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In this podcast, broadcast on SUNDAY 27 APRIL 2025 you can hear :Manx Concert Brass - Summertime - Class B6 winnerThe Sorcerer's Apprentices - Joint 2nd - Class B6 - A Little DisneyAlice Daykin - Winner - Class B1 - Strollin' by David StowellAddien Morgans - Joint 2nd - Class B1 - Easy Winners by Scott JoplinRishawn Vivian - Joint 2nd - Class B1 - Aria by MozartIsla Thompson - Winner - Songs from the Musicals - Years 3 to 5Alex Jones - Joint 2nd - Songs from the Musicals - Years 3 to 5Lyla King - Joint 2nd - Songs from the Musicals - Years 3 to 5Juan Wright- Winner - Class B4 - Solo Brass Instrumental - AdultManx Youth Band A - Winners - class B5 - Brass Ensemble - Jamaican CalypsoAshley Cole - 2nd - Class B4 - Solo Brass Instrumental - Adult - Rusalka's Song to the Moon by DvorakPlatform Theatre Group - 2nd - Anything Goes - 'Oh What a Lovely War'Teddy Price - Winner - B2a - Brass Solo class (Years 7 & 8) Tequila SunriseTyler Hawley - 2nd - B2a - Brass Solo class (Years 7 & 8) Rondo OlympiaBen Dawson - Winner - B2b - Brass Solo class (Years 9 & 10) MistyBenjamin Wells - 2nd - B2b - Brass Solo class (Years 9 & 10) As Time Goes ByDouglas Band Tooters - 2nd - Brass Ensemble up to Year 10 - StargazerManx Youth Band A - B7 Brass Quartet up to Year 10 - Yellow Bird
“Arise, Your Light Has Come” by David Danner. Presented as an offering of music at First UMC - Gainesville, FL on 20 April 2025 by the Chancel Choir, Brass Ensemble, and Celebration Ringers with Lynn Sandefur-Gardner on piano and Maggie Tran on organ..
Ursula Jones is “nothing short of a musical icon” – at least according to the Royal Philharmonic Society, who made her an honorary member last year at the age of 92. She has devoted her life to music, and has long championed the work of young performers – she gave Daniel Barenboim his first break as a conductor in London, when he was just 23. Ursula was born in Lucerne in 1932, where her father was one of the founders of the Lucerne Festival, so famous musicians, including the likes of Richard Strauss, were never far away. She came to London in 1954 and worked as a secretary for the Philharmonia Orchestra, moving on to co-found the English Chamber Orchestra in 1960. She married the eminent trumpet player Philip Jones, and later managed his Brass Ensemble. Music isn't her only fascination: she completed a doctorate in archaeology at the age of 60, and in 2021 she cycled 100km to raise money for the charity Brass for Africa. Ursula's choices include music by Britten, Mozart and Handel.
Dr. Alan Hack, Founding Music Director & Conductor, and David Hamilton, President of the Board and Choir Member, speaking about the holiday concert titled, "The Work of Christmas" to be presented by the Jubilate Choir & Brass Ensemble on Saturday, December 7, 2024 at 7 pm and Sunday, December 8 at 3pm, at St. Matthew Lutheran Church, 123 N. Market Street in Bloomsburg. The program will feature John Rutter's Gloria and other pieces of the season. Joining the Choir will be organist Carl Ruck. Admission is free. For more information, you can find them on Facebook or call 570-784-4515
In the 41st episode of the ECM podcast we're joined by Florian Weber, who's new recording "Imaginary Cycle" sees the pianist in the company of a major brass section plus a flute. Florian talks about the various inspirations that went into the cycle, including madrigals and Jan Garbarek and the Hilliard Ensemble's "Officum" album. He talks about his conpirators in music, the process of developing this major musical project in collaboration with producer Manfred Eicher and about how in music, asking a question can be a lot more interesting than finding the answer.
Richmond-based musicians and artists from The Pennsylvania State University, The Buffalo Philharmonic, The St. Louis Symphony, and The Phoenix Symphony Orchestra.Mike Davison, trumpet Jonathan Lombardo, tromboneMark Nixon, trumpet Jeff Hudson, tubaBrian Strawley, Trympet Ray Breakall, timpani and percussionCraig Taylor, trumpet Christopher Martin, organAmy Roberts, French horn Ryan Tibbets, conductorEvan Williams, trombone_________________________________ -------PROGRAM-------A Mighty Fortress Is Our God Tim Zimmerman, b. 1956Cantate Domino Hieronymus Praetorius, 1560-1629 .arr Gary OlsonSolumn Entry Richard Strauss, 1864-1949 .arr Gary OlsonChorale Prelude: Lord of All Hopefulness John Cheetham, 1939-2024Procession of the Nobles Nikolai Rimsky-Korsakov, 1844-1908 .arr Dale RamseyRhosymedre Ralph Vaughan Williams, 1872-1958Prelude & Exultation Craig Phillips, b. 1961Mr. Jums Chris Hazell
“Easter Hymn of Praise” arranged by Mary McDonald and presented as an offering of music by the Chancel Choir and Brass Ensemble on 31 March 2024 at First UMC - Gainesville, FL.
“Hallelujah” Chorus presented as the Easer Celebration service postlude by the Chancel Choir and Brass Ensemble on 31 March 2024 at First UMC - Gainesville, FL.
Eimear Quinn and the Dublin Brass Ensemble - The Garden of Shadows, Artist Jony Easterby returns to the Botanic Gardens & the Dublin Fringe Festival - Though the Bodies Fall, Richard Aldous has been reading Noel O'Regan's new book - Right Wing Protest Song USA, the latest from Simon Maher.
The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.
The members of Seraph Brass are entrepreneurs in addition to being musicians, and we begin Part 2 by discussing the workshops they give on entrepreneurship. We then move on to touring and what it is like to play in different countries with varying cultures. We close this part with a discussion of how the group goes about commissioning works.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
An important aspect of any chamber music group is repertoire, so we talk about how Seraph Brass chooses theirs and how they go about rehearsing before and during a tour. We end with a discussion of a concert done the night before our conversation... a work by Anthony DiLorenzo (Chimera) performed with the U.S. Army Band, Pershing's Own.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Seraph Brass is in its ninth season and began as a group dedicated to "elevating and showcasing the excellence of female brass players and highlighting musicians from marginalized groups both in personnel and in programming." It is a group consisting of five to six core artists, along with a group of guests who also perform with the group. My conversation today was with founder and trumpeter Mary Elizabeth Bowden, trumpeter Raquel Samayoa, hornist Rachel Velvikis, trombonist Victoria Garcia, and tubist Christina Cutts Dougherty. It was very inspiring for me to speak with a group that is so dedicated to its ideals.We begin our conversation with an introduction of the players and what they do when they're not on stage with Seraph Brass. Then Mary speaks about how she founded the group, how the group began to grow, and how the current players joined the group. We end Part 1 with a discussion of the role social media has played in the success of the group, and Vicki's story of how to deal with social media trolls.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Dan catches up with his friends Mike Fantini and Evan Worrell from the Aged Out Podcast. They discuss their outlook on 2023 DCI percussion, the recent rule proposals from the DCI Rules Congress, and what they expect to see this year in WGI percussion. Show Timestamps 00:00 - Intro 00:04:00 - It's a weird time of the season 00:05:00 - How are you feeling about the DCI percussion game? 00:06:40 - Cavaliers last year vs this year 00:08:10 - Disparity between the top 1-3 vs everyone else 00:08:30 - “Crown is the group that I'm the most curious to see what happens” 00:12:50 - Pacing, show segments, and integration 00:14:15 - Jannuals rule changes concerning brass & percussion 00:16:35 - Staff changes with Cadets, Blue Stars, RCC, Blue Devils 00:17:10 - Cadets staff focus & predictions 00:20:00 - Dan's argument with Cadets predictions posed 00:22:30 - The Cadets and how their staff members are able to delegate 00:23:00 - Rhythm X and the Cavaliers this season? 00:24:00 - Percussion “hot takes” for the 2023 DCI season 00:28:30 - Jannuals rule proposal #1 deep dive - Addition of “Brass Ensemble” judge at Regionals and Championships; Removal of additional “Music Analysis” judge 00:35:50 - Jannuals rule proposal #2 deep dive - Competition Times 00:45:15 - Uniforms and props then & now 00:47:00 - “The ticket for entry is so expensive now,” marketing, and sponsorships 00:51:05 - Jannuals rule proposal #3 deep dive - Change the Captions “General Effect 1” and “General Effect 2” to “General Effect Music” and “General Effect Visual” 00:53:10 - Jannuals rule proposal #4 - Pacing of Evaluations 00:53:35 - Jannuals rule proposal #5 deep dive - Brass Amplification Parameters 00:56:40 - “Are you gonna pay or get paid?” 01:00:18 - DCI vs other “entertainment” models 01:01:20 - “I have a feeling that change is afoot” - do the economics no longer support the current touring model? 01:03:45 - WGI show release chat 01:06:00 - Pulse 2022 and their success vs what can we expect in 2023 01:07:00 - Dance & visual ensembles in the WGI Percussion space 01:10:00 - “We have to check the boxes” 1:11:20 - Visual ensembles of 2022 1:12:05 - “Having a Broken City style show” and predicting what's going to be big when 01:15:00 - Making shows that are memorable and cohesive 01:17:00 - Shows that appeal to the masses while groups stick to their “thing” 01:20:23 - Judges tapes frustrations 01:21:00 - 2023 WGI season predictions 01:26:25 - Closing story 01:28:30 - “Back in our day…” + outtro Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on the show I got to sit down with my college euphonium teacher, Professor Michael Salzman. As a recently retired music coordinator of the Syosset School District, Professor Salzman was responsible for overseeing and coordinating the work of other music teachers. He shed some light on how to facilitate your staff in order to support and nurture vs. correct and reprimand. We also discussed the nuances of going from a colleague to a boss. We then spoke about some of the challenges he's faced working with college music education and performance majors. Salzman values the importance of being a great performer because whether it's on stage as a tuba player or in front of a classroom with students, "you'll be performing everyday"! This can be tricky because often times there is so much turmoil in college students life such as homesickness, depression or anxiety. Professor Salzman went on to talk about the influence of his past teachers and credits them with shaping his own career and teaching style. He made some great analogies! So much so that I had to ask him if making great analogies was something he picked up from his past teachers. Michael Salzman has served on the music faculty of Hofstra University since 1993. At Hofstra he teaches tuba and euphonium, directs the Brass Ensemble and Tuba/Euphonium Ensemble, and teaches in the Music Education Program. For 33 years he has taught music at every grade level from Pre-K through college and has recently retired as the Coordinator of Performing Arts for Syosset Schools. Passionate about the benefits of music education in the lives of children, Salzman has been active in professional associations throughout his career. He is a Past President of NYSSMA, the New York State School Music Association, having served as President of this association of more than 5000 members in 2018-2019. The theme of his presidency was “Making the Magic of Music Education Accessible to All” and during his term he advocated throughout the state of New York for the right of every child to have access to a high quality Music Education. Salzman earned Music Performance degrees at Indiana University and the Mannes College of Music. His principal teachers were Harvey Phillips, Sam Pilafian, Warren Deck and Bill Barber. He is well known and regarded in the New York City area as a tuba player. He is a former Principal Tuba player of the Long Island Philharmonic and a founding member of the Cosmopolitan Brass Quintet. He is the Regional Coordinator of the TubaChristmas concerts held every year at Rockefeller Center. His first solo album, Salztuba was released in 2020 to critical acclaim. For more information, visit www.salztuba.com. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Don't forget to subscribe to the show! If you'd be so kind as to leave a rating and review, that would help tremendously! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Book Kevin to speak at your school or event! Learn more about Kevin's speaking programs here! Download the 3 part video series to learn all about Kevin's decision making framework for students. Follow Kevin on social! Facebook Instagram Linked In Tiktok Twitter
Our Easter prelude and first hymn of the service - “An Easter Celebration” by Joel Raney and presented by the Brass Ensemble, followed by “Christ the Lord is Risen Today”.
A new MP3 sermon from Great Hope Baptist Church is now available on SermonAudio with the following details: Title: Brass Ensemble - Christmas Medley Subtitle: Christmas Speaker: Various Speakers Broadcaster: Great Hope Baptist Church Event: Sermon Clip Date: 12/19/2021 Length: 5 min.
We're glad to welcome the Brass Ensemble along with Dr. Vernon Whaley for our annual Thanksgiving chapel.
Glenn Eichelberger is the Director of Bands at Stillman College in Tuscaloosa, Alabama. Glenn has been involved in HBCU bands for his entire career and joins the show to discuss his career and his experiences with HBCU excellence in music. Links: Glenn Eichelberger Holsinger: Prelude and Rondo Sheldon: 1,000 Cranes Nelhybel: Festivo Biography: Mr. Eichelberger currently serves the Director of Bands at Stillman College in Tuscaloosa, Alabama. Mr. Eichelberger recently completed his Masters of Arts in Instrumental Conducting at Morgan State University in Baltimore, Maryland (2020). Mr. Eichelberger is a native of Miami Florida where he graduated from Miami Carol City Senior High School (1997). He started his undergraduate studies at Florida A&M University where he was a member of the FAMU Marching 100, Symphonic, Jazz, Brass Ensemble and Trombone Choir. In 2000 and 2002 Mr. Eichelberger was selected for the College Band Directors National Association (CBDNA) Southeast Intercollegiate Honors Band. He is also a former member of the U.S. Marines Basic Musician Enlistment Program where he studied at the Armed Forces School of Music in Norfolk, Virginia. Mr. Eichelberger also holds a Bachelor of Music in Jazz Studies from Florida Memorial University (2011). Mr. Eichelberger is also the Founder and President of the Palm Beach Band Director Coalition. Prior to his appointment as the Director of Bands at Stillman College, Mr. Eichelberger served as the Director of Bands at Park Crossing High School in Montgomery, AL (2020-2021), a Graduate Conductor at Morgan State University in Baltimore, MD (2017-2020), Music Teacher at Holabird Middle School in Dundalk, MD (2017-2019), Department Chair and Director of Bands at Jeaga Middle School in West Palm Beach Florida (2015-2016), Director of Bands and Music Coordinator at N.E.W. Preparatory High School of Performing Arts in Fort Lauderdale, Florida (2014-2015), Director of Bands at American Senior High School in Hialeah, Florida (2008-2013). Mr. Eichelberger has also served as the Assistant to the Director of Band and Music Arranger at Johnson C. Smith University in Charlotte, NC (2005-2006). Mr. Eichelberger has also served as the Assistant Director of Band and Music Arranger at James S. Rickards High in Tallahassee, Florida (2002-2003). During his Tenure at James S. Rickards the band was selected as the honor band for the Veterans Day Celebration and was selected to perform a post-game performance at Florida A&M University; Assistant to the Director of Band and Arranger at Thomasville High School in Thomasville, Georgia (2004-2005), during his time at Thomasville High the band was featured in a commercial for White Wheat Bread for the Hostus Bread Company. In the summer of 2006 Mr. Eichelberger was asked to serve as the Assistant Director of Bands and Music Arranger at his alma mater Miami Carol City Senior High. In April of 2007 Mr. Eichelberger was asked to serve as the Interim Director of Bands at Miami Carol City Senior High after the Promotion of Fedrick C. Ingram to Secretary/Treasurer of United Teachers of Dade. Mr. Eichelberger has been a Guest Clinician at the Savannah State University Summer Band Camp, (2012), Florida A&M University Marching 100 Summer Band Camp (1998-2002, 2004) Dade County Parks and Recreation Annual Summer Performing Arts Camp (1999), Miami Northwestern Senior High (1999), North Miami Beach Senior High (2004) and Florida Memorial University Miami All-Star Summer Band Camp (2003-Present), and several high schools in Georgia, Florida, North Carolina, and South Carolina. He has served as a guest Conductor at Miami Carol City Senior High, Thomasville High School, Florida Memorial University, and Savannah State University. Mr. Eichelberger is a member of the HBCU-National Band Director Consortium, Music Educator National Conference (MENC), Florida Bandmasters Association (FBA), Florida Music Educators Association (FMEA), International Association of Jazz Educators (IAJE), FAMU Marching 100 Alumni Band Association, (DAC) Diaspora Arts Coalition, (UTD) United Teachers of Dade, Florida Education Association (FEA), National Education Association (NEA), Teacher Association of Baltimore County (TABCO), Alabama Education Association (AEA), Maryland Music Educators Association, and an honorary member of the Eta Omicron Chapter of Tau Beta Sigma.
We all know the Cello and the Piano can create BEAUTIFUL sounds, but what about a trumpet? a trombone?? multiple brass instruments??? Welcome to the Class Half Full Episode 7- where Ben and Jordan share their favorite Brass Ensemble pieces! (still classical music, not metal- sorry...) Hear the full pieces they cover in the YouTube playlist below.Episode 7 YouTube playlist-https://www.youtube.com/playlist?list=PLy0LiTJDltJuJ8njj0q-rCgZYpPL81-7jConfused on how to use the YouTube Playlist? Check out this link!https://www.youtube.com/watch?v=ceNcaS7K26sWe want to hear from YOU! Email us or reach out on social media with questions/comments/suggestions for future episodes!Follow us on social media for exclusive behind the scenes content!Facebook: https://www.facebook.com/classhalffullpodcast/?eid=ARB5uTB-CQQP1se5rvxa5Ce5UFJrW_irbRnmMH5J3Ubsvp8oQ1Bugikl-2sFTmfYdIXc-P-u7jAE8YzJInstagram: @classhalffullpodcastEmail: classhalfpodcast@gmail.comPatreon: https://www.patreon.com/Classhalffullpodcast
The guests for this episode are three members of the brass ensemble from New Orleans, The Soul Rebels, Julian Gosin (trumpet), Lumar LeBlanc (snare drum), and Marcus Hubbard (trumpet). The Soul Rebels blend elements of contemporary hip-hop, trap, soul, bounce, and pop production mixed with world music and jazz, and recently released their newest album Poetry in Motion. During our discussion, we talked about the history of the band and how they evolved over the years, along with how they became one of the go-to backing bands and eventually performing with the likes of Katy Perry, Nas, Marilyn Manson, DMX, G-Eazy, Rakim, Joey Bada$$, Robin Thicke, Metallica, Rakim, and GZA. We also get into the new album Poetry in Motion and they share some stories about the making of a few of the songs. The Soul Rebels are currently on their Winter 2020 tour, supporting the release of Poetry in Motion. Go to thesoulrebels.com/events for the complete listing of dates. Stream/Purchase Poetry in Motion: smarturl.it/poetryinmotion Follow The Soul Rebels: Web: thesoulrebels.com Instagram: instagram.com/thesoulrebels Facebook: facebook.com/TheSoulRebels Twitter: twitter.com/soulrebels THEME MUSIC “High Velocity Pt. 1 & 2” (Instrumental) produced by House Shoes (from Big Tone and House Shoes Big Shoes LP) Cuts by DJ Jay Spliff SUBSCRIBE/RATE/REVIEW BREAKIN’ RECORDZ: RSS link and list of where Breakin’ Recordz streams: anchor.fm/breakinrecordz. More platforms to come. Please subscribe and rate/review on Apple Podcasts. SUBSCRIBE/RATE/REVIEW RENAISSANCE SOUL: RSS link and list of where Renaissance Soul streams: podlink.to/RenSoulPod. Please subscribe and rate/review on Apple Podcasts. SUBSCRIBE/RATE/REVIEW FRESH IS THE WORD: Subscribe on all major streaming platforms. Please rate and review on Apple Podcast and Stitcher. Here’s a listing of where Fresh is the Word streams: linktr.ee/freshisthewordpodcast or just search “Fresh is the Word”. Support via Patreon If you want to support Fresh is the Word, please consider pledging via Patreon at Patreon.com/freshistheword. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Salvation Army Brass Ensemble
Mucho más que Mozart es la sección de Noche tras Noche de la Radio del Principado de Asturias (RPA) en la que descubrimos a través de 5 ejemplos musicales toda esa música que existe más allá de Mozart y que pasa tantas veces desapercibida. Hoy hablamos de la Brass Band o Brass Ensemble, es decir, una agrupación musical compuesta exclusivamente por instrumento de viento metal, más percusión. Los instrumentos de metal que podemos encontrar en las brass band son Cornetas Soprano, cornetas, fliscornos, tenor-horns, barítonos, trombones bombardinos y tubas, además de la percusión. Espero que os guste.
In de maand augustus hoor je in Co Live! de hoogtepunten van North Sea Jazz 2019. Vandaag de concerten van Joris Teepe en Broken Brass Ensemble.
In de maand augustus hoor je in Co Live! de hoogtepunten van North Sea Jazz 2019. Vandaag de concerten van Joris Teepe en Broken Brass Ensemble.
"Surprised" is Dr. Michael Bos' message today. At 10:45am, there will be a special prelude featuring the Brass Ensemble and Organ with The Marble Choir, directed by Kenneth Dake. Please note that only the 11:00am service is being live streamed.
Het Nederlandse collectief Broken Brass Ensemble bracht onlangs hun nieuwe album With A Vengeance uit. Het is een eerbetoon aan jaren '90 actie films en helden als Stallone en Schwarzenegger. Luc Hudepohl van de band gaat met Co de Kloet in gesprek. Playlist: The Ex - Maybe I Was The Pilot Broken Brass Ensemble - Spartan Broken Brass Ensemble - Ripley Madness - One Step Beyond Broken Brass Ensemble - Quaid Earswideopen - EWO TV Broken Brass Ensemble - Rockatansky Fanfare Ciocarlia - Hora De La Bucuresti Broken Brass Ensemble - Brooks De Staat - Kitty Kitty Broken Brass Ensemble - Murtaugh Broken Brass Ensemble - Dux Earswideopen - Goede Tijden, Slechte Tijden Peter Frampton - I'm In You Frank Zappa - I Have Been In You Rogier Telderman Trio - Minor Conspiracy Mark De Clive-Lowe - Memories Of Nanzenji Teus Nobel Liberty Group - My Favourite Vice Chaka Khan - A Train & I Loves You, Porgy (Live @ NSJ 2009) Marutyri - EC Sun Kijk voor meer informatie op https://www.nporadio2.nl/soulenjazz.
Het Nederlandse collectief Broken Brass Ensemble bracht onlangs hun nieuwe album With A Vengeance uit. Het is een eerbetoon aan jaren ’90 actie films en helden als Stallone en Schwarzenegger. Luc Hudepohl van de band gaat met Co de Kloet in gesprek. Playlist: The Ex - Maybe I Was The Pilot Broken Brass Ensemble - Spartan Broken Brass Ensemble - Ripley Madness - One Step Beyond Broken Brass Ensemble - Quaid Earswideopen - EWO TV Broken Brass Ensemble - Rockatansky Fanfare Ciocarlia - Hora De La Bucuresti Broken Brass Ensemble - Brooks De Staat - Kitty Kitty Broken Brass Ensemble - Murtaugh Broken Brass Ensemble - Dux Earswideopen - Goede Tijden, Slechte Tijden Peter Frampton - I'm In You Frank Zappa - I Have Been In You Rogier Telderman Trio - Minor Conspiracy Mark De Clive-Lowe - Memories Of Nanzenji Teus Nobel Liberty Group - My Favourite Vice Chaka Khan - A Train & I Loves You, Porgy (Live @ NSJ 2009) Marutyri - EC Sun Kijk voor meer informatie op https://www.nporadio2.nl/soulenjazz.
SharQ Talk #41 is live opgenomen in Overvecht, Utrecht. Broken Brass Ensemble is voor vele nog onbekend maar toch touren ze in binnen en buitenland al ruim 7 jaar rond. Met hun derde langspeler op komst tijd voor een uitgebreid gesprek met Nick en Luc hierover. Hoe is de band ontstaan, hoe begin je met het bespelen van een koper instrument en hoe gaaf is het touren met een band met maar liefst acht leden! Maar natuurlijk praten we ook over de totstandkoming van de nieuwe plaat "With a Vengeance". Er komt meer bij kijken dan je denkt. En natuurlijk ook over het coolste merchandise item, Broken Brass Ensemble Bier! Want op z'n toffe release moet gedronken worden. Stream de plaat vanaf nu op Spotify Wil je de cd kopen? Check dan hier Wil je het vinyl kopen? Check dan hier Wil je de plaat digitaal? Check dan hier Wil je het bier? Kom dan naar een show! De nieuwe clip kun je hier al vinden Meer weten over Broken Brass Ensemble Facebook Instagram YouTube Spotify Website Release Show We pluggen ook nog een aantal andere bands; Kruidkoek (Nick's project) De Geldwolven (Luc's project) De Staat 45ACIDBABIES DAY BAX Music Phoenix'Ashes Avantasia De podcast liever luisteren op je mobiel, check dan je favoriete podcast app of ▶ iTunes: https://apple.co/2L6nRei ▶ Spotify: https://spoti.fi/2A9pg0g ▶ Stitcher: https://bit.ly/2IUzG6C Connect with me ▶ https://www.instagram.com/mcsharq ▶ https://www.facebook.com/mcsharq ▶ https://www.twitter.com/mcsharq ▶ https://www.mcsharq.nl Heb je ervan genoten, laat even een comment en/of rating achter in je favoriete podcast app, hieronder of op Youtube/Facebook. Wil je MCSharQ steunen, dat kan ga dan naar www.patreon.com/mcsharq of www.petje.af/mcsharq (voor eenvoudige steun via iDeal) en maak met een kleine donatie veel mogelijk. SharQ Talk is onderdeel van MCSharQ.nl Intromusic by: Bram van Rens Logo by: Lars Ickenroth Poster by: Stephany Concorso
"Life" is Dr. Michael B. Brown's message today. Please note that only the 11:00am service is being live streamed. The Marble Choir, Kenneth Dake, director 10:45am: Prelude for Brass Ensemble and Organ
Salvation Army Brass Ensemble
An interview with conductor Andy Pease of Hartwick college and author of the Wind Band Literature blog and Wind Band Symphony Archive. Topics: Andy's background through his time at Columbia University as well as lessons learned while studying with Gary Hill at Arizona State. His current position at Hartwick College, commissioning composers, and the value of "putting a face" to the music. Learning to take risks and to let go of inhibitions as a conductor and finding balance in your programming. Links: Andrew Pease Hartwick College Catskill Valley Wind Ensemble Wind Band Literature Wind Band Symphony Archive Steven Bryant: Concerto for Wind Ensemble Julie Giroux: Riften Wed Biography: Andrew D. Pease serves as Assistant Professor of Music and Director of Instrumental Music at Hartwick College in Oneonta, NY, where he directs the Wind Ensemble and Brass Ensemble and teaches conducting, orchestration, and brass methods. In the early part of his career, he helped to put the wind band back on the map in New York City. While music director of the Columbia University Wind Ensemble from 2002-2013, he began a student guest conductor program with Columbia’s Teachers College and helped to start the Columbia Festival of Winds. Concurrently, he conducted the community band Columbia Summer Winds, which inaugurated its Outdoor Composition Contest under his watch. He completed a Doctor of Musical Arts degree in wind conducting at Arizona State University, where his teachers included Gary Hill, Wayne Bailey, and William Reber. While there, he conducted large ensembles and various chamber groups, including the professional Sun Valley Chamber Winds, which he founded in 2015. His work with these groups earned him the 2016-2017 American Prize in Wind Band Conducting at the collegiate level. His other past teaching positions include South Mountain Community College (Phoenix, AZ), Ironwood High School (Glendale, AZ), and Lakewood Elementary School (Congers, NY). He has degrees from Dartmouth College, Teachers College at Columbia University, and Hofstra University. His past conducting teachers include Max Culpepper, Melinda O’Neal, Dino Anagnost, and Peter Boonshaft, as well as clinics with other leading figures in the conducting world. Dr. Pease runs two websites dedicated to the music of the wind band. Wind Band Literature has grown immensely from its beginnings as Andy Pease's Wind Band Blog and has been used as a resource for bands around the world. The Wind Band Symphony Archive is a living, dynamic record of all known symphonies written for wind band.
We are at the pub live with 3 Nations Brewing and Homebrewed Brass Ensemble!
The Westerlies are a new young brass ensemble based out of New York City. They’re an all-over-the-musical-map group whose first album is already garnering critical praise. And this first bit of success could have something to do with their Seattle roots. All four musicians, all in their 20s , grew up in Seattle where they absorbed much of the local music scene. They’re the product of two of the best high school jazz programs in the country: Garfield and Roosevelt high schools. And their debut album, recorded in a family friend’s cabin on Lopez Island, is a reinterpretation of an eclectic mix of compositions by Seattlelite Wayne Horvitz.
Metales M5 is a Mexican brass quintet with a unique performing style. They were a huge highlight of recent shows as part of the Banff Centre "All-Star" Brass Ensemble Residency. Here, they talk with Evie Ruddy about getting together in 2005 in Morelia, Mexico as a just for fun thing, the conundrum they faced before they arrived in Banff this summer, and how the band's identity is changing. The conversation took place by the river, where the quintet enjoys rehearsing.
Merry Christmas! I hope your holiday was all that you wanted it to be. My gift to you is a laid-back New Orleans brass rendition of the Austrian traditional carol, Still, Still, Still. This arrangement features the sweet sounds of the trumpet, saxaphones, tuba, bass trombone, and strings.Click Here to ListenPreview and/or Purchase either CD from CD BabyPreview Joel's work on iTunesFresh Piano WebsiteContact JoelLink to Piano by Joel For lots of free, original music, check out http://www.freshpiano.com.
Daniel Pinkham’s "Christmas Cantata" sung by The Unity Temple Choir & First United Church of Oak Park Choir accompanied by Tehra Hiolski and the Brass Ensemble, directed by Martha Swisher, UTUUC Music and Choir Director. December 16, 2007