Podcasts about Media Foundation

Christiane Amanpour is chief international anchor of CNN's flagship global affairs program “Amanpour,” which airs weekdays on CNN International and nightly on PBS in the United States. She is also host of “The Amanpour Hour,” and is based in the network's London bureau. Beginning in 1983 as an entry-level assistant on the international assignment desk at CNN's headquarters in Atlanta, Amanpour rose through the organization becoming a reporter at the New York bureau, and later, the network's leading international correspondent. On the ground during the siege of Sarajevo, Amanpour exposed the brutality of the Bosnian War, reporting on the daily tragedy of life for civilians in the city. She was outspoken, calling out the human rights abuses, massacres and genocide committed against the Bosnian Moslems, later saying “There are some situations one simply cannot be neutral about, because when you are neutral you are an accomplice.” Throughout her time at CNN, Amanpour has secured exclusive interviews with global power players. In the wake of the September 11 attacks she was the first international correspondent to interview British Prime Minister Tony Blair, Pakistani President Pervez Musharraf and Afghan President Hamid Karzai. During the height of the Arab Spring she conducted an Emmy-winning interview with Libya's former leader ‘Colonel' Moammar Gadhafi, and she was also the last journalist to interview Egypt's President Hosni Mubarak just before he was deposed. In January 2014, Amanpour also exclusively broke the news of a dossier of testimony and photographs which alleged to show systematic torture of prisoners by government forces in Syria, evidence she used to confront Russian Prime Minister Dmitry Medvedev about his government's support for the Assad regime. In addition to her work as an anchor and reporter, Amanpour is an active rights campaigner. A board member of the Committee to Protect Journalists, the Centre for Public Integrity and the International Women's Media Foundation, she has used her profile to raise awareness of key global issues and journalists' rights. She has interviewed educational rights activist Malala Yousafzai for CNN on several occasions – bringing focus to her courage and international advocacy work. Amanpour has earned 16 News and Documentary Emmy Awards, four Peabody Awards, two George Polk Awards, three duPont-Columbia Awards and the IWMF's Courage in Journalism Award. She has received nine honorary degrees, is an honorary citizen of Sarajevo, and a UNESCO Goodwill Ambassador for Freedom of the Press and the Safety of Journalists. Amanpour holds a BA in Journalism from the University of Rhode Island.Ralph Ranalli of the HKS Office of Communications and Public Affairs is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an BA in political science from UCLA and a master's in journalism from Columbia University.Scheduling and logistical support for PolicyCast is provided by Lilian Wainaina.Design and graphics support is provided by Laura King and Delane Meadows. Web design and social media promotion support is provided by Catherine Santrock and Natalie Montaner. Editorial support is provided by Nora Delaney and Robert O'Neill. 

Greg Childs, Director of the Children's Media Foundation (CMF), discusses the significant changes and challenges facing UK children's media. Greg's background includes a long career at the BBC, producing shows like Record Breakers and being involved in launching early online content and digital channels like CBBC and CBeebies. He also co-founded the Children's Media Conference (CMC).The fundamental change in the industry is how children consume media. This shift to on-demand viewing, largely driven by the internet and video games between 1995 and 1998, meant children wanted control over when they watched content. This has led to a "crisis" for the industry.The crisis involves the collapse of the financial model, particularly for commercial public service broadcasters, due to the decimation of the advertising base. Kids' attention is now fragmented across traditional channels, YouTube, TikTok, and gaming platforms like Roblox, especially for those over seven. Traditional channel viewing figures, even for CBBC, are significantly lower than in the past.Putting content on platforms like YouTube isn't a simple fix. Concerns include safety issues (algorithms linking content to disturbing material), low revenue (YouTube doesn't share ad revenue effectively, especially for children's content after an FTC fine), and YouTube's view of itself as a platform for user-generated content, not a publisher or commissioner. This limits its responsibility, and its algorithm isn't set up to promote public service content.A key issue is prominence. While the recent Media Bill requires smart TVs to ensure public service channels are prominent, it doesn't address prominence on online platforms like YouTube. The CMF lobbied for this, arguing the bill was stuck in the 20th century. Achieving public service prominence on YouTube is complex but needs "a lot of thought".The CMF is advocating for collaboration with platforms to get them to consider their societal role. There has been some "small progress," with a minister writing to social video platforms asking how they will make culturally relevant, age-appropriate content more prominent. However, the space is still described as a "wild west".Parents have a crucial role in helping children navigate the digital world, compared to guiding them through traffic. This involves media literacy, which should also have a greater emphasis in schools. Parents should:Talk about what kids watch and why they like it.Watch media together or discuss how it's made and its agendas.Teach kids to distinguish between truth and fake content, increasingly vital with AI.Keep open communication channels about media consumption.Be aware of what their children are watching for significant periods.Despite challenges, the British children's TV industry is "brilliant" and "punches above its weight" globally, particularly in animation. It retains a tremendous skills base. Many practitioners see their work as a vocation, driven by a duty of care and a shared aim to improve children's lives. The belief that "what's good for kids is good for business" is something platforms like YouTube need to learn.Greg also shared memories of producing Record Breakers for 10 years, highlighting the joy and responsibility of making stimulating, emotional programming. He recalled working with presenters Roy Castle and Cheryl Baker and the edited nature of Norris McWhirter's segment. Working at BBC Television Centre was a "fantastic time," feeling like a democratic "factory for making television." Hosted on Acast. See acast.com/privacy for more information.

Vladimir Putin has removed tens of thousands of Ukrainian children to Russia since the start of his full scale invasion in February 2022. The deportations, often carried out under the pretense of “humanitarian evacuation,” have targeted vulnerable Ukrainian children including orphans, children with disabilities and children with parents in the military. Children who have escaped describe having been sent to re-education camps, prohibited from speaking Ukrainian and denied contact with their relatives at home. The International Criminal Court, which issued arrest warrants in 2023 for Putin and Russian Commissioner for Children's Rights Maria Alekseyevna Lvova-Belova, defines the unlawful transfer of children to Russia as a war crime. We'll talk to Kyiv-based child advocates about the status of efforts to bring the children back, and we'll meet a U.S. congressman from California who wants to hold Russia accountable. The reporting for this episode was supported by the International Women's Media Foundation's Women on the Ground: Reporting from Ukraine's Unseen Frontlines Initiative in partnership with the Howard G. Buffett Foundation. Guests: Jimmy Panetta, member, U.S. House of Representatives (CA-19) Mykola Kulebra, founder, Save Ukraine; former Commissioner for Children's Rights for the President of Ukraine (2014-2021) Lena Rozvadoska, co-founder, Voices of Children Azad Safarov, journalist, documentarian and producer; co-founder of Voices of Children Learn more about your ad choices. Visit megaphone.fm/adchoices

Wiktorija Roschtschyna war 25 Jahre alt, als sie von der International Women's Media Foundation mit dem «Courage in Journalism Award» ausgezeichnet wurde. An der Preisverleihung in den Vereinigten Staaten nahm die ukrainische Journalistin nicht teil, weil sie sich ganz auf ihre Berichterstattung über den Krieg konzentrieren wollte.Wiktorija Roschtschyna war einige der wenigen Journalistinnen, die noch aus den russisch besetzten Gebieten in der Ukraine berichteten. Sie recherchierte zu russischen Foltergefängnissen, in denen womöglich auch zahlreiche Zivilisten im Krieg inhaftiert wurden. Sie wollte die Folterkammern dokumentieren, von denen ihr erzählt worden war, mit Überlebenden sprechen und Täter identifizieren. Doch berichten konnte sie darüber am Ende nicht mehr.Letzten Herbst meldete Russland den Tod der  Journalistin.  Die 27 Jahre alte Ukrainerin geriet in russische Gefangenschaft  und starb in einem der brutalen Gefängnisse, über die sie zuvor recherchiert hatte.Das journalistische Kollektiv «Forbidden Stories» – an dem auch Tamedie beteiligt ist – hat die letzte Recherche von Wiktorija Roschtschyn nach ihrem Tod zu Ende geführt – und dabei auch mehr über ihre Todesumstände erfahren. Darüber erzählt Oliver Zihlmann, Co-Leiter des Tamedia Recherchedesks, im täglichen Podcast «Apropos».Mehr zum Thema: Recherche von Forbidden Stories und Tamedia über Wiktorija RoschtschynaMehr von Forbidden Stories: Eine (weitere) Journalistin wurde ermordet, 100 andere führen ihre Recherche weiterWieso die Medienfreiheit immer mehr unter Druck gerät Unser Tagi-Spezialangebot für Podcast-Hörer:innen: tagiabo.chHabt ihr Feedback, Ideen oder Kritik zu «Apropos»? Schreibt uns an podcasts@tamedia.ch

Amid Sudan's brutal civil war, the paramilitary Rapid Support Forces are using sexual violence to terrorize women and girls from non-Arab ethnic groups. These war crimes have sparked international outrage. Special correspondent Neha Wadekar and filmmaker Zoe Flood, with the support of the International Women’s Media Foundation, spoke with survivors and a woman determined to help them heal. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Amid Sudan's brutal civil war, the paramilitary Rapid Support Forces are using sexual violence to terrorize women and girls from non-Arab ethnic groups. These war crimes have sparked international outrage. Special correspondent Neha Wadekar and filmmaker Zoe Flood, with the support of the International Women’s Media Foundation, spoke with survivors and a woman determined to help them heal. PBS News is supported by - https://www.pbs.org/newshour/about/funders

For two years now, Sudan has been wracked by a civil war between the Sudanese armed forces and the paramilitary Rapid Support Forces. Correspondent Neha Wadekar and filmmaker Zoe Flood, with the support of the International Women’s Media Foundation, report on the crisis on Chad’s eastern border, where hundreds of thousands of Sudanese civilians have fled violence and the risk of starvation. PBS News is supported by - https://www.pbs.org/newshour/about/funders

For two years now, Sudan has been wracked by a civil war between the Sudanese armed forces and the paramilitary Rapid Support Forces. Correspondent Neha Wadekar and filmmaker Zoe Flood, with the support of the International Women’s Media Foundation, report on the crisis on Chad’s eastern border, where hundreds of thousands of Sudanese civilians have fled violence and the risk of starvation. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Historian Greg Grandin, journalist José Luis Granados Ceja & journalist Andalusia Soloff talk about Mexico, Colombia, Venezuela, Cuba, neocolonialism, immigration and deportation. Greg Grandin is Professor of History at Yale University. He is the author of a number of prize-winning books, including most recently The End of the Myth: From the Frontier to the Border Wall in the Mind of America, and The Empire of Necessity: Slavery, Freedom, and Deception in the New World, which won the Bancroft and Beveridge prizes in American History and was shortlisted for the Samuel Johnson Prize in the UK. He is also the author of Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City, a finalist for the Pulitzer Prize in History, as well as for the National Book Award and the National Book Critics Circle Award. His first book, The Blood of Guatemala, won the Latin American Studies Association's Bryce Wood Award for the best book published on Latin America, in any discipline. He has published widely in, among other places, The New York Times, Harper's, The London Review of Books, The Nation, The Boston Review, The Los Angeles Times, The New Republic, The Hispanic American Historical Review, and The American Historical Review. A graduate of Brooklyn College at the City University of New York, Professor Grandin received his doctorate at Yale University, where he studied under Emilia Viotti da Costa. He is also a member of the American Academy of Arts and Sciences. José Luis Granados Ceja (@GranadosCeja https://twitter.com/granadosceja?lang=en) is a writer and photojournalist based in Mexico City. He previously worked as a staff writer for teleSUR and currently works on a freelance basis. He is also the host of the Soberanía podcast co-host of the Soberanía podcast ( / @soberaniapodcast . His stories focus on contemporary political issues, particularly those that involve grassroots efforts to affect social change. He often covers the work of social and labor movements in Latin America. Follow him on Twitter: @GranadosCeja (https://twitter.com/granadosceja?lang=en) Andalusia K. Soloff is an Emmy nominated documentary filmmaker and multimedia journalist in Mexico who seeks to center the voices of those most affected by violence by focusing on their human dignity and resilience. Soloff has produced award-winning documentaries including "A Sense of Community: Iztapalapa," "Frontline Mexico," "Guatemala's Past Unearthed"(Al Jazeera) as well as "Endangered" (HBO), focused on the risks that journalists face. Her new cinematic short, "Poppy Crash," which flips the script on the fentanyl crisis, is part of the official selection of the DOCS MX film festival and IDFA Docs for Sale. She has produced news documentaries and reports for RAI, ZDF, CGTN, Democracy Now!, AJ+, VICE News, TRT World and worked both as a DP, Drone Operator, and Correspondent for numerous other production companies and global news outlets. She is Founder of the journalist organization Frontline Freelance México as well as Co-coordinator of the Fixing Journalism initiative, which seeks to change the unequal relationships that exist between local fixers and foreign correspondents. Andalusia has been a fellow with the Dart Center and the International Women's Media Foundation. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

Talking media startups, news deserts and the future of the Fourth Estate This conversation took place on Tuesday, October 15 at the Roux Institute at Northeastern University. Authors Dan Kennedy and Ellen Clegg sat down for a conversation about their book What Works in Community News: Media Startups, News Deserts, and the Future of the Fourth Estate (Beacon Press) at the Roux Institute at Northeastern University on Tuesday, October 15. Local news is essential to democracy. Meaningful participation in civic life is impossible without it. However, local news is in crisis. According to one widely cited study, some 2,500 newspapers have closed over the last generation. And it is often marginalized communities of color who have been left without the day-to-day journalism they need to govern themselves in a democracy. In this book, journalists Ellen Clegg and Dan Kennedy cut through the pessimism surrounding this issue, showing readers that new, innovative journalism models are popping up across the country to fill news deserts and empower communities. Through a blend of on-the-ground reporting and interviews, Clegg and Kennedy show how these operations found seed money and support, and how they hired staff, forged their missions, and navigated challenges from the pandemic to police intimidation to stand as the last bastion of collective truth—and keep local news in local hands.   Dan Kennedy Dan Kennedy is a professor of journalism in the College of Arts, Media and Design and a nationally known media commentator. Professor Kennedy teaches news reporting, opinion writing, media ethics, and other journalism courses with an emphasis on how technology is changing the business of news. He has also been published in The Washington Post, The Boston Globe, Nieman Lab, Nieman Reports, Poynter Online, and other venues. Ellen Clegg Ellen Clegg spent more than 3 decades at The Boston Globe and retired in 2018 after 4 years of running the opinion pages. In between stints at the Globe, she was deputy director of communications at the Broad Institute of MIT and Harvard. She is a member of the steering committee for the Elizabeth Neuffer Fellowship at the International Women's Media Foundation. Ellen is co-founder and co-chair of Brookline.News, a nonprofit startup news organization in Brookline, Massachusetts.

Elisa Lees Muñoz, executive director of the International Women's Media Foundation discusses a series of training sessions the foundation is offering for journalists covering political conventions and other news events. Visit the It's All Journalism website to find out how to subscribe to our podcast and weekly email newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elisa Lees Muñoz, executive director of the International Women's Media Foundation discusses a series of training sessions the foundation is offering for journalists covering political conventions and other news events.Visit the It's All Journalism website to find out how to subscribe to our podcast and weekly email newsletter. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Empowering Women in AgriFood Tech: A Conversation with Amy Wu of From Farms to Incubators - In this episode of the Leading Voices in Food podcast, host Norbert Wilson speaks with Amy Wu, the creator and content director of From Farms to Incubators. Amy shares her inspiring journey in highlighting and supporting women, particularly women of color, in the agri-food tech industry. Learn about the origins of her groundbreaking documentary and book, her vision for a vibrant community of women innovators, and the crucial role of education, mentorship, and policy in advancing women's roles in this sector. Interview Summary I have a great set of questions for you. So, the first thing, could you just tell our listeners a little bit more about From Farms to Incubators? Sure. From Farms to Incubators is a special initiative and project that tells the stories of women in this fast-growing field known as ag tech, sometimes interchangeably used as Agri food tech as well. The mission of it is really to get more women involved in ag tech through storytelling, through resources, and also through education and training. I also would describe it as a multimedia content platform. I actually came to this as a journalist and as a storyteller that uses storytelling to amplify the voices of women leaders and entrepreneurs in this field. It's also a documentary and a book and also a website where we archive their stories and their biographies as well. Thanks for that overview, and you just talked about the book and the documentary From Farms to Incubators: women innovators revolutionizing how our food is grown, which uses storytelling to highlight women innovators and how women innovators in the Agri food tech are doing their best. But there's also a movement and the community and this multimedia platform. Why did you expand from the book and documentary into this larger network? That's a really good question. Briefly, as some context, I kind of fell into this project. It was a bit of serendipity. I was a reporter in Salinas, California, which is the vegetable salad bowl of the world. Ag is a huge industry, a 10 billion industry. And I was covering government and agriculture. And I observed that there were not a lot of women at the helm of the table, whether it be at farms or also in this growing field of ag tech as well. So it started off as a documentary. I got a grant from the International Center for Journalists, and then ultimately I got another grant from the International Media Women's Foundation to do a short documentary to profile three women who are entrepreneurs in ag tech. It was great. It was at the time in 2016, which now was ages ago, I guess. It was really hard to find women in ag, in this field of ag tech, women creating the innovations to tackle some of the biggest challenges that farmers are facing, especially under climate change. So, it could have ended there because the documentary turned out to be very, very well received. It's screened at hundreds of places, and I would have panels and discussions and the women would look at each other like, 'my gosh, I didn't know there were other women doing this too. Can you connect us? We'd love to convene further.' And then educators, community leaders, agribusinesses, investors just didn't know they existed as well. So, what happened was the stories kind of multiplied and multiplied as the more that I collected them. And then I decided to put it into a book profiling about 30 women in this growing field. And to answer your question, Norbert, why is it continuing is that I saw a real need for women to have a community, women in agriculture and innovation and food systems to have a community to connect with one another, to potentially build friendship, build collaboration, build partnership, creating a collective vision sometimes and a place for them. I didn't plan on it. So, I guess the storytelling connects them. We've also have resources like a database that connects them and the goal is really so that they can have a community where they can build more. They can either build out their own startups. They can build their careers, build their professions. And then it kind of grew more legs. Now we're also extending into the area of education and training to try to get younger women, young people, youth. To see that agriculture, hey, may not be traditionally sexy. I mean, tractors and overalls are still what a lot of people think about it, but there are so many other opportunities in the food system for young people as well, especially since we all have to eat. So, how are farmers going to be producing the food for 10 billion people in 2050, right? Who's going to produce the food? How are we going to do it? Especially under the auspices of climate change, the weather's getting crazier and crazier. That's sort of why it has expanded from the stories all the way to what it is today. This is a great story and I would love to hear a little bit more about some of the women and their innovations. And if I may, I would like for you to actually even explain a little bit about what you mean by the ag food tech or Agri food tech as you're talking about these women. Broadly defined, is any kind of innovation that makes it easier, frankly, for farmers to do their work, to grow more efficiently, and to also increase [00:06:00] their yield. I can give some examples of what innovation is. Blockchain addresses food safety, really. It traces everything from the seed to all the way on the shelf, right? So if there's any safety issues, it's used to trace back, where did that seed come from? Where was it grown? What field was it in? And that really helps everybody in the food systems a lot more, right? We have sensors connected with drones. I forgot to mention robotics as well, which is a fast-growing area of ag tech. Everything from self-driving tractors to laser scarecrows to another level of robots that are picking specific kinds of fruits and vegetables that's tackling labor challenges. I don't foresee that ag tech necessarily is a replacement by the way of people. It's actually offering more opportunities because we need people who are very knowledgeable that kind of innovation. And then you also asked a bit about the stories of the women in ag tech, for example, in the film and in the book and so forth. Soil sampling is a fast-growing area of ag tech. There's the story that I have in the book and also in the movie of two young women who are Stanford PhD graduates. Who created a soil testing kit that makes it easy for farmers to just test their soil for diseases, for pests, and soil testing is traditionally, you know, very, very expensive for most farmers actually. Not easy for farmers to get access to it and to get the data, but the soil testing kit that they created makes it a lot easier for farmers, small farmers even, to access it. And why is that important is because the more knowledge, the more data that, and analytics that farmers can get, the more that they can make smart decisions about how much to fertilize, how much to irrigate. And that connects with the yield and their success. You know, another company that I can think about, another amazing woman. I just like her story, the story of AgTools and the story of Martha Montoya, who was actually an award-winning cartoonist. And she doesn't come from agriculture at all, and that's actually something that I want to highlight is a lot of these women are not farmers and don't come from agriculture. But she was a award winning cartoonist. I believe she was also a librarian and she fell into the food industry, and saw a need for having more data, offering more data and analytics to farmers. She created a system a little bit like a Bloomberg for farmers, where they can get real time data immediately on their phones, on their watches, so that they can get second by second data to make decisions on specific crops. Those are a couple of the stories that are in the book, but really what I want to highlight is that all of the innovation that they are creating addresses some of the biggest challenges that farmers are facing, whether it be labor issues,lack of water, some areas of our country are becoming more wet, others are becoming more dry, drones that are actually doing the irrigation now or drones taking photos to give more data to farmers as well on what is their land look like. You know, it could also be human resources related as well to manage staff. So mobile apps to manage staff on cattle farms. I mean, how big are the cattle farms sometimes, you know, 50,000 acres. So, it's really to save money and to create efficiency for farmers. If farmers are able to do their work more efficiently, they're able to generate greater profits, but it also allows for food prices not to rise. This has really big implications. Thank you for sharing those stories. And I love hearing about some of the individuals, but here's the question. I mean, why focus on women? What's important about what women contribute to this? And also, why are you also considering race as an important lens in this sector? Well, I would say, why not women? Because women have already been contributing to the global food system, whether in the production end or the decision makers at the head of the dinner table for thousands of thousands of years, arguably. So what I discovered is that their stories, their contributions, existing contributions were not being celebrated and were not being amplified. And I actually discovered that a lot of the women that I connected with were a bit shy about even telling their story and sharing it like kind of like, 'what is my contribution?' And I'm like, 'well, why aren't you sharing your story more?' So the goal of it really is to document and celebrate their contributions, but also to inspire. As I said, young women, next generation, all of us have daughters, nieces, granddaughters, you know, and then future generations to consider opportunities in a field where we need people. We need people who are smart and you don't have to be from a generation of farmers. You could be in science, engineering, technology, and math. You could just be passionate about it and you could be in the field. So that's the first aspect of it. And in terms of the lens of gender and race, there are not enough women in terms of just the startups in ag tech right now, only 2 percent of the billions of dollars being invested in ag tech startups. Only 2 percent are going into women led companies. It is very, very little. It is a problem that is deep rooted. And it starts with [00:12:00] funding. One problem is where is the funding coming from. Venture capitalists, traditional avenues of funding, where it is traditionally male dominated. So, there are many studies that show that investors will invest in companies where they connect with those who are leading the companies, right? So similar gender, similar backgrounds, similar stories. So, we're really looking to have a paradigm shift and move the needle of sorts and say that if there are more investors, there are more board members who are from a diversity backgrounds, then there will be more funding for women and those who are traditionally not leading agriculture, not in the leadership positions, not in the decision-making roles, right? There is a problem. There is a, what is a grass ceiling, not just glass ceiling, but grass ceiling. I hear you. I hear you. Now this is really fascinating. I know from colleagues who are in agriculture that there is this demand for more agricultural workers throughout the Agri food system. And if there is a demand, we're saying that our colleges that produce the potential workers aren't meeting those demands. One of the ways we can see that change is by having more women and more people of color join in. And so, this is a critical thing. And I would imagine also the experiences that people bring may be a critical part of coming up with new innovations. Diversity can do that. This is exciting that you're exploring this. I love what you're saying Norbert. I know I wanted to touch upon that about what you just noted is that it's also to create a pipeline, right? Education training is just so critical. And it makes me so happy to see that there are more and more programs at universities and colleges that are addressing programs in food systems, in agriculture, and increasingly in ag tech. So, whether it be courses or programs or certificates or eventually minors and majors, developing the pipeline of talent is really important and having mentors and mentees, which is something that now we're working on. This fall we'll have launched a menteeship program for women and for young people interested in ag tech and the first collaborator is the UC Merced in California. So, thanks for bringing that up. We have a couple of young people ready at the starting gates. Really excited. I will say just on a personal note, I was active in 4 H for most of my youth and that's the way I got involved in agriculture. So, touching or reaching out to folks in their youth is critical to get them excited and help them to make the connection so that they can do that work further. I'm glad to hear this work. In your view, what are some of the ongoing challenges and opportunities that women face in the ag tech sector or the Agri food sector? What are some of the things you're observing? Well, a continued challenge is having a place at the table, meaning at the leadership and decision-making level. And actually, as I noted earlier, the access to funding and not just the money, but the access to resources, meaning could be legal operational. Just how to get their startups or get their ideas out there. One example that I'm seeing that's again positive is that there's a growing number of incubators and accelerators specifically in food tech or ag tech that are is actually looking for candidates who are women or who are from underrepresented communities. The first thing is that they have a great innovation, of course, but the next thing that the incubators and accelerators are looking for is to have a diversity of perspectives. And to have representation, so seeing a lot more of that, whether it be. Individual accelerators, or even once at the university, right? Universities and colleges and the governmental level. The other challenge is access to farmers and connecting them with the farmers themselves. Cause farmers are very, very busy and that's highlighted and bolded. Increasingly just dealing with this chess game that's very hard to play with the weather, but also with their own resources. It's expensive being a farmer, equipment, labor. They don't often have the time, frankly, to beta test some of the innovations coming out. So how best to connect innovators with the farmers and to have them communicate with each other: like this is the innovation. This is how it's going to help your problem. Educating the farmers and allowing them to see that this is how it's going to address the problem that I have. So, the two are still kind of separate and access to each other is still, I would say, a major challenge. But right now, some of the solutions are, as I've noted, networking at conferences and convenings. Also, under the grant programs sometimes under the National Science Foundation or USDA, they are allowing more collaborative initiatives where you have educators, where you have policy, where you have the innovators, where you have the young people. Increasingly, seeing more and more of those kinds of projects and initiatives happen. So hopefully everybody will have a seat at the table and that would help women out a lot in the field as well. Awesome. Thank you for sharing those. And I love the fact that you're looking at not just identifying issues, but also trying to find ways of connecting folks to help overcome those challenges that women and women of color are facing in the marketplace. And it's the connections that are really critical. I appreciate you highlighting that. So, what is your ideal vision? Oh, one more thing I forgot to note is that in terms of connecting, there's also a database - a women in Agri food tech database, and I, and at least four or five other women in the field have been working on for at least four or five years now. We now have more than a thousand members. It's an open-source database where you can click on a form, put your name there and information takes a few minutes and then you're added to this database where the women can be connected to each other as well. So that's another resource. Yeah. And I mean, even just having peer mentors, not just mentors who are above you and they've like solved all the problems, but having people to go along with you as you're developing and as they are developing can be a critical part. I know as an academic, that's important for me and has been important for me. And I can imagine the same is true in this space as well. So, I'm so grateful to hear about this work. Yeah. What is your ideal vision for women in Agri food tech in the next, say, five years? And how will the digital network for from farms to incubators play a role in achieving that goal or those goals? So, my dream - it always starts, I think, in the dreaming phase and then connecting that with also resources along the way. But if I could wave my magic wand, I would say that. We would have a lot more women in leadership and thought decision making positions in ag tech to the point where maybe we won't even need something like From Farms to Incubators anymore because they'll be already equal. The stories will be out there. So, it might be questionable as to why we have a special subgroup or network for this now. How to get to that vision, I think is the three components of increasingly having more stories, and the women tell their stories at public outreach. You know, it could be at conferences, it could be in their own communities, sharing their story out to the community of farmers, of local government, of schools, local schools and colleges and universities, gardening clubs. The second component is education and training, building a pipeline. A vision that I have is actually having a campus. A virtual, and also in-person campus where women, especially from women in underprivileged communities will have the opportunity to have training and to be connected with mentors and the rock stars in the ag tech and Agri food tech field. Where they will also be able to have a project and initiative and test it out and have something to add to their portfolio. To have classes and people who are teaching those courses as well, ultimately. And then also to just build up a hub of resources. Like I mentioned the database. I mentioned that we'd like to extend it to having resources where folks can easily access internships, fellowships, granteeships, where they can be connected to funding. If they need help with legal, HR, just all components of everything that's needed to have a successful organization. And it doesn't have to just be their own startup. It could be a job database of where we have larger organizations and companies that are building up their own ag innovation or food innovation center as well. So that is the vision. It's a big vision. It's a big dream. So we're going to have to kind of break it down into components. But I think taking it step by step is the way to go kind of like climbing Everest or doing a long distance swim. Yes, I can see where you're trying to go in this vision and I'm interested to know what, if any role policy could play and help advance that vision. Yeah, so what role could policy play in advancing this vision? Currently, when it comes to diversity inclusion in the ag tech field or even in agriculture, there is somewhat a lack of policy in a way. But then also with individual organizations and corporations, obviously, there is the movement of diversity inclusion. But also, I think it's very much with the hiring practices with HR. I think it's up to individual organizations, whether they be small, larger ones, governmental, to look at their own hiring practices. To look at who they are, how are they crafting the language when they look for a job, when they look at their leadership team, are there ways to further diversify it and when it comes to, gender, ethnicities, people who come from a rural area, urban. I mean, we all come with, from a diversity of perspectives and stories. I think a lot of it will come down to hiring practices and advancing this vision and with the individuals who are already working at those organizations to be more thoughtful and conscious about giving those who don't have a place at the table, a place and a voice at the table, giving everybody a chance. Because we have some amazingly talented and knowledgeable people who just traditionally in agriculture don't have families and generations who come from an ag background. But they do come with so much that they could offer. I would say that those are a couple of examples of that as well. And maybe, more discussion about policy is really needed on a larger level when it comes to farmers, when it comes to government leaders, when it comes to innovation leaders as well. And when it comes to educators and schools. I think the more the merrier when it comes to bringing folks at the table to open it up for discussion on solutions. I appreciate this. And, this idea of not just welcoming people so that they get in the door, but also creating change. Environments and spaces where people are actually welcomed once they're there. That it becomes a place where folks can be themselves and bring all of who they are to the work that they're doing. This is critical. Yes, absolutely. I want to touch upon that. My own story is I don't have an agricultural background myself. But when I first , landed in a place like Salinas, very much sort of an outsider because I'm not from there anyway, but also not in agriculture and then being a woman and being, you know, a Chinese American woman too, you know, I, I did feel that there was a challenge to kind of break into certain circles and to be welcome. Even despite my passion and enthusiasm, there was a little bit like, 'what is she? Why? Why? What? She, she doesn't know anything.' But I felt like it was the people who in the beginning, it was just a couple of people who were like, 'Hey, this is somebody who really wants to tell the story of what we're doing. Give her a chance.' You know, having advocates, frontline advocates made a huge difference. So that's what I'm hoping for, more frontline advocates. Amy, I want to pick up on a personal story out of this. I did my graduate training out at UC Davis, at University of California, Davis. And I worked on dairy policy, which I do not have a dairy background. And it was great to have a mentor who actually helped me. Who introduced me to a number of folks and working through extension and the California Department of Food and Ag. Folks made space for me, and they understood that I was interested in this particular policy and trying to understand what it meant. And I actually got to learn so much. It was because people just said, okay, we'll give you a try. And I did the best I could. I'm grateful for that. Creating these spaces is not hard. It's not impossible. It can be done. I'm really appreciative of your efforts to keep furthering that story. I love that story. And indeed Norbert it's like what you said, creating the space and even, even in the beginning and just having a couple of folks just to make space. And then I think the space is going to grow from there. I fully agree. I've got one last question for you. And it's, sort of related to the vision, but just also thinking long term. What impact do you hope your work will ultimately have on society. I hope that my work will create a bit of a shift ultimately. I mean, that's a rather large goal, but it's not just myself. As this project has grown and extended and expanded. It's really a joint team effort. I mean, along this journey, I've met folks who are mission aligned. And they also see the value in this, and they believe in something similar. Whether it be that they contribute their story, whether it be that they help write the stories, whether it be that they come be a guest speaker, and they share their career, and then they end up connecting with the younger person, every person counts in this. In making a shift. And it might take generations to completely have a paradigm shift, but I think that just moving the needle a bit is ultimately the goal, certainly. And in terms of the bigger picture of things, I'm hoping that it will continue to spark a discussion and ongoing conversation about the importance and the value of bringing different voices and people who traditionally were not given a space at the table when it comes to the food systems and agriculture. But who brings so much talent, so much to the table already. How we can make greater space for them as well, and how we can incorporate their talent and create a better food system for everybody. We all eat and we're looking at 10 billion people in 2050. So, looking at the people who are making those contributions and telling their stories and especially for those who traditionally have not had their voices told, I think is really, really important. I just keep the fire going, I guess. BIO Amy Wu is an award-winning writer for the women's Ag and Agtech movement. She is the creator and chief content director of From Farms to Incubators, a multimedia platform that uses documentary, video, photography, and the written word to tell the stories of women leaders and innovators in Agtech. It has a mission of highlighting women in food, farming, and farmtech, especially women of color. From Farms to Incubators includes a documentary and a book that spotlights women leaders in Ag and Agtech. The documentary and stories have been screened and presented at SXSW and Techonomy. The initiative was awarded grants from the International Center for Journalists and International Women's Media Foundation's Howard G. Buffett Fund. Amy was named on Worth magazine's “Groundbreakers 2020 list of 50 Women Changing the World” list. Since 2018 she has served as the communications manager at the Hudson Valley Farm Hub in Hurley NY where she runs the website, digital newsletter, and social media. Prior to starting From Farms to Incubators, Amy spent over two decades as an investigative reporter at media outlets including the USA Today Network where she reported on agriculture and Agtech for The Salinas Californian. She's also worked at Time magazine, The Deal and contributed to The New York Times, The Huffington Post and The Wall Street Journal. She earned her bachelor's degree in history from New York University, and master's degree in journalism from Columbia University.  

In this final episode of Trouble with the Truth that concludes Season Two, we turn to the most inescapable topic of the summer - the upcoming US presidential elections. We will leave the details of the political drama to the pundits and instead focus on what we know best - journalists covering the elections. With president Trump's divisive rhetoric and increasingly hostile attitude towards mainstream media, how can reporters best protect themselves when doing their job? How do they navigate their usual professional risks, such as police violence, online harassment and doxxing? Lana is discussing these and other issues with Jeje Mohhamed, a holistic safety and security advisor and risk management expert. Her impressive CV includes PEN America, the International Women's Media Foundation and a seat on the advisory board for the Coalition Against Online Violence. They explore why the threats against journalists are on the rise in this stage of the US political developments. Jeje also shares her expert advice on why risk assessment is crucial when covering a story and what safety strategies work best in different scenarios. She also covers online safety and the ways in which journalists can protect themselves and explains why cooperation is superior to competition.

The seductive promise of microfinance might have conveniently died in the Western media, but Muhammad Yunis' alluring economic idea has actually wreaked unintentional havoc around the world. Mara Kardas-Nelson's important new book, We Are Not Able to Live in the Sky, reveals the damage done by microfinance loans in developing world countries like Sierra Leone and Bangladesh because their predatory interest rates. As too often with supposedly democratizing “innovations” like microfinance or cryptocurrency, Kardas-Nelson reminds us, it's poor people, particularly women, who ultimately get saddled with the techno-utopian bill. Mara Kardas-Nelson is an independent journalist focusing on international development and inequality. Her award-winning work has been supported by the International Women's Media Foundation, Investigative Editors and Reporters, the Richard J. Margolis Award and others and has appeared in the New York Times, the Nation, the Guardian, on NPR, and elsewhere. Mara has also spent years working in global health. Originally from the U.S., she has also lived in Canada, South Africa and Sierra Leone.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Please join us at patreon.com/tortoiseshack Maha Hussaini is a Palestinian award-winning journalist and the Strategy Director of Euro-Med Human Rights Monitor. In June, she won the Courage in Journalism Award by the International Women's Media Foundation, an award that was later rescinded following a smear campaign by pro-Israelis. She joins us from Gaza to talk about her reporting, the situation on the ground, the need to have an active Palestinian voice and western media bias towards the Palestinians. Maha was displaced multiple times but she continues reporting from Gaza despite the huge challenges. Please listen and share this very special PalCast episode with Yousef Aljamal, Helena Cobban and Tony Groves. The Latest RTE Exclusive is out now here:https://www.patreon.com/posts/patron-exclusive-106869218 The Gaza Appeal Details are here:https://www.patreon.com/posts/nuseirat-dr-105860337

Please join us at patreon.com/tortoiseshack Maha Hussaini is a Palestinian award-winning journalist and the Strategy Director of Euro-Med Human Rights Monitor. In June, she won the Courage in Journalism Award by the International Women's Media Foundation, an award that was later rescinded following a smear campaign by pro-Israelis. She joins us from Gaza to talk about her reporting, the situation on the ground, the need to have an active Palestinian voice and western media bias towards the Palestinians. Maha was displaced multiple times but she continues reporting from Gaza despite the huge challenges. Please listen and share this very special PalCast episode with Yousef Aljamal, Helena Cobban and Tony Groves. The Latest RTE Exclusive is out now here:https://www.patreon.com/posts/patron-exclusive-106869218 The Gaza Appeal Details are here:https://www.patreon.com/posts/nuseirat-dr-105860337

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Jill Filipovic is a Brooklyn-based journalist, lawyer, and author of OK Boomer, Let's Talk: How My Generation Got Left Behind and The H-Spot: The Feminist Pursuit of Happiness. A weekly columnist for CNN and a 2019 New America Future of War fellow, she is also a contributing opinion writer to The New York Times and a former columnist for The Guardian. Her work has appeared in Time, The Washington Post, Vanity Fair, Foreign Policy, Politico, Marie Claire, Cosmopolitan, and many others. She contributed essays to the anthologies Nasty Women: Feminism, Resistance and Revolution in Trump's America and Yes Means Yes: Visions of Female Sexual Power and a World Without Rape. Jill was a 2019 International Women's Media Foundation fellow, and her Politico story on reproductive rights in Honduras was shortlisted for a One World Media Award. She is also a winner of a 2014 Newswomen's Club of New York Front Page Award for her global health reporting, two Society of Professional Journalists Sigma Delta Chi award for political commentary, and a Maggie award for reproductive health reporting. She was 2018 European Journalism Center grantee, a UN Foundation Fellow in Malawi and Indonesia, and an International Reporting Project fellow in Brazil and India. Subscribe to her substack jill.substack.com Follow her on Twitter and Instagram at @JillFilipovic Listen to her new podcast Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

This week, Lale speaks with women who risk their lives to document conflict and catastrophe around the world—and who are all recipients of a Courage in Photojournalism Award from the International Women's Media Foundation. Listen to hear Cairo-based Nariman El-Mofty, who has been traveling through Yemen and Sudan, and Anastasia Taylor-Lind, whose work is focused on Ukraine, share stories of the human side of war, as well as a message from Samar Abu Elouf, a photojournalist from Gaza City.

Thomas Jefferson famously said he'd prefer newspapers without government over government without newspapers. In large parts of the United States today, government exists without independent news sources—undermining accountability and diminishing civic participation. Ellen Clegg and Dan Kennedy tell us that despite these troubling trends, there's much to celebrate in the work of community news outlets around the country.  Clegg spent over three decades at The Boston Globe and retired in 2018 after four years of running the opinion pages. In between stints at the Globe, she was deputy director of communications at the Broad Institute of MIT and Harvard. She is a member of the steering committee for the Elizabeth Neuffer Fellowship at the International Women's Media Foundation and the co-founder and co-chair of Brookline.News, a nonprofit startup news organization. Kennedy is a Northeastern University professor in the School of Journalism and a nationally known media commentator. He was a panelist on the GBH News television program “Beat the Press” and a weekly columnist for the network. He was also a columnist for The Guardian and produces Media Nation, an online publication that serves as a media watchdog. Kennedy is a recipient of the Yankee Quill Award from the New England Academy of Journalists and the James W. Carey Journalism Award from the Media Ecology Association. See omnystudio.com/listener for privacy information.

Donald Dunn join us on the show again, he was a guest on Season 1. On this interview we talk about all the great things Donald Dunn is doing in the Veteran community from starting Heroes' Voices Media Foundation which consists of Gun Room Radio, Military United Podcasts Streams and Words from Warriors. We also talked about him changing his podcast name from Two Drunk Dudes in a Gunroom to Spirits and Stories, and his book he wrote Echos of War: The Silent Transformation of a Soldier. https://wordsfromwarriors.org/ Podcast Network For the Veteran Community - Military United Podcast Streams Heroes Voices Media Foundation (heroesvoicemediafoundation.org) Gun Room Radio

Having a strong presence on social media isn't just about physical structures, but about creating genuine connections that set the groundwork for success in the digital era. In this episode, we have Emma Tessler, founder of Ninety Five Media, reveal the construction CEO's guide to building a strong social media foundation. Discover why diversifying your social media team, including field personnel, is crucial for authentic engagement. She also discusses how storytelling can set your construction brand apart and foster trust with your audience. Emma highlights the importance of crafting a diverse range of content buckets, promoting in multiple media forms, and more. Tune in now and learn how to maximize your presence!   Buy Eric's Book: Construction Genius: Effective, Hands-On, Practical, Simple, No-BS Leadership, Strategy, Sales, and Marketing Advice for Construction Companies - https://www.amazon.com/Construction-Genius-Effective-Hands-Leadership/dp/B0BHTRDY1T/    Need an Executive Coach? Book in 10 Minutes to chat about how Eric can help: https://10minuteswitheric.youcanbook.me   Ninety Five Media: https://ninetyfivemedia.co/ Instagram: https://www.instagram.com/ninety.five.media/ LinkedIn: https://www.linkedin.com/in/emmatessler/ Podcast: https://podcasts.apple.com/us/podcast/stop-scrolling-start-scaling-podcast/id1635151196 Learn how to create content that converts: https://ninety-five-media.mykajabi.com/mym

From Spotify comes Stolen Season 3: Trouble In Sweetwater. Violence. Retaliation. Disappearances. The Navajo Nation is 27,000 square miles of remote terrain with just over 200 tribal police officers. This season on Stolen, Connie Walker's investigation into the cases of two missing women leads her on a search for justice in a place where people say you can get away with murder. Reporting for Stolen: Trouble in Sweetwater was supported by the International Women's Media Foundation's (IWMF) Fund for Indigenous Journalists reporting on issues related to Missing & Murdered Indigenous People (MMIP) with a concentration on women, girls, Two-Spirit, and transgender people.

Violence. Retaliation. Disappearances. The Navajo Nation is 27,000 square miles of remote terrain with just over 200 tribal police officers. This season on Stolen, Connie Walker's investigation into the cases of two missing women leads her on a search for justice in a place where people say you can get away with murder. This reporting was supported by the International Women's Media Foundation's Fund for Indigenous Journalists: Reporting on Missing and Murdered Indigenous Women, Girls, Two- Spirit and Transgender People (MMIWGT2S). Learn more about your ad choices. Visit podcastchoices.com/adchoices

On Monday, we celebrated leaders who served our country. Today, I am thrilled to say we are doing the same by celebrating Heroes Voices Media Foundation: an amazing organization that serves those who have served, our military. Donald Dunn was a veteran suffering from PTSD when he and a fellow veteran began a podcast to talk about whatever was on their mind. Donald joins us today to talk more about his experience!

President Macky Sall of Senegal is facing mounting pressure after the decision to postpone the scheduled 25 February presidential election to December. The opposition says the move is a “constitutional coup” but the president says more time is needed to resolve a dispute over who is eligible to stand as a presidential candidate after several opposition contenders were barred. Last week, three people were killed and hundreds arrested in protests against the delay of the election. Senegal has long been seen as one of the most stable democracies in West Africa. It is the only country in mainland West Africa that has never had a military coup. It has had three largely peaceful handovers of power and never delayed a presidential election. But is that about to change? And what will the consequences of any political, social and economic turmoil for a country with a young population? Shaun Ley is joined by a panel of experts:Borso Tall - Freelance journalist based in the Senegalese capital Dakar, recipient of the Chevening scholar with The University of Glasgow and member of The International Women's Media Foundation.Paul Melly - Consulting fellow for the international affairs think tank Chatham House and a journalist specialising on development, politics and business issues in francophone Africa. Aanu Adeoye - West Africa correspondent for the Financial Times.Also in the programme:Dr Ndongo Samba Sylla -An economist who served as an adviser in the president's office.Image: Senegalese demonstrators protest against the postponement of the Feb. 25 presidential election, in Dakar, Senegal February 9, 2024. Credit: Reuters/Zohra Bensemra

After Jess receives feedback that throws a major wrench into her production schedule, she has to make some tough decisions. Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess's bibliography is available here. This reporting was supported in part by the International Women's Media Foundation's Howard G.Buffett Fund for Women Journalists. Special thanks to Eleanor McDowall and Chioke I'Anson. For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It's a production of PRX's Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm. We'd like to thank the extended Shocking, Heartbreaking, Transformative team, without whom you may not have heard about this project. For PRX marketing: Gretchen Borzi, David Cotrone, Sher Delva, Apu Goteh, and Maggie Gourville. For PRX sponsorship: Audrey Davidson, Melissa Garcia-Houle, Carolyn Willander, and Jeanne Yeh. This series was possible thanks to Ernesto, Michael, and Judy, whose vibrant souls could never fit into the confines of any series. Most of all, thank you for listening.

With only a few months till launch, Jess plays a draft of the series for her subjects and gives them an opportunity to request major changes. Their feedback throws a major wrench into the production schedule. What will it take for Jess to do right by them, while still delivering the series she owes her distribution partner?  Jess' bibliography is available HERE. Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. This reporting was supported in part by the International Women's Media Foundation's Howard G.Buffett Fund for Women Journalists. Special thanks to Eleanor McDowall and Chioke I'Anson. For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It's a production of PRX's Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Jess makes a deal with Judy, an unhoused senior. Judy will let Jess document her, and Jess will help Judy resolve some of her ongoing life problems. As Jess gets sucked into Judy's crises, the rest of the series starts to slip and Jess' relationships with her other subjects get messy. Jess starts to doubt the premise of this entire undertaking. Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. This reporting was supported in part by the International Women's Media Foundation's Howard G.Buffett Fund for Women Journalists. Special thanks to Eleanor McDowall and Chioke I'Anson. For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It's a production of PRX's Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

On this episode, Derek sits with Donald Dunn.  Donald is a former US Army Veteran who has taken his struggles with combat PTSD and mental health and channeled it into the Heroes Voices Media Foundation. This platform is host to radio stations and podcasts, all veteran grown and it has shown considerable success.Website: https://www.heroesvoicemediafoundation.org/Instagram: https://www.instagram.com/heroesvoicemediafoundation/SPONSOR - Go to https://betterhelp.com/derekduvallshow for 10% off your first month of therapy with @betterhelp and get matched with a therapist who will listen and help #sponsored

Jess begins by documenting Ernesto, a 20-year-old, newly sober fashion model. The plan is to pay Ernesto and let him be in charge of the story he wants to tell in the documentary. Things go sideways when Jess and Ernesto grapple with what will need to be cut out of Ernesto's life to turn it into a viable media product.  More about Pooja Rangan's book Immediations HERE. Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Support for this project was provided in part by the International Women's Media Foundation. Special thanks to Eleanor McDowall and Chioke I'Anson. For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It's a production of PRX's Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Jess used to think making documentaries was good for her subjects and good for the world. But she's not so sure anymore. With this series, she's throwing out the old rules of documentary production and trying out some new ones. Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Support for this project was provided in part by the International Women's Media Foundation. Special thanks to Eleanor McDowall and Chioke I'Anson. For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It's a production of PRX's Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Donald Dunn served in the Army, beginning his military journey in 1994 and dedicating 20 years to service. Throughout his distinguished career, he endured 68 months of deployment and combat tours, with notable missions in Bosnia, Iraq, and Afghanistan. Following his military service, Donald ventured into the trucking industry, establishing his own company—an endeavor affected by the challenges brought on by the COVID-19 pandemic, leading to its closure.In his unwavering commitment to supporting the veteran community, Donald embarked on a new path by launching the podcast "Two Drunk Dudes in a Gun Room." Through this platform, he aims to shed light on the triumphs and challenges faced by veterans. Additionally, Donald is actively involved in the Heroes Voices Media Foundation, a nonprofit organization he founded. The foundation is dedicated to assisting veterans in achieving their dreams while incorporating therapeutic elements.For further insights into Donald Dunn's initiatives, you can explore his podcast at www.twodrunkdudesinagunroom.com, learn about his nonprofit efforts at www.heroesvoicemediafoundation.org, discover the podcast program for veterans at www.militaryunitedpodcaststreams.org, and explore the radio station program for veterans at www.gunroomradio.com.

In today's episode, HeHe sits down with Allison Yarrow to discuss her new book, 'Birth Control: The Insidious Power of Men Over Motherhood.' What happens when hospital culture is rooted in tradition and not evidence? How does it impact patient care when incentives are set up to reward providers for doing expensive surgeries and seeing as many patients as possible, but theres no incentive for supporting unmedicated, biological labor and meeting patients where they're at in this journey? What happens when a system that is designed to be FOR PROFIT is faced with the decision profits or people— and, they can only choose one? Join us to discuss how the hospital system was designed to produce specific results and how that may affect your labor experience!    Join The Birth Lounge!    Connect with Ali: https://allisonyarrow.com/ Order Birth Control: The Insidious Power of Men Over Motherhood     Bio: Allison Yarrow is an award-winning journalist, speaker, and author of 90s Bitch: Media, Culture, and the Failed Promise of Gender Equality (Harper Perennial, 2018), finalist for the Los Angeles Press Club book award, and Birth Control: The Insidious Power of Men Over Motherhood (Hachette/Seal Press, July 2023). She has written about health, politics, and gender for many publications including the New York Times, the Washington Post, Vox, Insider, USA Today, Time, and Newsweek. She was a national magazine award finalist, a TED resident, an Aspen Ideas Festival fellow, and a grantee of the International Women's Media Foundation. She produced the award-winning Vice News documentary “Misconception,” and gave a TED talk called “What to Expect Post-Expecting.”

To learn more about Podcast: www.twodrunkdudesinagunroom.com Nonprofit: www.heroesvoicemediafoundation.org Podcast program for veterans: www.militaryunitedpodcaststreams.org Radio Station Program for Veterans www.gunroomradio.com

Rebekah L. Fraser writes fiction, produces music and visual art, and offers creativity coaching and writing classes from her home-base in Connecticut.   An award-winning social entrepreneur, International Women's Media Foundation fellow and former journalist, Rebekah has published a nonfiction book about climate change and four novels, with the fifth novel forthcoming in December from Bee Books, the imprint she started in 2018.   She writes environmental justice-themed romance novels as Tara L. Roí. Rebekah holds a BA in Film Studies from Yale and is an MFA candidate in Writing Popular Fiction from Seton Hill University, as well as a Yoga teacher certification.   Learn more about Rebekah L. Fraser at TheCreativity-RX.com.  You can access all her justice-themed romance novels HERE.  And click HERE to follow her on various social platforms.

In this episode, I welcome back journalist and author Katya Cengel. We chat about her new non-fiction memoir, Straitjackets And Lunch Money,  the importance of listening to children's voices, her time in a psychosomatic unit at a children's hospital when she was age ten,  and how depression led her to not eating.Katya Cengel is a freelance writer and author based in California. Her work has appeared in New York Times Magazine, Marie Claire, and the Wall Street Journal among other publications. She has reported from North and Central America, Europe, Asia and Africa and was based in the former Soviet Union for half a decade. She was a features and news writer for the Louisville Courier-Journal from 2003 to 2011.She is the author of Eric Hoffer Academic Press 2023 award winner, Independent Publisher Book Award (IPPY) 2020 winner and Foreword Indies 2019 winner “From Chernobyl with Love: Reporting from the Ruins of the Soviet Union”; “Exiled: From the Killing Fields of Cambodia to California and Back” and “Bluegrass Baseball: A Year in the Minor League Life”. Her latest book is Straitjackets and Lunch Money.She has been awarded grants from the International Reporting Project, the International Women's Media Foundation and the International Center for Journalists. Her journalism has been recognized with a Society of Professional Journalists Green Eyeshade Award and a Society for Features Journalism Excellence-in-Features Award.Katya CengelStraitjackets And Lunch Money, Katya CengelSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Welcome to my new Series "can you talk real quick?" This is a short, efficiently produced conversation with someone who knows stuff about things that are happening and who will let me record a quick chat to help us all better understand an issue in the news or our lives as well as connect with each other around something that might be unfolding in real time.  Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls   I WAS WRONG ABOUT TRIGGER WARNINGS Has the national obsession with trauma done real damage to teen girls? Jill Filipovic is a Brooklyn-based journalist, lawyer, and author of OK Boomer, Let's Talk: How My Generation Got Left Behind and The H-Spot: The Feminist Pursuit of Happiness. A weekly columnist for CNN and a 2019 New America Future of War fellow, she is also a contributing opinion writer to The New York Times and a former columnist for The Guardian. Her work has appeared in Time, The Washington Post, Vanity Fair, Foreign Policy, Politico, Marie Claire, Cosmopolitan, and many others. She contributed essays to the anthologies Nasty Women: Feminism, Resistance and Revolution in Trump's America and Yes Means Yes: Visions of Female Sexual Power and a World Without Rape. Jill was a 2019 International Women's Media Foundation fellow, and her Politico story on reproductive rights in Honduras was shortlisted for a One World Media Award. She is also a winner of a 2014 Newswomen's Club of New York Front Page Award for her global health reporting, two Society of Professional Journalists Sigma Delta Chi award for political commentary, and a Maggie award for reproductive health reporting. She was 2018 European Journalism Center grantee, a UN Foundation Fellow in Malawi and Indonesia, and an International Reporting Project fellow in Brazil and India. Subscribe to her substack jill.substack.com Follow her on Twitter and Instagram at @JillFilipovic Listen to her new podcast Pete on YouTube Check out all things Jon Carroll Follow and Support Pete Coe Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page

Andria Hautamaki's Lens: A Journey of Journalism and Horses Andria Hautamaki is a remarkable freelance photo and print journalist. She has carved her niche in the realms of agriculture, the environment, and rural life. Publications such as National Geographic, CNN, and The New York Times have publisher her freelance work. As an avid reader of Western Horseman, I have read and enjoyed many of Andria's articles over the past months. She has a unique perspective and a diverse range of topics. Andria is from Colorado and has a Master's degree in International Agricultural Development. She lives in Chile on her husband's family cattle ranch. After getting a grant from the International Women and Media Foundation, Andria focused on her photography. Andria has explored amazing places through her freelance work, telling stories about both people and horses. While Andria is an accomplished writer, her photography is the way she likes to tell stories. I am particularly intrigued by Andria's ability to discover interesting tales wherever she roams. We talk about her beginnings in photography, her education, and her travel. She offers an interesting perspective now that she has to perform work on her cattle ranch. The same work she writes about others doing. Today, we have the privilege of delving into Andria Hautamaki's life as a journalist and photographer. Join us to hear about Andria's encounters with different cultures and her bond with horses. Get ready to be inspired by her remarkable storytelling and the indelible imprint she has made on the field of journalism. I really enjoy talking to people in other parts of the world, such as Canada, Germany, and England. Andria Hautamaki Links Heard on the Show Website: https://ahowdyphoto.com Instagram: https://www.instagram.com/ahowdyphoto Email: info@ahowdyphoto.com Join the Journey Whether you're a seasoned horse owner or just starting out, we invite you to join us on this journey. Share your challenges, triumphs, and everyday experiences with others. We believe these stories can help others in their horse journey. If you have a story you would like to share, you can reach out to us through our Facebook or Instagram page. Alternatively, you can email John@WhoaPodcast.com to be a part of the show. Thanks for listening. John & Ranae Episode #221 Support the Whoa Podcast with this Amazon Link. Checkout My YouTube Channel John Harrer & Horses Your Horse Will LOVE This Shampoo  

Donny is joined by journalist, author, broadcaster, and weekly contributor to "Morning Joe", Katty Kay. Kay, who is a board member at the International Women's Media Foundation, talks about her passion for helping women grow their confidence and how men and women differ when it comes to being in power positions. See omnystudio.com/listener for privacy information.

Judy Woodruff is not done asking questions. A decorated and respected journalist, she anchored the PBS NewsHour for 15 years until she stepped down in 2022. Now, at age 79, she is traveling the country to answer: what is at the root of the division and disconnection our country faces today? And how do we fix that? To understand across different perspectives requires the ability to listen. At 79, Judy has honed this skill. In the decades Judy spent reporting on Americans and our politics (starting when Jimmy Carter declared his run for president) as well as raising her three children, she has seen enormous change in how people relate to one another. In this episode, we hear her views on the value of really listening to others and having respect, even when we might not agree with or understand, someone.  (03:15)    Judy Woodruff's interest in divisiveness in America  (12:05)    How have political divisions evolved during Judy's career?  (17:13)    How Judy became a journalist  (22:12)    Where did Judy find support in an era when few women were in journalism?  (26:16)    The role of her mother  (33:08)    How can we keep family and friends centered when work takes us away?  (34:45)    How does Judy define success?  (36:57)    The balance of success, creating meaning, and parenting  (44:36)    Why listening and respect is essential to Judy's work.  (46:54)    How does Judy handle difficult interviews?  (51:58)    Where does Judy find respite when she needs a break?  (55:37)    Is Judy hopeful about the world?  (57:50)    Is there someone Judy hasn't interviewed whom she'd love to?  (58:08)    Judy shares a funny on-set moment  We'd love to hear from you! Send us a note at housecalls@hhs.gov with your feedback & ideas.  Judy Woodruff, Journalist Twitter: @judywoodruff  Instagram: @judywoodruffpbs  About Judy Woodruff Broadcast journalist Judy Woodruff is the Senior Correspondent for the PBS NewsHour, after serving for 11 years as its Anchor and Managing Editor. During 2023 and 2024, she is undertaking a reporting project, “America at a Crossroads,” to better understand the country's political divide. She has covered politics and other news for more than four decades at CNN, NBC, and PBS.  The recipient of numerous awards, including the Peabody Journalistic Integrity Award, the Poynter Medal, an Emmy for Lifetime Achievement, and the Radcliffe Medal, she and the late Gwen Ifill were together awarded Arizona State University's Walter Cronkite Award for Excellence in Journalism after Woodruff and Ifill were named co-anchors of the PBS NewsHour in 2013, marking the first time an American national news broadcast would be co-anchored by two women.  For 12 years, Woodruff served as anchor and senior correspondent for CNN, where her duties included anchoring the weekday program, Inside Politics. At PBS from 1983 to 1993, she was the chief Washington correspondent for The MacNeil/Lehrer NewsHour. From 1984-1990, she also anchored PBS' award-winning weekly documentary series, Frontline with Judy Woodruff. In 2011, Woodruff was the principal reporter for the PBS documentary “Nancy Reagan: The Role of a Lifetime”. And in 2007, she completed an extensive project for PBS and other news outlets on the views of young Americans called “Generation Next: Speak Up. Be Heard”.   At NBC News, Woodruff was White House correspondent from 1977 to 1982. For one year after that she served as NBC's Today show chief Washington correspondent. She wrote the book, “This is Judy Woodruff at the White House,” published in 1982 by Addison-Wesley. Woodruff is a founding co-chair of the International Women's Media Foundation, an organization dedicated to promoting and encouraging women in communication industries worldwide. Woodruff is a graduate of Duke University, where she is a trustee emerita. She lives in Washington, DC, with her husband, journalist Al Hunt, and they are the parents of three children. 

For journalists, it's a jungle out there - both in the actual jungle and, increasingly, in Anytown USA. So we've got Elisa Lees Muñoz of the International Women's Media Foundation here to tell us how to train journalists to serve (all of us) and protect (themselves!). And then it's time to wrap your brains around a fresh new set of conundrums - it's the return of the Poundstone Riddle Invitational! GUEST Elisa Lees Munoz https://www.iwmf.org HOUSE BAND Tim Sway newperspectivesmusic.com  www.guineapigtanks.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta es una historia de la familia, de la familia de derecha, una familia a la que le gustan las canciones de Emmanuel.En esta segunda entrega sobre los grupos provida, Galia García Palafox va con católicos y evangélicos, que en la defensa de la familia van juntos, como dos primos que no siempre siempre coinciden pero defienden a su clan, a familia la tradicional, de madre y padre casados para toda la vida con los hijos que dios les dé.Hoy esa derecha está temerosa del avance de los grupos progresistas, de la legalización del aborto, del matrimonio entre personas del mismo sexo y hasta de la biotecnología que amenaza la familia como ellos la conocen. Esta derecha dice resistir el avance de las leyes por la interrupción del embarazo, tiene alianzas con grupos internacionales -lo mismo sudamericanos que trumpistas, nuevos acuerdos, aunque también nuevas fracturas. Esta derecha es una gran familia que defiende a la familia. Y sí, en este episodio canta Emmanuel… Este reportaje fue realizado con el apoyo de la International Women´s Media Foundation, IWMF, como parte de su iniciativa de Salud Reproductiva, derechos reproductivos y justicia en Américas.

The Border Patrol is one of the largest federal law enforcement agencies in the U.S., with roughly 19,000 officers. It also has one of the largest gender disparities – for decades, the number of women on the force has held steady around 5%. Despite years of demands for reform, the Border Patrol hasn't managed to substantially increase the number of women in the agency. Reporter Erin Siegal McIntyre set out to examine why this number has remained so low. She spoke with more than two dozen current and former Border Patrol agents and reviewed hundreds of pages of complaints and lawsuits in which agents allege sexual harassment or assault. Those interviews and documents reveal a workplace where a wide range of sexual misconduct is pervasive: from stale sex jokes to retaliation for reporting sexual misconduct and assault and rape. Siegal McIntyre starts with the first class of women who were allowed to become Border Patrol agents in 1975. We hear from Ernestine Lopez, a member of that class. Days before graduation, she is raped by a classmate and reports it. She's abruptly fired, leading her on a 12-year legal battle against the government. This is the first time Lopez, now 85, has told her story publicly. Next, we hear from a young woman who loved working as an agent but left the Border Patrol at the peak of her career. Her supervisor had targeted her and other women on her team by hiding a camera in the floor drain in the women's restroom. This is the first time she has spoken to a news outlet about her experience of reporting her supervisor and pursuing a case in court against him and the Border Patrol. Then we follow the story of Kevin Warner, a Border Patrol probationary agent who was abruptly fired months after participating in a sex game along with a dozen other agents, including his superiors. Warner alleges that he was wrongfully discharged. Then Siegal McIntyre takes her reporting to a former chief of the Border Patrol, Mark Morgan. She asks about workplace culture, the low number of women in the agency and the lack of transparency around investigations of sexual misconduct in the patrol. Support for Erin Siegal McIntyre's work was provided by the International Women's Media Foundation, the Economic Hardship Reporting Project and The Harnisch Foundation. Special thanks to Ruth Ann Harnisch, Deborah Golden and the Gumshoe Group for their legal support and to John Turner and Gary Kirk from the Hussman School of Journalism and Media at UNC Chapel Hill. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/newsletter Connect with us on Twitter, Facebook and Instagram

Poco se sabe de la derecha Provida, Galia García Palafox fue a congresos, encuentros y marchas a buscar a la nueva generación de jóvenes conservadores contra la interrupción legal del embarazo. Encontró que el relevo generacional está en marcha y que los nuevos se comunican de otras maneras, no rezan ni mencionan a Dios para transmitir su mensaje, y sobretodo que están convencidos que hoy, cuando en casi todo el país se discuten leyes para promover el aborto, ser Provida es el nuevo acto de rebeldía, la revolución. Un episodio contado en tres actos con Alison González, Carlos Ramírez y Emilio Yithzak. Este reportaje fue realizado con el apoyo de la International Women´s Media Foundation, IWMF, como parte de su iniciativa de Salud Reproductiva, derechos reproductivos y justicia en Américas.

Harry Blackmun wasn't Richard Nixon's first choice to fill a vacancy on the Supreme Court. But after Blackmun was confirmed, he got the assignment of a lifetime: writing the majority opinion in Roe v. Wade. His approach to that case would have consequences he never imagined. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season's reporting was supported by a grant from the International Women's Media Foundation's Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soon after Ann Hill arrived at Yale Law School in 1968, she realized she was pregnant. Her options were limited: she could give birth—or get an illegal abortion. The decision she faced inspired her to take on Connecticut's abortion ban. The legal battle that followed would set the stage for Roe v. Wade. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season's reporting was supported by a grant from the International Women's Media Foundation's Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack and Barbara Willke got their start on the Catholic speaking circuit talking about the pleasure of sex within marriage. Their daughter would convince them to shift their focus to another hot-button issue. The Willkes' Handbook on Abortion, and the photographs they distributed along with it, would help kickstart the right-to-life movement. To see the cover of the Handbook on Abortion, some of the photos the Willkes used, and the brochure “Life or Death,” go to slate.com/handbook Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season's reporting was supported by a grant from the International Women's Media Foundation's Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1970, 22-year-old Shirley Wheeler got an illegal abortion in Florida. When she refused to tell the police who performed the procedure, she was arrested and charged with manslaughter. In the months that followed, she'd be prosecuted and publicly condemned. She'd also become the unlikely face of the fight for reproductive rights. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Mixing by Merritt Jacob and Kevin Bendis. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season's reporting was supported by a grant from the International Women's Media Foundation's Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1970s, the future of abortion in America was far from settled. Roe v. Wade would change everything, though few knew it at the time. For the seventh season of Slate's Slow Burn, host Susan Matthews explores the path to Roe—a time when more Republicans than Democrats supported abortion rights. You'll hear the forgotten story of the first woman ever to be convicted of manslaughter for having an abortion, the unlikely Catholic power couple who helped ignite the pro-life movement, and a rookie Supreme Court justice who got assigned the opinion of a lifetime. First episode drops Wednesday, June 1st, 2022. Subscribe now! Sign up for Slate Plus for access to ad-free listening and exclusive members-only episodes every week throughout the season. The season's reporting was supported by a grant from the International Women's Media Foundation's Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices