Podcasts about sony camera

In today's episode of the podcast, I chat with Dan Milnor, an acclaimed documentary photographer who shares transformative insights on creativity, industry challenges, and the true impact of social media on your work.The Big Ideas:Seek Inspiration, Not Imitation: Embrace the storytelling and influence behind another artist's work rather than copying style or gear.The Value of Authentic Engagement: Understand social media's shallow interactions and focus on building a genuine audience.Embracing a Multifaceted Identity: Delve into various creative outlets to enrich your photography and personal brand.Isolation for Innovation: Discover how stepping away from the crowd can enhance your unique voice and creativity.Photography Action Plan:Explore Outside Influences: Visit the websites of conceptual artists or photographers you admire at least a few times per year. Jot down what elements of their work inspire you the most. Incorporate what resonates with you into your photography, be it their storytelling approach or their thematic focus, to craft a richer narrative in your images.Prioritize Care with Equipment: Familiarize yourself with the functionalities of your current equipment, such as the exposure compensation dial, to enhance your shooting efficiency without the need to upgrade immediately. Engage in Long-Term Projects: Select a subject matter that sparks your curiosity and devote time to a long-term photographic project. This commitment often leads to deeper insights and more substantive work. Resist the industrial pressure to multitask on numerous short-term endeavors and instead focus on developing a solid body of work that reflects your dedication and skill. Rethink Social Media Engagement: Create a portfolio website showcasing your unique photographic work to establish a professional online presence that's independent of social media validation. Begin reducing your reliance on social media platforms by actively seeking genuine engagement with your audience through direct channels like newsletters or local exhibitions.Embrace a Multifaceted Approach to Photography: Invest time in developing additional skills that complement your photography, such as writing or video, which can enhance your storytelling capabilities and marketability. Explore your other interests and hobbies alongside photography. These pursuits can provide fresh perspectives and inspirations, enriching the creative content of your photographic work.Resources:Visit Dan's Website Shifter Media: https://shifter.mediaDan Milnor's YouTube Channel: https://www.youtube.com/@DANIELMILNOR505Learn What Camera Settings to Use in our free guide!https://perfectcamerasettings.com/ Build Your Dream Photography Business and Keep More of the Money You Earn with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

This week, David is taking a well-earned vacation so Marques and Andrew talk about a bunch of the latest news from the week! They start it off with Marques giving his final thoughts on the new MacBook Pro since he wasn't here last week before getting into some EV talk. After that, they talk about some new Pixel Watch 3 rumors and Spotify adding audiobooks to premium subscribers before wrapping it all up with some David-themed trivia. Hope you enjoy! Links: MacBook Pro review: https://bit.ly/mkbhdmacbookproreview Decoder episode: https://bit.ly/decoderObama David Studio Short: https://youtube.com/shorts/zjTxDrRNowg?si=VQNi7YA1qxrh7L_2 Breaking Records in Reverse: https://bit.ly/reverserecord Ram 1500: https://bit.ly/ram1500EV Spotify Audiobooks: https://bit.ly/4675NJk Shop the merch: https://shop.mkbhd.com Instagram/Threads/Twitter: Waveform: https://twitter.com/WVFRM Waveform: https://www.threads.net/@waveformpodcast Marques: https://www.threads.net/@mkbhd Andrew: https://www.threads.net/@andrew_manganelli David Imel: https://www.threads.net/@davidimel Adam: https://www.threads.net/@parmesanpapi17 Ellis: https://twitter.com/EllisRovin TikTok:  https://www.tiktok.com/@waveformpodcast Join the Discord: https://discord.gg/mkbhd Music by 20syl: https://bit.ly/2S53xlC Waveform is part of the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Hardware Addicts, a proud member of the TuxDigital Network. Hardware Addicts is the podcast that focuses on the physical components that powers our technology world. In this episode, we're going to be talking about Intel's latest architecture innovations like RibbonFet and PowerVia coming to Meteor Lake processors and how this might help Intel regain it's crown. Then we head to Camera Corner where Wendy will discuss a head to head battle of Sony ZV-1 II Compact Vlog Camera VS the OG ZV-1 Show Links: - BTT Manta M8P with CB1 (https://biqu.equipment/collections/control-board/products/manta-m4p-m8p?variant=39847239123042) - PI4B Adapter (https://biqu.equipment/products/pi4b-adapter-v1-0?variant=39847230242914) - Lenovo Duet 5 Chromebook (https://amzn.to/3MSGeoT) - Pixel 6 Pro (https://amzn.to/43qmwX2) - RibbonFet & PowerVia Demo (https://youtu.be/t6Y41zdO3Pc)

Get extra perks here: https://www.patreon.com/NigelBarros Don't forget to rate this podcast! Yongnuo lens: https://th.hkyongnuo.com/products/yn12-35mm-f28-4m Matt's Channel: https://www.youtube.com/@MattAitia --- Support this podcast: https://podcasters.spotify.com/pod/show/longlenspodcast/support

What's up everyone! Todays episode I talk about Sony New Cameras and be careful on social media.Support the show

This is RAWtalk Reboot 002 with Jared and Stephen.  Today we talk about some current news, update you on what's going on.  And answer your burning questions which so happen to mostly be about the Canon R7. TXT us your thoughts to 3137109729

Zeena Zalamea-Turner is a Filipino news presenter, reporter, and a producer for Dubai Eye 103.8 FM under Arabian News Network and formerly a correspondent at Dutch broadcaster VPRO, and concept developer/scriptwriter and segment producer at ABS-CBN. She started with nothing when she came to Dubai in 2006 but being raised by a single mom and being the breadwinner of the family was enough motivation for her to succeed in her career and in life. In this episode she shared how being a wise spender and writing down her goals helped her settle her moms tremendous medical bills, send her sister to college and buy her family a 3-BR home in the Philippines. You'll also learn the value of insurance, side hustles and why having an accountability partner can help you achieve financial success! Connect with Zeena: LinkedIn: https://www.linkedin.com/in/zeenazalamea IG: https://www.instagram.com/zeenazalamea —

Decentralized Finance (DeFi) is an emerging technology that aims to remove third parties in financial transactions. Over the years it has grown rapidly at a pace that I never thought possible. As I'm learning this space, I'm fortunate to have met Emman Navalan whom I got recently connected with through a trusted friend. He is a civil engineer by profession, a crypto investor, a entrepreneur and the CEO of Tetrix Network - an omnichain blockchain network that aims to bridge and solve present blockchain limitations. He's been my go-to-guy when it comes to all my questions about blockchain, crypto and anything and everything revolving Decentralized Finance! What you'll learn: Why should we care about DeFi? What exactly is DeFi? Traditional Finance vs FinTech vs DeFi What are the problems that DeFi solve? What can you do with DeFi? How does DeFi work? What are the important projects in DeFi right now? What are the risks involved? How to participate in DeFi? Should the entire world go 100% DeFi? Get in touch with Emman and learn more about Tetrix Network: website: www.tetrix.xyz facebook: www.facebook.com/TetrixNetwork Telegram @tetrixnetwork Email: info@tetrix.xyz ---

This is an Audio extract from my Amazon Live creator live stream you will find some really good tips I share with potential creator customers. amazon.com/shop/zulfphotography You can watch the live session here Live.ZulfPhotography.com This Podcast is powered by TrustedCreators.org At TrustedCreators.org, our primary goal is to get you noticed. We promote your brand across many social media platforms of Trusted Creators. This means less work for you but more exposure for your brand Get in touch and let's get you the right Trusted Creator to move your brand forward in this digital world. --- Send in a voice message: https://anchor.fm/zulfphotography/message

If you're looking to discuss photography assignment work, or  a podcast interview, please drop me an email.  Drop Billy Newman an email here. 183 Photographing Landscapes In The Wallowa Mountains, Sony Camera Systems For Multi-day Landscape Photo Trips If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here. If you want to look at my photography, my current portfolio is here. If you want to purchase stock images by Billy Newman, my current Stock photo library is here. If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com. If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here. If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free. Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here. If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here. You can find my latest photo books all on Amazon here. Produced by Billy Newman and Marina Hansen Link Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About   https://billynewmanphoto.com/about/ 183 Photographing Landscapes In The Wallowa Mountains, Sony Camera Systems For Multi-day Landscape Photo Trips 0:14 Hello and thank you very much for listening to this episode of The Billy Newman photo podcast. 0:23 But yeah a couple things going on for the podcast today I just put up a photo of the world our walls, the wall Loughborough the allow mountains up in the ego cap wilderness. You guys have seen a ton of those photos from me so far. I like that place a lot. This was another photo from the backpacking trip that we did there back in mid September. And real cool trip, talked about it a couple of times in the podcast, but this photo was it was right where the the cabins were set up. There's this whole this whole side of the ironwood Lake area that kind of coves around and it's sort of above the waterline of the lake and over in that area probably 100 years ago before there was like a wilderness area or before there Well yeah, I guess before it was like a nationally designated wilderness area. Before we can build structures there they put up a couple like half a dozen of these log cabins that were just way back in there and I'm not sure where they what they do with them all together but it seems like a cool destination spot. So we kind of walked over there and this photo where it was taken was right over there in in that area but it was cool spots to walk around through there lots of trails that kind of cut through the side of the lake and then up to the backside and stuff that we try to check out for a little while but it's fun hiking around there and taking photos and stuff it was cool that that first morning that we got up because I think the other there was just one other set of hikers at least that we saw that were camped out there and I think they had it taken off by the time that that we were like walking around checking stuff out was cool we came up on like the boats these like aluminum. These this aluminum boats that were that were hauled up there next to the lake and put up next to a dock and they're chained in but they're not locked and we really tempted since we were the only people up there to snatch one of these boats early in the morning paddle out to the center of the lake. Hang out check it out and then paddle back. I thought it'd be pretty fun. Yeah, it was kind of funny actually on the way back when we were hiking back we saw another group hiking up and on their back they had they had a paddle at least like a kayak paddle and it looked like they had like an inflatable kayak or some kind of kayak like set up and wrapped up in their bag but I thought that was kind of an interesting idea of taking taking an inflatable kayak that was light enough to backpack and then carrying that up to to some mountain mountain lake to go do some remote backpacking. Be Kind of a cool way to get around if you if you packed it up in there. I could see it working really well if there was like a way you could use it sort of continuously. You know like if you could hike in a ways and then hit it hit a body of water and then paddle across it and save a lot of time and then pack up and then keep hiking and then keep paddling you know sort of a thing like that or you know hiking and then and then take a river down a couple days that'd be really cool. But man I don't know if I'd really want to hike up a mountain with a with a kayak on my back probably be a bummer 3:21 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism, camping, cool stuff over there. And I think I just been going through editing a handful of photographs and I wanted to talk about a few of the ideas that I had around that it was cool I was gone through through an archive on a hard drive that I have for a bunch of the images from a lot of the camping that we did during September while we were out this this past year and it was cool working with with the newer Sony cameras like like I talked about a handful of times in this podcast so far and and working by like traveling around and camping and stuff work into the track and all that so it was really cool but so with a lot of these photos a handful of or you know in a waterways they really haven't been processed to to a final outcome yet. So one thing that I was working on was trying to go through some of the photographs from imnaha, Oregon and Emma How are I going to talk about on here a bit was that area that's east of of Joseph and enterprise Oregon as you get up toward Hell's Canyon, or Yeah, I guess up there like right on the Snake River and the Idaho border. And it's a cool spot. It's a really interesting little town and the geography out there. Really changes quite quite dramatically like right there out next to the Snake River and out next all those hills and mountains that are over in that area, but it looks like it used to be way More full of water out there just the amount of erosion that he can you can see that seemed like it ran through there to create this giant gorgeous that we see now that's that's a lot of Earth movement that had happened out there so it's a really cool area out there but once you get out to him now there's no services there's no gas there's no store really I think there might be some type of thing if you if you could call ahead and knew what to call ahead for but there's a road that cuts out in the in the high River Canyon where the river flows through and then there's a road that cuts up and it would go out toward Hell's Canyon or toward a viewpoint at least have at the top of Hell's Canyon as you look down into the Snake River and the Oregon Idaho divide really cool area up there and definitely worth the drive if you can get out there but at a certain point there's a viewpoint that you're able to kind of walk out to the shows all of the imnaha Canyon and really interesting way just the angle of it I think everything starts to line up really nicely in that way and that's something I've tried to kind of look for us on try to put together some photographs so that area was was really cool you know it's designed to look really beautiful but I tried to get real low and bring in some of the some of the contexts and texture the grass in this this dry grassy field that the guy stressed off on a steep slope down the hillside as it went down to the bottom of the ravine or at the bottom of the canyon you know the M the high River Canyon that's out there but the contours of the land and the distance it kind of all flowed into the same vanishing point as as in how river you know sort of worked its way up back toward the horizon but really beautiful area up there and it was cool I just sort of focusing the camera and trying to try to frame that up to sort of capture that immense pneus of edge to edge what it what it was really light is sort of feel that the way the just the amount of angle there is to that and so one thing that I was working on with this photograph was an A handful that is from from them now River Canyon was trying to try to work on some some more advanced black and white conversions of these photographs and I know there's there's different different like high contrast filters and stuff for for good black and white images and in a lot of ways I could really help a ton of images especially if they're shot right or you know cleanly with good light now you know the files are clean, there's a huge amount you can do with that with things like that, but Gosh, yeah, just trying to like go through an ad. Black and White conversions that are a little bit more specific, a little bit more adjusted to some of these photographs, especially ones that have like structural context to them or a compositional element that's really just defining landscape by the structure of the land and by the the angle of the land I call it I try to mess with that a little bit so it was a school working on it now like the the way that it turned out, it kind of pulls some of the yellow color out of it which is really just almost sometimes distracting. And then the strips it down to the kind of sharp angles that come in from the top of the top of the frame to the bottom of the frame. These these other sharp diagonals that are kind of mashed up in parallel with the two so I kind of like that part of the composition elements that come about with when you're you start working on stuff when you when you kind of work 8:19 or just when you kind of start getting a little bit more trained and stuff and when you're able to sort of make things a little bit more easily that starts to come around a bit better. But yeah, what's cool working tonight on a handful of photographs from from them and how ruber came in and try and make some black and white conversions of them. 8:39 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or if you're more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. 9:19 But the holidays was kind of an interesting time because I ended up sort of thinking a lot about what but what photographs are you know I'm getting a little bit older now. And I think there's there's sort of like a change in the vision that I have of the way that I kind of think about photographs or you know what, what is their purpose? Why are we making them and in a big way like maybe propagated by the Instagram culture or the the sharing content creation culture that sort of seems to be out right now especially for those the you know, photographers or artists, I think they feel the pressure to be content producers now, and that maybe is a little bit of a different job than the Fatah ographers or the real artists, that kind of that kind of a person. So I've been trying to sort of think about that a little bit, and then then sort of take a look at the trends of Instagram and are those my art is that what I need to pursue. And a lot of the time, I sort of noticed this. And even in my own images, this like super sharp, super crisp, everything has to be really perfect or really edited, or really meaningful and dramatic. And these images. And what I'm noticing a little bit, especially as I review my older images is that the photographs that I'm really drawn to, they're the photographs that represent the truth more, they're the photographs that kind of have them. I don't know what it is, really, but they have a little bit more of an essence of reality. Or maybe it's its reality, but it's also 10:47 a little bit of grit to it to like this really happened it was it was magical, it was interesting, I really liked that surrealism in the photographs that I take, and I have for a long time. But but there's a little bit more. And I've always I think a lot of stuff I've done kind of pushed for the Unreal. And some of the stuff that I'm kind of noticing last couple years as I looked at like the photographs and how they change this sort of how that shifted from the Unreal of landscapes or of the world you know, kind of trying to select things about landscapes, you know, when they have unusual colors to them, or unusual dynamics or phenomena like like clouds, or weather or water or something like that, that makes it sort of feel like a different look or a different image than like what we'd see midday at noon, if we looked at the same thing. So I think that's definitely still part of photography. But one thing as though since through the holidays, and through reviewing a bunch of my old photographs was how much the stock value of of a photograph goes up over time, over one year, it's a bit over a few years, it's a bit more, but over a decade, you really get, you really get to see the change that happens in time, you know, I get to see, like relatives that were much younger. And these photographs I took 15 years ago than they are now and it seems like kind of a an obvious point, or seems like something everyone should know. But really, there's a huge amount of value in the photographs because they capture something at the time that it was and you get to hold on to that after their people or the moment or the event or the experience changes. starting to notice as I'm getting older is that life does sort of change, it changes, then it's an obvious kind of point of fact that everybody's sort of known about for a long time. But in my naive sense, I've been so focused on photography or on image creation or on the product making something that's kind of crisp and sharp and perfectly usable today. I don't know if I was thinking so clearly about how the nostalgia factor or how the value of something you know, from a family or just sort of a small moment, it's captured this this more real, how that escalates in value over time. And like coming at these photos. 15 years later, even like seven years later from some of the stuff that I had, it's really interesting to see, like, wow, like I took a ton of photos of this type of topic. But I didn't I didn't take as many photographs that sort of represented my artistic experience of my life. For that humanity, I really want to try and show more of that. And the photographs, the humanity that kind of the way you feel about a photograph. And I think that's so much about what a photographer is there to do is sort of be be able to kind of pick and select which moments to capture and which ways you're going to be able to share that stuff in the future. That's going to become more nostalgic, more meaningful, or just just a way of kind of knowing that this was part of my life. Wow, that's really cool. So I have a chance to think about some of those ideas around photography for the new year a little bit. But along with that, I've been going through the last like 15 years of photos and in my big super catalog that that collection of Lightroom photos I made that's kind of trying to pull in every phone photo, every phone video, every every different camera I've had since 2002, I'm trying to get all those photos together, put them in there, I think it was like 120,000 images, something like that, which really isn't that many photos for someone that's been doing so for a long time. But I went through those and I tried to like punch those down to a lot of the Select so out of the images that I kind of want to keep from and I was trying to pull out a lot of good photos but but photos that were kind of irrelevant to me for this sort of future moving forward catalogue of stuff I want to get rid of like product photos or word photos that are hundreds and 1000s of photos even the kind of fill up space and memory in the catalog. I'll keep those definitely but those will be backed up on another harddrive. But what's active to me what's in my library currently, I want to be like the last I think I've talked about this for like the last two years or so photos in whole in total. So I can get back to that library and edit any one of those raw files that have but for stuff that's older than two years like 2015 and before I kind of want to pair those down a little bit so that I'm a little bit more specific and unable to get to those photos that were selects a little bit faster and then especially for older stuff like pre pre 2010 or so I want to around really have those things down to like the, the 100 photos, I actually, you know, I need to have around to get to for for whatever kind of stuff I need to do. But it was really cool to have gone through the old photos and you just kind of do it in this pretty quick way, you know, like this is a one star, this is a two star kind of thing. So you kind of punched through those pretty fast. And then and then I have another round to do or I'm gonna I'm gonna try and punch it, you know, from one star to star, those are going to be what I keep for a while. And then from that, I'm going to try to render that down to select all the all the three star photos, all that that's kind of like I would pick this photo and sort of put it under review. And then and then my system at least is a little bit of the four star, five stars zone that's for this is going to be published or this is going into the portfolio or as content sort of thing. So yeah, I'm gonna try and push on that stuff a bit more, and get some photographs sorted for the year, but is really cool going through all of those old trips that we've done. All those different places that we've gone to. And of course I've seen Well, one thing I've noticed is good Lord, how bad at Photoshop I was. And I want to, I want to say that I'm gonna put a little blame because I remember this happened at the time. But I want to put a little blame on how god awful my laptop monitor was like a 2006 2007 2008 laptop monitor just had no color gamut against what we know now in like modern ol or LED Retina Display monitors like Apple puts out, or like any kind of modern LED, more color accurate monitor that we have now. But I was looking at it and there's like, it's just so muddy, there's, there's so few colors that it can really represent. So you have to push things a little further out of gamut. Or at least I did at the time, kind of not understanding what I was compensating to. So I look back at some of these photos and go, Oh, I would never make it this yellow and green in a modern world. So it's kind of interesting what you know, whatever was going on, or whatever I was thinking about at the time visually, that sort of drew me to that place. But it's interesting to see like how that changes, how your aesthetic sort of change, and also a little bit of how your tools and calibration systems changed and sort of seeing like, wow, off was that way back, then. So all stuff that you kind of learn and you get better at it, it's interesting, at least to the benefit, you get better over time. And like a decade later, I see changes in the the kind of creative or the the style that I would lay out just if I started working, you know, out without actually having to try and implement a style, you know, try and lay with Oh, I'm going to make a photograph that's black and white, and of events and personal or something, instead of trying to go out with it with you know, a set intention of that which you should or could in any set of photos. But if I just go out and am shooting what I am drawn to the photographs that are capturing get in the way that I kind of perceive what they look like and how I want to show them to people, that's all kind of changed and evolved over time. And it seems like my choices in that are better than they once were. But it was interesting to just kind of seeing like, man, how many years and years and years, it takes me taking photographs, before any of these photographs really got good or got to the point where they were more than snapshots or more than just kind of data collection. I sort of thought of myself as an archivist for a long time where we're like the job wasn't really to be a photographer where it was editing to select like a moment and character and sort of like nuance between things that have like emotional pole to them, I didn't really understand that type of composition stuff, I just sort of understood the camera mechanically functioning as a light capturing tool. And so that was like that was probably the first four years of photography was sort of thinking about it like that, like I'm capturing data of a reality. And then that's going to be processed in to something else later. And it wasn't really for years until I understood like emotional vision or you know, like having some way to kind of tie the way you feel to the way that you see something. And that was really interesting kind of learning about how some of those things work. And yeah, it's still such a long route and I still have, you know, no, no real understanding, no real experience in that by anybody that's really trained, just self taught. 19:02 Little Little Billy out here. And nowhere Willamette Valley. So yeah, that's some of the stuff about making selects. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources. some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy new Ninja photo.com. Thanks a lot for listening to this episode and the back 19:37 end

Welcome to Hardware Addicts, a proud member of the Destination Linux Network. Hardware Addicts is the podcast that focuses on the physical components that powers our technology world. In this episode, we're going to discuss the announcement of Google making it's own silicon for their new Pixel 6 flagship phone. We consider the options Google might consider for their own Tensor chip in the near future and contemplate the impact of Android 12. Then we head to the camera corner where Wendy will discuss Sony ZV-E10 So Sit back, Relax, and Plug In because Hardware Addicts Starts Now! Products Discussed: - ULANZI Camera Arm: https://amzn.to/37xJKQ7 - Pinetime: https://www.pine64.org/pinetime/ - Aruba AP22: https://amzn.to/3fUATMM - Aruba PoE Switch: https://amzn.to/3xBgvGx

In this episode of the Creators Connect Podcast we are joined by a talented photographer by the name of Gaby Arregoces who is a travel enthusiast. Gaby actually studied travel and tourism and a major part of her creative work is dedicated to sharing her experiences in travel and educating people on how to be more responsible tourists through her blog.In the episode, Gaby and I discuss where she dreams and hopes to travel to next and she also shares about the one place that she has traveled to that has had the biggest impact on her life. We are going to be posting a lot more Episodes in this Creators Connect Podcast series so make sure you are subscribed to know when a new episode goes live.Support the show (https://paypal.me/megapicsouls?locale.x=en_US)

This is three conversations edited into one Episode. Cassie Paxman is wide eyed and nervous as I look at her on my screen, tomorrow is her first swim with a camera and water housing, she wants to be as prepared as possible and has agreed to record with me as she has some final questions. The forecast is for a large swell to march in from the open ocean and she's determined to go no matter what!Listen in as I talk to her before her swim, after her swim and sometime down the track to check in on her progress. There's much to be learned from this chat with Cassie, for me..much to be stoked about. I'd love to see your work and hear your thoughts about my show 'Chasing Clarity' Please get in touch via Instagram - @senseiodellIf you want to help the show grow it's awesome to subscribe, great to rate on your podcast player BUT amazing if you share the show with someone, your stories or a group.Want to suggest a guest or be a guest? Hit me on the Gram...I will ask you about yourself and what the listeners can learn from you.If you'd like to support the show for less than a cup of coffee a month you can search the show on Patreon or use the link below:https://www.patreon.com/user?u=15926773Think of it as buying me a coffee once a month to say "Thanks...I enjoyed those Eps...and I acknowledge the amount of work that goes into it."Cassie Paxman - https://www.instagram.com/cassiepaxman/?hl=enDon't forget review on ITUNES if you listen there!Odell Harris - https://www.instagram.com/senseiodell/

Lucas is a Creator's Blueprint member and a true example that age is just a number. At only 16 years old he is working with the clients he desires and is running a photography course helping beginners uplevel their creative abilities.LESS THAN 48 HOURS to Sign Up for the LAST round of The Creator's Blueprint. Click here to sign up >>www.thecreatorsblueprint.com

In this episode we get up to date on the goings ons in the camera world and reflect on Marvel's Black Panther!

With the world always looking for what is the next easiest thing, Moe is contemplating moving to Fuji just because of their better JPEG, Straight out of camera look. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/moe-morales/support

Join me as we talk about the Sony a7 III on the first episode of the Ditch Auto podcast.Check out the lastest Ditch Auto Videos: https://youtube.com/c/ditchautoFollow us on Instagram: https://instagram.com/ditch_auto

In this podcast I have discussed about tech news in Hindi language .I have discussed about Apple,Satya Nadella,Samsung, Sing Camera,Apex Legend Game. Thanks.

In this week's episode, David highlights three trending topics that photographers will want to know about and concludes with photography book recommendations that would be great to include in your summer reading. See more at: https://davidsornberger.com For more episodes, exclusive photography tips, tutorials and free photography resources, subscribe to the newsletter.

Your eyes are good, but a new phone is better. Find out what makes Huawei's P30 see in the dark with news direct from Paris and more in minutes, joined by Alex Choros, Tegan Jones, and Alex Kidman. See omnystudio.com/listener for privacy information.

LIVE STREAM! with LonelySpeck's Ian Norman!! If you aren't following the Facebook Photog Adventures Page (PAGE not the Group) then you might have missed out on the opportunity of hanging with Ian Norman live. Ian is one of our ABSOLUTE FAVORITE Milky Way Master Gurus and the creator of LonelySpeck.com and many popular YouTube tutorials helping us all be better in our Milky Way Photography! In this episode we start with talking about Ian's hike up Mt. Whitney and doing Milky Way Photography on his way down then move on to our LIVE listener Q&A where he tackles photography technique and processing questions from those participating in the LIVE Q&A. Then for Segment Three we do an extended Gear Time where Ian talks Sony Camera bodies and gets everyone thinking about changing over to the Sony Sensor!  Follow Ian and his wife's adventures at http://northtosouth.us/  and over on their Instagram @northtosouthtravel. Learn more Milky Way Photography tips over at LonelySpeck.com! NOTE: Be prepared for long, unedited portions of the hangout with Ian during the live Q&A. Segments Two and Three are better enjoyed watching the live feed off our Facebook Page but I included them here in case you prefer that. I apologize in advance for what turns out to be my worst "one more thing then lets end the podcast" ever. As I say it about three times and the podcast extends another 30-45 minutes!

BS, Sony Camera, Sony Phones, Galaxy S9, Nokia 8110, Asus Zenphone 5, Lightphone 2, Ring Bought by Amazon, Google Clips, Xbox on Mac, Duke Half-Life, Video Game Violence, Cyberdyne Exo-Skeleton, Spyro, Crypto News

Sony's A9 Camera, New Vizio TVs, Forza Horizon 3 Hot Wheels, Call of Duty: WWII, EOL alerts for Pixel and Pixel XL, Big story games are dying?, why are batteries exploding, New Google Earth, Blackberry taking it's last breath, Nexus 6p Class action lawsuit, Nintendo 2DS XL, Elon Musk Boring Company

This week, we bring you the first episode in our Camera Gear Series! We interviewed El-Dean Naude, the Senior Product Manager at Sony Cameras. Join us to learn about Sony gear and get an inside look at the ways Sony is innovating!

Es ist länger her, dass sich die Gamester.tv-Redaktion dermassen auf eine neue Peripherie für eine Spielkonsole gefreut hat. Und dies sei vorweg anzumerken: Die Freude hält an, «PlayStation VR» bietet tatsächlich ein neues Spielgefühl mit vielen tollen Erlebnissen. Gegen das Erlebnis sträubt sich aber folgender Kritikpunkt: Einigen Redaktionsmitgliedern wurde beim Spielen von Games mit raschen Bewegungsänderungen wie «Battlezone» schlecht, so sehr, dass die Brille abgenommen werden musste. Das heisst somit: Man sollte unbedingt vorher in einem Geschäft oder bei einer/m Bekannten testen, wie man das Ganze oder gewisse Games verträgt. Auch der Preis ist ein Entscheidungskriterium: Für das Headset bezahlt Ihr knapp 500.- Schweizer Franken. Jedoch braucht Ihr zwingend die Sony «Camera» (75.- Schweizer Franken einzeln, nicht im Bundel) und für gewisse Spiele auch die «Move»-Controller (Twin-Pack kostet um die 100 Schweizer Franken). Die Games kosten von knapp 10 Schweizer Franken bis zu 75.- Schweizer Franken - kurzum: Kein günstiger Spass. Schliesslich ist die Auflösung auch erkennbar schwächer 1920×1080 (960×1080 pro Auge). Dabei werden RGB-Stripes verwendet, dadurch ist die Pixelstrukutur schwieriger zu erkennen, unschöne Fliegengittereffekte können auftreten. Doch genug der Misstöne, Sonys VR-Headset bietet auch technisch viel für den Preis. Latenz von nur 18ms, einen Blickwinkel von 100° und ein 360°-Erlebnis. Letzteres ist dank den neun Lichtpunkten an der VR-Brille möglich. Besonders toll: Die Social-Screen-Komponente. Die PS4 sendet zwei Ausgangssignale, sodass auch Gamerfreunde das Ganze Geschehen auf dem TV oder Beamer verfolgen können. Eine Spiele bringen auch die coole Komponente ein, dass der VR-Brillenträger etwas anderes sieht als die Leute, die auf den TV oder Beamer schauen, sodass hier kreative Spielprinzip entstehen (können). Dies ist alles nur dank der seperaten Box möglich, die an die Konsole angeschlossen wird. Die kleine Box (143x36x143mm) sorgt zudem für die Aufbereitung des 3D-Audiosignals - was ein richtig cooles Feature ist. Mit den beigelegten Stereo-Kopfhörern können so die Geräusche/Sounds der Kopfbewegung des Nutzers angepasst werden, die Immersion ist somit noch verstärkt. Auch der Tragekomfort der Brille, die 610 Gramm wiegt, ist toll. Das Ganze fühlt sich leicht an, es gibt keine Druckstellen - einzig: Es kann schon ziemlich warm werden, Schweisstuch griffbereit halten und eventuell auch Desinfektionstücher bei vielen VR-Brillen-Wechsel. Hier noch einige Gameeindrücke: «PlayStation VR Worlds» bietet fünf kurzweilige Spiele und Erlebnisse, die alle Aspekte der VR-Brille und Zubehör durchleuchten. Jedoch ist der Wiederspielwert gering. Bei «Driveclub VR» sind insbesondere Kenner des PS4-Games punkto Optik enttäuscht, die doch markante Schwächen aufweist. Der Spielinhalt hingegen ist gross für ein VR-Game und kann - sofern man nicht Motion Sickness geplagt ist - lange motivieren. «Battlezone» ist eine VR-Hommage des 1980er-Automatenklassikers von Atari. Hier ist die Motion Sickness am stärksten fühlbar, wer dieses Game ohne Murren aushält, der hat einen starken Magen und muss sich um die VR-Zukunft keine Sorgen machen. Spielerisch müsst ihr taktisch den Gegner überlisten, Boden- und Lufteinheiten vernichten und Euch auch grösseren Vasallen stellen. Karten, Missionen und Bewaffnung werden stets neu generiert, zudem lässt sich vieles Freischalten. Trotzdem ist der Preis mit knapp 75 Schweizer Franken für diesen Titel zu hoch gegriffen. Das kostenlose «The Playroom VR» rundet das ganze Positiv ab: Die sechs VR-Games zeigen die Mehrspielerfähigkeit der VR-Brille sehr gut auf und sorgen für ein neues Spielerlebnis an einem kunterbunten Gameabend mit Freunden. (raf)

On vous livre nos impressions sur les tendances, et ce qui nous a marqué. On parle notamment des tendances d'écosystèmes autour d'un mobile, de modularité et bien sûr, de la réalité virtuelle (VR) ! Les actualités : Pour info, durant cet enregistrement, nous avons longuement échangé sur le refus d'Apple de réaliser des actions demandées par le FBI dans le cadre de l'enquête sur l'auteur de la tuerie de San Bernardino. Plutôt que de vous proposer une émission de plus de 2 heures, nous avons découpé l'émission en deux. Cette partie, plus orientée "débat", est disponible ici. Notez bien que les deux émissions sont indépendantes (l'une n'est pas un extrait de l'autre). Le MWC 2016 commence avec du neuf ? 2016 ou l'avènement des écosystèmes (fermés!) (de gadgets?) d'objets connectés LG G5, casque de réalité virtuelle, robot sphère, enfin du neuf ! Samsung et le Galaxy S7 Alors la gear 360 ? Sony : Camera de life logging, assistant vocal, projecteur short throw intéractif et même des téléphones, c'est pour dire ! Le MateBook. Concurrent à surface et ipad pro. Mais les pro ont ils vraiment besoin d'une tablette ? Super VOOC : OPPO peut recharger votre phablette en 15 minutes La réalité virtuelle MWC : Le VIVE à 799$... achetez un homido Eye Tribe fait de l'eyetracking en réalité virtuelle Sword Art Online en vrai ? Les bonus : Homido, le cardboard de luxe Chaîne YouTube : Science Etonnante Réalité Virtuelle et dissonance sur e-penser Les participants : Cédric Tamboise (@cedsib) Guillaume Poggiaspalla Animé par Guillaume Vendé (@GuillaumeVende)

Sony Camera, Go-Karts, Fallout 4, re-review Surface Book, The BS, Microwaveable Notebook, Kickstarter Krap