Podcasts about John Dall

Jaume Segalés y su equipo hablan de Cómicas y de cine clásico. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Cómicas" en el Teatro de la Zarzuela Mujeres de teatro en la España del siglo XVIII. Nos vamos al Teatro de la Zarzuela donde, sólo este fin de semana, está en cartel una propuesta muy especial: "Cómicas". Ayer 8, hoy, sábado y domingo, 9, 10 y 11 de mayo. Se trata de una nueva producción propia del templo del género chico por excelencia (ubicado en la c/ Jovellanos, 4). Esta propuesta teatral y musical, a modo de tonadilla escénica, recupera el legado de mujeres españolas que tuvieron un papel ciertamente destacado y reconocido durante la segunda mitad del siglo XVIII en los escenarios de nuestro país. La obra está protagonizada por las voces de las solistas Jone Martínez, María Hinojosa y Pilar Alva y por la narración de la actriz Cristina Medina, acompañadas por el conjunto Forma Antiqva, aclamada agrupación de música antigua que engloba oboes, trompas, violines, violonchelos, contrabajo, guitarra barroca, tiorba y clave. Entrevistamos al clavecista Aarón Zapico, que es quien tuvo la idea original de esta propuesta y quien se ocupa de la dirección musical. La dirección escénica corre a cargo de Pepa Gamboa y la dramaturgia es de Antonio Álamo. "Cómicas" - Mujeres de teatro en la España del siglo XVIII- Teatro de la Zarzuela (c/ Jovellanos, 4) - Nueva producción del Teatro de la Zarzuela. 8, 9 y 10 de mayo a las 19:30 y el 11 de mayo a las 18:00 Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre La soga. Thriller psicológico criminalístico de 1948 dirigido por Alfred Hitchcock basado en la obra teatral homónima de 1929 de Patrick Hamilton. La historia fue adaptada para la película por Hume Cronyn y el guion fue escrito por Arthur Laurents. Está protagonizada por James Stewart, John Dall y Farley Granger. La trama se centra en los estudiantes Brandon (Dall) y Philip (Granger), quienes, alentados por las ideas de su profesor de filosofía (Stewart), asesinan a un antiguo compañero y celebran una fiesta con el cadáver aún oculto en su apartamento. Todo con el único propósito de probar que son intelectualmente superiores y capaces de cometer el "crimen perfecto". Tanto la película como la obra de teatro original guardan importantes similitudes con el mediático caso real del asesinato de Bobby Franks a manos de los estudiantes Nathan Leopold y Richard Loeb, cometido en Chicago en 1924.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter;  Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage;  Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

RU327: JOHN DALL'AGLIO ON A LACANIAN NEUROPSYCHOANALYSIS: CONSCIOUSNESS ENJOYING UNCERTAINTY http://www.renderingunconscious.org/psychoanalysis/ru327-john-dallaglio-on-a-lacanian-neuropsychoanalysis-consciousness-enjoying-uncertainty/ Rendering Unconscious episode 327. John Dall'Aglio is a Clinical Psychology PhD Student at Duquesne University, USA. His research focuses on the intersection of psychoanalysis and neuroscience, especially Lacanian neuropsychoanalysis. He's here to talk about his new book A Lacanian Neuropsychoanalysis: Consciousness Enjoying Uncertainty. https://amzn.to/3CeXp1g Check out his ResearchGate: https://www.researchgate.net/profile/John-Dallaglio-2 Dall'Aglio contributed the piece “Dialogues: Founding a Psychoanalytic Society at Brown University” to Rendering Unconscious: Psychoanalytic Perspectives vol. 1 (Trapart Books, 2024). https://amzn.to/4eKruV5 Watch this discussion at YouTube: https://youtu.be/XJcZqCBlpxI?si=R1vT7aIc_gdIkdIT Support Rendering Unconscious by becoming a paid subscriber to Patreon/ Substack, where we post exclusive content regularly. All paid subscribers receive a link to our Discord server where you can chat with us and others in our community with similar interests. So join us and join in the conversation! Vanessa & Carl's Patreon: https://www.patreon.com/c/vanessa23carl Vanessa's Substack: https://vanessa23carl.substack.com Carl's Substack: https://thefenriswolf.substack.com Rendering Unconscious is also a book series! The first two volumes are now available: Rendering Unconscious: Psychoanalytic Perspectives vols. 1 & 2 (Trapart Books, 2024). https://amzn.to/4eKruV5 Rendering Unconscious Podcast is hosted by Dr. Vanessa Sinclair, a psychoanalyst based in Sweden, who works with people internationally: http://www.drvanessasinclair.net Instagram: https://www.instagram.com/renderingunconscious/ TikTok: https://www.tiktok.com/@renderingunconscious Blusky: https://bsky.app/profile/drsinclair.bsky.social Support Rendering Unconscious Podcast: Make a Donation: https://www.paypal.com/donate/?business=PV3EVEFT95HGU&no_recurring=0¤cy_code=USD The song at the end of the episode is “No Nonsense” from the album Ready For Business by Vanessa Sinclair and Pete Murphy. Available at Pete Murphy's Bandcamp Page. https://petemurphy.bandcamp.com/album/ready-for-business-17 Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY?si=jaSKCqnmSD-NsSlBLjrBXA Image: John Dall'Aglio

This week, the Dames discuss another Hitchcock masterpiece, the 1948 thriller Rope. Starring Farley Granger and John Dall, this single-location technical experiment also marks the first time Alfred Hitchcock worked with star James Stewart.

Welcome to It's A Wonderful Podcast!! A flashier, pulpier, and brash change to the Couples On The Run series this week as Morgan and Jeannine talk Joseph H. Lewis' GUN CRAZY (1950) starring Peggy Cummins & John Dall! With stylish sexiness and an intense flair, this is the loud, in-your-face, yet still morally deep example of this little sub-genre! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Rope from 1948 is a little known Alfred Hitchcock film that deals with one of Hitchcock's favorite subjects....MURDER!!! Specifically, murder that is intellectually argued as a "good" for society. Rope stars John Dall and Farley Granger as Brandon and Phillip, two well-to-do New Yorkers who have just murdered their friend, David. What follows is a tension-filled dinner party of paranoia that leaves the audience to wonder just how long before David's body is discovered by the party-goers.  Get 20% OFF Manscaped + Free Shipping with promo code CINEMA20 at https://manscaped.com (affiliate link) Find The Cinema Psychos Show on Youtube -

It just keeps getting deadlier and deadlier as we delve deeper into THE LEFT HAND ENDEAVOR! It's classic film noir five days a week all March and we got some strange lovers here who go together like guns and ammunition. Bart is a gun pervert. He's known this from a young age. He got sent to reform school over his gun perversion. Annie is also a gun pervert which has our perv protagonist absolutely chubbing while he watches her William Tell routine. Makes sense these crack shots would fall in love, except he's trying to be a nice boy but Annie wants more and she wants to take it all using her favorite tool. There's only one way this can end but they sure had a lot of fun along the way. We're discussing the beautifully directed Joseph H. Lewis film based on an ok script ghost written by Dalton Trumbo. It's “GUN CRAZY” from 1950 starring Peggy Cummins & John Dall. This movie has its flaws but it's a lot of fun. A perfect example of a movie we might pick over another we might have technically scored higher but it's a very well shot noir. A straight shooting wild ride of its time. Pretty easy to find online. One such link right here: https://archive.org/details/gun.-crazy.-1950 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

EPISODE 27 - “Dona Drake: What Price Fame” - 03/18/2024 Latina star DONA DRAKE, who signed a contract with Paramount Pictures in 1941, was many things — singer, dancer, actress, bandleader, musician — but one thing she wasn't, as it turned out, was Latin! While Paramount promoted their new discovery as a spitfire Latina born in Mexico City, Drake was, in fact, an African-American woman from Florida who pretended to be Latin, going so far as to learn Spanish fluently, in order to have a better chance at a Hollywood career. Listen to this fascinating story of one woman who went undercover just so she wouldn't have to play the maid.  SHOW NOTES:  Sources: Biography of Dona Drake (Paramount Contact Player), September 1942, Paramount Studios; “Dona Drake Tells Marriage,” September 9, 1944, by Hedda Hopper, The Los Angeles Times; “Daughter Born to Dona Drake,” August 8, 1951, The Hollywood Citizen-News; www.swingcityradio,com; www.glamourgirlsofthesilverscreen.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Strike Me Pink (1936), starring Eddie Cantor, Ethel Merman, Sally Eilers, and William Frawley; Aloma Of The South Seas (1941), starring Dorothy Lamour, Jon Hall; Louisiana Purchase (1941), starring Bob Hope, Vera Zorina, and Victor Moore; Road to Morocco (1942), starring Bob Hope, Bing Crosby, and Dorothy Lamour; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Fred MacMurray, Paulette Goddard, Dick Powell, Eddie Bracken, Alan Ladd, Mary Martin, Betty Hutton, Marjorie Reynolds, and Veronica Lake; Salute For Three (1943), starring Macdonald Carey and Betty Jane Rhodes; Let's Face It (1943), staring Bob Hope, Betty Hutton, and Eve Arden;  Hot Rhythm (1944), starring Robert Lowery, Tim Ryan, and Irene Ryan; Without Reservations (1946), starring John Wayne, Claudette Colbert, and Don DeFoe; Dangerous Millions (1946), starring Kent Taylor; Another Part of The Forest (1948), starring Fredric March, Dan Duryea, Edmond O'Brien, Ann Blyth, Florence Eldridge, John Dall, and Betsy Blair; So This Is New York (1948), starring Henry Morgan, Rudy Vallee, and Virginia Grey; Beyond The Forest (1949), starring Bette Davis, Joseph Cotten, David Brian, Ruth Roman; The Girl From Jones Beach (1949), starring Virginia Mayo, Ronald Reagan, and Eddie Bracken; Kansas City Confidential (1952), starring John Payne, Colleen Gray, and Preston Foster; The Bandits of Corsica (1953), starring Richard Greene, Paula Raymond, Raymond Burr; Son Of Belle Star (1953), starring Keith Larsen, Peggie Castle, and Regis Toomey; Down Laredo Way (1953) starring Rex Allen and Slim Pickens; Princess of the Nile (1954), starring Debra Paget, Jeffrey Hunter, and Michael Rennie; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Bob and Brad as they delve into the suspenseful world of Alfred Hitchcock with his experimental 1948 classic Rope. With stellar performances by James Stewart and John Dall, this 80-minute thriller is a pure exercise in suspense. Midway, our hosts also uncork the 1792 Sweet Wheat bourbon, offering tasting notes that might just be as thrilling as the film's plot twists. Timestamps: 0:00 - Intro 09:30 - Brad Explains 11:20 - Themes and Performances 29:20 - 1792 Sweet Wheat Bourbon Review 39:00 - Two Facts and a Falsehood 45:00 - Final Analysis 50:35 - Let's Make it a Double and Final Scores Today, we're unspooling the reels of "Rope," one of Hitchcock's more unique endeavors. With its long takes and theatrical vibes, it's an experience that merges the realms of cinema and stage. And trust us, there's plenty to untangle here. But what's a film breakdown without a dash of whiskey wisdom? We're also sipping on 1792 Sweet Wheat bourbon. After last week's debacle, will Brad change his tune on the brand? As we dissect the movie, you'll hear our thoughts on its themes, performances, and those classic Hitchcockian elements that make "Rope" a must-watch for any cinephile. Film & Whiskey Podcast. New episodes every Tuesday. Theme music: "New Shoes" by Blue Wednesday Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

In this episode I'll be delving into film criticism with an analysis of the 1948 film Rope, produced and directed by Alfred Hitchcock and starring John Dall, Farley Granger, and James Stewart. Rope has fascinated me since I first saw it earlier this year; it's now one of my favorite films and, in my opinion, and although it enjoys considerably less fame than staples like Psycho and Vertigo, Hitchcock's best. Its central theme, as I'll be arguing here, is the relation between the life-world of human symbolic reality and the Real itself, and as such makes an excellent example for exploring some of the themes of metaphysical idealism from my recent episodes. At the same time, I thought it would make an excellent warmup for a larger film criticism project I'd like to attempt, a look at the religious themes in the films of Martin Scorsese. --- Send in a voice message: https://podcasters.spotify.com/pod/show/asatanistreadsthebible/message Support this podcast: https://podcasters.spotify.com/pod/show/asatanistreadsthebible/support

"There's too much air in your glass." Rope (1948) directed by Alfred Hitchcock and starring James Stewart, John Dall and Farley Granger. Next Time: The Killing (1956)

Q-Balls!Quinn and I looked at Alfred Hitchcock's 1948 experimental film, ROPE, which was intended to seem like one unbroken take. It was, in fact, composed of 10 shots because...1948. Jimmy Stewart, John Dall, and Farley Granger star in this film that is loosely based on the murder committed by Leopold and Loeb. It is filled with a lovely supporting cast and some top-notch mid-Atlantic accents.Quinn and I talk teaching, looking forward to summer break, our relationship to dead bodies, funerals, and memorial services, and our two very different responses to this film.Thanks for tuning in. We appreciate it so very much!On the main show, Mac and I will be discussing "Animals Run Amok" films when we look at Alfred Hitchcock's THE BIRDS from the US and BLACK SHEEP from New Zealand.Please remember to tell all your friends all about us. Check us out on all the things. We have a YouTube Channel and an Instagram page where I'd love to connect with you.We love you and, don't go into the basement! Interstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-Media

Devin & James are finally back in the DEN OF CIN! We've been gone a while, but we have a great topic being covered in a double-length episode to make it up. A grab bag of movies about KILLER COUPLES! We each picked 5 films about people in love, who just also happen to make people die. From recognized masterpieces like BONNIE & CLYDE, through controversial classics like HEATHERS, and well beyond, we found that this underlooked sub-genre really packs a punch in pop culture! Whether our couples are running from a murderous mistake, or robbing banks for kicks, or simply trying to affect population control, we have murderers for every mood. Join in to hear how many different times names like John Dall, Christian Slater, Quentin Tarantino, and even Brad Pitt show up on our lists! This sub-genre really seems to bring in repeat offenders.

In Episode 42, Team Vintage Sand returns yet again to the source of some of our most popular episodes: Danny Peary's hard-to-find 1993 classic "Alternative Oscars". In the past, we have used Peary's model to approach the Best Picture Academy Awards from the 1930's, the 1950's, the 1970's, the 1980's and the 2000's. For this episode, we hop in the Way-Back Machine and travel to one of the most interesting periods in film history: the 1990's. As best described in Peter Biskind's must-read book "Down and Dirty Pictures", that decade began with the promise of an honest-to-goodness revival of independent films emerging from smaller companies, most notably Miramax. It was also marked by the rise of the Sundance Festival, a time long before that event became the completely corporatized show it is now. That period, from roughly 1989-1995, witnessed the arrival of such new voices as Steven Soderbergh, Richard, Linklater, Todd Haynes, Kevin Smith, Carl Franklin, John Dall and most notably Quentin Tarantino. But that fertile era came to a crashing halt with the sale of Miramax to Disney, and the subsequent absorption of most of the smaller production companies into the studio conglomerates. As a result, things turned a bit flabby in the middle of the decade, only to return with a boom in 1999, considered by many film historians to be one of the great years in the history of the medium. Another interesting aspect of the 90's with regards to the Oscars is that unlike in the other decades which we have examined, the Academy made an unusual number of solid choices for Best Picture, such as "The Silence of the Lambs", "Unforgiven" and "Schindler's List". Who could argue with that? (Hint: us.) But there were plenty of head scratchers as well, such as "Dances with Wolves" over "Goodfellas", "The English Patient" over "Fargo" and perhaps most egregiously, "Forrest Gump" over "Pulp Fiction". So kick back, relax and join us as we return to a uniquely fascinating decade, and remember: you're entering a world of pain, Smokey. A world of pain…

Book-themed dinner parties are the perfect opportunity to bring the whole gang together...for MURDER. It's 1948's Rope! Featuring Shrishma Naik, Carolyn Naoroz, Katherine Sherlock, and Justin Zeppa. Rope was directed by Alfred Hitchcock and stars James Stewart and John Dall. Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes: patreon.com/oldmovietimemachine We appreciate your support, so please subscribe, rate, review, and follow the show: Instagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Email: partyline@oldmovietimemachine.com Buy our luxurious merchandise: www.teepublic.com/user/old-movie-time-machine ★ Support this podcast on Patreon ★

Dana and Tom discuss another Alfred Hitchcock classic in Rope (1948): directed by Alfred Hitchcock, adaptation by Hume Cronyn, screenplay by Arthur Laurents, starring James Stewart, John Dall, and Farley Granger. Plot Summary: Philip Morgan (Farley Granger) and Brandon Shaw (John Dall) strangle a mutual friend to death with a piece of rope to experience the supremacy of murder. Planning to capitalize on this experience, the two plan a dinner party upon the very chest where they have laid their victim. To make matters worse, the pair welcome their invited guests, including the victim's oblivious fiancée (Joan Chandler), the victim's parents, and the college professor (James Stewart) whose lectures inadvertently inspired the killing. Will the two succeed and prove their superiority, or will they fail and prove the folly of their efforts? You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at https://www.facebook.com/profile.php?id=100081916827044 (Greatest Movie of All-Time Podcast). For more on the episode, go to: https://www.ronnyduncanstudios.com/post/rope-1948 (https://www.ronnyduncanstudios.com/post/rope-1948) For the entire list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list (https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list)

You probably know the trope of the "gay psycho killer" that's been around for decades (every boy just loves his mother, right?), but not all gay psycho killers are portrayed with quite the same insidious intent! In this week's episode of Cinema Very Gay, Jake and Kevin discuss two films inspired by the true crime story of the Leopold and Loeb murder of 1924, Alfred Hitchcock's Rope from 1948 and Swoon, directed by Tom Kalin in 1992. Hitchcock's Rope is not frequently remembered as one of his finest movies, but the queer coding of his two main characters, played by John Dall and Farley Granger, is hardly subtle. This movie follows two friends in real time as they host a dinner party for friends and family of the man they just murdered, while his body is hidden in the same room. It is only loosely based on how Leopold and Loeb were characterized in their trial (spoiler, they didn't get away with it and their trial was a media racket) and still manages to grip the audience and rope us along while their "perfect" crime unravels before them. More directly inspired by the real-life Leopold and Loeb, Swoon is a fictional retelling of their romance and friendship leading up to the murder, and then the subsequent investigation and trial of the two. The movie stars Daniel Schlachet as Richard Loeb and Craig Chester as Nathan Leopold and definitely does not shy away from showing the queerness of the two killers. What do these movies say about the sexual repartee of tops and bottoms? Why is the gay psycho killer such a captivating trope? Is Rope actually a movie about edging? Swing by Cinema Very Gay wherever you get your podcasts and listen in to our new episode! We have also come to the long-awaited conclusion of our mini-series on the Eating Out series with the final installment, Eating Out: The Open Weekend. Somehow this movie was released in the same year as the 4th film, but sends the viewers on another roller coaster of quality. We aren't sure why Tiffany is even less present than the last film, or why Q. Allan Brocka leaned into an extremely tired transgender storyline, but at least we can reflect fondly on all the wonderful one-liners from throughout the series! BONUS: listen to our rock-solid pitch for the plot of the 6th Eating Out film.

We are SO excited to finally present the winner of our social media poll: Rope (1948)!!! After overcoming several technical difficulties, we have finally been able to release our chat with two of our favorite Gen Zers, Isabella and Ben. We dive into this creepy tale that was inspired by a real murder: two former Harvard students murder a former classmate...and then serve a dinner to the victim's family and friends over his dead body. Their former teacher is on to their devious misdeed. Will they get caught? Will they get away with the “perfect crime?”  Grab your party invitation and join us for a chat on astrology, superhero abilities, philosophy of thinking, and true crime on this very special episode! *Note: This episode contains explicit language and discusses graphic content.Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!— Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/FacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

Jim reminisces about a film from George Pal that he loved as a young child, 1961's "Atlantis The Lost Continent," starring Anthony Hall, Joyce Taylor, John Dall, Edward Platt and Paul Frees. A young  Greek fisherman, Demetrious, saves the Princess of Atlantis. He agrees to take her home where he is wowed by the amazing technology it has. But, danger and catastrophe lurk in the shadows. What happens next? Find out on this week's episode of "MONSTER ATTACK!"

In 1924, Richard Loeb and Nathan Leopold were two affluent and brilliant college students who developed an obsession with one another. An obsession that fed not only their egos but the darkest parts of their minds.  Join us as Ro tells us the story of two overprivileged geniuses who committed a crime for the sake of the thrill and thought their intellect and money would save them from any consequences.    Social Email: 3amysteryclub@gmail.com   Instagram: @3AMClubPod   Twitter: @3AMClubPod1   Facebook: https://www.facebook.com/groups/3AMMC   Tik Tok: @3ammysteryclub   Pinterest: 3AM Mystery Club   Sources: Hitchcock, Alfred, Arthur Laurents, James Stewart, Farley Granger, John Dall, Cedric Hardwicke, Constance Collier, and Patrick Hamilton. Alfred Hitchcock's Rope. , 2012, 1948   A Crime to Remember: Hearts of Darkness. Investigation Discovery, 2018   https://en.wikipedia.org/wiki/Leopold_and_Loeb   https://www.smithsonianmag.com/history/leopold-and-loebs-criminal-minds-996498/  

Directed by Alfred Hitchcock and Starring James Stewart, John Dall, Farley Granger and Joan Chandler. 

The Cinemondo gang takes aim at a true classic of film noir. It’s a movie that’s so sharp and shockingly alive, it’s almost timeless. Peggy Cummins and John Dall are the perfect deadly duo who meet cute shooting guns in a state fair sideshow and things only get worse from there. It’s one fantastically staged crime spree after another and it raises relevant questions and addresses the almost fetishistic appeal that firearms have over some folks. This one hits all the balloons; it’s got one of the most intense femmes fatale and one of the all-time classic suckers who just can’t resist each other, or the alluring thrill of crime. Just one more job and then we’ll be able to get away from all this. Right. Just one more job, then we’ll stop. I promise.Music composed and performed by Burk Sauls.SPOILER WARNING: This episode contains MAJOR SPOILERS which means important story details will be revealed. We always advise listeners to: Watch First Listen Later.Subscribe to our YouTube Channel!https://youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVAWe're also on Patreon! Help support the show and get some cool swag.Become a Patron on PatreonJoin Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started! Cinemondo Podcast is a weekly show that's released every Monday. If you’d like to support our show, please subscribe to our podcast free in iTunes, and leave us a review! We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.com Connect with us: CinemondoPodcast.com twitter.com/CinemondoPod facebook.com/CinemondoPodcast instagram.com/CinemondoPodcastSupport the show (https://www.patreon.com/CinemondoPodcast)

Hablamos de "La Soga", de Alfred Hitchcock. La primera en Technicolor del director. James Stewart, John Dall y Farley Granger en actuaciones magistrales. Hablamos del plano secuencia; del erotismo; de la arquitectura de Hitchcock; de James Mason y Cary Grant en papeles que no han hecho; de si es mejor la intriga o el suspense. Hablamos de cine y de vida, valga la redundancia. Intervienen: Don Diego Álvarez (@diegocdn28), el Señor Despachito (@despachitoNY) y Nacho Rozas (@inakorozas, director). Control técnico: Marcos Machado.

Ahoy hoy! This week the lads get insane for Gun Crazy from 1950, directed by Joseph H. Lewis, and starring Peggy Cummins and John Dall. Questions, comments or carnival attractions? therealoutofthepodcast@gmail.com

Stinking Pause – the movie review podcast with Scott, who this week is joined by Steven and Antony to chat about Hitchcock, high rise hijinks and homicide. It's 1948 and we are discussing the master of suspense's most technically challenging movie to date. Starring James Stewart, John Dall and Farley Granger, join us as we take a peek in the trunk and chat about Rope. “You're quite a good chicken strangler as I recall.” Brandon and Philip are two young men who share a New York City apartment. They consider themselves intellectually superior to their friend David Kentley, and as a consequence, decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet, and their old schoolteacher Rupert, from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. This and previous episodes can be found on; Apple Podcasts Podchaser Stitcher Spreaker Player FM Acast IHeartRadio Libsyn Podcast Party Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com Thanks for listening Scott Steven and Antony

This week, we continue our dive into the films of Alfred Hitchcock! Our second film in the series was a first-watch for all of us: Rope. The movie features incredible performances by Jimmy Stewart, John Dall, and Farley Granger. It was written by the phenomenal Arthur Laurents, most famous for writing the script to West Side Story and based on a 1929 play by Patrick Hamilton. The film features Brandon and Philip, a couple attempting to get away with murder. Stewart plays their prep school mentor who unwittingly inspired the two with his sensationalist theories on elitism and survival of the superior. In our discussion, we touch on classism, LGBTQ representation in film, the artistry of cinematography, and acquired tastes.  Join us! Fill in some of your cinematic gaps as we venture into what we've dubbed #OperationMasterOfSuspense. This operation name is extremely on the nose. I know. Follow the podcast @BaCEAPodcast on Twitter. Don’t forget to leave a review or comment. And as always, thank you for listening. Let us know, what did your kids think of this one? Bill & Claire's Excellent Adventures is an In The Mouth of Dorkness production. Follow them @ITMODcast on Twitter, Instagram, and Facebook.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 27 Sam is joined by Neil Alcock, the man behind film blog The Incredible Suit.  Neil has chosen Alfred Hitchcock's 1948 single-location thriller Rope (80 minutes) starring John Dall, Farley Granger and James Stewart.  Neil and Sam talk about Hitchcock's pioneering filmmaking, James Stewart playing against type and champion the epic background set.  Thank you for downloading. We'll be back in a couple of weeks!  Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest  Hosted by @sam_clements. Produced by Louise Owen. Guest star Neil Alcock. Edited by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Every Hitchcock film ranked on The Incredible Suit 

This time around, it's Hitchcock and good old fashioned soap opera with nudity. Firstly, Alfred Hitchcock's 1948 stunt of a movie, Rope starring James Stewart, John Dall and Farley Granger, then we move on to 1974 for Number 96 - an Australian comedy based on a taboo-breaking television soap opera starring Elaine Lee and Johnny Lockwood.    Please support the podcast at patreon.com/paleocinema for as little as $US1 a month.   The wonderful YouTube channel is youtube.com/c/terryfrost   Thanks for listening and take care of yourselves.

Guest Lauren Humphries-Brooks is back to finish out May's Centennial Celebrant John Dall by discussing his turn as one half of a murderous couple (again) in Gun Crazy.   Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. Anyone who becomes a Patron in May enters to win a secret Ticklish Biz prize pack! And if you're a TCM Backlot member you can read my article about John Dall, which goes more in-depth on the actor and his work.   NEXT TIME: Nell Minnow jumps onto the show as we turn our attention to June's Centennial Celebrant Rita Hayworth and we start our discussion looking at 1946's Gilda.   CREDITS: Creator and Host: Kristen Lopez (@Journeys_Film) Guest: Lauren Humphries-Brooks (@lhbizness) Editor: Amber Cortes (@yamsbrr)

Guest Lauren Humphries-Brooks is back to discuss May's Centennial Celebrant John Dall by discussing his turn as one half of a murderous duo in Alfred Hitchcock's Rope.   Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. Anyone who becomes a Patron in May enters to win a secret Ticklish Biz prize pack! And if you're a TCM Backlot member you can read my article about John Dall, which goes more in-depth on the actor and his work.   NEXT TIME: Lauren Humphries-Brooks closes out our John Dall tribute by chatting with me about his 1950 film noir classic, Gun Crazy.   CREDITS: Creator and Host: Kristen Lopez (@Journeys_Film) Guest: Lauren Humphries-Brooks (@lhbizness) Editor: Amber Cortes (@yamsbrr)

The episode's a bit later than I anticipated but blame it on the TCM Classic Film Festival. Guest host Diana Bosch joins me to close out our William Holden tribute looking at our three favorite features starring him.   Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. Anyone who becomes a Patron in May enters to win a secret Ticklish Biz prize pack! And if you're a TCM Backlot member you can read my article about William Holden, which goes more in-depth on the actor and his work.   NEXT TIME: Lauren Humphries-Brooks joins me this month to honor actor John Dall starting with a look at his turn in the 1948 Alfred Hitchcock feature, Rope.   CREDITS: Creator and Host: Kristen Lopez (@Journeys_Film) Guest: Diana Bosch (@thedameupstairs) Editor: Amber Cortes (@yamsbrr)

We're taking a long hard look at Hitchcock's queer classic 'Rope' where Farley Granger and John Dall thumb their handsome noses at the Hayes code and play a queer couple who murder for kicks. OK so they couldn't kiss, touch or tap dance to Judy Garland, but almost every scene in this play-on-film crackles with queer sexual tension between the two... and that's before their mentor Jimmy Stewart shows up... But where did the inspiration come for these twisted queens? Enter Leopold and Loeb - socialite bright young things who in 1924 killed a young boy for kicks and thought they were above the law. They weren't. But their twisted romance and horrific crime meant the pair went down in history. Not only did they inspire a play by Patrick Hamilton and the movie by Hitch but they inspired Swoon, a 90s avant garde queer art film. We look at both, we celebrate the genius of Hitch (again) but we also have a right old laugh about butt plugs, flip-flopping tops and bottoms, and reveal which queer heart throb COULD have played opposite Farley Granger... if he hadn't been so painfully closeted. Spoilers, bad puns and frankly disgusting humour ahoy!

Three men. One room. Now the fun begins. (Feel free to interpret that any way you wish.) Hitchcock Month continues, as A/V writer-director Joseph Lewis drops by to discuss 1948's Rope, wherein John Dall and Farley Granger's perfect murder is in danger of being unraveled by Jimmy Stewart; and 1954's Rear Window, in which Stewart's busted-up photographer spies on his neighbors, including a potentially murderous Raymond Burr. Paul, AJ, and Joe discuss the one-take gimmickry of Rope and how it translates the stage to screen; the homosexual subtext (or text) of that film; what Hitchcock had to say about voyeurs; and Hitch's subversive casting of the all-American Jimmy Stewart.   Next: Hitchcock Month continues, as Wanna Cook? co-author Ensley F. Guffey discusses 1944's Lifeboat and 1954's Dial M for Murder.

For his first attempt at a Technicolor film and his first collaboration with James Stewart, Alfred Hitchcock chose to adapt the British stage play Rope's End as a series of 10 minute long takes. Loosely based on real life child murderers Leopold and Loeb, Farley Granger and John Dall murder a school chum in their apartment, hide his body in a chest of books and cooly host a party around him, aroused by the thrill of it possibly being discovered. Dan and Vicky's date with Hitchcock includes their opinions on the film, it's central long take gimmick, the homosexual themes and the performances of Granger, Dall and Stewart.  They also catch us up with what they've been watching recently -- the new Christmas horror film Krampus for Dan and lots of stand up specials for Vicky. And Dan hints at a none to pleasant run in with legendary screenwriter/playwright Arthur Laurents.  Add some communist witch hunts and a dude named Pee Wee Hunt and his orchestra to the mix and you've got a Hot Date not to be missed. The body's in the chest!!  1948's Rope is your Hot Date Episode 21.   

Título original Spartacus Año 1960 Duración 196 min. País Estados Unidos Estados Unidos Director Stanley Kubrick Guión Dalton Trumbo (Novela: Howard Fast) Música Alex North Fotografía Russell Metty Reparto Kirk Douglas, Tony Curtis, Laurence Olivier, Peter Ustinov, Charles Laughton, Jean Simmons, John Gavin, Nina Foch, Herbert Lom, John Ireland, John Dall, Charles McGraw, Joanna Barnes, Harold J. Stone, Woody Strode, Peter Brocco, Paul Lambert, Nick Dennis Productora Bryna Productions / Universal Pictures Género Aventuras. Acción. Drama | Antigua Roma. Esclavitud. Biográfico. Histórico. Cine épico Sinopsis Espartaco era un esclavo tracio que fue vendido como gladiador a Léntulo Batiato. En Italia promovió y dirigió la rebelión de los esclavos (73-71 a.C.) contra la República romana. A medida que recorrían el país, innumerables esclavos se iban sumando a la rebelión. Espartaco intentará llegar con su ejército al sur de Italia para embarcarse con rumbo a sus hogares.

Título original Spartacus Año 1960 Duración 196 min. País Estados Unidos Estados Unidos Director Stanley Kubrick Guión Dalton Trumbo (Novela: Howard Fast) Música Alex North Fotografía Russell Metty Reparto Kirk Douglas, Tony Curtis, Laurence Olivier, Peter Ustinov, Charles Laughton, Jean Simmons, John Gavin, Nina Foch, Herbert Lom, John Ireland, John Dall, Charles McGraw, Joanna Barnes, Harold J. Stone, Woody Strode, Peter Brocco, Paul Lambert, Nick Dennis Productora Bryna Productions / Universal Pictures Género Aventuras. Acción. Drama | Antigua Roma. Esclavitud. Biográfico. Histórico. Cine épico Sinopsis Espartaco era un esclavo tracio que fue vendido como gladiador a Léntulo Batiato. En Italia promovió y dirigió la rebelión de los esclavos (73-71 a.C.) contra la República romana. A medida que recorrían el país, innumerables esclavos se iban sumando a la rebelión. Espartaco intentará llegar con su ejército al sur de Italia para embarcarse con rumbo a sus hogares.