Podcast appearances and mentions of ted hope

ALERT THE PRESSES.You can make a body of work that reveals you to be an unpredictable genius pop star at age 42, if you so choose.Do you so choose?If this is the year you want to stop grinding against the rickety machine that someone else built and always breaks down right before you're supposed to get paid…and instead you want to heroically hurdle yourself into space at rocket-speed toward your biggest goals like Matt Damon launching himself off Mars in nothing but a spacesuit and a tarp…Then you'll need to make a paradoxical move.What's a Paradoxical Move?A paradoxical move is, as Michelle Pellizzon Lipsitz explains in this week's episode, an intentional break in the pattern of your personal thinking. It's going left when you'd usually go right.But it's not a grind. And it's not random. It's actually fast and somewhat effortless, super strategic and exceptionally fun.I wanted to talk with Michelle about this because she introduced me to this concept back in 2021, and there's literally no one smarter I could ask to explain it to me.Michelle isn't just the founder of Holisticism or the host of The Twelfth House or the creator of SPACIES or the brain behind sublimatrix — a Matrix of Destiny cipher or a consultant that offers incredible status quo-changing experiences to her clients.After almost a decade of running a very profitable company, she could sit back and let the hits keep coming. But instead, she's soon going to UCLA to pursue her PhD.So truly, there is no one better with whom I could ask about making unknowable, unexpected, and career-intensifying moves than Michelle.In this episode, we discuss:* The spectrum of age and how it changes your understanding of the creative process* The way independent artists can use institutions as a way to make their body of work at a faster rate* Infinite Games vs. Finite Games (thanks Yancey Strickler & Joshua Citarella for the inspo there!)* How to discern what you think is cool when you feel indoctrinated by the culture* How to become more unknowable and more unpredictable and evade AI from co-opting your brain* And how to use paradoxical moves in your career to find way more opportunities and get where you want to go much fasterThe episode vibe is as follows:MENTIONED IN THIS EPISODE:

Hollywood execs want more “aggression” out of their young proteges, but Gen Z — raised in remote work and new rules — came to age without traditional role models. The Ankler team shares advice from their interviews with Greg Berlanti and Ted Hope for young creatives to stand out, something even more essential as the state of showbiz is begging for a new round of visionary leaders. If you're a Gen Zer in Hollywood yourself, apply to The Ladder, our members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest producer Bobbi Sue Luther (SYLVIE'S LOVE, THE GAME) stops by the pod to catch up and shareher takeaways on the most recent episode with Ted Hope. We discuss navigating success and despair, the power of collaboration, and why being mindful matters in Hollywood. Thanks for tuning in! xx Become a Patreon! patreon.com/angleonproducers

Welcome back to the first official episode since I stepped away to bring a little human into this world! It's been a beautiful 6 months–-filled with cuddles and diaper changes while figuring out my new normal.  In the last 3 months, I co-hosted a dinner at UTA to celebrate 5 years of the podcast, stepped back on set for the first time since becoming a mom, and took a solo trip to NYC for the world premiere of documentary "THE HONORABLE SHYNE" for Hulu.  Suffice it to say...I don't know how to sit still.  Which bring me to today's episode with the impressive and revered indie producer Ted Hope, who has produced over 70 films! He's also been a studio executive on over 60 films, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, and an app.  And you think I do too much!  He also launched Amazon's foray into feature film production, leading them to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. During our chat, we dive into the failures of the current industry model, pinpoint what missteps may have led us to this period of stagnation, and ponder a question close to Ted's heart: is there still Hope for Film?

Vanessa Hope is the director of Invisible Nation, a documentary film that takes a look at the presidency of Tsai Ing-wen, Taiwan's first female president and events that happened during her tenure. We talked about what first brought Vanessa to Taiwan which meant that she was there in 1996 during the inauguration of Lee Teng-hui, Taiwan's first directly elected president. Then in 2016 after Vanessa came to Taiwan with an international delegation to observe Taiwan's presidential elections and witnessed the election of Tsai Ing-wen, she came up with the idea for a film about Tsai Ing-wen's presidency.   Related Links: https://talkingtaiwan.com/invisible-nation-director-vanessa-hope-discusses-her-documentary-about-tsai-ing-wens-presidency-ep-284/   Vanessa's first feature length documentary, All Eyes And Ears examined relations between the U.S. and China through the stories of U.S. Ambassador to China Jon Huntsman, his adopted Chinese daughter Gracie Mei, and blind legal advocate Chen Guangcheng.   When I asked Vanessa about her experience making a documentary film in China, she recounted a story that explained why she personally related to the backlash and pressure from China that Chou Tzu-yu, a Taiwanese member of a K-pop band has faced.   We also talked about the challenges in making Invisible Nation over a seven year period, Vanessa's personal motivations for making the film and where Invisible Nation is going to be screened in the near future.   Here's a little preview of what we talked about in this podcast episode: ·       What brought Vanessa to Taiwan and got her interested in Taiwan ·       What Vanessa observed when she was in Taiwan for the inauguration of Lee Teng-hui, the first directly elected president of Taiwan ·       The first time she dabbled in filmmaking ·       How Vanessa wrote and recorded the podcast, Love Is a Crime, which tells the story of her family's connection to film ·       The state of the film industry which Vanessa's husband Ted Hope writes about on Substack ·       How Vanessa came up with the idea for the film, Invisible Nation ·       Vanessa worked at the Council on Foreign Relations ·       Vanessa came to Taiwan with an international delegation to observe Taiwan's presidential elections in 2016 and witnessed the election of Tsai Ing-wen ·       How Vanessa secured a grant focused on women, peace and security ·       How film producer Sylvia Feng helped Vanessa with submitting a proposal to President Tsai's office regarding her idea for a documentary film ·       How they filmed an interview with Chen Chu before hearing an answer from President Tsai's office about the documentary film proposal ·       How Vanessa originally envisioned working a film about Taiwan's first female president ·       The backlash President Tsai received from China initially ·       The discrimination that Taiwan faces internationally ·       How Taiwan has been excluded from international organizations like the WHO, the United Nations, the Olympics and others ·       How Russia's invasion of Ukraine highlighted concerns about the threat Taiwan faces from China ·       How Xi Jinping has said that he will not renounce the use of force against Taiwan ·       Where the name of the film, Invisible Nation came from ·       The film Vanessa produced, Who We Are: A Chronicle of Racism in America, about ·       If President Tsai had any say in the film Invisible Nation ·       What personally motivated Vanessa to make the film, Invisible Nation ·       How the interview and scene with Chen Chu in the film came about ·       How Chen Chu wrote her will when she was in prison and dedicated her life to the people of Taiwan ·       What it was like meeting former President Ma Ying-jeou ·       How Vanessa's mentor at the Council on Foreign Relations, Jerome Cohen had been a professor at Harvard Law School to Ma Ying-jeou and Annette Lu ·       What Vanessa learned from working at the Council on Foreign Relations ·       What fascinated Vanessa about how the singer Chou Tzu-yu was forced to apologize for waving a flag that represented Taiwan ·       Wen Liu's comments about President Tsai that didn't make it into the film Invisible Nation ·       How it was decided that historical facts to keep in the film or not ·       How part of the editing process for the film Invisible Nation was to test it on audiences ·       How Vanessa has had to edit down Invisible Nation from 85 minutes to 55 minutes for television ·       Who is the target audience of the film, Invisible Nation ·       Why some of the Taiwanese who worked on Invisible Nation had to use pseudonyms ·       China's 3 T's that you are not supposed to talk about, Taiwan, Tibet, and Tiananmen ·       The difference in working on documentary films in China vs. Taiwan ·       What happened to Vanessa when she was in Tibet and tried to board a train with U.S.  Ambassador to China Jon Huntsman, who she was filming for her first documentary film, All Eyes and Ears ·       Why Vanessa could relate to what happened to the singer Chou Tzu-yu ·       Scenes that had to be cut from the film, Invisible Nation ·       The challenge in making Invisible Nation ·       Feedback that Vanessa has received at screenings of Invisible Nation ·       What Vanessa hopes that people take away from the film Invisible Nation ·       If Vanessa has gotten any negative feedback or threats from pro-China media or parties ·       Where Invisible Nation is going to be screened ·       Vanessa's future film projects   Related Links: https://talkingtaiwan.com/invisible-nation-director-vanessa-hope-discusses-her-documentary-about-tsai-ing-wens-presidency-ep-284/

It's not quite New Years Eve anymore, but in this 2023 round table Matt, Oren, Roxy, Carlyn, and Maureen get retrospective and discuss goals for 2024! Editor Noah and Producer Tyler hop on the pod too! Matt's Endorsement: Ted Hope's SubstackOren's Endorsement: Ridley Scott's 8 Cameras & Dream ScenarioCarlyn's Endorsement: Guided PsychedelicsRoxy's Endrosement: The Path to Paradise: A Francis Ford Coppola StoryMaureen's Endorsement: I'm A VirgoTyler's Endorsement: Fantastic Fungi & Snacky Clusters from Trader Joe'sNoah's Endorsement: High School MusicalContribute to the Just Shoot It Patreon and help the show.Send feedback or questions to @justshootitpod or justshootitpod@gmail.com.Follow Matt on twitter and instagram.Follow Oren on twitter and instagram.Wanna be on the show? Call us with a question at (262) 6-SHOOT-1, and we'll air your voicemail on the show.Show your support: rate and review us on iTunes. apple.co/2fl9ojySee who our guests are a week early on our instagram @JustshootItPodMusic was provided by the free music archive and by Jahzzar.Each week on Just Shoot It we interview your directors, screenwriters, editors, cinematographers, and actors, and learn how they became successful, working content creators. We'll share tips and stories of how people in the entertainment industry forced their ways into sustainable careers. We're all about getting off your butt and making your own videos. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This special episode features a conversation with three leaders in this space exploring the future of the greenlight process in film: Anjali Midha is the Former Head of Entertainment at Twitter and the Founder and CEO of the entertainment analytics platform Diesel Labs. Irina Albita, co-founder and co-CEO of FilmChain, the blockchain based platform revolutionising the collection of revenues in film and TV. Ted Hope is the producer of over 70 feature films, the former Head of Production at Amazon Studios and author of the book Hope for Film and blog of the same name. In an increasingly competitive and congested distribution marketplace, better and more informed decision making upstream is increasingly essential. Is there a better way? How can we support intuitive creativity with robust data analytics, audience insights and distribution intelligence? What are the tools, resources and information that can underpin more effective commissioning or investment decisions? Where are the information blindspots and how can filmmakers formulate a more robust investment opportunity? How can we create more inclusiveness in the greenlight process? More about our speakers Ted Hope has been a producer on over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, & an app. Ted launched Amazon's foray into feature film production, leading them to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. Ted's memoir and newsletter Hope For Film, are both must reads. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, Michel Gondry and many others. His most recent films include the first narrative from Oscar-winning documentary director, Roger Ross Williams, Cassandro, as well as the documentary Invisible Nation on Taiwan, directed and produced by Vanessa Hope. Anjali Midha, an entrepreneur with a passion for driving innovation in media and marketing analytics. She is the co-founder & CEO of Diesel Labs, a content analytics company that addresses the toughest questions facing media companies today. Before starting Diesel Labs, she was the Global Director of Media Research at Twitter where she developed the ‘playbook' for television - illuminating the synergies and opportunities across traditional and new media. She joined Twitter via their acquisition of Bluefin Labs (the pioneer of Social TV Analytics), prior to which she was the VP of Strategy & Analytics at Digitas. Anjali holds a BA in Economics from Tufts University and an MBA from MIT Sloan Irina Albita is a technologist with over 12 years experience in the London/NYC tech scene, with a mathematics-economics background. Her passion is exploring how emerging tech radically transforms creative industries, and she is a prominent figure at film & tech events worldwide. She co-founded FilmChain alongside Maria Tanjala. The platform is transforming how producers, financiers, and sales agents get paid. With a digital collection account management (CAM) for indie films and a royalties management solution for content distributors, FilmChain brings transparency to payments and modernises royalties. Former EFM Startups 2018, they have won awards such as ‘Startup of the Year' London Business Awards 2020, Startup Challenge at San Sebastian Film Festival 2020, Makers and Shakers 2020, and Unchain Fintech Festival 2022, to name a few. This episode is presented in partnership with Screenovators, the online community dedicated to innovation in the screen industries. For more information and to join: www.screenoavtors.com

Matt is joined by Ted Hope, a producer and former cohead of movies at Amazon Studios, to discuss streaming's negative impact on the movie business. Ted provides his perspective to explain how global streaming platforms have damaged the independent film business, how predatory pricing has corrupted the market, how the incentives of streamers have changed, and what should be done to fix this. Matt finishes the show with a box office prediction for Hayao Miyazaki's newest film, ‘The Boy and the Heron.' For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guest: Ted Hope Producer: Craig Horlbeck Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

In an increasingly competitive and congested distribution marketplace, better and more informed decision making upstream is increasingly essential. However, formulaic and algorithmically influenced content continues to enter the system, often leaving audiences cold. Is there a better way? How can we support intuitive creativity with robust data analytics, audience insights and distribution intelligence? What are the tools, resources and information that can underpin more effective commissioning or investment decisions? Where are the information blindspots and how can filmmakers formulate a more robust investment opportunity? How can we create more inclusiveness in the greenlight process? These are some of the questions explored with 3 leaders in their field across film, data and technology featuring legendary producer Ted Hope, Co Founder and Co-CEO of Film Chain, Irina Albita and Anjali Midha, Founder and CEO of Diesel Labs.  Ted Hope has been a producer on over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, & an app. Ted launched Amazon's foray into feature film production, leading them to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. Ted's memoir and newsletter Hope For Film, are both must reads. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, Michel Gondry and many others. His most recent films include the first narrative from Oscar-winning documentary director, Roger Ross Williams, Cassandro, as well as the documentary Invisible Nation on Taiwan, directed and produced by Vanessa Hope. Irina Albita is a technologist with over 12 years experience in the London/NYC tech scene, with a mathematics-economics background. Her passion is exploring how emerging tech radically transforms creative industries, and she is a prominent figure at film & tech events worldwide. She co-founded FilmChain alongside Maria Tanjala. The platform is transforming how producers, financiers, and sales agents get paid. With a digital collection account management (CAM) for indie films and a royalties management solution for content distributors, FilmChain brings transparency to payments and modernises royalties. Former EFM Startups 2018, they have won awards such as ‘Startup of the Year' London Business Awards 2020, Startup Challenge at San Sebastian Film Festival 2020, Makers and Shakers 2020, and Unchain Fintech Festival 2022, to name a few. Anjali Midha is an entrepreneur with a passion for driving innovation in media and marketing analytics. She is the co-founder & CEO of Diesel Labs, a content analytics company that addresses the toughest questions facing media companies today. Before starting Diesel Labs, she was the Global Director of Media Research at Twitter where she developed the ‘playbook' for television - illuminating the synergies and opportunities across traditional and new media. She joined Twitter via their acquisition of Bluefin Labs (the pioneer of Social TV Analytics), prior to which she was the VP of Strategy & Analytics at Digitas. Anjali holds a BA in Economics from Tufts University and an MBA from MIT Sloan This session is part of the Reimagining the Ecosystem Series presented by usheru and Screenovators: a series of talks featuring industry pioneers, trailblazers and thought leaders exploring whether it is time to reimagine the film ecosystem?

Renowned film producer and former Head of Movies at Amazon Studios, Ted Hope, embarks on a compelling conversation challenging the evolving role of platforms in the film industry. With a career marked by transformative moments, including bringing Spike Lee and Jim Jarmusch to Amazon, Hope questions the pervasive influence of streaming platforms. He advocates a shift in perspective, urging the recognition of streaming as a utility rather than a determinant of content creation. An outspoken proponent of artist autonomy, Hope proposes an "Artist's Bill of Rights", envisioning a future where creators maintain control over their works and revenues across diverse creative landscapes.   Subscribe to Locarno Meets for lively conversations about art, culture life and everything in between with the likes of Lambert Wilson, Ken Loach, Harmony Korine, Marianne Slot, Luc Jacquet, Zar Amir Ebrahimi, and more.   Locarno Meets is a Locarno Film Festival original production, brought to you by UBS.   Follow us on Instagram Follow us on TikTok Subscribe to our Newsletter   Host: Alexander Miller Audio Producer: Jack Boswell Video Producer: Claudia Campoli

Ted Hope has been a producer on over 70 films, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society and festival, and the former co-head of movies at Amazon Studios, leading the company to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. He is the author of the memoir Hope For Film and writes a Substack newsletter of the same name. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, and many others. His most recent films include CASSANDRO, the first narrative from Oscar-winning documentary director Roger Ross Williams, as well as the documentaries FREEDOM ON FIRE, directed by Evgeny Afineevsky; Marina Zenovich's JERRY BROWN: THE DISRUPTER; and Vanessa Hope's INVISIBLE NATION. When it comes to producing films, Ted's the real deal...with a stellar career spanning over 35 years. We're thrilled to have him in The Back Room sharing his inimitable wit and wisdom on streamers, the studios and the ever-changing movie ecosystem; the WGA and SAG-AFTRA strikes and the key issues behind them; the impact of AI on content creators; his exciting upcoming film projects; and his love of cheese! He also shares his memories of the early days of indie film, and in particular, working with my late wife Adrienne Shelly and auteur Hal Hartley on THE UNBELIEVABLE TRUTH and TRUST. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel

We're back for part two w/ super producer Ted Hope! This week, we talk about some of Ted's top pieces of advices for living a successful creative life, and spend a long time talking about the importance of balancing multiple projects as a creative.

You finally get the meeting, make the connection, and a bigshot producer is excited to read your script. But you panic. Is it good enough? Is it READY? Today, award-winning independent film producer Ted Hope walks us through those always complicated questions, and answers TONS more along the way. FOR MORE: https://tedhope.substack.com

A review of Teenage Mutant Ninja Turtles: Mutant Mayhem and news stories including Barbie going plastic-free by 2030, Midsummer Scream report and a Ted Hope article on the coming Cinemapocalypse. Plus an interview with Mob Land director Nicholas Maggio.

Producers James Schamus and Ted Hope recount the making of the movie that almost wasn't....until Ang Lee had the brilliant vision to bring this impossible-to-adapt book to the screen. The film went from "unmakeable" to competing for the Palme d'Or at Cannes where multi-hyphenate James Schamus won Best Screenplay. Ang Lee has an intimate understand of acting, so worked organically with the cast to allow them room to play with the script and create the film's unique feeling of fantasy meets reality in which everything happens on an ambitious precipice.

Host Brian Salter, lead pastor at LMPC, is joined today by our partners at Bible Mission Global. Paul is the Field Director and Gerhard is the Director of Communications for BMG. Keith Michaels, ruling elder and member of the World Missions Committee at LMPC, also joins the conversation. Brian and Keith have made several trips to Central Asia with Paul, to see and partake in the work that LMPC is supporting there. The partnership between Bible Mission Global and LMPC began when Ted Hope made the first visit in August 1992!Bible Mission Global (BMG)Exhortations to LMPC from Paul:1. INFORM yourself about what God is doing in Central Asia -- see the website for information2. SHARE with others what God is doing in Central Asia3. PRAY for the work God is doing in Central Asia4. BE READY to do or to go to assist with God's work in Central Asia -- One practical suggestion is for fathers and sons to go on short mission trips to Central Asia together!An additional challenge from Gerhard: There is a great need for young people to serve full-time in missions.Special Guests: Paul, Gerhard, and Keith MichaelsHost: Brian SalterProducer: Ben WingardMusic arranged by David Henry and performed by David Henry and Hannah Lutz.To contact Pillar and Ground or to submit a question that you would like to hear addressed on a future episode, please email podcast@lmpc.org. 

When we see a film—whether it's in the cinema or on a streaming platform—we see the final result of years of hard work from many hands. But what does it take to get from the initial idea to the first screening? And how does the industry pick which projects to fund and which to set aside? From his early days working with Ang Lee to heading up Amazon Studios, Ted Hope has been a central part of some of the big screen's most interesting productions and its biggest changes. And in the Drawing Room he looks back at the lessons he's learned along the way.

When we see a film—whether it's in the cinema or on a streaming platform—we see the final result of years of hard work from many hands. But what does it take to get from the initial idea to the first screening? And how does the industry pick which projects to fund and which to set aside? From his early days working with Ang Lee to heading up Amazon Studios, Ted Hope has been a central part of some of the big screen's most interesting productions and its biggest changes. And in the Drawing Room he looks back at the lessons he's learned along the way.

Mynette Louie is an Emmy-nominated, multiple Spirit Award-winning producer. A few of her movie credits include: Heidi Ewing’s I Carry You With Me (Sony Pictures Classics, Winner of Sundance 2020 NEXT Innovator & Audience Awards, New York Film Festival selection) Carlo Mirabella-Davis’ Gotham Award-nominated Swallow  Emmanuel Osei-Kuffour's Black Box (Amazon Studios/Blumhouse) Karyn Kusama’s The Invitation (SXSW 2015, Drafthouse/Netflix) Knowing no one in the film industry, Louie began her film career by producing three NYU Tisch graduate thesis films–all written and directed by women–though she did not attend the school. She also worked at the Hawaii Film Office, where she authored the state’s production tax credit, oversaw the $7.3 million renovation of the state-owned film studio, and developed programs to foster local independent filmmaking. Mynette is on the Board of Directors for Film Independent and serves as an advisor to the Sundance Institute, SXSW, Tribeca, and IFP. She was named one of Business Insider’s “12 Movie Producers at the Top of Their Game to Watch in 2020 and Beyond,” Ted Hope’s “21 Brave Thinkers of Truly Free Film,” and Indiewire’s “100 Filmmakers to Follow on Twitter.” Mynette won the 2013 Independent Spirit Piaget Producers Award and is a member of the executive and diversity committees of the Producers branch of the Academy of Motion Picture Arts and Sciences. A native New Yorker, Louie graduated Phi Beta Kappa from Harvard University, where she studied Chinese literature and film. @carolinagroppa @mynettelouie www.angleonproducers.com

From a struggling working class family in Philadelphia to Steven Spielberg reading out his name at the Oscars, we speak to Ross Katz about his upbringing and the struggles he faced after dropping out of school, his dealings with depression and lack of finances, all whilst trying to learn his craft to break into the film industry. Ross finally got his break working as a grip on the 1992 Quentin Tarantino American Crime film, Reservoir Dogs, which was named "Greatest Independent Film of all Time" by Empire. Ross then went on to become Ted Hope's assistant before being encouraged to become a producer himself, where he then went on to co-produce two Academy Award Best Picture nominees and was later nominated for an Emmy and BAFTA and even went on to win a Golden Globe for the film 'Taking Chance', which stars American Actor Kevin Bacon.  Ross talks us through his dealings with self confidence and how he battled the 'inner dialogue' of doubt, before talking us through how he always seemed to have a fire within him that just wouldn't go out and how his inner voice would tell him he just needed to make movies. His visions and belief eventually became reality and we had the absolute pleasure of hearing the outstanding achievements of Ross Katz. One of our favourite conversations so far, an absolute eye opener for all.   You can connect with Ross on all social media channels @rosskatz Alex O'Keefe & Craig Billington - The Self Made Mind Podcast

"Live With Ted Hope and Christine Vachon" (Episode 307) by Indiewire: Screen Talk

A special live event held at New York City’s famed Society of Illustrators! After a screening of the film, Josh & Dean sat down with American Splendor writer/directors Shari Springer Berman and Robert Pulcini (via Skype), actor Judah Friedlander, and animator Gary Leib. Behind-the-scenes stories of the making of the film, the animation, influences from the comics, and much more, including questions from the audience. Watch the accompanying video slideshow of comics sources for scenes in the film: https://youtu.be/MQSbPxTNpgE Shout-outs to producer Ted Hope, Society of Illustrators director Anelle Miller, Fairway supermarkets, Art Spiegelman, R. Crumb, the 1970s film Don't Look Now, Elizabeth Brundage’s All Things Cease to Appear, ”Ain't It Peculiar," Chocolate Genius (Mark Anthony Thompson; Tessa Thompson's dad), John Kuramoto, Curt Swan, Hergé, Eli Ganias, and Eytan Mirsky. --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

Josh & Dean sit down with American Splendor writer/directors Shari Springer Berman and Robert Pulcini for a freewheeling discussion of the movie. Shari & Bob talk about meeting Harvey & Joyce, the writing & making of the film, their working method and creative choices, casting, memorable moments from the shoot, the film’s main themes, and Harvey’s legacy. According to Bob, “Everything about the making of American Splendor was unorthodox and unusual.” For instance, the first day of casting was on September 11, 2001… Other tidbits include the surprising revelation that the film was heavily influenced by the Peanuts animated specials of the 1960s! Listen for that and so much more. As Shari says, "it was so important to Harvey to not be invisible, to not evaporate.” Well, thanks in large part to the American Splendor film, Harvey Pekar will live forever... Shout-outs to producer Ted Hope, production designer Thérèse DePrez, Cole Porter's "Night & Day," Charlie Rose, script supervisor Michael Taylor, the Crumb documentary, the 1978 Superman movie, Twinkle's Gary Leib & John Kuromoto, Josh Hutcherson, Hitchcock's Rope, Seinfeld, Maud Nadler, HBO, the New York Times, Beef with Tomato, Twitter, Jeff Newelt, @RealHarveyPekarTweets, and Helen Mirren wearing a Harvey Pekar T-shirt! --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

American Splendor scene #30 (1:37:31 to 1:41:08) — As the credits roll (on the film and the podcast), Josh & Dean reflect on all things Pekar/American Splendor. What should the film’s post-credit sequence have been? What would an American Splendor TV show look like? (Dino keeps coming back to Louis C.K.) A tribute to DC/Vertigo/Paradox Press, as well as editor Jonathan Vankin. Other notable movies with the word “American” in the title. The next movies from each of the film’s actors. Who would you want to write, direct, and star in the movie of your life? Thoughts on Harvey's death and the film’s conclusion. A somber way to end the season. Thanks for listening! SHOUT-OUTs to Doug Allen, R. Crumb. Greg Budgett, Gary Dumm, Gary Leib, Jason Gerstein, Joe Sacco, Gerry Shamray, Frank Stack, Joe Zabel, Bernt Capra, Vince Waldron, DC's Big Book of... series, Sandman, Swamp Thing, Hellblazer, Neil Gaiman, the comics' "British Invasion," Paradox Press, Andy Helfer, A History of Violence, Karen Berger, Hollywood Bob, Alden Ehrenreich (Han Solo), Harrison Ford, Seinfeld, Alan Alda, Alan Moore, HBO's Watchmen TV show, Pamela Adlon's Better Things, the U.S. State Dept. Speaker/Specialist program, Jerry Lewis, Woody Allen, France, Ferris Bueller's Day Off, Deadpool, Chester Brown, the "Who is Harvey Pekar" scene, the Alamo Drafthouse, Chris Smith, Tom Cruise, Clint Eastwood, Kevin Costner, Bret Easton Ellis, Pierce Brosnan, Ted Hope, Good Machine, Josh Hutcherson (Robin), The Hunger Games, M*A*S*H, Hawkeye Pierce, Radar O'Reilly, Dead or Alive's "You Spin Me Round," Charlie Kaufman, Spike Jonze, Ryan O’Neal, Seth Rogan, Paddy Cheyefsky, Budd Schulberg, Network, The Hospital, George C. Scott, Quentin Tarantino, Martin Scorsese, the Coen Brothers, Sergio Leone, the Russian Turkish Baths, John Ritter, the Fonz, Captain Kirk, Jason Wright, Doug Latino, Evan Wilson, Jen Ferguson, Sari Wilson, and all you listeners. --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

Josh sits down with Gary Leib to discuss his work on the film, specifically on key scenes like the title sequence, "Old Jewish Ladies," and "Who is Harvey Pekar?" Gary's background as an alternative cartoonist (Idiotland) and musician, and his long-standing partnership with Doug Allen. How Gary got into animation and initially hooked up with Ted Hope and Good Machine. John Kuramoto's vital contributions to the animation. Getting to know Harvey at Sundance, and what it was like when American Splendor won the Grand Jury Prize. Why Gary can't toot his own horn in the age of Trump. Shout-outs to Rubber Radio, John Linnell from They Might Be Giants, Dan Clowes, Chris Ware, Fantagraphics, Denis Kitchen, Spain, Zap Comix, Love God, Tim Streeto, Fellini's Amarcord, and HBO's Maud Nadler. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

Josh & Dean chat with Ted Hope (now with Amazon Studios), the producer of American Splendor. Hope talks about his own background in the business, the development of the film (including Dean’s key introductions), his favorite moments from the shoot, and premiering the film at Sundance. In a moving testament to authenticity in art, Hope explains why projects like American Splendor (both the film and the comics) have to exist. Shout-outs to NYU Film School, Alex Cox and REPO MAN, Ed Burns, Hal Hartley, Todd Solondz, Ralph Nader, the New York Film Festival, Jim Jarmusch's STRANGER THAN PARADISE. the Cohen Brothers and BLOOD SIMPLE, Frances McDormand, Spike Lee, the old Cinema Studio, Ang Lee’s ICE STORM, Dylan Baker, Dan Clowes, Todd Solondz' HAPPINESS, Chester Brown’s YUMMY FUR, Terry Zwigoff & Crumb, HBO’s Colin Callender and Maud Nadler, Glen Basner (now of FilmNation), production designer Thérèse DePrez, Gary Leib and the "super-imaginative" title sequence, Judah Friedlander, James McCaffrey, costume designer Michael Wilkinson, and Ted's book HOPE FOR FILM. --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

I think I have to set a different bar for what hope is. My Friend Ted, Episode #3 Ouimet Presents #10 This is the third episode in this series called My Friend Ted. Produced by Robert Ouimet. Additional recording by Robyn and Ted.This episode is titled: Hope. ISBN: 978-1-926758-21-3  Show Notes:My Friend Ted – Episode […]

Speciality tasks in post-production are, quite possibly, the last great bastion of entry for a career in filmmaking in 2019. An essay/discussion.

American Splendor scene #10 (16:24 to 17:51) — a sobering moment in the VA hospital’s “deceased” files section leads Harvey to try drawing his own stories. Short on ideas, he flips through some old comics, including an issue of Dr. Quake. But the message he receives is… “GIVE IT UP!” Dino’s art featured this scene! “Did you really believe brass and brawn could derail your destiny with fate?” — more behind-the-scenes details about how Dino connected producer Ted Hope with Harvey & Joyce, and how Dino’s art ended up in the movie. A discussion about why Harvey chose to make his mark via comics, as opposed to any other medium. Harvey's scripts — did he wrote his stories in a stream-of-consciousness manner or did he plan them out? Stick-figure comics: a shout-out to Matt Feazell’s Cynicalmanand Randall Munroe’s XKCD. --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

Morgan J Freeman holds the distinction of winning the top 3 awards at the 1997 Sundance Film Festival with his debut feature, 'Hurricane Streets.' Morgan is currently the Executive Producer of MTV's 16 and Pregnant, & Teen Mom. Show Notes-- Too Much Too Fast: The Seductive and Devastating Effects of Early Celebrity on the Ted Hope blog-- Hurricane Streets on Amazon-- James Altucher's, 'Choose Yourself'ContactMorgan J Freeman-- Official Site-- TwitterDave Bullis-- Official Site-- Twitter-- Instagram-- Facebook-- Youtube-- BlabGary Knudson (Sound Engineer)-- SoundCloud -- Hire GarySupport the Podcast1. Sign Up for Dave's email list2. Rate the Podcast on iTunes3. Buy on Amazon.com using my affiliate link4. Buy Final Draft screenwriting software using my affiliate link5. Buy Jason Brubaker's, 'How to Sell Your Movie' course via my affiliate link6. Buy Jason's Brubaker, '101 Short Film Ideas' book for only $7!7. My Podcast Amazon wish list 8. Buy a shirt in the Zazzle storeSubscribe to the Podcast-- Podbean -- iTunes -- Stitcher

Want to see the video version of this podcast? Please visit here: https://www.youtube.com/watch?v=2JnzuYuCaCQ To watch our collection of producer videos, please visit Youtube here: https://bit.ly/2FWgDbY To watch our collection of filmmaking/directing videos, please visit Youtube here: https://bit.ly/2TMZC7T Producer Ted Hope shares his four pillars of producing a movie, how a producer knows they are ready for production and that time is a filmmaker's greatest resource. He also talks about the director and producer relationship as well four filmmaking lessons from his book HOPE FOR FILM.

I premiäraktuella "Blood Calls You" berättar Linda Thorgren om hur hennes livs stora kärlek visade sig vara en kvinnomisshandlare. I filmen berättar hon sin familjs historia, och hur hon upptäcker att fler kvinnor i släkten haft liknande destruktiva förhållanden. En annan av helgens premiärer är israeliska "Lebanon", där den israeliske regissören Samuel Maoz om sina högst personliga upplevelser av krigets vardag. Han satt själv i en stridsvagn när de israeliska styrkorna rullade in i Libanon 1982. I spelfilmen "Lebanon" skildrar han hur det känns att sitta inspärrad i krigmaskinens innanmäte. Två våldsamma och personliga berättelser, där regissörernas personliga trauman blir till film. Möt regissören Samuel Maoz och hör ett kritikersamtal om "Blood calls you" i veckans Kino. Dessutom möter vi två av den amerikanska indiefilmens verkliga legendarer. Producenterna Christine Vachon och Ted Hope som tillsammans med regissörer som Todd Haynes, Ang Lee och Todd Solondz förändrat den amerikanska filmvärlden för alltid. I Kino ger de sin bild av framtidens villkor för filmskapande. Veckans klassiker är Ernst Lubitschs sexkomedi "Trouble in Paradise" från 1932, en föregångare till den genre av fartfyllda romantiska komedier som senare skulle gå under benämningen "screwball comedies". Programledare: Roger Wilson