Podcasts about Black Narcissus

Justine Smith (Cult MTL, Fantasia, experte des religieuses) est des nôtres pour parler de Black Narcissus des Arches, La passion d'Augustine de Léa Pool, Deux femmes en or de Chloé Robichaud, Try Seventeen de Jeffrey Porter et A Working Man de David Ayer!

In this meeting, we discuss Black Narcissus (1947). Next time, we will be discussing Godzilla (1954).

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

This week, we discuss two classic British films from Michael Powell and Emeric Pressburger. The first is Black Narcissus (1947), which explores the psychological unraveling of nuns in a remote Himalayan convent as desire and isolation take hold. The second is The Life and Death of Colonel Blimp (1943), which traces the life of a British officer through love, war and friendship, challenging ideas of honour and aging.   Timestamps What we've been watching (00:01:00) – Andor season one, The White Lotus season three, The Amateur, Sully Black Narcissus (00:28:00) The Life and Death of Colonel Blimp (00:46:00) Coin toss (01:06:30)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

In this meeting, we discuss The Boy and the Heron (2023). Next time, we will be discussing Black Narcissus (1947).

Anne and Ryan discuss Luca Guadagnino's new drama QUEER starring Daniel Craig, Drew Starkey, Jason Schwartzman, and Lesley Manville. Based on the William S. Burroughs novella of the same name, QUEER follows an American writer living in 1950s Mexico City, pursuing a romance with a recently discharged Navy man. As the pair travel to South America in search of a mysterious drug, the story takes on a dreamlike aura in its depiction of longing and wanderlust. Join us for this discussion of Guadagnino's directorial follow-up to this year's Challengers, as well as diversions into James Bond, AMC theaters, Melancholia, the Babygirl trailer, Black Narcissus, Derek Jeter's gift baskets, Under the Volcano, The Agency and much, much more! QUEER is currently in theaters.

The new documentary Made in England, featuring Martin Scorsese, prompts Michael, Jared, and Joe to discuss the films of directors Michael Powell & Emeric Pressburger, including The Red Shoes, Black Narcissus, and particularly The Life and Death of Colonel Blimp.

Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005

Starting yet another series on Jason and the Movienauts, this time talking about the beautiful, transcendent films of Michael Powell and Emeric Pressburger. Michelle joins Jason and the duo talk about their deep appreciation for I Know Where I'm Going, A Canterbury Tale and Black Narcissus - three films which are all about travel in some way, and all of which find uniquely P&P insights into the idea of travel. It's a great conversation full of smart thoughts and we hope you enjoy!

Screenwriter (and former film critic and podcaster) April Wolfe joins us to talk up the postwar pleasures of 1947, so bring your nun's habits (“Black Narcissus”), femme fatales (“Out of the Past”) and questionable Irish accents (“The Lady from Shanghai”). For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

New Filmsuck episode! We're celebrating Scottish-born actor Deborah Kerr ("...rhymes with star!") whose stardom in 1940s England got her a Hollywood studio contract and a "ladylike" star image she had to fight in order to get better roles. She ought to be better known for her unusual air of compassion and worldly wisdom and her many great performances in such films as THE LIFE AND DEATH OF COLONEL BLIMP, BLACK NARCISSUS, FROM HERE TO ETERNITY, TEA AND SYMPATHY, HEAVEN KNOWS MR. ALLISON, AN AFFAIR TO REMEMBER, THE KING AND I, BONJOUR TRISTESSE, SEPARATE TABLES, and THE INNOCENTS.

EPISODE #425-- We commemorate the 2024 Olympics with the post-9/11 feel good sports drama, MIRACLE, which tells the story of the rag tag team that beat the Soviet Union and won the gold for hockey in 1980. And, let me tell you, folks, there's more run-on sentences where that came from! On the back end, we got a ton of stone-cold cinema classics (in color!). We talk APOCALYPSE NOW (1978) (in 70mm!), as well as THE LIFE AND DEATH OF COLONEL BLIMP (1943) and BLACK NARCISSUS (1947) at the Academy Museum here in LA, and, finally, LA CONFIDENTIAL, 1998's perfect marriage of James Ellroy pulp and classic Hollywood glitz. Always a full week over here at A Quality Interruption! Join the cause at Patreon.com/Quality. Follow the us on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Legendary filmmaker Martin Scorsese first encountered the films of Michael Powell and Emeric Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic - real film magic.” In the documentary film, Made in England, The Films of Powell & Pressburger, director David Hinton, with the help of Scorses tells the story of his own lifelong love-affair with their movies, including The Life and Death Of Colonel Blimp, Black Narcissus, The Red Shoes and The Tales of Hoffmann. Drawing on a rich array of archive material, Hinton explores in full the collaboration between the Englishman Powell and the Hungarian Pressburger - two romantics and idealists, who thrived in the face of adversity during World War II but were eventually brought low by the film industry of the 1950's. Scorsese celebrates their ability to create “subversive commercial movies” and describes how deeply their films have influenced his own work. Director David Hinton (Dead Dreams of Monochrome Men, Strange Fish) joins us to talk about how long it took this project to be completed, working with Scorsese and his role as the film's guide through their work, Scorsese's personal connection to Michael Powell and the impact their work continues to have on filmmakers. For more go to: cohenmedia.net/made-in-england-films-of-powell & pressburger

In the latest episode of the podcast, Brian works through a long-time filmmaker blind spot. For a long time, I had not watched the work of Michael Powell and Emeric Pressburger- aka The Archers- but this discussion is a good time to do that. Joining me in talking about these great British filmmakers is film critic, and return guest, Matthew St. Clair, as we discuss "The Life and Death of Colonel Blimp", "Black Narcissus" and "The Red Shoes". I hope you enjoy!

For this Universal 1946 episode, we chose a B-movie double bill, The Cat Creeps (directed by Erle C. Kenton, best known for Island of Lost Souls) and She-Wolf of London (directed by Jean Yarbrough, Abbott and Costello specialist), hoping for hidden gems. But did we find any? And in the Fear and Moviegoing in Toronto segment, our Powell and Pressburger retrospective viewing continues with Black Narcissus and Michael Powell's notorious investigation of cinema, voyeurism, and violence, Peeping Tom. Time Codes:  0h 00m 30s:       THE CAT CREEPS [dir. Erle C. Kenton] 0h 12m 00s:       SHE-WOLF OF LONDON [dir. Jean Yarbrough] 0h 26m 03s:       Fear and Moviegoing in Toronto – Black Narcissus (1947) by Powell and Pressburger and Peeping Tom (1960) by Michael Powell Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

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Director and writer Harrison Atkins (Lace Crater) joins for a discussion of Michael Powell and Emeric Pressburger's rhapsodic 1947 drama, BLACK NARCISSUS starring Deborah Kerr, Kathleen Byron, David Farrar and Sabu. Based on Rumer Godden's novel, BLACK NARCISSUS tells the story of Anglican nuns establishing a convent on a Himalayan mountaintop. Overwhelmed by the region's natural beauty and their own natural urges, the sisters begin to question their lives as nuns. Shot in stunning Technicolor by cinematographer Jack Cardiff, BLACK NARCISSUS is one of Powell and Pressburger's defining films, a thorny, surprisingly modern work on female devotion, repression, lust and madness. Join Mama Needs a Movie as it gazes into BLACK NARCISSUS, with some diversions into Annihilation, Paris Is Burning, declining horniness, Madeline, Silence, haircuts, Sister Wendy and much, much more! BLACK NARCISSUS is available to stream with subscription to The Criterion Channel or Max, and can be streamed for free on Freevee, Tubi, and The Roku Channel. 

Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 1947 film Black Narcissus and to get Barrett's film recommendation for next week. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/

On Truth & Movies this week, get into the latest in nun horror with Sydney Sweeney vehicle Immaculate and host Leila Latif spoke to its charming director Michael Mohan. We also review anti-capitalist caper The Delinquents and finally, for film club, its a return to the nunnery with 1947's Black Narcissus.Joining host Leila Latif are the film critics Charles Bramesco and Billie Walker.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

I'm a classic film nut, and there's no better example of overblown, dramatic and romantic Hollywood storytelling than the movie Black Narcissus, starring Deborah Kerr. Based on the 1930s Rumer Godden novel, it's a story that shows how women throughout history have so often buried themselves in service to others as they sublimate their own feelings and desires — or more likely, find those desires shamed, controlled and punished. So let's celebrate Women's History Month by enjoying stories where women conduct even the tiniest rebellions against the oppression of their true selves. CW: explicit discussion of sex, desire and religious belief.https://www.confessionsofaclosetromantic.comMy guest, Violet Grey, blogs about kinky sex and spirituality at Becoming Violet Grey. And she writes erotica for the sex positive site BloomStories: "Intimate audio stories designed for diving deep into your pleasure." The trailer for the 1947 Black Narcissus movie. And a slightly different, thrilling and sizzling angle on the convent of Saint Faith.The enduring allure of erotic masterpiece Black NarcissusThe first edition book jacket of the novel is stunning.And so is the classic 1911 perfume on which the title is based. Rumer Godden was quite a woman.Rumer Godden converted to Catholicism late in life, and a few of her 60 works of fiction and nonfiction, like Black Narcissus, explored the mystical, spiritual and practical aspects of religious life.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

For our thirty-fifth episode, friend of the show Michael Marquis Albright (Down in Front) joins us for a discussion of “Weird Al” Yankovic's feature starring debut, 1989's “UHF”! We discuss currently problematic co-stars, deleted homages to the Special Edition of “Close Encounters of the Third Kind”, mockingly singing along to the Orion Pictures logo, comparisons to “SCTV”, spending the closing credits reading negative reviews, and so much more.Ryan's Recommendations: “The Life and Death of Colonel Blimp” (1943), “A Matter of Life and Death” (1946), “Black Narcissus” (1947), “The Red Shoes” (1948), and “The Tales of Hoffmann” (1951)For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcastTheme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker. Support the show

Editor - Thelma Schoonmaker, ACE KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE has literally had a front row seat to some of the most celebrated films of the past four decades, working as director Martin Scorsese's editor and filmmaking partner.  The pair reunite once again for KILLERS OF THE FLOWER MOON, starring Leonardo DiCaprio and Robert DeNiro, two mainstays of Scorsese's acting troupe, as well as Lily Gladstone, who delivers a breakout performance as Mollie Kyle. KILLERS OF THE FLOWER MOON was directed by Martin Scorsese from a screenplay he co-wrote with Eric Roth, based on the 2017 non-fiction book of the same name by David Grann.  Set in 1920's Oklahoma, it focuses on a series of murders of Osage members and relations in the Osage Nation after oil was being produced on tribal land. Tribal members had retained mineral rights on their reservation, and whites sought to gain their wealth. THELMA SCHOONMAKER ACE Thelma Schoonmaker is a three-time Academy Award winner, having worked for more than 40 years alongside filmmaker Martin Scorsese. Schoonmaker has been honored with Oscars, most recently in 2007 for her work on Scorsese's “The Departed,” and in 2004 for his film “The Aviator.” In 1981, she won both the Academy Award and BAFTA Award for editing Scorsese's “Raging Bull.” Subsequently, she worked on all of Scorsese's features: “The King of Comedy,” “After Hours,” “The Color of Money,” “The Last Temptation of Christ,” the “Life Lessons” segment from “New York Stories,” “Goodfellas” (which earned her another BAFTA Award, as well as an Oscar nomination), “Cape Fear,” “The Age of Innocence,” “Casino,” “Kundun,” “Bringing Out the Dead,” “Gangs of New York” (for which she received the ACE Eddie Award and was nominated for an Academy Award), “Shutter Island,” “Hugo” (for which she received another Oscar nomination), “The Wolf of Wall Street,” and “Silence.” In addition to her film editing, Schoonmaker works tirelessly to promote the films and writings of her late husband, the director Michael Powell, among them “The Red Shoes,” “Black Narcissus,” “The Life and Death of Colonel Blimp,” “I Know Where I'm Going,” “A Matter of Life and Death,” “Tales of Hoffmann,” and “Peeping Tom.” Editing Killers of the Flower Moon In our discussion with KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE, we talk about: Leaning into the love story When to cut to DiCaprio or DeNiro Scorsese's shooting style The structural perfection of Goodfellas Twelve cuts to completion The Credits Visit ExtremeMusic for all your production audio needs Learn all about what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Soul Of A Nation (Afro-Centric Visions In The Age of Black Power: Underground Jazz, Street Funk & The Roots Of Rap 1968-79): -Gil Scott-Heron “The Revolution Will Not Be Televised” -Mandingo Griot Society With Don Cherry “Sounds From The Bush” -Roy Ayers Ubiquity “Red, Black And Green” -Philip Cohran & The Artistic Heritage Ensemble “Malcolm X” -Sarah Webster Fabio “Sweet Songs” -Phil Ranelin “Vibes From The Tribe” -Horace Tapscott With The Pan Afrikan Peoples Arkestra “Desert Fairy Princess” -David McKnight “Strong Men” -Joe Henderson “Black Narcissus” -Oneness Of Juju “African Rhythms” -Doug Carn “Suratal Ihklas” Escuchar audio

A Matter Of Life And Death. The Red Shoes. Black Narcissus. The Tales Of Hoffmann. The Small Back Room. The Life And Death Of Colonel Blimp. I Know Where I'm Going. We could just fill this blurb box by simply listing the films of Michael Powell & Emeric Pressburger, the filmmaking duo who might just be British cinema's greatest double act, but we won't. Instead, we'll tell you that their work is currently being celebrated in an amazing nationwide BFI retrospective called Cinema Unbound (check it out and book tickets for screenings and events etc. at bfi.org.uk), and that put us in the mood to put together a special in their honour. And what's truly special about it is the interview that John Nugent conducted with Thelma Schoonmaker, the legendary editor of Martin Scorsese's films, and who was married to Powell until his death 1990 (in fact, Scorsese introduced her to Powell); and Kevin Macdonald, the Scottish film director who is Emeric Pressburger's grandson. On the other side of that wonderful, warm interview, Chris Hewitt invites P&P superfans Ian Freer, Nick de Semlyen and the aforementioned John Nugent into the podbooth to wax lyrical about their favourite Powell & Pressburger moments, movies and more. It's a belter. Enjoy.

“The Lion” 1962 is a family/adventure film set on an animal preserve in Kenya. Director Jack Cardiff relies on excellent movie making skills to fill the screen with beautiful scenes of Africa and wildlife. Mr. Cardiff‘s experience includes Cinematographer for films such as “Black Narcissus” 1947 (Episode 98) and “The African Queen” 1951.William Holden is Robert Hayward a Lawyer who travels to Africa at the request of his former wife to help face the challenges of their eleven-year-old daughter and her attachment to King a lion played by Zamba. Capucine plays ex-wife Christine and Pamela Franklin is their daughter Tina. Trevor Howard plays John Bullit the grizzled manager of the game preserve and relatively new husband of Christine. Bullit deeply loves Africa and the movie captures that and much more.

Production Design Film Study:1947. In this episode, we review and analyze the stunning production designs of "Great Expectations," "The Foxes of Harrow," "Black Narcissus," and "Life With Father." Our panel of esteemed professionals, including set decorator Kim Wannop, production designers Adam Rowe, and Ralph Lydon, take you on a captivating journey through the intricate set designs and storytelling techniques of these cinematic masterpieces. Don't miss this fascinating exploration of production design in 1947's most memorable films. Production design is the art of storytelling through visual expression. It's about creating immersive worlds that transport audiences to different times and places. Every detail has a purpose, every set has a story to tell. It's a collaborative process that combines creativity, craftsmanship, and meticulous attention to detail. Join us as we dive deep into the Oscar-nominated films of 1947 and explore the masterful production design that brought these stories to life. Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast! As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling. Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production! #DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNow #ProductionDesignFilmStudy #filmstudy #filmclass #setdecoration #tvdesign #moviedesign #filmdesign #oscars #oscarwinner #oscarnominated Subscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadio Follow at: @decoratingpages on Twitter decoratingpages on IG Decorating Pages Podcast on YouTube @decoratingpagespodcast on TicTok Contact Kim Wannop at kimwannop@decoratingpagespodcast.com www.decoratingpagespodcast.com

Musical theatre legend Bonnie Langford performs Stephen Sondheim's I'm Still Here from the musical Follies, in tribute to the late composer and lyricist. The actress, singer and dancer reflects on her career from West End child star to appearing in Stephen Sondheim's Old Friends, the starry revue show running at London's Gielgud Theatre. Documentary filmmaker Maysoon Pachachi makes her feature film debut with Our River…Our Sky, set in Baghdad during the winter of 2006, three years after the US-led invasion. Maysoon's film reflects on how those who remained tried to get on with their lives in a city riven by sectarian violence. “Nuns are always box office, aren't they?” said film director Michael Powell and he was right. His 1947 classic Black Narcissus, about missionary nuns in the Himalayas, is being screened around the country; The Sound of Music ran at Chichester Festival Theatre over the summer and midwife nuns will soon return to our screens in Call the Midwife. Critic David Benedict and Samira Ahmed discuss the attraction and importance of nuns in art. Presenter: Samira Ahmed Producer: Paula McGrath

Melanie and Ed love watching old movies and dishing on them. This week's movie: BLACK NARCISSUS (1947), starring Deborah Kerr, Sabu, David Farrar, and Flora Robson, and featuring Esmond Knight, Jean Simmons, and Kathleen Byron. Mel and Ed make book recommendations with similar themes. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!

Can you be a sex worker and still follow your faith? Sex work has always challenged religion. Although it's broadly considered immoral within Christianity, Islam and Judaism, sacred texts carry some mixed messages. We hear from a British woman who grew up as a devout Muslim but now makes adult content for the online service Only Fans. She's often pictured wearing a hijab. She's received death threats but believes that expressing her sexuality and making her own choices about her body are empowering. She reflects on the difficulity of reconciling sex work with religious faith. Attendance at Church of England services has fallen sharply in recent decades. A new survey of over a thousand clergy suggests that many are anxious about the future of the church. Nearly a third of those who responded to the poll, by the Times newspaper, felt that the Church could face extinction if the decline continues. Some believe that part of the problem is that church teaching on issues like gay marriage and the role of women is out of touch with public opinion. We hear from several Anglican priests and invite the church to respond to their concerns. Why are nuns such an enduringly popular subject for films? This week, The Nun II, a horror movie, is released in UK cinemas. It's just the latest in a rich seam of nun-themed films, which includes Sister Act, Black Narcissus, Nuns on the Run, and The Sound of Music. A film critic and a Catholic nun discuss the portrayal of nuns in cinema and reflect on the enduring appeal of nuns to film makers. Presenter: Edward Stourton Producers: Jonathan Hallewell and Bara'atu Ibrahim Editor: Tim Pemberton Studio Managers: Simon Highfield and Sue Stonestreet Production Coordinator: David Baguley

Book Vs. Movie:The Red ShoesThe Hans Christian Anderson Fairy Tale vs. the 1948 Classic FilmThe Margos (and a special guest star!) put on their dancing shoes with the Hans Christian Anderson fairy tale “The Red Shoes” along with the 1948 adaptation that is considered a ballet/film classic with some of the most beautiful sequences along with a meditation on “art versus life.” Published in 1845, The Red Shoes appears in “New Fairy Tales” and tells the story of Karen, a vain and selfish girl who has a particular pair of red shoes that causes her to dance with frenzy. Apparently, the author used his own sister's name for the horrible lead and his father being a proud shoe cobbler who demanded to be treated with respect from even his wealthiest clients. The movie is a technicolor masterpiece filled with renowned dancers and is the coloration between Michael Powell and Emeric Pressburger (following the successful 1947 film Black Narcissus.) It's considered one of the best British films ever and won the Academy Award for Best Original Score and Best Art Direction. What are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!Our special guest is Dale Bridges, author of The Mean Reds, available from Stephen J. Austin University Press. You can follow his artwork at https://www.dalebridgesart.com/ and on Instagram @Bridges.writer In this ep, the Margos discuss:The original fairy taleThe history of the movieThe cast of the 1948 film: Anton Walbrook (Boris Lermontov,) Marius Goring (Julian Craster,) Moira Shearer (Victoria Page,) Robert Helpmann (Ivan Boleslawsky,) Leonide Massine (Grischa Ljubov,) Albert Bassermann (Sergei Ratov,) Ludmilla Tchernia (Irinia Boronskaya,) and Esmond Knight as Livingstone “Livy” Montague.Clips used:Victoria Page meets Boris LermontovThe Red Shoes 1948 trailerThe crowd enters the theatreLermontov picks his dancersGrischa Ljubov meets Victoria PageThe last dance sceneMusic by Brian EasdaleBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie:The Red ShoesThe Hans Christian Anderson Fairy Tale vs. the 1948 Classic FilmThe Margos (and a special guest star!) put on their dancing shoes with the Hans Christian Anderson fairy tale “The Red Shoes” along with the 1948 adaptation that is considered a ballet/film classic with some of the most beautiful sequences along with a meditation on “art versus life.” Published in 1845, The Red Shoes appears in “New Fairy Tales” and tells the story of Karen, a vain and selfish girl who has a particular pair of red shoes that causes her to dance with frenzy. Apparently, the author used his own sister's name for the horrible lead and his father being a proud shoe cobbler who demanded to be treated with respect from even his wealthiest clients. The movie is a technicolor masterpiece filled with renowned dancers and is the coloration between Michael Powell and Emeric Pressburger (following the successful 1947 film Black Narcissus.) It's considered one of the best British films ever and won the Academy Award for Best Original Score and Best Art Direction. What are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!Our special guest is Dale Bridges, author of The Mean Reds, available from Stephen J. Austin University Press. You can follow his artwork at https://www.dalebridgesart.com/ and on Instagram @Bridges.writer In this ep, the Margos discuss:The original fairy taleThe history of the movieThe cast of the 1948 film: Anton Walbrook (Boris Lermontov,) Marius Goring (Julian Craster,) Moira Shearer (Victoria Page,) Robert Helpmann (Ivan Boleslawsky,) Leonide Massine (Grischa Ljubov,) Albert Bassermann (Sergei Ratov,) Ludmilla Tchernia (Irinia Boronskaya,) and Esmond Knight as Livingstone “Livy” Montague.Clips used:Victoria Page meets Boris LermontovThe Red Shoes 1948 trailerThe crowd enters the theatreLermontov picks his dancersGrischa Ljubov meets Victoria PageThe last dance sceneMusic by Brian EasdaleBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Welcome to It's A Wonderful Podcast!! One of the most strikingly beautiful looking movies to ever come out of Britain on this week's main show as the powerhouse directing duo of Michael Powell & Emeric Pressburger are in conversation for the first time on the show as Morgan and Jeannine discuss isolationism, hubris, romance, resisting temptation, and explosive emotions in BLACK NARCISSUS (1947)! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Orlando Louis calls himself an entertainer but, as a talented singer, dancer, model and actor, I'm just not sure that word is big enough. Orlando originated the roles of Scar and Mufasa in Paris's Broadway version of The Lion King,” roles he still currently performs in Disneyland Paris. He created "The Brown Sugar Show," celebrating African-American music worldwide, as well as the soul funk musical "Blax: The Musical." Orlando has performed all over the world, including in Jean Paul Gaultier's Haute Couture tribute to Amy Winehouse, and with Hans Zimmer and Others. He has a new album on the way, titled "Black Narcissus,” and when I first met him, he was also performing drag all over Paris. https://www.instagram.com/orlandolouis_official_/ Whatever It Is U Got: https://youtu.be/bPQMmzEQCus http://itunes.apple.com/album/id1668662629?ls=1&app=itunes https://youtu.be/sZmpkESfEEo Etta James - (You Can) Leave Your Hat On: https://www.youtube.com/watch?v=CSmdT1Si4bo Join us on Patreon: patreon.com/parisundergroundradio Find Us OnlineWebsite: https://parisundergroundradio.com/cityofmusesFacebook: https://www.facebook.com/parisundergroundradioInstagram: https://www.instagram.com/parisundergroundradio/ CreditsHost and Producer: Jennifer Geraghty. https://parisundergroundradio.com/jenniferfoxgeraghty @jennyphoria; Website: http://jennyphoria.comMusic CreditsNo Copyright Music by OlexandrMusic Download Free Music: http://bit.ly/3ikZxuF Soundcloud: https://bit.ly/3u4ehyg YouTube: https://www.youtube.com/olexandrmusic Official: https://www.olexandrignatov.com About UsWho will be the world's next Salvador Dali, Thierry Mugler, or Josephine Baker, launching a new wave of the avant-garde? How are new artforms created, developed, honed? And where exactly do today's artists and creatives find their inspirations? Each week, join City of Muses host Jennifer Geraghty as she sits down with contemporary artists, poets, dancers, designers, and performers to explore what inspires them, what their creative processes are like, where their ideas come from, and how Paris has helped or hindered their dreams come true. Inspiration and creativity meet in Paris, the City of Muses.

Watching classic films on nitrate is one of the rarest opportunities in filmgoing and our friend Matt has attended an entire festival that works in this old tradition. Every time a nitrate picture is shown, the film degrades, and so herein presents a unique opportunity, to see these physical copies as they are now, how they will only be this once. A range of classic films is explored, centering on festival headliner Black Narcissus. We also explore the context and performance of the nitrate prints for The Third Man (1949), The Wizard of Oz (1939), The Middleton Family at the New York World's Fair (1939), Duel in the Sun (1947), and several other special selections.A production of The Twin Geeks | Join our Discord

Freiras nos himalaias, rodeadas de preconceito e tensão sexual, cabin fever, ambiente colonialista prestes a explodir em conflitos raciais e traumas de outrora de quem acha que afinal deveria era ter ficado em casa a fazer a equipa de basquete no Chade. Referência. RXNG0237.0334

Our guest Parker is back, joining Ryan, Dixon, and John for this week's Recommend or Refute. John professes his love for Johnnie To's superhero movie The Heroic Trio (1993), Ryan breaks down Makoto Shinkai's new anime film Suzume (2023), Parker talks about the overlooked Paramount Plus show Why Women Kill (2019), and Dixon dives into the Powell and Pressburger sexual thriller Black Narcissus (1947).

The Darjeeling Limited is possibly Wes Anderson at his most self-aware, but sometimes its still difficult to tell the difference between deeper symbolism and the director's stream-of-consciousness aesthetic styling, particularly when it comes to the religious elements. Speaking of religious elements, a note: this episode we spend some time talking about the [Anglo] Latin Catholic influence in India since that is the Christianity we see in the movie (and it gives us a chance to reference Black Narcissus). While the colonialism of more modern waves of Christianity into India cannot be sidestepped, we should point out that Christianity has a 2000 year history in parts of India, particularly the south, and it's not all the rather austere Latin Catholicism that we see in the movie and talk about in this episode. Casey Hape joins us once again as the person we know who has been into Anderson the longest, and we got her husband Jonathan to sit in as well.

148 - Black Narcissus (1947) Movie Discussion with Ansel Faraj On this episode. Steven is joined by filmmaker Ansel Faraj to discuss the 1947 movie Black Narcissus!  Ansel's past movies include Loon Lake and Will & Liz.  His latest movie is Todd Tarantula!  You can rent it now on Vimeo.  Please click the link below. https://vimeo.com/ondemand/toddtarantula You can follow Ansel's work at https://HOLLINSWORTHPRODUCTIONS.com Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page. Thanks for listening!

This week, continuing our Kubrick retrospective, we are discussing Dr Strangelove. This feels like a close to a particular period of films for Kubrick, a time of experimentation and fighting for control. Join us as we appreciate this Kubrick comedy! We talk about scene stealing performances, JFK, and Kubrick's camera placement. In our Trailers features we also talk about: M3gan (2022), Blue Velvet (1986), Black Narcissus (1947), The Magnificent Ambersons (1942), Le Corbeau (1943) We hope that you enjoy the show and return in future to the congregation!Show Website: https://film-church-radio.captivate.fm/listenBranden's Letterboxd: https://letterboxd.com/selmanscope/Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927Instagram: https://www.instagram.com/filmchurchradio/

In this episode we talk about the great duo Powell and Pressburger and two of their classics Black Narcissus and The Red Shoes. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Send in a voice message: https://anchor.fm/silverscreenvideo/message Support this podcast: https://anchor.fm/silverscreenvideo/support

We kick off the 3 Silent Classics by Josef von Sternberg boxset with Underworld (1927), a film that defined a lot of gangster movie aesthetics, and went way beyond that as well with some of the most visually striking matte work we've seen outside of Black Narcissus.

Jacob and Sam discuss the 1960 film Peeping Tom. Michael Powell's horror film was rejected by British critics upon release, but the film has since been re-appraised. We discuss Powell, why people hated it, and whether it deserved that reputation. The Film Magazine: https://www.thefilmagazine.com/a-matter-of-life-and-death-review/ (A Matter of Life and Death (1946) Review by Sam Sewell-Peterson) https://www.thefilmagazine.com/black-narcissus-75-review/ (‘Black Narcissus' at 75 – Review by Sam Sewell-Peterson) https://www.redbubble.com/people/thefilmmagazine/shop?irclickid=SNTypsx0RxyITjRw6MUTtS8CUkGwrQUBr0AMXQ0&irgwc=1&utm_group=RBC&utm_source=Impact&utm_medium=brand_awareness&PartnerType=pt.aff&PartnerCategory=&Region=&PartnerID=2444878 (TFM Redbubble) https://www.paypal.com/donate/?token=06fbykUNvhigw79aPi28EBsdxzKu2iBtjkCAWqk6DSVhhE15zc8abzPXvWnPRmelXk0-CX-EFc5W5hoY&locale.x=en_GB (Donate to TFM) Music: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboi Creative Commons — Attribution 3.0 Unported — CC BY-SA 3.0 Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

The Super Podcast Episode 162 - Movie Swap with The Blackcoat's Daughter (2015) and Black Narcissus (1947) with Super Marcey and Bede Jermyn Continue reading →

Tom Service explores television themes with Oscar-winning composer Anne Dudley, who wrote the music for Poldark, Black Narcissus, and Jeeves and Wooster.

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Why measure health outcomes? What information comes from outcome data? What action does the information motivate? How do disparities figure in? Why risk adjust? Blog subscribers: Listen to the podcast here. Scroll down through show notes to read the post. Subscribe to Health Hats, the Podcast, on your favorite podcast player Please support my blog and podcast. CONTRIBUTE HERE Episode Notes Prefer to read, experience impaired hearing or deafness? Find FULL TRANSCRIPT at the end of the other show notes or download the printable transcript here Contents with Time-Stamped Headings to listen where you want to listen or read where you want to read (heading. time on podcast xx:xx. page # on the transcript) Proem.. 1 Knowing enough to be dangerous 02:21. 1 Why measure health outcomes?  04:28. 2 Information from measurement 05:20. 2 Action from information (plus money) 06:07. 2 How do disparities fit in? Look past your nose. 08:12. 2 Risk adjustment 10:29. 3 Reflection 11:44  3 Please comments and ask questions at the comment section at the bottom of the show notes on LinkedIn  via email DM on Instagram or Twitter to @healthhats Credits Music by permission from Joey van Leeuwen, Drummer, Composer, Arranger Joey van Leeuwen Quartet playing Black Narcissus by Joe Henderson Web and Social Media Coach Kayla Nelson @lifeoflesion Photo by Elise Wilcox on Unsplash The views and opinions presented in this podcast and publication are solely the responsibility of the author, Danny van Leeuwen, and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors or Methodology Committee. Sponsored by Abridge Inspired by and grateful to Matthew Pickering, Cary Sanders, Rebekah Angove, Lina Walker, Adam Thompson, Ben Zola, Amanda Brush, Ellen Schultz, Laura Marcial, Juhan Sonin, Jennifer Bright, William Lawrence Links Risk Adjustment - Factors Affecting Adjustment CMS Physician Cost Measurement and Patient Relationship Codes Technical Expert Panel National Academy of Medicine DIgital Health Learning Collaborative, National Quality Forum's Cost and Efficiency Standing Committee  GoInvo Determinants of Health Related podcasts https://health-hats.com/pod145/ https://health-hats.com/pod140/ https://health-hats.com/pod133/ About the Show Welcome to Health Hats, learning on the journey toward best health. I am Danny van Leeuwen, a two-legged, old, cisgender, white man with privilege, living in a food oasis, who can afford many hats and knows a little about a lot of healthcare and a lot about very little. Most people wear hats one at a time, but I wear them all at once.  I'm the Rosetta Stone of Healthcare. We will listen and learn about what it takes to adjust to life's realities in the awesome circus of healthcare.  Let's make some sense of all this. To subscribe go to https://health-hats.com/ Creative Commons Licensing The material found on this website created by me is Open Source and licensed under Creative Commons Attribution. Anyone may use the material (written, audio, or video) freely at no charge.  Please cite the source as: ‘From Danny van Leeuwen, Health Hats. (including the link to my website). I welcome edits and improvements.  Please let me know. danny@health-hats.com. The material on this site created by others is theirs and use follows their guidelines. The Show Proem Can grasping risk adjustment contribute to a profound understanding of health inequities and motivate action to improve? Whaaattt are you talking about, you ask? As I write this episode, I'm preparing to join an NQF (National Quality Forum) Risk Adjustment Special Populations focus group. Understanding health disparities through measurement and experience and then acting on that information to improve equity ranks high on my list of advocacy priorities. I'm holding my nose,

In today's episode, I am joined by friend and cosplayer, Alex aka alexmarieeflowers! We discuss "The Hidden Fortress" directed by Akira Kurosawa and "Black Narcissus" directed by Michael Powell and Emeric Pressburger. We talk about how George Lucas was inspired by Kurosawa when he made the first Star Wars film and we make fun of colonization too! It's a fun episode! --- Send in a voice message: https://podcasters.spotify.com/pod/show/thehitlist/message Support this podcast: https://podcasters.spotify.com/pod/show/thehitlist/support

Welcome, wayward movie watchers--for the very first time--into The Media Morgue! For our series premiere we dive headfirst into religious horror with 2021 release 'Saint Maud' and 1947's 'Black Narcissus'. Come and be regaled with tales of religious women driven to the edge of sanity by...arousal?  We are releasing episodes every Friday for our first month! Follow us @TheMediaMorgue across all socials for updates on new episodes, and consider supporting us on Patreon! 'Saint Maud' is directed by Rose Glass; starring Morfydd Clark and Jennifer Ehle. 'Black Narcissus' is directed by Michael Powell and Emeric Pressburger; starring Deborah Kerr and Kathyleen Byron. Timestamps [0:00-17:00 ] News! Obi-Wan series, 'The Suicide Squad' trailer, 'Them' trailer [17:00-58:25] 'Saint Maud'  [58:49-01:44:40] 'Black Narcissus'