Podcast appearances and mentions of carrie tippen

In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series. In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form. Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series. In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form. Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series. In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form. Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Jessica Martell about her new book, Farm to Form: Modernist Literature and Ecologies of Food in the British Empire, published in 2020 by University of Nevada Press for their Cultural Ecologies of Food series. In Farm to Form, Martell contextualizes some familiar texts of British Literary Modernism, into a history that recognizes the role of food and agriculture not just in the social fabric that these writers were living in and often writing against but also the role that these industries played in determining how writers experimented with literary forms. Food isn’t just in the content of the novels analyzed, but as Martell argues, responses to food systems are reflected in the experiments in form that are a hallmark of literary modernism. If the Modernist era is “a spectacle of lived unevenness,” food (its presence and absence) is particularly good at exposing unevenness and inequity. Martell’s historicizing makes clear that the average British subject was most directly experiencing the projects of imperialism at the table. Each chapter focuses on a particular aspect of the emerging modern food system as reflected in specific texts. The overproduction of rural milk for urban markets is reflected in the overripeness of landscapes in Thomas Hardy’s Tess of the D’Urbervilles, and the collapsing of time and space brought on by technologies of freezing and canning are reflected in the anachronism of E.M. Forster’s Howard’s End. Virginia Woolf’s Mrs. Dalloway bears the marks of wartime rationing and total war on civilians. Joseph Conrad’s images of starving colonial laborers and fat colonizers demonstrates a critique of the “metabolism of empire” that gobbles energy with terrifying efficiency, while James Joyce’s infamous formal and textual excess is a direct response to the Famine and a representation of Ireland as empty and hungry, simultaneously overpopulated and drained by migration. Martell’s central argument is that an understanding of the rapidly changing and visibly uneven experience of modern food industries can offer fresh insights into experiments of literary form. Jessica Martell is assistant professor of Interdisciplinary Studies at Appalachian State University. She is the also the co-editor of Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (University Press of Florida, 2019). Martell serves on the executive board of Blue Ridge Women in Agriculture, a woman-led non-profit helping to build an equitable and sustainable food system in the North Carolina High Country. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks Kara Keeling and Scott Pollard about their new book, Table Lands: Food in Children's Literature, published June 2020 by University of Mississippi Press. Table Lands contributes to a growing body of scholarship in the subfield of literary food studies, which combines the methods of literary analysis with the interdisciplinary theories of food, culture, and identity. Keeling and Pollard explain that they were first interested in food in children’s literature as symbols or metaphors, but in Table Lands, they have complicated their understanding of these moments as important cultural work. The didactic nature of children’s literature makes the genre a unique window into processes of cultural and identity creation as children learn manners, morals, food taboos, and appropriate behavior through the rewards and punishments doled out to fictional characters. Arranged roughly chronologically, the chapters explore food as a cultural signifier in familiar texts for children like Winnie the Pooh, Peter Rabbit, and Little House on the Prairie, along with some less canonical texts like 19th century cookbooks for children and Alice Waters’ books about her daughter Fanny. They range from the edgy YA series of Weetzie Bat novels to Maurice Sendak’s picture book In the Night Kitchen and the hit animated Disney-Pixar film Ratatouille. The book also attempts to represent the diversity of children’s literature in the US. The authors argue that Louise Erdrich’s Birchbark novels actively write against The Little House books which devalue, misunderstand, and erase indigenous culture to offer a counternarrative of the American West focused on Native American experiences of land stewardship and relationships to food. Similarly, the final chapter devoted to Thanhha Lai’s Inside Out and Back Again argues that Lai is writing against the representation of the refugee experience written by non-Vietnamese authors for non-Vietnamese audiences, revising and refuting what they call the “gratitude narrative” expected of refugees. Throughout Table Lands, Keeling and Pollard contextualize literary characters’ experiences with food into relevant literature on how food shapes the practice and performance of identity in everyday life.  Kara Keeling and Scott Pollard are Professors of English at Christopher Newport University. Kara is Director of the Childhood Studies Minor and teaches courses on Children’s and Young Adult literature. Scott teaches courses in World Literature and Food in Literature. Together they have authored a number of articles on the subject and edited the 2011 essay collection Critical Approaches to Food in Children’s Literature from Routledge. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks Kara Keeling and Scott Pollard about their new book, Table Lands: Food in Children's Literature, published June 2020 by University of Mississippi Press. Table Lands contributes to a growing body of scholarship in the subfield of literary food studies, which combines the methods of literary analysis with the interdisciplinary theories of food, culture, and identity. Keeling and Pollard explain that they were first interested in food in children’s literature as symbols or metaphors, but in Table Lands, they have complicated their understanding of these moments as important cultural work. The didactic nature of children’s literature makes the genre a unique window into processes of cultural and identity creation as children learn manners, morals, food taboos, and appropriate behavior through the rewards and punishments doled out to fictional characters. Arranged roughly chronologically, the chapters explore food as a cultural signifier in familiar texts for children like Winnie the Pooh, Peter Rabbit, and Little House on the Prairie, along with some less canonical texts like 19th century cookbooks for children and Alice Waters’ books about her daughter Fanny. They range from the edgy YA series of Weetzie Bat novels to Maurice Sendak’s picture book In the Night Kitchen and the hit animated Disney-Pixar film Ratatouille. The book also attempts to represent the diversity of children’s literature in the US. The authors argue that Louise Erdrich’s Birchbark novels actively write against The Little House books which devalue, misunderstand, and erase indigenous culture to offer a counternarrative of the American West focused on Native American experiences of land stewardship and relationships to food. Similarly, the final chapter devoted to Thanhha Lai’s Inside Out and Back Again argues that Lai is writing against the representation of the refugee experience written by non-Vietnamese authors for non-Vietnamese audiences, revising and refuting what they call the “gratitude narrative” expected of refugees. Throughout Table Lands, Keeling and Pollard contextualize literary characters’ experiences with food into relevant literature on how food shapes the practice and performance of identity in everyday life.  Kara Keeling and Scott Pollard are Professors of English at Christopher Newport University. Kara is Director of the Childhood Studies Minor and teaches courses on Children’s and Young Adult literature. Scott teaches courses in World Literature and Food in Literature. Together they have authored a number of articles on the subject and edited the 2011 essay collection Critical Approaches to Food in Children’s Literature from Routledge. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks Kara Keeling and Scott Pollard about their new book, Table Lands: Food in Children's Literature, published June 2020 by University of Mississippi Press. Table Lands contributes to a growing body of scholarship in the subfield of literary food studies, which combines the methods of literary analysis with the interdisciplinary theories of food, culture, and identity. Keeling and Pollard explain that they were first interested in food in children’s literature as symbols or metaphors, but in Table Lands, they have complicated their understanding of these moments as important cultural work. The didactic nature of children’s literature makes the genre a unique window into processes of cultural and identity creation as children learn manners, morals, food taboos, and appropriate behavior through the rewards and punishments doled out to fictional characters. Arranged roughly chronologically, the chapters explore food as a cultural signifier in familiar texts for children like Winnie the Pooh, Peter Rabbit, and Little House on the Prairie, along with some less canonical texts like 19th century cookbooks for children and Alice Waters’ books about her daughter Fanny. They range from the edgy YA series of Weetzie Bat novels to Maurice Sendak’s picture book In the Night Kitchen and the hit animated Disney-Pixar film Ratatouille. The book also attempts to represent the diversity of children’s literature in the US. The authors argue that Louise Erdrich’s Birchbark novels actively write against The Little House books which devalue, misunderstand, and erase indigenous culture to offer a counternarrative of the American West focused on Native American experiences of land stewardship and relationships to food. Similarly, the final chapter devoted to Thanhha Lai’s Inside Out and Back Again argues that Lai is writing against the representation of the refugee experience written by non-Vietnamese authors for non-Vietnamese audiences, revising and refuting what they call the “gratitude narrative” expected of refugees. Throughout Table Lands, Keeling and Pollard contextualize literary characters’ experiences with food into relevant literature on how food shapes the practice and performance of identity in everyday life.  Kara Keeling and Scott Pollard are Professors of English at Christopher Newport University. Kara is Director of the Childhood Studies Minor and teaches courses on Children’s and Young Adult literature. Scott teaches courses in World Literature and Food in Literature. Together they have authored a number of articles on the subject and edited the 2011 essay collection Critical Approaches to Food in Children’s Literature from Routledge. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Elizabeth Engelhardt, co-editor of the new collection The Food We Eat, the Stories We Tell: Contemporary Appalachian Tables (Ohio University Press, 2019), also edited by Lora Smith and published by Ohio University Press. We are also joined by Courtney Balestier who is a contributor to the collection. Though the collection is diverse in genre – including academic essays alongside poetry, memoir, and illustration – the contents are united around challenging and complicating a notion of a single Appalachia. The editors and many of the contributors are connected to the Appalachian Food Summit, a symposium of foodways scholars, professionals, and enthusiasts who meet for dinners, dialogues, and annual conferences. Engelhardt describes the popular and scholarly attention to Appalachian stereotypes as “a dead end conversation” that the collection tries to avoid and undo by highlighting the creativity and diversity of the region, its people, and its food. As Engelhardt explains in the introduction, the collection’s eclectic mix of genres, topics, and contributors reflects the complexities of the contemporary region by generating cognitive dissonance through the structure of the book. The collection features the voices of people living in and out of the region from a wide variety of experiences and ethnicities, Like many of the contributors in the collection, Balestier describes her own path toward Appalachian identity through living outside the region. Her essay on the “Hillbilly Highway” and the Kentucky social club of Detroit asks if perhaps a coherent Appalachian identity is most meaningful to people who have left the geographic region of the mountains. The topics of the essays run the gamut from the idealized and organic home-canned chow-chow to the mass produced and capitalized Banquet frozen fried chicken and factory-packed pickle spears. Many of the objects that come to represent Appalachia are a compromise, a negotiation between the local and the global: repurposed Cool Whip containers of leftovers, a mass-marketed cookbook with a life story inside, Blue Ridge tacos and kimchi in soup beans, a store-bought dinner that approximates home-made just closely enough to keep a family’s matriarch as the cultural heart of the family. Engelhardt explains in the interview that these stories are not intended to be a definitive representation of Appalachia; rather, she hopes they will be an invitation to a conversation about the relationships of people to place. Elizabeth Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. . Lora Smith directs the Appalachian Impact Fund, a social impact investment fund focused on economic transition and opportunity in Eastern Kentucky.  Courtney Balestier is a writer whose work focuses on the intersection of place and identity, particularly in her native Appalachia.  Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press’s Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O’Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Conor Picken and Matthew Dischinger about their edited collection, Southern Comforts: Drinking and the US South from Louisiana State University Press's Southern Literary Studies Series. This collection of seventeen essays focuses on the mythologies and representations of alcohol production, distribution, and consumption (or rejection) in the literature and culture of the US South. Picken and Dischinger argue in the introduction that the relationship between the US South and alcohol has been overdetermined in popular imagination. The region is simultaneously known for its “dry” counties, temperance laws, and religious teetotalers as well as “hard­drinking authors, bootleggers, moonshiners, and distillers, to name but a few.” Picken and Dischinger interrogate the assumption that alcohol consumption is a community-building activity, arguing that drinking together, like eating together, often obscures underlying and persistent inequalities of race, class, and gender. Representations of Southern drinking culture tend to reify rather than resist hegemonic power structures. The collection explores and deconstructs these contradictory stereotypes through analysis of literary, historical, and pop culture representations of drink and drinking. Essays focus on a variety of texts and subjects from female blues singers, male country musicians, and Mardi Gras cocktails to the works of Flannery O'Connor, Carson McCullers, William Faulkner, and John Kennedy Toole – among many other representations in literature and film. Conor Picken is an Assistant Professor of English and the Faculty Director of the Compassio Learning Community at Bellarmine University. His teaching and research encompass 20th- and 21st-century American Literature, southern literature, modernism, and social change. Matthew Dischinger is a Lecturer at Georgia State University. Matt works at the intersections of American Studies, Southern Studies, and Postcolonial Studies. His research explores contemporary U.S. Multi-Ethnic literatures, literary melancholia, and speculative aesthetics. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with J. L. Anderson about the 2019 book Capitalist Pigs: Pigs, Pork, and Power in America published by West Virginia University Press. Anderson provides a history of pigs in America from the first arrival on the continent in the Columbian Exchange to the modern agribusiness of pork production, describing how we have “remade” the animal through breeding, feeding, medicating, legislating, and housing hogs. Despite the contemporary association between pork and the American South, Anderson describes how the centers of pork production and consumption have moved throughout American history in response to market changes, technological innovations, and transportation networks. The diet and housing of pigs has also evolved over time from seasonal free-range foraging in wooded areas (or even urban streets) to living in climate-controlled concrete pens and a non-seasonal diet. Similarly, Anderson describes how the place of pork in the hierarchy of edible meats changes over time. Colonial Americans largely adopted the English meat hierarchy of beef, mutton, and pork, with pork reserved for the working class and enslaved people. Though pork has replaced mutton in popularity, pork has always maintained its reputation as working people’s food. The later chapters of Capitalist Pigs argue that 20th-century Americans’ fear of fat resulted in a dramatic change in the body shape and biological make-up of the modern hog to invent a leaner “white meat.” Ironically, while the industry provided what it thought the market wanted, consumers didn’t change their pork eating habits that much, as the leaner pork was generally a much less desirable product. Trimming the fat from pork has led to the unexpected desirability of fattier cuts like bacon and pork belly in fine dining and the resurgence in “heritage breeds” of pigs with higher fat content. Anderson concludes by discouraging historians from interpreting the story of hogs in America as a success story of “transcending limits” in science, agriculture, and economics. “In short,” Anderson writes, “the success of pigs, pork, producers, and processors is not the whole story.” Joe Anderson is Associate Dean of Research, Scholarship and Community Engagement and history professor at Mount Royal University in Calgary, Alberta, Canada. Dr. Anderson teaches a variety of courses from food and diet to the American Civil War and Reconstruction. Joe’s professional experience as a museum educator and administrator has led to a continuing interest in public history, and his recent projects have focused on the history of rural America, particularly as it relates to technology and the environment in the midcontinent. Joe is the past president of the Agricultural History Society and a member of the Historic Sites and Monuments Board of Canada. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds. Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’” A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It's part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis's Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways. Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman & Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman & Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach's wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman & Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman & Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices