Podcasts about khajuraho

"If you have never been in/around/under a large flock of singing, squawking, vocalising and flying birds you have missed an incredible immersive experience. It leaves your breathless, amazed, scared and humbled. You can lose all touch with your world as the sounds of bird calls and beating wings drowns out everything else.  "As I read about the Khajuiraho temple complex, I began to think of the ancient history of this complex and it's life and how it was reabsorbed by the jungle and the human lives and memories that were here as well as the ancestral memories of the green parrots. The human sounds in and around this complex have changed with the flow of time but the sounds of the large flocks or parrots has remained unchanged and hopefully will remain unchanged as time passes.  "I wasn't sure how to use this recording at first and then I was able to experience a "large flock of birds" moment around my house and it brought back the immersive experience and linked it to the parrots I had been listening to. From there, I wanted to build up sounds relating to the sounds around the temple complex - the dripping of water deep in the temples through cracks in the ancient stone; the music from the modern day festivals captured in a shruti box and musician practicing some ancient stringed instrument, plucking out a contemplative tune as a lament to the parrots and the past." Parrots in Khajuraho reimagined by Mindrobots. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Green parrots at Khajuraho. Stereo 44kHz 24bit. UNESCO listing: Khajuraho Group of Monuments Recorded by Erick Ruiz Arellano. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

 https://www.iservalan.com https://www.taletellerclub.comChapter 2: Classical Antiquity – Pleasure, Power, and Myth(Greece, Rome, India, China, Japan)Erotic Art in the Classical World: Sensuality, Divinity, and the Human FormThe civilizations of Greece and Rome profoundly shaped Western attitudes toward eroticism, beauty, and the human body. Meanwhile, in Asia, India, China, and Japan developed their own rich traditions of erotic art, where sexuality was intertwined with spirituality, aesthetics, and philosophy. Across these cultures, erotic imagery was not just about desire—it was deeply connected to mythology, religious devotion, and social identity.The Greek Celebration of the Nude and the DivineAncient Greek art (c. 800–146 BCE) is renowned for its idealized representations of the human form, including sensual and erotic depictions. Unlike later Western traditions, which often moralized sexuality, the Greeks saw eroticism as an essential aspect of life, closely tied to their gods, heroes, and social structures.The Male Nude and Homoeroticism in Greek ArtGreek sculptures and vase paintings frequently depicted the nude male body as a symbol of beauty, strength, and divine perfection. The kouroi (statues of young men) and later the works of sculptors like Phidias, Polykleitos, and Praxiteles showcased a balance of realism and idealism.Homoeroticism played a significant role in Greek culture, particularly in the institution of pederasty, where older men (erastai) mentored and formed relationships with younger men (eromenoi). While controversial today, these relationships were embedded in Greek education, social bonding, and military camaraderie. Erotic vase paintings and sculptures, such as those on the Warren Cup, openly depicted same-sex relationships without stigma.Aphrodite and the Feminine EroticThe goddess Aphrodite, associated with love and beauty, was a central figure in Greek erotic art. The first known fully nude female sculpture, Aphrodite of Knidos by Praxiteles (c. 360 BCE), marked a shift in the portrayal of female sensuality. While earlier depictions of women were clothed, this work introduced the eroticized nude female body as an artistic norm in Western art.Rome: Eroticism, Excess, and Moral ContradictionsThe Romans inherited much from Greek artistic traditions but added their own flair for luxury, satire, and explicit eroticism. Roman erotic art ranged from refined frescoes in wealthy villas to bawdy graffiti in brothels, revealing a culture that embraced sexuality in both elite and everyday contexts.Pompeii and Herculaneum: A Window into Roman EroticismThe eruption of Mount Vesuvius in 79 CE preserved vast amounts of erotic art in Pompeii and Herculaneum, offering an unparalleled glimpse into Roman attitudes toward sexuality. Frescoes from the Villa of the Mysteries and Lupanar (brothel) depict explicit scenes, suggesting that sexuality was not hidden but woven into public and private life.One of the most famous artifacts, the Priapus fresco, shows the god Priapus weighing his exaggerated phallus against a bag of money—a humorous but symbolic image of fertility and prosperity. Romans often associated large phallic imagery with protection, luck, and virility.Satire and Social Commentary in Roman EroticaWhile erotic art was common, Rome also saw moral pushback against sexual excess. Writers like Ovid (Metamorphoses, Ars Amatoria) celebrated love and seduction, while others, like Juvenal, satirized the decadence of Roman society. The Augustan moral reforms (1st century BCE) attempted to impose sexual restraint, yet erotic art continued to flourish, reflecting the contradictions within Roman attitudes toward pleasure.Erotic Art in Ancient India: The Sacred and the SensualEroticism in ancient India was deeply entwined with spirituality, particularly through Hinduism and Tantra. Unlike in the West, where sexuality was often seen in opposition to religious purity, Indian art frequently depicted sensuality as an extension of divine energy.Temple Eroticism: Khajuraho and KonarkThe Khajuraho temple complex (c. 950–1050 CE) and the Konark Sun Temple (c. 13th century CE) feature intricate sculptures of deities, lovers, and erotic acts. These reliefs, far from being mere decoration, reflect the Hindu belief that sexual union mirrors cosmic unity and divine creation.The Kama Sutra and Indian Erotic TextsAttributed to Vātsyāyana, the Kama Sutra (3rd century CE) is one of the most famous texts on love and eroticism. Contrary to its popular perception as a sex manual, it is a sophisticated treatise on pleasure, relationships, and aesthetics. Accompanying illustrations in later manuscripts helped visualize its teachings, making it one of the most influential works of erotic literature.Erotic Art in Ancient China: Daoism and Sensual BalanceIn China, erotic art was shaped by Confucian ideals, Daoist philosophy, and later Buddhist influences. While Confucianism promoted restraint, Daoism embraced sexuality as a path to harmony and longevity.Daoist Sexual Arts and Painted ScrollsDaoist texts, such as the "Art of the Bedchamber", describe sexual practices believed to extend life and health. Erotic scroll paintings from the Tang (618–907 CE) and Song (960–1279 CE) dynasties often depicted intimate scenes with poetic inscriptions, emphasizing sensuality rather than crude explicitness.Later, during the Ming (1368–1644) and Qing (1644–1912) dynasties, erotic books known as "spring pictures" (春宫图) became popular among the elite, blending humor, philosophy, and eroticism.Japan's Shunga: The Floating World of SensualityJapanese erotic art, or Shunga (春画), flourished during the Edo period (1603–1868). These woodblock prints, created by masters such as Hokusai and Utamaro, depicted erotic encounters with both aesthetic refinement and explicit detail. Unlike in the West, where erotic art often faced suppression, Shunga was widely enjoyed across social classes.Shunga as Art, Satire, and InstructionShunga prints were not just pornographic; they served multiple purposes, including sexual education, humor, and even political satire. Some depicted fantastical elements, such as Hokusai's famous "The Dream of the Fisherman's Wife", blending eroticism with mythology.Conclusion: Classical Eroticism as a Reflection of CultureThe erotic art of classical antiquity reveals a diversity of attitudes toward sexuality:Idealized beauty and divine connection – Greek and Roman art celebrated the nude as an emblem of perfection.Religious and cosmic symbolism – Hindu and Daoist traditions saw sexuality as a path to spiritual enlightenment.Humor and satire – Roman and Japanese art often infused eroticism with wit and social commentary.While some traditions embraced erotic art as sacred, others saw it as a source of indulgence or controversy. The tension between openness and censorship would continue to shape erotic art in the centuries to come.The Warren Cup (1st century CE, Roman) A silver drinking cup featuring detailed homoerotic scenes, the Warren Cup provides insight into Roman attitudes toward male-male relationships. Hidden for centuries, it is now a key artifact in LGBTQ+ art history.Khajuraho Temple Reliefs (10th–11th century CE, India)These intricate sculptures depict a range of erotic acts, reinforcing the Hindu belief in sexuality as a divine force. Unlike Western art, which often separated the sacred from the sensual, Khajuraho integrates both seamlessly.The Frescoes of the Villa of the Mysteries (1st Century BCE, Pompeii, Roman Empire)The Villa of the Mysteries in Pompeii contains one of the most famous and enigmatic fresco cycles from ancient Rome. While not explicitly erotic, many scholars believe the images depict a Dionysian initiation ritual, potentially related to sacred sexuality and mystery cults. The frescoes feature semi-nude figures, suggestive interactions, and themes of divine ecstasy, linking sexuality to spiritual transformation. This example highlights how Romans often blended eroticism with religious and ritualistic themes rather than treating it as purely physical pleasure.Shunga by Kitagawa Utamaro (1753–1806, Edo Period, Japan)Kitagawa Utamaro, one of the most celebrated ukiyo-e artists, created numerous Shunga (春画, "spring pictures"), which depicted intimate encounters with exquisite detail and elegance. His prints, such as Poem of the Pillow, emphasized the sensuality of touch, fabric, and movement, offering a refined and almost poetic take on erotic imagery. His work also often featured women's pleasure and agency, making it a significant contribution to the study of feminine desire in erotic art.#stencilart #originalart #investment art #blinkfrictionart #blinkfrictionfashion #reclaimart #reclaimfashion

IntroductionDefining Erotic Art: History, Purpose, and Cultural SignificanceErotic art has existed for as long as humans have been creating images, serving as an expression of desire, intimacy, power, and identity. Unlike simple depictions of nudity, which can be neutral or even clinical, erotic art is inherently charged with sensuality, intent, and a connection to human sexuality. From prehistoric fertility figures to contemporary digital provocations, erotic art has been a mirror reflecting cultural attitudes toward sex, gender, pleasure, and morality.The Boundaries of EroticismThe distinction between erotic art and pornography has been debated for centuries, often shaped by societal values, religious doctrine, and political agendas. While both deal with representations of sexuality, erotic art is typically seen as an exploration of sensuality through an artistic lens—concerned with beauty, intimacy, and human experience—rather than explicit gratification. However, these boundaries blur, and what one era considers high art, another may deem obscene.Erotic Art Across CulturesErotic art is not confined to any single culture or tradition. From the sensual sculptures of ancient India's Khajuraho temples to the delicate shunga prints of Japan's Edo period, societies around the world have expressed sexuality in ways that reflect their unique beliefs, taboos, and freedoms. While some civilizations have embraced erotic imagery as sacred or educational, others have sought to suppress and control it. These shifting attitudes reveal much about the intersection of art, power, and morality throughout history.The Role of the Female Gaze and Feminist PerspectivesFor centuries, much of erotic art was created through the male gaze—depicting women as objects of desire rather than autonomous agents of pleasure. However, female and non-male artists have long challenged these norms, creating works that reclaim the narrative of sexuality on their own terms. The feminist perspective in erotic art not only questions traditional depictions but also expands the conversation to include issues of consent, agency, and representation.Queer Erotic Art: Visibility and IdentityErotic art has also played a crucial role in the visibility and expression of LGBTQ+ identities. Queer artists have used their work to explore desire, identity, and relationships outside of heteronormative expectations. While often marginalized or censored, queer erotic art has been instrumental in shaping discussions on sexuality and representation, particularly in the modern era.Censorship and the Power of Erotic ArtFew artistic genres have been as frequently censored as erotic art. Throughout history, religious institutions, governments, and social movements have sought to control depictions of sex and nudity—often as a means of enforcing moral or political authority. From the destruction of ancient erotic murals to modern-day digital censorship, these efforts reveal the power of erotic art to challenge norms, provoke discourse, and redefine the boundaries of artistic freedom.Why This Book?This book traces the evolution of erotic art from its earliest forms to contemporary expressions, examining how artists have shaped and been shaped by cultural attitudes toward sexuality. By exploring different historical periods, artistic movements, and media, this work seeks to offer a deeper understanding of erotic art's role in society—not just as a form of aesthetic pleasure, but as a powerful reflection of human experience.

Prepare for an epic Battle of the Regions with the Wild Frontiers travel experts! With help from three of our India specialists, Jess Mannion, Sejal Gopujkar, and Shalmali Rao Paterson, and Wild Frontiers Product & Operations Director Marc Leaderman, the team will fight the corner of each region's unique offerings for travellers and capture the essence of India on their favourite routes.Jess – Rajasthan's iconic sights, rural homestays and tiger watching in Ranthambore National ParkSejal –The beauty of Kerala: Waterways, tea plantations, Kathakali traditional dance and festivals, and the wonders of the SouthShalmali – Off-the-beaten-track south: Chambal River Safari, Gwalior, Bhopal, Satpura National Park, and Aliyah Fort in MaheshwarMarc - From Gwalior to the east: Orchha, Khajuraho's erotic carvings, Kumbh Mela festival in Allahabad, Bandhavgarh National Park, VaranasiJonny - Varansai to Kolkata, key sites, botanical gardens & flower markets. Check out Jonny's walking tour through Kolkata here: https://www.wildfrontiers.tv/walking-tour-of-kolkata/Check out part 3 for Kashmir & The Himalayas!India tours this way: https://www.wildfrontierstravel.com/en_GB/destination/india Hosted on Acast. See acast.com/privacy for more information.

In this episode of the podcast, we will discuss the Nagara-style temples, and deep dive into the tremendous merger of socio-cultural elements with religion during the Chandella dynasty. We shall discuss the exceptional and infamous Khajuraho temples. We'll try to answer some pertinent questions — who were the Chandellas, and what inspired them to build the Khajuraho temples? What has successive research concluded about the meaning and symbolism of the erotic sculptures on the temple?Further, we will arrive at the patronage by the Chandellas by discussing the Khajuraho temples, which include Kandariya Mahadeo and Lakshmana temples. We'll study the significance of the erotic sculptures and their symbolic inclination, and try to understand the concept of sacred and secular in the temple. Listen in to find out!

In this episode of the podcast, we will discuss the Nagara-style temples, and deep dive into the tremendous merger of socio-cultural elements with religion during the Chandella dynasty. We shall discuss the exceptional and infamous Khajuraho temples.We'll try to answer some pertinent questions — who were the Chandellas, and what inspired them to build the Khajuraho temples? What has successive research concluded about the meaning and symbolism of the erotic sculptures on the temple?Further, we will arrive at the patronage by the Chandellas by discussing the Khajurao temples, which include Kandariya Mahadeo and Lakshmana temples. We'll study the significance of the erotic sculptures and their symbolic inclination, and try to understand the concept of sacred and secular in the temple.Tune in to listen and expand your knowledge about the histories behind the temples in India and their architectural wonders. Streaming now on Spotify and Apple Podcast.Image credits: Dey Alexander, FlickrWritten by Urvi C; Hosted by: Hanima Nawaz; modified by Davangi Pathak and Final Revisions by Pranay Dewani.

Join us for the history behind the fun and scandalous Khajuraho Temples! We'll get you in touch with your sexual desires by starting off with a little guided meditation, lead into a scandolous sexy story about... the moon, and continue with lots of liberating conversation on why you should really LET YOUR FREAK FLAG FLY in the bedroom! No matter who you are, no matter what you believe, we can all take a note out of ancient India's book, (like the literal book of Kama Sutra) and join the movement for sexual freedom in yourselves and in support of others. Let's get FREAKY! Oh and btw there's no syphilis in this one... YAY! As always, thanks for listening. We love you!The Baroque Bitches

Episodio numero sei della serie dedicata alla meravigliosa INDIA! Il sesto giorno della nostra avventura in India prevede una piccola avventura fuori dal caos della città e purtroppo anche i fatidici saluti con Umesh - la nostra speciale guida. Questa giornata è stata davvero ricca di emozioni e piuttosto malinconica, ma questo è proprio ciò che più cerco nei miei viaggi! Concludiamo poi la nostra esplorazione nella magica Khajuraho prendendo l'ennesimo treno e dirigendoci nella prossima magica ed estremamente importante meta. Buon ascolto e buona vita! --- Send in a voice message: https://podcasters.spotify.com/pod/show/alex-negrini/message

Episodio numero cinque nuova serie dedicata alla meravigliosa INDIA! Nel quinto giorno della nostra avventura in India, tutto è improvvisato e una persona speciale ci ha regalato la migliore giornata in India sin dal nostro arrivo! Khajuraho mi è davvero piaciuta tanto e mi è rimasta nel cuore, non solo per la sua travolgente bellezza ma soprattutto grazie al cuore di Umesh - il quale ci ha deliziato con il suo meraviglioso tour. Buon ascolto e buona vita! --- Send in a voice message: https://podcasters.spotify.com/pod/show/alex-negrini/message

Join us for an exciting adventure as we follow our explorer, Kirti Patwardhan, on her unforgettable expedition to the heart of India – Madhya Pradesh. In this episode, we delve into the diverse tapestry of experiences that await in this enchanting region. We venture deep into the wilderness of Panna National Park, where tigers, leopards, and bears reign supreme and Kirti's thrilling encounters with these majestic creatures will leave you in awe. Discover the myth and history surrounding the enchanting Pandav Falls – a breathtaking natural wonder, and be mesmerized by the timeless beauty of the Khajuraho archaeological site. Explore the intricate temples adorned with exquisite sculptures that narrate tales of love, devotion, and life in all its facets. Whether you're a nature enthusiast, a history buff, or simply seeking adventure, this episode has something for everyone. So, pack your virtual bags and join us on this extraordinary journey through one of India's most fascinating destinations. Don't miss the blog for this episode as we bring you the captivating stories, photographs, food, alcohol and accommodation tips from Kirti's travels through Madhya Pradesh. Subscribe now and embark on this immersive adventure with us. & don't forget to follow our Instagram page as well – we put out lots of travel hacks, tips, reels and videos just for you. Like our work? Follow, Like & Subscribe to our podcast from wherever you are listening in. We would also love to hear from you, so do write to us at: Email: misadventuresofasneaker@gmail.com Instagram: @misadventuresofasneaker Blog: https://misadventuresofasneaker.substack.com ----------------------------------------------------------Want to know the guest better: Kirti on LinkedIn / Instagram ---------------------------------------------------------- A recommended itinerary based on Kirti's chat: Day 1-2: Panna National Park: Do at least 3 safaris in the national park - giving you sufficient time to view at least one wild cat - Safari in Panna - Raneh falls - Pandav falls - Diamond mining at NMDC near Panna Day 3-4: Stay in Khajuraho and explore multiple things around - Jugal Kishore temple - Khajuraho complex - Shopping

In this episode, historian Dr. Seema Bawa talks about the common misconceptions about South Asian art, whether it is possible to read gender roles in early Indian art, and how artists view feminism differently today.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture. Notes: 00:00:48:07- What common stereotypes about South Asian art are still prevalent globally? Are they misplaced?00:05:30:13- As opposed to the olden days when art was linked to people of elite classes, in contemporary India, are marginalized people getting space and/or recognition for their art? 00:08:39:05- How has the feminist art movement evolved in India? Should there be emphasis on the gender of the creator of a piece of art? 00:14:26:18- What kind of gender narratives do we see in early Indian art? Was there a fluidity of gender roles and desires? 00:19:37:21- In what ways has the female body been portrayed in early Indian art? And does the portrayal of female divinity offer an empowering narrative?  00:24:22:04- In what ways did colonization interact with early Indian art?  Was there a misinterpretation of our art, and what it said about India as a culture and nation?  00:28:50:13- Does art enable marginalized communities to  communicate and give us access to narratives which might otherwise have been inaccessible? Is enough recognition given to the work of marginalized communities in that formal art realm?   00:31:50:11- Why is it important to engage with art as a society?

All rights reserved with MP Tourism Bandar dekha, haathi dekha. Barahsingha, aur cheetal dekha. Mowgli ke jungleon mein, Sher Khan ko dekha. Pachmarhi Satpura ka ajooba, Bhopal lake mein suraj dooba. Mandu ka jahaz mahal, Aur marble ka pahad dekha. Mahakaal mandir mein pooja, Photo khicha jaake Orcha. Gwalior ke kile mein bhatka, Khajuraho ne de diya jhatka. Dhim tana dhi re na… nadir… Purvajon ko milne julne, Jaa pahucha mein Bhimbhetka. Train ki chuk chuk sunte sunte, Aa pahucha mein Sanchi stupa. Sanchi ki shanti mein, Khudke aandar jhaak ke dekha. Hindustan ka dil dekha. Hindustan ka dil dekha.

Welcome to Explain Like I'm 10, where we ask simple questions with some big, complicated answers. In today's episode, Meghnad is talking about History with renowned Historian & Author Manu S Pillai & our very own Content Producer Anthony Bernard. It's just a bunch of old stories but it helps us understand how we got here. We'll talk about the good stuff like ancient perspectives, tales & even erotica of the gods and not just boring dates. Tune in for some wisdom full of fun! Follow Manu on Instagram: https://www.instagram.com/waatcoconut/?hl=en Follow Anthony on Instagram: அந்தோணி ராஜ் பெர்னார்ட் (@anthonyrajbernard) • Instagram photos and videos Subscribe to us on YouTube! : https://www.youtube.com/channel/UC0sxICr-rvhR9dvBsx4uoTA Find our host Meghnad on his social handles Instagram: https://www.instagram.com/meghnads/?hl=en Twitter: https://twitter.com/Memeghnad?s=20&t=Gc1ww3EvNh-6TNEcFD76Pw LinkedIn: https://www.linkedin.com/in/meghnad-s-83278a18b/?originalSubdomain=in Host Recommendation: ASURA Tale of the Vanquished: The Story of Ravana and His People : Anand Neelakantan: Amazon.in: Books    See omnystudio.com/listener for privacy information.

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Kanpur smart news mein RJ Piyush ke saath suniyee, ek aur unarakshit train Khajuraho se Kanpur ke liye chalegi, mausam ka purvaanuman Kanpur: uchai wale badalo ne badhai nami, shahar ke 29 madhyamik vidhyalo ko mila pracharya, pradesh bhar ke umpires Kanpur se seekhenge umpiring ke tricks, aur akshay tritiya per bazaar mein raunak, khareeda sona- chandi.

हज़ार साल पहले बना मंदिरों का ये समूह पूरे विश्व में अपने वास्तु और मैथुन मूर्तियों के लिए प्रसिद्ध है। यहाँ आनेवाले भारतीय पर्यटक इन्हें देखना भी चाहते हैं फिर भी वो बात कहने और बोलने से कतराते हैं। आसपास मौजूद स्थानीय दुकानदार और गाइड भी उनकी इस असहजता को कम करने के बजाए बढ़ाते ही हैं। ये मंदिर हमारे इतिहास की खूबसूरत धरोहर हैं जबकि यहाँ आनेवाले पर्यटक अपने पूर्वजों के शर्मिंदा वंशज। An uncomfortable heritage: Khajuraho, Khajuraho temple complex built close to a thousand years ago is know all over the world for its exquisite architecture and world-famous erotic statues. Indian tourists visiting the site are eager to watch them but shy away from telling anyone. These temples are our glorious heritage but the present-day tourist is a poor representative of their forefathers. You can follow Keshav Chaturvedi on social media: Facebook: ( https://www.facebook.com/keshav.chaturvedi.37/ ) LinkedIn: ( https://www.linkedin.com/in/keshavchaturvedi/ ) Instagram: ( https://www.instagram.com/keshavchaturvedi9/ ) Twitter: ( https://twitter.com/keshavchat ) You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app

Guru Prerana Shrimali exclusive interview part 01 only on Raaggiri. Prerana Shrimali a senior dancer of the Jaipur gharana of Kathak, received her training in dance from Guru Shri Kundanlal Gangani. Having mastered the complexities of the Jaipur style with her grace, innovativeness and imagination, she ranks amongst the most illustrious and reputed classical dancers of India today. Equally competent in pure dance (nritta) and abhinaya (expression), Ms. Shrimali has endeavoured to expand her Kathak repertoire by choreographing new and highly acclaimed compositions based on poetry, ancient, medieval, and modern; and by exploring verses of Kalidas, Amaru, Meera, Kabir, Padmakar, Ghalib, the French poet Yves Bonnefoy, and others. She fuses lyricism in virtuosity, blends expressiveness with new insights, invents new gestures, and intensifies her abhinaya with subtle imagination. She firmly believes in the open-ended possibilities that Kathak offers, particularly of new and complex experiments within the tradition, and also believes that experiments must not be ephemeral but should survive in tradition itself. Widely travelled both in India and abroad, she has featured in all the major dance festivals in India, such as at Khajuraho and in many international festivals, such as Festival D'Avignon, France. She taught Kathak in Delhi for many years; has written on ‘Kathak and Abstraction' for which she got a Senior Fellowship from the Government of India; and has worked as the Repertory Chief of Kathak Kendra, Delhi, for two years. She is a recipient of the Rajasthan Sangeet Natak Akademi Award (1993) and the Central Sangeet Natak Akademi Award (2010). Prerana Shrimali lives and works in Delhi --- Send in a voice message: https://anchor.fm/raag-giri/message

भारतीय वास्तु का एक अद्धभुत नमूना। एक ऐसा मंदिर जो सदियों तक भारत की पहचान था। आज खँडहर हो जाने के बावजूद इसका आकार, पत्थरों पर उकेरी मूर्तियां और पहिये और इसके गर्भगृह से जुड़ी अनेकों कहानियां इसे बेजोड़ बनाती हैं। कोणार्क हमारी उस समृद्ध सांस्कृतिक, धार्मिक स्थापत्य की परंपरा का भी प्रतीक है जो अब लुप्त हो चुकी है। लेकिन यहाँ आनेवाला कोई भी इसके वैभव से प्रभावित हुए बगैर नहीं रह पता। Symphony in stones: Konark A temple dedicated to the Sun god, Konark's architecture has no parallel in the entire Subcontinent. It's a symphony in stones, depicting the birth and death of human life and the importance of spirituality in between. Though in ruins, its scale, history and legends evoke awe and respect for its creators. You can follow Keshav Chaturvedi on social media: Facebook: ( https://www.facebook.com/keshav.chaturvedi.37/ ) LinkedIn: ( https://www.linkedin.com/in/keshavchaturvedi/ ) Instagram: ( https://www.instagram.com/keshavchaturvedi9/ ) Twitter: ( https://twitter.com/keshavchat ) You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app

The Khajuraho temples are mired with Tantric mysteries. Tune in as we decode their architecture decorated with sexual symbols. Script by: Ayushi ChaurasiaImage credits: Dennis Jarvis

In the season finale, Ameya and Kiran ponder over what embodied practice looks like for Indian dancers with special guest Dr. Yashoda Thakore. Dr. Thakore discusses how to define embodied practice, bridge academia and performance, and find meaningful ways to connect dance to the world around us. Ameya and Kiran reflect on what they have from Dr. Thakore's brilliant conversation and throughout all six episodes to bring Season 1 to a close.   Call to Action:  Dance in service to your life, your community, and the world around you.  Dive deeper:    Jaya Senapati:  Nrtta Ratnavali (2013) - translated by Drs. Pappu Venugopala Rao & Yashoda Thakore  Yashoda Thakore:  Kaivalya: Joy in Yoga and Dance (2014)  Yashoda Thakore:  Pārśvadeva - The Dancer's Friend -Swarbharti 2020 (digest/souvenir)  Yashoda Thakore:  https://www.sunoindia.in/her-story-of-dance/ (Her Story of Dance Podcast )(2021)  About Dr. Yashoda Thakore:  Award-winning dancer, educator, researcher, and writer, Dr. Yashoda Thakore deftly balances artistry with scholarship as a Kuchipudi and Devadasi Nrityam artiste. She initially trained in Kuchipudi for 14 years under Padmasri Shoba Naidu and Padmabhushan Vempati Chinna Satyam. Her quest to explore deeper potentialities in dance led her to train with Padmabhushan Swapnasundari for some time. Quite recently, she discovered that she is part of the Kalavantulu community of hereditary women dancers who performed in the temples, courts, and salons in and around the Godaveri Delta in Andhra Pradesh. She then began learning directly from the families themselves in this region.   Dr. Thakore has successfully bridged her love for dance practice with academic research by first pursuing a Masters in Dance and then a PhD in Yoga and Dance. In 2013, Dr. Thakore, in association with Dr. Pappu Venugopala Rao, published a critically-acclaimed English translation of the 13th-century text, Nritta Ratnavalli. Other publications include Kaivalya - Joy in Yoga & Dance. In 2017, she was conferred the Ugadi Puraskar by the Government of Andhra Pradesh for her incredible devotion and contribution to art.  She has travelled widely as both a performer and lecturer at many prestigious venues including: The Music Academy in Chennai, Khajuraho and Konark Festivals, The Nehru Center in London, Volos International Festival in Greece, the Center for South Asian Studies in Paris, and many others.  Instagram:  @yashodathakore  Facebook: https://www.facebook.com/yashoda.thakore (https://www.facebook.com/yashoda.thakore)  Website:  http://yashodathakore.com/ (http://yashodathakore.com) Today's episode would not have been possible without the support and encouragement of our amazing listeners as well as:   Dr. Yashoda Thakore   We Edit Podcasts for audio engineering   Sangeetha Kowsik for graphic design of our logo   Daya Arts  A special thanks to Wesley Beeks & Bertel King, Jr.   Ameya and I would like to thank each and every one of you for listening to Off the Beat and for your amazing support and feedback so far. Ameya and I are both first-time podcasters, and this project has been a deeply fulfilling journey for both of us. We'd love to keep the conversation going so please continue to like, subscribe, and review our podcast and help spread the word about Off the Beat to your friends, family, and colleagues! Tell us what you'd like to hear in Season 2 by sharing your thoughts on our social media at @offthebeatdance on IG, FB, Twitter, and TikTok or by visiting our website at http://www.offthebeat.dance/ (www.offthebeat.dance). Finally, please consider supporting us... Support this podcast

From the TRIUMPH OF CLEOPATRA to the MODERN PAGAN, this episode is a delightful trip through the history of art and human sexuality. We start with the orgiastic painting, TRIUMPH OF CLEOPATRA, which makes us want to know more about the history of THE NUDE in art. That revelry takes us to India to the KHAJURAHO GROUP OF MONUMENTS which are very sexy! From there we move over to some not so sexy MONOLITHS which we lose interest in rather quickly, so we steer the WikiFreakz ship back to TANTRIC SEX. And let's face it, the people who are into TANTRIC SEX are pony tail wearing, crystal worshipping NEW AGE believers. And a common sect of new ageism is the MODERN PAGAN. The oily canvass of a 19th century painting to the practices of today's modern pagan, this episode is one for the ages! -------------------------------------------------------------------- Follow WikiFreakz IG and Twitter @wikifreakzz ————————————————————————————————————- Follow Jill Weiner on IG and Twitter @jill_lives www.jilllives.com Venmo @jill-weiner-1 -------------------------------------------------------------------- Follow Connor Creagan on IG and Twitter @connorcreagan www.connorcreagan.info Venmo @connor-creagan

Prosegue il viaggio di #AriaPulita per comprendere come si affronta la pandemia nel resto del mondo. Oggi andiamo in India con la testimonianza di Yogendra Chandel, in collegamento da Khajuraho, nello stato del Madhya Pradesh.

Spiritualiteit en seksualiteit lijken goed samen te gaan in het tantrisme. In de vele tantraworkshops die her en der aangeboden worden, exploreert men het eigen lichaam en gaat men aan de slag met erotische massages in een poging meer balans te vinden tussen mannelijke en vrouwelijke energieën. Als inspiratiebron verwijst men daarbij ook vaak naar de oude tantratradities uit India. Op verschillende vlakken is echter niet zo duidelijk hoezeer ‘oosterse' en ‘westerse' tantra werkelijk met elkaar verbonden zijn. Zo staat bevrijdende seksualiteit helemaal niet centraal in Indische tantra. In veel klassieke tantrateksten blijft het zelfs geheel afwezig. In ons gesprek probeerden we daarom te verhelderen wat er dan wel de kern van vormt en een breder perspectief op de verschillende vormen van tantra te ontwikkelen. En ja, uiteraard hadden we het ook over de Kama Sutra en wat dat beroemde boek in dit alles wel of niet te betekenen heeft. ------ De afbeelding van deze aflevering is een reliëf van het befaamde Khajuraho tempelcomplex. 'Groetjes uit Shambhala' is een productie van Volzin.

In this episode, I focus on the topics of gender identity, the spectrum of sexuality, as well as the existence of those same themes throughout mythology and some of the world's many preChristian cultures. References, including https://www.genderbread.org/, at the bottom of show notes. Gender Gender Identity Gender Expression Gender Fluid Cisgender Intersex Non-binary Transgender Sexuality Asexual Bisexual Gay Lesbian Pansexual Other Terminology Ally Queer Mythology and Deities Ancient Greece The temples of Khajuraho and Mughal Niankhkhnum and Khnumhotep Neferkare and Sasenet Agni/Svaha/Soma Mitra and Varuna Tu Er Shen Hermaphroditus (Greek) Agdistis Atum Hatshepsut Hapi Isis and Iphis Bahuchara Mata Shikhandi Vishnu/Mohini Ardhanarishvara Lakapati/Bathala Lan Caihe Ymir Loki Chin (Aztec) Nadle (Navajo) Two-Spirit (Native American) Mawu-Lisa (Dahomey People) Mwari (Shona People) Ghede Nibo Yan Daudu (Nigeria) Sarombavy (Madagascar) References: https://library.rcc.edu/c.php?g=1058258&p=7698101 https://www.psychologytoday.com/us/blog/hide-and-seek/201707/gender-fluidity-in-the-gods http://www.transfaithonline.org/display/article/ten-gender-variant-religious-figures/?no_cache=1 https://www.mygwork.com/en/my-g-news/finding-queer-belonging-in-ancient-mythology https://www.pride.com/entertainment/2017/9/11/52-queer-gods-who-ruled-ancient-history https://www.hrc.org/resources/glossary-of-terms https://www.hrc.org/resources/sexual-orientation-and-gender-identity-terminology-and-definitions https://en.wikipedia.org/wiki/LGBT_themes_in_mythology https://lgbt.wikia.org/wiki/List_of_LGBT_figures_in_mythology https://foreignpolicy.com/2014/06/30/third-gender-a-short-history/ https://www.encyclopedia.com/social-sciences/applied-and-social-sciences-magazines/gender-alternatives-binary https://www.genderbread.org/ https://www.ihs.gov/lgbt/health/twospirit/ https://en.wikipedia.org/wiki/Ghede_Nibo https://itgetsbetter.org/blog/lesson/glossary/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/faithandfear/support

In this episode, Jay finally makes it to India, where he is welcome with scams and attempted thievery. After a rough start to the journey, he is finally able to relax, get into the groove of India, and thoroughly enjoys his time in Varanasi, Delhi, Agra, Khajuraho, Amritsar, and Dharamsala. From the dead bodies floating down the Ganges river, to the "Kamasutra in Stone" carvings in Khajuraho, to hanging out with Tibetan Monks in McLeod Ganj, the first part of Jay's Indian adventure does not disappoint! Places: India (Varanasi, Delhi, Agra, Khajuraho, Amritsar, Dharamsala) Email Subject(s): Beware the Monkeys Presented by Honey Roasted T-Shirts Souvenirs: Shop Here! Check out Jay's Song!: Dal Bhat Ditty Do you have your copy of "Dal Bhat Ditty"? Download or stream now from iTunes, Amazon Music, Spotify, or wherever you get your music    

(www.historyofindiapodcast.in) This is the week of small kings. The Pratihara empire has ruled for as long as anyone can remember. But a small king from the south will destroy the emperor's army and send him fleeing. And a small king from the north will restore him to his throne. Also in this episode: book reading in Baghdad, a rant about early medieval boasting, and our first glimpse of the world famous Khajuraho temples.

In this episode: #Khajuraho #MadhyaPradesh #temples #architecture #erotic #sculptures #architecture #history #folklore #religion #UNESCO #heritage #cycling #walking #tour #museum #spirituality #sex #taboo #archaeologyThis week, The Musafir Stories speaks to Tarun and Pournima, two of our dear listeners and two budding doctors about their trip to Khajuraho!Today's destination: Khajuraho, MPNearest Airport: Khajuraho airportNearest Railway Station: Khajuraho or Mahoba stationPrerequisites - n/aPacking -  Make sure to pack according to the weather as summers can be hot.Time of the year -  NovemberLength of the itinerary: 3 daysItinerary Highlights:- Tarun and Pournima set off on a 3 day itinerary to explore the myths and truths around the UNESCO world heritage site - Khajuraho- The duo talk about the motivation and inspiration for their travel to Khajuraho and the background of the famed temples of Khajuraho that are home to some erotic sculptures.- Day 1 is spent relaxing and visiting Matangeshwar temple, perhaps the only functional temple in the region.- Day 2 was a busy day right from the morning starting off with a visit to the Western temple complex, the most well maintained and elaborate group of temples. The Western group of temples comprises of Kandariya Mahadev temple, Lakshmana temple, Jagadambi temple, Vishwanath temple, Chitragupt temple and smaller temples of Varaha and Nandi.- Tarun and Pournima also talk extensively about the backstory of some of the sculptures. Must utilize the services of a guide to get the most out of this visit.- There is also an Archaeological museum close to the Western group of temples that is a must visit.- Eastern group of temples include a Jain group of temples along with Jowari temple, Vamana temple among others.- Chaturbhuj temple - the only temple facing west and Dulhadev temple are a part of the southern group of temples. The duo also visit the sound and light show in the evening to cap off a very fruitful day.- Day 3 is more about revisiting some temples and photography before heading back to Nagpur.Links:Link to the blogpost: https://www.tripoto.com/trip/khajuraho-where-sex-is-sacred-5cbcdc86a6906Link to the blog: https://www.tripoto.com/profile/tarunasati1272653IG: @pournima.kole @tarun_asati Image by Rinki Lohia from Pixabay Follow The Musafir Stories onTwitter : https://twitter.com/musafirstories?lang=enFacebook: https://www.facebook.com/themusafirstories/Instagram: https://www.instagram.com/musafirstoriespodcast/?hl=enwebsite: www.themusafirstories.comemail: themusafirstories@gmail.comitunes -  https://apple.co/2LPtTA3Google podcasts - http://bit.ly/2toY7ljwebsite - http://bit.ly/2xFZqOVSaavn - https://bit.ly/2J5rIqiSpotify - https://spoti.fi/2HLPSVipocketcasts - https://bit.ly/2xu3Ewgcastbox - https://bit.ly/2sqBDQiGaana - http://bit.ly/2NClUYYOvercast - https://bit.ly/2LN9wnfStitcher Radio - https://bit.ly/2JiBbhwaudioBoom - https://bit.ly/2oZZowSTuneIn - https://bit.ly/2xyQH4aRadioPublic - https://bit.ly/2snY9u0iHeartradio - https://ihr.fm/2xvOG8RDeezer - https://bit.ly/2L7GmOo

This week, The Musafir Stories speaks to  Sai Kumar as we continue disucssing his ascent towards Leh-Ladakh after having successfully covered the terrains of the Kerala, Karnataka, Goa, Maharashtra, Rajasthan and Punjab. So sit back and enjoy part 2 of the Great Indian Road trip! Time of the year - July Length of the itinerary: 77 days, 11,124kms!!! Itinerary Highlights:  Sai continues his journey from Amritsar towards Ladakh, albeit with a slight change of plan due to the unrest in Srinagar. He finds a travel companion in Peter, a British explorer who has been riding his bike across the world, and the two set off towards Kashmir via the challenging Sach Pass, the mother of all passes! This was one of the most challenging stretches of the road trip, yet completely pristine and serene. There were a couple of landslides to deal with as well as streams to cross! Finally a stop at Killar for the night, after almost 16 hours on the road Continue riding towards Key long, the last base before riding towards Leh with a stopover at Udaipur(HP) and Saarchu! Start early, pass Pang before you hit the Leh-Manali highway and enjoy riding on good roads after a long time. Finally reach Leh on day 36! Sai spends about two weeks here where he meets up with family traveling from Bangalore! Some things to do are Pangong Lake, slightly over-rated according to Sai. Visit monasteries like Thiksey monastery, Shanti Stupa, the market place of Leh. Homestays is a good way to interact with the locals and be closer to the local culture.  Treks to Nubra valley, seeing camels, Kargil war museum and tons of things to do in this beautiful town of Leh!  Finally start the descend downwards (although the original plan was to travel south east towards Assam, the flood situation in Bihar, UP and Assam forced Sai to change directions again) Leh - Jaspa - Manali- Chandigarh. Finally get to enjoy the good roads after close to a month and enjoy some good food! Ride towards Delhi for a short trip and enjoy the sights around NCR before heading out towards Agra! Hit the Yamuna express way to reach Agra in a whiff!  Watch the mighty Taj Mahal in all its glory and Sai also got to celebrate his birthday in Agra, albeit he was a bit sick From here heads off towards MP where Khajuraho is his next stop - exploring the iconic temples and learning about the history of the place. Hiring a local tourist guide would be beneficial.  Start riding towards AP and Telangana and reach Hyderabad!Feeling closer to home! Enjoy the sights of Hyderabad! Get some rest and head off towards Bangalore! Sai had to suffer another scare as there were Cauvery water related riots in Bangalore and parts of Tamil Nadu. Sai manages to get away to Hosur before things get out of hand.  Sai continues towards Madurai and visits the Meenakshi Amman temple, an architectural marvel! Sai next heads off to Kanyakumari, enjoys Onam festivites on the way, enjoying some Sadya - the traditional meal of Onam! Visit the Swami Vivekananda rock memorial and museum to know more about his journey across India! Before finishing off the journey, Sai decides to join his family for the Sabarimala pilgrimage after which he returns back to Coimbatore - where it all started. A bitter-sweet feeling, on one hand you are back  to the comforts of home, but deep down, you know your freedom you enjoyed during the trip is going to die a gradual death! Links: Link to Sai's blog - www.planetsai.com Link to the photo story - http://imgur.com/a/aE9nR #travel #trip #road #bike #India #IncredibleIndia #TheMusafirStories #SaiKumar #Ladakh #British #explorer #Kashmir #Sach #Pass #Killar #Pangong #Lake #3Idiots #Thiksey #monastery #Yamuna #TajMahal #Hyderabad #Swami #Vivekananda #Memorial #Coimbatore