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2 episodes with Scarlet Street
2 episodes with Scarlet Street
2 episodes with Scarlet Street
An episode recorded with a heavy heart as we had to say goodbye to Jane's chihuahua, Jimmy Wilkins, who lived life with gusto for 17 years, most of which were in Jane's lap, arms, or bedside. We are absolutely heartbroken but extremely grateful for the years he blessed us with his giant personality and even bigger smile. Rest in power, Jimmy (2008 - 2025).To get us through the evening, we decided to pour a couple of proper gin martinis, grab some samples for The Game, and take a tour of some of our favorite white florals from our collection. After all, perfume has that wonderful way of bringing comfort, liveliness, and nostalgia, which is a big reason a lot of us enjoy it so much.Edward G Robinson Movie References - Night Has a Thousand Eyes (1948), The Woman in the Window (1944), and Scarlet Street (1945)(00:00) - - Intro (02:11) - - Some White Floral Favorites (24:17) - - Scents We've Been Wearing (43:17) - - The Game Scents Mentioned in this Episode:Aldebaran by Marc-Antoine Barrois / Carnal Flower by Frederic Malle / Moon Bloom by Hiram Green / Jasmin Fauve by Ex Nihilo / French Flower and Neroli Oranger by Matiere Premiere / Lost In Flowers by Strangelove NYC / Patchouli 24 Oil by Le Labo / Jaipur Chant by Sana Jardin / Mélodie de L'Amour by Dusita / Muguet Fleuri by Oriza L Legrand / OroNardo by Xinu / Do Son by Diptyque / L'Or de Louis and Almond Suede by Arquiste / Comète by Chanel / Oudh Infini by Dusita / Ambre Sultan by Serge Lutens / Tempo by Diptyque / Vanilla Powder by Matiere Premiere / Ethereal Wave by Liis / Indigo Smoke by Arquiste / Last Season by Meo Fusciuni / Oul Ulya, Incense Rori, Orris Wakan, and Vanilla Barka by Amouage / Le Lion by Chanel / Nudiflorum by Nasomatto / Romanze by Masque Milano / Iris Silver Mist by Serge LutensThe Game:In Extremis by Astrophil & Stella / Saffron Hamra by Amouage / Summer in Paro by hima jomo / The Sun Card by Marissa Zappas / Song of Aubrac by St. Clair / Tubereuse Criminelle by Serge LutensPlease feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia
"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices
"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter; Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Don't worry. The pilot has hair under that hat. Let me just take a...wait a second!? This week Nando DJ and Diggins charge up and strap in to watch one of the planest movies of 2025, Flight Risk. They nitpick the mountains, the tasers, and of course the Hasans. Recomendations: DJ - Your Friendly Neighborhood Spider-Man (series) Diggins - The Body Snatcher (movie), Scarlet Street (movie), Nickel Boys (movie), The Quick and the Dead (movie) Nando - Daredevil: Born Again (series) Plugs Mostly Nitpicking on Bluesky The Nando v Movies Discord Roses and Rejections Diggins' Substack - A Little Perspective All of Nando's Links Mostly Nitpicking theme by Nick Porcaro Logo by Michelle Chapman
On this episode we discuss Parental Guidance, an Xmas gift and the wonderful noir Scarlet Street! Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne (literally The Bitch) by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir. The principal actors Edward G. Robinson, Joan Bennett and Dan Duryea had earlier appeared together in The Woman in the Window (1944), also directed by Lang. Local authorities in New York, Milwaukee, and Atlanta banned Scarlet Street early in 1946 because of its dark plot and themes.
On this episode of They Live By Film, Adam, Chris, Zach discuss three films by German master Fritz Lang, M, Scarlet Street, and Secret Beyond the Door. Youtube: https://www.youtube.com/@theylivebyfilmThe Radiance Films Podcast: https://podfollow.com/1762070615Punk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Wild Side: The Official Monda Macabro Podcast: https://podfollow.com/1762695719Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Twitter/X: https://twitter.com/adamlundy23Zach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilmChris' Twitter/X: https://twitter.com/prsnlhstryfflm
TVC 638.3: Greg Ehrbar and Ed discuss the recent Kino Lorber Blu-ray releases of The Edge of the World (1937) and Scarlet Street (1945). Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices
We're back from an unexpected holiday break to look at the yang to the femme fatale's yin - the patsy. We're going to examine two very different versions of the archetype filled out by classic noir actors - one a soulful sucker played by Edward G. Robinson, the other a suspicious drifter played by Glenn Ford, in our double header of Scarlet Street and Framed.Recommendations:Tristan - Center StageFred - Timekeepers of EternityWritten & Produced by Tristan Johnson & Fred PelzerA Strange Phantom ProductionMusic by Kevin MacLeod.Learn more about us or follow us on Letterboxd
Joan Bennett stars as Katherine (Kitty) March in the 1945 Fritz Lang film Scarlet Street. Her character is a unique kind of femme fatale- she is innocent and dripping with a sexuality that she is more than willing to use to her advantage, or more specifically her pimp boyfriend Johnny's (played by Dan Duryea) advantage. In this episode, I explore the strange yet deeply relatable struggle between the romance of innocence and youth and the grown-up desires of the flesh. All are easily exploitable by any and all men not just murderous painters and snake oil salesmen pimps.
Welcome to It's A Wonderful Podcast!! Happy Noirvember everyone! Morgan and Jeannine are celebrating their most favourite style of movie all month long! Noirvember ends with a BIG treat this week as Morgan and Jeannine celebrate and discuss an outstanding duo of Fritz Lang directed early Noirs starring the terrifically thrilling trio of Edward G. Robinson, Joan Bennett & Dan Duryea; THE WOMAN IN THE WINDOW (1944) & SCARLET STREET (1945)! Two movies that pair together so well; exploring fate, guilt, loneliness & the most deceptive love imaginable! Our Youtube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
In Episode 8, hosts Drew Lyon & Door Man engage in a "spoiler free" discussion of the upcoming films within the September 2023 Revival Program at the Academy Theater. NOV 3-9: THE LOST WEEKEND (1945) // SCARLET STREET (1945). NOV 10-16: TOUCH OF EVIL (1958) // WHEN HARRY MET SALLY (1989) . NOV 17-23: CHICKEN RUN (2000) // HARDCORE (1979). Take a listen and get excited to see these movies on our Big Screen! Note: If you are curious about general info about this podcast and the Academy Revival series, please refer to our "Episode 0: Listener Orientation". This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit academyrevivalpodcast.substack.com
Hey everybody! Welcome back to the show! This week, we are discussing Fritz Lang's Scarlet Street. Listen as we breakdown this story of loneliness, deception, and guilt. Enjoy.
This week Harrison will be discussing "Scarlet Street (1945)" #scarletstreet #edwardgrobinson #fritzlang #reelyoldmovies Theme Song: "The Good For Nothing" starring Charlie Chaplin Released 1914 https://youtu.be/3RKsuoX_bnU Social Media Links: https://linktr.ee/reelyoldmovies Support My Spotify Podcast Here: https://anchor.fm/reelyoldmovies/support --- Send in a voice message: https://podcasters.spotify.com/pod/show/reelyoldmovies/message
Making a Scene presents an interview with Big B and the Actual ProofWalk down Nightmare Alley, take a left on Scarlet Street, duck through a side door to a nameless, smoke-filled taproom, and immerse yourself in the world of The Noir Album, the new record from Big B and The Actual Proof. Inspired by film's seamiest genre, and filtered through a blues-drenched lens, the trio brings TEN tales of bad luck, bad choices, revenge, and recrimination to life in cinematic audio form. Led by three-time DMA (Detroit Music Award) nominee Brian “Big B” Burleson, a singer/guitarist with over three decades of wear and tear under his belt, along with fellow Motor City music vets Mitch Sharpe on bass and Erin Pitman on drums, the band paints a hard-boiled sonic picture with just enough foreboding to warrant the occasional glance over your shoulder to make sure you haven't been followed. "This record finds its origins with my mostly useless college degree," Burleson notes somewhat sarcastically. "I majored in Broadcast and Cinematic Arts with a minor in Theater.
A great Film Noir directed by Fritz Lang, starring Edward G. Robinson, Joan Bennett, and Dan Duryea in Scarlet Street (1945) The Coyote's Tale, a noir mystery by John Cornelison is available on Amazon in paperback and on Kindle Support the show with a purchase from Merch SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! Click here to subscribe via Apple Podcast Find us at: Libsyn Page Ganna Amazon Music Spotify Radiodotcom We would love to get your feedback! Email jec@classicmovierev.com Read more at classicmovierev.com
In this episode we talk about the film noir Scarlet Street starring Edward G. Robinson and Joan Bennett. It came out in 1945 and was directed by Fritz Lang. We also talk about the film made a year before by the same three people called The Woman in the Window. It was a very similar plot and style. We talk about the reason why Fritz Lang wanted to make such a similar film. Thanks for listening!
Jeepers, have we got a goodie for you today, noir-o! The lads are feeling artistic and take a turn onto 1945's Scarlet Street and what a street it is! Directed by the LEGEND Fritz Lang and starring the holy trinity of Edward G. Robinson, Joan Bennett and Dan Duryea - come find out why this is rightfully held in such high regard by film noir scholars like us, lazy legs ;) (Note: for those who want to get straight to the business, the movie talk starts at 13:44) Questions, comments or a bowl of eggs? therealoutofthepodcast@gmail.com
Falamos sobre as reações da indústria à invasão da Ucrânia, os problemas de Elden Ring no PC, os anúncios de Street Fighter 6 e Pokémon Scarlet/Violet, mudanças em Call of Duty e muito mais! 00:08:48: Estúdios em apoio à Ucrânia 00:21:32: Bobby Kotick financiador 00:26:42: Anúncio de Street Fighter 6 00:40:32: Capcom Fighting Collection 00:42:59: Mudanças em CoD 00:47:25: Anime de Nier 00:53:03: Domínio de Silent Hill 00:58:36: Rumores spbre Spartacus 01:06:28: Elden Ring no PC 01:22:51: Salários na Bandai Namco 01:25:36: Smash fora da EVO 01:31:08: Pokémon Presents Contribua | Twitter | YouTube | Twitch | Contato
Tyler and David discuss what they've been watching, including Cry Macho, Sankofa, Mass, Scarlet Street, The Souvenir, The Souvenir: Part II, Smoke Signals, Hester Street, Arrebato and Memento.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome back to another episode of the GGtMC!!! This week Todd and Sammy share thoughts on Scarlet Street (1945) directed by Fritz Lang and Toys Are Not For Children (1972) directed by Stanley H. Brassloff and released by Arrow Video!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message
We are ending our run on Fritz Lang movies with SCARLET STREET. Please send any and all feedback to anotherlookpod@gmail.com. Please follow us on Instagram, and check us out on Facebook. Rate/review/subscribe where ever you get your podcasts.
Collaborating with mad genius Fritz Lang, Joan (Zooey Deschanel) and Walter (Jon Hamm) hit the peak of both their careers and their marriage. After the success of the ultimate S&M noir Scarlet Street, Joan continues to play femme fatales on-screen, while cultivating an image as the perfect housewife and mom off-screen. But, with one misbegotten psychosexual noir, the partnership with Fritz Lang falls apart. Suddenly, everything Joan and Walter have built will be in peril. Listen and subscribe at http://listen.vanityfair.com/loveisacrime or wherever you get your podcasts: http://listen.vanityfair.com/liac Apple Podcasts: http://listen.vanityfair.com/loveisacrime Spotify: http://listen.vanityfair.com/liac-spotify Stitcher: http://listen.vanityfair.com/liac-google Learn more about your ad choices. Visit podcastchoices.com/adchoices
Lydia and Christopher walk through a noir film from director Fritz Lang We were included in Welp Magazine‘s “20 Best Entertainment Podcasts of 2021”! (https://welpmagazine.com/20-best-entertainment-podcasts-of-2021/) Promo: Journey Into… Podcast (http://journeyintopodcast.blogspot.com) Visit our TeePublic store! (https://www.teepublic.com/stores/tsp-oe-podcast-store) Join our Discord server: https://discord.gg/KP7pxGurKT Follow Christopher on TikTok: https://www.tiktok.com/@tspoe_podcasts (The song "Memory Subtract" by seven7hwave used under a Creative Commons Attribution-NonCommercial-ShareAlike […]
Each episode I travel six feet under and pry open a coffin of one of my favorite Hollywood corpses and perform a post watch examination of one their forgotten films. This marks the first episode in the series of Cunning, Crafty, Conniving Charlatans, in which I examine films that spotlight the swindling ways of some of my favorite Hollywood Con Artists. In this episode I uncover the corpse of Joan Bennett to dissect the 1945 Fritz Lang noir picture, Scarlet Street. I am joined by my fellow classic corner, Dr. Ashley Jane Carruthers to autopsy character actor, Edward G. Robinson.
Noir BAY BAY
Hello Friends and Fiends and welcome to a spooktacular episode of Geek Speak with our special guest, David Del Valle. He is the host of a new series called Haunted Hollywood that premiered seven episodes on Friday, July 31, 2020 and it's followed by one new show every Friday for the next 13 weeks. MORE ABOUT DAVID DEL VALLE David Del Valle has achieved national recognition as a journalist, columnist, film historian, radio & television commentator and is one of the leading authorities on the horror/science-fiction/cult & fantasy film genres. David Del Valle produced and hosted a series of television interviews entitled "Sinister Image." His guests ran the gamut from Cameron Mitchell to Russ Meyer. His print articles and interviews have appeared in such publications as Cinefantastique, Scarlet Street, Cult Movies, Fangoria, The Dark Side (UK), Fantastyka and L'Ecran Fantastique of France for which he was also West Coast correspondent. Del Valle recently completed a year as a radio host in Palm Springs, California in an entertainment-oriented program on AM as well as on the Internet around the world. FULL MOON FEATURES Geek Insider loves horror and Full Moon Features has been delivering since the 70s. For instant access to their videos, including HAUNTED HOLLYWOOD. Follow them for spooky entertainment. Website: https://www.fullmoonfeatures.com/ Facebook: https://www.facebook.com/fullmoonfeatures Twitter: https://twitter.com/fullmoonhorror Instagram: https://www.instagram.com/fullmoonfeatures/ - - - - - - - - - - - - - - FOLLOW DAVID DEL VALLE Website: https://sinisterimage.com/ Facebook: https://www.facebook.com/david.delvalle1 IMDb: https://www.imdb.com/name/nm0215978/ YouTube: https://www.youtube.com/user/DelValleArchives
When a painter gets involved with some criminals, things take a super dark turn in this gritty noir.
From Kim Newman, 1001 Movies You Must See Before You Die: "The Reckless Moment is an unusual film noir in that it reverses the sexes in a replay of the familiar story (as in Double Indemnity [1944] and Scarlet Street [1945]) of an innocent who gets involved with a seductive no-good and is embroiled in crime. Here, class and respectability assume the status usually accorded to sex and money as housewife Lucia Harper (Joan Bennett) loses her grip on suburbia when the sleazy specimen (Shepperd Studwick) who has been seeing her daughter (Geraldine Brooks) is semiaccidentally killed under suspicious circumstances, and she moves his corpse to make things look better. "Lucia's nemesis is played by James Mason, oddly but effectively cast as an Irish lowlife, who starts out blackmailing her but begins, disturbingly, to make sincere romantic overtures. The focus of the film then changes as the criminal is driven to make a sacrifice that will restore the heroine's life but also suggests that Bennett - who, after all, was the tramp in Scarlet Street - may have unwittingly been manipulating him to her advantage all along. Viennese director Max Ophuls is more interested in irony and emotion than crime and drama, which gives this a uniquely nerve-flaying feel, and he nudges the lead actors into revelatory unusual performances" Have a comment or question for the host? Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter at @1001MoviesPC.
1945's Scarlet Street reunited director Fritz Lang with stars Joan Bennett, Edward G. Robinson, and Dan Duryea and cinematographer Milton Krasner from the previous year's The Woman in the Window. Unlike that film however Scarlet Street ran afoul of censor board's across the country that objected to it's "obscenity," "indecency," "profanity," and "sordidness." Despite that, the film did well at the box office making back nearly three times it's budget. Dan and Vicky discuss this lesser heralded noir film and it's provocative stars. They also discuss the demise of Filmstruck, Dan's emotional visit to an immigration detention center and Vicky's Thanksgiving staycation. Recently seen includes Latin History for Morons, Bohemian Rhapsody, the Suspiria remake, Overlord, 1968's The Devil Rides Out, Pacific Rim Uprising, and series The Haunting of Hill House among others. We'll meet you on Scarlet Street for Hot Date 78! Have a listen and leave us some feedback or a star rating.
I had a great time talking movies with my friend Leah who has the fabulous blog, Cary Grant Won't Eat You.. We talked obsessive love. Poor Edward G Robinson in Scarlet Street. Claude Rains obsessive and blinded by love feelings for Alicia played by Ingrid Bergman. Cary Grant was not very nice to Ingrid until the end of the movie.We also talked Suspicion and Lina's obsession with Johnny. Did Johnny kill the wonderful Beeky, and why did he need an untraceable poison if he was going to kill himself. We talk the book and the changes they made for the movie that Alfred Hitchcock was not happy with. One tidbit in the book is that Cary/Johnny had a fling with the maid Ethel. Maybe that's why she got the fox fur stole and Beeky only got a walking stick. We also discuss the ending that was a huh?? WE then got into another Hitchcock film talking about Mrs Danvers incredibly unhealthy obsession with the late Mrs de Winter also known as Rebecca. Who can forget her creepily showing the new Mrs de Winter Rebeccas see through lingerie. Maxim was not very nice to wife number 2 with no name. It looks like he eventually stops being a pompous poop at the end.. It was a fast moving fun showThanks to Leah for once again being a great guest. www.carygrantwonteatyou.comThanks for listening. I have some really great shows coming up. I really appreciate you all so much.GracexoAll podcasts are on iTunes, Spotify, pod bean and you tube..Please like and follow my facebook pagewww.facebook.com/truestoriesoftinsetown.www.inyourfacewithdonnieandgrace.com/newswww.inyourfacewithdonnieandgrace.podbean.comwe also have a facebook page.
S3E09 I'm With the Banned: Banned Films. This week Travis and Shawn go down the rabbit hole of films that have been banned for whatever reason. We talk censorship and how it sucks. Also, Re-casts include the little known but remarkable "Scarlet Street" from 1945 with Edward G. Robinson. Followed by the not-so- great "The Thorn" from 1971 with an up and coming Bette Midler. Other segements include Movie News, the D.O.C.D, Midnight Double Features, Beer Check-ins, #2018MovieMarathon, and The Honey Roast. Enjoy!
NOIR CITY Hollywood showrunner Brian Light joins us to discuss the festival's 20th edition, as well as some of his articles for the NOIR CITY e-magazine. We start with some behind-the-scenes details of how the festival is organized, and we delve into some of this year's screenings: James Ellroy appearing with LA Confidential to receive the FNF's "Modern Noir Master" award; a triple bill from director Joseph Losey; and a pair of 1950s rarities, The Turning Point and The Scarlet Hour, in newly restored presentations courtesy of Paramount Pictures (1:50). Brian's numerous "Book vs Film" articles for NOIR CITY include "La Chienne vs Scarlet Street," a comparison of the 1920s French novel with two film versions, Jean Renoir's French adaptation and Fritz Lang's noir classic Scarlet Street. Brian details how hard it was to track down an English translation of the novel, as well as the differences between the two films in their overall tone and endings (17:30). "Scoring Evil: The Henry Mancini Touch" dives into one of classic noir's best soundtracks. We discuss Orson Welles' unique concept for scoring the 1958 film Touch Of Evil, plus Henry Mancini assembling top jazz musicians to record his ground-breaking compositions. Naturally, we spin several great themes from the soundtrack along the way (35:30). Schedule and tickets for NOIR CITY Hollywood: http://www.americancinemathequecalendar.com/content/noir-city-hollywood-the-20th-annual-los-angeles-festival-of-film-noir "Book vs Film: La Chienne vs Scarlet Street" from NOIR CITY #17: http://www.noircitymag.com/noir_city_17.html Also available to read at: http://www.filmnoirfoundation.org/noircityemag.html "Scoring Evil: The Henry Mancini Touch" from NOIR CITY #15: http://www.noircitymag.com/noir_city_15.html Please send us any feedback you have on our show to podcast@filmnoirfoundation.org, and rate/review us on iTunes. Music: Themes from The Damned Don't Cry (by Daniele Amfitheatrof), The Scarlet Hour (Leith Stevens), and Scarlet Street (H.J. Salter). Themes from Touch Of Evil, by Henry Mancini: Main Title, Strollin' Blues, Something For Susan, Background to Murder, Tana's Theme.
Edward G. Robinson leaves behind his tough-guy persona for one of the great films noir. Read more or comment at http://gourl.gr/bs1a
In episode 16 we focus on the 'quiet Bennett' compared to her volatile film star sister Constance. Joan was fiery in a more subtle way, she didn't think much of her film career and felt more at home on the stage like her father, the legendary Richard Bennett. She quoted him often in her autobiography 'The Bennett Playbill', one of her favourite lines being "We are vagabonds to the heart and we are not ashamed of it". She said "Well, I'm still a "vagabond" and I'm shamelessly proud of it." Her film career was not a long one and she made a little over 70 films but she made a lasting impression, especially in her noir work with Frtiz Lang. We've chosen for this episode Private Worlds (1935), Scarlet Street (1945) and The Reckless Moment (1949). Sources: Bennett, J. (1970) The Bennett Playbill: Five Generations of the Famous Theater Family (with Lois Kibbee). New York: Holt, Rinehart & Winston. Kellow, B. (2004) The Bennetts: An Acting Family Lexington: The University Press of Kentucky. Private Worlds (1935) Dir. Gregory La Cava [DVD] Paramount Pictures. Scarlett Street (1945) Dir. Fritz Lang [YouTube] Universal Pictures. The Reckless Moment (1949) Dir. Max Ophüls [DVR} Columbia Pictures. https://www.fandor.com/keyframe/stretched-legs-and-mean-sex-fritz-lang%E2%80%99s-scarlet-street
This week on the show, Adam and Kevin take a look at Emiliano Rocha Minter's bizarre shocker We Are The Flesh alongside some other stuff they've been watching including The Spook Who Sat by the Door, Toni Erdmann, Scarlet Street, The Ardennes, Viy, Mike and Dave Need Wedding Dates, Silence, and War Dogs. 11:42 - We Are the Flesh review 27:59 - Watch list 55:42 - Movie predictions, new on VOD, Blu-ray releases Please consider supporting Film Pulse by contributing to our Patreon for just $1 per month! http://patreon.com/filmpulse web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse
Jim Jarmusch’s new PATERSON is one of 2016’s best films, and plays like a natural mirror to his breakthrough, STRANGER THAN PARADISE. After waxing rhapsodic about PATERSON for a while, we talk about how the two movies are connected, through their observational approaches, their quirky relationships with time, and their appreciation for the small things in life. We also try in vain to determine whether Jarmusch actually hates dogs, or just finds them unpredictable. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about STRANGER THAN PARADISE, PATERSON, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: * Tasha: John Schlesinger’s COLD COMFORT FARM * Scott: Fritz Lang’s American films, specifically FURY, YOU ONLY LIVE ONCE, SCARLET STREET, and HOUSE BY THE RIVER (as curated from this Noel Murray overview of Lang’s career: thedissolve.com/features/career-view/222-the-sprawling-obsessive-career-of-fritz-lang) * Keith: Wim Wenders’ KINGS OF THE ROAD * Genevieve: Alexis Bloom and Fisher Stevens’ BRIGHT LIGHTS Learn more about your ad choices. Visit megaphone.fm/adchoices
This time, it's another film noir episode with a twist. The French invented the term film noir in the late 1940s but they produced a film in 1931 which influenced film noir. That movie, La Chienne directed by Jean Renoir is the focus of this podcast along with Scarlet Street from 1945, which is the American remake of it. Both tell the same story but in different countries with different viewpoints.Support the podcast via Patreon.
“I’ve wanted to laugh in your face ever since I first met you. You’re old and ugly and I’m sick of you! Sick! Sick! Sick!" Fritz Lang may have often had conflicts with his producers, but when he turned out a great film, he made so great that it’s easy to look past his argumentative nature and just focus on the end product. Well, perhaps more so now than at the time. Sure, he had his stinkers, but looking at a magnificent film like “Scarlet Street,” it’s easy to forgive any battles he started and just relish the brilliance of the story. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Lang’s 1945 masterpiece, “Scarlet Street.” We delve into the murky depths of the theme of the story — is it one more of guilt or one more of jealousy? We wallow in the emasculated character of Christopher Cross, played by Edward G. Robinson, and his nemeses Kitty and Johnny, played by Joan Bennett and Dan Duryea. We dig in the shadows of Fritz Lang’s history and the cinematic tools he uses to tell his story here along with his cinematographer, his editor, and his composer. And we lose ourselves in the haunting paintings of John Decker, wondering if he really lacks perspective just like Cross does. It’s a fabulous film and a very strong representation of film noir. Definitely check this one out — there’s a gorgeous print of it out there which makes the film look brand new — then tune in to the show! Film Sundries Script Transcript Original theatrical trailer Original poster artwork La Chienne — Jean Renoir Flickchart Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd
“I've wanted to laugh in your face ever since I first met you. You're old and ugly and I'm sick of you! Sick! Sick! Sick!" Fritz Lang may have often had conflicts with his producers, but when he turned out a great film, he made so great that it's easy to look past his argumentative nature and just focus on the end product. Well, perhaps more so now than at the time. Sure, he had his stinkers, but looking at a magnificent film like “Scarlet Street,” it's easy to forgive any battles he started and just relish the brilliance of the story. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Lang's 1945 masterpiece, “Scarlet Street.” We delve into the murky depths of the theme of the story — is it one more of guilt or one more of jealousy? We wallow in the emasculated character of Christopher Cross, played by Edward G. Robinson, and his nemeses Kitty and Johnny, played by Joan Bennett and Dan Duryea. We dig in the shadows of Fritz Lang's history and the cinematic tools he uses to tell his story here along with his cinematographer, his editor, and his composer. And we lose ourselves in the haunting paintings of John Decker, wondering if he really lacks perspective just like Cross does. It's a fabulous film and a very strong representation of film noir. Definitely check this one out — there's a gorgeous print of it out there which makes the film look brand new — then tune in to the show! Film Sundries Script Transcript Original theatrical trailer Original poster artwork La Chienne — Jean Renoir Flickchart Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd
Fritz Lang may have often had conflicts with his producers, but when he turned out a great film, he made so great that it's easy to look past his argumentative nature and just focus on the end product. Well, perhaps more so now than at the time. Sure, he had his stinkers, but looking at a magnificent film like “Scarlet Street,” it's easy to forgive any battles he started and just relish the brilliance of the story. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Lang's 1945 masterpiece, “Scarlet Street.” We delve into the murky depths of the theme of the story — is it one more of guilt or one more of jealousy? We wallow in the emasculated character of Christopher Cross, played by Edward G. Robinson, and his nemeses Kitty and Johnny, played by Joan Bennett and Dan Duryea. We dig in the shadows of Fritz Lang's history and the cinematic tools he uses to tell his story here along with his cinematographer, his editor, and his composer. And we lose ourselves in the haunting paintings of John Decker, wondering if he really lacks perspective just like Cross does. It's a fabulous film and a very strong representation of film noir. Definitely check this one out — there's a gorgeous print of it out there which makes the film look brand new — then tune in to the show!
Fritz Lang may have often had conflicts with his producers, but when he turned out a great film, he made so great that it's easy to look past his argumentative nature and just focus on the end product. Well, perhaps more so now than at the time. Sure, he had his stinkers, but looking at a magnificent film like “Scarlet Street,” it's easy to forgive any battles he started and just relish the brilliance of the story. Join us — Pete Wright and Andy Nelson — as we continue our Film Noir series with Lang's 1945 masterpiece, “Scarlet Street.” We delve into the murky depths of the theme of the story — is it one more of guilt or one more of jealousy? We wallow in the emasculated character of Christopher Cross, played by Edward G. Robinson, and his nemeses Kitty and Johnny, played by Joan Bennett and Dan Duryea. We dig in the shadows of Fritz Lang's history and the cinematic tools he uses to tell his story here along with his cinematographer, his editor, and his composer. And we lose ourselves in the haunting paintings of John Decker, wondering if he really lacks perspective just like Cross does. It's a fabulous film and a very strong representation of film noir. Definitely check this one out — there's a gorgeous print of it out there which makes the film look brand new — then tune in to the show!
We get stabbed in the back by Sin City: A Dame to Kill For and discuss text messages being shown on movie screens, plus we also talk Into the Storm, Night Moves, Roadracers, Scarlet Street, Milius and Fight Club.
We get stabbed in the back by Sin City: A Dame to Kill For and discuss text messages being shown on movie screens, plus we also talk Into the Storm, Night Moves, Roadracers, Scarlet Street, Milius and Fight Club.
The "self portrait" of Kitty March, Joan Bennett's fast-talking femme fatale who steals Edward G. Robinson's heart in Fritz Lang's film noir, Scarlet Street RC-2013-108: The Film Noir Series—Scarlett Street (1945) Your browser does not support this audio Ask a person to name her five favorite Fritz Lang films, and you're not likely to hear Scarlet Street. Yet it has all we've come to love about Lang—and about film noir. Inside the dusty B-movie packaging we find a big star, Edward G. Robinson, playing somewhat against type as a meek cashier named Chris Cross. As we watch the noir vortex suck him in, my heavily shadowed commentary addresses the ongoing debate over film noir's definition, the way Fritz Lang utilizes his roots in German expressionism, and the snappy dialogue of Dudley Nichols' screenplay. I'm also able to put my love of the film aside long enough to discuss the fascinating life and career of Robinson and the even more fascinating life of Joan Bennett, the femme fatale who would see life dangerously imitate art only a few years later. You have my permission to pronounce "film noir" any way you like. To sync up, hit "pause" just after the old Universal logo fades away and the "Walter Wanger Presents" title card takes over the screen.F.Y.I., This film belongs to the public domain. It may therefore be downloaded, legally, with impunity.Show NotesI referenced this biography of E.G.R. a couple of timesAll about Joan Bennett and that deadly love triangle hereMore on the definition of film noir Listen to the mp3. Or get it at iTunes, for cat's sake...
"No ghosts need apply." [SUSS] Holmes and the occult is our subject for this Halloween episode of I Hear of Sherlock Everywhere, and we're joined by editor and author , who together with J.R. Campbell edited , , and , joins us to talk about the intersection of Sherlock Holmes and the spooky, outre and creepy, setting the tone for the season. Charles (who goes by on Twitter), had the great fortune to work with the likes of Barbara Hambly, Martin Powell and Kim Newman, among others, and he talks about the selection process for including authors and their works in the anthologies. Of course, Conan Doyle was no stranger to writing , and his Professor Challenger series dealt with such fantastical subjects as dinosaurs. We take Charles on a tangent and begin discussing the ideal Hollywood actor to portray the professor. has contributed to Sherlock Magazine, Scarlet Street and Canadian Holmes and is a longtime Sherlockian, having been a member of the in Calgary for 20 years and a Master Bootmaker of the in 2006. He spends his days at the in Calgary and reading voraciously. Our gas-lamp is not a Gas-Lamp at all, but rather an introduction by to a collection of Conan Doyle stories, as written by John Dickson Carr. Links: Conan Doyle fanstasy and horror short stories "," "," and "" The Lyndsay Faye, BSI ("Kitty Winter") is on a book tour to promote , her latest Timothy Wilde novel. Big Chief Studios announced of Cumberbatch's Holmes and Freeman's Watson, and . There will be no romance between Holmes and Watson in Elementary, . James O'Leary has contributed a couple of significant pieces here about Elementary that are worth perusing: "," and "." Our and site aggregate lots of content for your enjoyment. Please and be kind enough to leave a rating or review for the show.Your thoughts on the show? Leave a comment below, send us an email, call us at (774) 221-READ (7323) or use the Speakpipe app right here on the site. Connect with us and other interested Sherlockians on on Google+, , and . And of course, our is a nice collection of links, articles and images.And above all, please let our sponsors know that you heard us rant and rave about their excellence during the programme: and . --
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