ancient Roman poet
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4 episodes with Juvenal
6 episodes with Juvenal
11 episodes with Juvenal
4 episodes with Juvenal
3 episodes with Juvenal
2 episodes with Juvenal
3 episodes with Juvenal
3 episodes with Juvenal
2 episodes with Juvenal
O Coração de Fortaleza, especial em homenagem aos 300 anos da capital cearense e produção original do Núcleo de Podcast da TV Unifor, conta de uma forma singular a história de alguns dos pontos mais conhecidos do Centro de Fortaleza. Visitando esses espaços, reunimos entrevistas com pesquisadores, frequentadores e personagens que ajudam a compreender a importância desses lugares para a memória e a identidade da cidade.Neste quarto episódio, o local visitado é a Casa Juvenal Galeno, um dos mais importantes espaços de preservação da literatura e da cultura popular cearense. Antiga residência do poeta Juvenal Galeno, a casa se tornou um centro de encontros culturais, saraus, pesquisas e manifestações artísticas, mantendo vivo o legado de um dos maiores nomes da literatura do Ceará e fortalecendo a produção cultural da cidade.Ficha Técnica:Produção: Ana Beatriz Casseb, Caio Nuto, Eduardo Mendes, Fellipe Ferreira, Isabela Fortaleza, Luana Gonzaga, Lucas Moreira e Rafaela Barbosa Coordenação Técnica: Hélio VianaProfessora Orientadora: Ana Paula FariasSecretária Executiva: Tamires AndradeDireção TVU: Max EluardDireção de Comunicação, Marketing e Comercial: Ana QuezadoReitor: Randal Martins PompeuEmissora: TV Unifor - Universidade de FortalezaTransmissão: Canal UniforCast - Spotify, Deezer, entre outros.
Uma notícia polêmica que parece saída de um filme de ficção científica, mas aconteceu aqui no Brasil: um homem foi detido após planejar um crime terrível usando o ChatGPT.Discutimos como a OpenAI identificou a ameaça, acionou o FBI e como a polícia brasileira entrou no circuito para evitar uma tragédia. Além do caso criminal, mergulhamos na parte técnica para entender: como a IA "sabe" que você está fazendo algo errado? Existe um humano lendo suas mensagens?O que você vai encontrar neste episódio:- Vigilância permanente: de onde vem o conceito de "Big Brother" e por que a sensação de estar sendo observado muda nosso comportamento;- Quem vigia os vigilantes? A provocação de Juvenal sobre o poder de fiscalização e a política atual;- Bastidores técnicos: o que são guardrails e como a IA usa "pensamento lento" para reescrever seus prompts e evitar abusos;- O segredo do cálculo: por que o ChatGPT não sabe "fazer conta" de verdade e precisa gerar código em Python para não errar matemática básica;- Privacidade em risco: o perigo dos dados serem usados para espionagem industrial ou política e por que o futuro pode ser ter uma IA rodando na sua própria máquina.A inteligência artificial trouxe segurança neste caso, mas a que custo para a nossa privacidade?Participe da discussão!Deixe seu like e comente: você já se sentiu vigiado pela tecnologia? Onde termina a segurança e começa a invasão de privacidade?Notícia comentada- https://g1.globo.com/tecnologia/noticia/2026/06/27/como-chatgpt-identificou-plano-de-pai-para-matar-o-filho-e-levou-alerta-para-autoridades.ghtmlParticipe do Clube do Papo https://papodeux.com.br/clube/Mentoria com Luan Mateus https://mentoria.luanmateus.com/News do Papo https://papodeux.substack.comInstagram Papo de UX http://instagram.com/papodeux/LinkedIn Luan Mateus https://www.linkedin.com/in/luanmateus/LinkedIn Thiago Vespa https://www.linkedin.com/in/thiagovespa/Instagram Thiago Vespa https://instagram.com/thiagovespa
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful. The conversation introduces listeners to the book's central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another. A key point of discussion is the book's comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background. The episode also explores the book's opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book's central arguments: distraction is often woven into everyday life before people have noticed its influence. Warner's background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically. Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement. Key Themes and Context: “Bread and circuses” in the modern world - One of the book's central ideas is that Juvenal's famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility. The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life. Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility. Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped. The psychological dimension of distraction - Warner's background in psychotherapy informs the book's attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others. Vernon Press – Bridging Scholarly Ideas and Global Readership Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse. Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
Une fois n'est pas coutume, nous ne partirons pas aujourd'hui d'une question, mais plutôt d'une locution pour tenter de l'approfondir et d'en comprendre le parfait sens et sa portée (profonde) si tant est qu'elle existe. Aujourd'hui, nous plongeons au cœur de l'antiquité par la formule Latine Panem et circenses, « du pain et des jeux du cirque ». Cette locution latine, désormais bien connue de tous, trouve son origine dans la Rome impériale, celle du IIème siècle après J.C. Cette locution permet à votre serviteur ou encore à tout guide d'un site archéologique romain de paraître cultivé en se faisant passer pour un fin connaisseur de l'histoire antique et de sa philosophie sans pour autant avoir lu l'œuvre de son auteur, Juvenal. Cette locution latine est aussi un sujet donné aux candidats au grand oral de l'ENM en 2025. Sans doute parce qu'elle revêt un sens plus profond qu'il n'y parait au premier abord ; elle décrit une réalité bien plus complexe que les évidences matérielles et prosaïques auxquelles elle semble se rapporter. Surtout, étrangement, à bien des égards, elle apparaît d'actualités. Pour en explorer les différentes dimensions, nous recevons Vincent Mazzocchi, Docteur en droit et Avocat au barreau de Paris.
Saudações saudáveis, ouvinte do RÁDIOFOBIA! Lá nos anos 1990 um personagem da Escolinha do Professor Raimundo ficou famoso com o bordão "Saúde é o que interessa, o resto não tem pressa". Sim, ser saudável segue sendo fundamental, mas e quanto à saúde mental? Por que atualmente temos a impressão de que todo mundo está com a cabeça zoada de alguma maneira? O que fazer para garantir, como diria Juvenal, uma mente sã em um corpo são? No episódio de hoje Leo Lopes, Jéssica Dalcin, Júlio Macoggi e Victor Estácio recebem a psicóloga, doutora em Psicologia, mestre em Educação Especial e especialista em Análise do Comportamento Aplicada (ABA) Ana Arantes, para tentar entender um pouco melhor o que se passa na nossa cabeça! Não deixe de interagir com a gente nas redes sociais, dar seu feedback sobre o papo e sugerir temas e convidados para as próximas edições do nosso podcast, além de deixar seu comentário no post, ok? Você também pode agora mandar sua cartinha para a Caixa Postal 279 - CEP 13930-970 - Serra Negra - SP, e seu e-mail para podcast@radiofobia.com.br! Arte do episódio: Sandro Hojo Links citados no episódio:- Nunca Vi 1 Cientista- Mari Krüger- Atila Iamarino- Os 3 Elementos - com Andre L. Souza: Neurociência, IA e o Futuro da Mente Links citados nas Cartinhas do Totô:- matricule-se já no Curso de Podcast- garanta o livro Curso de Podcast - Guia Básico em PDF e na Amazon para o seu Kindle- Podcast Store - a loja de produtos exclusivos da podosfera brasileira- Instituto Amargen Links que indicamos sempre:- ouça o Ineditados Podcast- Acesse o novo site e ouça a RÁDIO 24h NO AR do Rádiofobia Classics!- assine o canal do Curso de Podcast no YouTube- siga @ocursodepodcast no Instagram- participe do grupo de produtores, apresentadores e ouvintes dos podcasts da Rádiofobia Podcast Network no Telegram Ouça o Rádiofobia Podcast nos principais agregadores:- Spotify- Apple Podcasts- Amazon Music- Deezer- PocketCasts Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.
Saudações saudáveis, ouvinte do RÁDIOFOBIA! Lá nos anos 1990 um personagem da Escolinha do Professor Raimundo ficou famoso com o bordão "Saúde é o que interessa, o resto não tem pressa". Sim, ser saudável segue sendo fundamental, mas e quanto à saúde mental? Por que atualmente temos a impressão de que todo mundo está com a cabeça zoada de alguma maneira? O que fazer para garantir, como diria Juvenal, uma mente sã em um corpo são? No episódio de hoje Leo Lopes, Jéssica Dalcin, Júlio Macoggi e Victor Estácio recebem a psicóloga, doutora em Psicologia, mestre em Educação Especial e especialista em Análise do Comportamento Aplicada (ABA) Ana Arantes, para tentar entender um pouco melhor o que se passa na nossa cabeça! Não deixe de interagir com a gente nas redes sociais, dar seu feedback sobre o papo e sugerir temas e convidados para as próximas edições do nosso podcast, além de deixar seu comentário no post, ok? Você também pode agora mandar sua cartinha para a Caixa Postal 279 - CEP 13930-970 - Serra Negra - SP, e seu e-mail para podcast@radiofobia.com.br! Arte do episódio: Sandro Hojo Links citados no episódio:- Nunca Vi 1 Cientista- Mari Krüger- Atila Iamarino- Os 3 Elementos - com Andre L. Souza: Neurociência, IA e o Futuro da Mente Links citados nas Cartinhas do Totô:- matricule-se já no Curso de Podcast- garanta o livro Curso de Podcast - Guia Básico em PDF e na Amazon para o seu Kindle- Podcast Store - a loja de produtos exclusivos da podosfera brasileira- Instituto Amargen Links que indicamos sempre:- ouça o Ineditados Podcast- Acesse o novo site e ouça a RÁDIO 24h NO AR do Rádiofobia Classics!- assine o canal do Curso de Podcast no YouTube- siga @ocursodepodcast no Instagram- participe do grupo de produtores, apresentadores e ouvintes dos podcasts da Rádiofobia Podcast Network no Telegram Ouça o Rádiofobia Podcast nos principais agregadores:- Spotify- Apple Podcasts- Amazon Music- Deezer- PocketCasts Publicidade:Entre em contato e saiba como anunciar sua marca, produto ou serviço em nossos podcasts.See omnystudio.com/listener for privacy information.
Christina Hello, everyone, I'm Christina Darnell, the managing editor of MinistryWatch. Welcome to the MinistryWatch podcast. In today's extra episode, I talk with Warren Smith about some news items that are slightly (even significantly) outside of our normal charity and philanthropy “beat.” So, Warren, what's up first? Warren Microfinancing is taking a beating in the media these days. In the 1990s and 2000s, microfinancing was all the rage. The basic idea was to give entrepreneurs who could not qualify for loans at traditional banks an opportunity to take out a small loan to finance income producing activities. Christina Women could buy sewing machines and take in tailoring and alteration work to support her family. Men could buy motorcycles to take them to job sites or pick up trucks to start a hauling or construction business. Warren That's exactly the idea. But new reporting by the Wall Street Journal questions the effectiveness of such microfinancing activities. It is also interesting that Christian ministries who got on the microfinancing bandwagon (Opportunity International, Hope International, Five Talents, and others) are now pivoting to savings groups, financial literacy, and broader economic development because the evidence for traditional microcredit has been more mixed than early advocates expected. Christina Something else that's been in the news this week has been Steven Spielberg's new movie “Disclosure Day.” Warren The new movie is being touted as a “takedown” of Christianity. Spielberg suggested that the discovery of extraterrestrial life would create a crisis for the Christian faith. Christina But a lot of Christian apologists have weighed in on this question and they say that's not accurate. Warren That is right. I've got to confess that I'm skeptical of extraterrestrial life on other planets, at least life on any planets within reach. There's some evidence of water on the moon and on Mars, so we might find some type of organism there, and that would be interesting. But I think we can see deeply enough into space to suggest that there's nothing significant nearby. Christina But even if there was, nothing about Christian doctrine would be challenged by the discovery of extraterrestrial life. Warren I think that's right. Christians from C.S. Lewis to Larry Norman (in his song “Unidentified Flying Object”) have written about this idea, and it is interesting but innocuous in terms of its threat to Christianity. A more troubling aspect of Spielberg's film, according to Rod Dreher, is its overt Gnosticism, and ancient heresy that keeps getting re-heated and half-baked by modernists and post-modernists. Christina So what is Gnosticism? Warren Gnosticism is a collection of ancient religious movements that taught that salvation comes through secret spiritual knowledge (gnosis) that awakens the divine spark within humans and frees them from the material world. To read Dreher's critique of the film, click here. My friends John Stonestreet and Tim Padget over at The Colson Center have also written intelligently about this movie. You can find their commentary at www.BreakPoint.org. By the way, the film is getting decent reviews and is performing well at the box office, taking in $44 million its first weekend, against a $110 million production budget. Christina This week marks the anniversary of the death of someone you hold in high regard. Can you tell us about John Dyer? Warren If you find self-promoting (and, too often, self-destructive) Christian celebrities distasteful, John Dyer could be your palate cleanser. He lived in the 1800s, and he helped bring Christianity to the American West as a Methodist circuit riding preacher. A church he founded in the resort town of Breckenridge is still in operation. He also ended up in the Colorado Ski and Snowboard Hall of Fame. To find out why, read this piece, which I wrote a year ago, but which I call your attention to this week because it is the 125th anniversary of his death. Christina And you've been turning your eye toward Europe this week. Why? Warren Culturally speaking, things are strange in Europe right now. Birth rates are plummeting there even more than here. This fact will have profound economic and societal implications in the years ahead. I visited Spain 15 years ago and wrote about what I saw there for WORLD Magazine. (And here.) Here are the headlines from that story: Large, gorgeous, empty churches, an economy that lacked confidence, and conservative political parties hunkered down. Christina But that was, as you said, 15 years ago. Today, things have changed somewhat. Warren The economy is better, though not great. Center-right conservatives, represented by the Partido Popular, have been overtaken by the far-right Vox party. I started thinking about this when I read that Franklin Graham recently did a crusade in Madrid that attracted 10,000 people. That sounds like a lot until you realize that the musician Bad Bunny attracted 60,000 on the same night. Read my friend Bruce Bower's account of what is happening in Spain here. Christina Another high-profile event this week was the UFC fights at the White House. Do you have any thoughts about that? Warren Christians often talk about the “good, true, and beautiful” as if they are separate things. They are not, these three qualities are unitary, of-a-piece. Something cannot be really TRUE or GOOD unless it is also BEAUTIFUL. Something that is ugly or banal aesthetically is also, to that extent, also less true and less good. These are ideas to consider as we assess the events of June 14, which was — in my view — another “wag the dog” spectacle designed to distract the masses. Juvenal had a phrase for it: panem et circenses. Bread and circuses. He also said that such spectacles were a sign of a nation in decline. Christina Any final thoughts before we go? Warren If you have not discovered our YouTube channel, check it out here. We now have nearly 200 videos there, and they have attracted tens of thousands of views. Subscribe, like, and share to spread the word about our work. I am in Albuquerque next month. If you live in the Land of Enchantment, one of my favorite states, reach out to me. I would love to share a meal or a cup of coffee with you. My email is wsmith@ministrywatch.com. We'd love to have your financial support as we approach our fiscal year end. Just go to www.ministrywatch.com/donate Christina The producer for today's program is Jeff McIntosh. I'm Christina Darnell, along with Warren Smith. Until next time, may God bless you.
A nation celebrating liberty while surrendering itself to surveillance, debt, biometric control, digital money, artificial intelligence, and global governance is not a free nation. It is a nation living off the fumes of a freedom it no longer understands. The flags, the stirring songs, the speeches and fireworks are still there, but underneath all that patriotic pageantry is a people being quietly trained to accept chains, so long as those chains are presented as convenience, security, progress, and innovation. Founding Father Benjamin Franklin said “Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.” 267 years later, those words applied to America ring truer in our day than when Franklin first said it. We just don't see it because we've become spiritually blinded.“The wicked shall be turned into hell, and all the nations that forget God.” Psalm 9:17 (KJB)On this episode of the Prophecy News Podcast, America is turning 250 years old, and instead of finding her on her knees in repentance before the God who has so richly blessed her, we find her cheering cage fights on the lawn of the White House. That is not merely entertainment, that is a parable. The same nation that once sent missionaries around the world with a King James Bible in one hand and the gospel of the grace of God in the other is now staging the modern equivalent of Roman spectacle at the very seat of executive power. Juvenal called it “bread and circuses,” the tragic condition of a people who had traded duty, virtue and liberty for amusement, appetite and distraction. Rome didn't know she was dying while the games were playing, and America seems to be oblivious to that fact as well. Today we bring you the hard truth of America in her last days, and what you can expect to see if the Lord tarries.
Menopausa é o nome que se dá à última menstruação, um episódio que ocorre, em geral, entre os 45 e 55 anos. Quando ocorre por volta dos 40 anos, é chamada de menopausa prematura ou precoce. Muitas vezes, o termo menopausa é empregado indevidamente para designar o climatério, que é a fase de transição do período reprodutivo, ou fértil, para o não reprodutivo na vida da mulher. Sobre o assunto, o âncora Jota Batista conversa com o médico ginecologista do Hospital Jayme da Fonte, Flávio Juvenal, no Canal Saúde nesta terça-feira (10).
In this episode, Ryan Gable break down the claim that the 2026 Olympic Gold Medal hockey game between the U.S. and Canada was rigged for a Jack Hughes overtime goal. From Hughes' physical "sacrifice" of his teeth to his ties to the New Jersey Devils (a team named after a cryptid), we examine why some are branding the victory "Disney on Ice."We also look at the the closing ceremony of the Olympics which received no critical analysis over its two-hour airtime, which when combined with the opening produces over five hours of content—from this came a single image of a red knot and star that people called satanic or Baal. We connect these dots to a larger trend of "lazy" conspiracy theories that ignore the documented history of gambling and point-shaving in favor of mystical rituals. Roman Poet Juvenal famously wrote about panem et circenses, or bread and circuses.What most assume is a method of state-control was actually a demand of the public, Juvenal's fellow citizens. Conspiracy theories have become lazy, and many could probably do with bread and pageantry; instead, they choose to live parallel to reality into an echo-chamber that only gives them the authority of a blind and selective all-seeing eye. In this episode, we also dissect:The NHL & The Devil: How Jack Hughes' overtime winner for Team USA is being linked to his "mythical" NHL team and his kosher roots as part of a "grand distraction."The Kash Patel Connection: Analyzing the "uncomfortable" viral video of the former official drinking beer and celebrating with the team.The Magic Number 33: Why the U.S. finishing with exactly 33 medals overall has sent the "selective all-seeing eye" into a frenzy.NBA & NFL Scripts: Why the "NBA uses magnets" theory (born from old TV commercials) and the "NFL is scripted" marketing campaigns have made fans stop believing in reality.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.
The panel discusses Dr. Johnson's imitation of the tenth satire of Juvenal, with its message of caution about advanced age and the temptations of academic life, with special attention given to the difference lying between imitation and translation.Continue reading
Sunday, 23 November 2025 So they all ate and were filled, and they took up twelve baskets full of the fragments that remained. Matthew 14:20 “And they ate all, and they gorged, and they lifted the superabounding pieces – twelve handbaskets full” (CG). In the previous verse, Jesus prayed over the bread and fish and gave them to the disciples. They, in turn, gave to the multitudes. Now, after the people were satisfied, it says, “And they ate all, and they gorged.” It is an amazing sentiment. From five small loaves and two small fish, the entire multitude ate to the point of being gorged! The word, chortazó, to gorge, has only been seen one time so far – “Blessed – those famishing and thirsting righteousness, For they – they will be filled.” Matthew 5:6 These multitudes had rushed around the Sea of Galilee while Jesus took the boat across, anxious to hear more from Him. This was in the morning, and they had stayed until later in the day, not focusing on food, but on the powerful words of Jesus. Certainly, they were famishing and thirsting for righteousness. And by the time they were done, they had received His miracles, His healings, His words of righteousness, and a feast on which they gorged themselves to satisfaction! With the feeding complete, Matthew next records, “and they lifted the superabounding fragments.” John 6:12 adds, “So when they were filled, He said to His disciples, ‘Gather up the fragments that remain, so that nothing is lost.'” The disciples were told to go around and gather up anything left over from the meal. The word klasma, a piece or fragment, is introduced here. It is derived from the verb klaó of the previous verse, which referred to Jesus breaking the bread after having blessed it. Jesus had broken these small loaves and fishes. From there, they were handed out to the people, as much as they could eat. After that, there were broken leftovers scattered throughout the multitudes, which the disciples then went and collected. Having done this, it next says the result was “twelve handbaskets full.” Another new word is seen, kophinos, a small basket. The derivation of the word is unknown, but Ellicott, citing Juvenal, “describes the Jews of Italy as travelling with ‘their cophinus and a wisp of hay,' by way of pillow, as their only luggage.” Thus, it was certainly a small basket used for carrying things as one traveled. There were enough bread fragments lying around to fill twelve of these. Life application: The account concerning the feeding of the multitudes is plain, clear, and sufficiently detailed to leave little room for speculation on what occurred. How it occurred, meaning how the bread was multiplied, is something we don't know. It happened, and it was miraculous. Having said that, here are a couple of the ways people have tried to dismiss the miracle, as cited from Myers' New Testament Commentary – “To explain away the miracle, as Paulus has done (who thinks that the hospitable example of Jesus may have induced the people to place at His disposal the provisions they had brought along with them; ... is inconsistent with the accounts of all the evangelists, and especially with that of the eye-witness John.” “Schenkel thinks he sees his way to an explanation by supposing what is scarcely possible, viz. that Jesus fed the multitude with a rich supply of the bread of life from heaven, which caused them to forget their ordinary food, though at the same time He devoutly consecrated for their use the provisions which they had brought with them, or had managed to procure for the present emergency.” These and other excuses they reference for how the miracle can be dismissed have no basis in any reality. There is nothing in the biblical account to justify a word of what they claim. In other words, simply to dismiss the miraculous nature of what it clearly and precisely recorded, these false scholars insert nonsense into what the Bible presents, making things up out of their own demented heads. Be careful when reading commentaries. The intent of many of them is to attempt to sound smart and educated while tearing apart what Scripture clearly presents. There are times when translations miss the mark on properly presenting what is detailed in the manuscripts, but outside of translations by several cults, these are not usually intentional perversions of reality. Hold fast to what the Bible says. Accept that God can do the miraculous and that when He does, it is to make a point for us to understand what He is doing in the stream of time to reveal His caring affection for His people as displayed in the sending of Jesus to bring us back to Himself. Lord God, help us to be people of faith, not attempting to outsmart You and what is recorded in Your word. Give us wisdom to accept what it says about creation, the fall of man, the process of redemption, the presentation of miracles, and all other things recorded there, taking them at face value. You are God. Your word is truth. May we accept this, reveling in what is recorded there. Amen.
“Bread and circuses” refers to the strategy of using public appeasement through free food (”bread”) and entertainment (”circuses”) to distract and pacify the general population, preventing them from revolting against political or social grievances. The phrase originates from the Roman poet Juvenal, who used it to criticize his fellow citizens for their declining civic responsibility. Sadly, both of the American political parties, which are mostly controlled by the deep state, employ the same tactic to keep us in line today. Stop falling for their false hope and put your faith in something far better.Now, do you believe in this ministry? If you do, you can keep us on the air as a radio program and podcast by visiting our website. It is vastly more urgent than ever that you do. https://truth2ponder.com/support-us. You can also mail a check payable to Ancient Word Radio, P.O. Box 510, Chilhowie, VA 24319. Thank you in advance for your faithfulness to this ministry.
Welcome, my ghoulish fiends! Join me as I sink my teeth into the dark allure of vampires and the eternal obsession with youth. From Countess Elizabeth Bathory's infamous legend to Roman and early modern rituals of blood and renewal, I explore how the vampire became the ultimate beauty icon and how our own thirst for ageless perfection mirrors their seductive, deadly world. *Listener Discretion is Strongly Advised*************Sources & References:Groom, Nick. The Vampire: A New History (Oxford University Press, 2018)Auerbach, Nina. Our Vampires, Ourselves (University of Chicago Press, 1995)Sugg, Richard. Mummies, Cannibals and Vampires (Routledge, 2011)Wilde, Oscar. The Picture of Dorian Gray (1890)Polidori, John. The Vampyre (1819)Le Fanu, Sheridan. Carmilla (1872)Stoker, Bram. Dracula (1897)Historical references: Pliny the Elder, Juvenal, Marsilio Ficino, and accounts from the Bathory trial (1609–1610)Day, Doris. Commentary on PRP “vampire facial” (2015–2019)Regalado, Antonio. “Young Blood Transfusions: Silicon Valley's Obsession with Youth.” MIT Technology Review (2019)Lepore, Jill. “The Cult of Youth in Modern Science.” The New Yorker (2019)GlobalData (2027 projection for anti-aging skincare market)JAMA Facial Plastic Surgery (2018–2020) studies on “Snapchat dysmorphia”****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Alleys of Darkness" Phoenix Tail"Rain Light 6" SFX Producer Epidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!
This week- four films about people driven to extremes. When Harry Graham learns he had blown through his entire trust fund, he makes a desperate gamble to secure his future. Giving himself only 5 weeks to find, court, and wed a rich woman before he loses everything. Fortunately, he soon meets guileless botany professor Henrietta Lowell, whose only dream is to discover a new species of fern. Will Henrietta realize her dream? Will Harry get away with his nefarious plot? Why isn't there more James Coco? The directorial and screenwriting debut of often brilliant but mostly infamously overbudget Elaine May, A New Leaf. Norah, a nightclub DJ, is being harassed by obscene phone calls. The caller has detailed knowledge of her daily life and activities. Soon things escalate and a terrifying object is left in her apartment. Lt. Dave Madden, a cop with an interest in crime inspired by sexual motivations, takes a personal interest in the case. Will the caller escalate their actions before Madden can root them out? An often overlooked cult film that occupies that space between Psycho and gialli, between Peeping Tom and slashers- Who Killed Teddy Bear? Eve Stephens is a Los Angeles trial lawyer who has been shortlisted for a judge appointment. Despite her professional appearance, Eve struggles deeply with self-doubt and conforming to what society expects from her as a woman. Eve's carefully balanced world begins to unravel when her doctoral student sister, Maddie, is arrested for shoplifting. The debut feature from Susan Streitfeld, Female Perversions. Juvenal, a former monk now working as a live-in councilor at an addiction rehab facility, has the power to cure people with a touch. When former grifter Bill Hill learns of this gift, he enlists the help of a beautiful associate to get Juvenal on board his plans to cash in. Unfortunately, militant fundamentalist group leader August Murray also has plans. Based on the book by Elmore Leonard, Touch. All that and Dave gets toxic af, Kevin keeps it sophisticated af, and Tyler makes his smut collection everyone's problem. Join us, won't you? Episode 433- Holy Fronds and Wholly Desire
Is our obsession with celebrities, sports, consumer culture and social media quietly dismantling democracy? Psychotherapist and award-winning author Kurt Warner thinks so, and he's sounding the alarm in his new book, False Idols: How Diversion Is Destroying Democracy. Please refer to the press release below for additional information, and let me know if you would like to receive a copy of False Idols for interview and/or review purposes. Watch a recent interview regarding one of Kurt's previous books here: https://www.youtube.com/watch?v=zFDCwwnAZ0c. FOR IMMEDIATE RELEASE Are ‘Bread and Circuses' Dismantling Democracy? New Book Warns of the Hidden Cost of Modern Distractions NEW YORK, August 19, 2025 — In ancient Rome, poet and satirist Juvenal used the phrase “bread and circuses” to refer to superficial appeasements used by the powerful to placate the public and distract them from political corruption. In False Idols: How Diversion Is Destroying Democracy, licensed clinical social worker, psychotherapist and award-winning author Kurt Warner revives and reinterprets this age-old warning, examining how contemporary America has fallen into the same trap — only now, the distractions are more abundant, more seductive and more dangerous than ever. “This is a call to arms for people to reprioritize their values for the betterment of society and for the betterment of themselves,” Warner explained. “It suggests that we are asked and led to desire and chase what we don't want rather than focus on what we do want by systemic forces in society.” Drawing on both psychological insight and social critique, False Idols dissects the many ways society is conditioned to idolize the wrong things: celebrities, musicians, athletes, influencers, political personalities, brands and even virtual realities. Warner argues that this cultural fixation is no accident — it's a systemic diversion, engineered to pacify the masses and preserve the status quo, all while democratic ideals quietly wither. “As long as everybody is chasing and distracted by these ‘bread and circuses,' they are willfully negligent to the goings-on in their society, government and country,” Warner noted. A compelling mix of social commentary, political philosophy and psychological insight, False Idols is a wake-up call for anyone feeling disillusioned by the noise of modern life and the hollow allure of American celebrity and consumer culture. “As a licensed clinical social worker, it is my passion to pursue macro and micro level change to bring about betterment in both systems and individuals — this is the goal of the book,” Warner added. False Idols: How Diversion is Destroying Democracy Publisher: Vernon Press ISBN-13: 979-8881901837 Available from https://www.amazon.com/False-Idols-Diversion-Destroying-Perspectives/dp/B0DQYNXKYX ### TIP SHEET The press release above may be published in part or entirety by any print, broadcast or internet/digital media outlet, or used by any means of social media sharing. Reviews, photos, links to previous interviews and Q&As are available upon request. About the Author Kurt Warner is a licensed clinical social worker and therapist, and has been practicing social work for 18 years. He has a bachelor's degree in English literature and a master's degree in social work. He has been published in the academic journal Disability in Society. He was also a contributing writer in the book Same Time Next Week: True Stories of Working through Mental Illness. He previously served as vice president of the Mental Health Association of Cortland County and served on the board for the MHA for 14 years. He is also the author of Victory in Every Fall: The Antaeus Approach to Overcome Disabilities and Utopia Realized: In Search of a Just Society. For more information, please visit www.kurtwarnerbooks.com or find the author on Instagram, Facebook and X at @kurtwarnerbooks.
Paul has previously discussed our relationship with God, our worship, our marriages, and the parent-child dynamic. In these verses, he shifts focus to the master-slave relationship, a common institution in the Roman Empire, where an estimated 50 million people were enslaved. While the Bible does not explicitly condemn slavery, it acknowledges the system's widespread abuse. Since slavery is unfamiliar to us today, let's explore insights from Dr. John MacArthur about this ancient practice. In Greek and Roman societies, slaves had no legal rights and were treated as commodities—bought, sold, traded, or discarded like animals or tools. Roman citizens viewed work as beneath them, relying heavily on slave labor. Compassionate masters, like Pliny the Elder, who mourned his slaves' deaths, were rare. One Roman writer classified agricultural tools into three groups: articulate (slaves, who could speak), inarticulate (animals), and mute (tools and vehicles). Slaves were barely distinguished from animals or objects. The Roman statesman Cato advised discarding old or sick slaves as worthless, and stories abound of cruel punishments—like Augustus crucifying a slave for killing his pet quail or Pollio feeding a slave to lamprey eels for breaking a goblet. Juvenal described a slave owner who delighted in the sound of his slaves being whipped. Given the rampant abuse in slavery, God inspired Paul to provide instructions for both slaves and masters. While slavery no longer exists in our society, these principles apply to the employer-employee relationship today. Let's examine these verses to understand Spirit-Filled Service and how it shapes our service to God and others.
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
1 Peter 1: 3-7; John 15: 5-11; Haydock Commentary Please consider donating to help keep this podcast going by going to buymeacoffee.com/catholicdailybrief Also, if you enjoy these episodes, please give a five star rating and share the podcast with your friends and family
Sean is the host of @restitutio8765 . He is the pastor of Living Hope Ministries Internal ( @livinghopelatham ) He is also on the board of the Unitarian Christian Alliance ( @UnitarianChristianAlliance ). In this video we discuss his recent series on the history of Corinth the city and what that informs us about the epistles to the Corinthian church and early christianity more broadly. We mention Aquila, Augustus, Bacchus, Bruce Winter, Cayla Mayo, Claudius, Crispus, Cybele, Dale Martin, Dionysus, Gaius (Caesar), Gaius, Hercules, Homer, James Walters, Jerome Murphy O'Connor, Jesus, Job, Joseph Fitzmyer, Josephus, Julius Caesar, Juvenal, Celsus, Lucius Caesar, Mummius, Nero, Paul, Philo, Plato, Pliny the Elder, Pliny the Younger, Plutarch, Priscilla, Sosthenes, Tiberius, Titius Justus, Trajan, Victor Gluckin, Will Barlow, Zach Mayo, Zephaniah and more. Corinthians series - https://youtube.com/playlist?list=PLN9jFDsS3QV2PFMHm0Vd4JWrDPxW8Zvc8&si=gT9abVPqRy0sYn_Q
RESUMEN DE NOTICIAS
https://www.iservalan.com https://www.taletellerclub.comChapter 2: Classical Antiquity – Pleasure, Power, and Myth(Greece, Rome, India, China, Japan)Erotic Art in the Classical World: Sensuality, Divinity, and the Human FormThe civilizations of Greece and Rome profoundly shaped Western attitudes toward eroticism, beauty, and the human body. Meanwhile, in Asia, India, China, and Japan developed their own rich traditions of erotic art, where sexuality was intertwined with spirituality, aesthetics, and philosophy. Across these cultures, erotic imagery was not just about desire—it was deeply connected to mythology, religious devotion, and social identity.The Greek Celebration of the Nude and the DivineAncient Greek art (c. 800–146 BCE) is renowned for its idealized representations of the human form, including sensual and erotic depictions. Unlike later Western traditions, which often moralized sexuality, the Greeks saw eroticism as an essential aspect of life, closely tied to their gods, heroes, and social structures.The Male Nude and Homoeroticism in Greek ArtGreek sculptures and vase paintings frequently depicted the nude male body as a symbol of beauty, strength, and divine perfection. The kouroi (statues of young men) and later the works of sculptors like Phidias, Polykleitos, and Praxiteles showcased a balance of realism and idealism.Homoeroticism played a significant role in Greek culture, particularly in the institution of pederasty, where older men (erastai) mentored and formed relationships with younger men (eromenoi). While controversial today, these relationships were embedded in Greek education, social bonding, and military camaraderie. Erotic vase paintings and sculptures, such as those on the Warren Cup, openly depicted same-sex relationships without stigma.Aphrodite and the Feminine EroticThe goddess Aphrodite, associated with love and beauty, was a central figure in Greek erotic art. The first known fully nude female sculpture, Aphrodite of Knidos by Praxiteles (c. 360 BCE), marked a shift in the portrayal of female sensuality. While earlier depictions of women were clothed, this work introduced the eroticized nude female body as an artistic norm in Western art.Rome: Eroticism, Excess, and Moral ContradictionsThe Romans inherited much from Greek artistic traditions but added their own flair for luxury, satire, and explicit eroticism. Roman erotic art ranged from refined frescoes in wealthy villas to bawdy graffiti in brothels, revealing a culture that embraced sexuality in both elite and everyday contexts.Pompeii and Herculaneum: A Window into Roman EroticismThe eruption of Mount Vesuvius in 79 CE preserved vast amounts of erotic art in Pompeii and Herculaneum, offering an unparalleled glimpse into Roman attitudes toward sexuality. Frescoes from the Villa of the Mysteries and Lupanar (brothel) depict explicit scenes, suggesting that sexuality was not hidden but woven into public and private life.One of the most famous artifacts, the Priapus fresco, shows the god Priapus weighing his exaggerated phallus against a bag of money—a humorous but symbolic image of fertility and prosperity. Romans often associated large phallic imagery with protection, luck, and virility.Satire and Social Commentary in Roman EroticaWhile erotic art was common, Rome also saw moral pushback against sexual excess. Writers like Ovid (Metamorphoses, Ars Amatoria) celebrated love and seduction, while others, like Juvenal, satirized the decadence of Roman society. The Augustan moral reforms (1st century BCE) attempted to impose sexual restraint, yet erotic art continued to flourish, reflecting the contradictions within Roman attitudes toward pleasure.Erotic Art in Ancient India: The Sacred and the SensualEroticism in ancient India was deeply entwined with spirituality, particularly through Hinduism and Tantra. Unlike in the West, where sexuality was often seen in opposition to religious purity, Indian art frequently depicted sensuality as an extension of divine energy.Temple Eroticism: Khajuraho and KonarkThe Khajuraho temple complex (c. 950–1050 CE) and the Konark Sun Temple (c. 13th century CE) feature intricate sculptures of deities, lovers, and erotic acts. These reliefs, far from being mere decoration, reflect the Hindu belief that sexual union mirrors cosmic unity and divine creation.The Kama Sutra and Indian Erotic TextsAttributed to Vātsyāyana, the Kama Sutra (3rd century CE) is one of the most famous texts on love and eroticism. Contrary to its popular perception as a sex manual, it is a sophisticated treatise on pleasure, relationships, and aesthetics. Accompanying illustrations in later manuscripts helped visualize its teachings, making it one of the most influential works of erotic literature.Erotic Art in Ancient China: Daoism and Sensual BalanceIn China, erotic art was shaped by Confucian ideals, Daoist philosophy, and later Buddhist influences. While Confucianism promoted restraint, Daoism embraced sexuality as a path to harmony and longevity.Daoist Sexual Arts and Painted ScrollsDaoist texts, such as the "Art of the Bedchamber", describe sexual practices believed to extend life and health. Erotic scroll paintings from the Tang (618–907 CE) and Song (960–1279 CE) dynasties often depicted intimate scenes with poetic inscriptions, emphasizing sensuality rather than crude explicitness.Later, during the Ming (1368–1644) and Qing (1644–1912) dynasties, erotic books known as "spring pictures" (春宫图) became popular among the elite, blending humor, philosophy, and eroticism.Japan's Shunga: The Floating World of SensualityJapanese erotic art, or Shunga (春画), flourished during the Edo period (1603–1868). These woodblock prints, created by masters such as Hokusai and Utamaro, depicted erotic encounters with both aesthetic refinement and explicit detail. Unlike in the West, where erotic art often faced suppression, Shunga was widely enjoyed across social classes.Shunga as Art, Satire, and InstructionShunga prints were not just pornographic; they served multiple purposes, including sexual education, humor, and even political satire. Some depicted fantastical elements, such as Hokusai's famous "The Dream of the Fisherman's Wife", blending eroticism with mythology.Conclusion: Classical Eroticism as a Reflection of CultureThe erotic art of classical antiquity reveals a diversity of attitudes toward sexuality:Idealized beauty and divine connection – Greek and Roman art celebrated the nude as an emblem of perfection.Religious and cosmic symbolism – Hindu and Daoist traditions saw sexuality as a path to spiritual enlightenment.Humor and satire – Roman and Japanese art often infused eroticism with wit and social commentary.While some traditions embraced erotic art as sacred, others saw it as a source of indulgence or controversy. The tension between openness and censorship would continue to shape erotic art in the centuries to come.The Warren Cup (1st century CE, Roman) A silver drinking cup featuring detailed homoerotic scenes, the Warren Cup provides insight into Roman attitudes toward male-male relationships. Hidden for centuries, it is now a key artifact in LGBTQ+ art history.Khajuraho Temple Reliefs (10th–11th century CE, India)These intricate sculptures depict a range of erotic acts, reinforcing the Hindu belief in sexuality as a divine force. Unlike Western art, which often separated the sacred from the sensual, Khajuraho integrates both seamlessly.The Frescoes of the Villa of the Mysteries (1st Century BCE, Pompeii, Roman Empire)The Villa of the Mysteries in Pompeii contains one of the most famous and enigmatic fresco cycles from ancient Rome. While not explicitly erotic, many scholars believe the images depict a Dionysian initiation ritual, potentially related to sacred sexuality and mystery cults. The frescoes feature semi-nude figures, suggestive interactions, and themes of divine ecstasy, linking sexuality to spiritual transformation. This example highlights how Romans often blended eroticism with religious and ritualistic themes rather than treating it as purely physical pleasure.Shunga by Kitagawa Utamaro (1753–1806, Edo Period, Japan)Kitagawa Utamaro, one of the most celebrated ukiyo-e artists, created numerous Shunga (春画, "spring pictures"), which depicted intimate encounters with exquisite detail and elegance. His prints, such as Poem of the Pillow, emphasized the sensuality of touch, fabric, and movement, offering a refined and almost poetic take on erotic imagery. His work also often featured women's pleasure and agency, making it a significant contribution to the study of feminine desire in erotic art.#stencilart #originalart #investment art #blinkfrictionart #blinkfrictionfashion #reclaimart #reclaimfashion
Tenha a sua primeira conversação inteiramente em português. Clique no link a seguir e saiba mais: https://portuguesewitheli.com/gtc To support this podcast, you can leave us a review or make a small donation here: https://buymeacoffee.com/elisousa And to grab a free learning guide to see what it looks like, go here: https://portuguesewitheli.com/school-invitation/ And here is the transcript for your benefit: Nas aulas de biologia, diziam que “o ser humano nasce, cresce, se reproduz e morre.” Mas no pensamento da minha família é diferente. Para eles, o ser humano nasce, cresce, se casa, se reproduz e morre. E por isso, para eles, eu parei na evolução porque nunca quis me casar e não quero. Pelo menos não enquanto eu não encontrar um partidão. Uma vez tentaram me arranjar com o Samuel. Samuel é um cara com quem cresci. A gente morava na mesma rua. Ele é sangue bom. Sempre que falam do Samuel, dizem: “Samuel é gente fina.” Nunca vi Samuel com raiva de ninguém. Aliás, ele é até um bom termômetro. Se alguém não gostar do Samuel, provavelmente boa bisca não é. Samuel, inclusive, tem a cabeça no lugar. Se aferrou ao primeiro emprego que conseguiu. Já trabalha lá faz quinze anos. Se tem hora extra, não importa quando — seja no fim de semana, seja de madrugada, — Samuel levanta o braço e diz que está dentro. Até se podia pensar que ele faz isso por cobiça. Mas se estaria redondamente enganado. Samuel faz isso porque gosta de ser prestativo e ajudar a quem precisa, mesmo que seja uma empresa multinacional. Além disso, com os amigos, Samuel é amigo pra valer. Ele é um parceiraço. Outro dia soube que o Juvenal tinha se envolvido com agiotas. Estava com a cabeça a prêmio. Um verdadeiro cabeça de vento. E o Samuel não só quitou a dívida que Juvenal tinha com 3 agiotas diferentes, como também ainda lhe deu uma quantia gorda para que Juvenal pudesse começar uma vida nova. Pensando bem, nunca vi pessoa mais sensata que o próprio Samuel. Depois da primeira década de trabalho, Samuel resolveu comprar uma casinha. Diferentemente do que outras pessoas fazem, Samuel não financiou. Pagou à vista. Disseram as más línguas que era dinheiro de tráfico. E muita gente que saiu aventando esse boato era amiga do Samuel. Para você ver o tanto de gente duas caras que tem por aí. A pessoa diz que é amigo, mas está ali fazendo fofoca, bando de língua de trapo. De todo modo, não foi dinheiro de tráfico coisa alguma. Samuel é uma pessoa de bem, indo e voltando. O que ele fez foi que já no primeiro salário começou a fazer um pé-de-meia. E como morava com os pais, conseguia poupar quase todo o salário. Ao cabo de 10 anos, foi lá e comprou a casa. Ele é uma pessoa íntegra mesmo, nunca se envolveria com nada ilícito. Vendo o Samuel sob essa ótica, a pessoa até pensa que ele é um partidão. E ele é. É até loucura alguém se recusar a dar uma chance a ele. Mas sabe qual o problema que eu tenho com ele? É que ele é bonzinho demais. E eu detesto gente boazinha demais.
Juvenal Díaz, gobernador de Santander, se refirió en W Fin de Semana al acuerdo con el campesinado en Santander y Boyacá para levantar el bloqueo que llevaba seis días.
In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal's Satires rails against the rapid expansion and transformation of Roman society in the early principate – immigration, sexual mores and eating habits all come under fire. But where his contemporary Tacitus handled the same material with restraint, Juvenal's work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal's verse and its handling in Peter Green's translation, and how best to parse his over-the-top hostility to everyone and everything.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB:Remembering Peter Greenhttps://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024Claude Rawson: Blistering Attackshttps://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacksClare Bucknell & Colin Burrow: What is satire?https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire Hosted on Acast. See acast.com/privacy for more information.
Should Ivanka Trump and Hunter Biden marry? Well, Plato might think that was a good idea... Today''s Classical Wisdom speaks podcast is with Melissa Lane, the Class of 1943 Professor of Politics and a faculty member of the Program in Classical Philosophy at Princeton University. She is author of many books, including most recently, “Of Rule and Office: Plato's Ideas of the Political.”We discuss Juvenal's conundrum, Plato's political views of rulers and the nature of rule and ask: did Plato believe in ancient Checks and Balances? You can find Professor Lane's book, “Of Rule and Office: Plato's Ideas of the Political.” here: https://press.princeton.edu/books/hardcover/9780691192154/of-rule-and-officeIf you are interested in learning more about ancient Philosophy specifically and the Classics in general, check out Classical Wisdom and sign up for our free newsletter here: https://classicalwisdom.substack.com/
El gobernador de Santander, estuvo en los micrófonos de Caracol Radio, y habló de qué medidas implementará tras la presencia de integrantes del Clan del Golfo en el Páramo de Santurbán
En el programa 6AM de Caracol Radio, habló el gobernador del Santander y expresó su preocupación por el aprovechamiento de los grupos armados al cese al fuego.
ELN extorsiona a comerciantes con citaciones y no muestra voluntad de paz: Juvenal
The Darius Foroux Show: Master Your Productivity. Master Your Life.
How can you become a wealthy Stoic? Stoicism is about living a simple, virtuous life. That's why many people have the misconception that being Stoic means refusing material wealth. But that's not the case. The other thing about Stoicism is focusing on what you control and ignoring everything else. This is how you live a wealthy life while remaining Stoic. Epictetus, the only Stoic philosopher who wasn't born into wealth (he was a slave), said it well: “If you can make money remaining honest, trustworthy, and dignified, by all means do it. But you don't have to make money if you have to compromise your integrity.” In this video, I give you practical techniques and strategies to get better at investing, whether you're a beginner or experienced investor. These tips will ensure you stick to Stoic principles while building long-term wealth. #Stoicism #WealthBuilding #InvestingTips #StoicPhilosophy #FinancialFreedom #TheStoicPathtoWealth Timestamps: 00:28 - How to combine wanting to be wealthy, while following Stoicism 00:52 - About Me and The Stoic Path to Wealth book 01:27 - This is the first book that combines Stoicism and Investing & Wealth 01:35 - Three techniques you can apply to become a better investor 02:15 - Epictetus quote on making money without compromising your integrity 02:55 - It's possible to make money in an honest way 03:22 - You don't have to make a lot of money to become wealthy 04:12 - 3 Stoic Techniques that will make you a better investor 04:20 - Stoic Technique #1: Always cap your losses 05:47 - Juvenal quote on the gradualness of progress or loss 07:02 - Stop-loss in trading 08:03 - If you decide to buy something… (A lesson from Jesse Livermore) 09:20 - What it means to invest for the long-term 11:10 - No one knows what will happen in a year or two. But long-term, it's going up. 11:54 - Stoic Technique #2: Make it worth it 13:04 - Making $500 or $1000 is not worth it 14:31 - Can you go from $50K to $500K income within a few years? 15:30 - Professional traders always think about this 16:22 - Stoic Technique #3: Pick a strategy that you can maintain for 30 years 17:50 - “Live a frugal life and then retire early” is not a sustainable strategy 18:44 - Separate your character from your money/net worth 19:08 - Wrap up 20:02 - The greedy ones: Avoid them
Guest host David Horton of Radford University and Clay Jenkinson discuss the origins and varieties of satire. With its roots in the ancient world and particularly Rome, satire exists in two broad categories: genial, bemused satire, identified with the Roman poet Horace; and biting, severe, take-no-prisoners satire best represented by another Roman poet Juvenal. The discussion explores satire in American history; Thomas Jefferson's humorlessness and his immunity to satire; classical American satirists such as Mark Twain and Will Rogers; and satire of the modern age with Johnny Carson, Bill Maher, Stephen Colbert, and Garrison Keillor. David and Clay reflect on the silo effect and media echo chambers of our time, which have made it nearly impossible for all to meet in some form of the public square to laugh at human foibles and find ways to tolerate each other.
Today is Friday, May 3, 2024, a Feria, with a Commemoration of St. Alexander I, Eventius, and Theodolus, Martyrs, and of St. Juvenal, Bishop and Confessor, a Fourth Class Feast, with the liturgical color of white. In this episode: the meditation The Zeal of the Heart of Jesus, A letter from the US District Superior “Remembering our Mothers” and a Quote from Archbishop LefebvreThe email version of this Devotional is a perfect companion! Subscribe to Daily DevotionalSubscribe to Podcast to receive this and all our audio episodes: https://sspx-podcast.captivate.fm/listenSupport the SSPX Podcast with 1-time or Monthly Donation >>Subscribe to the SSPX YouTube channel here >>SSPX News Website: https://fsspx.news/enVisit the US District website: https://sspx.org/en What is the SSPX Podcast?The SSPX Podcast is produced by Angelus Press, which has as its mission the fortification of traditional Catholics so that they can defend the Faith, and reaching out to those who have not yet found Tradition. What is the SSPX?The main goal of the Society of Saint Pius X is to preserve the Catholic Faith in its fullness and purity, to teach its truths, and to diffuse its virtues, especially through the Roman Catholic priesthood.Authentic spiritual life, the sacraments, and the traditional liturgy are its primary means of bringing this life of grace to souls.Although the traditional Latin Mass is the most visible and public expression of the work of the Society, we are committed to defending Catholic Tradition in its entirety: all of Catholic doctrine and morals as the Church has always defended them. What people need is the Catholic Faith, without compromise, with all the truth and beauty which accompanies it.https://sspx.org
Alfred Edward Housman was born in Fockbury, Worcestershire, England on March 26, 1859 and was the eldest of seven children. A year after his birth, Housman's family moved to nearby Bromsgrove, where the poet grew up and had his early education. In 1877, he attended St. John's College, Oxford and received first class honours in classical moderations.Housman became distracted, however, when he fell in love with his roommate, Moses Jackson. He unexpectedly failed his final exams, but managed to pass the final year and later took a position as clerk in the Patent Office in London for ten years.During this time, Housman studied Greek and Roman classics intensively, and, in 1892, he was appointed professor of Latin at University College, London. In 1911, he became professor of Latin at Trinity College, Cambridge, a post he held until his death. As a classicist, Housman gained renown for his editions of the Roman poets Juvenal, Lucan, and Manilius, as well as his meticulous and intelligent commentaries, and his disdain for the unscholarly.Housman only published two volumes of poetry during his life: A Shropshire Lad (1896) and Last Poems (1922). The majority of the poems in A Shropshire Lad, his cycle of sixty-three poems, were written after the death of Adalbert Jackson, Housman's friend and companion, in 1892. These poems center around themes of pastoral beauty, unrequited love, fleeting youth, grief, death, and the patriotism of the common soldier. After the manuscript had been turned down by several publishers, Housman decided to publish it at his own expense, much to the surprise of his colleagues and students.While A Shropshire Lad was slow to gain in popularity, the advent of war, first in the Boer War and then in World War I, gave the book widespread appeal due to its nostalgic depiction of brave English soldiers. Several composers created musical settings for Housman's work, deepening his popularity.Housman continued to focus on his teaching, but in the early 1920s, when his old friend Moses Jackson was dying, Housman chose to assemble his best unpublished poems so that Jackson might read them. These later poems, most of them written before 1910, exhibit a range of subject and form much greater than the talents displayed in A Shropshire Lad. When Last Poems was published in 1922, it was an immediate success. A third volume, More Poems, was released posthumously in 1936 by his brother, Laurence, as was an edition of Housman's Complete Poems (1939).Despite receiving acclaim as a scholar and a poet during his lifetime, Housman lived as a recluse, rejecting honors and avoiding the public eye. He died on April 30, 1936 in Cambridge.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Serie Los del podio III. Juvenal Ravelo. Cap 1.
When you consider the insane amounts of money that some people feel the need to accumulate, when you see their estates, when you see them pinch every penny, what they'll do for a dollar, when you reckon with the costs—to family and friends—it took to earn all this, you might assume they get to take it all with them when they die.Of course, we don't. The Roman poet Juvenal joked that while Alexander was living, the whole world could not contain him, but in death, a coffin was sufficient. The humbling wisdom of this joke is one we ought to remember too, as we save ‘for retirement,' as we ‘invest for the future,' as we ‘build our legacy.'-In today's Daily Stoic Journal excerpt, Ryan examines the power of choice through the Epictetus quote: "A podium and prison is each a place, one high and the other low. But in each place your freedom of choice is to be maintained if you so wish."✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail
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