Podcasts about Bobby Timmons

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CHARLES TOLLIVER LIVE “CAPTAIN'S CABIN” Edmonton, AB, Canada, November 29, 1973Repetition, ImpactCharles Tolliver (tp) John Hicks (p) Clint Houston (b) Clifford Barbaro (d) WALTER BISHOP, JR. “MIDNIGHT BLUE” Milan, Italy, December 12, 1991Sweet and lovely, Never let me go, Farmer's delightWalter Bishop, Jr. (p) Reggie Johnson (b) Doug Sides CURTIS FULLER “THE OPENER” Hackensack, N.J., June 16, 1957Lizzy's bounce, A lovely way to spend an evening (hm out), OscalypsoCurtis Fuller (tb) Hank Mobley (ts) Bobby Timmons (p) Paul Chambers (b) Art Taylor (d) Continue reading Puro Jazz 31 de diciembre, 2024 at PuroJazz.

CHARLES TOLLIVER LIVE “CAPTAIN'S CABIN” Edmonton, AB, Canada, November 29, 1973Repetition, ImpactCharles Tolliver (tp) John Hicks (p) Clint Houston (b) Clifford Barbaro (d) WALTER BISHOP, JR. “MIDNIGHT BLUE” Milan, Italy, December 12, 1991Sweet and lovely, Never let me go, Farmer's delightWalter Bishop, Jr. (p) Reggie Johnson (b) Doug Sides CURTIS FULLER “THE OPENER” Hackensack, N.J., June 16, 1957Lizzy's bounce, A lovely way to spend an evening (hm out), OscalypsoCurtis Fuller (tb) Hank Mobley (ts) Bobby Timmons (p) Paul Chambers (b) Art Taylor (d) Continue reading Puro Jazz 31 de diciembre, 2024 at PuroJazz.

ART BLAKEY AND THE JAZZ MESSENGERS “MOANIN'” Hackensack, NJ, October 30, 1958 Moanin'Lee Morgan (tp) Benny Golson (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) THE HORACE SILVER QUINTET “THE CAPE VERDEAN BLUES” Englewood Cliffs, NJ, October 1, 1965 The Cape Verdean bluesWoody Shaw (tp) Joe Henderson (ts) Horace Silver (p) Bob Cranshaw (b) Roger Humphries (d) LEE MORGAN “THE GIGOLO” Englewood Cliffs, NJ, June 25, 1965 Yes I Can, No You Can'tLee Morgan (tp) Wayne Shorter (ts) Harold Mabern (p) Bob Cranshaw (b) Billy Higgins (d) SONNY ROLLINS QUARTET “SAXOPHONE COLOSSUS” Hackensack, NJ, June 22, 1956 St. Continue reading Puro Jazz 25 de noviembre, 2024 at PuroJazz.

ART BLAKEY AND THE JAZZ MESSENGERS “MOANIN'” Hackensack, NJ, October 30, 1958 Moanin'Lee Morgan (tp) Benny Golson (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) THE HORACE SILVER QUINTET “THE CAPE VERDEAN BLUES” Englewood Cliffs, NJ, October 1, 1965 The Cape Verdean bluesWoody Shaw (tp) Joe Henderson (ts) Horace Silver (p) Bob Cranshaw (b) Roger Humphries (d) LEE MORGAN “THE GIGOLO” Englewood Cliffs, NJ, June 25, 1965 Yes I Can, No You Can'tLee Morgan (tp) Wayne Shorter (ts) Harold Mabern (p) Bob Cranshaw (b) Billy Higgins (d) SONNY ROLLINS QUARTET “SAXOPHONE COLOSSUS” Hackensack, NJ, June 22, 1956 St. Continue reading Puro Jazz 25 de noviembre, 2024 at PuroJazz.

“BLUES IN TRINITY” London, August 24, 1958Color Blind (db out), Just a pennyDizzy Reece, Donald Byrd (tp) Tubby Hayes (ts) Terry Shannon (p) Lloyd Thompson (b) Art Taylor (d) “STAR BRIGHT” Englewood Cliffs, N.J., November 19, 1959The rake, GroovesvilleDizzy Reece (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Taylor (d) “COMIN' ON” Englewood Cliffs, N.J., April 3, 1960The case of the frightened lover, TenderlyDizzy Reece (tp,cga-1) Stanley Turrentine (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) “SOUNDIN' OFF” Englewood Cliffs, N.J., May 12, 1960Ghost of a chance, Our Love is here to stayDizzy Reece (tp) Walter Bishop, Jr. Continue reading Puro Jazz 18 de octubre, 2024 at PuroJazz.

“BLUES IN TRINITY” London, August 24, 1958Color Blind (db out), Just a pennyDizzy Reece, Donald Byrd (tp) Tubby Hayes (ts) Terry Shannon (p) Lloyd Thompson (b) Art Taylor (d) “STAR BRIGHT” Englewood Cliffs, N.J., November 19, 1959The rake, GroovesvilleDizzy Reece (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Taylor (d) “COMIN' ON” Englewood Cliffs, N.J., April 3, 1960The case of the frightened lover, TenderlyDizzy Reece (tp,cga-1) Stanley Turrentine (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) “SOUNDIN' OFF” Englewood Cliffs, N.J., May 12, 1960Ghost of a chance, Our Love is here to stayDizzy Reece (tp) Walter Bishop, Jr. Continue reading Puro Jazz 18 de octubre, 2024 at PuroJazz.

Tonight's show: Count Basie, Jumpin' At The Woodside Jelly Roll Morton, Don't You Leave Me Here Gene Krupa, Anita O'Day & Roy Eldridge, Skylark Cab Calloway, 06 - Special Delivery Vince Guaraldi Trio, Never Never Land Ruby Braff, Barbary Coast Arnett Cobb with Ray Bryant, Cocktails for Two and Blues in the Closet Arnett Cobb with Tommy Flanagan, Blue Lou Arnett Cobb with Bobby Timmons, Down by the Riverside Ella Fitzgerald & Tommy Flanagan, Little White Lies (Live) Ella Fitzgerald, Count Basie and His Orchestra, The Count Basie Orchestra & Tommy Flanagan, Indian Summer (Live) Jaki Byard with Tommy Flanagan, Satin Doll Claude Bolling Big Band, Duke's Beat

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STAN GETZ / J. J. JOHNSON “AT THE OPERA HOUSE” Chicago, IL, September 29, 1957Billie's bounce, My funny ValentineJ.J. Johnson (tb) Stan Getz (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Connie Kay (d) GIOVANNI GUIDI “A NEW DAY” Pernes-les-Fontaines, France, August, 2023Cantos del ocells (1), Only sometimes (1), My funny ValentineJames Brandon Lewis (ts-1) Giovanni Guidi (p) Thomas Morgan (b) Joao Lobo (d) ) ART BLAKEY'S JAZZ MESSENGERS “ROOTS AND HERBS” Englewood Cliffs, N.J., February 18, 1961Roots and herbs, Look at the birdie, Petty larcenyLee Morgan (tp) Wayne Shorter (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) Continue reading Puro Jazz 09 de septiembre, 2024 at PuroJazz.

STAN GETZ / J. J. JOHNSON “AT THE OPERA HOUSE” Chicago, IL, September 29, 1957Billie's bounce, My funny ValentineJ.J. Johnson (tb) Stan Getz (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Connie Kay (d) GIOVANNI GUIDI “A NEW DAY” Pernes-les-Fontaines, France, August, 2023Cantos del ocells (1), Only sometimes (1), My funny ValentineJames Brandon Lewis (ts-1) Giovanni Guidi (p) Thomas Morgan (b) Joao Lobo (d) ) ART BLAKEY'S JAZZ MESSENGERS “ROOTS AND HERBS” Englewood Cliffs, N.J., February 18, 1961Roots and herbs, Look at the birdie, Petty larcenyLee Morgan (tp) Wayne Shorter (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) Continue reading Puro Jazz 09 de septiembre, 2024 at PuroJazz.

With inspiration from his stylistic ancestors Nat King Cole and Joe Williams, John Dokes brings new life to the deep-souled world of baritone jazz vocals on his elegant new album, Our Day on his Swing Theory Entertainment imprint. In delivering a distinctive post-pandemic outing of classic songs embodied with hopeful passion, Dokes—also promises that his new endeavor is “an album that will make you move.” Our Day features songs associated with Cole (such as the smooth low-toned “Almost Like Being in Love,” the delightful Rodgers and Hart gem, “This Can't Be Love,” the Latin-vibed “L.O.V.E.” that elicits dancing), two vocalese numbers (Jon Hendricks' take on one-time Jazz Messenger composer Bobby Timmons' “Moanin',” Mark Murphy's swinging run through Freddie Hubbard's “Red Clay”), the full-energy pop vibe on Billy Ocean's hit “Suddenly,” the calming Michel Legrand tune “I Will Wait for You” made famous from the Frank Sinatra songbook. “I grew up dancing hip-hop, I made a transition to something that I could do for a longer time in my life,” says Dokes. “I switched to Lindy Hop also known as swing dancing. I came to singing later in my life, but I gravitated to the music I was most passionate about—the eras of the ‘40s, ‘50s, early ‘60s. I started picking songs that really moved me. Dokes' last two albums were quintet affairs. For Our Day, he convened a nonet that includes members of the New York-based George Gee Swing Orchestra where he launched his career as a vocalist. (He documented that with his debut album, John Dokes Sings, George Gee Swings.) Key to the album's success is the arranging of Gee's musical director trombonist David Gibson. “Dave is a great arranger,” Dokes says. “He provides layers for the nonet where everyone has a chance to shine on solos as he fills up the space with his lines.” Now, with his fourth album, Dokes has fully arrived. There's not a dull moment on Our Day. He opens with “Our Day Will Come.” “It's a love song,” Dokes says. but it's also an opening from the past. Now is our time. Now is our day. It's really a song about us as a band coming back together.” Originally, Dokes was in the midst of fashioning a trilogy of quintet recordings (2017's Forever Reasons and 2019's True Love on Ian Hendrickson-Smith's Rondette Jazz label). While the third album is still in the works, a couple of events intervened. “I got derailed,” says Dokes. “First, my drummer Lawrence Leathers died after True Love came out. I moved to Chicago with my wife and two children. Then there was the pandemic that changed how I was looking at the future. I had to restart my brain. I decided to work on some of my material that had never been recorded. I contacted George Gee and he was working on his nonet's Christmas album in May 2023, so we combined that with David arranging my album. It was a back-to-back operation of small big bands.” The nonet comprises saxophonists Anthony Nelson Jr. and Michael Hashim, multi-reeds player Patience Higgins, trumpeters Freddie Hendrix and Andy Gravish, Gibson on trombone. pianist Steve Einerson, bassist Malik McLaurine and drummer Chris Latona. A native of Little Rock, Arkansas who grew up living in Oakland, California, Dokes never dreamed of becoming a professional singer even though he was fascinated by black-and-white reruns of Nat Coles' short-lived 15-minute network television show that ran on NBC in 1956. “I watched them nonstop before I ever thought about singing,“ Dokes says. “But there was his elegance, his smoothness, his ease. That resonated with me. And it informed how I approach my singing today. I don't dive into a lot of vocal acrobatics - but like some of my favorite acrobatic and non-acrobatic singers I like to lean in and tell the story to connect with my audience.” His father was steeped in music while Dokes was growing up. He played Nat King Cole albums in the house, and he was in an r&b band in the Bay Area in the ‘70s that often opened for soul/r&b stars of the day like The Whispers and The Stylistics. He moved to New York and became a regular at swing dance shows including dates by the George Gee Swing Orchestra. One of his dance partners was the legendary Lindy Hopper, cabaret star, alto sax player Dawn Hampton, the cousin of jazz hero Lionel Hampton and sister of legendary trombonist and composer Slide Hampton. She told him that she really liked his voice when he was dancing. “If Dawn likes my voice, I'm going to surprise her one night and sing a couple of songs with George's band. George only knew me as a dancer. He saw my potential and asked me to join the band. That built my confidence and gave me the path to get better.”

Con Bobby Timmons, Tomás Fosch Trio, Steve Wonder y Sara Serpa & Ran Blake entre otros. En tiempo de novedades discográficas de factura estatal presentamos la última entrega como líder de Tomás Fosch, uno de los pianistas esenciales de la escena jazz barcelonesa. Junto a Xavi Castillo (contrabajo) y Adriá Claramunt (batería) firma "Swing'in", 2º disco en formato de piano jazz trío y 4º en su trayectoría como líder. Ya en tiempo de "Monográfico de 3er jueves de mes" recuperamos música de Steve Wonder a propósito de su recién cumplido 74 aniversario. "Moanin'" de Bobby Timmons en grabación mítica de Art Blakey & The Jazz Messengers es nuestro "Estándar de la semana" y "I should care" a través de Ran Blake y la lusa Sara Serpa, nuestro "Favorito". Ahora Jazz, Ed. 2262. Con Javier del Barco.

Con Bobby Timmons, Tomás Fosch Trio, Steve Wonder y Sara Serpa & Ran Blake entre otros. En tiempo de novedades discográficas de factura estatal presentamos la última entrega como líder de Tomás Fosch, uno de los pianistas esenciales de la escena jazz barcelonesa. Junto a Xavi Castillo (contrabajo) y Adriá Claramunt (batería) firma "Swing'in", 2º disco en formato de piano jazz trío y 4º en su trayectoría como líder. Ya en tiempo de "Monográfico de 3er jueves de mes" recuperamos música de Steve Wonder a propósito de su recién cumplido 74 aniversario. "Moanin'" de Bobby Timmons en grabación mítica de Art Blakey & The Jazz Messengers es nuestro "Estándar de la semana" y "I should care" a través de Ran Blake y la lusa Sara Serpa, nuestro "Favorito". Ahora Jazz, Ed. 2262. Con Javier del Barco.

Эхо Хельсинки — 15 мая 2024 Война — день 812 Пограничная служба сообщает о разоблачении масштабной контрабанды людей через Финляндию. Metsä Group продала свои дочерние компании в России. Члены Европарламента получают тысячи евро поверх зарплаты ежемесячно. Никто не проверяет, на что они тратятся, – заявила евродепутат Хейди Хаутала. Финские жилищные кооперативы оказались в трудном положении из-за долгов российских акционеров. Премьер Словакии Фицо тяжело ранен в результате стрельбы. По всей Украине ввели аварийные отключения электроэнергии. Темпы наступления РФ на Харьковщине за прошедшие сутки замедлились, – сообщается в отчёте американского Института изучения войны. Мы по запросу получили от Мигри документ, где есть вся базовая информация о положении дел с ЛГБТ в стране, и к нашему удивлению информация в нем устаревшая, в нем, например, не упоминается закон о запрете трансперехода в России. Мы боимся, что решения о предоставлении в Финляндии убежища ЛГБТ-людям из России основываются на устаревшей и недостаточной информации, – представитель организации SETA ry, член правления Джон Кей (John Kaye). Пятая часть лекции философа Анатолия Ахутина под названием Homo Europaeus, в которой он рассказывает о феномене человека европейской культуры. Night in Tunisia – композиция в исполнении Art Blakey и The Jazz Messengers (Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt) завершает нашу программу.

KENNY DORHAM MATADOR New York, April 15, 1962Smile, Beautiful love (kd out), There goes my heartKenny Dorham (tp) Jackie McLean (as) Bobby Timmons (p) Teddy Smith (b) J.C. Moses (d) TETE MONTOLIU TRIO CATALONIAN FIRE Copenhagen, Denmark, May 26, 1974A nightingale sang in Berkeley Square, Blues for Perla, Au privaveTete Montoliu (p) Niels-Henning Orsted Pedersen (b) Albert “Tootie” Heath (d) ARTHUR BLYTHE LENOX AVENUE BREAKDOWN New York, c. Continue reading Puro Jazz 21 marzo 2024 at PuroJazz.

KENNY DORHAM MATADOR New York, April 15, 1962Smile, Beautiful love (kd out), There goes my heartKenny Dorham (tp) Jackie McLean (as) Bobby Timmons (p) Teddy Smith (b) J.C. Moses (d) TETE MONTOLIU TRIO CATALONIAN FIRE Copenhagen, Denmark, May 26, 1974A nightingale sang in Berkeley Square, Blues for Perla, Au privaveTete Montoliu (p) Niels-Henning Orsted Pedersen (b) Albert “Tootie” Heath (d) ARTHUR BLYTHE LENOX AVENUE BREAKDOWN New York, c. Continue reading Puro Jazz 21 marzo 2024 at PuroJazz.

Entre Moanin' avec les Jazz Messengers et This Here pour Cannonball Adderley, en cette fin d'années 1950, Timmons a la baraka. Son piano, ses compositions : Tout lui réussit ! Pourtant, malgré toutes ces promesses, Timmons va finir par dévisser.

Né en 1935 et mort en 1974 à l'âge de 38 ans, Bobby Timmons était un excellent pianiste doublé d'un incroyable compositeur de tubes. Un golden boy oublié du soul jazz qui toucha du doigt le succès avec Art Blakey et Cannonball Adderley... Mais il y a une face B, on ne la connaît que trop bien : alcool et dépendance. Un mauvais film qui aura raison de lui.

Our Jazz Feature takes you back to tan important center of Jazz action in New York in the mid-50`s. The Cafe Bohemia located in Greenwich Village. The band is the first group that master trumpeter Kenny Dorham put together. he called it ``The Jazz Prophets``. Kenny Dorham is one of the finest and original of the early Modern Jazz trumpeters. He came to maturity in the early 1950`s and was a charter member of Art Blakey`s Jazz Messengers. In 1956 he formed The Jazz Prophets. Sadly it was short-lived but made several fine recordings including this one. Kenny Dorham put together J.R. Monterose on tenor saxophone and a very young 19 year old Bobby Timmons on piano, Sam Jones is on bass and the tasty and swinging Arthur Edgehill is on drums. They play a variety of original and standard materiel in this set and are joined on the last tune, Dizzy Gillespie`s ``A Night in Tunisia`` by guitarist Kenny Burrell. All live at The Cafe Bohemia on May 31,1956. Kenny Dorham, tonight`s Jazz Feature artist.

Abrimos con lo nuevo de ese excitante vibrafonista que se llama Behn Gillece, que este 2023 ha publicado el excelente Between The Bars. Después escuchamos el volumen 2 de los New York United, para más señas. Daniel Carter, Tobias Wilner, Djibril Toure y Federico Ughi. Nuestro Clásico de la Semana fue el pianista y compositor Bobby Timmons del que escuchamos el clásico This Here Is Bobby Timmons, publicado en 1960 por Riverside Records. Seguir leyendo La Montaña Rusa 34.2023. Behn Gillece. Daniel Carter, Tobias Wilner, Djibril Toure, Federico Ughi. Bobby Timmons Trio. Gerald Clayton. Yei Yi & Co. Johanna Summer. en La Montaña Rusa Radio Jazz.

Was het nou Art Blakey die met zijn Jazz Messengers door een podium zakte in Amsterdam? In elk geval ging het in het Kurhaus in 1958 allemaal goed, en we kunnen het nog terughoren ook. Net als de betoverende klanken uit de Mozes-en-Aäronkerk tijdens het (inmiddels voorbije) festival Een Harp Onder De Riem, en de reis naar het binnenste van de menselijke geest die Saskia Lankhoorn op de piano laat horen in een compositie van Merijn Bisschops. 23.04 CD Art Blakey Live in Scheveningen 1958 (Fondamenta FON 1804034) Benny Golson: I remember Clifford Art Blakey [dr]; Lee Morgan [tp]; Benny Golson [ts]; Bobby Timmons [pi]; Jymie Merritt [b] 6'08”  23.12 eigen opname  Bianca Bongers; Raphaela Danksagmüller: Van binnen naar buiten Bianca Bongers [cello]; Raphaela Danksagmüller [lier, kaval, duduk en fujara] 16'30”  23.30 eigen opname Merijn Bisschops: Displacement Saskia Lankhoorn [piano] 19'28”  23.50 CD Avenue Azure (Ensemble Klang Records #13) Pete Harden; Saskia Lankhoorn: River Chorale Pete Harden [gitaar, elektronica]; Saskia Lankhoorn [piano, stem, elektronica] 9'11”

Moanin' is a classic jazz tune for a number of reasons. The soulful, blues, and gospel sound that the tune expresses and the amazing solo Bobby Timmons takes utilizing the octave trick that I'm about to show you in this video. EVERYONEEEEE should have this quick little octave improvisation trick in their tool bag. It may not be easy to execute right off the bat but it's VERYYY easy to learn, and I can teach it to you in less than 10 minutes. Here we go!

THIS WEEK's BIRDS: Rent Romas Life's Blood Ensemble;  Rajna Swaminathan; Chris Schilder (aka Ibrahim Khalil Shihab) Quintet;  Tuareg pop from Kader Tarhanine; vintage Egyptian pop from Ettab; Sudanese pop from Abdel Aziz El Mubarak; Ahmed Abdullah's Diaspora; vocal raga from Bhimsen Joshi; raga on clarinet from Jaffar Hussain Randhawa; vintage bop from The Young Lions (Wayne Shorter, Frank Strozier,  Lee Morgan, Bobby Timmons, Bob Cranshaw, Albert Heath and Louis Hayes); more bop from Lee Morgan and Bobby Jackson; vintage Ethio pop from  Alemayehu Eshete and Ayalew Mesfin; Abyssinia Band; compositional post-contemporary jazz from Charles Brackeen;  from Brazil: Maria Rita, Mallu Magalhães,  Marilia Medalha;  plus much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17248590/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

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It's that holiday season once again, and Santa Mike insists we cover a slate of season-appropriate releases.  Are they jazz appropriate as well?  Not really, but two are jazz adjacent and one at least features an ex-Messenger, so there's that.  There's also, er,  Swamp Dogg.  Pop matters travels from Sufjan Stephens to late eighties England to the soothing, ambient sounds of the Zamboni, nature's Andreas Vollenweider.  Bobby Timmons – HOLIDAY SOUL; Swamp Dogg – AN AWFUL CHRISTMAS AND A LOUSY NEW YEAR; Squirrel Nut Zippers – CHRISTMAS CARAVAN; Herb Alpert and Tijuana Brass – CHRISTMAS ALBUM.

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Bienvenidos amantes de la música, Bobby Timmons es un pianista asociado al Hard Bop pero cuyas raíces familiares lo conectan con el góspel, que hábilmente supo llevar al Jazz, además de un característico acento funky en su manera de tocar. A los 19 años se instaló en New York, donde su primera gran experiencia profesional fue en la banda de Kenny Dorham, The Jazz Prophets con quiénes grabó su primer registro. Estuvo un año tocando con el cantante y trompetista Chet Baker en Los Angeles, pero su éxito y reconocimiento vendrían de la mano de Art Blakey's Jazz Messengers donde varias de sus composiciones llegaron a ser estándares del repertorio de la banda y del Hard Bop. Hoy escucharemos una selección de su disco "This Here Is Bobby Timmons" de 1960 que marcó su debut como solista. Que lo disfruten! Los temas son: Todas composiciones de Bobby Timmons. 1. This Here (Tema de inicio) 2. Moanin' 3. Dat Dere 4. Joyride *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

"Two brothers" (de l'

Angela Mingarelli joins TWiV to discuss whether the gut microbiota of bats confers tolerance to influenza virus infection in mice, and primate hemorrhagic fever-causing arteriviruses that can reproduce in human cells and might be capable of infecting humans. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Rich Condit,  and Brianne Barker Guest: Angela Mingarelli Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Research assistant position at FDA (pdf) Support MicrobeTV with a Spike t-shirt (Vaccinated.us) Bat gut microbiota and flu infection in mice (Transbound Emerg Dis) Primate hemorrhagic fever-causing arteriviruses (Cell) Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz pics: #5. Small group.  Art Blakey and the Jazz Messenger: Art Blakey, Drums; Lee Morgan, Trumpet; Benny Golson, Tenor saxophone; Bobby Timmons, Piano; Jymie Merrit, Bass (1958-1964). Signature album: Art Blakey And The Jazz Messengers: Blues March: Signature song: Blues March Brianne – Why Chimps and Gorillas Form Rainforest Friendships Rich – Fly Water – FPV to New Depths Alan – The Seven Words You Can't Say on Television, by George Carlin, and its repercussions Angela – Nature's Inspiring Women in Science Award Vincent – Mysteries of Nevada Barr and her protagonist Anna Pigeon Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

This recording by Art Blakey and The Jazz Messengers was not released until 2021 even though it was recorded in 1959. It is tonight's Jazz Feature and the theme of the five Mondays in the month of October will be albums that were never issued at the time of their recording. This marvelous Blakey album was never issued by Blue Note Records because the band, 6 weeks after this session was recorded, went into Blrdland, New York's leading Jazz club then and it was decided to record there in front of a great audience. Two volumes of music was issued and this session was therefore moot and shelved and forgotten. Tonight we hear this first session. The band includes the young 20 herald of the trumpet Lee Morgan in top form, Hank Mobley on tenor saxophone making a return to the band. Bobby Timmons is on piano and Jymie Merritt is on bass along side the great firestoker Art Blakey. Mobley wrote 3 of the 6 tunes and Timmons wrote 2. One good standard is heard as well. This is an important discovery of a long lost session by one of the great bands in Jazz History. The album is called "Just Coolin'" and is tonight's Jazz Feature.

After more than two years, a Strong Songs jazz mystery is finally solved.Thanks to listener (and outro soloist) Jeff Bean, who finally cracked the case of the mysterious lick played by Clifford Brown, Lee Morgan, and may others. I can finally sleep at night.FEATURED ON THIS EPISODE:"Moanin" by Bobby Timmons recorded by Art Blakey and the Jazz Messengers for Moanin', 1958"Jordu" by Duke Jordon recorded by the Clifford Brown quintet, 1954"Seranade to a Cukoo" by the Rahsaan Roland Kirk quartet from I Talk With Spirits, 1964"All This and Heaven Too" by Jimmy Van Heusen with lyrics by Eddie Delange, performed by the Tommy Dorsey ORchestra feat. Frank Sinatra in 1940“Fly Me To The Moon” by Bart Howard, recorded by Frank Sinatra with the Count Basie Orchestra on It Might As Well Be Swing, 1964-----LINKS-----SUPPORT STRONG SONGSPaypalme/kirkhamiltonmusic | Patreon.com/strongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmTHE STRONG SONGS PLAYLISTSpotify | Apple Music | YouTube Music

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Bienvenidos amantes de la música, Hoy escucharemos un registro histórico de Art Blakey's Jazz Messengers, en vivo en el Teatro Olympia en París. Con una formación que incluye a Benny Golson en saxo, Lee Morgan en trompeta, Bobby Timmons en piano y Jimmy Merrit en bajo. Grandes nombres para un gran resultado de una banda fundamental del Hardbop. Les invitamos a disfrutar de 2 temas clásicos. Los temas son: 1. Moanin' 2. Whisper Not *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a primicias que publicaremos regularmente) * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico *Me gusta, Comparte y Comenta.

Welcome to a new edition of the Neon Jazz interview series Legendary Jazz Musician & Journalist Ben Sidran on the 2022 CD Swing State .. This is his first all instrumental record as a piano trio project. His favorite records when he was a kid were the trios of Horace Silver, Bobby Timmons, Bud Powell, and later Sonny Clark. Circling back sixty-some years later, he wanted to feel like those musicians felt when they played. We cover the story of this album, live gigs, COVID and the busy future .. Enjoy .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

Hard bop, soul-jazz, street beat, blues. Ens plantem a mitjans dels anys 60 amb grups ballables i el protagonisme del piano, l'orgue, la flauta i el saxo. Una sessi

We are continuing this month of March with one-off and rare recordings and tonight's Jazz feature is just that. Not too much is known about the leader, tenor saxophonist Joe Alexander except he was originally from Birmingham, Alabama but spent most of his playing career in Cleveland, Ohio where he found steady work. His only other recorded appearance is on Tadd Dameron's album "Fontainebleau" from 1956.. This album called "Blue Jubilee" is Joe's only recording under his name. Joe recorded this in June of 1960 while he was on a short tour of duty with Ray Charles' band. Joe and equally obscure trumpet player John Hunt teamed up. John was a long time player with Ray Charles. Joe and John are backed by an all-star rhythm section made up of Bobby Timmons on piano, Sam Jones on bass and Albert "Tootie" Heath on drums. Blue Jubilee turns out to be a fine solid Jazz album that presents two rather obscure players in the best light. Sadly this album never was issued domestically on CD but can be found on the European Fresh Sounds label. Enjoy a rare treat on tonight's Jazz Feature.

"Scotch Blues" Kenny Burrell: Blue Lights (Blue Note, 1958) Kenny Burrell, Louis Smith, Tina Brooks, Duke Jordan, Sam Jones, Art Blakey. El tema es una composición de Duke Jordan. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? El 14 de mayo de 1958 se grabaron las sesiones que dieron lugar a dos LP titulados Blue Lights Volume 1 y Blue Lights Volume 2. Tina Brooks y Junior Cook se alternaron en el saxo tenor. Lo mismo ocurrió con los pianistas Duke Jordan y Bobby Timmons. Kenny Burrell nació el 31 de julio de 1931. El guitarrista ha grabado a lo largo de su carrera en sellos como Blue Note, Verve, Prestige, CTI, Muse y Concord. El autor de la portada es Andy Warhol. En la década de los años 50 ilustró varias portadas de Blue Note. Y con esta ya son, de nuevo, cuatro... En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=34381 Más información sobre Kenny Burrell https://www.tomajazz.com/web/?s=kenny+burrell&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Arriba el primer 'Jukebox' de l'any. Seguim d'immersi

"Moanin'" Lambert Hendricks and Ross: The Hottest New Group in Jazz (Columbia, 1960) Dave Lambert, Jon Hendricks, Annie Ross, Harry Edward Edison, Gildo Mahones, Charles "Ike" Isaacs, Walter Lee Bolden. El tema es una composición de Bobby Timmons. Tomajazz: © Pachi Tapiz, 2021 ¿Sabías qué? El disco tiene por título Lambert, Hendricks & Ross, pero también se le conoce como The Hottest New Group in Jazz, o por su título al completo Lambert, Hendricks, & Ross!: "The Hottest New Group in Jazz". Estos dos últimos incluyen una cita de Downbeat.  Es el cuatro disco del grupo y fue grabado y editado en 1960. El disco original no llegaba a los 30 minutos de duración. Lambert, Hendricks & Ross ganaron las votaciones de los lectores de Down Beat como mejor grupo vocal entre 1959 y 1963.  Annie Ross dejó el grupo en 1962.  Lambert, Hendricks & Ross son uno de los mejores intérpretes de lo que se conoce como "vocalesse", que consiste en cantar, con una letra escrita previamente, una composición instrumental de jazz. Un ejemplo es la versión del clásico "Moanin'" de Art Blakey and the Jazz Messengers. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=59703 Lambert Hendricks and Ross en Tomajazz https://www.tomajazz.com/web/?s=lambert+hendricks+ross&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"Moanin'" Art Blakey And The Jazz Messengers: Moanin' (Blue Note, 1959) Art Blakey, Lee Morgan, Benny Golson, Bobby Timmons, Jymmie Merritt. El tema es una composición de Bobby Timmons. ¿Sabías que...? El disco se grabó en 1958 y se publicó en 1959. El disco inicialmente se tituló Art Blakey and the Jazz Messengers, pero la popularidad instantánea de "Moanin'" hizo que al disco se le conozca por el título de esta composición del gran Bobby Timmons. La obra es un arquetipo del Hard Bop. Otro de los hitos de esta grabación y de la carrera de Art Blakey es "Blues March". © Pachi Tapiz, 2021 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=48966 Art Blakey and the Jazz Messengers en Tomajazz https://www.tomajazz.com/web/?p=48966 Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

This album was only issued this year but was actually recorded in March of 1959 by a great edition of Art Blakey's Jazz Messengers. It was forgotten and never issued because not long after this date Blakey got a 2 week gig at Birdland, then New York's leading Jazz club and it was decided to record there rendering this session moot. The session was forgotten. The live date at Birdland produced 2 fine albums called "Art Blakey and The Jazz Messengers at The Jazz Corner of the World". However the music on this previously unissued and forgotten session was superb and only recorded a month earlier by the same band. Art Blakey of course is on drums with Lee Morgan on trumpet who was having an amazing day! Bobby Timmons is on piano and Jymie Merritt is on bass. Tenor saxophonist Hank Mobley had returned to the band (he was in the 1st edition of The Jazz Messengers from 1954 to 1956). Hank is in energetic form and is breaking in a new metal mouthpiece that he used for the rest of his career. The music on this studio date has an edge and most of the tunes were new ones added to the Messenger repertoire. Four of the six tunes were on the aforementioned live date and two are only heard here. One is by Bobby Timmons, a fast burner called "Quick Trick" and the other might have been written by Timmons or bassist Merritt called "Jimerick". The others are by Hank Mobley....."Hipsippy Blues", "M&M", and the title track "Just Coolin'". The remaining tune is a standard called "Close Your Eyes" The energy and swing on this record is amazing and I'm happy it was finally issued and I hope you are too!

This is the second album in our November series of recordings that were slagged and low rated when they first were reviewed. This one was especially undeserving of a 2 star (out of 5) review. It contains some of the best playing by all concerned in this fabulous quintet. The date comprises of four long tunes so there is plenty of blowing room by the soloists. There is a cohesion and a unity of purpose with this session too unlike some blowing dates. Young trumpet sensation Lee Morgan heads the date and at age 21, he displays a maturity well beyond his years. Jackie McLean, one of the most individual voices of the alto saxophone joins Lee for the first time on records and they blend beautifully. Bobby Timmons is on piano and he delivers. Both Morgan and Timmons were in the Jazz Messengers at this time...April 1960. Bassist Paul Chambers is a tower of strength and Lee's boss Art Blakey drives and inspires the band to great heights. Four interesting tunes fill the date but no ballads. No matter the whole date works and once you hear you'll realize that the initial rating of 2 stars was totally wrong. Lee-Way is the right way!

The Major Scale is testifying the word of the gospel this episode. First, we pay tribute to the dearly departed Della Reese. She began he career as a singer of immense force and beauty, commanding a range that spanned from Puccini, the deep roots of the blues, Tin Pan Ally, and Gospel. Ms. Reese could deliver it all with spine tingling and soul stirring results. Lynda Blensky, Reese's rep, said it best: "We lost a magnificent woman who was a trailblazer in many ways." The term legend gets used a bit much, but it applies tenfold to an artist like Al Kooper. His work with Bob Dylan, the Zombies, and Lynyrd Skynyrd alone is enough to put him in the history books. He also founded Blood, Sweat, and Tears, which made him a Jazz Rock innovator. Mr. Kooper joins us to talk about a couple of his favorite subjects – gospel music and jazz piano. He also takes over the turntables to plug in a great set from Bobby Timmons, Les McCann, Horace Silver, and Twinkie Clark of the Clark Sisters. SONG CREDITS FOR THIS EPISODE: THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magnetic Records). FIRST HALF: Lonelyville By Della Reese (from the film “Let's Rock” by Columbia Pictures). Don't You Know by Della Reese (from the album “The Classic Della Reese” on RCA/Victor). If I Never Get to Heaven by Della Reese (from the album  “I Like It Like Dat” on ABC/Paramount). Swing Low, Sweet Chariot by Della Reese (from the album “The Best Thing For You” on Jasmine Records). Billy My Love by Della Reese (from the album “Right Now” on Avco/Embassy Records). It's Magic by Della Reese (from the album “The Angelic Della Reese” on Magnitude Records). A House Is Not A Home by Della Reese (from the album “On Strings of Blue” on ABC/Paramount). Someday by Della Reese (from the CBC TV Show on CBC Television). Brand New Day by Della Reese (from the album “Right Now” on AVCO/Embassy Records). SECOND HALF:  My Days Are Numbered by Blood, Sweat & Tears (from the album “Child Is Father To The Man” on Columbia Records). Sister Sadie by Horace Silver (from the album “Blowin'the Blues Away” on Blue Note Records). Moanin' by Bobby Timmons (from the album “This Here is Bobby Timmons” on Riverside Records). Go On and Get That Church by Les McCann (from the album “In San Francisco” on Pacific Jazz Records). Name It and Claim It by The Clark Sisters (from the album “Sincerely” on New Birth Records). ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.

This Jazz Feature is a continuation of our exploration of the traditional "Jazz Quintet". This Jazz Feature is a rarity as it became a hit not only for the artist but for Blue Note Records. The album is trumpeter Lee Morgan's "comeback" date called "The Sidewinder". Lee had fallen badly from late 1961 through 1963 due to drug addiction. He entered rehab and embarked on pulling his life together and began to rack up some important sideman appearances on several records in 1963 for Blue Note. He was resigned to the label and this Sidewinder session was his first in a while. Lee picked the band and wrote all the tunes. It's a solid date. When they had finished the four tunes Lee brought in there was time left and one more was needed to complete the date. Lee wrote the tune, "The Sidewinder" in 20 minutes in the washroom in the studio and the band ran it down and it was recorded last. It became a Jazz hit and made Lee good money and put Blue Note Records back in the black. It became one of the best known Jazz tunes of it's day and was used on several commercials. The other tunes are also great on this date but it's The Sidewinder that everyone remembers. Lee Morgan picked a great band and they operated and sounded like a working band...great chemistry. Lee Morgan on trumpet, Joe Henderson on tenor saxophone, veteran Barry Harris on piano, Bob Cranshaw on bass and the great Billy Higgins on drums. Tonight's Jazz Feature "The Sidewinder"....look out! As we were not on the air last week due to a holiday we offer another Jazz Feature tonight with Lee Morgan, Wayne Shorter on tenor saxophone, Bobby Timmons on piano and Jymie Merritt on bass and of course Art Blakey on drums. This was Blakey's favorite edition of his Jazz Messengers. The second Jazz Feature is called "The Witch Doctor" and is from March 1961. It's a rare item as it wasn't issued until the mid 80's. Two Jazz Features in one tonight both with the great Lee Morgan. Lee was the real deal!

The great Sonny Stitt was a true master of the alto and tenor saxophone and yet was saddled by some critics as being "an imitator". On alto he bore some superficial similarities to Charlie Parker but that was as he said, "Bird and I listened to the same cats and were influenced by them". On the larger tenor his influences were less clear and he wasn't criticized as much but because of his flowing ideas and his formidable technique but he was often accused of being "glib". Somehow he couldn't win and yet every prominent saxophone player listed Stitt as one of their favorites. Stitt recorded a lot and mostly in quartet settings with piano, bass and drums or with organ, guitar and drums, Here is one of his finest dates done in May 1957 with a short-lived working band with a young Bobby Timmons on piano, Edgar Willis on bass and the dynamic yet tasteful Kenny Dennis on drums. Stitt is inspired by the band and has a great day here. The critics loved "Personal Appearance" and so will you! Sonny Stitt forever!

This edition of drum master Art Blakey's Jazz Messengers was said to be his favourite of all. The band included the young trumpet virtuoso Lee Morgan, tenor saxophonist/composer Wayne Shorter who brought his original sounding tenor to the band AND his composing and arranging talent. Wayne soon became the "musical director" of the band. Pianist/composer Bobby Timmons was a great star in this band as well and wrote several of the group's hits. Bassist Jymie Merrit was referred to as "the workhorse of the band" with his sure time and big sound. Art Blakey as leader needs very little introduction as he was one of the most distinctive and influential drummers in Modern Jazz. This album is now considered a classic despite the fact that it got a poor rating and was slagged by the esteemed Jazz critics. This date was the first official recording of this superb edition of The Messengers. The premise of this month's Jazz Features are albums that initially got terrible ratings in the Jazz press and became classics. This date was no different. It features three new compositions by Wayne Shorter and one by Bobby Timmons and one by ex-messenger Bill Hardman and Shorter's arrangement of the standard "It's Only a Paper Moon". "The Big Beat" tonight is worth checking or re-checking. One of Blakey's best!

The title here explains it all. Julian "Cannonball" Adderley in 1959 left the Miles Davis Sextet after making music history with the band, especially the album "Kind of Blue" and others of course but Adderley and his cornet playing brother Nat were ready to re-form their quintet. The first one was not too successful financially and Nat joined Woody Herman's band and later trombonist J.J.Johnson and Cannonball went with Miles but by 1959 the time was ripe. The Adderley Brothers settled on a stable personnel in the persons of pianist /composer Bobby Timmons, late of Art Blakey's Jazz messengers, bassist Sam Jones, late of Thelonious Monk's group and young drummer, Louis Hayes, late of Horace Silver's quintet and during an engagement in San Francisco at the legendary Jazz Workshop in October of 1959 the group came together and made this recording. It became a best seller for Riverside Records and put Adderley on the map as a great bandleader. This was the beginning. The premise of this month's 4 Jazz Features are recordings that were dismissed as inconsequential by the "esteemed" Jazz critics. This album was given a poor rating and dismissed. It is now a classic and one of the best loved of Adderley's vast output.We will present one of these types of dates in all the Jazz features in November. So tonight enjoy the warm swinging and funky sounds of Cannonball Adderley and Company at The Jazz Workshop.......a classic!