Podcasts about delphina

Thanks to the High Signal Podcast by Delphina: https://go.mlops.community/HighSignalPodcast Aditya Naganath is an experienced investor currently working with Kleiner Perkins. He has a passion for connecting with people over coffee and discussing various topics related to tech, products, ideas, and markets. AI's Next Frontier // MLOps Podcast #277 with Aditya Naganath, Principal at Kleiner Perkins. // Abstract LLMs have ushered in an unmistakable supercycle in the world of technology. The low-hanging use cases have largely been picked off. The next frontier will be AI coworkers who sit alongside knowledge workers, doing work side by side. At the infrastructure level, one of the most important primitives invented by man - the data center, is being fundamentally rethought in this new wave. // Bio Aditya Naganath joined Kleiner Perkins' investment team in 2022 with a focus on artificial intelligence, enterprise software applications, infrastructure and security. Prior to joining Kleiner Perkins, Aditya was a product manager at Google focusing on growth initiatives for the next billion users team. He previously was a technical lead at Palantir Technologies and formerly held software engineering roles at Twitter and Nextdoor, where he was a Kleiner Perkins fellow. Aditya earned a patent during his time at Twitter for a technical analytics product he co-created. Originally from Mumbai India, Aditya graduated magna cum laude from Columbia University with a bachelor's degree in Computer Science, and an MBA from Stanford University. Outside of work, you can find him playing guitar with a hard rock band, competing in chess or on the squash courts, and fostering puppies. He is also an avid poker player. // MLOps Swag/Merch https://shop.mlops.community/ // Related Links Faith's Hymn by Beautiful Chorus: ⁠⁠https://open.spotify.com/track/1bDv6grQB5ohVFI8UDGvKK?si=4b00752eaa96413b⁠⁠ Substack: ⁠⁠https://adityanaganath.substack.com/?utm_source=substack&utm_medium=web&utm_campaign=substack_profile⁠⁠With thanks to the High Signal Podcast by Delphina: https://go.mlops.community/HighSignalPodcastBuilding the Future of AI in Software Development // Varun Mohan // MLOps Podcast #195 - ⁠⁠https://youtu.be/1DJKq8StuTo⁠⁠Do Re MI for Training Metrics: Start at the Beginning // Todd Underwood // AIQCON - ⁠⁠https://youtu.be/DxyOlRdCofo --------------- ✌️Connect With Us ✌️ ------------- Join our slack community: https://go.mlops.community/slack Follow us on Twitter: @mlopscommunity Sign up for the next meetup: https://go.mlops.community/register Catch all episodes, blogs, newsletters, and more: https://mlops.community/ Connect with Demetrios on LinkedIn: https://www.linkedin.com/in/dpbrinkm/ Connect with Aditya on LinkedIn: https://www.linkedin.com/in/aditya-naganath/

This week, we have another little jam session with Delphina and Thane, who are here to talk about Banner Ads, their history in the webcomics sphere, and how you can implement them to best suit your webcomic needs.

Il Belmond Villa Sant'Andrea di Taormina, Il Mezzatorre di Ischia e il J.K. Place di Capri, Il San Pietro di Positano, il Santa Caterina e Le Sirenuse della Costiera Amalfitana, Il Pellicano di Porto Ercole, il Belmond Hotel Splendido di Portofino, la Masseria San Domenico Savelletri e l'Hotel Capo d'Orso di Palau: il quotidiano inglese The Telegraph seleziona “i migliori rifugi sul mare d'Italia, dove le serate miti si estendono ben oltre agosto e la brezza costiera è nell'aria”. La giornalista Kate Bolton, esperta di viaggi, seleziona i migliori indirizzi sul mare per una vacanza nella penisola. Un portafoglio di hotel di charme tra monasteri storici e ville Belle Époque, masserie e resort in cima alla scogliera con spiagge da sogno e piscine thalasso. Unico selezionato in Sardegna col il voto 9 su 10 l'Hotel Capo d'Orso Thalasso & SPA 5 stelle a Palau, il boutique hotel della catena alberghiera gallurese Delphina hotels & resorts. Un rifugio sul mare con 86 camere immerso nel Parco di Cala Capra che guarda l'Isola di Caprera fino alla Costa Smeralda, con marina privata, campo da golf 9 buche pitch & putt e centro Thalasso. Ai lati dell'hotel le spiagge di Cala Capra e Cala Selvaggia, oltre i lettini posizionati su cinque solarium in legno adagiati sull'acqua.

Delphina shows us why there are many things worthy to be lamented by the Indigenous people, and more specifically the Navajo people. 

En París se acaba de celebrar el Salón Mundial del Turismo en un contexto en el que la gente vuelve a viajar tras unos años marcados por el Covid, y eso a pesar de la inflación y el alza de los precios. El sector va viento en popa y podría alcanzar a finales de año prácticamente el mismo ritmo de crucero que antes de la pandemia. Entrar en el Salón del Turismo de París es ya empezar a viajar: Tailandia, Japón, Noruega, Perú, Cuba… y así hasta 400 destinos están representados por hoteles, oficinas de turismo, agencias de viaje o tour operadores. El ambiente es de optimismo tras años de parón e incertidumbre. Según datos de la Organización Mundial del Turismo, en 2022 se registraron más de 900 millones de turistas en el planeta, dos veces más que en 2021. La OMT espera que este año se supere la cifra con el retorno de los turistas chinos, que sufrieron más restricciones por el Covid que otras partes del mundo. En cuanto a Francia, a pesar del clima social tenso, de la inflación y de la guerra en Ucrania, el 52% de los franceses planea tomar vacaciones este año.Siempre ávidos de encontrar nuevos nichos de mercado y en su afán de adaptarse tras las sucesivas crisis sanitarias y económicas y con la crisis climática siempre presente, se multiplican las ofertas que intentan escapar de la imagen clásica de sol y playa y del turismo de masas. Encontramos, por ejemplo: turismo médico y de bienestar, turismo arqueológico, turismo de exploración o turismo creativo. Ya no hablamos de turistas, sino de viajeros.“Desarrollar su creatividad en el destino de su elección participando en experiencias que les permitan aprender, pero también entender la cultura local”, explica a RFI Caroline Couret, directora y fundadora del Creative Tourism Network, la Red de Turismo Creativo, que desde hace 10 años apuesta por este tipo de viajes.Se trata de un turismo “consentido”, “que tiene unos valores humanos”, una modalidad de turismo con la que se crea un “valor añadido para el territorio”. “Un artesano o un chef de cocina puede proponer actividades que son de su dominio. Pasamos de un modelo turístico monográfico a un turismo que se basa en las poblaciones locales”, analiza Couret. Y la formula funciona, en la actualidad esta red ya cuenta con 30 destinos muy diversos, una lista que incluye Valparaíso en Chile, Medellín en Colombia o Recife en Brasil. Couret destaca que “los países latinoamericanos están muy avanzados en el turismo creativo”. La lista pronto contará con Túnez, un país muy conocido por el turismo de masas en las playas, pero poco por su savoir faire. Cannes, mucho más que la alfombra roja del Festival de cineEl destino que ya tiene el sello de Turismo creativo es la también mediterránea ciudad de Cannes, en el sur de Francia. Símbolo de la jet set y del glamur y meca mundial del cine con el histórico y emblemático Festival. Pero Cannes es mucho más que sol, playas, hoteles de lujo y estrellas de Cine. Los viajeros tienen un abanico de posibilidades, “no sólo una foto en la alfombra roja”. “Descubrir de forma gratuita lugares con gente apasionada, llamados ‘greeters', o fabricar cerámica o bolsos y delantales con las lonas de los diferentes festivales que se celebran aquí o también hacer velas. Para que los hoteles estén abiertos todo el año y no haya un periodo muerto de octubre a abril, hace 15 años que creamos las ofertas para grupos. Desde el momento que hay un grupo de 10 personas con al menos dos pernoctaciones en Cannes, les ofrecemos la visita de las Islas de Lérins o la degustación en el mercado… hay todo un panel de opciones para que la economía local siga viviendo fuera de los congresos o del verano gracias a estas ofertas”, explica Laure Toma-Auneau, la responsable del Turismo en Cannes y nos explica que con este sello creativo pretenden que la gente vaya a Cannes, no sólo durante los eventos mundiales, con precios más asequibles.Cerdeña, viaje al pasado con los vestigios de la Edad de BroncePaseando por el Salón del turismo nos encontramos con una pantalla gigante como reclamo para visitar Cerdeña. La isla italiana también muy conocida por sus playas apuesta por atraer a un viajero con ganas de descubrir la historia de la civilización en el Mediterráneo a través de la arqueología. Se trata de una Cerdeña insólita, repleta de monumentos que atestiguan la presencia de pueblos y civilizaciones antiquísimas. Muchos han sido descubiertos hace muy poco. Tamara Madu trabaja para los hoteles Delphina, una empresa familiar con 30 años de experiencia en el sector.“Tenemos alrededor de 10.000 sitios arqueológicos en la isla, 7.000 torres de la cultura nurágica de la Edad del Bronce, que datan de hace 4.000 años. Hay todo un mundo por descubrir en el interior de la Isla, aparte de las playas en la costa que son muy bonitas. Y está la posibilidad de conocer a los lugareños y la artesanía que hacen. Nosotros somos una familia de Cerdeña y es importante que la gente venga para conocer nuestra cultura y nuestra historia. Forma parte de nuestra estrategia”.Las Islas Galápagos, el reto de visitar las islas sin dañar el ecosistema protegidoLos viajeros buscan salirse de los circuitos habituales del turismo de masas y para ello no dudan en embarcarse en expediciones o cruceros que emulan los viajes que se hacían antaño. Es el caso de la empresa noruega Hurtigruten que existe desde hace 130 años y que antiguamente era la que fletaba los barcos para abastecer a las ciudades del norte del país, una zona completamente aislada del resto de Noruega durante los 5 meses del invierno. Pero los carteles en el Salón de esta compañía muestran una tortuga gigante que nos evoca otras latitudes del planeta. Y es que esta misma empresa se ha lanzado ahora a explorar las Islas Galápagos, un espacio protegido con especies únicas en el mundo. Mélanie Petrilli es directora de Marketing de Hurtigruten.“Tenemos un barco que reserva todas las normas de la reserva natural con el que la gente puede visitar las islas del archipiélago y descubrir las diferentes playas, algunas son de arena blanca, otras que son completamente volcánicas; y sobre todo de ver la fauna, que es endémica, que no tiene miedo al hombre, es muy abundante. Llamamos a los Galápagos el laboratorio del mundo porque hay muchas especies que existen solo allí”.“Salimos en avión desde Quito hasta la isla de Baltra. Y luego es un crucero de 6 días con una visita de dos islas por día en un barco pequeño de 90 personas.  El número de personas está limitado y respetamos el límite”, insiste Mélanie Petrilli, ya que existe mucha preocupación por la protección de este lugar.Estos viajes, sin embargo, son bastante exclusivos, están reservados para gente con un cierto poder adquisitivo porque cuestan entre 2.500 y 4.000 euros en el caso del crucero en Noruega y unos 3.000 con el vuelo incluido desde Paris para la aventura en las islas Galápagos.  El archipiélago español las Islas Canarias situadas en el Atlántico cerca de la costa marroquí, es uno de los destinos predilectos de los europeos del norte por su clima cálido todos los meses del año. Si hay una isla que escapa a ese turismo de playa es el Hierro, muy pequeña de apenas 12.000 habitantes recibe a unos 3.000 o 4.000 turistas al año, sobre todo turistas deportivos para hacer senderismo, submarinismo o parapente. Y últimamente están recibiendo muchos turistas franceses gracias a una serie rodada en la isla y protagonizada por la actriz española Candela Peña y el argentino Darío Grandinetti."En el momento en que la cadena Arte emitió la serie Hierro en todos sus canales tuvimos un incremento espectacular de francoparlantes, que igualó en número de visitantes al inglés. Llevamos sólo una hora y media de Salón y ya estoy detectando que la gente viene directamente a informarse por nuestra red de senderos", explica Andrea Armas que representa al cabildo del Hierro. Cuba apuesta por el turismo médico Durante décadas destino clásico y preferido del Caribe, Cuba ha sufrido una disminución del número de turistas en los últimos años. La isla está tardando en recuperar las cifras prepandémicas. La ocupación hotelera fue tan solo del 15,6% en 2022, según datos oficiales. Diana González es la directora de la Oficina de Turismo de Cuba en Francia explica que la estrategia es colocar a la isla como destino de Salud. "Hemos querido valorizar esa parte que Cuba puede ofrecer. Llevamos ya un tiempo recibiendo a viajeros diabéticos y pacientes en neurología y nefrología", afirma González quien reconoce que el turismo médico es de los más complicados por "los temas jurídicos porque las legislaciones de los países tienen que ser compatibles", concluye. Según datos de la Organización Mundial del Turismo, en 2022 se registraron más de 900 millones de turistas, dos veces más que en 2021. La OMT espera que este año se supere la cifra con el retorno de los turistas chinos, que sufrieron más restricciones por el Covid que otras partes del mundo. En cuanto a Francia, a pesar del clima social tenso, de la inflación y de la guerra en Ucrania, el 52% de los franceses planea tomar vacaciones este año. Un reportaje realizado por Aída Palau y Pierre Zanutto. 

En París se acaba de celebrar el Salón Mundial del Turismo en un contexto en el que la gente vuelve a viajar tras unos años marcados por el Covid, y eso a pesar de la inflación y el alza de los precios. El sector va viento en popa y podría alcanzar a finales de año prácticamente el mismo ritmo de crucero que antes de la pandemia. Entrar en el Salón del Turismo de París es ya empezar a viajar: Tailandia, Japón, Noruega, Perú, Cuba… y así hasta 400 destinos están representados por hoteles, oficinas de turismo, agencias de viaje o tour operadores. El ambiente es de optimismo tras años de parón e incertidumbre. Según datos de la Organización Mundial del Turismo, en 2022 se registraron más de 900 millones de turistas en el planeta, dos veces más que en 2021. La OMT espera que este año se supere la cifra con el retorno de los turistas chinos, que sufrieron más restricciones por el Covid que otras partes del mundo. En cuanto a Francia, a pesar del clima social tenso, de la inflación y de la guerra en Ucrania, el 52% de los franceses planea tomar vacaciones este año.Siempre ávidos de encontrar nuevos nichos de mercado y en su afán de adaptarse tras las sucesivas crisis sanitarias y económicas y con la crisis climática siempre presente, se multiplican las ofertas que intentan escapar de la imagen clásica de sol y playa y del turismo de masas. Encontramos, por ejemplo: turismo médico y de bienestar, turismo arqueológico, turismo de exploración o turismo creativo. Ya no hablamos de turistas, sino de viajeros.“Desarrollar su creatividad en el destino de su elección participando en experiencias que les permitan aprender, pero también entender la cultura local”, explica a RFI Caroline Couret, directora y fundadora del Creative Tourism Network, la Red de Turismo Creativo, que desde hace 10 años apuesta por este tipo de viajes.Se trata de un turismo “consentido”, “que tiene unos valores humanos”, una modalidad de turismo con la que se crea un “valor añadido para el territorio”. “Un artesano o un chef de cocina puede proponer actividades que son de su dominio. Pasamos de un modelo turístico monográfico a un turismo que se basa en las poblaciones locales”, analiza Couret. Y la formula funciona, en la actualidad esta red ya cuenta con 30 destinos muy diversos, una lista que incluye Valparaíso en Chile, Medellín en Colombia o Recife en Brasil. Couret destaca que “los países latinoamericanos están muy avanzados en el turismo creativo”. La lista pronto contará con Túnez, un país muy conocido por el turismo de masas en las playas, pero poco por su savoir faire. Cannes, mucho más que la alfombra roja del Festival de cineEl destino que ya tiene el sello de Turismo creativo es la también mediterránea ciudad de Cannes, en el sur de Francia. Símbolo de la jet set y del glamur y meca mundial del cine con el histórico y emblemático Festival. Pero Cannes es mucho más que sol, playas, hoteles de lujo y estrellas de Cine. Los viajeros tienen un abanico de posibilidades, “no sólo una foto en la alfombra roja”. “Descubrir de forma gratuita lugares con gente apasionada, llamados ‘greeters', o fabricar cerámica o bolsos y delantales con las lonas de los diferentes festivales que se celebran aquí o también hacer velas. Para que los hoteles estén abiertos todo el año y no haya un periodo muerto de octubre a abril, hace 15 años que creamos las ofertas para grupos. Desde el momento que hay un grupo de 10 personas con al menos dos pernoctaciones en Cannes, les ofrecemos la visita de las Islas de Lérins o la degustación en el mercado… hay todo un panel de opciones para que la economía local siga viviendo fuera de los congresos o del verano gracias a estas ofertas”, explica Laure Toma-Auneau, la responsable del Turismo en Cannes y nos explica que con este sello creativo pretenden que la gente vaya a Cannes, no sólo durante los eventos mundiales, con precios más asequibles.Cerdeña, viaje al pasado con los vestigios de la Edad de BroncePaseando por el Salón del turismo nos encontramos con una pantalla gigante como reclamo para visitar Cerdeña. La isla italiana también muy conocida por sus playas apuesta por atraer a un viajero con ganas de descubrir la historia de la civilización en el Mediterráneo a través de la arqueología. Se trata de una Cerdeña insólita, repleta de monumentos que atestiguan la presencia de pueblos y civilizaciones antiquísimas. Muchos han sido descubiertos hace muy poco. Tamara Madu trabaja para los hoteles Delphina, una empresa familiar con 30 años de experiencia en el sector.“Tenemos alrededor de 10.000 sitios arqueológicos en la isla, 7.000 torres de la cultura nurágica de la Edad del Bronce, que datan de hace 4.000 años. Hay todo un mundo por descubrir en el interior de la Isla, aparte de las playas en la costa que son muy bonitas. Y está la posibilidad de conocer a los lugareños y la artesanía que hacen. Nosotros somos una familia de Cerdeña y es importante que la gente venga para conocer nuestra cultura y nuestra historia. Forma parte de nuestra estrategia”.Las Islas Galápagos, el reto de visitar las islas sin dañar el ecosistema protegidoLos viajeros buscan salirse de los circuitos habituales del turismo de masas y para ello no dudan en embarcarse en expediciones o cruceros que emulan los viajes que se hacían antaño. Es el caso de la empresa noruega Hurtigruten que existe desde hace 130 años y que antiguamente era la que fletaba los barcos para abastecer a las ciudades del norte del país, una zona completamente aislada del resto de Noruega durante los 5 meses del invierno. Pero los carteles en el Salón de esta compañía muestran una tortuga gigante que nos evoca otras latitudes del planeta. Y es que esta misma empresa se ha lanzado ahora a explorar las Islas Galápagos, un espacio protegido con especies únicas en el mundo. Mélanie Petrilli es directora de Marketing de Hurtigruten.“Tenemos un barco que reserva todas las normas de la reserva natural con el que la gente puede visitar las islas del archipiélago y descubrir las diferentes playas, algunas son de arena blanca, otras que son completamente volcánicas; y sobre todo de ver la fauna, que es endémica, que no tiene miedo al hombre, es muy abundante. Llamamos a los Galápagos el laboratorio del mundo porque hay muchas especies que existen solo allí”.“Salimos en avión desde Quito hasta la isla de Baltra. Y luego es un crucero de 6 días con una visita de dos islas por día en un barco pequeño de 90 personas.  El número de personas está limitado y respetamos el límite”, insiste Mélanie Petrilli, ya que existe mucha preocupación por la protección de este lugar.Estos viajes, sin embargo, son bastante exclusivos, están reservados para gente con un cierto poder adquisitivo porque cuestan entre 2.500 y 4.000 euros en el caso del crucero en Noruega y unos 3.000 con el vuelo incluido desde Paris para la aventura en las islas Galápagos.  El archipiélago español las Islas Canarias situadas en el Atlántico cerca de la costa marroquí, es uno de los destinos predilectos de los europeos del norte por su clima cálido todos los meses del año. Si hay una isla que escapa a ese turismo de playa es el Hierro, muy pequeña de apenas 12.000 habitantes recibe a unos 3.000 o 4.000 turistas al año, sobre todo turistas deportivos para hacer senderismo, submarinismo o parapente. Y últimamente están recibiendo muchos turistas franceses gracias a una serie rodada en la isla y protagonizada por la actriz española Candela Peña y el argentino Darío Grandinetti."En el momento en que la cadena Arte emitió la serie Hierro en todos sus canales tuvimos un incremento espectacular de francoparlantes, que igualó en número de visitantes al inglés. Llevamos sólo una hora y media de Salón y ya estoy detectando que la gente viene directamente a informarse por nuestra red de senderos", explica Andrea Armas que representa al cabildo del Hierro. Cuba apuesta por el turismo médico Durante décadas destino clásico y preferido del Caribe, Cuba ha sufrido una disminución del número de turistas en los últimos años. La isla está tardando en recuperar las cifras prepandémicas. La ocupación hotelera fue tan solo del 15,6% en 2022, según datos oficiales. Diana González es la directora de la Oficina de Turismo de Cuba en Francia explica que la estrategia es colocar a la isla como destino de Salud. "Hemos querido valorizar esa parte que Cuba puede ofrecer. Llevamos ya un tiempo recibiendo a viajeros diabéticos y pacientes en neurología y nefrología", afirma González quien reconoce que el turismo médico es de los más complicados por "los temas jurídicos porque las legislaciones de los países tienen que ser compatibles", concluye. Según datos de la Organización Mundial del Turismo, en 2022 se registraron más de 900 millones de turistas, dos veces más que en 2021. La OMT espera que este año se supere la cifra con el retorno de los turistas chinos, que sufrieron más restricciones por el Covid que otras partes del mundo. En cuanto a Francia, a pesar del clima social tenso, de la inflación y de la guerra en Ucrania, el 52% de los franceses planea tomar vacaciones este año. Un reportaje realizado por Aída Palau y Pierre Zanutto. 

Today, the gang talks about Literary Agents, how they work, and the intersection between them and Webcomics! Thane and Delphina talk with Special Guest Seth Fishman about his experience in the agency field! The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again​!​!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/

Get inspired by Podcasts from seasoned ministers from ICGC Calvary Temple Omega Generation. Follow us on our social media @icgccalvaryteen (Facebook, Twitter, Instagram and Telegram)

https://www.Imagine-Air-Theater.com "The Oracle of Delphina" was written and produced by Terry Phillips. This episode concludes a special two-part story in our new season of short audio plays. Members of a Florida family face underwater dangers that threaten their world. How will they meet these challenges? The cast, in order of appearance, features Stella Valente as Cathy, Paul Messinger as Corey, Mia Doursounian as Amber, Heidi Brook Myers as Gen, and Evan Timmons as Andy. Casting by Stella Valente. Script consultant Mark Boyce. Theme song from Roman Senyk. Special music by True Cuckoo. Additional audio from Sound Snap and Rak Rak sound effects. Imagine Air Theater is in the style of Old Time Radio (OTR) entertainment, but with contemporary themes. These are stories of the world as it might have been. The world as it could be. Sometimes inspiring tales. Sometimes cautionary tales. If you like these plays and want to hear more, please support us at https://Imagine-Air-Theater.com/Support-us/ NEXT EPISODE COMING SOON!

https://www.Imagine-Air-Theater.com "The Oracle of Delphina" was written and produced by Terry Phillips. This is a special two-part story in our anthology series of short audio plays. We meet members of a Florida family who get unexpected warnings from underwater. Will they understand? The cast, in order of appearance, features Stella Valente as Cathy, Evan Timmons as Andy, Mia Doursounian as Amber, Heidi Brook Myers as Gen, and Paul Messinger as Corey. Casting by Stella Valente. Script consultant Mark Boyce. Theme song from Roman Senyk. Special music by True Cuckoo. Additional audio from Sound Snap and Rak Rak sound effects. Imagine Air Theater is in the style of Old Time Radio (OTR) entertainment, but with contemporary themes. These are stories of the world as it might have been. The world as it could be. Sometimes inspiring tales. Sometimes cautionary tales. If you like these plays and want to hear more, please support us at https://Imagine-Air-Theater.com/Support-us/ NEXT EPISODE COMING SOON!

En este nuevo programa hablamos con Dani Nicols y Borja Aleixandre sobre su nuevo restaurante Delphina, situado en plena milla de oro del barrio de Salamanca de Madrid. Conoceremos su gastronomía y los platos que no debemos dejar de probar. Charlamos con Celia González, Brand Manager de Montblanc Iberia sobre la historia de la marca, de Minerva y las novedades que han presentado en la Feria Watches & Wonders de Ginebra que se ha celebrado hace unas semanas. Os proponemos los mejores planes para este fin de semana. Pecados Veniales con Ramón Biosca, Alfonso Escámez, Edson Elguer, Ricardo Ceratto, Ana Mateu, Agustín García, Gus Fernández, Javier Munárriz, Lucía Serrano y Miguel Bañón.

Hablamos con Daniel Nicolás y Borja Aleixandre sobre su nuevo restaurante Delphina, situado en plena milla de oro del barrio de Salamanca de Madrid. Conoceremos su gastronomía y los platos que no debemos dejar de probar. Pecados Veniales con Ramón Biosca, Alfonso Escámez, Edson Elguer, Ricardo Ceratto, Ana Mateu, Agustín García, Gus Fernández, Javier Munárriz, Lucía Serrano y Miguel Bañón.

As a pillar in the London pan scene for decades, Delphina James has established herself firmly as a pan advocate, music educator and pan innovator keen on helping her community improve its capabilities for the instrument. One of her biggest accomplishments is her book series, "Learn Music On...", created specifically for each major instrument in the steel orchestra, including tenor pan, double seconds, guitar pan and bass pans. Her goal is to help pannists learn to sight read music on their instrument better, which will in turn improve the speed and capabilities of steel bands in London and beyond. Check out her books here: https://delphinajames.com/ Amazon --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/strike-up/support

Let's go through an analysis of my short story Brigitte and compare it to the beat sheet Save the Cat. “Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon: https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1 Become a patron today! Visit patreon.com/writinginthetinyhouse Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com Instagram: @authordevindavis Twitter: @authordevind The following is an imperfect transcript of this episode. A complete transcript can be found on the show's webpage. [00:00:00] Last week we learned about beats. Now we are going to save the cat today on Writing in the Tiny House. Hello. Hello. Hello. And welcome back to the show. Welcome to Writing in the Tiny House. I am your host Devin Davis, and I am the guy who lives in a tiny house who writes stuff and talks about it on a podcast. The goal of this podcast is to introduce the language of writing of creative writing, help you to develop a process so that you can have a manuscript that is ready to publish, whether you choose to self-publish or [00:01:00] whether you choose to approach an agent and do the traditional route, your manuscript will be ready. And if you are doing a short story, perhaps you can crank it out in three months. If you are doing a novel, perhaps you can do it in 18 months. And I hope that with this podcast, you can also have the foresight to see if you need to adjust that timeline or not. So we're going to be talking about my short story, Brigitte that I released back in October, and I wrote that and published it in eight weeks. It is totally possible to do. Some people are super fast at it. Some people aren't. Hurray for timelines. At the same time, let's use our brains and our wisdom and make sure that we are publishing good things. We talked last week about beats. We talked about what a beat is, that a beat is something in the story. It is the smallest thing in a story that advances the story, that makes the story [00:02:00] move forward. And it can be an action and inaction. It can be a response. It can also just be a setting, just something like that that makes the plot move forward. And I said, last week that this week we are going to go through what is called a beat sheet. So it is a collection of beats and how they are organized as a way to just kind of touch base to see if your story is working. Doing this in this way, it makes writing pretty formulaic and there are good and bad qualities to having a formulaic way of writing. First of all, it kind of cranks out things that all resemble each other. And some people don't like that. At the same time, though, it can be a good tool. I have found. Many of the different things that I do. I'm a person who has like a million different hobbies that the more that I understand the rules of something, the [00:03:00] easier it is for me to naturally incorporate them into what I'm doing. And it is easier for me to bend or break them and do that with purpose to do that intentionally. And so, while something like Save the Cat is formulaic and mechanical in its approach to creative writing. A few weeks ago, we also talked about the hero's journey, which is very much along these same lines. It is good to see where the things fall, just because all of these are common points and common events and common things in good stories that have all been successful. I'm not going to pretend that all successful things have each of these beats in them, but as we go through this and compare it to my short story, Bree sheets, we can see that it's all there. Like it's there. There might be something. May not work. And we'll talk about that. [00:04:00] I did not consult the beat sheet of Save the Cat when I wrote Brigitte back in October. And so this is going to be kind of an experiment for all of us. So Save the Cat was made by a gentleman named Blake Snyder. He died a few years ago, but he was a filmmaker and a screenwriter and Save the Cat is actually the original of it is actually meant for screenplays, but it's all storytelling. And so it applies very strongly to novels. And this goes with a three act structure. And if you remember how I said things a few weeks ago with the three act structure, act one very generally speaking is about 25% of your book. Act two is 50 and then act three is the remaining 25. And so just bear that in mind, as we go through the different [00:05:00] beats of Save the Cat, as we see if Delphine the main character of Bridgette, which was Installment One of Tales from Vlaydor did she save the cat or not? So yeah, like I said, I did not reference this while I wrote the book. However, we're going to find out together. If these things are all still there, if it's all kind of there. And with the short story, we get to understand that these things are likely all in there somewhere, but condensed. There's not a lot of room in a short story to fill a thing with 15 different beats. With a novel, when you have a higher word count, it's easier to work in all of the beats. So let's go through and talk about this. Let's, let's start with act one. Again, act one is the first fourth of the novel or the story. [00:06:00] So the first beat of Save the Cat is the opening image and it is a snapshot of how the world is. So the first scene of this short story actually takes place at the end of the story. I did one of these really weird framework things where I give you a glimpse at the end of the story as a way to set a tone for the whole story itself. And so Delphine is at the train station. You can tell that she is on edge. She is tired. She has a bag of money and she is being chased. She is being pursued or at least feels that she is, she's being pursued by a group of people, an unknown group of people. And she is taking her daughter to flee to another city to start a new life. And from there, it's a short scene, but it is a great snapshot of what the entire story is going to be like. It brings [00:07:00] in a lot of questions. It brings in a lot of intrigue and it sets the stage for the entire rest of the story by glimpsing at how the story ends. So that was just kind of a trick there as a way to fulfill this setting the scene.  Before the story starts or before, like the action of the story happens. So with Bridgette, we have Delphine who is about to deliver her daughter, Bridgette. She is alone in a monastery and she has a midwife with her. We can kind of get a sense of time and place a little bit from the lack of technology and just this way of delivering a baby. Also she goes through and we talk about the flowers that were delivered to her room from the crone and. We understand that there is contention between Delphine and the crone based on Delphine's attitude toward those [00:08:00] flowers. And so we get a sense of what her world is like, what her own personal world is like through the various flashbacks that she has while she is in transitional labor. And so, yeah, the opening image is established there. The next beat is the theme is stated a single scene beat in which a statement is made by someone other than the protagonist, that hints at what the protagonist will learn before the end of the story. So this is more complicated. The thing is all of this is general and so we can make things work and see how it fits. So a statement by someone other than the main character to just kind of show how the main character is going to be or what their circumstances will be and what they want to avoid. In her flashbacks, Delphine reflects on an old friend named Jackleen who had an affair and was kicked out [00:09:00] of their city, who was removed from this priestess hood and lost her status and her place in the city. And so she knew from that experience, that things got to be handled differently with this new pregnancy of hers. The next beat is the setup and this can take place over several scenes, but we get a sense of the protagonist life and what the world is like with all of its flaws and everything as it is. And so throughout her reflections and throughout her flashbacks, we see Delphine, we see her struggle with her faith. We see her struggle with her place as the high priestess of this church and the struggle that she has with the crone, who is kind of over the priestess program of the city of Brianne. The next beat is the catalyst, and this is the life-changing event that happens to catapult the [00:10:00] protagonist into this new world or a new way of thinking. So the catalyst was Bridgette herself. So the thing that happens is Delphine has a baby and the delivery almost kills Delphine and it's this new daughter. The daughter is also a legitimate And it creates a big change in Delphine's world because she wants to keep the history and the origin of her daughter a secret. And they don't understand. She doesn't understand her daughter's abilities. The next beat is a debate. So it's a Multisim beat where the protagonist debates what they will be doing next. All of this happens in the first chapter, too. Just going through the flashbacks, Delphine finally arrives at the conclusion that she will be protecting her daughter [00:11:00] at all costs and that she will be keeping her daughter away from the crone, especially. Until she comes to understand what it is about her daughter that makes her daughter so dangerous so that things can be dealt with on her terms rather than on the Crone's terms. The next beat in act one is break into two. It's the scene Where we are catapulted into act two. And the protagonist decides to accept whatever the next actions are going to be. And so there was the moment of insecurity and worry about what would happen to have an illegitimate child, and then to have an illegitimate child with such a dangerous ability. Brought on more complications. And then the break into two beats is where phene decides to keep her [00:12:00] daughter more of a secret, the origins, a secret so that she can decide. What her daughter is actually all about what her daughter can do and to hide the fact that her daughter is a legitimate. So let's move on to act two. All of that was act one, act one has a lot of beets. It has a lot of foundational stuff to set the scene for the story act two, the beats are a little bit more broad. one Of the beats for act two is the B story. So it's the B plot with Bridgette and with Devin, we have the subplot of the crone wanting to make money. We have her little background, we have what she is doing with the enchanted water source found in the basement of the monastery. We have that. The next beat is fun and games. It's where the reader gets to see the protagonist, either shine or flounder in this new world. So there wasn't a lot of [00:13:00] struggle between Delphine and this new world, but there was an amount of figuring out she was with her daughter, Bridgette and Bridgette was playing with toys. Bridgette was cutting a tooth and any way throughout this process, Delphine pieced it together. What Bridgette little ability is that Bridgette actually SAPs energy from people around her in order to heal herself. And that was why during her traumatic birth, she almost killed her mom. So that's a cool thing. That's what fun and games are all about. The next beat of act two is the midpoint. It's where the fun and games section either culminates into a false victory or a false defeat. So this is the scene where Delphine and the crone have a confrontation. And it is a short conversation about [00:14:00] how the crone wants to do a ritual on Bridgette in order to find out for herself and therefore publicize what Bridgette can do if she has a gift at all and declare her lineage. If this were allowed to happen, Bridgette would be ratted out as legitimate and Delphine would be forced out of the city, which the crone wants anyway. In that confrontation, Delphine's stands up to the crone and puts her in her place at the same time though. The crone gets that last word in it, just as that last stabbing remark that. If Delphine does not comply by a certain day, the crone is going to declare Bridgette to be a bastard, which would ruin Delphine and her family. So moving on to the next bits of act two the bad guys closed in. So this is right after the false victory. This happens in the story when it Bridgette is [00:15:00] kidnapped and then all is lost. This is Delphine reacting to Bridgette going missing. Aunt, her daughter's reacting to that to Delphina already has a lot of daughters and they were in charge of watching Bridgette and breezy. Disappeared. So those beets still happened and then all is lost. All is lost is when the bad guys. Appear to be winning. And so you have the captors of Bridgette over-powering her, of her struggling of her getting away. And then the dark night of the soul is the 12th beats of this entire thing. A dark night of the soul is. Multisim beat in which the protagonist takes time to process everything that's happened so far. And it is the darkest hour. In, in my short story, Bridgette, this happens pretty rapidly. This is when everything [00:16:00] falls apart. This is when Bridgette falls into the spring, bumps her head. And due to her injury and the nature of the spring combined causes everybody around her to die. So there's a big commitment there and a huge escalation of stakes. That's what the dark night of the soul is all about. And it is at that point that we break into act three. It's where the protagonist realizes that they must do a thing to fix the story. So this is when the protagonist deals with the aftermath of this climax of this dark night of the soul. This is when, in my story, it is when Del phene finds breezy. And she goes into the basement of the monastery where this magical spring is located. Bridgette is there, she's wet. She's okay. Due to her own strange and dangerous healing abilities and everyone around her is dead.[00:17:00] And so Delphine takes a moment to process through all of this and then decides that they need to skip town. And that propels us into act three. And act three, there are a couple different little parts of, one big beat. The beat is the finale. This is Delphina. Speaking to her daughters revealing the affair that she had. That brought Bridgette into this world. And then her daughter is working in concert to get Delphine and Bridgette out of the city to catch a train to flee away. So the finale has a lot of different parts. The parts here are gathering the team. Delphine speaks to her daughters. And that is kind of a way of gathering the team, gathering resources, packing a bag, executing the plan. The higher tower surprise is the protagonist spaces, a twist or a surprise that forces them to prove their worth.[00:18:00] The high tower surprise is not really a part of the finale of my story. There's not really that. The dig deep down is not having a backup plan. The protagonist has to dig deep inside themselves to find the most important weapon of all the strength and courage to overcome their fear or false belief. And then the execution of a new plan. So all of these are little sub-parts Of this larger beat, that is the finale. And some of those don't 100% apply to my story. I said earlier that Bridgette was not written in reference to Save the Cat, but as we go through and we see the way that the different points play out, you can see that I touched on a lot of these points pretty. Okay. The points are there and so it is good to know. Beat sheets. It's it is good to know where things happen and where they should happen, so that you can become familiar with that when you are formulating your own stories. And as you're writing also as you're revising. [00:19:00] So these are a good thing to reference while you are doing the revision of your own short stories. And as we demonstrated, I did pretty okay with this. There are some details in the finale beat that don't 100% apply to my story, but that's okay. I mean, This is a list of 15 beats and they're all there in the story. So that's pretty okay. I did pretty okay with this guys. That is what. Save the cat is all about. Now we need to visit the title itself, save the cat. Like why are we calling anything? Save the cat when saving a cat is not a beat in the story. And I bring this up at the end on purpose. The guy who came up with saved the cat, he said, in different versions of this beat sheets. You can find these beat sheets kind of everywhere. If you look up, save the cat beat sheet, you can find some, and they all say similar things. I recommend. [00:20:00] Referencing the original resource material all the time, but you can find beat sheets all over the place. This gentlemen said that one of the things that is missing from most stories, especially nowadays most modern stories, modern films, screenplays novels, is this beats in particular. And like I said, in the original save the cat, there was a beat called save the cat. And it was the moment where we find that the hero is worth rooting for that the hero is worth cheering for And so I ask you my dear listeners in your experience of reading Bridgette installment, one of tales from late, or did Del phene ever save the cat. next week, we're going to talk about a few other things with developmental edits inspired by the works [00:21:00] of George Saunders. And so tune in next week for another episode of writing and the tiny house. Devin Davis: And that is it for today. Just a reminder that "Brigitte,"Installment One of Tales from Vlaydor is available on Amazon as an ebook and on Audible and Apple Books as an audio book. And I provide advanced reader copies of these short stories as I release them to my patrons. So become a patron today by visiting patreon.com/writinginthetinyhouse to support both my writing and this podcast. And lastly, be sure to follow me on social media. My Instagram is @authordevindavis and my Twitter handle is@authordevind. Thank you so much for spending some time with me today and have fun writing. We will see you next time.

Today, our hosts Krispy, Delphina, Claire, Varethane, and Renie discuss the topic of mediums. Mediums are the various tools that can be used in the creation of webcomics, whether digital or traditional. Starting off the episode, our hosts discuss the mediums they use for their webcomics. The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again​!​!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/

This week Alex and Clara skip, hop, and jump into serial killer September with some women killers! Clara talks about some serial killing sisters, Delphina, Maria and Luisa, from Mexico and Alex dives into the horrifying life that was Judy Buenoano

Hello Family! This is day 23 of our 54-day Rosary Novena.  If you've been blessed by this podcast and are interested in helping with production costs we have a pay it forward page on our website at 54daysofroses.com. If you are interested in sponsoring season 5.  Please feel free to contact me at prayers@54daysofroses.comWith that, Day 23 Sorrowful Mysteries in PetitionToday we're praying the Sorrowful Mysteries in Petition. Our Lady of the Most Holy Rosary, We ask that you intercede for us as we pray for our daily conversion and the conversion of our friends and loved ones. Blessed Mother, we pray to be able to recognize the gifts that God has given us. We pray for those seeking clarity in their vocation.We pray for the vocation of seminarians and all religious. Blessed Mother, we pray for the intentions of our family listening to this rosary, for the intentions of our family on Instagram and clubhouse. We pray for  Joelle, Aurora, Sean, Bella, Amaogechukwu, Juan, Julieta, Laura, Laura Powers, Rey, Delphina, Nicole, Shyanne, Aba, Roberta, Sonja, and NyashaWith love,Maritza Mendez.Website:https://www.54daysofroses.com/Pay it forwardhttps://www.54daysofroses.com/payitforwardSupport our Ministry:https://www.patreon.com/54daysofrosesInstagramhttps://www.instagram.com/54daysofroses/Audio Engineerhttps://conceptualpodcasting.com/podcastsThe song "Meditation 2" created by Patrick Buddehttps://www.patrickbudde.com

Welcome back! This is day 41 of our 54 Day Rosary Novena. Please help us launch season 4. Thank you for joining today's Rosary prayer. We are so blessed that you're praying with and for our community. If you have found this podcast to be a blessing in your life or has helped you in praying the rosary daily.  Will you please help us launch the 4th season of 54 days of Roses?! Our prayers and intentions are to continue growing our community, To make this novena and daily rosary prayers available to others; that through the intercession of our blessed virgin Mary, that we may continue to strengthen our relationship with God individually and together as a community of prayer. If you would like to help us in this mission, will you please help us pay it forward by donating on our website at 54daysofroses.comThank you for supporting our Ministry and God Bless you!Day 41 Sorrowful Mysteries in Thanksgiving Today we're praying the Sorrowful Mysteries in Thanksgiving. Our Lady of the Most Holy Rosary, we pray that we may rediscover Jesus in this season of Lent. Blessed Mother, we pray for the safety of our Asian American and Pacific Islander brothers and sisters in Christ. We pray for the souls and the families of the victims in the Atlanta shooting. Blessed Mother, we pray for the needs of our listeners, and the intentions of our community on Instagram; Sam, Dean, Adriana, Hoku, Rafael, Jennifer, Rosanna, Katie, Gaby, Brian, Cheli, AJ, Charlotte, Blake, Kristi, Cindi, Anna, Jazzy, Delphina, Heather, Chelsea. With Love,Maritza Mendez  Make a Donationhttps://www.54daysofroses.com/donateSupport our Ministry:https://www.patreon.com/54daysofrosesWebsite:https://www.54daysofroses.com/Instagramhttps://www.instagram.com/54daysofroses/Audio Engineerhttps://conceptualpodcasting.com/podcastsThe song "Meditation 2" created by Patrick Buddewww.patrickbudde.com

Você fica por dentro do novo recurso para deficientes visuais nas eleições de 2020, o novo preenchimento de vagas remanescentes do Prouni e o retorno de atendimentos no Hospital Delphina Aziz

The Society of St Vincent de Paul is an international Lay Catholic organisation dedicated to the care of people through the provision of practical help and face to face services. Young Vinnies is the youth sector of the organisation that seeks to provide young people with opportunities to live out their faith in action through the service of others. Yesterday, Young Vinnies hosted Ministers of the crown Hon Peeni Henare and Hon Carmel Sepuloni for the first time. See omnystudio.com/policies/listener for privacy information.

The Society of St Vincent de Paul is an international Lay Catholic organisation dedicated to the care of people through the provision of practical help and face to face services. Young Vinnies is the youth sector of the organisation that seeks to provide young people with opportunities to live out their faith in action through the service of others. Yesterday, Young Vinnies hosted Ministers of the crown Hon Peeni Henare and Hon Carmel Sepuloni for the first time. See omnystudio.com/policies/listener for privacy information.

Are you estranged from a parent? Were you given away or adopted at birth? How would you respond if you picked up the phone and the caller said your mother (or father), that you do not know, is dying and needs a caretaker? Would you do it? Delphina, today's guest, will describe how she felt when she learned  that the women she called mom, was not her mom at all. Delphina shares what happens when she goes to visit the women that birthed her, only to find that she only has one week to live.  During this conversation you'll also find out what this guest and your host, Ms. E have in common.  Quote: "If your parents cared for you, care for them. Even if they did not care for you, if you have the opportunity, care for them. One day you will be older once again unable to care for yourself. Who will care for you? What goes around comes back around."     -Egypt, thegoodvibe.co Where to find us: Where to find us:                                                    Instagram:@talklaterpodcast                                                    Facebook: @canwetalkaboutitlaterthepodcast                            Website: canwetalkaboutitlater.com                                                  Email: talklaterpodcast@gmail.com    

In 1997, the Lillelid family was on their way home from a Jehovah's Witness retreat in Johnson City, Tennessee. Vidar, Delphina, and their two children, 6-year-old Tabitha and 2-year-old Peter stopped at a rest area to picnic. That's where they encountered a group of six young people who were travelling, trying to leave their lives in their small Kentucky town behind. When the two groups met, it started a chain of events that ended in murder.Join Mike and Gibby as they discuss the brutal and senseless murders of the Lillelid family. The group of six from Kentucky were led by an 18-year-old named Natasha Cornett. Natasha had a troubled life and became fascinated with the occult, vampire role-playing games, and the drinking of blood. Many of the others in the group followed her actions. But, how did a chance meeting between this group and a family of four end up in murder? And, who within the group actually fired the shots that killed 3 of the 4 Lillelid family members?You can support the show at patreon.com/truecrimeallthetimeVisit the show's website at truecrimeallthetime.com for contact, merchandise, and donation information An Emash Digital production

CW: This episode discusses miscarriage and birth trauma. Our bodies hold memories of our painful and traumatic experiences, but the way that you tend to yourself and lean into what you need can help you to heal past wounds. By acknowledging what you’ve been through whether it be grief, trauma, or whatever else that lives within you, you’re able to move forward in a way that feels compassionate and sustainable for you. In this episode, I share a personal story about the birth of my first child, Delphina and how the birthing experience caused me to dig my heels in for the birth of my second child, Freya. This is a story of readiness co-mingling with fear, body memory, and learning to advocate for what I needed -- even, and especially, when I was scared. See acast.com/privacy for privacy and opt-out information.

Você fica por dentro sobre a prorrogação da suspensão dos estabelecimentos e serviços considerados não essenciais, os problemas de telefonia e internet no baixo Amazonas e a alta dos pacientes no hospital Delphina Aziz. Locução e texto: Flávia Rocha. Edição: Jorge Alberto. Coordenação Pílula: Manoela Moura. Coordenação Geral: Edilene Mafra.

It’s February, which is Financial Aid Awareness Month! In our Fall 2019 issue of Turning Points Magazine, ASU doctoral student and financial aid outreach specialist Delphina Thomas (Diné) graced our pages with her invaluable stories on financial literacy titled “FAFSA: Friendly Advice From Student Aficionado” and “Th!nk Smart With Your Refund.” Tune in as Taylor Notah (Diné) and Nicholet Deschine-Parkhurst (Standing Rock Sioux Tribe/Diné) get into the nitty gritty of FAFSA where Delphina breaks down the application process, defines what “special circumstances” are, and why she encourages students to check the work study box when applying. We even discuss resisting the urge to splurge on non-academic items when aid comes in (disclaimer: we’ve been guilty of this). Subscribe to the Turning Points Magazine Podcast in Apple Podcasts, Spotify, Stitcher, Pocket Casts and wherever you listen to podcasts! Follow us on Twitter at https://twitter.com/asuturningpoint/. The music for today's episode was provided by Christopher Luna and the Sun Devil Drumtie Circle.

Jack Nash – John (Prime) Reggie Carlisle – John (Beta) GM- Tod Foley Reggie and Nash head back into the viadome. While talking with D.A.N they learn that Dr. Mentaka was powering down D.A.N and using the external scans to draw mimics to the dome. Nash believes that Blanche Regardie knew the mimics were here. There’s a discussion about leaving but they decide to go and investigate the crashed ship, the Delphina that brought Mentaka and the crew here. As they are getting ready to head to the downed ship, Nash instructs D.A.N to run a scan that they hope will potentially draw mimics away from them and toward the dome. An uneventful jog brings them to the ship where Reggie sees the doglike mimic. They enter the ship and the mimic doesn’t do anything. Inside it looks like part of the cockpit exploded. Nash fiddles with the onboard computer but it keeps powering off. Instead he pulls the computer in the hopes that D.A.N will be able to read it. http://daytrippersrpg.com http://www.fictioneers.net/ https://www.birdscoffeecompany.com/coffees/legends-of-tabletop-legendary-brew Use Code Legends10 to get 10% off your order Theme music created by Brett Miller http://www.brettmillermusic.net/

I love Delphina's story, her drive and what she is building! Tune into this episode of our conversation.   We come from the same block and it's so interesting seeing the growth, direction and passion we have for what we do!   Follow her @delphinaloren for more stories, tips and insight!

Features a poem entitled: The Last Sermon, as well as short story: "Sufi and the Snowman", along with a meditative essay called: "Freedom, and, finally, a musical interlude: Delphina.

  Sacred feminine  Mind over matter get out of the rut.. That doesn't always work.. What can we do as humans that are full of love do when your depressed.  Fighting for Joy.  When you body is changing were do we find the strength to love.  We need the sacred energy to rise.  Breaking and the releasing through the shell to find her voice. Delphina lost her thyroid but gained so much. Spirituality and self love. Be YOU..  

On this week's episode of Sneak Attack!, the gang continues their way through the Temple of Melius the Enraged, seeking out the powerful 9th Level Spell Scroll. The group has just defeated Delphina, the spectral wife of Melius, but not without both Greaek and Akio falling to her powerful magic. Greaek was revived by Sherwood, but what would the fate of Akio be? Find out right now!   Thanks everyone for listening. If you like the episode, hit us up on Twitter @SneakPodcast, or shoot us an email at sneakattackpodcast@gmail.com. Also, you can leave us an iTunes review! We really appreciate any and all love for the show. Special thanks to our friends at https://battlebards.com for letting us use their music and sound effects!   Dungeons and Dragons, D&D, Role Playing Game, RPG, Tabletop, Actual Play

An interview with author Delphina Henley. She's a veteran of the author event Utopia Con, has been there since year one, and is the author of the new adult series B3, which includes: Unless You Can be a Unicorn, and Ask Me About My Unicorn. She was on the panels Great Sexpectations and What a Difference a Year Makes at Utopia 2015. You can find Delphina on the web at: facebook.com/DelphinaHenley and delphinahenley.blogspot.com Your host is Jo Michaels of jomichaels.blogspot.com Where you can mail the books for the children: Everybody Reads Books & Stuff 2019 E. Michigan Ave. Lansing, MI 48912-3011