unforgettable films where the collar or the veil isn't just a costume—it's the core of the story. SHOW NOTES: Sources: “Let's Talk About ‘Black Narcissus',” April 17, 2025, by Sailor Monsoon “The Story Behind ‘Stars in My Crown',” May 29, 2024, by Henry C. Parke, www.insp.com; “‘The Nun's Story': Revisiting Audrey Hepburn's Most Overlooked Film,” January 24, 2020, by Nadra Nittle, America Magazine; “My Favourite Hitchcock: I Confess,” August 8, 2012, by Philip Oltermann, The Guardian; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; RogerEbert.com Movies Mentioned: Boys Town (1938), starring Spencer Tracy, Mickey Rooney & Bobs Watson; Keys of the Kingdom (1944), starring Gregory Peck, Thomas Mitchell, Vincent Price, Edmund Gwenn & Roddy McDowell; Black Narcissus (1947) starring Deborah Kerr, David Farrar, Kathleen Byron, Flora Robson & Jean Simmons; Stars In My Crown (1950), starring Joel McCrea, Ellen Drew, Dean Stockwell, James Mitchell, Amanda Blake, Juano Hernandez & Ed Begley; Thunder on the Hill (1951), starring Claudette Colbert, Ann Blyth, Robert Douglas, Phillip Friend, Connie Gilchrist, Norma Varden & Gladys Cooper; I, Confess (1953), starring Montgomery Clift, Anne Baxter & Karl Malden; The Nun Story (1959), starring Audrey Hepburn, Peter Finch, Dean Jagger, Peggy Ashcroft, Edith Evans, Beatrice Staright & Colleen Dewhurst; The Trouble With Angels (1966), starring Rosalind Russell, Hayley Mills, June Harding, Camilla Sparv, Binnie Barnes, Marge Redmond, Mary Wickes, Jim Hutton & Barbara Hunter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Cheerio ladies, gents, and nondescript friends alike! It is January, and that can only mean one thing: ANTITRASH. This year, our annual good movie marathon is focused on a dynamic directing duo: The Archers. Michael Powell and Emeric Pressburger made more than 20 films together and are two of the most notable filmmaking voices in British Cinema. So, this month we begin looking through their filmography. We're notching our first arrow in the form of Black Narcissus from 1947—a beauty in technicolor. Join us now to hear us discuss Black Narcissus.
This episode is on the 1947 film, Black Narcissus. To hear the B-side, subscribe on Patreon: https://www.patreon.com/thelackpodcast
Boomer & Brandon discuss Powell & Pressburger's Technicolor opera The Tales of Hoffmann (1951) https://swampflix.com/ 00:00 Welcome 01:15 The Suspect (1944) 06:18 The King of Comedy (1982) 15:38 Marty Supreme (2025) 22:31 For Your Consideration (2006) 29:00 Abigail (2024) 37:12 Rabbit Trap (2025) 44:00 The Headless Woman (2008) 48:36 The Asphalt Jungle (1950) 52:24 America - Everything You've Ever Dreamed Of (1973) 56:51 Black Narcissus (1947) 59:50 The Tales of Hoffmann (1951)
The third and final film in the 3 Films by Roberto Rossellini Starring Ingrid Bergman boxset is another film in a long list of looks at the class and culture of Naples, Italy across time - Rossellini's own Paisan, Rosi's Hands over the City (and his Neapolitan Diary), Garrone's Gomorrah, to name a few. While the story of Journey to Italy (1954) is about a British couple decoupling and recoupling while selling a relative's house, Rossellini says he wanted to make a film where Southern Italians were not viewed like "zoo animals", and indeed our main characters become the curiosities as they have a series of crises while interacting with the common people and tourist sites of Naples, a land that, like India in Powell and Pressburger's Black Narcissus, is just too weird for the British mind to comprehend.
This week we are tightening up our habits alongside Rachel from the More Deadly Podcast and Whitney from the Oh My Horror Movie Challenge, as we talk about the Powell & Pressburger epic from 1947, Black Narcissus. Will the crew be swept away by the sensuous winds of the Himalays or will it all just be too much resulting in deeds most foul? Tune in to find out!
A Technicolor convent clings to a cliff in Black Narcissus (1947), where desire, memory, and madness simmer. Ed and Melanie unpack Kathleen Byron's unforgettable performance, Deborah Kerr's quiet power, and colonialist shadows.
In this meeting, we discuss Black Narcissus (1947). Next time, we will be discussing Godzilla (1954).
“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
In this meeting, we discuss The Boy and the Heron (2023). Next time, we will be discussing Black Narcissus (1947).
Anne and Ryan discuss Luca Guadagnino's new drama QUEER starring Daniel Craig, Drew Starkey, Jason Schwartzman, and Lesley Manville. Based on the William S. Burroughs novella of the same name, QUEER follows an American writer living in 1950s Mexico City, pursuing a romance with a recently discharged Navy man. As the pair travel to South America in search of a mysterious drug, the story takes on a dreamlike aura in its depiction of longing and wanderlust. Join us for this discussion of Guadagnino's directorial follow-up to this year's Challengers, as well as diversions into James Bond, AMC theaters, Melancholia, the Babygirl trailer, Black Narcissus, Derek Jeter's gift baskets, Under the Volcano, The Agency and much, much more! QUEER is currently in theaters.
The new documentary Made in England, featuring Martin Scorsese, prompts Michael, Jared, and Joe to discuss the films of directors Michael Powell & Emeric Pressburger, including The Red Shoes, Black Narcissus, and particularly The Life and Death of Colonel Blimp.
Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005
Starting yet another series on Jason and the Movienauts, this time talking about the beautiful, transcendent films of Michael Powell and Emeric Pressburger. Michelle joins Jason and the duo talk about their deep appreciation for I Know Where I'm Going, A Canterbury Tale and Black Narcissus - three films which are all about travel in some way, and all of which find uniquely P&P insights into the idea of travel. It's a great conversation full of smart thoughts and we hope you enjoy!
Screenwriter (and former film critic and podcaster) April Wolfe joins us to talk up the postwar pleasures of 1947, so bring your nun's habits (“Black Narcissus”), femme fatales (“Out of the Past”) and questionable Irish accents (“The Lady from Shanghai”). For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.
New Filmsuck episode! We're celebrating Scottish-born actor Deborah Kerr ("...rhymes with star!") whose stardom in 1940s England got her a Hollywood studio contract and a "ladylike" star image she had to fight in order to get better roles. She ought to be better known for her unusual air of compassion and worldly wisdom and her many great performances in such films as THE LIFE AND DEATH OF COLONEL BLIMP, BLACK NARCISSUS, FROM HERE TO ETERNITY, TEA AND SYMPATHY, HEAVEN KNOWS MR. ALLISON, AN AFFAIR TO REMEMBER, THE KING AND I, BONJOUR TRISTESSE, SEPARATE TABLES, and THE INNOCENTS.
EPISODE #425-- We commemorate the 2024 Olympics with the post-9/11 feel good sports drama, MIRACLE, which tells the story of the rag tag team that beat the Soviet Union and won the gold for hockey in 1980. And, let me tell you, folks, there's more run-on sentences where that came from! On the back end, we got a ton of stone-cold cinema classics (in color!). We talk APOCALYPSE NOW (1978) (in 70mm!), as well as THE LIFE AND DEATH OF COLONEL BLIMP (1943) and BLACK NARCISSUS (1947) at the Academy Museum here in LA, and, finally, LA CONFIDENTIAL, 1998's perfect marriage of James Ellroy pulp and classic Hollywood glitz. Always a full week over here at A Quality Interruption! Join the cause at Patreon.com/Quality. Follow the us on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!
Legendary filmmaker Martin Scorsese first encountered the films of Michael Powell and Emeric Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic - real film magic.” In the documentary film, Made in England, The Films of Powell & Pressburger, director David Hinton, with the help of Scorses tells the story of his own lifelong love-affair with their movies, including The Life and Death Of Colonel Blimp, Black Narcissus, The Red Shoes and The Tales of Hoffmann. Drawing on a rich array of archive material, Hinton explores in full the collaboration between the Englishman Powell and the Hungarian Pressburger - two romantics and idealists, who thrived in the face of adversity during World War II but were eventually brought low by the film industry of the 1950's. Scorsese celebrates their ability to create “subversive commercial movies” and describes how deeply their films have influenced his own work. Director David Hinton (Dead Dreams of Monochrome Men, Strange Fish) joins us to talk about how long it took this project to be completed, working with Scorsese and his role as the film's guide through their work, Scorsese's personal connection to Michael Powell and the impact their work continues to have on filmmakers. For more go to: cohenmedia.net/made-in-england-films-of-powell & pressburger
In the latest episode of the podcast, Brian works through a long-time filmmaker blind spot. For a long time, I had not watched the work of Michael Powell and Emeric Pressburger- aka The Archers- but this discussion is a good time to do that. Joining me in talking about these great British filmmakers is film critic, and return guest, Matthew St. Clair, as we discuss "The Life and Death of Colonel Blimp", "Black Narcissus" and "The Red Shoes". I hope you enjoy!
For this Universal 1946 episode, we chose a B-movie double bill, The Cat Creeps (directed by Erle C. Kenton, best known for Island of Lost Souls) and She-Wolf of London (directed by Jean Yarbrough, Abbott and Costello specialist), hoping for hidden gems. But did we find any? And in the Fear and Moviegoing in Toronto segment, our Powell and Pressburger retrospective viewing continues with Black Narcissus and Michael Powell's notorious investigation of cinema, voyeurism, and violence, Peeping Tom. Time Codes: 0h 00m 30s: THE CAT CREEPS [dir. Erle C. Kenton] 0h 12m 00s: SHE-WOLF OF LONDON [dir. Jean Yarbrough] 0h 26m 03s: Fear and Moviegoing in Toronto – Black Narcissus (1947) by Powell and Pressburger and Peeping Tom (1960) by Michael Powell Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Director and writer Harrison Atkins (Lace Crater) joins for a discussion of Michael Powell and Emeric Pressburger's rhapsodic 1947 drama, BLACK NARCISSUS starring Deborah Kerr, Kathleen Byron, David Farrar and Sabu. Based on Rumer Godden's novel, BLACK NARCISSUS tells the story of Anglican nuns establishing a convent on a Himalayan mountaintop. Overwhelmed by the region's natural beauty and their own natural urges, the sisters begin to question their lives as nuns. Shot in stunning Technicolor by cinematographer Jack Cardiff, BLACK NARCISSUS is one of Powell and Pressburger's defining films, a thorny, surprisingly modern work on female devotion, repression, lust and madness. Join Mama Needs a Movie as it gazes into BLACK NARCISSUS, with some diversions into Annihilation, Paris Is Burning, declining horniness, Madeline, Silence, haircuts, Sister Wendy and much, much more! BLACK NARCISSUS is available to stream with subscription to The Criterion Channel or Max, and can be streamed for free on Freevee, Tubi, and The Roku Channel.
Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 1947 film Black Narcissus and to get Barrett's film recommendation for next week. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/
On Truth & Movies this week, get into the latest in nun horror with Sydney Sweeney vehicle Immaculate and host Leila Latif spoke to its charming director Michael Mohan. We also review anti-capitalist caper The Delinquents and finally, for film club, its a return to the nunnery with 1947's Black Narcissus.Joining host Leila Latif are the film critics Charles Bramesco and Billie Walker.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
I'm a classic film nut, and there's no better example of overblown, dramatic and romantic Hollywood storytelling than the movie Black Narcissus, starring Deborah Kerr. Based on the 1930s Rumer Godden novel, it's a story that shows how women throughout history have so often buried themselves in service to others as they sublimate their own feelings and desires — or more likely, find those desires shamed, controlled and punished. So let's celebrate Women's History Month by enjoying stories where women conduct even the tiniest rebellions against the oppression of their true selves. CW: explicit discussion of sex, desire and religious belief.https://www.confessionsofaclosetromantic.comMy guest, Violet Grey, blogs about kinky sex and spirituality at Becoming Violet Grey. And she writes erotica for the sex positive site BloomStories: "Intimate audio stories designed for diving deep into your pleasure." The trailer for the 1947 Black Narcissus movie. And a slightly different, thrilling and sizzling angle on the convent of Saint Faith.The enduring allure of erotic masterpiece Black NarcissusThe first edition book jacket of the novel is stunning.And so is the classic 1911 perfume on which the title is based. Rumer Godden was quite a woman.Rumer Godden converted to Catholicism late in life, and a few of her 60 works of fiction and nonfiction, like Black Narcissus, explored the mystical, spiritual and practical aspects of religious life.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!
For our thirty-fifth episode, friend of the show Michael Marquis Albright (Down in Front) joins us for a discussion of “Weird Al” Yankovic's feature starring debut, 1989's “UHF”! We discuss currently problematic co-stars, deleted homages to the Special Edition of “Close Encounters of the Third Kind”, mockingly singing along to the Orion Pictures logo, comparisons to “SCTV”, spending the closing credits reading negative reviews, and so much more.Ryan's Recommendations: “The Life and Death of Colonel Blimp” (1943), “A Matter of Life and Death” (1946), “Black Narcissus” (1947), “The Red Shoes” (1948), and “The Tales of Hoffmann” (1951)For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcastTheme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker. Support the show
Editor - Thelma Schoonmaker, ACE KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE has literally had a front row seat to some of the most celebrated films of the past four decades, working as director Martin Scorsese's editor and filmmaking partner. The pair reunite once again for KILLERS OF THE FLOWER MOON, starring Leonardo DiCaprio and Robert DeNiro, two mainstays of Scorsese's acting troupe, as well as Lily Gladstone, who delivers a breakout performance as Mollie Kyle. KILLERS OF THE FLOWER MOON was directed by Martin Scorsese from a screenplay he co-wrote with Eric Roth, based on the 2017 non-fiction book of the same name by David Grann. Set in 1920's Oklahoma, it focuses on a series of murders of Osage members and relations in the Osage Nation after oil was being produced on tribal land. Tribal members had retained mineral rights on their reservation, and whites sought to gain their wealth. THELMA SCHOONMAKER ACE Thelma Schoonmaker is a three-time Academy Award winner, having worked for more than 40 years alongside filmmaker Martin Scorsese. Schoonmaker has been honored with Oscars, most recently in 2007 for her work on Scorsese's “The Departed,” and in 2004 for his film “The Aviator.” In 1981, she won both the Academy Award and BAFTA Award for editing Scorsese's “Raging Bull.” Subsequently, she worked on all of Scorsese's features: “The King of Comedy,” “After Hours,” “The Color of Money,” “The Last Temptation of Christ,” the “Life Lessons” segment from “New York Stories,” “Goodfellas” (which earned her another BAFTA Award, as well as an Oscar nomination), “Cape Fear,” “The Age of Innocence,” “Casino,” “Kundun,” “Bringing Out the Dead,” “Gangs of New York” (for which she received the ACE Eddie Award and was nominated for an Academy Award), “Shutter Island,” “Hugo” (for which she received another Oscar nomination), “The Wolf of Wall Street,” and “Silence.” In addition to her film editing, Schoonmaker works tirelessly to promote the films and writings of her late husband, the director Michael Powell, among them “The Red Shoes,” “Black Narcissus,” “The Life and Death of Colonel Blimp,” “I Know Where I'm Going,” “A Matter of Life and Death,” “Tales of Hoffmann,” and “Peeping Tom.” Editing Killers of the Flower Moon In our discussion with KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE, we talk about: Leaning into the love story When to cut to DiCaprio or DeNiro Scorsese's shooting style The structural perfection of Goodfellas Twelve cuts to completion The Credits Visit ExtremeMusic for all your production audio needs Learn all about what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
A Matter Of Life And Death. The Red Shoes. Black Narcissus. The Tales Of Hoffmann. The Small Back Room. The Life And Death Of Colonel Blimp. I Know Where I'm Going. We could just fill this blurb box by simply listing the films of Michael Powell & Emeric Pressburger, the filmmaking duo who might just be British cinema's greatest double act, but we won't. Instead, we'll tell you that their work is currently being celebrated in an amazing nationwide BFI retrospective called Cinema Unbound (check it out and book tickets for screenings and events etc. at bfi.org.uk), and that put us in the mood to put together a special in their honour. And what's truly special about it is the interview that John Nugent conducted with Thelma Schoonmaker, the legendary editor of Martin Scorsese's films, and who was married to Powell until his death 1990 (in fact, Scorsese introduced her to Powell); and Kevin Macdonald, the Scottish film director who is Emeric Pressburger's grandson. On the other side of that wonderful, warm interview, Chris Hewitt invites P&P superfans Ian Freer, Nick de Semlyen and the aforementioned John Nugent into the podbooth to wax lyrical about their favourite Powell & Pressburger moments, movies and more. It's a belter. Enjoy.
“The Lion” 1962 is a family/adventure film set on an animal preserve in Kenya. Director Jack Cardiff relies on excellent movie making skills to fill the screen with beautiful scenes of Africa and wildlife. Mr. Cardiff‘s experience includes Cinematographer for films such as “Black Narcissus” 1947 (Episode 98) and “The African Queen” 1951.William Holden is Robert Hayward a Lawyer who travels to Africa at the request of his former wife to help face the challenges of their eleven-year-old daughter and her attachment to King a lion played by Zamba. Capucine plays ex-wife Christine and Pamela Franklin is their daughter Tina. Trevor Howard plays John Bullit the grizzled manager of the game preserve and relatively new husband of Christine. Bullit deeply loves Africa and the movie captures that and much more.
Production Design Film Study:1947. In this episode, we review and analyze the stunning production designs of "Great Expectations," "The Foxes of Harrow," "Black Narcissus," and "Life With Father." Our panel of esteemed professionals, including set decorator Kim Wannop, production designers Adam Rowe, and Ralph Lydon, take you on a captivating journey through the intricate set designs and storytelling techniques of these cinematic masterpieces. Don't miss this fascinating exploration of production design in 1947's most memorable films. Production design is the art of storytelling through visual expression. It's about creating immersive worlds that transport audiences to different times and places. Every detail has a purpose, every set has a story to tell. It's a collaborative process that combines creativity, craftsmanship, and meticulous attention to detail. Join us as we dive deep into the Oscar-nominated films of 1947 and explore the masterful production design that brought these stories to life. Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast! As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling. Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production! #DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNow #ProductionDesignFilmStudy #filmstudy #filmclass #setdecoration #tvdesign #moviedesign #filmdesign #oscars #oscarwinner #oscarnominated Subscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadio Follow at: @decoratingpages on Twitter decoratingpages on IG Decorating Pages Podcast on YouTube @decoratingpagespodcast on TicTok Contact Kim Wannop at kimwannop@decoratingpagespodcast.com www.decoratingpagespodcast.com
Musical theatre legend Bonnie Langford performs Stephen Sondheim's I'm Still Here from the musical Follies, in tribute to the late composer and lyricist. The actress, singer and dancer reflects on her career from West End child star to appearing in Stephen Sondheim's Old Friends, the starry revue show running at London's Gielgud Theatre. Documentary filmmaker Maysoon Pachachi makes her feature film debut with Our River…Our Sky, set in Baghdad during the winter of 2006, three years after the US-led invasion. Maysoon's film reflects on how those who remained tried to get on with their lives in a city riven by sectarian violence. “Nuns are always box office, aren't they?” said film director Michael Powell and he was right. His 1947 classic Black Narcissus, about missionary nuns in the Himalayas, is being screened around the country; The Sound of Music ran at Chichester Festival Theatre over the summer and midwife nuns will soon return to our screens in Call the Midwife. Critic David Benedict and Samira Ahmed discuss the attraction and importance of nuns in art. Presenter: Samira Ahmed Producer: Paula McGrath
Melanie and Ed love watching old movies and dishing on them. This week's movie: BLACK NARCISSUS (1947), starring Deborah Kerr, Sabu, David Farrar, and Flora Robson, and featuring Esmond Knight, Jean Simmons, and Kathleen Byron. Mel and Ed make book recommendations with similar themes. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!
Book Vs. Movie:The Red ShoesThe Hans Christian Anderson Fairy Tale vs. the 1948 Classic FilmThe Margos (and a special guest star!) put on their dancing shoes with the Hans Christian Anderson fairy tale “The Red Shoes” along with the 1948 adaptation that is considered a ballet/film classic with some of the most beautiful sequences along with a meditation on “art versus life.” Published in 1845, The Red Shoes appears in “New Fairy Tales” and tells the story of Karen, a vain and selfish girl who has a particular pair of red shoes that causes her to dance with frenzy. Apparently, the author used his own sister's name for the horrible lead and his father being a proud shoe cobbler who demanded to be treated with respect from even his wealthiest clients. The movie is a technicolor masterpiece filled with renowned dancers and is the coloration between Michael Powell and Emeric Pressburger (following the successful 1947 film Black Narcissus.) It's considered one of the best British films ever and won the Academy Award for Best Original Score and Best Art Direction. What are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!Our special guest is Dale Bridges, author of The Mean Reds, available from Stephen J. Austin University Press. You can follow his artwork at https://www.dalebridgesart.com/ and on Instagram @Bridges.writer In this ep, the Margos discuss:The original fairy taleThe history of the movieThe cast of the 1948 film: Anton Walbrook (Boris Lermontov,) Marius Goring (Julian Craster,) Moira Shearer (Victoria Page,) Robert Helpmann (Ivan Boleslawsky,) Leonide Massine (Grischa Ljubov,) Albert Bassermann (Sergei Ratov,) Ludmilla Tchernia (Irinia Boronskaya,) and Esmond Knight as Livingstone “Livy” Montague.Clips used:Victoria Page meets Boris LermontovThe Red Shoes 1948 trailerThe crowd enters the theatreLermontov picks his dancersGrischa Ljubov meets Victoria PageThe last dance sceneMusic by Brian EasdaleBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement
Book Vs. Movie:The Red ShoesThe Hans Christian Anderson Fairy Tale vs. the 1948 Classic FilmThe Margos (and a special guest star!) put on their dancing shoes with the Hans Christian Anderson fairy tale “The Red Shoes” along with the 1948 adaptation that is considered a ballet/film classic with some of the most beautiful sequences along with a meditation on “art versus life.” Published in 1845, The Red Shoes appears in “New Fairy Tales” and tells the story of Karen, a vain and selfish girl who has a particular pair of red shoes that causes her to dance with frenzy. Apparently, the author used his own sister's name for the horrible lead and his father being a proud shoe cobbler who demanded to be treated with respect from even his wealthiest clients. The movie is a technicolor masterpiece filled with renowned dancers and is the coloration between Michael Powell and Emeric Pressburger (following the successful 1947 film Black Narcissus.) It's considered one of the best British films ever and won the Academy Award for Best Original Score and Best Art Direction. What are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!Our special guest is Dale Bridges, author of The Mean Reds, available from Stephen J. Austin University Press. You can follow his artwork at https://www.dalebridgesart.com/ and on Instagram @Bridges.writer In this ep, the Margos discuss:The original fairy taleThe history of the movieThe cast of the 1948 film: Anton Walbrook (Boris Lermontov,) Marius Goring (Julian Craster,) Moira Shearer (Victoria Page,) Robert Helpmann (Ivan Boleslawsky,) Leonide Massine (Grischa Ljubov,) Albert Bassermann (Sergei Ratov,) Ludmilla Tchernia (Irinia Boronskaya,) and Esmond Knight as Livingstone “Livy” Montague.Clips used:Victoria Page meets Boris LermontovThe Red Shoes 1948 trailerThe crowd enters the theatreLermontov picks his dancersGrischa Ljubov meets Victoria PageThe last dance sceneMusic by Brian EasdaleBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Welcome to It's A Wonderful Podcast!! One of the most strikingly beautiful looking movies to ever come out of Britain on this week's main show as the powerhouse directing duo of Michael Powell & Emeric Pressburger are in conversation for the first time on the show as Morgan and Jeannine discuss isolationism, hubris, romance, resisting temptation, and explosive emotions in BLACK NARCISSUS (1947)! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Watching classic films on nitrate is one of the rarest opportunities in filmgoing and our friend Matt has attended an entire festival that works in this old tradition. Every time a nitrate picture is shown, the film degrades, and so herein presents a unique opportunity, to see these physical copies as they are now, how they will only be this once. A range of classic films is explored, centering on festival headliner Black Narcissus. We also explore the context and performance of the nitrate prints for The Third Man (1949), The Wizard of Oz (1939), The Middleton Family at the New York World's Fair (1939), Duel in the Sun (1947), and several other special selections.A production of The Twin Geeks | Join our Discord
148 - Black Narcissus (1947) Movie Discussion with Ansel Faraj On this episode. Steven is joined by filmmaker Ansel Faraj to discuss the 1947 movie Black Narcissus! Ansel's past movies include Loon Lake and Will & Liz. His latest movie is Todd Tarantula! You can rent it now on Vimeo. Please click the link below. https://vimeo.com/ondemand/toddtarantula You can follow Ansel's work at https://HOLLINSWORTHPRODUCTIONS.com Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page. Thanks for listening!
© 2020-2026 Ivy Podcast Discovery LLC
