Podcast appearances and mentions of Lynsey Addario

Ali Velshi is joined by Senior Fellow Emeritus at American Enterprise Institute Norman Ornstein, fmr. Ambassador Wendy Sherman, Photojournalist Lynsey Addario, Staff Writer at The Atlantic Anne Applebaum, author of ‘Last Night At The Telegraph Club' Malinda Lo

This week US presidential candidates Kamala Harris and Donald Trump have been digging into economics, talking about inflation and issues like price gouging. So far in their campaigns, though, one big topic has gone almost unmentioned: climate. Bianna Golodryga speaks to Gina McCarthy, who served as EPA administrator and then as inaugural White House National Climate Adviser, where she helped craft the Inflation Reduction Act.  Also on today's show: Caitlin Dickerson, Staff Writer, The Atlantic & Lynsey Addario, Photojournalist; Demis Hassabis, Co-founder and CEO of Google DeepMind  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Darién Gap is one of the most dangerous migrant routes in the world and the only way to get to the U.S. from South America by land. But despite the risks, more and more people — including children — are braving the 70-mile stretch of harsh terrain. Atlantic staff writer Caitlin Dickerson and photographer Lynsey Addario recently made the trek with several families to show just how treacherous it is on the ground. Apple News In Conversation host Shumita Basu spoke with Dickerson about what she saw — and how U.S. immigration policy has created more risks for people every step of the way.

Lynsey Addario je fotoreportérka pre New York Times a laureátka dvoch Pulitzerových cien. Za vyše dvadsať rokov svojej kariéry fotografovala všetky veľké vojnové konflikty sveta a získala aj štipendium McArthur Fellowship. V tejto epizóde podcastu Migračný kompas rozpráva o vojnových zločinoch, ktoré videla na Ukrajine, o tom, čo ju aj po dvadsiatich rokoch stále motivuje riskovať svoj život vo vojne, o príbehoch, kde novinári pomohli odhaliť pravdu a zlepšiť podmienky pre obete humanitárnych kríz a o dôležitosti obhajovania ľudských práv. Rozhovor je v anglickom jazyku. Moderuje: Sára Činčurová, novinárka

When Donald J. Trump was found guilty on all counts in the hush money trial, some in the press were caught off guard. But the former president and conservative pundits primed for this result with a strategic messaging campaign. On this week's On the Media, hear how Trump uses Truth Social to disseminate talking points to a web of right-wing influencers.[01:10] Host Micah Loewinger analyzes the media coverage following the announcement of the verdict in Trump's hush money trial and the ways that rightwing media had been primed to respond. He also interviews Sarah Ellison of the Washington Post about how a network of right-wing influencers amplify Donald Trump's Truth Social posts, carrying their reach far beyond the platform. [22:58] Micah speaks with Matthew Goldstein, business reporter at the New York Times, about the short, rocky history of Trump Media and how the company became the latest memestock. [35:58] Lastly, host Brooke Gladstone interviews Lynsey Addario, an award-winning photojournalist who has covered humanitarian crises abroad for over two decades, about how accurately Alex Garland's film “Civil War” depicts what it's like to report on violent conflict and her real-life experiences covering wars abroad.Further reading:“How Trump's allies amplify his Truth Social messages to the wider world,” by Sarah Ellison“How Donald Trump's Financial Future Became Tied to Trump Media,” by Matthew Goldstein On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Alex Garland's new film, 'Civil War,' debuted at no. 1 at the box office earlier this month, and  follows four journalists on a road trip from New York City to D.C. in the midst of societal collapse. The beating heart of the film is Lee, a veteran photojournalist played by Kirsten Dunst, who's determined to interview the president as his administration is on the verge of collapse to rebel forces. Lynsey Addario is an award-winning photojournalist who has covered humanitarian crises abroad for over two decades, including the ongoing war in Ukraine, and  conflicts in the Middle East and Africa. For the midweek pod, Brooke Gladstone speaks with Addario about her real-life experience covering wars abroad, and how accurately the film depicts what it's like to report amidst a dangerous war.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

One of the world's leading photojournalists discusses her career in conflict zones and tells the story of how she captured a famous, horrific image while under fire in Ukraine. Lynsey Addario analyses the challenges of war photography in an era when journalists are increasingly likely to be targets and false images on social media make it difficult to assess what is real. She also shares her perspective on the pictures coming out of the war in Gaza and the courage of those capturing them. Plus, Alan and Lionel discuss the latest phone hacking headlines: court success for Prince Harry, and allegations about the role of Sir William Lewis, who is set to become CEO of The Washington Post. Here's a new seasonal subscription offer from Prospect. We're discounting the price of an annual digital subscription by 50%. To take advantage of this great deal, please search for ‘Prospect New Year offer' or visit https://subscribe.prospectmagazine.co.uk/mc. Offer ends Friday 19th Jan. We'd love your feedback! Tell us more here. Hosted on Acast. See acast.com/privacy for more information.

This week's guest is Director of Photography and Cinematographer Hannah Epstein has been with National Football League (NFL) since 2012 and is the first female camera operator on the staff. Hannah was born in Pennington, NJ in 1990 to Terri, a writer and artist, and Jonathan, a lawyer. She has a brother Harrison who works in finance. In her youth, Hannah was a keen sportswoman and played on lacrosse and basketball teams. She became fascinated with cameras at any early age, vigorously studying the fine art of still photography, which provided the foundation for film. She attended Middlebury College in Vermont, which had a film and media culture and where she also enjoyed cinema studies. Hannah also spent a semester in Ireland where she produced music videos. In 2005, Hannah volunteered for the Israel Lacrosse organization, coaching kids and filming the program's U19 women's team. Back in the US, Hannah interned in the camera department of the NFL, which led to her current position as Staff Cinematographer. She was DP for HBO's “Hard Knocks Training Camp, and DP on the TV series Earnin' It and Abby's Places, and camera operator on 30 for 30. When she is not on the road with NFL Films, Hannah is working with her parent's dog Winnie in agility training or taking still photos for fun. She lives in Haddon Heights, NJ.Hannah on Instagram @hannah.k.epsteinHannah's IMDB - https://www.imdb.com/name/nm13357021/Playlist: Wavelength - VanceJoy Sunrise - Norah JonesIvy - Taylor SwiftCrash Into Me - Dave Matthews BandBroken Halos - Chris StapletonKeep It Loose, Keep it Tight - Amos LeeLeon Bridges - Brown Skin GirlIf I Ain't Got You - Alicia KeysBeatles "Rubber Soul" Album Women visual artists I admire:Lynsey Addario (photojournalist, conflict photographer)Sophie Darlington (wildlife cinematographer)Dorothea Lange (documentary photographer)Krystle Wright (Nat Geo / Adventure photographer)Rachel Morrison (cinematographer/director of Photography) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

This week's guest is Director of Photography and Cinematographer Hannah Epstein has been with National Football League (NFL) since 2012 and is the first female camera operator on the staff. Hannah was born in Pennington, NJ in 1990 to Terri, a writer and artist, and Jonathan, a lawyer. She has a brother Harrison who works in finance. In her youth, Hannah was a keen sportswoman and played on lacrosse and basketball teams. She became fascinated with cameras at any early age, vigorously studying the fine art of still photography, which provided the foundation for film. She attended Middlebury College in Vermont, which had a film and media culture and where she also enjoyed cinema studies. Hannah also spent a semester in Ireland where she produced music videos. In 2005, Hannah volunteered for the Israel Lacrosse organization, coaching kids and filming the program's U19 women's team. Back in the US, Hannah interned in the camera department of the NFL, which led to her current position as Staff Cinematographer. She was DP for HBO's “Hard Knocks Training Camp, and DP on the TV series Earnin' It and Abby's Places, and camera operator on 30 for 30. When she is not on the road with NFL Films, Hannah is working with her parent's dog Winnie in agility training or taking still photos for fun. She lives in Haddon Heights, NJ. Hannah on Instagram @hannah.k.epsteinHannah's IMDB - https://www.imdb.com/name/nm13357021/Playlist: Wavelength - VanceJoy Sunrise - Norah JonesIvy - Taylor SwiftCrash Into Me - Dave Matthews BandBroken Halos - Chris StapletonKeep It Loose, Keep it Tight - Amos LeeLeon Bridges - Brown Skin GirlIf I Ain't Got You - Alicia KeysBeatles "Rubber Soul" Album Women visual artists I admire:Lynsey Addario (photojournalist, conflict photographer)Sophie Darlington (wildlife cinematographer)Dorothea Lange (documentary photographer)Krystle Wright (Nat Geo / Adventure photographer)Rachel Morrison (cinematographer/director of Photography) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

The first photographs of a major military conflict were taken during the Crimean War of the 1850s. Nearly 175 years later, photojournalists are on the ground, on the frontlines of conflicts around the world, documenting history.They do so at great risk to themselves. So far, at least five photojournalists have died during the Israel-Hamas War, according to the Committee to Protect Journalists."You see the spirit of human beings when everything else is stripped away," says photojournalist Lynsey Addario. "That's what drives me to keep going back. At the end of the day, people can be horrible, but they can also be extraordinary and wonderful."We discuss how photojournalists in conflict zones do their work and the impact of witnessing the atrocities of war first-hand.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find out how to connect with us by visiting our website.

Lynsey Addario is a photojournalist for The New York Times and National Geographic. She won the George Polk award for her photograph of the bodies of a woman and her two children alongside a friend who lay dying moments after a mortar struck them as they sought to flee Ukraine. "If I have time to compose a photo—even if it's of a horrific topic—I will always try to make the most beautiful photograph because I want people to look. I want people to ask questions, to be engaged, to pay attention. And often, that does mean the intersection of beauty and horror." This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The people of Ukraine are facing down a military giant. Their unity and bravery in the bloody, cruel year since the Russia invasion are an inspiration to the rest of the world.Instead of talking about politics or the state of the war, we consider the battlefield of ideas. Above all this show is an attempt to put the war into context: What's at stake for Western democracy, and what space does Ukraine fit in our history? We speak again with Marci Shore, professor of European cultural & intellectual history at Yale University. She first appeared on "How Do We Fix It?" a year ago. In 2018 she received a Guggenheim Fellowship for her current book project, a history of phenomenology in East-Central Europe, tentatively titled “Eyeglasses Floating in Space: Central European Encounters That Came about While Searching for Truth.” Her most recent book is “The Ukrainian Night: An Intimate History of Revolution”. This show is a companion piece to episode #380 with Jacob Mchangama.We hear a very thoughtful, passionate account of the war. "These are my friends and colleagues who are being slaughtered," Marci Shore tell us."That is first and foremost why the war is so personal for me." She describes the war as "the decisive end of what Francis Fukuyama had called the end of history."Marci is Jewish, and a well-known scholar of Eastern Europe in the post-Soviet era. As a young child she listened to elderly relatives who had once been victims of Tsarist pogroms— riots aimed at expelling and killing Jews and other members of ethnic or religious groups in a region that includes present-day Ukraine. She tells us why "Ukraine has emerged as a subject and not an object in world consciousness."In this episode we also discuss the work of The Reckoning Project— a coalition of human rights activists, journalists and archivists who are using the power of story-telling and legal accountability to document truth. The project has uncovered evidence and is conducting first-person interviews about Russian abuses and cruelty in occupied parts of Ukraine. Recommendation: Jim is looking at the extraordinary work of photojournalist Lynsey Addario and others who risk their lives to capture vital moments during the wars. Her work photos have been published by The New York Times. Hosted on Acast. See acast.com/privacy for more information.

Ali Velshi, in for Nicolle Wallace, discusses President Biden's speech in Poland designed to bolster the Western alliance just hours after Vladimir Putin's own speech where he showed no signs of backing down, a conversation with Transportation Secretary Pete Buttigieg about the train derailment in Ohio and more.   Joined by: John Heilemann, Jonathan Lemire, Barry McCaffrey, Anton Troianovski, Lynsey Addario, Pete Buttigieg, Joyce Vance, Frank Figliuzzi, Phil Crowther, Rick Stengel, Alexander Kamyshin and Mara Gay.

Ali Velshi is joined by Marq Claxton, Retired NYPD Detective, Lynsey Addario, Photojournalist for The New York Times, Kira Rudik, Ukrainian Parliament Member, Kris Mayes , Arizona Attorney General, Sen. Bernie Sanders, (I) Vermont, Errin Haines, Editor-at-Large at The 19th, and Roland S. Martin, Host & Managing Editor of ‘#RolandMartinUnfiltered'

Throughout his country's invasion of Ukraine, Russian President Vladimir Putin repeatedly denied his forces were targeting civilians. The world saw the truth for itself in a shocking image taken by photojournalist Lynsey Addario, which offered irrefutable proof of Russia's tactics. On this episode of DIA Connections, our conversation with Addario includes her chilling account behind the historically important photograph she took at a bridge in Ukraine used as a civilian evacuation route, as well as her continued work in the world's most dangerous places.

Russian authorities in the region of Kursk -- close to the border with Ukraine -- said today a drone had hit an airfield. Does that signal a new phase in the war? Christiane asked US Under Secretary for Political Affairs Victoria Nuland, just back from visiting Kyiv where she met with President Zelensky.  Also on today's show: Former Israeli Diplomat Ido Aharoni Aronoff; Caoilfhionn Gallagher, lead international counsel for Chinese billionaire Jimmy Lai; New York Times photojournalist Lynsey Addario.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Why do they do it? It's easy to have a theory of why war correspondents put their lives on the line. Are they dealing with trauma? Are they addicted to the adrenalin? Maybe. Maybe they just have big hearts. For more than 20 years, photographer Lynsey Addario has been one of very few women covering conflict around the globe. Afghanistan, Libya, Sudan and now Ukraine. For the New York Times, for National Geographic, often at tremendous risk to her own safety. But of course, we can't resist. We ask her why.  Photographer Lynsey Addario has been kidnapped twice. She puts her life on the line to show the world what war and conflict really look like, most recently in Ukraine. Her work is now being celebrated at the School for Visual Arts in NYC. She's won numerous awards, including a Pulitzer, and was even given a MacArthur genius grant. Our first official genius! We talk to her about still having to prove herself as a woman in the field, about love and war and everything in between.  We love writing and would love for you to read what we write. Sign Up for our Substack Newsletter.

On March 7, 2022, The front page of the New York Times ran a graphic photograph that summed up the tragic cost of Russia's war on innocent Ukrainian civilians. It was a photograph of a mother, her two children, and a church volunteer crumpled to the ground. They were the victims of a Russian mortar attack on civilians as they attempted to flee over the Irpin River to Kyiv. The photo, which was was taken by the Pulitzer Prize-winning photojournalist Lynsey Addario, sent shock-waves throughout the world. Capturing that image also put Lynsey Addario in grave danger, something that she has confronted many times over during her more than two-decade career as one of the most accomplished war-photographers in the world. Addario has had boots on the ground in Ukraine since the begining of the Russian invasion. And, as we near the one year anniversary of the war, she describes the toll of the conflict on Ukrainian civilians and reflects on the personal cost of covering conflict. Ukraine is just one of the war zones that Addario has traveled in and out of, on assignment for The New York Times, National Geographic, and other publications for more than two decades. In 2015, American Photo Magazine named Addario as one of the five most influential photographers of the past 25 years, saying she changed the way we saw the world's conflicts. I spoke with Addario when she made a brief stop in Washington DC on November 3rd to receive the prestigious Courage in Journalism Award from the International Women's Media Foundation. This is my third conversation with the fearless Addario. To hear her personal story of how she became a photojournalist, how she covers major conflicts, how she survived a violent kidnapping in Libya, and why she does the work she does, do check out my previous interview with Addario on my leadership podcast, When It Mattered, Episode 35. It's an incredible story. And do listen to Addario's previous appearance on Techtopia, Episode 18, as she reflects on the 20th anniversary of the 9/11 attacks and the aftermath of the chaotic pullout of U.S. troops from Afghanistan. Check out this

More than 20 million people are facing food insecurity across Somalia, Ethiopia and Kenya, and almost half of them are children. Pulitzer Prize-winning photojournalist Lynsey Addario recently visited the region on assignment for National Geographic. She tells us what she saw.

A beautiful conversation with Leica user Juha Wikstrom about his journey into photography [ instagram : https://www.instagram.com/juhawikstrom/ : Vero: @Juhawikstrom : Web: www..com] where we talk about Life, Love, and Leica's (C) [SMH Photo Design]. *** Correction at 1:06:00- Henri Cartier-Bresson's Photos were not cropped Life ; 1:27:XX : Something all photographers should know ; 1:32:XX : Blocking distractions ; 1:35:XX : My 5 year plan ; 1:37:XX : Photo review ; 1:43:XX : Projects ; 1:45:XX : My favorite place to shoot ; 1:48:XX : Advice to myself ; 1:30:XX : What motivates me to continue ; 1:53:XX : My recommendations ; 1:56:XX : The Final Question. Juha's recommendations : Joel Meyerowitz [ instagram : https://www.instagram.com/joel_meyerowitz/ ] : Lynsey Addario [ instagram : https://www.instagram.com/lynseyaddario/ ] --- Support this podcast: https://anchor.fm/ricardo-huerta2/support

Lynsey Addario has spent more than two decades capturing intimate and human moments in the midst of the world's most devastating disasters and conflicts. Her stunning photography shines a light on humanitarian issues including war, gender based violence, and climate change. Most recently, she has been documenting the war in Ukraine and its impact on the country's civilians. Now the School of Visual Arts is honoring her with a career-spanning solo exhibition of her courageous work. Lynsey shares why photojournalism is important, how she braves dangerous situations, and what inspires her through it all.

Lynsey Addario has spent more than two decades capturing intimate and human moments in the midst of the world's most devastating disasters and conflicts. Her stunning photography shines a light on humanitarian issues including war, gender based violence, and climate change. Most recently, she has been documenting the war in Ukraine and its impact on the country's civilians. Now the School of Visual Arts is honoring her with a career-spanning solo exhibition of her courageous work. Lynsey shares why photojournalism is important, how she braves dangerous situations, and what inspires her through it all.

War photographer Lynsey Addario has covered every major conflict and humanitarian crisis on the planet. As she sees the destruction and the pain through the lens of her camera, her images translate that intense emotion to people across the globe. In this interview, Addario explains how she assesses risk in a war zone, how she's dealing with the mental scars that result from her work, and why she doesn't believe you have to be an activist to enact change. -- Stay up to date by signing up for The Profile, our weekly newsletter that brings you the best profiles of successful people and companies. Sign up here: https://theprofile.substack.com/

Ali Velshi is joined by Democratic Representative Stacey Plaskett, former U.S. Attorney Barbara McQuade, former CIA officer David Priess, Center for Reproductive Rights' CEO Nancy Northup, author Ellen Hopkins, New York Times photojournalist Lynsey Addario, Brookings senior fellow Andre Perry, Carol Leonnig of The Washington Post, NBC News Capitol Hill Correspondent Ali Vitali, and CNBC's Annie Nova.

The House committee investigating the January 6 attack on the Capitol issued subpoenas to five Republican lawmakers, including House Minority Leader Kevin McCarthy, Reps. Jim Jordan, Mo Brooks, Andy Biggs and Scott Perry. All have previously rejected the panel's requests to voluntarily cooperate. CNN Chief Political Correspondent Dana Bash joins AC360 to discuss what happens if they don't comply. Plus, New York Times photojournalist Lynsey Addario has been with Ukrainian soldiers on the frontlines in East Ukraine. She tells Anderson Cooper what she's witnessed and the danger these troops are facing every day. Guests: Dana Bash, Lynsey Addario. Airdate: May 12, 2022     To learn more about how CNN protects listener privacy, visit cnn.com/privacy

A photo of members of a family killed in a Russian mortar attack near Kyiv, subsequently published unblurred on the front page of the New York Times, became the first defining symbol of the horrors of the war in Ukraine.  Now, amid reports of more atrocities and a Russian retreat from the Ukrainian capital, it could be used to help build a case that the Kremlin has committed war crimes.  Today, we speak to the New York Times photojournalist, Lynsey Addario, about the day she took the image, and we ask whether it's likely Vladimir Putin and his military chiefs will ever be brought to justice for the horrors of their invasion. Featured: Lynsey Addario, photojournalist, The New York Times  Professor Todd Buchwald, former head of the US State Department's Office of Global Criminal Justice and professor of international law, George Washington University Law School, Washington DC Further reading: https://www.abc.net.au/news/2022-04-02/graphic-nyt-photograph-that-could-lead-to-war-crime-charges/100960860

A photo of members of a family killed in a Russian mortar attack near Kyiv, subsequently published unblurred on the front page of the New York Times, became the first defining symbol of the horrors of the war in Ukraine.  Now, amid reports of more atrocities and a Russian retreat from the Ukrainian capital, it could be used to help build a case that the Kremlin has committed war crimes.  Today, we speak to the New York Times photojournalist, Lynsey Addario, about the day she took the image, and we ask whether it's likely Vladimir Putin and his military chiefs will ever be brought to justice for the horrors of their invasion. Featured: Lynsey Addario, photojournalist, The New York Times  Professor Todd Buchwald, former head of the US State Department's Office of Global Criminal Justice and professor of international law, George Washington University Law School, Washington DC Further reading: https://www.abc.net.au/news/2022-04-02/graphic-nyt-photograph-that-could-lead-to-war-crime-charges/100960860

Lynsey Addario has covered nearly every major conflict and humanitarian crisis over the last 20 years and is considered one of the most influential photojournalists of our time. She's just returned from Ukraine and will head back there soon. 

Author and journalist Putsata Reang joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss the dangers faced by foreign correspondents and local journalists during times of violent crisis. Reang talks about the dangers reporters are facing in Ukraine, recalls training journalists in Afghanistan, and reads from her forthcoming book Ma and Me: A Memoir. She also reflects on how her experiences in journalism connect to her history as a Cambodian refugee and her identity as a gay woman. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This podcast is produced by Anne Kniggendorf. Selected readings for the episode: Putsata Reang Ma and Me: A Memoir Opinion | My Family Fled Cambodia as the Americans Evacuated. Here's What I Hope for Afghan Refugees.- POLITICO At Sea, and Seeking a Safe Harbor - The New York Times Full Circle: Two journalists return to their native countries to help other journalists express dissent — Oregon Humanities (with Kim Oanh Nguyen) Others When the War is Over: Cambodia And The Khmer Rouge Revolution by Elizabeth Becker “Iraq War and News Media: A Look Inside the Death Toll” by Frank Smyth, Committee to Protect Journalists, March 18, 2013 "The Iraq War: The Heaviest Death Toll for the Media" Since World War II, March 2003 – August 2010 by Reporters Without Borders' Middle East Desk, September 7, 2010 - Updated on January 20, 2016 “Ukrainian Family's Dash for Safety Ends in Death” by Lynsey Addario and Andrew E. Kramer, The New York Times, March 7, 2022 “American veterans train Ukrainian volunteers in combat” CNN Excerpt of interview with NYT's Lynsey Addario by Norah O'Donnell of CBS Evening News (via Twitter) Learn more about your ad choices. Visit megaphone.fm/adchoices

Photojournalist Lynsey Addario joins Margaret Hoover from Kyiv to discuss her coverage of the war in Ukraine, including a photo of victims of Russian artillery fire featured on the front page of The New York Times that has become a defining image of the conflict. Addario, who has been documenting combat and crisis zones around the world for over 20 years, recounts the moments of horror and humanity she has witnessed since Vladimir Putin's invasion began last month, as well as her observations of the shifting reality on the ground in Ukraine. She also delves into the risks that war photographers take to capture vital stories, the trauma she has experienced on the job including being kidnapped twice, and the challenges and advantages of being a woman in a male-dominated field. As Addario prepares to rotate out of Ukraine and return to her family in London, she reflects on the state of the war, Russia's increasingly inhumane tactics, and the “unrelenting” resolve of the Ukrainian people to fight back against Putin. Support for “Firing Line for Margaret Hoover” is provided by Stephens Inc., Robert Granieri, Charles R. Schwab, The Margaret and Daniel Loeb Foundation, The Fairweather Foundation, The Asness Family Foundation, Pfizer Inc., Craig Newmark Philanthropies, The Rosalind P. Walter Foundation, Damon Button and Simmons Family Foundation.

Nick Kristof is a world-renowned journalist, author, and humanitarian. A two-time Pulitzer Prize winner, he is also a cider orchardist living in Yamhill, Oregon. He briefly ran for governor of Oregon until being ruled ineligible in February 2022. We start the episode with a campaign debrief: Was the experience positive or negative? Will he consider running for office again? Who will he vote for in the Democratic primary? Then, we focus on the war in Ukraine. This episode is designed to explain the conflict (and why it matters) for lay people without a deep background in foreign policy (like us). In addition to decades of experience in reporting on war, humanitarian crises, and other international conflicts, Nick has family ties to the region (which we discuss). We cover no-fly zones, chemical weapon "red lines", the function of journalism in conflict, the opportunities and dangers of social media during wartime, cyber attacks, and the role of the United States in the emerging geopolitical re-ordering. For more on Nick, you can follow him on Substack, Facebook, Twitter, and Instagram.   Here are Nick's recommendations for staying in the loop on the war in Ukraine: The New York Times, The Washington Post, The Kyiv Independent, and photojournalist Lynsey Addario on Instagram and Twitter.   Thank you for listening, and please subscribe to The Oregon Bridge on YouTube and on our Substack channel!

Photojournalist Lynsey Addario has been making news herself lately: she recently took what many consider to be a war defining photograph--that of a church worker, a mother and her children killed by a mortar as they tried to flee the Russian bombardment outside Kyiv. It's a photograph that resonated around the world, showing clearly the cost civilians are paying for the war in Ukraine.  Working regularly for the New York Times, Addario has been documenting the cost of war—particularly for women and children for over 20 years. in Afghanistan, Darfur, Iraq, Congo, Libya, Syria, and now Ukraine, Addario has insisted that we look and understand what “collateral damage” actually means. We're revisiting my 2016 interview with Addario in which she discusses what compels her work, her ability to interact and document women in Muslim countries, how she deals with her own fears, her kidnapping in Libya, and the effects of motherhood on her work.  

Photojournalist Lynsey Addario has been making news herself lately: she recently took what many consider to be a war defining photograph--that of a church worker, a mother and her children killed by a mortar as they tried to flee the Russian bombardment outside Kyiv. It's a photograph that resonated around the world, showing clearly the cost civilians are paying for the war in Ukraine.  Working regularly for the New York Times, Addario has been documenting the cost of war—particularly for women and children for over 20 years. in Afghanistan, Darfur, Iraq, Congo, Libya, Syria, and now Ukraine, Addario has insisted that we look and understand what “collateral damage” actually means. We're revisiting my 2016 interview with Addario in which she discusses what compels her work, her ability to interact and document women in Muslim countries, how she deals with her own fears, her kidnapping in Libya, and the effects of motherhood on her work.  

The images of death and destruction coming out of Ukraine are hard to shake once you've seen them. And many of them have been captured by Lynsey Addario, one of the world's preeminent war photographers. Addario spoke with host Krys Boyd in 2015 to talk about her life documenting conflict in Afghanistan, Iraq, Darfur, Libya and elsewhere around the world. She wrote about the experience in her memoir, “It's What I Do: A Photographer's Life of Love and War,” and because she once again finds herself in a war zone, we're revisiting this conversation about how she does what she does.

Though Putin's invasion of Ukraine has jolted the west into decisive action, will the American-led liberal world order remain intact? Or will China replace the US as the dominant world power? Christiane seeks answers from American political scientist Francis Fukuyama and former Chinese foreign ministry official Victor Gao. Also appearing in today's episode: photojournalist Lynsey Addario. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

This episode details graphic scenes and contains strong language.The image shows four people lying on the ground — a woman, a man and two children who had been fleeing from a suburb of Kyiv, the Ukrainian capital. The woman and her children had been killed by a mortar moments earlier. Around them are Ukrainian soldiers attempting to revive the man.The picture was taken by the photojournalist Lynsey Addario, alongside Andriy Dubchak, a Ukrainian videographer. When it was published by The Times, the image became a watershed, offering irrefutable evidence that Russia's tactics in the war were killing civilians.Guest: Lynsey Addario, a photojournalist currently working in Ukraine.Background reading: President Vladimir V. Putin of Russia has repeatedly denied that his forces are targeting civilians. But only a handful of Ukrainian troops were near the bridge when mortar shells began raining down, and they were helping refugees escape Kyiv.Want more from The Daily? For one big idea on the news each week from our team, subscribe to our newsletter. For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

Pulitzer Prize-winning photojournalist Lynsey Addario was in Irpin, Ukraine, last week when four Ukrainians, including a child, were killed by a mortar attack on an evacuation route.

Last week, a shocking photograph was seen around the world. It showed a Ukrainian mother and her two children - lying dead on the street - killed by Russian mortar fire. The picture was taken by Pulitzer Prize-winning photojournalist Lynsey Addario. Addario has covered wars and humanitarian crises in 70 countries, including Iraq, Libya, Afghanistan, and now Ukraine.  She has been kidnapped twice and has been badly injured on the job, but she is determined to open our eyes to the state of the world and the human toll of violence, no matter the risk. This episode originally posted in 2018, but is just as timely today.  Lynsey Addario is a lively storyteller who brings emotion and humor to every tale, whether she's describing growing up the child of hairdressers, the harrowing details of her kidnapping in Libya, or the heartbreaking work of documenting women who die in childbirth.

Ali Velshi is joined by Garry Kasparov, Chairman at The Human Rights Foundation, Helene Cooper, Pulitzer Prize-winning Pentagon Correspondent at The New York Times, Terrell Jermaine Starr, Founder and Host of the ‘Black Diplomats' Podcast, Irwin Redlener, Founding Director, National Center for Disaster Preparedness, Columbia University's Earth Institute, Oleksandr Tkachenko, Ukrainian Minister of Culture and Information Policy, Amb. Michael McFaul, Fmr. U.S. Ambassador to Russia, Vladimir Kara-Murza, Russian opposition politician, Oleksiy Goncharenko, Member of Ukrainian Parliament, Lynsey Addario, Pulitzer Prize-winning Photojournalist at The New York Times, and Evelyn Farkas, Fmr. Deputy Assistant Secretary of Defense for Russia/Ukraine/Eurasia.

She took the defining picture of Putin's war so far: a family killed by Russian troops as they tried to flee to safety. The US photojournalist, Lynsey Addario, has reported from almost every major conflict in the twenty-first century, and now she is on the ground in Ukraine, documenting suspected war crimes. Lynsey Addario - who reported on the Taliban before most of the western world knew who they were - has borne witness to war, humanitarian disaster and the worst effects of climate change. She has been kidnapped twice, but still keeps returning to conflict zones. Mark Coles profiles the award-winning photographer whose images continue to make the front pages. Credits: Lynsey Addario, talking to CBS Evening News' Norah O'Donnell Sky News' Stuart Ramsay and his team being attacked in Ukraine Producers: Sally Abrahams and Ellie House Editor: Damon Rose Studio Manager: Neil Churchill

Ukrainian President Volodymyr Zelensky addressed the UK House of Commons saying “we will not give up” and “we will fight until the end” as at least 21 civilians, including two children, were killed in a Russian airstrike in the Ukrainian city of Sumy. CNN's Chief International Correspondent Clarissa Ward joins AC360 to give an update on the evacuation efforts in some of the Kyiv suburbs as many remain without food, power and heat. Plus, Lynsey Addario is a photojournalist for The New York Times and has been showing the world what is happening to innocent civilians. She tells Anderson Cooper what she's been seeing and how important it is to trust your instincts. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Nicolle Wallace discusses the targeting of innocent civilians in Ukraine as Russians step up their attacks. Joined by: Cal Perry, Jeremy Bash, Katty Kay, Lynsey Addario, Jack Crosbie, John Kirby, Philip Crowther, Igor Novikov, Clint Watts, Frank Figliuzzi, and Bobby Ghosh

Russia gains ground in Ukraine after seizing Europe's largest nuclear plant. It comes as NBC News learns about 92% of amassed Russian military is now inside Ukraine. Meantime, the U.N. confirms at least 1.2 million people have fled the country, worsening the humanitarian crisis. Plus, President Zelenskyy plans to hold a virtual meeting with the U.S. Senate on Saturday. And Secretary of State Antony Blinken reaffirmed the U.S. has no intention of closing the airspace over Ukraine. Eugene Daniels, Gen. Barry McCaffrey, Jeremy Bash, Inna Sovsun, Igor Novikov and Lynsey Addario join.

Halah Al-Hamrani is the Founder of Saudi's first female boxing gym in Jeddah called FlagBoxing which stands for "Fight Like A Girl'. She explains the rise of combat sports among women isn't about getting in shape as much as its about teaching women how to carry themselves with strength and confidence. After a National Geographic feature with American photojournalist Lynsey Addario, Halah became a prominent figure for the female empowerment movement in the Saud Arabia. In this episode, Halah speaks about her love for martial arts, motherhood, struggles with ADD and perspective on life.losing wordsHalah Al-Hamrani Instagram https://bit.ly/3IBTJnX Twitter https://bit.ly/3KBuzHM NatGeo Article https://on.natgeo.com/3r9otqF The Mo Show Podcast Youtube https://bit.ly/3nDwsZv Apple Podcast https://apple.co/3J9ScX4 Spotify https://spoti.fi/33dzsC2 Google Podcast https://bit.ly/3ebB7xN Anghami https://bit.ly/3mRo1uy Website https://bit.ly/3H2DhMM Instagram https://bit.ly/2KAwq5v Email info@themopodcast.com Credits Ahmed Hussein | Brand ManagerRyan Ismail | Marketing Manager Mohammed Anas | Editor Katie Janner | Sound Editor Edgar Ydel | Sound Engineer Christian Rufo | Sound Engineer Maryam Boudchar | Translator Tong Chen | Website designer

This episode contains strong language. Marieke Vervoort was a champion Paralympic athlete from Belgium. In 2016, Vervoort, who had a progressive disease, announced her retirement from professional sports and spoke of her desire to undergo euthanasia.Today, we hear Vervoort's story from Lynsey Addario, a photojournalist who documented the end of her life.“In most of my experiences covering Iraq and Afghanistan and Democratic Republic of Congo and Darfur, I'm photographing people who are trying not to die,” Lynsey said. “Marieke was the first person I had really met who wanted to die.”Guest: Lynsey Addario, a photojournalist who spent three years with Marieke Vervoort.Want more from The Daily? For one big idea on the news each week from our team, subscribe to our newsletter. Background reading: Knowing she had the legal right to die helped Marieke Vervoort live her life. It propelled her to medals at the Paralympics. But she could never get away from the pain.Lynsey Addario spent nearly three years photographing Vervoort as she prepared to die by choice. It became one of the most emotional assignments — and friendships — of her life.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

In this episode of The Conversation with Amanda de Cadenet, Amanda reunites with her close friend and inspiration, war journalist Lynsey Adarrio. Together, Lynsey and Amanda discuss balancing war journalism with motherhood, Lynsey's multiple kidnappings, and how decades in the field have left Lynsey with physical evidence of PTSD.

As the situation in Afghanistan deteriorates with shocking speed, tens of thousands of Americans and Afghan citizens — who've worked closely with Americans over the past two decades, are confronting perilous conditions as they try to reach the Kabul airport and leave the country. Major news organizations are trying to extract both U.S. and fellow Afghan journalists even as these reporters put their lives on the line and continue to report from the field for as long as they can under dangerous conditions.  Meanwhile, human rights activists are increasingly concerned about the plight of women under the new Taliban regime. Joining me now to talk about the situation in Afghanistan is the Pulitzer-Prize-winning photojournalist and war photographer Lynsey Addario. She has traveled in and out of Afghanistan, shooting groundbreaking photographs including of women under the Taliban before the 9/11 terrorist attacks. And she has continued her reporting in the two decades since the US invasion of Afghanistan — a period in which millions of women were able to get educated, join the workforce, and come into their own. Addario wrote an August 16th article in the Atlantic titled, The Taliban's Return is Catastrophic for Women. She is the author of a book of war photographs, titled,  Of Love and War and the New York Times best-selling memoir It's What I Do, in which she writes about the incredible risks she has taken photographing every major conflict and humanitarian crisis of her generation, played out against the backdrop of the post-9/11 War on Terror. This is my second conversation with the fearless Addario. To hear her personal story of how she became a photojournalist, how she covers major conflicts, how she survived a violent kidnapping in Libya, and why she does the work she does, do check out my previous interview with Addario on my leadership podcast, When It Mattered, Episode 35. It's an incredible story.

This hour, Pulitzer Prize-winning photojournalist Lynsey Addario joins us. We talk about her career and her new book, Of Love & War, and learn about her upbringing in Westport, Connecticut.Later, we sit down with world record holder Lhakpa Sherpa. A dishwasher at Whole Foods in West Hartford, is also the only woman to complete nine... yes, nine... expeditions to the summit of Mount Everest. We hear about her remarkable journey as a climber, an immigrant, and a single mother.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

This hour, we sit down with Pulitzer Prize-winning photojournalist Lynsey Addario. We talk about her career and her new book, Of Love & War, and learn about her upbringing in Westport, Connecticut.Later, we discuss the effects of trauma on journalists and other members of the media. Bruce Shapiro of the Dart Center at Columbia University joins us, and we also hear from you. Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

With her memoir, It's What I Do, Lynsey Addario explains how and why she covers war.