Podcasts about collodi

Défaire les contes de fée : méthode Aux auteurs et autrices qui débutent, Winshluss conseille de « faire un max de trucs, même si ce n'est pas abouti. Pour avancer, il faut produire. Quand tu es publié, toutes les conneries que tu as pu faire te sautent au visage. C'est la meilleure façon de progresser ». Dans les années 2000, ce punk à lunettes sort sept albums de BD, à la fois foutraques et rigoureux, riches en gags potaches parfois d'abord écrits et dessinés pour Picsou Magazine ou le journal Ferraille illustré. Dans ses histoires infernales qui finissent toujours mal, Winshluss alterne un noir et blanc brutal avec un usage naïf de la gouache, pastiche les comics des années 30, se moque de dieu dans un livre aux allures de missel ou fait de la « Tête-à-Toto » un alter-ego flegmatique dans l'observation de nos cruautés quotidiennes. Sale gosse du 9e art, il nargue la mort dans Welcome to the death club (Cornélius, 2001), ricane des galères d'un chimpanzé du paléolithique dans Smart monkey (Cornélius, 2004), régale les mômes avec son compère Cizo via les idioties de Wizz & Buzz (Delcourt, 2006-2007), avant de décrocher la timbale grâce à Pinocchio (Les Requins Marteaux, 2008), sacré meilleur album à Angoulême et vendu à 65 000 exemplaires. Comment a-t-il construit cette version robot du mythique pantin de Collodi, ici balloté de catastrophe en catastrophe avec, en guise de conscience, un insecte écrivain alcoolo nommé Jiminy Cafard ? Comment expliquer la douceur féérique et si marrante de son album pour enfants, Dans la forêt sombre et mystérieuse (Gallimard, 2016), lauréat de la « pépite d'or » au salon de littérature jeunesse de Montreuil, qu'il adapta fort joliment sur grand écran en 2024 avec Alexis Ducord ? Les livres de Winshluss contiennent souvent un minimum de mots. Comment écrire le muet, se demandera-t-on dans le deuxième épisode de ce sérieux bavardage autour de sa mécanique, vissée « d'errances et de certitudes ». L'auteur du mois : Winshluss Né en 1970 à La Rochelle, Winshluss est auteur de BD, cinéaste, musicien et plasticien. Narrateur goguenard de nos grandes et petites apocalypses, il a notamment signé, depuis la fin des années 90, une douzaine de bandes dessinées grotesques et désespérées, bourrées de losers malchanceux, de militaires serviles et d'hommes d'affaires crapuleux, dont une relecture anticapitaliste et contemporaine de Pinocchio (Les Requins Marteaux, 2008), récompensée du fauve d'or du meilleur album au festival international d'Angoulême. Sous le nom de Vincent Paronnaud, il est aussi le coréalisateur avec Marjane Satrapi du film Persepolis, distingué de deux César et d'un prix spécial du jury au festival de Cannes en 2007. Il vit et travaille à Bordeaux. Cette conversation a été enregistrée en février 2026. Mais une semaine avant de la mettre en ligne, nous avons appris le décès de l'autrice et cinéaste Marjane Satrapi, souvent évoquée dans ce numéro de Bookmakers. Nous adressons donc toutes nos condoléances à ses proches, en particulier à son ami Winshluss. Remerciements : Adèle Tocquet, Studio Gong, ainsi que Pauline, Daniel, Victor, Chloé et Bastien pour les lectures. Enregistrements février 2026 Entretien Richard Gaitet Montage Mathilde Guermonprez et Esteban Capron Réalisation et mixage Charlie Marcelet Musiques originales Samuel Hirsch Chant, toy-piano, synthétiseur, kalima, percussions Michael Liot Illustration Sylvain Cabot Production ARTE Radio

Ha progettato giardini per gli stabilimenti Olivetti e la famiglia Zegna; ha ideato il parco Pinocchio a Collodi; ha collaborato con studi d'architettura prestigiosi come BBPR. Pietro Porcinai, nato a Settignano nel 1910, è stato il più rappresentativo paesaggista italiano del XX secolo: a lui si deve la nascita della cultura moderna del paesaggio in Italia. La sua opera ha ridefinito il rapporto tra progetto e natura, superando l'idea di giardino come forma autonoma per restituirgli una funzione ambientale, sociale ed estetica. Porcinai ha lasciato una eredità fondamentale nel pensiero del paesaggio contemporaneo, fonte oggi di ispirazione per architetti e progettisti in Italia e in Europa.

Ha progettato giardini per gli stabilimenti Olivetti e la famiglia Zegna; ha ideato il parco Pinocchio a Collodi; ha collaborato con studi d'architettura prestigiosi come BBPR. Pietro Porcinai, nato a Settignano nel 1910, è stato il più rappresentativo paesaggista italiano del XX secolo: a lui si deve la nascita della cultura moderna del paesaggio in Italia. La sua opera ha ridefinito il rapporto tra progetto e natura, superando l'idea di giardino come forma autonoma per restituirgli una funzione ambientale, sociale ed estetica. Porcinai ha lasciato una eredità fondamentale nel pensiero del paesaggio contemporaneo, fonte oggi di ispirazione per architetti e progettisti in Italia e in Europa.

Lettura integrale di tutte le venticinque storie o fiabe che il poeta e scrittore torinese Guido Gozzano (1883-1916) scrisse dal 1909 al 1914 prima per 'Il Corrierino dei Piccoli' e poi per 'Adolescenza'.Lo stile è molto diverso dai classici referenti italiani come Collodi, e non è moraleggiante e con intenzioni marcatamente educative come invece accade per De Amicis.Riprende invece le tradizioni folkloriche europee, e le stempera nella sua delicatezza e sensibilità di uomo e poeta. TUTTE LE FIABE DI GUIDO GOZZANO ➡️ CANALE TELEGRAM di FIABE E SIMBOLI. Ogni giorno approfondimenti e curiosità, iscriviti qui: https://t.me/fiabesimboli➡️ VUOI OFFRIRMI UN CAFFÈ? In tutta sicurezza da 2 euro su PayPalhttps://paypal.me/valtercarignano?country.x=IT&locale.x=it_IT #gozzano #fiabe #audiolibri #guidogozzano #ilcorrieredeipiccoli #letteratura #audiolibro #liberty #belleépoque #fiabeitalianeSee omnystudio.com/listener for privacy information.

Puntata a cura di Untimoteo. Uscito su Netflix a fine 2022, il Pinocchio di Guillermo del Toro - lungometraggio realizzato in animazione manuale a passo uno - tradisce la storia originale scritta da Carlo Collodi. E così facendo ne rinverdisce lo spirito, adattandolo ai tempi attuali. E dando vita a una perla dell'animazione.“Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana.Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

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Le Pinocchio d'origine, celui du roman de 1881, écrit par l'Italien Carlo Collodi, n'a absolument rien à voir avec le Pinocchio du dessin animé ! C'est même tout le contraire. Il faut dire que Collodi, qui a 55 ans quand il rédige cette histoire d'abord publiée sous forme de feuilleton dans un journal, n'a pas d'enfants. Non pour la bonne et simple raison qu'il les déteste. Surtout les petits garçons qu'il compare à de misérables petits rongeurs. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Presento in questa playlist tutte le venticinque storie o fiabe che il poeta e scrittore torinese Guido Gozzano (1883-1916) scrisse dal 1909 al 1914 prima per 'Il Corrierino dei Piccoli' e poi per 'Adolescenza'.Lo stile è molto diverso dai classici referenti italiani come Collodi, e non è moraleggiante e con intenzioni marcatamente educative come invece accade per De Amicis.Riprende invece le tradizioni folkloriche europee, e le stempera nella sua delicatezza e sensibilità di uomo e poeta. TUTTE LE FIABE DI GUIDO GOZZANO FIABE ITALIANE ➡️ CANALE TELEGRAM di FIABE E SIMBOLI. Ogni giorno approfondimenti e curiosità, iscriviti qui: https://t.me/fiabesimboli➡️ VUOI OFFRIRMI UN CAFFÈ? In tutta sicurezza da 2 euro su PayPalhttps://paypal.me/valtercarignano?country.x=IT&locale.x=it_IT #gozzano #fiabe #audiolibri #guidogozzano #ilcorrieredeipiccoli #letteratura #audiolibro #liberty #belleépoque #fiabeitalianeSee omnystudio.com/listener for privacy information.

Presento mano a mano tutte le venticinque storie o fiabe che il poeta e scrittore torinese Guido Gozzano (1883-1916) scrisse dal 1909 al 1914 prima per 'Il Corrierino dei Piccoli' e poi per 'Adolescenza'.Lo stile è molto diverso dai classici referenti italiani come Collodi, e non è moraleggiante e con intenzioni marcatamente educative come invece accade per De Amicis.Riprende invece le tradizioni folkloriche europee, e le stempera nella sua delicatezza e sensibilità di uomo e poeta. TUTTE LE FIABE DI GUIDO GOZZANO https://youtube.com/playlist?list=PLeEg17CIyC1KMkbikhUCB0pgUu9A2drtS&si=sn_CwJsJ7PnfV3cv FIABE ITALIANE https://youtube.com/playlist?list=PLeEg17CIyC1L4aQI3IMcbPBDnjOMO9CY8&si=U62RfPfdzo3awrsF ➡️ CANALE TELEGRAM di FIABE E SIMBOLI. Ogni giorno approfondimenti e curiosità, iscriviti qui: https://t.me/fiabesimboli ➡️ VUOI OFFRIRMI UN CAFFÈ? In tutta sicurezza da 2 euro su PayPal https://paypal.me/valtercarignano?country.x=IT&locale.x=it_IT ➡️VUOI ABBONARTI?https://www.youtube.com/channel/UCr50NbKMEUrXGlewZIA01YA/join #gozzano #fiabe #audiolibri #guidogozzano #ilcorrieredeipiccoli #letteratura #audiolibro #liberty #belleépoque #fiabeitalianeSee omnystudio.com/listener for privacy information.

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durée : 01:00:04 - Le Mardi des auteurs│09-10 - par : Matthieu Garrigou-Lagrange - invités : Laurence Schifano Professeure émérite en études cinématographiques à Paris Ouest Nanterre, spécialiste du cinéma italien et biographe de Visconti., Daniela Marcheschi , Jean Perrot Professeur émérite de littérature comparée, Jean-Claude Zancarini Professeur émérite d'études italiennes à l'Ecole normale supérieure de Lyon, Benoît Daoglio , Jean-Paul Morley Pasteur l'Église protestante unie de France à Paris Pentemont-Luxembourg, Gilles Pécout Président de la Bibliothèque nationale de France, historien, professeur à l'École normale supérieure de la rue d'Ulm Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:00:04 - Toute une vie - par : Pascale Charpentier - L'histoire de "Pinocchio" fait partie des classiques de la littérature italienne. Pascale Charpentier nous propose un portrait de son auteur, Carlo Collodi. Certes en évoquant sa "créature", Pinocchio, mais aussi son activé de journaliste engagé au cours du 19e siècle et du Risorgimento italien. - réalisation : Ghislaine David - invités : Daniela Marcheschi; Gilles Pécout Président de la Bibliothèque nationale de France, historien, professeur à l'École normale supérieure de la rue d'Ulm; Laurence Schifano Professeure émérite en études cinématographiques à Paris Ouest Nanterre, spécialiste du cinéma italien et biographe de Visconti.; Jean Perrot Professeur émérite de littérature comparée; Jean-Claude Zancarini Professeur émérite d'études italiennes à l'Ecole normale supérieure de Lyon; Benoît Daoglio; Jean-Paul Morley Pasteur l'Église protestante unie de France à Paris Pentemont-Luxembourg

FC Dallas has had a year of change at the back, a year under Eric Quill, and scoring up front...Coming off the win over Toronto, Ryan drops by to talk about the layout in 2026 and the Nashville match this weekend...

durée : 00:12:45 - Les Midis de Culture - par : Marie Labory - Avec "Pinocchio créature", le célèbre pantin entre au répertoire jeune public de la Comédie-Française dans une mise en scène poétique de Sophie Bricaire. À travers le regard de Geppetto, le conte de Collodi devient un hymne à l'amour et à la création, mêlant aventures et humour. - réalisation : Laurence Malonda - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O; Victor Inisan docteur en études théâtrales, dramaturge et critique 

Eccoci pronti con la puntata numero 52... viaggi, sport, film, musica e tanto altro. Buon ascolto.

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After a not at all Sunday Funday for FC Dallas, losing 3-nil to the Vancouver Whitecaps in Game 1 of their first round playoff series it's all or nothing in Game 2 at Toyota Stadium. Ryan, Steve, and Garrett break down what happened up at BC Place last weekend soup to nuts, including the specific tactic that had the Burn in turmoil.The first of two interviews is up after that, with Dallas starting goalkeeper Michael Collodi joining the pod. He talks with Ryan about the game, his mentality during tough moments, and how the team can rebound as the series shifts to Frisco.The lads then discuss the MLS Playoffs at large so far including of all people Steve taking a side against officiating.Interview #2 comes as the preview of Game 2 begins, as Ryan sat down with Whitecaps play by play man Asa Rehman to discuss what the opposition might expect in the serie's second game as well as talking through the record breaking atmosphere from Game 1.Closing it down are the Agenda lads adding their own expectations for what's almost certainly the final game at Toyota Stadium in 2025. Lineup expectations, what they want to see from whoever plays, and much more.0:46 Game 1 Review19:55 Michael Collodi Interview25:38 MLS Playoffs So Far39:57 Asa Rehman Interview44:46 Game 2 PreviewThe FC Dallas Agenda publishes (almost) every Wednesday as a part of the FC Dallas Radio Network. The hosts of the FC Dallas Agenda are Ryan Figert, Garrett Melcer, and Steve Davis. The executive producer of the FC Dallas Radio Network is Sam Hale.    

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Ce nouvel épisode de "Brèves de Quartier, le podcast" a été enregistré le vendredi 17 octobre au Gymnase de l'école Trégain à l'occasion du festival Marmaille proposé par Lillico. Arkane, Aïda et Dania ont interrogé la compagnie "Le Théâtre de Papier" après l'avoir vu interprété son spectacle "Pinocchio", une adaptation du conte de Collodi. Quelle place à la langue italienne dans le spectacle ? Devient-on Pinocchio à force de le jouer ? Pourquoi avoir voulu faire du théâtre ? Toutes les réponses en écoutant ce podcast.

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Il libro Pinocchio racconta la crescita del burattino di legno tra prove e lezioni di vita. Analizziamo i personaggi e il loro significato simbolico.

“Die Toskana liegt nicht in Italien.Italien liegt in der Toskana.”~ Johann Wolfgang von GoetheEine Reise durch Vinci, den Geburtsort Leonardos, durch Collodi und Pisa, in das kulturelle Kleinod Florenz, durch Lucca und San Gimignano auf der Suche nach dem "Dolce Vita" und der “Cucina Italiana”.Natürliche Ausrede⁠⁠Homepage⁠Instagram⁠⁠Unterstützung⁠⁠bei Steady⁠⁠bei PayPal

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It's a victory edition of the Agenda this week as Ryan, Steve, and Garrett break down all the Diamond Dogs doings in Sandy, Utah. They talk about the formation change, the debuts of Michael Collodi and Leo Chu, and what this might mean going forward for FC Dallas.After that it's interview time and who else could it be but Collodi, who got a clean sheet and a win in his MLS debut. He talks all about that and much more in his first foray on the Agenda.Then the lads talk through the FC Dallas adjacent happenings related to the international break, before looking ahead to Saturday's showdown with Sporting Kansas City. 1:17 RSL Review36:20 Michael Collodi Interview50:20 International break recap59:14 Sporting Kansas City PreviewThe FC Dallas Agenda will publish every Wednesday as a part of the FC Dallas Radio Network. The hosts of the FC Dallas Agenda are Ryan Figert, Garrett Melcer, and Steve Davis. The executive producer of the FC Dallas Radio Network is Sam Hale. 

In this episode of Chat By The Pitch, Mike & Stacey Collodi give a behind-the-scenes look at what it takes to raise a professional goalkeeper. From Michael's first steps into goal at six years old to winning the MLS Next Pro Championship with North Texas SC, they share the realities of youth soccer, the academy experience, and the transition to professional play.They discuss the emotional rollercoaster of watching their son go through setbacks, navigate college soccer, and finally break through to the pro ranks. Whether you're a parent, coach, or aspiring player, this episode offers invaluable insights into the sacrifices and lessons learned along the way.Key Talking Points• How Michael discovered his passion for goalkeeping at six years old• The impact of FC Dallas Academy training & structure• The mental toughness needed to be a goalkeeper• How college soccer differs from academy & pro levels• What parents should know about supporting their child's soccer journey• How leadership and character impact success on and off the pitch• The transition from youth to pro soccer and what it takes• What it was like watching Michael win an MLS Next Pro Championship• The role of humility, teamwork, and professionalism in a player's career• Advice for parents navigating the competitive world of youth soccerTune in to Learn:• The truth about academy soccer, college, and the road to pro• Why mental resilience is crucial for young goalkeepers• How a strong support system can make or break an athlete's journey• The differences between MLS Next Pro & NCAA soccer• How to raise a competitive athlete while keeping them groundedQuotes from Mike & Stacey CollodiMike Collodi:• “When you find a kid who actually wants to play goalkeeper longer than 60 seconds, you don't move him out.”• “College soccer was both a blessing and a challenge—it built Michael's leadership skills more than anything.”• “Michael took his shot and punched it in the face—he made the absolute most of his opportunity.”• “We always told him, ‘We care more about the person you are than your success on the field.'”• “This journey has been a wild ride, and we're just excited to see what's next.”Stacey Collodi:• “We just wanted him to get a shot, and he took it and ran with it.”• “Finding the right coach for your kid is more important than finding the best team.”• “Kindness and humility will take a player further than talent alone.”• “We wanted him to know he always had our support, but his path was his choice.”• “The best advice I can give parents? Be kind to the refs, coaches, and other parents—this is a small world.”

In this episode of Chat By The Pitch, we dive into the Collodi family's journey through youth soccer, academy programs, and professional development.Mike & Stacey Collodi, parents of Michael Collodi, share how their son fell in love with goalkeeping at age six, how they navigated the competitive North Texas soccer scene, and the sacrifices that come with raising an elite player. They discuss everything from mental toughness and player motivation to choosing the right team and preparing for a professional career.Whether you're a soccer parent, coach, or young athlete, this conversation is full of insights, advice, and behind-the-scenes stories from a family that has been through it all.Key Talking Points• How Michael discovered his love for goalkeeping at age six• The role of multi-sport training in soccer development• Navigating the academy and club soccer system in North Texas• The importance of mental resilience for young goalkeepers• What parents need to know about tryouts, commitments, and sacrifices• How playing for FC Dallas & North Texas SC shaped his path• The college vs. pro decision and how Michael chose his route• Lessons from ODP, National Team camps, and elite youth soccer• How soccer families balance training, school, and life• Advice for parents supporting their children's athletic journeyTune in to Learn:• How to support a young athlete without pressure• The biggest misconceptions about elite youth soccer• Why mental toughness is crucial for goalkeepers• How to balance school and sports effectively• The sacrifices that come with chasing a pro soccer dreamQuotes from Mike & Stacey CollodiMike Collodi:• “We always told Michael, if you ever want to stop, that's okay—this journey is his, not ours.”• “When you have a kid who actually wants to play goalkeeper longer than 60 seconds, you don't move him out.”• “Every player needs to learn that failure is part of the process—especially in goalkeeping.”• “It's not just about talent. It's about hunger, mental toughness, and resilience.”• “College wasn't our first choice—it was a necessary part of the journey to pro soccer.”Stacey Collodi:• “Michael was always competitive—his biggest challenge was learning to manage frustration and stay positive.”• “Parents need to step back and let their kids take control of their own soccer path.”• “We spent years driving to games, training, and tournaments, but it was always HIS dream, not ours.”• “Goalkeeping is the loneliest position—when you lose, you feel it more than anyone.”• “You don't just drop a kid off at the airport and hope for the best—independence is built over time.”Follow Michael Collodi:

Michael Collodi, goalkeeper for FC Dallas, takes us through his soccer journey—from playing in the backyard as a kid to making crucial saves in the MLS Next Pro Cup. He shares the highs and lows of the position, the importance of mental resilience, and how learning from mistakes has shaped his game. On February 22, 2024, Michael earned his first roster spot with FC Dallas, marking another milestone in his professional career. Whether you're a young player looking for guidance or a fan of goalkeeping excellence, this episode is packed with insights you don't want to miss.⚽Key Talking Points• The journey from FC Dallas Academy to the professional ranks• The mental aspect of goalkeeping: handling pressure and mistakes• The importance of multi-sport backgrounds in goalkeeper development• Why foot skills are crucial for modern goalkeepers• The transition from college to professional soccer• Studying film: How goalkeepers prepare for penalty shootouts• The experience of playing in the MLS All-Star Goalkeeper Wars• Winning the MLS Next Pro Cup: Reflections on a championship season• Advice for young goalkeepers and players looking to go pro• The role of teamwork and communication in elite soccer

Hi-ho the me-ri-o! Courtney and Emily have no strings to hold them down as they celebrate the 85th anniversary of Walt Disney Animation's second motion picture, Pinocchio, by comparing the film to Carlo Collodi's original novel, “The Adventures of Pinocchio: Story of a Puppet.” Collodi's episodic adventure takes readers to the puppet show, the not so wondrous meadows, Playland, the bottom of sea…pretty much everywhere that is not school as Pinocchio learns to accept the consequences of his actions and tries to become a real boy.  Review Book of the Mouse Club on iTunes and Google Play and send any questions, comments, or suggestions to the hosts at bookofthemouseclub@gmail.com Follow Our Reading Journey On Social Media! Official Instagram: @BookoftheMouse Courtney: Instagram @greatguthsby and Goodreads Emily: Instagram and Goodreads Next Book: Beauty and the Beast, by Jeanne-Marie LePrince de Beaumont  

durée : 00:28:05 - Les Nuits de France Culture - par : Philippe Garbit - Premières Lectures - Michel Robin lit "Les aventures de Pinocchio" de Carlo Collodi (1ère diffusion : 31/12/1988) - réalisation : Virginie Mourthé

Bentornati! Con questa puntata inizia l'ottava stagione di 

Chi fa cultura nell'Italia unita a cavallo tra '800 e '900? In questo capitolo 1 dedicato alla letteratura italiana, andiamo a conoscere meglio Carlo Collodi, autore di Pinocchio, e Grazie Deledda, premio Nobel per la Letteratura. Ospite: Elia Bressanello.Per studiare il lessico più difficile e approfondire, vai sul sito: https://www.italiantimezone.com/podcast-stagione-4/letteratura-italiana-carlo-collodi-e-grazia-deledda 

welcome back all of our freinds to another striking story straight from Beehive Books! We sit down and talk with Josh O'Neill on how his story came to turn the page. We then discuss the amazing project collaboration of revamping Collodi's classic story with amazing art from the Mike Mignola and a side story from Leomony Snicket! this was a fun talk of literature galore and i hope you enjoy but if your intrested in the book please follow the links and obtain wherever you get your books as well!

Monica Carestia"Pinocchio: rimosso o promosso?"Kum! Festival, Pesarowww.kumfestival.itSabato 6 aprile 202410:15 | Palazzo Ciacchi"Pinocchio: rimosso o promosso?"Monica Carestia, Erica Ferrario e Federica PelligraL'incontro di Pinocchio con la scuola ha lamarca del trauma. Da una parte Pinocchio vorrebbe adeguarsi alla domanda dell'istituzione scolastica, dall'altra non può sottrarsi al richiamo della sua natura ambigua ed enigmatica.Natura vegetale, legnosa e nodosa. Natura non umana e più che umana, ossia artistica, creativa, poetica. Pinocchio desidera andare a scuola e “farsi onore”, ma è attratto dal teatro dei burattini. Ascolta i consigli di Geppetto, della Fata, del Grillo parlante, e tuttavia segue il Gatto e la Volpe, si lascia condurre nel Paese dei Barbagianni e poi nel Paese dei balocchi. Ma un'ulteriore linea di tensione percorre l'intera avventura di Pinocchio, alternando in modo vertiginoso momenti educativi eirruzioni oniriche. Non è detto, del resto, che quella tensione vada richiusa, e che educare non significhi tenere aperta quella differenza anziché ricomporla.Monica Carestia, psicoterapeuta psicoanalista, responsabile della sede di Jonas Ancona centro di clinica psicoanalitica, membro del Consiglio Direttivo di Jonas Italia, socio fondatore della Società Marchigiana di Psicoanalisi, Docente tutor Irpa Ancona.Affianca alla pratica clinica collaborazioni con istituti scolastici, istituti penitenziari ed enti del Terzo Settore che si occupano di disagio psichico e fragilità sociale.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

If you've seen the Disney adaptation of Pinocchio, you might think it's one of the darker, scarier films Disney have made. But did you know the original tale written by Carlo Collodi is even more terrifying? We're talking abuse, starvation, death... yeah, it's a fun ride (and written for children!!). In this episode, Charlotte tells the original dark tale of Pinocchio, some of the possible inspiration behind it in Collodi's real life, and some of the adaptations that have been made since, from dark to downright bizarre. --- Where to Find Us:  Head to our website, learnaboutpod.com, to read the full episode notes and see a list of links and resources used to research this episode. You can also follow us on Instagram and Twitter at @learnaboutpod.  Support us on Patreon:  Want to help support the show? For only £2/month you'll get early access to episodes, two exclusive bonus episodes every month, a handwritten postcard, and outtakes that don't make the final cut. Go to patreon.com/learnaboutpod to get started! A huge thanks to our current patrons: Llinos, Bryony, Linde, Michael, Sarah, Steve, Dan, Megg, and George!

Pinocchio, ‘The Story of a Puppet', debuted in Giornale per i bambini, an Italian weekly magazine for children, on 7th July, 1881. Its author, Carlo Lorenzini - going by the pseudonym C. Collodi - intended the tale to end with the hanging of Pinocchio, but popular demand led to the character having further, more optimistic adventures. As a young man, Collodi joined the seminary but left to support the Italian national unification movement through journalism. His children's writings are cut through with satire and moral lessons specific to Italy in the 1800s, yet resonated internationally almost immediately, having been translated into as many as 260 languages.  In this episode, Arion, Rebecca and Olly consider Collodi in the context of other serialised literature of the time, such as Dickens; uncover the darkest moments in the story which Disney sensibly swerved; and explain what that whole weird donkey metaphor is all about… Further Reading: • ‘The Real Story of Pinocchio Tells No Lies' (Smithsonian Magazine, 2022): https://www.smithsonianmag.com/travel/the-real-pinocchio-180980027/ • ‘Pinocchio: The scariest children's story ever written' (BBC Culture, 2022): https://www.bbThe Real Story of Pinocchio Tells No Lies | Travel | Smithsonian Magazinec.com/culture/article/20221207-pinocchio-the-scariest-childrens-story-ever-written • ‘The birthplace of Pinocchio' (CBS, 2019): https://www.youtube.com/watch?v=gAkdYYaTzcI&t=9s #1800s #Italy #Books Love the show? Join 

Tonight, we'll read the opening to “The Adventures of Pinocchio” by Italian writer Carlo Collodi, published in 1883. This episode originally aired in May of 2021.Pinocchio was carved by a woodcarver named Geppetto as a wooden puppet but he dreams of becoming a real boy. He is notably characterized for his frequent tendency to lie, which causes his nose to grow.Pinocchio is a cultural icon. He is one of the most re-imagined characters in children's literature. His story has been adapted into many other media, notably the 1940 Disney film Pinocchio.Collodi often used the Italian Tuscan dialect in his book. For example, the name of Pinocchio's father, Gepetto, comes from the diminutive for Geppo, the Tuscan pronunciation of ceppo, meaning a log, stump or block.— read by V —Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, we'll read the opening to “The Adventures of Pinocchio” by Italian writer Carlo Collodi, published in 1883. This episode originally aired in May of 2021. Pinocchio was carved by a woodcarver named Geppetto as a wooden puppet but he dreams of becoming a real boy. He is notably characterized for his frequent tendency to lie, which causes his nose to grow. Pinocchio is a cultural icon. He is one of the most re-imagined characters in children's literature. His story has been adapted into many other media, notably the 1940 Disney film Pinocchio. Collodi often used the Italian Tuscan dialect in his book. For example, the name of Pinocchio's father, Gepetto, comes from the diminutive for Geppo, the Tuscan pronunciation of ceppo, meaning a log, stump or block. — read by V — Support us: Listen ad-free on Patreon Get Snoozecast merch like cozy sweatshirts and accessories

O que é ser um ser humano de verdade? É isso que Gabi Idealli e Andreia D'Oliveira tentam responder neste programa sobre Pinóquio, o livro do autor italiano Carlo Collodi. Além do livro de Collodi, as duas falam sobre a adaptação da Disney e da ganhadora do Oscar, dirigida por Guillermo Del Toro. Comentado no episódio Pinóquio, livro escrito por Carlo Collodi Pinóquio, filme dirigido por Guillermo del Toro (2022 ‧ Fantasia/Musical ‧ 1h 54m) Pinóquio, filme dirigido por Hamilton Luske, Ben Sharpsteen, Wilfred Jackson, Norman Ferguson, T. Hee, Jack Kinney, Bill Roberts (1940 ‧ Infantil/Musical ‧ 1h 28m) Frankenstein, livro escrito por Mary Shelley Coração, livro escrito por Edmondo de Amicis

Pinocchio, Cap. 36 - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Finalmente Pinocchio cessa d'essere un burattino e diventa un ragazzo.In questa serie di podcast torneremo bambini. Vi leggerò il libro di Pinocchio in italiano e nella versione originale. In ogni puntata ci sarà un capitolo delle Avventure di Pinocchio. Prima della lettura vi spiegherò le parole difficili in italiano e alla fine del capitolo vi darò la traduzione di queste parole in tedesco.La lettura vi servirá per imparare tantissimi vocaboli nuovi, la forma del passato remoto, che è molto usata nei libri, e inoltre sarà un ottimo metodo per rilassarvi mentre svolgete altri lavori a casa, oppure mentre guidate nel traffico, o potrete usarlo come lettura della buona notte per addormentarvi la sera. Buon divertimento con Pinocchio!Download des kompletten "Pinocchio" Originaltextes bei https://premium.il-tedesco.it im Bereich ShownotesGet the integral italian language Text of Pinocchio at https://premium.il-tedesco.it accessing the Shownotes area.Per imparare l'italiano - to learn Italian - um Italienisch zu lernen: https://il-tedesco.it Mehr Info unter https://www.il-tedesco.it/premiumRoyalty free music from https://www.FesliyanStudios.comLicense acquired via Donation Purchase License Code: a5a4df71-1839-4960-b2d2-e27ba1681e77Title Picture: Giorgio Scapinelli, CC BY-SA 4.0 , via Wikimedia Commons

Pinocchio: Cap. 35 - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italianoPinocchio, appena che ebbe detto addio al suo buon amico Tonno, si mosse brancolando in mezzo a quel buio, e camminando a tastoni dentro il corpo del Pesce-cane, si avviò un passo dietro l'altro verso quel piccolo chiarore che vedeva baluginare lontano lontano. Pinocchio: In questa serie di podcast torneremo bambini. Vi leggerò il libro di Pinocchio in italiano e nella versione originale. In ogni puntata ci sarà un capitolo delle Avventure di Pinocchio. Prima della lettura vi spiegherò le parole difficili in italiano e alla fine del capitolo vi darò la traduzione di queste parole in tedesco.La lettura vi servirá per imparare tantissimi vocaboli nuovi, la forma del passato remoto, che è molto usata nei libri, e inoltre sarà un ottimo metodo per rilassarvi mentre svolgete altri lavori a casa, oppure mentre guidate nel traffico, o potrete usarlo come lettura della buona notte per addormentarvi la sera. Buon divertimento con Pinocchio!Download des kompletten "Pinocchio" Originaltextes bei https://premium.il-tedesco.it im Bereich ShownotesGet the integral italian language Text of Pinocchio at https://premium.il-tedesco.it accessing the Shownotes area.Per imparare l'italiano - to learn Italian - um Italienisch zu lernen: https://il-tedesco.it Mehr Info unter https://www.il-tedesco.it/premiumRoyalty free music from https://www.FesliyanStudios.comLicense acquired via Donation Purchase License Code: a5a4df71-1839-4960-b2d2-e27ba1681e77Title Picture: Giorgio Scapinelli, CC BY-SA 4.0 , via Wikimedia Commons

Pinocchio: Cap. 34 - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Pinocchio, gettato in mare, è mangiato dai pesci e ritorna ad essere un burattino come prima: ma mentre nuota per salvarsi, è ingoiato dal terribile Pesce-cane.Pinocchio: In questa serie di podcast torneremo bambini. Vi leggerò il libro di Pinocchio in italiano e nella versione originale. In ogni puntata ci sarà un capitolo delle Avventure di Pinocchio. Prima della lettura vi spiegherò le parole difficili in italiano e alla fine del capitolo vi darò la traduzione di queste parole in tedesco.La lettura vi servirá per imparare tantissimi vocaboli nuovi, la forma del passato remoto, che è molto usata nei libri, e inoltre sarà un ottimo metodo per rilassarvi mentre svolgete altri lavori a casa, oppure mentre guidate nel traffico, o potrete usarlo come lettura della buona notte per addormentarvi la sera. Buon divertimento con Pinocchio!Download des kompletten "Pinocchio" Originaltextes bei https://premium.il-tedesco.it im Bereich Shownotes!Get the integral italian language Text of Pinocchio at https://premium.il-tedesco.it accessing the Shownotes area.Per imparare l'italiano - to learn Italian - um Italienisch zu lernen: https://il-tedesco.it Mehr Info unter https://www.il-tedesco.it/premiumRoyalty free music from https://www.FesliyanStudios.comLicense acquired via Donation Purchase License Code: a5a4df71-1839-4960-b2d2-e27ba1681e77Title Picture: Giorgio Scapinelli, CC BY-SA 4.0 , via Wikimedia Commons

Merriam-Webster's Word of the Day for December 11, 2022 is: imbue • im-BYOO • verb Imbue can be used as a synonym for endow (“to provide with something freely or naturally”) and can also mean “to permeate or influence” in a way that suggests colored dye permeating cloth fabric. // The children were imbued with a passion for nature by their parents, both biologists. See the entry > Examples: “A radical political commentator who turned to children's literature late in life, [Carlo] Collodi wrote a complex, unsettling novel—miles away from the morality tale that Pinocchio's story has become. Collodi's is a multilayered work of fiction that, although primarily aimed at young readers, is imbued with social criticism and pessimistic humor, and can be read, among other things, as an irreverent attack on established authority.” — Anna Momigliano, The Atlantic, 12 Sept. 2022 Did you know? Like its synonym infuse, imbue implies the introduction of one thing into another so as to affect it throughout. Someone's voice can be imbued with pride, for example, or a photograph might be imbued with a sense of melancholy. In the past imbue has also been used synonymously with imbrue, an obscure word meaning “to drench or stain,” but the two words are likely unrelated. Imbue comes from the Latin verb imbuere, meaning “to dye, wet, or moisten.” Imbrue has been traced back through Anglo-French and Old French to the Latin verb bibere, meaning “to drink.”

Aprovechamos el estreno de la última versión de Pinocho, la del director mexicano Guillermo del Toro, para regresar sobre la figura literaria y cinematográfica del niño de madera. ¿Cómo de canónica sigue siendo la versión de Disney (1940)? ¿Cómo era el personaje de la novela por entregas original? ¿Y cómo ha sido adaptado el personaje en sus últimas versiones y para estas nuevos tiempos? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, hablamos de la desconocida película belga que ha sido aupada, por una prestigiosa lista de expertos, al primer puesto del ranking de mejores largometrajes de la historia.

Aprovechamos el estreno de la última versión de Pinocho, la del director mexicano Guillermo del Toro, para regresar sobre la figura literaria y cinematográfica del niño de madera. ¿Cómo de canónica sigue siendo la versión de Disney (1940)? ¿Cómo era el personaje de la novela por entregas original? ¿Y cómo ha sido adaptado el personaje en sus últimas versiones y para estas nuevos tiempos? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, hablamos de la desconocida película belga que ha sido aupada, por una prestigiosa lista de expertos, al primer puesto del ranking de mejores largometrajes de la historia.

Amanda and Sarah head to Italy to dance with the puppets and cry blood with the saints. Amanda becomes a real girl with a dive into the disturbing, cautionary, pre-Disney origins of Pinocchio. Sarah prays to St. Lucy/Lucia, whose reputation for gouging out her own eyes has inspired traditions and desserts in Italy and Sweden. Other subjects covered include never buying a new car, making up Olivia Newton-John lore, and hating Elf on the Shelf.  Recommendations: Sarah recommends (so far) the Netflix show 1889. Amanda recommends (kinda) the Amazon Prime series Three Pines.  Sources: Norwegian American (On the darkest day, a tale of two “Lucys”) Wyrd Designs (Glad Lussinatt) Tradition in Action (The Feast of St. Lucy Inspires Charming Customs) Slow Italy (Santa Lucia celebration in Italy) Wikipedia/Saint Lucy NBC News (Pinocchio's Real Roots Mapped) Smithsonian Magazine (The Real Story of Pinocchio Tells No Lies) The New Yorker (What the Original “Pinocchio” Really Says About Lying/The Transformations of Pinocchio) For updates on future episodes and other fun stuff, follow us on Facebook, Twitter, and Instagram, or check out our Patreon. 

Capitolo 33 - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italianoDiventato un ciuchino vero, è portato a vendere,e lo compra il Direttore di una compagnia di pagliacci, per insegnargli a ballare e a saltare i cerchi:ma una sera azzoppisce e allora lo ricompra un altro, per far con la sua pelle un tamburo.Pinocchio: In questa serie di podcast torneremo bambini. Vi leggerò il libro di Pinocchio in italiano e nella versione originale. In ogni puntata ci sarà un capitolo delle Avventure di Pinocchio. Prima della lettura vi spiegherò le parole difficili in italiano e alla fine del capitolo vi darò la traduzione di queste parole in tedesco.La lettura vi servirá per imparare tantissimi vocaboli nuovi, la forma del passato remoto, che è molto usata nei libri, e inoltre sarà un ottimo metodo per rilassarvi mentre svolgete altri lavori a casa, oppure mentre guidate nel traffico, o potrete usarlo come lettura della buona notte per addormentarvi la sera. Buon divertimento con Pinocchio!Download des kompletten "Pinocchio" Originaltextes bei https://premium.il-tedesco.it im Bereich ShownotesGet the integral italian language Text of Pinocchio at https://premium.il-tedesco.it accessing the Shownotes area.Per imparare l'italiano - to learn Italian - um Italienisch zu lernen: https://il-tedesco.it Mehr Info unter https://www.il-tedesco.it/premiumRoyalty free music from https://www.FesliyanStudios.comLicense acquired via Donation Purchase License Code: a5a4df71-1839-4960-b2d2-e27ba1681e77Title Picture: Giorgio Scapinelli, CC BY-SA 4.0 , via Wikimedia Commons

Podcast Speciale - Cap. 32 Leggiamo Pinocchio di Collodi

Pour découvrir le podcast "Dodo, sons de la nature et bruit blanc":Apple Podcast: https://podcasts.apple.com/us/podcast/dodo/id1609342835Spotify:https://open.spotify.com/show/5Y9yr2NlSPEX7mPbNiEWIfDeezer:https://deezer.page.link/v9kNaNjzDEjE1jfq9Google Podcast:https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5hY2FzdC5jb20vcHVibGljL3Nob3dzL2RvZG8tZGVzLW1vdHMtcG91ci1zZW5kb3JtaXI?ep=14-------------------------------------------Qui n'a en mémoire le charmant dessin animé où Walt Disney nous narre les aventures d'un pantin de bois nommé Pinocchio, qui devient un vrai petit garçon ? Or, cette histoire n'a pas grand chose à voir avec le récit de Carlo Collodi, l'auteur du roman dont elle est tirée.Un pantin peu fréquentableLe roman que publie Collodi, en 1881, met en scène un Pinocchio qui ne ressemble guère à celui que dépeindra Disney, des décennies plus tard.Son créateur, le menuisier Gepetto, le dépeint comme un "vaurien" et un "voyou". Dès qu'elle sort des mains de son père adoptif, la marionnette montre ses mauvais penchants. Elle rit au nez du menuisier et se gausse de lui.Et le pantin n'a rien de plus pressé que de lui dérober sa perruque. Collodi le décrit donc comme un chenapan sans scrupules. Il aura d'ailleurs une triste fin, puisque ses adversaires déclarés, le Renard et le Chat, finiront par le pendre à la branche d'un arbre.Pinocchio devient un petit garçonWalt Disney était intéressé par le roman de Collodi. Mais sa lecture le découragea. Ce pantin méchant et sournois, qui finit sa vie la corde au cou, ne pouvait pas plaire à des enfants.Très conservateur lui-même, Disney préférait les récits édifiants, qui proposaient une morale aux jeunes spectateurs. Aussi la vilaine marionnette de Collodi devint-elle, chez Disney, un pantin espiègle et étourdi, mais possédant un bon fonds.Il se laisse un moment entraîner par ses mauvaises fréquentations, mais il n'est pas insensible à la voix de sa conscience, incarnée par Jiminy Cricket. Ce petit grillon existe dans le roman de Collodi, mais Pinocchio, qui ne veut en faire qu'à sa tête, l'écrase d'un coup de marteau.Dans le film de Disney, le pantin cesse ses mauvaises actions. Et, un beau matin, il se réveille dans le corps d'un petit garçon, ce que Gepetto souhaitait ardemment. Morale de l'histoire : en accomplissant le bien, on finit par obtenir une récompense. On était très loin de Collodi, et de l'arbre sinistre où se balançait un pantin de bois grimaçant de douleur. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pour découvrir le podcast "Dodo, sons de la nature et bruit blanc": Apple Podcast: https://podcasts.apple.com/us/podcast/dodo/id1609342835 Spotify: https://open.spotify.com/show/5Y9yr2NlSPEX7mPbNiEWIf Deezer: https://deezer.page.link/v9kNaNjzDEjE1jfq9 Google Podcast: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5hY2FzdC5jb20vcHVibGljL3Nob3dzL2RvZG8tZGVzLW1vdHMtcG91ci1zZW5kb3JtaXI?ep=14 ------------------------------------------- Qui n'a en mémoire le charmant dessin animé où Walt Disney nous narre les aventures d'un pantin de bois nommé Pinocchio, qui devient un vrai petit garçon ? Or, cette histoire n'a pas grand chose à voir avec le récit de Carlo Collodi, l'auteur du roman dont elle est tirée. Un pantin peu fréquentable Le roman que publie Collodi, en 1881, met en scène un Pinocchio qui ne ressemble guère à celui que dépeindra Disney, des décennies plus tard. Son créateur, le menuisier Gepetto, le dépeint comme un "vaurien" et un "voyou". Dès qu'elle sort des mains de son père adoptif, la marionnette montre ses mauvais penchants. Elle rit au nez du menuisier et se gausse de lui. Et le pantin n'a rien de plus pressé que de lui dérober sa perruque. Collodi le décrit donc comme un chenapan sans scrupules. Il aura d'ailleurs une triste fin, puisque ses adversaires déclarés, le Renard et le Chat, finiront par le pendre à la branche d'un arbre. Pinocchio devient un petit garçon Walt Disney était intéressé par le roman de Collodi. Mais sa lecture le découragea. Ce pantin méchant et sournois, qui finit sa vie la corde au cou, ne pouvait pas plaire à des enfants. Très conservateur lui-même, Disney préférait les récits édifiants, qui proposaient une morale aux jeunes spectateurs. Aussi la vilaine marionnette de Collodi devint-elle, chez Disney, un pantin espiègle et étourdi, mais possédant un bon fonds. Il se laisse un moment entraîner par ses mauvaises fréquentations, mais il n'est pas insensible à la voix de sa conscience, incarnée par Jiminy Cricket. Ce petit grillon existe dans le roman de Collodi, mais Pinocchio, qui ne veut en faire qu'à sa tête, l'écrase d'un coup de marteau. Dans le film de Disney, le pantin cesse ses mauvaises actions. Et, un beau matin, il se réveille dans le corps d'un petit garçon, ce que Gepetto souhaitait ardemment. Morale de l'histoire : en accomplissant le bien, on finit par obtenir une récompense. On était très loin de Collodi, et de l'arbre sinistre où se balançait un pantin de bois grimaçant de douleur. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pinocchio is a cultural icon. He is the wooden puppet who can talk and walk. A cheerful headstrong character who keeps breaking the rules, and whose dream is to become a real boy. His story has been the subject of many retellings, and his growing nose when he lies has become a way to satirise politicians the world over. But Pinocchio's origins are largely unknown outside Italy, and couldn't be more different from his portrayal in the 1940 Disney film. The original novel The Adventures of Pinocchio by the 19th century Italian writer Carlo Collodi is much darker and brutal, and originally ended with Pinocchio's execution, but it was also a way of educating the children of a newly unified Italy. The actual literary text also provided a model, which is still used today, for a more standardised form of the Italian language. So why has Collodi's original – which is one of the most translated books in the world and one of the most adapted – been largely ignored and why should we go back to it? Joining Bridget Kendall is Dr Katia Pizzi, the director of the Italian Cultural Institute in London, who is the editor and co-author of Pinocchio, puppets and modernity: the mechanical body; Cristina Mazzoni, Professor of Romance Languages and Cultures at the University of Vermont, and editor and translator of The Pomegranates and other Modern Italian Fairy Tales; and Dr Georgia Panteli, Lecturer in Film and Comparative Literature at the University of Vienna and University College London, and author of From Puppet to Cyborg. Pinocchio's Posthuman Journey. The readings from The Adventures of Pinocchio were by Marco Gambino. Produced by Anne Khazam for the BBC World Service. (Photo: The long nose of the liar Pinocchio, Florence, Italy. Credit: broadcastertr via Getty Images)