Podcasts about Amaru

Last time we spoke about the second Okinawa Offensive. In the brutal Second Okinawa Counteroffensive, American forces confronted staunch Japanese defenses, with Captain Ryan leading a valiant charge for territory. Despite fierce resistance and heavy casualties, his troops managed to seize crucial ground, enduring intense hand-to-hand combat atop Ryan Ridge. The battle raged on, with American forces fighting through exhaustion and dwindling supplies, while the Japanese, though determined, faced declining morale as they lost ground. The relentless struggle exemplified extraordinary sacrifice on both sides, but it foreshadowed a turning point in the Pacific campaign. As American advances continued, the tide shifted, marking the beginning of the end for Japanese dominance in the region, ultimately paving the way for Allied victory. This episode is the Battle of the Malacca Strait Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  After the failure of their second offensive, the Japanese turned all their energies toward waging a prolonged battle of attrition. Their losses did not impair immediately their defensive capacities; thus the 24th Corps found no weak point in the Shuri defenses resulting from the ill-starred offensive. By throwing fresh troops into the attack of 4 May Ushijima had been able to maintain his strength all along the line. Nor was there any breakdown in his command and staff operation. Front-line units were reorganized without seeming loss of effectiveness; available reinforcements were carefully allotted to existing regiments; local counterattacks were timed for maximum effect. General Ushijima's chief task now was to keep sufficient combat troops at the front to man his Shuri defenses. It was apparent by 7 May that the strength of the remaining regular infantry was not great enough for this task. Consequently, Ushijima converted service units into infantry combat groups. By mixing service troops with the "regulars," he exacted from them their maximum combat effectiveness. "One man in ten will continue with his rear-echelon duties. The remaining nine men will devote themselves to antitank combat training," one order stated. The reorganization of the 32d Regiment, 24th Division, was typical of the resourcefulness of the Japanese. The regimental headquarters received 5 men from the 24th Transport Regiment. The 1st Battalion kept its own surviving members and was allotted all the survivors of the 2d Battalion, 20 men from the 7th Shipping Depot, 90 from the 24th Transport Regiment, and y from the 26th Sea Raiding Squadron. The 2d Battalion was totally reconstituted from the 29th Independent Infantry Battalion and other units. The 3d Battalion was reorganized in a manner similar to that used with the 1st. It was by this process of piecing units together that the 32d Army was able to stay intact long after the original combat units had been virtually destroyed, a capability which at the time American intelligence officers found "baffling." After his offensive failed, the enemy formed a line in which the relative position of the major units was to remain roughly the same until the end of the battle. On the east the 24th Division, reinforced by two independent battalions, held the line as far as Shuri, with its 89th Regiment on the east, its 22d in the center, and its 32d on the west. The remnants of the battered 62d Division were stretched from a point north of Shuri almost to the west coast, holding about one-third of the line. Along the Asa River estuary was a battalion of the 44th Independent Mixed Brigade. The Japanese husbanded their remaining heavy weapons, especially their artillery, as carefully as they meted out their manpower. On 6 May the Japanese 5th Artillery Command directed its units to "revert to the [defensive] situation which held prior to the attack situation of 3 May." Once again the protection of individual pieces was a cardinal feature of enemy operations. Artillery units were ordered to "use ammunition with the utmost economy" and to "wait and fire for effect against vital targets." Along the west coast, preliminary plans were underway for the deployment of General Shepherd's 6th Marine Division to the front lines, while General Del Valle's 1st Marine Division continued its assault on the Dakeshi-Awacha hill complex. Colonel Snedeker's 7th Marines secured the coastal flank after capturing the north bank of the Asa River. Meanwhile, Colonel Arthur Mason's 1st Marines focused their efforts on the western approaches to the Dakeshi hill defenses, but they were ultimately repulsed by the tenacious Japanese defenders around Hill 60. In the Awacha Pocket, Colonel Griebel's 5th Marines faced fierce opposition, resulting in only modest territorial gains. To the east, after successfully fending off multiple strong enemy counterattacks, General Bruce's 77th Division advanced 800 yards south toward Hill 187, establishing control over the southern slope of the Maeda Escarpment. Finally, operations in General Arnold's 7th Division area were confined to robust patrols aimed at securing the approaches to Conical Hill and eliminating the remaining fragments of the failed Japanese counteroffensive. Convinced that the Japanese had nearly exhausted their fresh reserves, General Buckner began planning a comprehensive assault on the Shuri defenses with his two corps. On May 7, General Geiger was assigned to command the 1st Marine Division within the 24th Corps front and oversee the southern movement of the 6th Marine Division, with General Buckner taking direct tactical control of the two-corps assault. Heavy rains on the morning of 7 May delayed the projected IIIAC advance until tanks were able to negotiate the muddy terrain. In the 1st Marines' zone, the new regimental commander, Colonel Arthur T. Mason, ordered 3/1 to support the attack of the 2d Battalion on Hill 60 with all available weapons (four battalions of artillery, a fire support ship, and 81-mm. and 60-mm. mortars) by firing into the enemy reverse slope defenses. All morning long the regiment's mortars concentrated on the enemy position, and at 1400 when tanks finally reached the front lines the battalion attacked with Company E in assault. Artillery fire covered the foot of the objective while mortars and assault guns blanketed the crest and reverse slopes. The company swept to the top of Hill 60 by 1422 in a vivid demonstration of "the effect of properly massed, supporting fires in front of assault troops." Once the company entered the impact zone, however, and supporting fires were shifted to other targets the enemy defenders emerged from their caves and engaged the Marines in hand grenade duels. The fighting was at such close range that it was impossible to keep enough grenades on the line, and the marines used rifle butts against Japanese who tried to storm their position. Gradually the volume of Japanese fire of all types "grew noticeably stronger and progressively more intense so that it was evident that the enemy was receiving large reinforcements." The troops lost their hold at one point, then fought their way to the top again, yet the continuing Japanese fire from the reverse slope of Nan Hill was the decisive factor. The threat of a strong counterattack measured against the dwindling strength of Company E forced Lieutenant Colonel Magee to adjudge the company's advanced position untenable and to order a withdrawal to the previous night's lines. To the west, the 5th Marines steadily advanced approximately 400 yards in the Awacha Pocket, while the 77th Division gained up to 500 yards of enemy territory despite increasingly fierce resistance. By the end of the day, Colonel Coolidge's 305th Regiment had relieved the weary 307th. On the east coast, Colonel Green's 184th Regiment resumed its southward push, quickly capturing Gaja Ridge and William Hill, but faced greater opposition as they approached the western flanks of Conical Hill. Meanwhile, Colonel Pachler's 17th Regiment continued its assault toward Zebra Hill but could only secure How Hill and make incremental gains on Kochi Ridge, depleting their strength. The following day, as General Bradley's replenished 96th Division prepared to relieve the 7th, the 184th Regiment managed to occupy the forward slope of Easy Hill near Kibara without armored support. Throughout the rest of the 10th Army front, relentless cold rain effectively canceled planned offensive operations, leading the 1st Marines to focus on dismantling enemy positions on Nan Hill. Colonel Schneider's 22nd Marines took over from the 7th Marines along the Asa River just as news of the victory in Europe reached the infantry units, prompting a somewhat indifferent reaction from the rain-soaked soldiers preoccupied with the ongoing fighting in Okinawa. Exactly at 1200 every available artillery piece and naval gun fired three volleys at vital enemy targets to apprise the Japanese of the defeat of their Axis partner. On May 9, Japanese kamikaze pilots launched a series of scattered attacks, damaging the carrier Formidable and two destroyers. In preparation for Buckner's general offensive, the 22nd Marines patrolled their front to identify suitable crossing sites over the Asa River. Meanwhile, with Nan Hill fully cleared, Mason's 2nd Battalion renewed its assault on Hill 60, while the 1st Battalion advanced into the high ground to the east, successfully capturing their objective this time. Reinforced by elements of the 7th Marines, the 5th Marines also launched another attack on the Awacha Pocket but continued to encounter fierce resistance. In response, Griebel was tasked with reducing the Awacha defenses using two battalions, while Snedeker's reinforced 7th Marines pressed the offensive southward. To the east, General Bruce focused his efforts on the 305th Regiment's sector, resulting in the 3rd Battalion securing a foothold on Hill 187. The 17th Regiment, which had fought tenaciously to capture Kochi Ridge and the high ground west of Conical Hill, was relieved by Colonel Dill's 382nd Regiment. Concurrently, Colonel May's 383rd Regiment moved into forward assembly areas behind the 184th and on May 10, took over the positions north of Conical Hill. Both fresh regiments of the 96th Division were then able to destroy enemy strongpoints that had impeded the progress of the weary 7th Division and capture key hills that protected the approaches to Conical. On the west coast, after stealthily constructing a footbridge across the Asa during the night, three companies of the 22nd Marines successfully crossed the river. However, two Japanese "human demolition charges" emerged from hiding and rushed the south end of the footbridge, destroying it. Despite the challenges, the attack south toward the town of Asa continued, successfully establishing a bridgehead that stretched 1,400 yards long and 350 yards deep by the end of the day. To the east, the 1st Marines launched an assault on the western end of Dakeshi but were pushed back by intense enfilading fire from the ridge. Similarly, although the 7th Marines initially advanced rapidly against scattered opposition, they were ultimately forced to withdraw under heavy Japanese fire. Behind them, after fending off two fierce night counterattacks, the 5th Marines failed to isolate the Awacha Pocket but made significant strides, penetrating deep into the heart of the Awacha defenses. Meanwhile, the 305th Regiment captured additional high ground leading toward the crucial road junction north of Shuri, where the reorganized and reinforced 32nd Regiment had established its primary defenses. The remnants of the 62nd Division were gradually being withdrawn toward Shuri, with General Suzuki's fresh 44th Independent Mixed Brigade taking over the western sector. On May 11, General Buckner initiated his general offensive against Shuri, planning to envelop the town from both the west and east. However, this offensive was preceded by Admiral Ugaki's sixth mass Kikisui strike, during which 150 kamikazes launched successful attacks on American shipping. That morning, the 721st Kokutai's Sub-Lieutenant Yasunori Seizo led six kamikazes out of Kanoya. By 10:02, Admiral Mitscher was informed of possible bogeys infiltrating the returning TF 58 strike to reach the US carriers. Two minutes later came an overhead Corsair's sudden frantic warning: “Alert! Alert! Two planes diving on the Bunker Hill!” Almost immediately, Yasunori's Zero dove out of low overcast toward Bunker Hill and released its payload. The 550lb bomb pierced the flight deck, exited the side of the hull, and exploded above water. Simultaneously, Yasunori's Zero caromed into the center of Bunker Hill's flight deck, its gas tank exploding among 34 manned, armed, and fully fueled US fighters, before careening blazing over the side. One minute later, Yasunori's wingman Ensign Ogawa Kiyoshi roared past Bunker Hill, climbed steeply into a roll, and then dove straight at the carrier. Ogawa released his 550lb bomb, which scored amidships and exploded in the gallery deck, slaughtering much of Mitscher's staff. Simultaneously, Ogawa deliberately slammed his Zero into Bunker Hill's island just 100ft from Mitscher. Mitscher's operations officer, Commander Jimmy Flatley, had just left the gallery deck when Ogawa's bomb struck, searing his back. Mitscher had observed the entire attack in silence, and just then emerged from the bridge to gaze at the blazing flight deck. The Flag Plot was choked with billowing smoke and Mitscher's chief-of-staff, a gasping, wheezing Commodore Arleigh Burke, ordered it evacuated. A third Zero then dove on Bunker Hill, but anti-aircraft fire sent it blazing into the sea close aboard. Aboard Bunker Hill, a cascade of gasoline explosions erupted from burning planes aft, while tracers sprayed haphazardly from detonating machine gun ammunition. Speed fell to 10kts and as the crew began intensive firefighting efforts, a slight list developed. Cruiser Wilkes-Barre and three destroyers came alongside to fight fires and rescue 300 men forced overboard, yet most of Bunker Hill's fighter pilots had been asphyxiated in their ready room. By 11:30, however, damage was largely stabilized. Nevertheless, Bunker Hill had lost 393 men killed and 264 wounded. Although horribly outnumbered, the Americans' Corsair CAP shot down 50 attackers before the Japanese got through at 0800hrs. Over the next 90 minutes the two violently maneuvering destroyers would claim a combined 42 kills before Evans was disabled by four kamikaze hits. Minutes later Hugh W. Hadley was knocked out by her third kamikaze hit. With his ship dead in the water and blazing uncontrollably, Hugh W. Hadley's Commander Mullaney ordered all available colors hoisted: “If this ship is going down, she's going down with all flags flying.” Escorting the destroyers were three LCS(L)s and one LSM(R), who themselves combined to splash 14 Japanese planes before the action mercifully ended. All six ships survived, but the destroyers were towed to Kerama Retto, having suffered a combined 60 killed and 94 wounded. East of Okinawa, a G4M Betty bomber and four Ki-43 Oscars attacked RPS-5 at 0800hrs. One plane crashed destroyer-minelayer Harry F. Bauer (DM-26)'s stern, the kamikaze miraculously “plowing through the rack of depth charges and shoving them into the sea with none of them exploding.” Escorting LCS(L)-88 splashed two Oscars, the second scoring a posthumous 220lb bomb hit on her which killed nine and wounded seven. Back on the west coast, supported by tanks and artillery, the 22nd Marines advanced toward Amike. Their 3rd Battalion established control of the high ground overlooking Naha after an 800-yard advance, while the 1st Battalion gained the coral ridge in front after a series of costly assaults. The 2nd Battalion further extended the line to connect with the 1st Marine Division. Del Valle's advance was spearheaded by Mason's 2nd Battalion, which successfully secured a foothold on the high ground west of Wana despite a heavy artillery bombardment. In constructing the Wana position the Japanese had "taken advantage of every feature of a terrain so difficult it could not have been better designed if the enemy himself had the power to do so." With this natural advantage, the enemy had so organized the area that in order to crack the main line of resistance it was necessary for the 1st Marine Division to wheel towards Shuri and attack directly into the heart of the city's powerful defenses. Any attempt to drive past Shuri and continue the attack to the south would mean unacceptable losses inflicted by artillery, mortar, automatic-weapons, and rifle fire coming from the heights that commanded the division's flank and rear areas. The southernmost branch of the Asa Kawa wandered across the gently rising floor of Wana Draw and through the northern part of Shuri. The low rolling ground bordering the insignificant stream was completely exposed to enemy fire from positions along the reverse slope of Wana Ridge and the military crest of the ridge to the south. At its mouth Wana Draw was approximately 400 yards wide, but it narrowed drastically as it approached the city and the ridge walls closed on the stream bed. Guarding the western end of the draw was Hill 55, rugged terminus of the southern ridge line. The hill bristled with enemy guns whose fields of fire included the whole of the open ground leading to the draw. Defending the Wana position was the 64th Brigade of the 62d Division with remnants of the 15th, 23d, and 273d Independent Infantry Battalions, the 14th Independent Machine Gun Battalion, and the 81st Field Antiaircraft Artillery Battalion under its command. The 7th Marines advanced approximately 800 yards, establishing a firm hold on Dakeshi Ridge, while the 5th Marines eliminated the last organized resistance in the Awacha Pocket. In the center of the front, Bruce's two regiments needed to coordinate more closely with neighboring divisions than with one another. As a result, the 305th Regiment advanced up to 500 yards against fierce resistance, while Colonel Smith's 306th Regiment struggled to make headway against the formidable defenses of Chocolate Drop Hill and Wart Hill. To the east, after repelling a series of night counterattacks, the 382nd Regiment consolidated its positions on Zebra Hill and continued probing toward the Dick Hills area and the ridges northwest of Kuhazu. The 383rd Regiment quickly secured Easy and Fox Hills, subsequently capturing the summit of Charlie Hill. However, over the next two days, efforts by the 1st Battalion to dislodge the defenders from the top would be thwarted by withering fire from King Hill, while the 2nd Battalion cleared Gaja Ridge and the twin villages of Tobaru and Amaru. On May 12, Dill's 3rd Battalion executed a successful assault, capturing Baker Hill, although the 1st Battalion's attack on Dick Baker was repelled by the defenders. To the west, the 306th Regiment only provided support for the advance of the 305th, which faced difficult terrain in the broken ground west of Route 5, managing to gain about 500 yards. Meanwhile, the 7th Marines solidified their hold on Dakeshi Ridge against sporadic opposition, but the 1st Marines found themselves pinned down while trying to improve their positions west of Wana. The vulnerability of the 6th Marine Division to direct fire from the western slopes of the Shuri massif resulted in significant losses for Schneider's 2nd Battalion as it fought to seize the high ground overlooking Naha, ultimately being repelled from Sugar Loaf Hill. Meanwhile, the 1st Battalion advanced steadily in the center, capturing the high ground north of Asato, while the 3rd Battalion secured commanding positions and conducted patrols through the suburbs of Naha. At sea, scattered kamikaze attacks damaged Admiral Spruance's flagship, the battleship New Mexico, and inflicted further damage on two additional destroyers the following day. In retaliation, Mitscher directed Task Force 58 to strike Kyushu once again. Back on Okinawa, as Schneider's 3rd Battalion reconnoitered the northern suburbs of Naha, the 2nd Battalion launched another unsuccessful attack on Sugar Loaf Hill. In light of this resistance and the heavy casualties suffered by the 22nd Marines, Shepherd ordered Colonel Whaling's 29th Marines to reinforce the effort, but they could only position themselves northwest of Makabe. To the east, while the 1st Marines faced heavy losses and were repelled at the mouth of Wana Draw, the 7th Marines finally secured Dakeshi Ridge. In the center, the 305th Regiment continued its determined advance into the extremely rugged terrain north and northeast of Shuri, whereas the 306th Regiment once again failed to capture Chocolate Drop Hill and Wart Hill. Coordinated with this, the 382nd Regiment attacked the Dick Hills, successfully securing Dick Baker and Dick Able against light opposition, but ultimately being pushed back from the latter. Further east, May's 2nd Battalion launched a frontal assault on Conical Hill, successfully reaching the northeast crest of the ridge, where it repelled several heavy Japanese counterattacks. Back at sea, Task Force 58 launched another strike on Kyushu during the early hours of May 14. In response, the Japanese dispatched 28 kamikazes alongside 40 escorts, inflicting heavy damage on Mitscher's new flagship, the carrier Enterprise, in what would become known as the last action of the Gray Ghost.  At 05:25, some 28 Zeros, armed with 1100lb bombs, sortied from Kanoya towards Mitscher's carriers cruising 130nm southeast of Kyushu. 40 fighters escorted them. Around 06:45 Enterprise detected 4 incoming bogies. 3 were shot down over TF 58, but the fourth, flown by Sub-Lieutenant Tomiyasu Shunsuke, continued closing. Using clouds for cover, Tomiyasu approached Enterprise from astern. Already struck by flak, at 06:57 Tomiyasu's blazing Zero suddenly appeared 200ft above Enterprise, which erupted with anti-aircraft fire. Although seeming to have overflown his target, Tomiyasu suddenly snap-rolled his burning Zero onto its back and dove almost vertically into Enterprise's flight deck. Observing from Enterprise's exposed bridge wing, Flatley rushed back inside and shouted to take cover just as Tomiyasu's kamikaze hit. The thunderous explosion blew Enterprise's forward elevator 400ft in the air, rattled the carrier's bridge, and flung shrapnel against her island. As Flatley emerged from cover he observed an unsmiling Mitscher, arms crossed, standing amid the smoking wreckage. “Jimmy,” Mitscher growled, “tell my Task Group commanders that if the Japs keep this up they're going to grow hair on my head yet.” Enterprise remained on station, but her flight deck was out of action. TF 58 splashed 3 more planes before Japanese attacks ended at 08:00. That evening TF 58 retired from Kyushu. The following morning, May 15, Mitscher transferred to carrier Randolph, his third flagship in 5 days. Enterprise would detach for repairs in the United States on May 16, having lost 14 dead and 68 wounded. Her war too was over. Honestly for those of you who might not know, the USS Enterprise is the most decorated ship of all time, an absolutely insane history. She was so impressive, my patreons voted for me to do an exclusive episode on her and it took two full episodes to do. If you are interested in the history of the USS Enterprise, please check out my exclusive podcast. At Okinawa, as positions on Conical Hill were being consolidated, May's 1st Battalion renewed its attack on Charlie Hill, successfully securing a foothold at its northern end, which was later extended down the southern slope. Simultaneously, Company L launched an assault on King Hill, managing to capture the entire crest. To the west, Dill's 1st Battalion attacked and captured Dick Able and Dick Right, although they had to relinquish Dick Right after a vigorous Japanese counterattack. The 3rd Battalion also advanced toward Dick Right, establishing a tenuous hold on the position. Further west, the 306th Regiment committed its last remaining strength, a composite battalion, to advance beyond Wart Hill, but it was quickly cut down by overwhelming flanking fire. Similarly, the battered 305th Regiment made little progress in the rugged terrain. Meanwhile, the 7th Marines advanced to within 100 yards of the ridge crest north of Wana, where they were ultimately pinned down by heavy fire. Concurrently, the depleted 1st Marines launched an assault that captured the western tip of Wana Ridge, aided by tanks and artillery, though a fierce night counterattack forced them to withdraw before being relieved by the fresh 5th Marines. Along the coast, the 22nd Marines successfully pushed toward the north bank of the Asato River, but the main action was poised to occur at Sugar Loaf Hill. Though Schneider's 2nd Battalion successfully seized the forward slopes of the protective hills north of Sugar Loaf, including Queen Hill, they faced intense enemy fire whenever they attempted to maneuver around or over these hills to launch an attack on Sugar Loaf itself. Nevertheless, the Marines pressed on, and by nightfall, a group of about 40 men under Major Henry Courtney managed to storm the hill, throwing grenades ahead of them and subsequently digging in at the summit to withstand a night of heavy mortar fire and constant counterattacks. This attack was further supported by the 29th Marines, which, after overcoming initial hardships, secured the forward slopes of the hill northeast of Sugar Loaf. During the early hours of May 15, the embattled group atop Sugar Loaf gratefully welcomed the arrival of reinforcements, though it was not before Major Courtney heroically fell while leading a grenade assault against the defenders on the reverse slope. Despite the reinforcements, enemy pressure on Sugar Loaf intensified, ultimately forcing the battered Marines off the hill. This triggered a fierce Japanese counterattack across a 900-yard front, compelling Schneider's 2nd Battalion to relinquish the ground immediately north of Sugar Loaf. Fearing a breakthrough, elements of his 1st Battalion seized the hill northwest of Sugar Loaf to help blunt the force of the enemy counterattacks, while the 3rd Battalion relieved the exhausted 2nd across the line. Additionally, the 29th Marines not only played a significant role in repulsing the enemy counterattack but also effectively strengthened its hold on the high ground north of Half Moon Hill.  To the east, while the 7th Marines reorganized and cleared out Dakeshi, the 5th Marines launched their first tank-infantry assault against Wana Draw. At 0630 on 15 May the 5th Marines completed the relief of the 1st, and Colonel Griebel assumed command of the zone of action west of Wana. The 2d Battalion was in assault with the 3d in close support and the 1st in reserve. On the recommendation of the regimental and battalion commanders of both the 1st and 5th Marines, the division decided to subject the high ground on both sides of Wana Draw to a thorough processing by tanks and self-propelled 105mm howitzers before 2/5 attempted to advance across the open ground at the mouth of the draw. With Company F of 2/5 providing fire teams for protection against suicide attackers, nine tanks from Company B, 1st Tank Battalion spent the morning working on the positions at the mouth of the draw. The tanks drew heavy small-arms, mortar, artillery, and AT fire, and accompanying infantry was dispersed to reduce casualties. Because of the open area of operation, the fire teams were still able to cover the tanks at relatively long-ranges. Both sides of the draw were honeycombed with caves and the tanks received intense and accurate fire from every sector at their front. During the morning one 47mm AT gun scored five hits on the attacking armor before NGF silenced it. About noon the tanks withdrew to allow an air strike to be placed in the draw and then return to the attack in reinforced strength. Naval gunfire again silenced a 47mm gun that took the tanks under fire, this time before any damage was done. With the approach of darkness the tanks pulled out of the draw pursued by a fury of enemy fire. The 5th Marines, convinced "that the position would have to be thoroughly pounded before it could be taken," scheduled another day of tank-infantry processing for Wana Draw before making its assault. In the center, the battered 305th Regiment continued its relentless advance through the irregular terrain west of the main Ginowan-Shuri highway. Simultaneously, Colonel Hamilton's 307th Regiment finally relieved the exhausted 306th and launched simultaneous attacks on Flattop and Chocolate Drop Hill. The 3rd Battalion slowly maneuvered toward the northern base of the Drop and the north slopes of Flattop, while the 2nd Battalion advanced toward Ishimmi Ridge through the open highway valley. Concurrently, the 382nd Regiment supported the assault on Flattop with its own attack against Dick Hill, successfully capturing its crest but failing to cross the skyline. Meanwhile, the 383rd Regiment struggled to make progress against intense enemy fire from the hill complex southwest of Conical's peak, although some elements managed to advance up the northwest spur from King Hill amid thick mortar fire.  Now, it's time to shift our focus from Okinawa to the sea, where we will cover the last destroyer actions of the Second World War. At the beginning of February, with the Southwest Area Fleet staff isolated in the Philippines, Vice-Admiral Fukudome Shigeru formed the 10th Area Fleet to defend the shores of Indonesia and Indochina. The 10th Area Fleet was comprised of the remnants of the 2nd Striking Force. This consisted of the two converted battleship/aircraft carriers Ise and Hyuga, forming the carrier squadron, and the two heavy cruisers Ashigara and Haguro, forming the 5th Cruiser Division. Two more heavy cruisers, Takao and Myoko, were at Singapore where both had reached sanctuary after being badly damaged in the Battle of Leyte Gulf. Myoko had made one attempt to escape back to Japan in December 1944, but had been torpedoed by the US submarine Bergol on the 13th, and had then returned to Singapore. The cruiser Oyodo joined the fleet from February 5 to 20 and a fourth cruiser, Isuzu, joined on March 25 but lasted barely a fortnight before being sunk, on April 7, in a coordinated attack by the US submarines Charr, Gabilan and Besugo, with peripheral assistance from the British submarine Spark. In February Ise and Hyuga were also recalled and sailed on the 10th from Singapore, bound for Japan, carrying aviation spirit and other war materials. With such valuable cargoes the Japanese took great care to safeguard their passage and, by a combination of good luck and bad weather, both evaded numerous attacks by air and by submarine and reached Moji on the 19th. Haguro and Ashigara, and one old destroyer, Kamikaze, were now the only sizable warships left in the 10th Area Fleet to protect the troop evacuations. At this stage, the Japanese aimed to hold Java, Borneo, and Sumatra for as long as possible while planning their main defensive efforts in Malaya and Indochina. Consequently, they began withdrawing their garrisons from the outlying islands of the Moluccas, Timor, the Lesser Sunda Islands, and the scattered islands of the Panda and Arafura Seas. Anticipating a similar evacuation of Japanese garrisons in the Andaman and Nicobar Islands, Admiral Arthur Power's East Indies Fleet had dispatched destroyers on a series of anti-shipping sweeps in the Andaman Sea, successfully destroying several relief convoys. On May 10, Fukudome decided to commence the evacuation of the Andaman Islands, dispatching Vice-Admiral Hashimoto Shintaro's heavy cruiser Haguro and destroyer Kamikaze to deliver supplies to the islands and return with troops back to Singapore. Additionally, a secondary convoy consisting of one auxiliary vessel and one subchaser was organized to perform the same mission for the Nicobar Islands. As Allied intelligence uncovered these plans, Vice-Admiral Harold Walker's Force 61, primarily composed of the battleships Queen Elizabeth and Richelieu and four escort carriers, sailed from Trincomalee to intercept the Japanese ships. However, the Japanese were unwilling to risk a battle, and upon receiving an air reconnaissance warning, they returned to Singapore. Nonetheless, Walker decided to remain in the area, awaiting reinforcements in case the enemy regained the confidence to launch another sortie. On May 14, Fukudome finally resolved to carry out the evacuation again, this time first sending forward his secondary convoy to the Nicobars. This force managed to reach the islands unmolested during the day and successfully embarked 450 troops before setting sail for Penang, although they were later spotted by a patrolling Liberator. In response, Walker dispatched the 21st Aircraft Carrier Squadron and the 26th Destroyer Flotilla to conduct an air and sea sweep off Diamond Point aimed at intercepting and destroying the enemy. On the morning of May 15, some Avengers encountered Haguro and Kamikaze as they returned to the Malacca Strait. As Captain Manley Power's destroyers rushed to the area, three Avengers launched by the escort carrier Shah attacked Haguro with bombs in the afternoon, causing minimal damage that only compelled Haguro to alter its course eastward. However, this diversion effectively allowed the destroyer force to intercept Hashimoto's convoy during the night. As the flotilla closed in on the enemy during the early hours of May 16, Hashimoto reacted desperately by fleeing at full speed to the north, thwarting Power's carefully laid ambush. Soon after, however, Haguro turned to port, crossing paths with the destroyer Venus, which was closing in at full speed from the west. Surprisingly, Venus failed to launch its torpedoes, prompting Hashimoto to turn south and back into Power's trap.  Haguro's violent turn away changed the situation dramatically. Saumarez now found the enemy racing down towards her port side at a relative speed of nearly 60 MPH. Kamikaze, following astern of Haguro, passed so close in front of Saumarez from starboard to port that Captain Power had to swing his ship hard to starboard and back to port again to avoid her. Kamikaze passed very close down Saumarez' port side and was taken under fire by both main and close range armament. Opening with star-shell, Saumarez shifted fire to Haguro herself at 0108, the enemy replying with main and secondary armament. The two enemy ships could now be clearly identified from Saumarez' bridge, Haguro at about 5,000 yards and Kamikaze about 2,200 yards range. ‘We had a glimpse of the cruiser by starshell, but now it was dark. She looked pretty big and her direction easy to see by her bow-wave and wash. Inclination vague but obviously broad. I thought she was going very fast. Her side was shining like a wet wall, with the reflection of her own starshell from behind us, I think.' To Lt. Reay Parkinson, also in Saumarez, Haguro ‘seemed to tower above us like a sky-scraper and her guns were depressed to their lowest angle'. Haguro's fire was accurate and splashes from near misses drenched the bridge personnel, binoculars and sound-powered telephones. But, as Captain Power philosophically remarked, ‘if you are only getting wet there is nothing to worry about'. However, Saumarez was unfortunately not merely getting wet. At about 0111, when Captain Power was just considering turning to fire, ‘one boiler got hit. There was a lot of steam and smoke amidships and a sort of queer silence. The ship was obviously slowing down and I thought she was going to stop.' Saumarez' torpedo tubes had been trained to starboard, ready for the bow attack, with torpedoes angled to run 70° left. There was no time to train the tubes to port. Captain Power swung his ship to port ‘like a shotgun' and at 0113, as Saumarez was slowing down but still swinging hard to port, a salvo of eight torpedoes was fired at Haguro's beam, at a range of 2,000 yards. Still under heavy fire, Saumarez continued her turn to port to open the range, telegraphs being put to ‘Full Ahead' to get the utmost speed from whatever engine power remained. A minute after Saumarez' attack, Verulam made an unmolested attack from 2,000 yards on Haguro's port bow, firing eight torpedoes. Saumarez and Verulam were rewarded by three hits, shared between them  ‘very distinct, three gold-coloured splashes like a Prince of Wales' feathers, more than twice as high as her bridge'. Now Haguro was under fire from the destroyers and everywhere she turned there was another destroyer waiting. At 0125 Venus fired six torpedoes and scored one hit. Two minutes later Virago, ordered by Captain (D) to ‘Finish her off', fired a salvo of eight torpedoes and obtained two hits. She reported that the cruiser's upper deck was now awash. Missed torpedoes were racing all over the battle scene; in Venus, at the height of the action, the Engineer Officer and the Chief ERA in the engine-room actually heard the whirring sound of two torpedoes passing very close along the ship's side. Saumarez had retired some five miles to the north-west to collect herself and examine damage. The engine telegraphs were still at ‘Full Ahead', and Saumarez withdrew further than Captain Power had intended. Vigilant had been rather ‘left in the cold' and squeezed out by the other destroyers and was not able to attack until 0151 when she fired eight torpedoes, with one probable hit. Haguro was lying motionless in the water, in her last throes. ‘The rest of the flotilla were snarling round the carcass like a lot of starving wolves round a dying bull. I was too far away to make out what was going on and told them all except Vigilant (who I knew had torpedoes) to come away and join me, with a view to getting formed up and the situation in hand. Of course they did nothing of the sort. I should not have done myself.' Venus was ordered to ‘Close and make a job of it' and at 0202 administered the coup de grace with her two remaining torpedoes. At 0206 Venus signalled that the cruiser had sunk. Haguro had gone, in a position about forty-five miles south-west of Penang. Fifty miles away, Cumberland and Richelieu had had tantalising glimpses of starshell and lights but were too late to take part. Saumarez transmitted Vs for Victory and Captain Power signalled: ‘Pick up survivors. Stay no more than ten minutes.' Kamikaze sustained slight damage from the gunfire but managed to escape, returning the following day to rescue approximately 320 survivors. Nevertheless, over 900 Japanese soldiers lost their lives in the battle, including Vice-Admiral Hashimoto and Rear-Admiral Sugiura Kaju. While the evacuation of the Nicobar Islands was successful, the evacuation of the Andaman Islands proved to be a resounding failure. By the end of the war, with the food situation in the islands becoming critical, the Japanese committed several atrocities against the civilian population. This included the transportation of 300 so-called “useless mouths” to the uninhabited Havelock Island, off South Andaman, where all but eleven of them perished. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. During the intense Battle of the Malacca Strait, Japanese forces attempted a desperate evacuation, facing relentless Allied attacks. Despite fierce resistance, the Allies advanced strategically, leading to significant Japanese losses. Caught in critical confrontations, the Japanese ultimately succumbed, marking a pivotal moment in the Pacific war and shifting the tide toward Allied victory.

In this episode, bilingual Spanish-Quechua, we interview historian Charles F. Walker about his book Juan Bautista Túpac Amaru Ñak'ariran. Maqanakuy watakuna rikuq (Oxford University Press & Centro de Estudios Regionales Bartolomé De las Casas de Cusco, 2024 [originally published in English, 2020]). We also spoke with Rosalía Puma Escalante, who translated the book from the Spanish edition to Quechua. Juan Bautista Túpac Amaru, the half-brother of José Gabriel Condorcanqui (Túpac Amaru II), played a significant role in the rebellion against colonial authorities from 1780 to 1783. This uprising was the largest insurrection in the history of the Spanish Empire. While the prominent leaders, Túpac Amaru and his wife Micaela Bastidas, were brutally executed, Juan Bautista survived decades of imprisonment in Peru, Spain, and North Africa. He was finally released and moved to Argentina in 1822, but sadly, he died before he could return to Cusco, which had always been his dream.   Thank you for listening to the Kuskalla Podcast.

ZusammenfassungNachdem zwei Personen in Zusammenhang mit einem heiligen Artefakt verschwinden, ermitteln Mulder und Scully bei Ausgrabungen und Verlegung der sterblichen Überreste einer Amaru, einer weiblichen Schamanin. Die erste Spur führt zu einem Mitglied des Archäologenteams, das den Amaru in die USA brachte. US Erstausstrahlung Freitag, 8. März 1996(FOX) DE Erstausstrahlung Donnerstag, 16. Januar1997 (ProSieben) Quelle: www.spookyverse.de https://spookyverse.de/wiki/3X18DerFluch Folgt uns gern auf Bluesky und schreibt uns: https://bsky.app/profile/lonegunmenshow.bsky.social Gregor: https://bsky.app/profile/onkel8028.bsky.social Christoph: https://bsky.app/profile/christophkrempel.bsky.social

For the first time ever, Ōamaru's blue penguins or kororā have started laying eggs in April, nearly three months earlier than usual. Oamaru Blue Penguin Colony Science and Environmental Manager Philippa Agnew spoke to Corin Dann.

What up Fellas! Die Prophezeiungen gehen weiter, denn auch in der zweiten Hälfte es Albums "Me Against The World" antizipierte 2Pac mehrfach seinen Tod, wenn auch zumeist anders begründet. Zwischen bekräftigenden Aussagen, welche seine zu Anfang bereits kommunizierten Struggles untermalen, richtet sich 2Pac hier auch an andere. Mit einer rührenden Liebeserklärung an seine Mutter und einem Appell an eine unglücklich Vergebene zeigt Pac seine emotionalen Seiten. Während er mit einer Ode an die HipHop-Pioniere seine Bezug zur Culture verdeutlicht, richtet er sich auch die Presse, wenn auch nicht zwingend positiv. Ist das Album 2Pac's Magnus Opus? Und wieso bezieht sich das heute bekannte Konterfei der Westcoast derartig auf New Yorker Legenden? Das alles und noch einiges mehr in der Folge! Checkt gerne die neue Folge „Rap gehört zum guten Ton“ aus! Habt ein schönes Wochenende! Stay strapped und seid lieb zueinander!

What up Fellas! "The Hate U Give Little Infants Fucks Everybody" Auch 30 Jahre nach dem oft kolpotierten Magnus Opus von Tupac Shakur scheint es immer noch aktuell und seine Frage, wie lange die gesellschaftlichen Probleme nach seinem Tod noch andauern würden, kann immer noch nicht beantwortet werden. Aus dem Knast heraus veröffentlichte 2Pac sein drittes Album "Me Against The World" im Jahr 1995, welches neben der Verarbeitung seines erlebten Schmerzes auch den Nährboden für erste Verschwörungstheorien über sein späteres Ableben schaffen sollte. Die brutalen Traumata des Heranwachsenden, welche ihn teilweise trotz seines Erfolgs nachts nicht schlafen ließen, veranlassten dieses introspektive Meisterwerk. Diese Woche sprechen wir über die erste Hälfte; über lyrische Finesse, vergossene Tränen, die Versuchungen und Süden. Wie kam er überhaupt in den Knast? Und warum prophezeite er sein Leben in Gefahr so adäquat? Das alles uns Vieles mehr in der neuen Folge! Checkt gerne die neue Folge „Rap gehört zum guten Ton“ aus! Habt ein schönes Wochenende! Stay strapped und seid lieb zueinander!

**The David RB Show Replay On www.traxfm.org. This Week DRB Featured New Cuts From Hectik The Latin Assassin, Andre Ward, Bey Bright, Don E Plus Trax From Sticky & Kele Le Roc, Octave One, Wayne Wade, Suga Face, Doug E Fresh, Keys, Shalamar, Infinity, Nine Yards, Errol Cole, Lucy Stone, Amaru, Curtis Hairston's "Want You All Tonight" (Trax Allstars Ting) & More. #originalpirates #soulmusic #funkmusic #hiphop #contemporarysoul #remix #rnbmusic #boogie #RareGroove #breaksmusic The David RB Show Live Every Wednesday From 8PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net**

Cameron Tay-Yap didn't really set out to be a chef, initially cooking for his family was a way to avoid doing his homework. But in secondary school, he took a chance on hospitality, and a friendly rivalry with a classmate pushed him to take food seriously. That competitive streak led to a stage at Attica, where he found his rhythm in the high-stakes world of fine dining. Since then, he has travelled and spent time as the head chef at Amaru. But his latest venture, Pebble at La Roca, is something different. What began as a pop-up in a car park evolved into a space where Cameron could step back, experiment, and bring people together—though, true to form, his “relaxed” project still involves weekly menu changes and exacting standards. Cameron reflects on his journey, the discipline of top-tier kitchens, and why, after a decade in fine dining, rustic cooking is harder than it looks. Generous with his insights, he shares here what the industry has taught him—not just about food, but about patience, compassion, and the kind of leadership that brings out the best in a team.

Rosaura de la Cruz y Javi Vargas, coeditores del libro "Las cartas de Fernando Túpac Amaru y otros documentos", conversa con Glatzer Tuesta en el Bloque Cultural de No Hay Derecho de Ideeleradio. No Hay Derecho en vivo de lunes a viernes, desde las 7 a. m., por el YouTube y Facebook de Ideeleradio.

Para la banda de folk trónica Amaru Tribe, la música es un patio de recreo donde exploran la intersección entre culturas a través de la música tradicional latinoamericana y los sonidos electrónicos contemporáneos.

In this episode, host Justice Shorter welcomes Aldita Amaru Gallardo (Action for Transformation Fund at Emergent Fund) and Rainier Miles (Black Trans Fund) for a powerful discussion on transgender movement-building, gender liberation, and the collective efforts of disabled and transgender organizers. Aldita and Rainier unpack the interconnectedness of anti-trans legislation and state-sanctioned violence, and break down how bodily autonomy is a unifying principle between the disability justice and transgender justice movements. Aldita's and Rainier's dreams of a gender-liberated world filled with community, art, joy, and interdependence, where everyone is able to thrive and exist freely, provides a motivating north star for funding transgender liberation.Our podcast theme music is by Andre Louis and Precious Perez. Thank you to Recording Artists And Music Professionals With Disabilities (RAMPD) for connecting these talented disabled musicians with the Disability & Philanthropy Forum.

Leyenda peruana. Mi Instagram: ⁠https://instagram.com/cuentos_e_historias_infantiles⁠ Mi Facebook: ⁠https://www.facebook.com/CuentosHistoriasMexico⁠

Habt ihr schon mal von der Tonkabohne gehört? Ben und ich sind nach Venezuela gereist, um von unserem Freund Amaru etwas über dieses Gewürz zu lernen. Dabei haben wir nicht nur herausgefunden, wie es schmeckt, sondern mussten uns auch gleich auf die Suche nach einem Tonkabohnen-Glücksbringer machen, der Amaru sehr wichtig war. Keine leichte Aufgabe, denn Ben musste sich seiner Höhenangst stellen. Wie die Sache ausgegangen ist? Hört rein und findet es heraus! Eure Anna Das gedruckte YUMMI Magazin mit vielen weiteren Infos rund um eine gesunde Ernährung bekommt ihr gratis in teilnehmenden EDEKA-Märkten. Besucht und folgt uns auf unseren Seiten: Website: www.edeka.de/yummi Instagram: www.instagram.com/yummi_podcast Facebook: www.facebook.com/yummi.podcast

"Ōamaru is undeniably one of New Zealand's greatest towns, with its stately and seductive good looks, stirring local wildlife, astonishing heritage treasures, and alluring artisan verve. And it's all anchored with a striking sense of community pride and passion. Eye-catching sights and an embracing spirit are what Ōamaru is all about (don't miss a selfie with the beloved Humpty Dumpty statue in the stupendous public gardens). Whether you're travelling as a couple, or enjoying a happy family holiday, Ōamaru delivers ins spades with a wealth of enticing experiences." Read Mike's full article here. LISTEN ABOVESee omnystudio.com/listener for privacy information.

C'est le syndrome de Lima. Un phénomène psychologique intriguant dans lequel un ravisseur développe de l'empathie, voire des sentiments positifs envers sa victime. Contrairement au syndrome de Stockholm, où c'est la victime qui ressent de l'attachement pour son ravisseur, le syndrome de Lima représente l'effet inverse : c'est le ravisseur qui commence à s'identifier à la victime et à éprouver de la compassion pour elle. Ce syndrome tire son nom d'un événement qui s'est produit en 1996 à Lima, au Pérou. Cette année-là, des membres d'un groupe armé, le Mouvement révolutionnaire Túpac Amaru, ont pris en otage plusieurs centaines de personnes lors d'une réception à l'ambassade du Japon. Étonnamment, au bout de quelques jours, les ravisseurs ont commencé à libérer plusieurs otages, dont certains détenaient une forte valeur stratégique. Au lieu de se montrer de plus en plus durs, les ravisseurs ont manifesté de la sympathie pour leurs captifs, se liant d'une certaine manière avec eux et finissant par les libérer. Le syndrome de Lima repose sur un mécanisme d'empathie involontaire, où le ravisseur, confronté de manière prolongée à sa victime, est influencé par ses émotions, sa vulnérabilité ou même sa personnalité. Passer du temps avec la victime peut amener le ravisseur à ressentir des émotions humaines qu'il n'avait pas anticipées : la compassion, la culpabilité ou même un certain respect. La victime cesse alors d'être perçue comme un simple « objet » ou « ennemi » et devient un être humain avec qui le ravisseur partage un espace et une expérience intense. Ce processus psychologique est souvent lié à des facteurs personnels du ravisseur, comme un état de stress, de doute, voire de solitude. Il peut se produire dans des situations où le ravisseur est moins endurci ou émotionnellement instable, rendant difficile pour lui de maintenir une posture de froideur et de violence. De plus, lorsque la victime montre de l'empathie ou reste calme, cela peut accentuer ce phénomène en humanisant davantage la relation. Le syndrome de Lima est rare mais illustre comment les situations de crise peuvent engendrer des comportements inattendus, remettant en question la dynamique classique entre agresseur et victime. Cette empathie inversée révèle des aspects surprenants de la psychologie humaine, où même dans des situations extrêmes, des liens émotionnels peuvent se former, brouillant les frontières entre le bien et le mal, entre autorité et vulnérabilité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Join us on Mythlok as we journey through ancient America to uncover the stories of the Feathered Serpent deities that have captivated civilizations for centuries. From the mighty Kukulkan of the Maya to the revered Quetzalcoatl of the Aztecs, and beyond to the Incan Amaru, Pueblo Awanyu, and Olmec Plumed Serpent, each of these figures holds a unique role in their respective mythologies. In this episode, we dive deep into the origins, symbolism, and roles of these serpentine gods, exploring their common threads and distinct attributes across cultures. Discover how these mythical beings shaped the beliefs and lives of the ancient Americas, and contemplate what they reveal about humanity's enduring relationship with the natural and spiritual world.Listen in, and don't forget to let us know: which Feathered Serpent do you find most intriguing? Like, subscribe, and hit the notification bell to stay updated on Mythlok's explorations into the world's most fascinating myths.

Two frontmen on today's Talkin' Rock Podcast.  First up, it's Bobby Amaru from Saliva. It's his time of year since he's all inked up with horror movie characters. We discuss Halloween, some of his favorite scary movies, and more.  The band is dropping a new song called "Time Bomb" on November 1st. He tells me about that and working with Howard Benson. We talk about the legacy of guitarist Wayne Swinny, on what would've been his 61st birthday. Bobby talks about keeping his spirit alive, and how much material they have from the guitarist. That's for starters.  Up next, it's Lee Jennings from The Funeral Portrait. The band has had a whirlwind year. He talks about that, dropping their new album, Suffocate City - which is killer.  We talked about the chain Buc-ee's. “I'm a huge fan of Buc-ee's because when you're on tour, clean bathrooms are hard to come by,” Lee laughs. “I posted about it a few times, and our fans started turning me into Bucky (the mascot). We even made shirts with me as Bucky, and they sell out every time!” We also talk about being "Zesty"....LOL You can watch both of these interviews on the RIFF TV section at wrif.com.

On The Nowhere Office, Julia Hobsbawm and Stefan Stern dive into the essential news from the world of work, covering the UK Government's new employment plan, the dockworkers' strike and union power in the US, and return-to-office mandates from the likes of Amazon CEO Andy Jassy.  Julia channels her inner Kemi Badenoch and Stefan offers sage advice from the world of management. Also joining the conversation is Sue Duke of LinkedIn who sounds the alarm about a growing shortage of skilled workers, which could stop us reaching Net Zero.  On the streets of New York, we meet Michael, a young computer science graduate delivering Amazon packages. That's our sponsored feature My Working Life, brought to you in association with Whitefox: Exceptional publishers for exceptional stories. Find out more at www.wearewhitefox.com The Music is Amaru by Julian Brezon.  The Nowhere Office is Fully Connected Production brought to you in association with SandStone Global Productions.  https://thenowhereoffice.com/ https://www.sandstoneglobal.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Mythlok, we embark on a fascinating journey into the heart of Incan mythology to uncover the secrets of Amaru, the legendary Incan dragon. Known as the "Serpent of the Sky," Amaru is a powerful symbol of nature's duality, bridging the realms of earth and heaven with its divine presence. Join host Nitten Nair as we explore Amaru's mesmerizing physical traits, its role in Incan folklore, and its continued influence on modern Andean culture. Discover the myths, rituals, and stories that have kept this ancient deity alive through the ages. Don't miss out on this enthralling exploration of one of the Andes' most revered mythical creatures!Read more at https://mythlok.com/amaru/

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El mundo del retail es uno de los más competitivos, pero Mateo Ruiz de Somocurcio y Rafael La Rosa encontraron una oportunidad increíble. Es por eso que decidieron dejar sus trabajos y crear Amaru Superfoods. En este episodio, conoceremos su historia y cómo han logrado triunfar en el sector retail, creando productos innovadores y exitosos.

Today's show was captured live at Welcome to Rockville 2024 in sunny Daytona Beach! Join us as we dive into the world of Saliva's frontman, Bobby Amaru. Get ready for a conversation about their Welcome to Rockville experience, new music, summer tours, advice to young artist, and his bonding moments having his daughter, Veta sing with him.

Andrea Appetito"I Figli della Notte"Lamantica Edizioniwww.lamantica.itLe canoe furono contate e nascoste tra le dune al riparo dal vento e dal mare in tempesta. Ne avevamo perse dieci. Cinque di queste erano tra le più grandi e le più robuste. Per fortuna non c'erano feriti gravi. I fratelli e le sorelle si avviarono in fila indiana verso il villaggio, a piccoli passi. Dalle dune si alzavano nuvole di sabbia che accecavano gli occhi. Rimasi da sola. Li vedevo allontanarsi sul sentiero. Le loro piccole teste sfilavano chine e silenziose. Forse non avevano più fiducia in me. Mi arrampicai su Amaru. Gli uccelli marini volavano sulle creste spumeggianti delle onde e salutavano la tempesta con grida assordanti. Le onde andavano all'assalto della terraferma e la spuma sollevata dalle raffiche di vento giungeva fino alla sommità di Amaru.La tempesta infuriava ma la Nave all'orizzonte rimaneva immobile. Un bagliore metallico su uno sfondo buio. Una fortezza d'acciaio inespugnabile contro cui si accaniva il mare in tempesta. Ogni tanto scompariva avvolta da cortine d'acqua. Il vento di burrasca diradava il velo di vapore e la Nave riappariva e tornava a brillare come prima. I colpi di mare si succedevano senza tregua ma sembrava che la tempesta la cullasse appena. Pensai a mio padre chiuso nella sua cella d'isolamento, sballottato nel ventre della Nave.[…]Dopo il tramonto mi sono seduto sul ponte accanto al cuoco di bordo. Per tutto il tempo siamo rimasti in silenzio, lui fumava e io guardavo la costa. Una striscia confusa di vegetazione, dune, paludi e vecchi alberghi abbandonati da anni. Nemmeno un pescatore. Nessun'anima viva. Anche se sono certo che lì, da qualche parte, si nascondono i pirati. In quella terra di nessuno abitata solo da zanzare e gabbiani.All'orizzonte si irradiava la Città, un enorme fungo di luce simile a un'esplosione atomica che brucia la terra e divora il buio attorno.(Estratto da A.A., I Figli della Notte, pp. 89, 94)Andrea Appetito (Roma, 1971) ha pubblicato Cluster Bomb (Altrastampa edizioni, 2002) e partecipato a un'antologia di racconti sulla città di Roma intitolata Allupa allupa (DeriveApprodi, 2006). Ha scritto L'eredità, un testo teatrale tradotto in portoghese e messo in scena nel 2006 a Rio de Janeiro. Ha realizzato, insieme a Christian Carmosino, alcuni cortometraggi e il film-documentario L'ora d'amore (2008). È autore del romanzo Tomàs (Effigie, 2017) e della raccolta di racconti Vietato calpestare le rovine (Effigie, 2019).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

La sorprendente representación en tres pueblos cusqueños de la rebelión de Túpac Amaru.Lee el artículo aquí: https://jugo.pe/una-gigantesca-puesta-en-escena-en-las-alturas-del-cusco/Al suscribirte a Jugo recibes nuestro contenido diariamente. Tienes la oportunidad de ser juguero por un día. Pero, sobre todo, patrocinas que nuestro contenido llegue gratuitamente a personas que lo necesitan. Contamos con tu apoyo para no desenchufar la licuadoraSuscríbete aquí. Haz clic aquí para seguirnos en TwitterHaz clic aquí para seguirnos en FacebookHaz clic aquí para seguirnos en Instagram  

Welcome back to another Super Cool Radio interview! We have an incredible guest for this episode. In May, Matthew was press for a killer show at The Vogue in Indianapolis. Saliva, Drowning Pool, Above Snakes, and Thrower delivered an incredible show. The Vogue staff and security were amazing and extremely accommodating throughout the entire day. After the show, Matthew had the opportunity to chat with the frontman of Saliva, Bobby Amaru. In this interview, hear Bobby discuss touring with Drowning Pool, some of his favorite Wayne Swinney moments, deciding to become sober, the plans for Saliva for the rest of 2024, and much more! SCR and Matthew Thomas would like to thank Bobby for the great interview. Thank you to Shauna O'Donnell for making this interview possible. Links to check out: Website: SALIVA - Official Band Website | Home (salivaofficial.com) Listen to Revelation: Revelation (orcd.co) Promo pictures courtesy of Shauna O'Donnell Intro and outro music composed by Jonny Neville If you like this video, please consider heading over to our merch store and supporting us. Your support means so much! Link: Super Cool Radio's Artist Shop | Featuring custom t-shirts, prints, and more (threadless.com) --- Support this podcast: https://podcasters.spotify.com/pod/show/supercoolradio/support

Hold on to your seats, Cardano enthusiasts! Blink Labs is working on a Go-based Cardano node that could turn the entire ecosystem on its head. This video delves deep into the shocking changes this new implementation brings and explores how it could disrupt the status quo.Catalyst Links: https://cardano.ideascale.com/c/idea/101352(00:00) Intro(02:01) Forming Pragma for Open Source Cardano Development(08:26) Go Cardano Node, gOuroboros(12:50) Interchangeable modules (15:55) External devs using the Cardano Go Libraries for Interoperability(22:12) Timelines 24:36 Collaborative efforts between Amaru & gOuroboros(27:21) Cohesive development between teams Don't miss out on this game-changing development! Hit the like button if you're excited about Cardano's future, and subscribe for more updates on the latest in blockchain technology. Share your thoughts in the comments below – do you think this new node could be the key to Cardano's success?

El grupo de folclor electrónico latino de Melbourne Amaru Tribe está celebrando el lanzamiento de su nuevo sencillo "AguaMar" y el comienzo de su viaje hacia un nuevo ciclo artístico.

(Víspera del Aniversario del Martirio de Túpac Amaru II y Micaela Bastidas) «A sólo dos días de firmada la sentencia de muerte dictaminada por el despiadado visitador José Antonio de Areche, Micaela Bastidas Puyucahua, Túpac Amaru II, su hijo mayor Hipólito, varios miembros de sus familias y todos los rebeldes detenidos fueron ejecutados [en la Plaza de Armas del Cusco] —relata el escritor peruano Bruno Pólack en su obra titulada Mujeres que forjaron el Perú—. Esa mañana del 18 de mayo de 1781 fue triste y mortecina.... »Hipólito Condorcanqui Bastidas, de veinte años, fue el primero en ser ejecutado... frente a sus padres y su hermano pequeño, Fernando.... El grito de horror de Micaela Bastidas fue tal que tuvieron que colocarle una mordaza para silenciarla.... Luego subió Micaela al patíbulo y, al lado de su hijo muerto, pudo ver la mirada de rabia de su esposo y la atónita mirada de su hijo menor, al cual... obligaron a presenciar la muerte de toda su familia.... A nuestra indómita heroína, con la cabeza en alto sin someterse ante [las] torturas, [los españoles] la mataron furiosamente a patadas y puñetes.... »Se hizo esto como escarmiento y para amedrentar a los que intentaran desobedecer, sin saber que el resultado sería exactamente lo contrario. Nunca como en ese momento de nuestra historia colonial fueron tantas las manifestaciones de libertad de nuestro propio pueblo.... La sangre que estaban derramando nuestros héroes en la plaza del Cusco regaba el deseo de libertad en toda la población andina. El sacrificio de Micaela Bastidas y Túpac Amaru, con el mismo brillo y valentía, prendió con rapidez en sus corazones.»1 De ahí que su compatriota, el historiador y catedrático Atilio Sivirichi Tapia, escribiera los siguientes versos... con los que rinde tan merecido homenaje a Micaela: Mientras el Caudillo sublevaba a los pueblos             del Alto Perú, la Argentina y Chile, su esposa Micaela Bastidas Puyucawa             dirigía la Revolución en el Cusco. Mujer india, a caballo recorrió todas las provincias....             [y] se convirtió en la JUANA DE ARCO DEL PERÚ. ¡VALEROSA!, encarnación del indomable             genio de la mujer Americana. ¡GUERRILLERA!, luchó con el fusil en la mano             a la cabeza de sus huestes. ¡PATRICIA!, sacrificó su juventud, su vida,             en aras del ideal emancipador. ¡HEROÍNA!, luchó hasta caer prisionera             en manos de los dominadores. ¡MÁRTIR!, prototipo de la abnegación:             sufrió tormentos sin derramar lágrimas. Fue decapitada y descuartizada en la Plaza del Cusco,             SÍMBOLO DE LA MUJER PERUANA.2 Quiera Dios que así como la sangre que derramaron aquellos héroes en la Plaza de Cusco, esa mañana mortecina, regó el deseo de libertad física en toda la población andina, así también la sangre que derramó Jesucristo en el Monte Calvario, hace ya dos mil años, riegue en nosotros un deseo tan arduo de libertad espiritual que determinemos conocer la verdad con que Cristo nos hizo verdaderamente libres y que, conforme a lo que nos enseña San Pablo, nos mantengamos firmes en esa libertad y jamás la abandonemos.3 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Bruno Pólack, «Micaela Bastidas: “La primera mujer independentista de América (1780-1781)”, Mujeres que forjaron el Perú, Bicentenario: Colección Perú 1821-2021 (Lima: Editorial Planeta Perú, 2018; Edición Digital, 2020), Loc. 730. 2 Atilio Sivirichi Tapia, «El apocalipsis de José Gabriel Condorcanqui», en César A. Ángeles Caballero, Túpac Amaru y Micaela Bastidas en la poesía peruana, Comisión Nacional del Bicentenario de la Rebelión Emancipadora de Túpac Amaru (Lima: 1980), pp. 138-39 , En línea 5 octubre 2023. 3 Jn 8:31-36; Gá 5:1

In this week's episode your host, Spiritual Medium & Intuitive Healer Jessica Meils welcomes special guest Tricia Delgado. Trish, a Curandera Medicine Woman, Herbalist and Death Doula was born into the medicine and is respectfully doing the work, continuing the education to proudly claim her seat at the table. Her strengths are in physical mediumship, energy and physical healing work, practicing ancestral medicine and ceremony as a Shamanic Practitioner of the Quero lineage with a focus on womb work, soul retrieval, healings and as a Cacao ceremonial guide and facilitator. “I am the Cleaner, the obsidian knife, keeper of ceremony, Amaru the Serpent, Quetzalcoatl.” Topics Discussed: * The responsibility of the healer to heal thyself as a forever student. * Moving forward with integrity and an open heart. * The ebbs and flows of the spiritual and human path. * Duality. * Connection, friendship, soul family. * Sharing the medicine. Join Tricia at Mercado Sagrado on Saturday, May 18th & 19th 10-6pm. Use the link below to register for this free event in Malibu, Ca. https://mercado-sagrado.com/inperson-happenings/primavera?unii-trigger-open=3NKPMC Connect With Tricia: https://www.instagram.com/ultragirl1?igsh=MzRlODBiNWFlZA== Thank you to all who left the podcast a review and kind words. Your support means the world to me. If you would like to support the show, please do so by subscribing, leave a 5 star review and share with a friend or loved one. STAY CONNECTED: Follow me on Instagram: @peoplecallmejess Work with me + Website: www.jessicameils.com TAGS: Spiritual Medium, Mediumship, Mediumship development, Psychic Medium, Psychic development, Psychic Reader, Intuitive Healing, Intuitive Healer, Self Development, Spiritual Development, Ancestral Healing, Womb Healing, Womb Shamanism, Death Doula, Lightworker, Shadow work, Astrology --- Send in a voice message: https://podcasters.spotify.com/pod/show/jessica-meils1/message

Scott Bartlett from the band Saving Abel and lead singer of Saliva Bobby Amaru join Dadcast in this fun episode!

(Día Internacional de los Derechos de la Mujer) «Si una mujer pudo llegar al mismo nivel de valentía y sacrificio en pos de la libertad que el demostrado por Micaela Bastidas en el proceso precursor de la independencia, esa fue sin duda alguna Tomasa Tito Condemayta [una mujer valiente entre las valientes] —afirma el escritor peruano Bruno Pólack al comienzo de su capítulo sobre aquella prócer en su obra titulada Mujeres que forjaron el Perú—. Tomasa Tito también venía, como la familia Condorcanqui de Túpac Amaru, de un linaje noble del Imperio incaico. Esto hizo que se le concediera, aún en el Virreinato [del Perú], el cargo de cacica de Acos.... »Casi de inmediato y sin vacilar se sumó a la rebelión de Micaela Bastidas y Túpac Amaru II.... El 18 de noviembre de 1780 se llevó a cabo la memorable Batalla de Sangarará... el primer gran choque por la independencia, y no sólo del Perú sino de toda Sudamérica... siendo la primera vez que se organizó un ejército revolucionario con la intención de abolir la esclavitud y lograr la libertad, enfrentándose a un ejército regular de la colonia. En ese choque... Tomasa Tito... no sólo [contribuyó a] conseguir tropas, armas, alimentación y todo lo necesario para una guerra, sino... demostró [valentía] en el campo de batalla, donde puso en juego no sólo el título que se le había otorgado desde la colonia por su antepasado real, sino su propia vida y la de todo su pueblo.» Seis días después se le informó que un batallón español venía de la ciudad de Paruro para emboscar a Túpac Amaru II y los vencedores de Sangarará. Así que, al mando del primer ejército del Perú conformado por mujeres, Tomasa Tito atacó con estrategia y con furia a los españoles, que contaban con armas de fuego, en el puente de Pillpinto. Armadas con palos y hondas (llamadas huaracas), con las que le lanzaron proyectiles a la tropa enemiga cuando comenzó a cruzar el puente, al cabo de varias horas de lucha incesante, el arrojo y la valentía de aquellas atacantes... hizo que los españoles huyeran desordenadamente, dejando muchas bajas de su lado.... Aquel glorioso día «un ejército formado exclusivamente por mujeres [venció] a un batallón que... tenía la intención de sorprender y fue sorprendido», comenta irónicamente Pólack. «Ya cuando Túpac Amaru II... se había decidido por fin a tomar la ciudad del Cusco... Tito... le escribió una carta a Micaela Bastidas donde... le decía: “El invasor no pasará sino sobre nuestros cadáveres”». Trágicamente aquellas palabras habrían de ser proféticas. «Tomasa Tito Condemayta murió junto a Micaela Bastidas y Túpac Amaru en la Plaza de Armas del Cusco. [Al igual] que ellos...  fue torturada, ahorcada y luego desmembrada.... Pero el ejemplo de nuestra heroína... prendió y corrió como un reguero de pólvora... por todo el virreinato del Perú y por toda Sudamérica», concluye el escritor peruano.1 Quiera Dios que el ejemplo que aquella «mujer valiente entre las valientes» nos dejó en Pillpinto nos inspire a cada uno a sorprender al enemigo de nuestra alma venciéndolo con la determinación de protegernos de sus emboscadas con la armadura que Dios nos ha provisto.2 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Bruno Pólack, «Tomasa Tito Condemayta y el primer ejército de mujeres libertarias (1780-1781)», Mujeres que forjaron el Perú,  Bicentenario: Colección Perú 1821-2021 (Lima: Editorial Planeta Perú, 2018; Edición Digital, 2020), Loc. 772-846. 2 Ef 6:11-18

(Víspera del Día Internacional de los Derechos de la Mujer) «Se casó el 25 de mayo de 1760, a los quince años, con José Gabriel Condorcanqui, descendiente directo de Túpac Amaru, el último inca rebelde cuando el incanato encontraba su final en Vilcabamba.... No tenía ni la educación ni la nobleza que acompañaban a su marido, pero poseía un carácter y una astucia sin igual. Fue descendiente de africanos por parte de su padre... y de indígenas por parte de su madre....» Así comienza el escritor peruano Bruno Pólack su capítulo sobre «Micaela Bastidas, la primera mujer independentista de América» en su obra titulada Mujeres que forjaron el Perú. Es que en 1780 Micaela Bastidas Puyucahua y su esposo Túpac Amaru II, como cacique de Tungasuca y de importantes territorios de Cusco, formaron una Junta Revolucionaria que, luego de varias victorias rebeldes, emitió un edicto que abolía la esclavitud y declaraba la libertad inmediata de todos los trabajadores forzados. Ese primer grito de libertad en América no duró mucho, y el territorio liberado no fue grande, pero el ejemplo prendió fuego en toda América Latina. «Luego de eso —narra Pólack—, Túpac Amaru partió de inmediato a las provincias aledañas a buscar el apoyo de los demás líderes, y todo el mando y la administración recayeron en... [su esposa] Micaela...: “Mi señora gobernadora doña Micaela Bastidas”... Todos los informes dirigidos a ella venían precedidos con el mayor de los respetos.... Se podría decir... que desde la caída del Imperio Inca esa fue... la primera región libre... por un pequeño lapso de tiempo... en lo que sería luego el territorio peruano, y que fue gobernada por una mujer.»1 «El levantamiento... logró reunir un ejército de miles de hombres y mujeres sin experiencia militar ni armamento considerable. Fue una rebelión exclusivamente indígena y popular —declaran la historiadora colombiana Diana Uribe y su hija Alejandra Espinosa Uribe en su obra titulada Revoluciones: Movimientos que transformaron la historia de la humanidad—.... Se extendió por Perú, Bolivia y partes de Argentina, pero sus ecos se escucharon por todo el continente.... El ejército rebelde avanzó hasta Cuzco y tomó varios territorios, pero los españoles lograron defender la ciudad y... aunque Micaela resistió un tiempo más, lo que pudo haber sido una revolución fue aplastado con violencia. No obstante, fue el levantamiento más importante de la historia colonial», concluyen las coautoras de Revoluciones.2 Al igual que Micaela y Túpac Amaru II, Jesucristo, el Hijo de Dios, sufrió un cruel y despiadado martirio antes de entregar su vida por la causa de la libertad. Pero a diferencia de ellos, Cristo la entregó sin ofrecer resistencia alguna, pues no murió para liberar a los suyos de las cadenas de la esclavitud física y de trabajos forzados sino para liberar a toda la humanidad de las cadenas del pecado al que nos hemos dejado someter por el cruel y despiadado verdugo de nuestra alma.3 Más vale entonces que determinemos que, en lo personal, ese sacrifico supremo no haya sido en vano. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Bruno Pólack, «Micaela Bastidas, la primera mujer independentista de América (1780-1781)», Mujeres que forjaron el Perú,  Bicentenario: Colección Perú 1821-2021 (Lima: Editorial Planeta Perú, 2018; Edición Digital, 2020), Loc. 609-24. 2 Diana Uribe y Alejandra Espinosa Uribe, Revoluciones: Movimientos que transformaron la historia de la humanidad (Bogotá: Aguilar, 2020), pp. 174-75. 3 Is 53:4,5,7; Jn 8:36; 19:17; 2Co 5:15; Gá 1:4; 5:1; He 2:9,15; 1P 2:24; 3:18

Naeem weeps. Amaru swallows zer courage. Kov makes an offering. Ash eats an orange. And Strike Team Nova receives their next Mayday Mission. Content warnings: grief, death of loved ones and family, complex and complicated relationships, descriptions of food and drink, romance, memory loss, and trauma. THE CHAOS PROTOCOL is Transplanar RPG's current main campaign that stars Valiant Dorian, Samm Star, and Cai K. as the players with Sea Thomas as the producer and Connie Chang as the Game Master. This podcast episode is edited by Marisa Ewing. Our original intro music is by Jonathan Charles. Transplanar RPG is sponsored by ExplainTrade, a negotiation skills training consultancy that wants you to pledge to Transplanar's Patreon for a patron-only aftershow, early podcast episodes, GM notes, and even the chance for your OC to cameo in our show. Arc Two is proudly sponsored by HeroForge, a free online character design application that lets you make and order your very own custom TTRPG minis! Their character creation tools are rich and deep, with facial customization, spell effects, hundreds of clothing options, and nigh-infinite color choices. To see their tools in action, check out this mini of Nova's very own Hand of Fate. For Arc Two, we're playing City of Mist by Son of Oak Game Studio! City of Mist is a neo-noir urban fantasy mystery TTRPG about ordinary people with legendary powers, centered on character-driven action, cinematic moments, and richly emotional themes. Use TRANSPLANAR at checkout for 10% off! Finally, special thanks to our Hands of Fate and Precepts: Matthew, Katie, Z, Kaylee Reed, Jade, Kevin O., Faebelle, Taylor, AshRex, Kes, Finn, Isabel, Seth, @brownestnerd, Summer, Azra, Stardiers, Jordan, Derryk Davidson, Phil, Mark J., Astrid, Spencer, Lyle and Peanut, Rose, Alex, The Bow System, Cassidy, Lex, Charles, and Cora Eckert.

Desde mediados del siglo XX, París fue un faro para la música andina. Ponchos, quenas, zampoñas, bombos y charangos inundaban las plazas y los pasillos de los metros de la capital. Desde toda Sudamérica desembarcó ese folclore junto a las historias de lucha por los derechos y el anhelo de fortalecer la identidad de sus músicos. Durante décadas llegaron a formar parte de la tarjeta postal parisina, sin embargo, tras la pandemia, el gran apogeo de los ritmos de los Andes va cediendo espacio a otros ritmos latinos. Por Lorena Ankuash Kaekat, estudiante de periodismo en la Facultad de Comunicación de la Universidad Politécnica Salesiana de Cuenca, Ecuador, y ganadora del noveno Premio RFI de reportaje radiofónico en español.En el pintoresco interior del bar restaurante Mouffetard, se encuentra el “búnker latino”. Al compás de guitarras, charangos y tambores, el grupo Alaya celebra el aniversario de dos de sus miembros. Su director, Miguel Puña, es oriundo de Bolivia, donde fue galardonado con el premio Zampoña de Oro y donde fundó el conjunto antes de viajar hace un cuarto siglo a París, al que considera "su hogar".Junto a él, Rosa Rosales, vicepresidenta de la asociaciónAyllu, dedicada a difundir las culturas andinas en París, comparte una evocadora historia. Rememora que hace años, “el músico peruano Huáscar Amaru producía en París canciones con una interpretación en la lengua quechua, con instrumentos que reflejaban netamente la cultura andina, como los instrumentos de viento y percusión.”Asimismo, en un café en las afueras de París, nos encontramos con Carlos Quezada, exmiembro del emblemático grupo Quilapayún y figura destacada del folklore chileno. Dice que desde el inicio “la música nuestra fue acogida sin ningún problema en Francia. A la gente le interesó mucho lo que nosotros hacíamos porque a la música tradicional con aire andino o latinoamericano, nosotros le agregábamos un contenido social”De las calles y los metros a los escenarios europeosRosa Rosales señala que la presencia de artistas andinos en metros y plazas ya no se ve con mucha frecuencia. “Yo me paseo, he estado en los metros, voy cotidianamente y no los he visto, tengo la impresión de que ya no es así como ellos trabajan.” Y es ahí donde Miguel Puña nos explica que, efectivamente, ahora buscan nuevos escenarios para llegar al público europeo al mismo tiempo que reconoce la pérdida de popularidad de la música andina en París, atribuida al auge de otros ritmos latinos, como la salsa, y a los desafíos impuestos por la pandemia. “El grupo ya no toca en la calle, dice Puña. Siempre ha estado tratando de buscar los conciertos, tratando de llegar a la gente europea, desgraciadamente esto de la pandemia nos bajó a todos.”Otro integrante de Alaya es Claudio Chacha, originario de Ecuador. Para él París ya no es el lugar donde se pueda vivir exclusivamente de la música, ya que la popularidad ha disminuido. “Hoy día tienes que tener otro trabajo, admite, independientemente de lo que haya. Porque si no, sin actividad, aquí te mueres de hambre y sobre todo, te deprimes sin hacer nada.”¿Pero a pesar de todo, cuál es la fuente de su fortaleza y el mensaje que desean transmitir a la ciudad? Para Rosales, el mundo andino sigue mereciendo ser conocido por los franceses. “Comunicar al mundo occidental, a París, que existe otro mundo vibrante. Mostrar cómo el mundo latino manifiesta sus deseos, responde a los problemas sociales y cómo alza su voz. Por ejemplo, agrega, tras los últimos sucesos en Perú donde se ha visto un racismo extremo hacia el hombre andino,” dice Rosa.A lo largo de este recorrido musical, nos encontramos con una diversidad de artistas y ritmos latinos que al igual que Miguel, Rosa y Carlos, han decidido compartir su identidad asentándose en París. Clara Torres y su esposo, provenientes de Colombia, llegaron hace un año a la capital donde formaron un grupo musical y ofrecen talleres de bullarengue, un ritmo caribeño que despierta el interés de los parisinos. “Quisimos reunirnos, dice Clara, para ejercitarnos en la ejecución de los instrumentos y para dejar también una huella de la música folclórica costeña. Estamos realizando talleres en una asociación y las primeras personas que se inscribieron y se entusiasmaron fueron franceses.”A pesar de los desafíos actuales, los músicos andinos sostienen que Francia sigue siendo un lugar propicio para disfrutar de la diversidad de los ritmos latinoamericanos. Sigue siendo un faro de esperanza y oportunidades para los músicos latinos porque, como nos decía Carlos Quezada, “Francia es una cultura que se alimenta de otras culturas, y te da cabida para hacer tu música”.Pueden escuchar este y todos los reportajes relacionados al Premio RFI en español, aquí.

At the young age of 17 years old Rodolfo started his culinary journey in his native Colombia which then took him to Miami, London, Philadelphia, and New York which then brought him sweet home Chicago. We dive into his journey to open Amaru, Bloom Plant Based Kitchen, Lil Amaru, and Don Bucio's Taqueria. All of his restaurants showcase his love for Latin America and a little piece of his history, his world travels, and his passion.  His food is delicious, bright, full of flavor, and a must-try for all Chicagoans and those who travel to our city.  As I tell my kids "be a risk taker" and try some of his Vegan food at Bloom. We learned many things from recording this episode  but  something that resonated with me was that the harder the journey the sweeter the "recompensa"Listen in and then run to one or all of his restaurants! 

El 04 de noviembre de 1780 en Perú, se inicia la sublevación de José Gabriel Condorcanqui, conocido como "Túpac Amaru II", el último inca justiciado por el virrey Francisco de Toledo.

We have another amazing geek showdown on this week's Settle the Score as your host Matt Knost and musical director Andy Merryweather have asked back two incredible players and even more amazing people in Robert Parker and Amaru Moses. Who will be crowned king of the cinema geeks? Tune in to find out Our patreon is now LIVE!!! Head over to https://www.patreon.com/settlethescoreshow and join one of our 5 tiers! We're offering all kinds of perks, backstage access, exclusive shows, and more. We can't wait to have you be apart of the show and our new community. So please head to https://www.patreon.com/settlethescoreshow to support the show today! There's a general text thread on our Discord server for everyone. Join the discussion at https://discord.gg/GqcDngEjAB Make sure to SUBSCRIBE to the podcast and leave a REVIEW/RATING on Apple and Spotify If you'd like to take part in our next fan show you can enter in one of two ways. You can like and retweet the tweet Matt puts out each week promoting that week's show. Or you can leave a comment at https://www.youtube.com/mattknost. For every retweet and comment you leave it just adds your name into the pool that many more times. You can increase your odds by leaving more comments and retweets so fire away! We're doing our next drawing this Friday, June 21st Follow on twitter Matt: https://www.twitter.com/mattknost Andy: https://www.twitter.com/STS_Andym Robert: https://www.twitter.com/rbrtprkr98 Amaru: https://www.twitter.com/knick888221

An Oamaru school's under fire for barring students from calling their parents when a group of pupils and staff went missing on a camp. Two students and two staff from St Kevin's College went missing overnight last month at Mount Somers. Search and Rescue teams found them the next morning. Parenting commentator, Nathan Wallis says if it's school policy, it'd be okay. "If it was imposed on them and there's nowhere written down that they're allowed to do that and the parents could have a reasonable expectation that they could contact their kids at any time- then it's not acceptable." The school says it's ordered a full review. LISTEN ABOVESee omnystudio.com/listener for privacy information.

As broadcast @ www.totallywiredradio.com Tuesday 03.10..23Hour One and Two with Ket Shah01. Dwayne Scivally - So Good (IZipho 2023)02. Beloved Music - Overwhelmed (Mia Antonio / KB 2023)03. Sophia Bromberg - Sesame (Self Released 2023)04. Al Lindsey - Someway (Pulsating 2023)05. Gareth Donkin - Tell Me Something (Drink Sum Wtr 2023)06. Miss C-Line & The Rabidz ft EricValle - Intimately (Self Released 2023)07. TheEEs ft Maike Jacobs - Slight & Small (Lola 2023)08. Huw Marc Bennett - Pinc Sunset (Wrongtom Dub - Vocal) (Alberts Favorites 2023)09. Be.Lanuit ft. Melon Jimenez, Amaru & Kasper Tranberg - Hippie Picasso (Music For Dreams 2023)10. Two Things Of Gold - Rooms To Go (A.MA 2023)11. The Funk Revolution - Deal With It (Tramp 2023)12. Echo Concious - Space Squirrel (harmonious Discord 2023)13. Daniel Villarreal - Salute (international Anthem 2023)14. Ihsan Al-Munzer - Hawel Ya Ghanam (BBE Music 2023)15. Antares Flare - Bonsai Jungle (SofaTalk Remix) (Wicked Wax 2023)16. Peacey ft. Clyde & Atjazz - Hold Me Back (ARCO 2023)17. David Walters - Soul Tropical (Voilaaa remix instrumental) (Heavenly Sweetness 2023)18. Wajatta - Don't Bother Playing (Brainfeeder 2023)19. Vince Watson - Sunshine (Everysoul 2023)20. Louie Gomez x Jesse Rivera ft Melo Blanco - The Love You Give (David Harness Remix Vocal) (Basement Tape 2023)21. UC Beatz - Sun Rayz (Fourth Frame 2023)22. Bee'snFlower - Catch The Strings (Justracks 2023)23. Langton - Your Woman (Extended Mix) (Fools Paradise 2023)24. Jaegerossa - Richards Gear (Midnight Riot 2023)25. Dj Kabila ft. Victor Sithole - Bayede (Lemon & Herb Remix) (MoBlack 2023)

We were very fortunate to have Bobby Amaru from Saliva on the podcast to talk about their new album, "Revelation". Enjoy! Saliva Socials: Twitter: https://twitter.com/OfficialSaliva Instagram: https://www.instagram.com/saliva/ Facebook: https://www.facebook.com/Saliva/ TikTok: https://www.tiktok.com/@salivamusic YouTube: https://www.youtube.com/@salivaofficial Apple Music: https://music.apple.com/us/artist/saliva/391630 Spotify: https://open.spotify.com/artist/5S6hjAxgxjsLylsTtMIimO Website: https://salivaofficial.com/ Good Noise Podcast Socials: Twitter: https://twitter.com/good_noise_cast Instagram: https://www.instagram.com/goodnoisepodcast/ Facebook: https://www.facebook.com/goodnoisepod Discord: https://discord.gg/nDAQKwT YouTube: https://www.youtube.com/channel/UCFHKPdUxxe1MaGNWoFtjoJA Spotify: https://open.spotify.com/show/04IMtdIrCIvbIr7g6ttZHi All other streaming platforms: http://hyperurl.co/GoodNoisePodcast Patreon: https://www.patreon.com/goodnoisepodcast Bandcamp: https://goodnoiserecords.bandcamp.com/

Bobby AmaruTake a walk with me as I get to know Bobby Amaru.In this episode, I sit down with the talented Bobby Amaru from the rock band Saliva. In this exclusive interview, we dive into the band's new music as Bobby shares insights into the band's latest album, Revelation. We discuss their SNAFU tour, and how they've navigated the ever-changing landscape of the record business. Discover the inspiring journey of Bobby writing music sober, and the creative process that has led to some of Saliva's most powerful and meaningful new tracks. We also talk about why he got sober, and the secret to Saliva's staying power. Tune in to this episode for a captivating conversation that offers a unique perspective on the music industry and the personal stories that drive it.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4068452/advertisement

When the metal scene lost a well respected member in Wayne Swinny, we all mourned the loss of someone special.But what happened to his band following his unfortunate loss? Apparently a lot that Wayne would have been insanely proud of.Bobby Amaru from Saliva returns to the Chord Progression Podcast once again as Saliva prepares to release their new record Revelation on September 8th. This episode will show youHow Saliva picked themselves up after the loss of Wayne, and how the band is making sure they honor his legacy from here on out.The incredible story of Bobby helping foster his daughter's singing ability with their duets on Tik Tok, and how Bobby is embodying Wayne's spirit in all of this.Reactions Bobby, his daughter, and other members of the music community have had to their duets including Jared Leto, Skillet, & Mike Shinoda.So much to talk about, so little time. We always get it all in. Hit the subscribe button to not miss out on any further episodes.Find Saliva Online:Facebook: https://www.facebook.com/SalivaTwitter: https://twitter.com/OfficialSalivaTik Tok: https://www.tiktok.com/@bobbyamaru?lang=enYouTube: https://www.youtube.com/user/SalivaVEVOWebsite: https://salivaofficial.comMerch: https://www.salivaapparel.coSpotify: https://open.spotify.com/artist/5S6hjAxgxjsLylsTtMIimO?si=BTOtp8KfR7ucX-oPH49fKAApple Music: https://music.apple.com/us/artist/saliva/391630Thank you to our Sponsor FNX Fitness:Get 20% Off Using Promo Code: CPP20https://fnx.grsm.io/cppFollow us on social media!Facebook:https://www.facebook.com/chordprogressionpodcastTwitter:https://twitter.com/cppodofficialInstagram:https://www.instagram.com/chordprogressionpodcast/YouTube:https://youtube.com/channel/UCqRKZCDMcFHIYbJaLQMfDbQChord Progression Podcast (Spotify):https://open.spotify.com/show/53XWPGrIUvgavKF5Fm6SLkChord Progression Podcast (Apple Podcast):https://podcasts.apple.com/us/podcast/chord-progression-podcast-the-gateway-to-new-rock-and-metal-music/id1454876657Chord Progression Podcast (Amazon): https://music.amazon.com/podcasts/b8dad803-444c-4a73-8aa5-67b4fc43f4baChord Progression Podcast (iHeart Radio):https://www.iheart.com/podcast/269-chord-progression-70632531/Podcast Webpage:https://mysongoftheday.com/my-song-of-the-day-rock-2000-today/chord-progression-podcast/Intro: (0:00)Welcome Back Bobby from Saliva: (2:18)Reflecting on the Loss of Wayne Swinney: (3:10)Bobby & His Dautgher's Tik Tok Viral Videos: (8:45)Bobby's New Love Of Music from a Dad's Perspective: (12:00)Watching His Daughter Grow In Music: (15:20)Is Wayne Making Moves From Heaven?: (19:44)Kevin's Final Thought; Bobby, A Great Man, A Great Father: (24:01)Like, Subscribe, Closing It Out: (26:52)

‘Novelas históricas peruanas', especial de Patricia del Río en el mes patrio. Mucho se ha escrito sobre la historia del Perú en diversos géneros y estilos literarios, inspirados en nuestros héroes y heroínas y los principales acontecimientos que marcaron un hito en nuestra historia desde el primer horizonte cultural hasta la era republicana. La entrega de hoy nos trae a personajes como el inca Atahualpa, Túpac Amaru, Francisca Pizarro, la Perricholi, por citar algunos, reivindicados en novelas de ficción por autores como Augusto Aguirre Morales (pionero de la novela histórica), Alonso Cueto (‘La Perricholi, reina de Lima', y ‘Francisca: princesa del Perú'), Raúl Tola (‘La favorita del inca'), Lucía Charún-Illescas (‘Malambo'), y Luis Enrique Tord (‘Oro de Pachacamac', ‘Sol de los soles', ‘Revelaciones. Relatos reunidos 1979-2011'), y Santiago Roncagliolo (‘El año en que nació el demonio'). En los siguientes programas continuaremos con la segunda parte. El invitado de la semana es el escritor y académico Rafael Dumett, quien en ‘El espía del inca', narra la captura y ejecución del inca Atahualpa por las huestes de Pizarro. Pero hoy se remonta al Perú de inicios del siglo XX para contarnos la trayectoria política de Eudocio Ravines en ‘El camarada Jorge y el Dragón'. Un personaje histórico que fundó el Partido Comunista Peruano, férreo opositor del Apra, para terminar sus días alineado con la derecha política del país. el crítico literario y gerente de Escena libre, Julio Zavala, trae estas recomendaciones: "Las aventuras de la señorita Anger", de Liz Geraldine Rojas (narrativa), y "María Callas. Una biografía íntima", de Anne Edwards (biografía). La música de hoy: ‘Variations on the Peruvian National Anthem 6 7 y 8', Ward de Vileeschouwer; ‘Matarina', Raymond Thevenot; ‘La Périchole', Jaccques Offenbach, Antonio de Almeida, Frederic Von Stade y Scottish Chamber Orchestra; ‘Condor pasa', Raúl García Zárate; ‘Hanaq Pachaq', María Felicia Pérez, coro Exaudi de La Habana; ‘Cachua serranita', Traditional, Jordi Savall; ‘Landó por Bulerías', Miki Gonzáles; y ‘Carnaval arequipeño', Tankar Perú. Letras en el tiempo, este sábado a las 10:00 de la noche y domingos a las 7:00 pm por RPP radio. Lo encuentras también en formato podcast en rpp.pe o en la plataforma de tu preferencia. Edición de audio: Dallan Vásquez ||| Episodio 23 – Cuarta temporada 2023.

‘Novelas históricas peruanas', especial de Patricia del Río en el mes patrio. Mucho se ha escrito sobre la historia del Perú en diversos géneros y estilos literarios, inspirados en nuestros héroes y heroínas y los principales acontecimientos que marcaron un hito en nuestra historia desde el primer horizonte cultural hasta la era republicana. La entrega de hoy nos trae a personajes como el inca Atahualpa, Túpac Amaru, Francisca Pizarro, la Perricholi, por citar algunos, reivindicados en novelas de ficción por autores como Augusto Aguirre Morales (pionero de la novela histórica), Alonso Cueto (‘La Perricholi, reina de Lima', y ‘Francisca: princesa del Perú'), Raúl Tola (‘La favorita del inca'), Lucía Charún-Illescas (‘Malambo'), y Luis Enrique Tord (‘Oro de Pachacamac', ‘Sol de los soles', ‘Revelaciones. Relatos reunidos 1979-2011'), y Santiago Roncagliolo (‘El año en que nació el demonio'). En los siguientes programas continuaremos con la segunda parte. El invitado de la semana es el escritor y académico Rafael Dumett, quien en ‘El espía del inca', narra la captura y ejecución del inca Atahualpa por las huestes de Pizarro. Pero hoy se remonta al Perú de inicios del siglo XX para contarnos la trayectoria política de Eudocio Ravines en ‘El camarada Jorge y el Dragón'. Un personaje histórico que fundó el Partido Comunista Peruano, férreo opositor del Apra, para terminar sus días alineado con la derecha política del país. el crítico literario y gerente de Escena libre, Julio Zavala, trae estas recomendaciones: "Las aventuras de la señorita Anger", de Liz Geraldine Rojas (narrativa), y "María Callas. Una biografía íntima", de Anne Edwards (biografía). La música de hoy: ‘Variations on the Peruvian National Anthem 6 7 y 8', Ward de Vileeschouwer; ‘Matarina', Raymond Thevenot; ‘La Périchole', Jaccques Offenbach, Antonio de Almeida, Frederic Von Stade y Scottish Chamber Orchestra; ‘Condor pasa', Raúl García Zárate; ‘Hanaq Pachaq', María Felicia Pérez, coro Exaudi de La Habana; ‘Cachua serranita', Traditional, Jordi Savall; ‘Landó por Bulerías', Miki Gonzáles; y ‘Carnaval arequipeño', Tankar Perú. Letras en el tiempo, este sábado a las 10:00 de la noche y domingos a las 7:00 pm por RPP radio. Lo encuentras también en formato podcast en rpp.pe o en la plataforma de tu preferencia. Edición de audio: Dallan Vásquez ||| Episodio 23 – Cuarta temporada 2023.

We've got a geek movie themed show on Settle the Score this week and your host Matt Knost and musical director Andy Merryweather are happy to have returning champs and kings of all things geeky Amaru Moses and Kevin Smets to help us determine once and for all who knows their stuff forwards and backwards. Our patreon is now LIVE!!! Head over to https://www.patreon.com/settlethescoreshow and join one of our 5 tiers! We're offering all kinds of perks, backstage access, exclusive shows, and more. We can't wait to have you be apart of the show and our new community. So please head to https://www.patreon.com/settlethescoreshow to support the show today! There's a general text thread on our Discord server for everyone. Join the discussion at https://discord.gg/GqcDngEjAB Make sure to SUBSCRIBE to the podcast and leave a REVIEW/RATING on Apple and Spotify! If you'd like to take part in our next fan show you can enter in one of two ways. You can like and retweet the tweet Matt puts out each week promoting that week's show. Or you can leave a comment at https://www.youtube.com/mattknost. For every retweet and comment you leave it just adds your name into the pool that many more times. You can increase your odds by leaving more comments and retweets so fire away! Follow on twitter Matt: https://www.twitter.com/mattknost Andy: https://www.twitter.com/STS_Andym Amaru: https://www.twitter.com/knick888221 Kevin: https://www.twitter.com/kevsmets

Fanzone Debate Tournament RD2: #4 Amaru Moses vs #5 Caleb Boatman

It is time to put to rest the flimsy tale that North, South, and Central America are named after middling explorer Amerigo Vespuci. We also discuss the mysterious handbags of the gods. This "bag" with a handle turns up in various ancient cultures in different parts of the world, such as Quetzalcoatl, ancient Turkey and Mesopotamia repeatedly. This bag is always in the hands of the Apkalu, the Magicians of the Gods, Bringers of Civilization. Manly P. Hall, author, lecturer 33rd Degrees Freemason, & Rosicrucian stated: "The name 'America' is derived from the God Quetzalcoatl in Mexico, Gucumatz in Quich ; and in Peru he was called Amaru. From the latter name comes our word America. Amaruca is, literally translated, 'Land of the Plum d Serpent.' The priests of this God of Peace, from their chief centre in the Cordilleras, once ruled both Americas." The alternative theory went, that it came from the word Amaruca, “Land of the Plumed Serpents” (winged serpents, aka the caduceus, symbol of medicine, money, drugs, and kundalini). The chief god of the Maya in Central America is Quetzalcoatl, the feathered serpent that looked like the crawling morning glory vine that provided a psychedelic sacarament in the form of LSA. In Peru, this god is called Amaru (as in Tupac Amaru, the last defender killed by the Spaniards) and the territory known as Amaruca. Amaruca is literally translated “Land of the Plumed Serpents.” The tribe of Amaru still exists in Peru today. Two popular videos on Youtube speaks about the "handbags of the gods". https://www.youtube.com/watch?v=ZNrMucrAGjk https://www.youtube.com/watch?v=Ipad1xkpcyU Sources: The Mysterious Pyramids of Mexico by Peter Tompkins One World America - The Tartarians and the Moors by Jamie Lee The Naming of America: https://www.uhmc.sunysb.edu/surgery/america.html https://www.jonathancohenweb.com/america.html https://metro.co.uk/2017/12/13/mysterious-handbags-gods-spotted-ancient-sculptures-around-world-7157164/ https://www.bibliotecapleyades.net/ciencia/historia_humanidad83.htm https://groups.io/g/tranceam/topic/tranceam_org_amaruca_land/34448481?p= https://beforeitsnews.com/prophecy/2013/04/america-the-land-of-lucifer-the-real-story-behind-the-name-2446736.html Links: Podcast: https://www.MoorsinAmerica.com https://www.youtube.com/MoorsinAmerica7 Fezzes for Sale: https://www.MoorishFez.com Marketing Services: https://www.realtrafficmarketing.com Our Temple Website: https://www.MoorishAmericans.com Marketing Services: https://www.realtrafficmarketing.com Get Your Fez Cap: https://www.fezcaps.com If you appreciate this well-researched discourse from a Moorish American view make sure to use the links below to support our channel so that we can produce more great works documenting the Moorish American paradigm! Donations/Support: https://patreon.com/moorsinamerica https://paypal.me/lloydmd Get the Universal Meditation mp3 HERE: https://payhip.com/b/703y Subscribe & Check Out Our Website http://www.MoorsInAmerica.com Join & Contribute to our FB Group: https://www.facebook.com/groups/moorsinamerica/ Follow Us on Instagram: https://www.instagram.com/moorsinamerica/ Like Us on FB: https://www.facebook.com/MoorsInAmerica/ Follow Us on Twitter: https://twitter.com/MoorsInAmerica/ Tell Everyone about the channel & Subscribe! https://www.youtube.com/c/MoorsInAmerica7 Song: Moors in America by Shawn Bandz http://dreamlyferecords.net/ #✌

Fanzone Debate Tournament RD1: #4 Amaru Moses vs #13 Tyler Burch

Saliva Chat with Bobby Amaru on The Loud Spot! Lets hang out with lead singer Bobby and our new cohost Kyler! This was a fun episode where we played Saliva's new song "High On Me". We also talked about their recent tours, radio play, and Bobby vs Bob. Check it out! Peace Out, Rock On, and Much Love!

We've got another Geek throwdown this week on Settle the Score and your host Matt Knost and musical director Andy Merrtyweather are excited to have returning guests Mara Knopic and Amaru Moses on to figure out whos the geekiest of them all! Our patreon is now LIVE!!! Head over to https://www.patreon.com/settlethescoreshow and join one of our 5 tiers! We're offering all kinds of perks, backstage access, exclusive shows, and more. We can't wait to have you be apart of the show and our new community. So please head to https://www.patreon.com/settlethescoreshow to support the show today! There's a general text thread on our Discord server for everyone. Join the discussion at https://discord.gg/GqcDngEjAB Make sure to SUBSCRIBE to the podcast and leave a REVIEW/RATING on Apple and Spotify today!!! If you'd like to take part in our next fan show you can enter in one of two ways. You can like and retweet the tweet Matt puts out each week promoting that week's show. Or you can leave a comment at https://www.youtube.com/mattknost. For every retweet and comment you leave it just adds your name into the pool that many more times. You can increase your odds by leaving more comments and retweets so fire away! Follow on twitter Matt: https://www.twitter.com/mattknost Andy: https://www.twitter.com/STS_AndyM Mara: https://www.twitter.com/thatmara Amaru: https://www.twitter.com/knick888221