Podcast appearances and mentions of Hilliard Ensemble

PALESTRINA: Vergine Bella, a 5 vv (29.36). The Hilliard Ensemble. Dir.: P. Hillier. Si ignoras te. Pulchra sunt genae. Fasciculus myrrhae (6.41). The Cambridge Singers. Dir.: J. Rutter. Dilectus meus mihi (3.05). Sicut lilium (3.44). Cantores in Ecclesia. Dir.: M. Howard.Escuchar audio

Giovanni Pierluigi da Palestrina (1525 – 594) - Canticum Canticorum 1. Osculetur me 2. Trahe me post te 3. Nigra sum sed formosa 4. Vineam meam non custodivi 5. Si ignoras te 6. Pulchrae sunt genae tuae 7. Fasciculus myrrhae 8. Ecce tu pulcher es 9. Tota pulchra es 10. Vulnerasti cor meum 11. Sicut lilium inter spinas 12. Introduxit me rex 13. Laeva eius 14.  Vox dilecti mei 15. Surge, propera, amica mea16. Surge, amica mea 17. Dilectus meus mihi 18. Surgam et circuibo civitatem 19. Adiuro vos filae Jerusalem 20. Caput eius 21. Dilectus meus descendit 22. Pulchra es 23. Quae est ista 24. Descendi in hortum nucum 25. Quam pulchri sunt 26. Duo ubera tua 27. Quam pulchra es et quam decora 28. Guttur tuum 29. Veni, dilecte mi  Gruppo vocale -  Hilliard Ensemble

durée : 00:16:21 - Disques de légende du jeudi 02 janvier 2025 - Paru en 1991, ce disque est consacré pour l'essentiel au Miserere du compositeur estonien, créé deux ans plus tôt par les mêmes musiciens : le Hilliard Ensemble sous la direction de Paul Hillier.

durée : 00:16:21 - Disques de légende du jeudi 02 janvier 2025 - Paru en 1991, ce disque est consacré pour l'essentiel au Miserere du compositeur estonien, créé deux ans plus tôt par les mêmes musiciens : le Hilliard Ensemble sous la direction de Paul Hillier.

In the 41st episode of the ECM podcast we're joined by Florian Weber, who's new recording "Imaginary Cycle" sees the pianist in the company of a major brass section plus a flute. Florian talks about the various inspirations that went into the cycle, including madrigals and Jan Garbarek and the Hilliard Ensemble's "Officum" album. He talks about his conpirators in music, the process of developing this major musical project in collaboration with producer Manfred Eicher and about how in music, asking a question can be a lot more interesting than finding the answer.

Zo op het oog is het een rechte polderweg. Gewoon van A naar B, of liever gezegd van de Achterdichting naar Jisp. Maar kijk: heel in de verte zie je van die gele waarschuwingsborden. De weg is afgesloten: je kunt hier niet verder, je wordt omgeleid. Onverwacht kom je ergens anders dan verwacht. Een omweg die wieweet wat voor verrassingen brengt. Een route zonder recept. Een melodie zonder grondtoon. Een vraag zonder antwoord. Check het interview met Bart van Rosmalen >hier. 23.04 CD Traveling East (Mountain Records MOU47122) Jan Wouter Oostenrijk: Taqsim in maqam Nahawand Jan Wouter Oostenrijk 5'41”  23.11 CD Droevig lied (eigen uitgave z.nr.) Jules de Corte: Als je overmorgen oud bent Esther van Hees; Jeroen van Vliet; Miguel Boelens 3'01”  23.15 CD Josquin Desprez - Motets and Chansons (Erato) Josquin Desprez: El Grillo (de krekel)Hilliard Ensemble olv Paul Hillier 1'50”  CD The Choral Works of Rudolf Escher (Donemus) Rudolf Escher: Songs of Love and Eternity - To Make a Prairie it Takes a Clover Nederlands Kamerkoor olv Ed Spanjaard 2'29” 23.21 CD Schönberg: String quartets no. 2 & 4 (Musikproduktion Dabringhaus und Grimm) Arnold Schönberg: Strijkkwartet nr. 2 - IV Entrückung. Sehr langsam Leipziger Streichquartett; Christiane Oelze [sopraan] 11'48”  CD Ives: Three places in New England (...) (Deutsche Grammophon) Charles Ives: Unanswered Question Orpheus Chamber Ochestra 5'10”  23.45 cd Music of the qin (JVC World Sounds VICG 5213) Trad.: Youlan (Eenzame Orchidee) Wu Wenguang [qin] 10'53”

« Des jours viendront où l'Époux leur sera enlevé ; alors ils jeûneront » (Mt 9, 14-15)Méditation du Père Nicolas de BoccardChant Final : "Parce mihi domine" de Jan Garbarek & The Hilliard Ensemble

Giovanni Pierluigi da Palestrina - Canticum Canticorum1. Osculetur me2. Trahe me post te3. Nigra sum sed formosa4. Vineam meam non custodivi5. Si ignoras te6. Pulchrae sunt genae tuae7. Fasciculus myrrhae8. Ecce tu pulcher es9. Tota pulchra es10. Vulnerasti cor meum11. Sicut lilium inter spinas12. Introduxit me rex13. Laeva eius14.  Vox dilecti mei15. Surge, propera, amica mea 16. Surge, amica mea17. Dilectus meus mihi18. Surgam et circuibo civitatem19. Adiuro vos filae Jerusalem20. Caput eius21. Dilectus meus descendit22. Pulchra es23. Quae est ista24. Descendi in hortum nucum25. Quam pulchri sunt26. Duo ubera tua27. Quam pulchra es et quam decora28. Guttur tuum29. Veni, dilecte miGruppo vocale -  Hilliard Ensemble

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Sexta-feira | (reposição) Lisboa, 7 de Abril de 2023. Isaías 52,13 – 53,12; Hebreus 4,14-16 – 5,7-9 e João 18,1 – 19,42. ⁠Instagram⁠ © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far ⁠António Pedro Monteiro⁠ | ⁠e-mail⁠

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quinta-feira | (reposição) Lisboa, 6 de Abril de 2023. Êxodo 12,1-14; 1 Coríntios 11,23-26 e João 13,1-15. ⁠Instagram⁠ © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far ⁠António Pedro Monteiro⁠ | ⁠e-mail⁠

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quarta-feira | (reposição) Lisboa, 5 de Abril de 2023. Isaías 50,4-9 e Mateus 26,14-25. ⁠Instagram⁠ © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far ⁠António Pedro Monteiro⁠ | ⁠e-mail⁠

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Terça-feira | (reposição) Lisboa, 4 de Abril de 2023. Isaías 49,1-6 e João 13,21-38. ⁠Instagram⁠ © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far ⁠António Pedro Monteiro⁠ | ⁠e-mail⁠

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Segunda-feira | (reposição) Lisboa, 3 de Abril de 2023. Isaías 42,1-7 e João 12,1-11. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Javier Diaz is a percussionist, educator, and composer active in New York City. Javier regularly plays with the American Symphony Orchestra, chamber music groups, and Latin Jazz/Afro-Cuban folkloric groups in the New York area. He has performed with the Los Angeles Philharmonic, the Metropolitan Opera Orchestra, New York Chamber Symphony, New Jersey Symphony, New York Pops, New York Perspectives Ensemble, John Adams' Zankel Hall New Music Band, and the Hilliard Ensemble. He has been the principal percussionist in the Broadway productions of Guys and Dolls, Phil Collins' Tarzan, The Wiz, Women on the Verge of a Nervous Breakdown, Rocky, Ain't Too Proud: The Life and Times of The Temptations, Gloria Estefan's On Your Feet!, and Once on This Island.Javier's studio credits include Steven Spielberg's West Side Story, Lin Manuel Miranda's In The Heights, ECM's Tituli (with the Hilliard Ensemble) by Stephen Hartke, two albums with David Sanborn, including Time and the River (produced by Marcus Miller), award-winning films such as Tango Flush and Jesus Camp, and many TV and radio commercials. As an Afro-Cuban/Pop percussion specialist, Javier has appeared with: Sean Kingston, Diana Ross, Gladys Knight, Chaka Khan, Patty La Belle, Lázaro Galarraga's Afro-Cuban All Stars, percussionists Angel Luís Figueroa, Cándido Camero, Román Díaz, Pedro Martínez, The Pan-American Jazz Band, The Ethnix, Anette Aguilar's Latin Jazz Group, Marta Topferova, Edmar Castañeda, Tribal Sage World Music duo project with multi-percussionist Roger Squitero, World Percussion group Kalunga, and the New York World Music Institute. An active educator,Javier has taught concert percussion at El Sistema de Orquestas Juveniles e Infantiles de Venezuela, the University of Connecticut, Rutgers University, Queens College (CUNY), New York University, and at his private teaching studio in New York City and New Jersey. He has also taught Afro-Cuban percussion seminars, classes, and clinics at the Peabody Institute, University of Southern California, Percussion Artists Workshops Los Angeles/New York, Los Angeles School District, The Juilliard School, Rutgers University, Queens College, New York University, Boston Conservatory, University of Minnesota, and Mannes School of Music in New York City.Mr. Diaz currently teaches the Afro-Latin percussion survey at the Juilliard School and directs the Afro-Cuban Percussion Ensemble at Rutgers University. His most recent book on Afro-Cuban percussion, The Afro-Cuban Handbook, has become an instant classic of the percussion literature. As a composer, Javier has written chamber music, solo pieces, orchestral works, and electronic music.He has been commissioned by the Aspen Music Festival, New York University, and the University of Southern California. An alumnus of El Sistema de Orquestas Juveniles e Infantiles de Venezuela and the Aspen Music Festival, Javier holds a BM from the University of Southern California, a MM from The Juilliard School, and a DMA from The Graduate Center (City University of New York).Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

durée : 00:19:33 - Disques de légende du lundi 19 septembre 2022 - Musique venue d'un autre temps, Pérotin dit « le Grand »

TITLE: Gabareck in Elphie TRACK: Tres morillas m'enamoran (Anon) ARTIST: Jan Gabarek and Hilliard Ensemble. PUBLISHER: Officium Novum ℗ 2010 ECM Records GmbH

TITLE: Gabareck in Elphie TRACK: Tres morillas m'enamoran (Anon) ARTIST: Jan Gabarek and Hilliard Ensemble. PUBLISHER: Officium Novum ℗ 2010 ECM Records GmbH

Hoy: Jan Garbarek y The Hilliard Ensemble, Javier Ruibal con La Orquesta de Córdoba, Oan Kim & the Dirty Jazz, Kurt Weill, Abraham Cupeiro y la Orquesta Real Filharmonía de Galicia interpretando a Piazzolla, Tom Waits, Nick Drake o Björk y The Hamrahlíð Choir de Þorgerður Ingólfsdóttir entre otras exquisiteces. Escuchar audio

Droevige muziek is de mooiste muziek. Dus hullen Joris en Guido zich voor deze aflevering in het zwart. Ze bespreken muziek die is geschreven voor de doden, van theatraal requiem tot piepklein eerbetoon. Er valt een luitist van de trap en een operaman maait wild om zich heen. Maar gelukkig: eind goed, al goed. Ze besluiten met een passacaglia della vita, een lichtvoetige dans om de aanloop naar de dood te vieren. Muziekfragmenten: - Henry Purcell: The Queen's Funeral March. Vox Luminis o.l.v. Lionel Meunier. - Johannes Ockeghem, Introitus: Requiem aeternam (uit: Missa pro defunctis). The Hilliard Ensemble o.l.v. Paul Hillier. - Giuseppe Verdi, Dies Irae (uit: Messa da Requiem). Chor und Symphonieorchester des Bayerischen Rundfunks o.l.v. Riccardo Muti. - Aleksandr Kastalski, Rock of Ages (uit: Requiem for Fallen Brothers). Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale, Orchestra of St. Luke's o.l.v. Leonard Slatkin. - Johann Jacob Froberger, Tombeau fait à Paris sur la mort de Monsieur Blancrocher. Glen Wilson (klavecimbel). - Gabriel Fauré, In Paradisum (uit: Messe de Requiem). Collegium Vocale Gent, La Chapelle Royale o.l.v. Philippe Herreweghe. - Wolfgang Rihm, Et lux. Minguet Quartet, Huelgas Ensemble. - Stefano Landi, Passacaglia della vita. Marco Beasley, L'Arpeggiata o.l.v. Christina Pluhar.

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Sexta-feira | Lisboa, 15 de Abril de 2022. Isaías 52,13 – 53,12; Hebreus 4,14-16 – 5,7-9 e João 18,1 – 19,42. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quinta-feira | Lisboa, 14 de Abril de 2022. Êxodo 12,1-14; 1 Coríntios 11,23-26 e João 13,1-15. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quarta-feira | Lisboa, 13 de Abril de 2022. Isaías 50,4-9 e Mateus 26,14-25. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Terça-feira | Lisboa, 12 de Abril de 2022. Isaías 49,1-6 e João 13,21-38. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

breve comentário bíblico e teológico | Semana Santa – Segunda-feira | Lisboa, 11 de Abril de 2022. Isaías 42,1-7 e João 12,1-11. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro | e-mail

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Concluimos la serie de tres capítulos titulada "Antecedentes de la música drone", en la que estamos presentando algunas manifestaciones musicales que podrían haber influido en la aparición de una práctica compositiva que se caracteriza por la presencia de sonidos estáticos, mantenidos durante largos periodos de tiempo, que, en su caso, evolucionan muy lentamente. A menudo, esos sonidos ocupan el registro más grave y, sobre ese bordón o nota pedal (expresión que nos permitiría referirnos a esta práctica como "música pedal", prescindiendo de anglicismos), los parciales superiores que completan su espectro armónico van presentando diferentes variaciones tímbricas, texturales, rítmicas, etc. En el anterior episodio de este ciclo escuchamos diferentes músicas tradicionales procedentes de los Estados Unidos, y retomando esa línea comenzamos este programa con Henry Flynt, filósofo, músico y activista vinculado al arte conceptual, que se dio a conocer en la escena vanguardista de la ciudad de Nueva York a través de una serie de conciertos en el “loft” de Yoko Ono a partir de 1961. Dentro de ese contexto colaboró con músicos como Tony Conrad y La Monte Young (cuya pieza “For Brass” también presentamos), participó como violinista en The Velvet Underground, y formó parte de las actividades de los artistas Fluxus. Dentro de la ingente producción compositiva de Flynt destaca lo que él mismo denominó "Avant-Garde Hillbilly and Blues Music" (de la cual su pieza "Leather High In E", que escuchamos, es una excelente muestra). Ésta se planteaba como una crítica al dogma que defiende la superioridad cultural de la tradición musical clásica procedente de Europa. Tras las exploraciones de las dos últimas semanas dedicadas, respectivamente, al folclore procedente de la India y al de las tradiciones propias de los Estados Unidos, en esta ocasión enfocamos nuestra atención hacia esa tradición musical clásica procedente de Europa frente a la cual se posicionaba Henry Flynt. Escuchamos fragmentos del "Preludio del Oro del Rin" de Wagner; del tercer movimiento ("Herr lehre doch mich") del "Réquiem alemán" de Brahms; de la tercera de las "Cinco piezas para orquesta" de Webern; del "Trío para cuerdas" de Scelsi, de las "Danzas folclóricas rumanas para orquesta de cuerda" de Bartók, y de la banda sonora de la película "Ben-Hur" de Rózsa. La última audición mencionada abre un campo, el de las recreaciones musicales propias de un pasado ficticio, en el que también puede inscribirse una peculiar versión de la pieza gregoriana "Protexisti me Deus", que también presentamos antes de una última sección en la que escuchamos fragmentos del “Kyrie” de la “Misa flamenca” de Enrique Morente, así como del "Sederunt principes" del Magister Perotinus Magnus, primero en la interpretación vocal del Hilliard Ensemble, y después en una adaptación para dobro (o guitarra resofónica) realizada por Noël Akchoté. Escuchar audio

Wat bespreken twee klassieke muziekjournalisten in de kerstmaand anders met elkaar dan koormuziek? De luisterreis voert van rauwe renaissance uit Vlaanderen naar zalvende Engelse meerstemmigheid en van Amsterdamse avant-garde naar glasheldere polyfoniepracht uit Letland. Tussen de bedrijven door is er ook ruimte voor pornografische liedteksten, want het moet natuurlijk wel leuk blijven. Muziekfragmenten: - Josquin des Prez, Petite camusette, Hilliard Ensemble o.l.v. Paul Hillier - Josquin des Prez, Petite camusette, Graindelavoix o.l.v. Björn Schmelzer - Richard Wagner, Auf dem Grunde des Rheines uit Das Rheingold, Pygmalion o.l.v. Raphaël Pichon - Eric Whitacre, The Seal Lullaby, Voces8 - Robert Heppener, Del iubilo del core che esce in voce, Nederlands Kamerkoor o.l.v. Daniel Reuss - Alexander Gretsjaninov, Blessed art Thou, O Lord, Latvian Radio Choir o.l.v. Sigvards Klava - Wolfgang Rihm, Tenebrae factae sunt, Cappella Amsterdam o.l.v. Daniel Reuss - Giaches de Wert, Vox in Rama, Cappella Amsterdam o.l.v. Daniel Reuss

A commentary on the human artistic endeavor. Helga Thoene proposes in her essay that Johann Sebastian Bach embedded into the ciaccona (Partita in D minor for solo violin (BWV 1004) numerous mathematical and musical references making the work a memorial, or trombeau, to his deceased wife, Maria Barbara Bach, who died in 1720. Check out a recording of the Partita here The album Morimur by the Hilliard Ensemble can be found here More about the research by Thoene can be found here, here, and here.

JOSQUIN: Misa d'ung altre amer (16.25). Alamire. Dir.: D. Skinner. De Profundis a 5 voces (5.00). Inviolata integra et casta es Maria (3.24). Benedicta es caelorum Regina (5.35). J. Bowman (contraten.), P. Elliot (ten.), M. Hill (ten.), G. Shaw (bar.), T. Edwards (baj.), The Early Music Consort of London. Dir.: D. Munrow. Absalon, fili mi (4.26). Veni sancte spiritus (8.09). The Hilliard Ensemble. Escuchar audio

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Sexta-feira | Lisboa, 2 de Abril de 2021. Isaías 52,13 – 53,12; Hebreus 4,14-16 – 5,7-9 e João 18,1 – 19,42. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quinta-feira | Lisboa, 1 de Abril de 2021. Êxodo 12,1-14; 1 Coríntios 11,23-26 e João 13,1-15. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Quarta-feira | Lisboa, 31 de Março de 2021. Isaías 50,4-9 e Mateus 26,14-25. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Terça-feira | Lisboa, 30 de Março de 2021. Isaías 49,1-6 e João 13,21-38. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Semana Santa – Segunda-feira | Lisboa, 29 de Março de 2021. Isaías 42,1-7 e João 12,1-11. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Domingo de Ramos B | transmissão online, Lisboa, 27 de Março de 2021. Isaías 50,4-7; Filipenses 2,6-11 e Marcos 14,1 – 15,47. Instagram © Jan Garbarek & Hilliard Ensemble, Officium (ECM, 1994) – Parce Mihi Domine [Job 7,16-19] © Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near Far António Pedro Monteiro

We'll hear a performance from a 1980 cassette tape of the Hilliard Ensemble's first concert in NYC.

We'll hear a performance from a 1980 cassette tape of the Hilliard Ensemble's first concert in NYC.

A cura di Massimiliano SamsaGiovanni Pierluigi da PalestrinaCanticum Canticorum1. Osculetur me2. Trahe me post te3. Nigra sum sed formosa4. Vineam meam non custodivi5. Si ignoras te6. Pulchrae sunt genae tuae7. Fasciculus myrrhae8. Ecce tu pulcher es9. Tota pulchra es10. Vulnerasti cor meum11. Sicut lilium inter spinas12. Introduxit me rex13. Laeva eius14. Vox dilecti mei15. Surge, propera, amica mea16. Surge, amica mea17. Dilectus meus mihi18. Surgam et circuibo civitatem19. Adiuro vos filae Jerusalem20. Caput eius21. Dilectus meus descendit22. Pulchra es23. Quae est ista24. Descendi in hortum nucum25. Quam pulchri sunt26. Duo ubera tua27. Quam pulchra es et quam decora28. Guttur tuum29. Veni, dilecte miGruppo vocale - Hilliard Ensemble

Poesía. Música. Viaje. Lara López. Su libro "Derivas", publicado por Prensas de la Universidad de Zaragoza. Un año que se inicia: Elipsis, Minotauro, Preveli, Zavma... recuerdos y lugares y también no lugares. Con la música de Kristi Stassinopoulou, Nikos y Adonis Xilouris, Nikos Sydakis, Jan Garbarek & The Hilliard Ensemble y Serafina Steer. Escuchar audio

Saksofonist Jan Garbarek ja The Hilliard Ensemble andsid hüvastijätuks välja ühise albumi, mis on salvestatud 2014. aastal, kui legendaarne vokaalansambel tegi oma viimase turnee.

Saksofonist Jan Garbarek ja The Hilliard Ensemble andsid hüvastijätuks välja ühise albumi, mis on salvestatud 2014. aastal, kui legendaarne vokaalansambel tegi oma viimase turnee.

durée : 01:57:54 - En pistes ! du vendredi 01 novembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu également : Philippe Jordan réunit la Symphonie Fantastique et Lélio ou le Retour à la vie d'Hector Berlioz, la pianiste Beatrice Rana met en miroir Ravel et Stravinsky, cap sur Rome au XVIIe siècle avec l’ensemble I Bassifondi... - réalisé par : Olivier Guérin

Maciej Obara jest jednym z najpopularniejszych polskich jazzmanów. Jego kwartet właśnie wydał drugi album nakładem wytwórni ECM - 'Three Crowns'. Rozmawiamy o jazzie w ogóle, o historii jego saksofonu, o graniu koncertów w różnych częściach świata, słuchamy też muzyki, której niestety puścić Wam na YouTube nie mogę (a szkoda!), więc poniżej lista utworów w kolejności jak na nagraniu: 1. "Parce mihi domine" Jan Garbarek & The Hilliard Ensemble 2. “Three Pieces in Old Style (1)” Maciej Obara Quartet 3. “Bryllupsmarsj” Arild Andersen 4. “Rose” Manu Katche 5. “Mr. S” Maciej Obara Quartet

El maestro italiano Enrico Pieranunzi "sabe muy bien lo que busca", por lo que al productor del sello Storyville no le vino por sorpresa cuando el pianista le dijo que "no, gracias" a la sugerencia de que añadiera al baterista Ulysses Owens Jr. a su dúo con el contrabajista Thomas Fonnesbæk. Pero Pieranunzi terminó por aceptar y nació así un nuevo trío para dar vida a sus "New visions". Si de Italia y maestros hablamos, cómo obviar al trompetista Enrico Rava. Si hablamos de maestros estadounidenses, cómo obviar al saxofonista Joe Lovano. "Roma" recoge una actuación de ambos en compañía del pianista Giovanni Guidi, el baterista Gerald Cleaver y el contrabajista Dezron Douglas. No es un instrumento común en el ámbito del jazz, por eso llama la atención la música de "Dreamlife of Debris", disco del organista y pianista británico Kit Downes. El órgano se integra con la improvisación en un trabajo en el que colaboran, entre otros, la chelista Lucy Railton y el baterista Sebastian Rochford. Todo tiene un final en la vida, también lo tuvo la fascinante integración del saxofonista noruego Jan Garbarek en el cuerpo vocal generado por los cuatro miembros del Hilliard Ensemble, el cuarteto vocal británico con quien 25 años atrás Garbarek presentó un disco histórico: "Officium". Su despedida en 2014, ahora recogida en "Remember me, my dear". El intérprete de tuba, Joseph Daley, puso música a los siete pecados capitales en "The seven deadly sins". Publicado originalmente en 2011, acaba de ser reeditado y lo presenta al frente de una orquesta bautizada como Earth Tones Ensemble. Toda la información y derechos: http://www.elclubdejazz.com

El maestro italiano Enrico Pieranunzi "sabe muy bien lo que busca", por lo que al productor del sello Storyville no le vino por sorpresa cuando el pianista le dijo que "no, gracias" a la sugerencia de que añadiera al baterista Ulysses Owens Jr. a su dúo con el contrabajista Thomas Fonnesbæk. Pero Pieranunzi terminó por aceptar y nació así un nuevo trío para dar vida a sus "New visions". Si de Italia y maestros hablamos, cómo obviar al trompetista Enrico Rava. Si hablamos de maestros estadounidenses, cómo obviar al saxofonista Joe Lovano. "Roma" recoge una actuación de ambos en compañía del pianista Giovanni Guidi, el baterista Gerald Cleaver y el contrabajista Dezron Douglas. No es un instrumento común en el ámbito del jazz, por eso llama la atención la música de "Dreamlife of Debris", disco del organista y pianista británico Kit Downes. El órgano se integra con la improvisación en un trabajo en el que colaboran, entre otros, la chelista Lucy Railton y el baterista Sebastian Rochford. Todo tiene un final en la vida, también lo tuvo la fascinante integración del saxofonista noruego Jan Garbarek en el cuerpo vocal generado por los cuatro miembros del Hilliard Ensemble, el cuarteto vocal británico con quien 25 años atrás Garbarek presentó un disco histórico: "Officium". Su despedida en 2014, ahora recogida en "Remember me, my dear". El intérprete de tuba, Joseph Daley, puso música a los siete pecados capitales en "The seven deadly sins". Publicado originalmente en 2011, acaba de ser reeditado y lo presenta al frente de una orquesta bautizada como Earth Tones Ensemble. Toda la información y derechos: http://www.elclubdejazz.com

The Hilliard Ensemble'i puhas kõla ning Jan Garbareki saksofoni vaba lend kohtuvad albumil "Officium", kinnitades ECM'i tunnuslauset - ilusaim heli pärast vaikust.

The Hilliard Ensemble'i puhas kõla ning Jan Garbareki saksofoni vaba lend kohtuvad albumil "Officium", kinnitades ECM'i tunnuslauset - ilusaim heli pärast vaikust.

Armastatud briti meesansambel esitab Perotinuse teoseid 30 aasta eest ilmunud ECM'i albumil "Perotin - The Hilliard Ensemble".

Armastatud briti meesansambel esitab Perotinuse teoseid 30 aasta eest ilmunud ECM'i albumil "Perotin - The Hilliard Ensemble".

durée : 01:57:54 - En pistes ! du vendredi 01 novembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu également : Philippe Jordan réunit la Symphonie Fantastique et Lélio ou le Retour à la vie d'Hector Berlioz, la pianiste Beatrice Rana met en miroir Ravel et Stravinsky, cap sur Rome au XVIIe siècle avec l’ensemble I Bassifondi... - réalisé par : Olivier Guérin

Featuring a brand new single from mmeadows, a new ECM release from Jan Garbarek and the Hilliard Ensemble, Ben ALlison's 2019 release with Ted Nash and Steve Cardenas, John Scofield feat. Avi Bortnick, + Rudresh Mahanthappa, Reed Mathis, McCoy Tyner, Red Simpson, and the one and only Richie Spice

Nieuwe CD's, oude platen, concerttips en archiefopnamen: de grenzen van de klassieke muziek opgezocht in de Late Night Show van Vrije Geluiden. Er komt een nieuwe CD uit van de succesvolle samenwerking tussen het vocaal kwartet het Hilliard Ensemble en de Noorse saxofonist Jan Garbarek. Hun afscheidstournee in 2014 is opgenomen in Zwitserland, en van die opname verschijnt nu een fraaie CD. Verder: Noé Inui speelt Eugene Ysaÿe, en: filmmuziek uit Joker... Met muziek van een anonieme 14e eeuwse componist, Cristobal de Morales, Jan Garbarek, het Hilliard Ensemble, Eugène Ysaÿe, en Hildur Guðnadóttir.

durée : 01:58:03 - Relax ! du jeudi 10 octobre 2019 - par : Lionel Esparza - On parle de l'Ecole normale de Musique de Paris qui fête ses 100 ans ce mois-ci, une école par laquelle est passé le pianiste Lucas Debargue dont on a beaucoup aimé le dernier disque Scarlatti, une sacrée entreprise ! Et à 16h on écoute les Lamentations de Tallis par le Hilliard Ensemble... - réalisé par : Antoine Courtin

durée : 00:12:44 - Tallis, Lamentations de Jérémie, par le Hilliard Ensemble - Thomas Tallis, compositeur incontournable de la Renaissance anglaise, est célèbre pour son 'Spem in alium', un motet à quarante voix indépendantes. Autre oeuvre remarquable du compositeur, 'Les Lamentations de Jérémie' a été composée pour les services de la semaine sainte autour de 1560.

.............CALM......................................................... By Anatoly Brooks http://www.filefactory.com/file/415ifoeyp0mt/Calm5.mp3 01. Avishai Cohen – Calm (0.00:02) 02. Silence – The organization of madness (0.03:10) 03. Makiko Hirohashi – Hypnosis (0.05:42) 04. Petra Haden – Silence (à cappella) (0.09:28) 05. Jan Garbarek & The Hilliard Ensemble – Parce mihi domine (0.15:04) 06. Carlos Bica & Azul – Durme (0.21:29) 07. Mário Laginha Trio – Estudo nº6, op. 10 (0.27:00) 08. Cinematic Orchestra – Lilac wine (feat. Heidi Vogel) (0.34:25) 09. Peter Cavallo – The waiting (0.38:09) 10. Silence – Heart of darkness (0.41:35) 11. Piano Suites For Ella – Penny & Adrian (0.45:35) 12. Esbjörn Svensson Trio – Believe beleft below (0.47:22) 13. Yuki Murata – Me and G (0.52:06) 14. Ruy Belo – Tu estás aqui (Luís Miguel Cintra’s voice) (0.53:01) 15. Misha Mishenko – Decadance (0.57:17) 16. Tom Waits – Kentucky avenue (1.02:20) 17. Dustin O’Halloran – Opus 43 (1.06:54) 18. Goodbye Ivan – Untitled # 11 (1.13:03) 19. Exit North – Lessons in doubt (1.15:37) 20. Goodbye Ivan – Rêverie (1.19:25) Total time – 1.22:35 A photo by A. Brooks Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/

Arvo Pärdi sünnipäeval kõlab Albumi saates 1987. aastal ECM märgi all ilmunud album "Arbos", millel musitseerivad The Hilliard Ensemble, Vladimir Mendelssohn, Thomas Demenga jpt.

Arvo Pärdi sünnipäeval kõlab Albumi saates 1987. aastal ECM märgi all ilmunud album "Arbos", millel musitseerivad The Hilliard Ensemble, Vladimir Mendelssohn, Thomas Demenga jpt.

Tom Klaassen presenteert fraaie muziek uit het brede grensgebied van klassiek en alles wat er (niet) bij hoort, met nieuwe CD's, concerttips en bovendien viert hij de 70e verjaardag van de Noorse saxofonist Jan Garbarek, die met het Hilliard Ensemble jazz en Renaissance versmolt.

Laurence Sterne's subjective travel book was published in 1768. Mary Newbould and Duncan Large discuss its influence. Plus novelist Philip Hensher on his new book The Friendly Ones and writing fiction about neighbourliness, families and the Bangladesh Liberation War. Walker Nick Hunt discusses his journeys following the pathways taken by European winds such as the Mistral and the Foehn and the conversations he had about nationalism, immigration and myths. Presented by New Generation Thinker Seán Williams.The Friendly Ones by Philip Hensher is published on March 8th. Nick Hunt's book Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence is out now. ‘Alas, Poor Yorick!': A Sterne 250-Year Anniversary Conference takes place at Cambridge 18 - 21 March and an Essay Collection is being published called ‘A Legacy to the World': New Approaches to Laurence Sterne's ‘A Sentimental Journey' and other Works to be edited by W.B Gerard, Paul Goring, and M-C. Newbould. A new edition of A Sentimental Journey, illustrated by Martin Rowson, has been published by the Laurence Sterne TrustAn evening of music and readings to commemorate the 250th anniversary of the funeral of Laurence Sterne in the church where the original service took place. St George's, Hanover Square, London W1S 1FX on 22 March 2018 features David Owen Norris, Susanne Heinrich, The Hilliard Ensemble, Patrick Hughes, Carmen Troncoso et al.

We’re back and we’re erecting monstrous effigies, playing deadly games and proclaiming that Sumer is Icumen In (YT: Sumer is Icumen in (The Hilliard Ensemble)) . OK, it’s February, but we’re sure that summer is... The post The Wicker Man appeared first on Blasphemous Tomes.

Over de dichter en zijn meesterwerk - Paolo da Firenze, ‘Godi Firenze’, door Ensemble Perlaro - Anthony Holborne, ‘Infernum’, door Musicall Humors - Joanne Metcalf, ‘Maria III’ uit In Nome del bel Fior, door Singer Pur en The Hilliard Ensemble

Sein Saxophonton ist unverwechselbar. Der norwegische Jazzmusiker Jan Garbarek feiert am 4. März seinen 70. Geburtstag. Er spielte mit Pianist Keith Jarrett, Gitarrist Egberto Gismonti, Bassist Charlie Haden, ist mit seiner Jan Garbarek Group weltweit erfolgreich und hatte ein bahnbrechendes Projekt zusammen mit dem Hilliard Ensemble. Ein Porträt von Ulrich Habersetzer.

Cult di lun 05/01

Cult di lun 05/01

Englische Carols und Motetten | Hilliard Ensemble

Recorded at St. Paul's, Knightsbridge, The Hilliard Ensemble perform specially for The Choir and talk to Sara about their 40th anniversary, a new album and their forthcoming retirement.

Tom Hardy and the late James Gandolfini star in the thriller The Drop, reviewed by Jenny McCartney. Saxophonist Jan Garbarek and David James discuss the Hilliard Ensemble. Quentin Blake on Paula Rego and Honoré Daumier: Scandal, Gossip and Other Stories at the House of Illustration. And Assaf Gavron on the reality of life in Israel in the 21st century in his new novel, The Hilltop. Producer Jerome Weatherald.

Libby Purves meets gem hunter Guy Clutterbuck; artist Andrew Logan; campaigner Diana Nammi and counter-tenor David James. Guy Clutterbuck is a gem hunter and dealer whose expeditions have led him to countries including Zambia, Mozambique, Afghanistan and Sri Lanka where he buys rough and cut gemstones. During these trips he sources rare gems such as emeralds, rubies, sapphires and aquamarines from local mines. He has donated a 60 carat Mozambican aquamarine - worth £40,000 - to a raffle by Fine Cell Work, a charity which helps prisoners rebuild their lives. Andrew Logan is a sculptor, artist, jewellery designer and the founder of the Alternative Miss World contest. Established in 1972, the Alternative Miss World celebrates the outrageous and the unique. Notable contestants have included Leigh Bowery and Grayson Perry and previous winners include the late Derek Jarman as Miss Crepe Suzette. Andrew Logan's art can be found in public and private collections such as London's Victoria and Albert Museum and the National Portrait Gallery. This year's Alternative Miss World takes place at Shakespeare's Globe. Diana Nammi is chief executive of the Iranian and Kurdish Women's Rights Organisation (IKWRO) which she set up in 2002. She has been instrumental in the campaign to bring honour killers to justice as well as striving to get forced marriages banned in this country. She has just won a Barclays Women of the Year award for her campaigning work on behalf of women from Middle Eastern and North African communities who have been affected by honour based violence and forced marriage. David James is a founder member of the renowned Hilliard Ensemble. Known for its combinations of sacred and medieval music, the group is celebrating its 40th anniversary and performing a series of final concerts. The ensemble's most famous collaboration has been with Norwegian jazz saxophonist, Jan Garbarek, who is taking part in the farewell tour. The Hilliard Ensemble's last performance is at London's Wigmore Hall in December. Producer: Paula McGinley.

Lucie Skeaping talks to members of the Hilliard Ensemble as they celebrate their 40th anniversary, and plays a selection of their many recordings. The Hilliard Ensemble established a reputation as an early music ensemble with a series of successful recordings in the 1980s, but it was when they began also to focus on new music that the world began to sit up and take notice. The 1988 recording of Arvo Pärt's "Passio" began a fruitful relationship with the Estonian composer, and the group has recently commissioned other composers from the Baltic States, including Veljo Tormis and Erkki-Sven Tüür, adding to a rich repertoire of new music from Gavin Bryars, Heinz Holliger, John Casken, James MacMillan, Elena Firsova and many others. The Hilliard Ensemble's popularity crossed musical boundaries when their collaboration with the Norwegian Saxophonist Jan Garbareck sent their ECM recording "Officium" soaring up both classical and pop charts in several countries. Equally at home with Perotin, Palestrina and Pärt, the four members of the Hilliard Ensemble describe some of the many musical experiences they have had in concert halls and recording studios around the world, and select some of their favourite tracks from their extensive CD catalogue.

Lucie Skeaping presents recordings of music by the 13th-century European composer Perotin, including performances by the Hilliard Ensemble, The Orlando Consort and Ensemble Organum. Probably French in origin, Perotin's music embodies the Notre Dame school of polyphony and the ars antiqua style.

Join Vicky Frost, Van Banham and Andrew Frost as we chat about big festival art: is it good art or fun art – and can it be both? We also hear from the Hilliard Ensemble, and discover some non-festival treats Sydney has on offer with Time Out Sydney editor Joel Meares

Ist Ende 2014 Schluss? Zumindest kündigt das renommierte britische Hilliard-Ensemble dies im Voraus an. Passend dazu heißt der Titel der aktuellen CD: "Il cor tristo". BR-KLASSIK sprach mit Countertenor David James.

At the Hermitage in St Petersburg hangs one of Caravaggio's most famous paintings: the Lute Player. An androgynous young man looks out at us as he plucks the strings of this most iconic of Renaissance instruments, and a music book lies in front of him. Close inspection reveals that not only has Caravaggio carefully painted a real piece of lute music, but we can even identify its composer - Jacques Arcadelt. Today Lucie Skeaping explores the life of Jacques Arcadelt, one of the most mysterious, fascinating, and significant figures in 16th century music. Many biographical details of his life are sketchy; but from being born in what we now know as Belgium, in the first decade of the 16th century, Arcadelt found his way to Italy where he became a driving force in the rise and popularity of the madrigal. Arcadelt's several books of madrigals were among the most prolifically-published books of the entire Renaissance - the soundtrack to a film about the period's many great artists would unquestionably need to feature a great deal of music by him. Michelangelo's paintings were barely dry when Arcadelt began singing in the Sistine Chapel, and there's every suggestion that being at the heart of the Renaissance must have been a vital source of his creative inspiration. All of Arcadelt's music is vocal, and covers a vast range of styles, from light songs to entire Masses, and also a setting of the epic Lamentations of Jeremiah. In this programme Lucie focuses on madrigals performed by the Hilliard Ensemble, the Orlando Consort, the Fires of Love; and religious music performed by the Josquin Capella from a disc released just last year. Lucie also reflects on an intriguing aspect of Arcadelt's work, namely that although he wrote no instrumental music, other composers of the period were all too ready to adapt it for instrumental performance. The picture of Arcadelt that emerges is of a musician whose senses of enterprise and adventure led to a stellar career as composer and performer, reflected both in his service of distinguished patrons including the Medici family and the Vatican, and also in the huge popular esteem in which he was so obviously held.

Britisches Vokalensemble - 1974 gegründet

La pianista Irene Aranda nos regala un Concierto de Año Nuevo muy especial y nos recibe en su domicilio de Jaén. Así abrimos la edición de 2 de enero de 2013 de "Club de Jazz" que recibe año con los "Rites" de Jan Garbarek y con su "Himno al sol" junto a The Hilliard Ensemble. El año arranca mediterráneo para la guitarra de Paolo Angeli con su nuevo trabajo "Sale quanto basta". Los hermanos Kühn, Joachim y Rolf, vuelven a grabar con el sello Impulse! y se reúnen con Brian Blade y John Patitucci en "Lifeline". Un trío insólito: Vrak´Trio, al que dan forma Etienne Lecomte (flauta), Laurent Guitton (tuba) y Oriol Roca (batería). Además, "Guitarra sola" de Alex Blanco y "Kubic´s Monk" del saxofonista francés Pierrick Pédron. Toda la información y derechos: http://www.elclubdejazz.com

La pianista Irene Aranda nos regala un Concierto de Año Nuevo muy especial y nos recibe en su domicilio de Jaén. Así abrimos la edición de 2 de enero de 2013 de "Club de Jazz" que recibe año con los "Rites" de Jan Garbarek y con su "Himno al sol" junto a The Hilliard Ensemble. El año arranca mediterráneo para la guitarra de Paolo Angeli con su nuevo trabajo "Sale quanto basta". Los hermanos Kühn, Joachim y Rolf, vuelven a grabar con el sello Impulse! y se reúnen con Brian Blade y John Patitucci en "Lifeline". Un trío insólito: Vrak´Trio, al que dan forma Etienne Lecomte (flauta), Laurent Guitton (tuba) y Oriol Roca (batería). Además, "Guitarra sola" de Alex Blanco y "Kubic´s Monk" del saxofonista francés Pierrick Pédron. Toda la información y derechos: http://www.elclubdejazz.com

On Harmonia, the Tudor Choir performs live on the Early Music Guild's International Series, the Hilliard Ensemble interprets the music of Perotin, and Ensemble Sarband re-imagines Bach in the Arabian Passion.

The Hilliard Ensemble perform Perotin