Podcasts about polk award

Alec MacGillis worked for six newspapers, including The Baltimore Sun and The Washington Post, before transitioning to magazines in 2011, at The New Republic before eventually joining ProPublica in 2015. His work has appeared in The New Yorker, The Atlantic and The New York Times Magazine, among others. He won the 2016 Robin Toner Prize for Excellence in Political reporting, the 2017 Polk Award for National Reporting and the 2017 Elijah Parish Lovejoy Award. He is the author of “The Cynic: The Political Education of Mitch McConnell” and “Fulfillment: America in the Shadow of Amazon.” Alec joins me for a conversation about his recent ProPublica essay on the government's assault on data: “Trump's War on Measurement Means Losing Data on Drug Use, Maternal Mortality, Climate Change and More” Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Journalist and author Barbara Demick discusses her new, powerful, and must-read book "Daughters of the Bamboo Grove: From China to America, a True Story of Abduction, Adoption, and Separated Twins". With a deep boots-on-the-ground experience, she details the brutality of China's one-child policy and the profound lasting effects it continues to have. She describes the scandalous adoption frenzy that took place, where officials illegally kidnapped Chinese children from their families and disappeared them. Demick found a needle in a haystack and managed to reunite one set of twins who were strewn across the planet, from America to China. Watch on BitChute / Brighteon / Rumble / Substack / YouTube Geopolitics & Empire · Barbara Demick: Abducted & Adopted, The Story of China's One-Child Policy #553 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape Technocracy course (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics PassVult https://passvult.com Sociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.com Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Website https://www.barbarademick.com Daughters of the Bamboo Grove: From China to America, a True Story of Abduction, Adoption, and Separated Twins https://www.barbarademick.com/book/daughters-of-the-bamboo-grove X https://x.com/barbarademick About Barbara Demick Barbara Demick is author of Nothing to Envy: Ordinary Lives in North Korea and Logavina Street: Life and Death in a Sarajevo Neighborhood and the recently released Eat the Buddha: Life and Death in a Tibetan Town, published by Random House in July 2020.  She was bureau chief for the Los Angeles Times in Beijing and Seoul, and previously reported from the Middle East and Balkans for the Philadelphia Inquirer. Demick grew up in New Jersey and graduated from Yale College Her work has won many awards including the Samuel Johnson prize (now the Baillie Gifford prize) for non-fiction in the U.K., the Overseas Press Club's human rights reporting award, the Polk Award and the Robert F. Kennedy award and Stanford University's Shorenstein Award for Asia coverage. Her North Korea book was a finalist for the National Book Award and the National Book Critics Circle Award. She was a press fellow at the Council on Foreign Relations, a Bagehot fellow in business journalism at Columbia University and a visiting professor of journalism at Princeton University.  She lives in New York City. *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Synopsis:  Is Authoritarianism Here?: Gessen and Stanley discuss the shift in America's self-understanding, from democratic ideals to a self-identity based on loving the US for its past greatness, and warn that this is not a democratic project, but rather a fascist one, similar to what Putin is doing in Russia. ARE YOU AUDACIOUS? SUPPORT OUR RESISTANCE REPORTING FUND! Help us continue fighting against the rise of authoritarianism in these times. Please support our Resistance Reporting Fund. Our goal is to raise $100K. We're at $35K! Become a sustaining member starting at $5 a month! Or make a one time donation at LauraFlanders.org/Donate Description: What will it take to reject fascism, before it's too late? Masha Gessen and Jason Stanley are two leading experts on autocracy, and they're sounding the alarm. They and their families have escaped totalitarian regimes and oppressive governments; today Gessen and Stanley are pulling back the curtain on the attacks against DEI, trans bodies, civil rights, higher education and more. Is authoritarianism here? Masha Gessen is an acclaimed Russian-American journalist, a Polk Award winning opinion writer for the New York Times and the author of "Surviving Autocracy" and “The Future is History: How Totalitarianism Reclaimed Russia.” Forced to leave Russia twice, in 2024, a Moscow court convicted them, in absentia to eight years in prison for their reporting on the war in Ukraine. Jason Stanley is a best-selling author and professor whose books include “Erasing History” and "How Fascism Works". He recently left his teaching position at Yale University to relocate to Canada with his family; noting that he is a child of Jewish refugees who fled Nazi Germany. In this historic conversation — the first interview between Gessen and Stanley — the two explore how to be bold in our movements and envision a multi-ethnic democracy. Plus, a commentary from Laura.“Trump has proposed a revived empire, a return to an imaginary past. The Democrats have proposed the way things are now, which are deeply unsatisfying and horribly anxiety provoking for a very large number of people. So we need a vision of a future that is more appealing than the imaginary past.” - Masha Gessen“What I see now is this regime shifting the self understanding of America, from having these democratic ideals . . . God knows they've been imperfect, to a self identity as loving the United States because we've had these great men in our past, and we've conquered the West, and we can punch you in the nose. And that's not a democratic project. That's like what Putin is doing in Russia.” - Jason Stanley• Masha Gessen: Opinion Columnist, The New York Times; Author, Surviving Autocracy; Distinguished Professor, Craig Newmark Graduate School of Journalism, CUNY• Jason Stanley: Author, Erasing History & How Fascism Works; Professor, Munk School of Global Affairs, University of Toronto Music Credit: “America” by Sylvan Paul, courtesy of Wolf+Lamb Records.  "Steppin" by Podington Bear. And original sound production and design by Jeannie Hopper. RESOURCES:Watch the special report released on YouTube May 2nd 5pm ET; PBS World Channel May 4th, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast May 7th.  The full uncut conversation releases May 2nd in this podcast feed.Full Episode Notes are located HERE. RESOURCES:Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Full Episode Notes are located HERE. Related Laura Flanders Show Episodes:•. Special Report- Decades After Bloody Sunday, Is Trump Taking Civil Rights Back to Before Selma in ‘65?:  Watch,  Audio Podcast:  Episode, and Uncut Conversation with Kimberlé Crenshaw, AAPF and Clifford Albright, Black Voters Matter•. Journalists Maria Hinojosa & Chenjerai Kumanyika: Forced Removals, Foreign Detention, the War on Education & Free Speech: Watch,  Audio Podcast: Episode, and Uncut Conversation•  The People v. DOGE: Jamie Raskin's Strategy to Combat the Musk & Trump Power Grab:  Watch,  Audio Podcast:  Episode, and Uncut Conversation Related Articles and Resources:• This Is What a Digital Coup Looks Like, by Carole Callwalladr, Ted Talk, April 9, 2025 WATCH• The Fascism Expert at Yale Who's Fleeing America, by Keziah Weir, March 31, 2025, Vanity Fair• The Shape of Power in American Art, a new exhibition explores how the history of race in the United States is entwined with the history of American sculpture, November 8, 2024, Exhibit at the Smithsonian American Art Museum• Celebrate Rev. Dr. Martin Luther King, Jr. at the Riverside Church in the City of New York, Various , Turning 15 on the Road to Freedom•  American journalist Masha Gessen convicted in absentia by Russia for criticizing its military, by Anna Chernova, Lauren Kent and Rob Picket, July 16, 2024, CNN•. Tyrants Use Racism and Patriarchy to Split Civil Society Apart and Dismantle Democracy, Excerpt of speech by Jason Stanley, Jacob Urowsky professor of philosophy at Yale University, recorded & produced by Melinda Tuhus, April 16, 2025, Between the Lines•  The Hidden Motive Behind Trump's Attacks on Trans People, by M. Gessen, March 17, 2025, The New York Times•  The 10 tactics of fascism by Jason Stanley, 2022, Big Think - Watch•  Welcome to Trump's Mafia State: “Nice university you got there. Shame if something happened to it.” By M. Gessen, Produce by Vishakha Darbha, April 21, 2025, The New York Times Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Gina Kim, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Sound the Alarm on Rising Fascism: Masha Gessen and Jason Stanley, leading experts on authoritarianism, warn of attacks on DEI, trans bodies, civil rights, and higher education, and discuss the need for a bold vision of a multi-ethnic democracy. ARE YOU AUDACIOUS? SUPPORT OUR RESISTANCE REPORTING FUND! Help us continue fighting against the rise of authoritarianism in these times. Please support our Resistance Reporting Fund. Our goal is to raise $100K. We're at $35K! Become a sustaining member starting at $5 a month! Or make a one time donation at LauraFlanders.org/Donate Description: What will it take to reject fascism, before it's too late? Masha Gessen and Jason Stanley are two leading experts on autocracy, and they're sounding the alarm. They and their families have escaped totalitarian regimes and oppressive governments; today Gessen and Stanley are pulling back the curtain on the attacks against DEI, trans bodies, civil rights, higher education and more. Is authoritarianism here? Masha Gessen is an acclaimed Russian-American journalist, a Polk Award winning opinion writer for the New York Times and the author of "Surviving Autocracy" and “The Future is History: How Totalitarianism Reclaimed Russia.” Forced to leave Russia twice, in 2024, a Moscow court convicted them, in absentia to eight years in prison for their reporting on the war in Ukraine. Jason Stanley is a best-selling author and professor whose books include “Erasing History” and "How Fascism Works". He recently left his teaching position at Yale University to relocate to Canada with his family; noting that he is a child of Jewish refugees who fled Nazi Germany. In this historic conversation — the first interview between Gessen and Stanley — the two explore how to be bold in our movements and envision a multi-ethnic democracy. Plus, a commentary from Laura.“What I see now is this regime shifting the self understanding of America, from having these democratic ideals . . . God knows they've been imperfect, to a self identity as loving the United States because we've had these great men in our past, and we've conquered the West, and we can punch you in the nose. And that's not a democratic project. That's like what Putin is doing in Russia.” - Jason StanleyGuests:• Masha Gessen: Opinion Columnist, The New York Times; Author, Surviving Autocracy; Distinguished Professor, Craig Newmark Graduate School of Journalism, CUNY• Jason Stanley: Author, Erasing History & How Fascism Works; Professor, Munk School of Global Affairs, University of Toronto Watch the special report released on YouTube May 2nd 5pm ET; PBS World Channel May 4th, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast May 7th.Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters. RESOURCES:Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Full Episode Notes are located HERE.Related Laura Flanders Show Episodes:•. Special Report- Decades After Bloody Sunday, Is Trump Taking Civil Rights Back to Before Selma in ‘65?:  Watch,  Audio Podcast:  Episode, and Uncut Conversation with Kimberlé Crenshaw, AAPF and Clifford Albright, Black Voters Matter•. Journalists Maria Hinojosa & Chenjerai Kumanyika: Forced Removals, Foreign Detention, the War on Education & Free Speech: Watch,  Audio Podcast: Episode, and Uncut Conversation•  The People v. DOGE: Jamie Raskin's Strategy to Combat the Musk & Trump Power Grab:  Watch,  Audio Podcast:  Episode, and Uncut Conversation Related Articles and Resources:• The Fascism Expert at Yale Who's Fleeing America, by Keziah Weir, March 31, 2025, Vanity Fair•  American journalist Masha Gessen convicted in absentia by Russia for criticizing its military, by Anna Chernova, Lauren Kent and Rob Picket, July 16, 2024, CNN•. Tyrants Use Racism and Patriarchy to Split Civil Society Apart and Dismantle Democracy, Excerpt of speech by Jason Stanley, Jacob Urowsky professor of philosophy at Yale University, recorded & produced by Melinda Tuhus, April 16, 2025, Between the Lines•  The Hidden Motive Behind Trump's Attacks on Trans People, by M. Gessen, March 17, 2025, The New York Times•  The 10 tactics of fascism by Jason Stanley, 2022, Big Think - Watch•  Welcome to Trump's Mafia State: “Nice university you got there. Shame if something happened to it.” By M. Gessen, Produce by Vishakha Darbha, April 21, 2025, The New York Times Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Gina Kim, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

On this episode we're joined by Lizzy Lawrence. Lizzy covers the Food and Drug Administration for STAT News, a subscription-based part of Boston Globe's media newsroom owned by the Boston Globe that covers the frontiers of health and medicine. As they say- "We take you inside the science labs and hospitals, biotech boardrooms, and political backrooms. We dissect crucial discoveries. We examine controversies and puncture hype. We hold individuals and institutions accountable. We introduce you to the power brokers and personalities who are driving a revolution in human health." Lizzy has been with them for 2 1/2 years and she's been part of stories that have won prominent awards. She's previously covered technology and was editor-in-chief of the University of Michigan's student newspaper. And she's a graduate of my alma mater, Stuyvesant High School in New York City.Lizzy talked about what it's like to cover both breaking news, like the mass firing of thousands of people at the FDA and bigger enterprise stories, like the team coverage on United Healthcare that won a Polk Award for investigative journalism. She shared the biggest lessons she learned and what she feels she's taken from being a journalist.Lizzy's salute: The Association of Health Care JournalistsA detailed interview explaining STAT's coverage of United Healthcarehttps://www.youtube.com/watch?v=B0VJGEv5IGwThank you as always for listening. Please send us feedback to journalismsalute@gmail.com Visit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Tweet us at @journalismpod and Bluesky at @marksimon.bsky.socialSubscribe to our newsletter– journalismsalute.substack.com

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! Alec MacGillis I worked for six newspapers, including The Baltimore Sun and The Washington Post. In 2011, I switched to magazines, at The New Republic, before arriving at ProPublica in 2015. My work has appeared in The New Yorker, The Atlantic and The New York Times Magazine, among others. I won the 2016 Robin Toner Prize for Excellence in Political Reporting, the 2017 Polk Award for National Reporting and the 2017 Elijah Parish Lovejoy Award. A resident of Baltimore, I am the author of “The Cynic: The Political Education of Mitch McConnell” and “Fulfillment: America in the Shadow of Amazon.”   American Bridge 21st Century President Pat Dennis received the American Association of Political Consultants' 40 Under 40 award. At only 35 years old, Pat Dennis has risen to the top of the largest research, tracking, and rapid response operation in the country. Under Dennis' leadership, American Bridge 21st Century has uncovered and pitched career-ending stories on Republicans running up and down the ballot.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

This week, host Josh Hersh dives into the world of documentary news. Amel Guettatfi and Julia Steers just won the Polk Award for Inside Wagner, their hourlong Vice News documentary on the Wagner Group—Vladimir Putin's private army of militiamen. They discuss their unprecedented access to a military training operation in the Central African Republic, the unique challenges of doing this kind of reporting on film, and why, sometimes, video is the only way to tell the story. Show Notes Inside Wagner: The Rise of Russia's Notorious Mercenaries, Amel Guettatfi and Julia Steers, Vice News bit.ly/3UtURmh

Jason Motlagh, a journalist and filmmaker, is a contributing editor at Rolling Stone and the founder of Blackbeard Films. He won the Polk's Sydney Schanberg Prize for “This Will End in Blood and Ashes,” an account of the collapse of order in Haiti. “Once you've gotten used to this kind of metabolism, it can be hard to walk away from it. Ordinary life can be a little flat sometimes. And so that's always kind of built in. I accept that. I think I've just tried to be more honest about like, [am I taking this risk] because I need a bump my life? Or do you really believe in what you're doing? And I feel like I really do need to believe in the purpose of the story. There has to be some motivation greater than myself." This is the last in a series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brian Howey is a freelance journalist who won the Polk Award for Justice Reporting after exposing a deceptive police tactic widely used in California. He began the project, which was eventually published by the Los Angeles Times and Reveal, as a graduate student in the UC Berkeley Graduate School of Journalism. “It's one thing to hear about this tactic and hear about parents being questioned in this way. It's another thing entirely to hear the change in a parent's voice when they realize for the past 20 minutes they've been speaking ill of a relative who's actually been dead the entire time, and to hear that wave of grief and sometimes that feeling of betrayal that cropped up in their voice and how the way that they spoke to the officers afterwards changed.” This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county. “Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we've made some real improvement. And that's worth celebrating. That's worth recognizing and saying, This work matters, people are paying attention.” This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates. “You can imagine this having never become a problem, because it's so weird. What a weird scam. I'm going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.” This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic.  “One of the best takeaways I got from seven or eight years at Vice is that it's not enough for something to be important when you're figuring out how to make a story. It's the intersection of important and interesting. And that has taught me that people will watch anything, anywhere, as long as it's interesting. Nobody owes us their time. The onus is on us to explain things in an interesting, compelling way. I'm hoping that a landscape opens up somewhere else that sees that and understands that can be done anywhere in the world.” This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Occupied Thoughts, FMEP Fellow Rania Batrice speaks with journalist Ryan Grim about the limitations of mainstream media's reporting on Israel's war on Gaza and the opportunities and potential for independent journalism focused on Israel & Palestine more broadly. Addressing the high stakes of U.S. politics, they also speak about repression against advocates for Palestinian life and rights and the upcoming US elections. Rania Batrice is an activist and strategist for progressive change, a public relations specialist, and a political consultant. She is one of two FMEP's 2024 Palestinian non-resident Fellows. Ryan Grim is The Intercept's D.C. Bureau Chief and the host of the podcast Deconstructed. He authors the newsletter Politics With Ryan Grim and was previously the Washington bureau chief for HuffPost, where he led a team that was twice a finalist for the Pulitzer Prize, and won once. He edited and contributed reporting to groundbreaking investigative project on heroin treatment that not only changed federal and state laws, but also shifted the culture of the recovery industry. The story, by Jason Cherkis, was a Pulitzer finalist and won a Polk Award. Original music by Jalal Yaquoub.

Tim speaks with Polk Award winning author Julie K. Brown about the recent batch of documents released regarding the Epstein case as well as her book 'Perversion of Justice: The Jeffrey Epstein Story'. Julie K Brown is an investigative reporter for the Miami Herald. Buy Perversion of Justice: The Jeffrey Epstein Story here: https://www.amazon.com/Perversion-Justice-Jeffrey-Epstein-Story/dp/006300058X Want to listen without ads? 

Mark Hansen joins Nikita Roy to discuss how generative AI can enhance data journalism, particularly by accelerating coding tasks. The discussion also addresses bias and privacy concerns associated with AI models.Mark is the East Coast Director of The Brown Institute for Media Innovation, a collaborative initiative between Columbia Journalism School and Stanford's School of Engineering. Mark began his tenure at Columbia Journalism School over a decade ago, serving as a Professor and teaching computational and data journalism courses.An investigation in one of his classes examining the bot economy behind the sale of fake followers on Twitter garnered significant attention. It became a front-page story in the New York Times and was part of a package of stories that secured the 2019 Polk Award for National Reporting. Additionally, it was shortlisted for the 2019 Pulitzer Prize for National Reporting.Mark Hansen earned his Ph.D. in Statistics from the University of California, Berkeley, and a BS in Applied Mathematics from the University of California, Davis.Referenced:Sorting Things Out: Classification and Its Consequences by Geoffrey C. Bowker and Susan Leigh StarSeeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed by James C. ScottData Feminism by Catherine D'Ignazio and Lauren KleinThoughts or questions? You can reach us here. Hosted on Acast. See acast.com/privacy for more information.

Elon Musk is the liberal elite's enemy of the moment. How quickly the bad blood for Mark Zuckerberg is forgotten. When Zuckerberg's Meta released Twitter rival Threads, reporters and left-leaning types (myself included) flocked to the new app as a potential refuge from Musk's Twitter. The enemy of my enemy is my friend seemed to be the logic of the moment.I invited Facebook whistleblower Frances Haugen onto the podcast to discuss the sudden embrace of Threads, her ongoing criticisms of how Facebook operates, and her new book, The Power of One.Haugen, for one, has not forgotten the problems with Facebook. She hadn't downloaded Threads.I said on the podcast, “As a reporter, it's funny to see the reporter class embracing Threads at the moment when two years ago, or even more than that, they would have been so negative and apprehensive about trusting Facebook. I'm just curious watching the pretty upbeat response to Threads, what do you take from that and are you surprised there seems to be some media trust for Facebook right now.”Haugen was empathetic toward people fleeing Twitter for Threads. “I think it's one of these things where the trauma the Twitter community has faced in the last year is pretty intense,” Haugen told me. “People really liked having a space to discuss ideas, to discuss issues, and the idea that they could have a space again feels really good.”We spent much of the episode getting into the particulars of The Facebook Files and her criticisms of Facebook. She outlines a core critique in The Power of One's introduction:One of the questions I was often asked after I went public was, “Why are there so few whistleblowers at other technology companies, like, say, Apple?” My answer: Apple lacks the incentive or the ability to lie to the public about the most meaningful dimensions of their business. For physical products like an Apple phone or laptop, anyone can examine the physical inputs (like metals or other natural resources) and ask where they came from and the conditions of their mining, or monitor the physical products and pollution generated to understand societal harms the company is externalizing. Scientists can place sensors outside an Apple factory and monitor the pollutants that may vent into the sky or flow into rivers and oceans. People can and do take apart Apple products within hours of their release and publish YouTube videos confirming the benchmarks Apple has promoted, or verify that the parts Apple claims are in there, are in fact there. Apple knows that if they lie to the public, they will be caught, and quickly. Facebook, on the other hand, provided a social network that presented a different product to every user in the world. We— and by we, I mean parents, children, voters, legislators, businesses, consumers, terrorists, sex- traffickers, everyone— were limited by our own individual experiences in trying to assess What is Facebook, exactly? We had no way to tell how representative, how widespread or not, the user experience and harms each of us encountered was. As a result, it didn't matter if activists came forward and reported Facebook was enabling child exploitation, terrorist recruiting, a neo-Nazi movement, and ethnic violence designed and executed to be broadcast on social media, or unleashing algorithms that created eating disorders or motivated suicides. Facebook would just deflect with versions of the same talking point: “What you are seeing is anecdotal, an anomaly. The problem you found is not representative of what Facebook is.”To jog your memory for the episode, in September 2021, the Wall Street Journal published the first in a series of articles, called the Facebook Files, about the company's cross check program, which gave special treatment to high-profile users when it came to the company's moderation decisions. The Journal followed that report with a story about how Facebook's internal research showed that 32% of teen girls said “that when they felt bad about their bodies, Instagram made them feel worse.” The third story in the series showed that Facebook's decision to preference “meaningful social interactions” seemed to have the opposite effect, giving more reach to posts that instigated conflict and anger. Perhaps most damning in my mind, was the Journal's fourth story in the series which showed that Facebook had failed to implement internationally many of the table stakes moderation practices it applies in the U.S.The Journal won a Polk Award for its reporting. I have at times been skeptical of how damning these stories were. It's not that crazy to me that Facebook would want to provide extra attention toward moderation decisions for public figures. Is Instagram harming teen girls more than Vogue or Cosmo? So it was fun to finally hash out some of these issues with Haugen on the podcast. Ultimately, I think we were mostly aligned that we both support much better disclosure requirements for Facebook. Regulators are fighting with both arms tied behind their backs.I was disappointed, however, that Haugen seemed to bend over backward to come off as apolitical in her critique of Facebook. She didn't really engage in the obvious political asymmetry: Republicans are clearly much more likely to post the type of content that Democrats would call misinformation. I think that's a fair statement whatever you think of “misinformation.”Anyway, that should give you enough context to dig into our conversation. Enjoy!Give it a listenHighlighted ExcerptsThe transcript has been edited for clarity.Eric: How would you see a disclosure regime working that still allows companies like Facebook to be flexible and to change?Frances: I think a lot of people don't sit and think about what's the menu of options when it comes to intervening in a problem as complicated as this. I'm really glad that you brought up the idea that these companies' grow and change, where the next one to come along might not fit the exact same mold of this one. One of the ways the European Union handles that flexibility — and to be really clear, this kind of way of doing regulation of saying disclosure and transparency is instead of something like what's happening what's happening in Utah, where Utah is coming in and saying, “This is how you will run your company.” If people are under 18, they have to have parent supervision, no privacy for kids, their parents can see everything — or like Montana coming out and just flat out banning TikTok. Those are kind of “building fences” type roles, where we're like, “Oh, this is the fence you can't cross.” And the thing about technology is it moves and changes, and they're very good at running around fences.So the alternative is something like what the European Union passed last year, which is called the Digital Services Act. And the Digital Services Act says, “Hey, if the core problem is a power imbalance, right, the fact that you can know what's going on and I can't, let's address that core problem because a lot of other things will flow downstream from it.” So they say, “Hey, if you know there's a risk with your product, you need to tell us about it. If you discover one, if you can imagine one and you tell us about it. You need to tell us your plan for mitigating it because it's going to be different for every platform. We want it to unleash innovation. And you need to give us enough data that we can see that there was progress being made to meet that goal. And if we ask you a question, we deserve to get an answer,” which sounds really basic, but it's not true today.Eric: Some of these problems that you've identified are just human problems. If you talk about sort of the Instagram critique with it, potentially making sort of young teenage women — some segment of them unhappy. I mean, you could say, like, was that so different from Vogue? Is this really an algorithmic problem?Haugen: There have always been teen girls that were unhappy about their bodies or how nice their clothes were. But there are a limited number of pages of Vogue every month. The second time you read Vogue, you're going to have a different impact on you than the third time you read Vogue. Or you're going to get bored of it? And in the case of something like Instagram, Instagram progressively pushes you towards more and more extreme content.…With a 13-year-old girl, she might start out by looking for something like healthy recipes. And just by clicking on the content get pushed over time towards more and more extreme materials.Eric: Why did you decide to come out and reveal your identity?Frances: I had been contemplating for quite a while would I have to come forward at some point. I had a chance to talk to my parents about it a large number of times just because what I was seeing on a day-to-day basis while I lived with them during COVID was so different from Facebook's public narrative was on these issues. But the moment where I was like “okay, I have no other options” was right after the 2020 election — so this was in December, less than 30 days after the election — they pulled us all together on Zoom and said, You know how for the last four years, the only part of Facebook that was growing was the Civic Integrity team. So it was the team, for Facebook.com aimed to ensure Facebook was a positive social force in the world, that it wasn't going to disrupt elections, it wasn't going to cause any more genocides because by that point there had been two. They said, Hey, you are so important; we're going to dissolve your team and integrate it into the rest of Facebook. And when they did that, that was kind of the moment where I realized Facebook had given up. That the only way that Facebook was going to save itself was if the public got involved. That the public had to come and save Facebook. Get full access to Newcomer at www.newcomer.co/subscribe

Elon Musk is the liberal elite's enemy of the moment. How quickly the bad blood for Mark Zuckerberg is forgotten. When Zuckerberg's Meta released Twitter rival Threads, reporters and left-leaning types (myself included) flocked to the new app as a potential refuge from Musk's Twitter. The enemy of my enemy is my friend seemed to be the logic of the moment.I invited Facebook whistleblower Frances Haugen onto the podcast to discuss the sudden embrace of Threads, her ongoing criticisms of how Facebook operates, and her new book, The Power of One.Haugen, for one, has not forgotten the problems with Facebook. She hadn't downloaded Threads.I said on the podcast, “As a reporter, it's funny to see the reporter class embracing Threads at the moment when two years ago, or even more than that, they would have been so negative and apprehensive about trusting Facebook. I'm just curious watching the pretty upbeat response to Threads, what do you take from that and are you surprised there seems to be some media trust for Facebook right now.”Haugen was empathetic toward people fleeing Twitter for Threads. “I think it's one of these things where the trauma the Twitter community has faced in the last year is pretty intense,” Haugen told me. “People really liked having a space to discuss ideas, to discuss issues, and the idea that they could have a space again feels really good.”We spent much of the episode getting into the particulars of The Facebook Files and her criticisms of Facebook. She outlines a core critique in The Power of One's introduction:One of the questions I was often asked after I went public was, “Why are there so few whistleblowers at other technology companies, like, say, Apple?” My answer: Apple lacks the incentive or the ability to lie to the public about the most meaningful dimensions of their business. For physical products like an Apple phone or laptop, anyone can examine the physical inputs (like metals or other natural resources) and ask where they came from and the conditions of their mining, or monitor the physical products and pollution generated to understand societal harms the company is externalizing. Scientists can place sensors outside an Apple factory and monitor the pollutants that may vent into the sky or flow into rivers and oceans. People can and do take apart Apple products within hours of their release and publish YouTube videos confirming the benchmarks Apple has promoted, or verify that the parts Apple claims are in there, are in fact there. Apple knows that if they lie to the public, they will be caught, and quickly. Facebook, on the other hand, provided a social network that presented a different product to every user in the world. We— and by we, I mean parents, children, voters, legislators, businesses, consumers, terrorists, sex- traffickers, everyone— were limited by our own individual experiences in trying to assess What is Facebook, exactly? We had no way to tell how representative, how widespread or not, the user experience and harms each of us encountered was. As a result, it didn't matter if activists came forward and reported Facebook was enabling child exploitation, terrorist recruiting, a neo-Nazi movement, and ethnic violence designed and executed to be broadcast on social media, or unleashing algorithms that created eating disorders or motivated suicides. Facebook would just deflect with versions of the same talking point: “What you are seeing is anecdotal, an anomaly. The problem you found is not representative of what Facebook is.”To jog your memory for the episode, in September 2021, the Wall Street Journal published the first in a series of articles, called the Facebook Files, about the company's cross check program, which gave special treatment to high-profile users when it came to the company's moderation decisions. The Journal followed that report with a story about how Facebook's internal research showed that 32% of teen girls said “that when they felt bad about their bodies, Instagram made them feel worse.” The third story in the series showed that Facebook's decision to preference “meaningful social interactions” seemed to have the opposite effect, giving more reach to posts that instigated conflict and anger. Perhaps most damning in my mind, was the Journal's fourth story in the series which showed that Facebook had failed to implement internationally many of the table stakes moderation practices it applies in the U.S.The Journal won a Polk Award for its reporting. I have at times been skeptical of how damning these stories were. It's not that crazy to me that Facebook would want to provide extra attention toward moderation decisions for public figures. Is Instagram harming teen girls more than Vogue or Cosmo? So it was fun to finally hash out some of these issues with Haugen on the podcast. Ultimately, I think we were mostly aligned that we both support much better disclosure requirements for Facebook. Regulators are fighting with both arms tied behind their backs.I was disappointed, however, that Haugen seemed to bend over backward to come off as apolitical in her critique of Facebook. She didn't really engage in the obvious political asymmetry: Republicans are clearly much more likely to post the type of content that Democrats would call misinformation. I think that's a fair statement whatever you think of “misinformation.”Anyway, that should give you enough context to dig into our conversation. Enjoy!Give it a listenHighlighted ExcerptsThe transcript has been edited for clarity.Eric: How would you see a disclosure regime working that still allows companies like Facebook to be flexible and to change?Frances: I think a lot of people don't sit and think about what's the menu of options when it comes to intervening in a problem as complicated as this. I'm really glad that you brought up the idea that these companies' grow and change, where the next one to come along might not fit the exact same mold of this one. One of the ways the European Union handles that flexibility — and to be really clear, this kind of way of doing regulation of saying disclosure and transparency is instead of something like what's happening what's happening in Utah, where Utah is coming in and saying, “This is how you will run your company.” If people are under 18, they have to have parent supervision, no privacy for kids, their parents can see everything — or like Montana coming out and just flat out banning TikTok. Those are kind of “building fences” type roles, where we're like, “Oh, this is the fence you can't cross.” And the thing about technology is it moves and changes, and they're very good at running around fences.So the alternative is something like what the European Union passed last year, which is called the Digital Services Act. And the Digital Services Act says, “Hey, if the core problem is a power imbalance, right, the fact that you can know what's going on and I can't, let's address that core problem because a lot of other things will flow downstream from it.” So they say, “Hey, if you know there's a risk with your product, you need to tell us about it. If you discover one, if you can imagine one and you tell us about it. You need to tell us your plan for mitigating it because it's going to be different for every platform. We want it to unleash innovation. And you need to give us enough data that we can see that there was progress being made to meet that goal. And if we ask you a question, we deserve to get an answer,” which sounds really basic, but it's not true today.Eric: Some of these problems that you've identified are just human problems. If you talk about sort of the Instagram critique with it, potentially making sort of young teenage women — some segment of them unhappy. I mean, you could say, like, was that so different from Vogue? Is this really an algorithmic problem?Haugen: There have always been teen girls that were unhappy about their bodies or how nice their clothes were. But there are a limited number of pages of Vogue every month. The second time you read Vogue, you're going to have a different impact on you than the third time you read Vogue. Or you're going to get bored of it? And in the case of something like Instagram, Instagram progressively pushes you towards more and more extreme content.…With a 13-year-old girl, she might start out by looking for something like healthy recipes. And just by clicking on the content get pushed over time towards more and more extreme materials.Eric: Why did you decide to come out and reveal your identity?Frances: I had been contemplating for quite a while would I have to come forward at some point. I had a chance to talk to my parents about it a large number of times just because what I was seeing on a day-to-day basis while I lived with them during COVID was so different from Facebook's public narrative was on these issues. But the moment where I was like “okay, I have no other options” was right after the 2020 election — so this was in December, less than 30 days after the election — they pulled us all together on Zoom and said, You know how for the last four years, the only part of Facebook that was growing was the Civic Integrity team. So it was the team, for Facebook.com aimed to ensure Facebook was a positive social force in the world, that it wasn't going to disrupt elections, it wasn't going to cause any more genocides because by that point there had been two. They said, Hey, you are so important; we're going to dissolve your team and integrate it into the rest of Facebook. And when they did that, that was kind of the moment where I realized Facebook had given up. That the only way that Facebook was going to save itself was if the public got involved. That the public had to come and save Facebook. Get full access to Newcomer at www.newcomer.co/subscribe

Terrence McCoy is The Washington Post's Rio de Janeiro Bureau Chief. He won the George Polk award for his series "The Amazon, Undone" on the illegal and often violent exploitation of the rainforest. “When I first got to Brazil, the Amazon was an arena of mystique. But after you spend a fair amount of time in the Amazon, it becomes quite clear what the struggle is—and how human that struggle is.” This is the last in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lynsey Addario is a photojournalist for The New York Times and National Geographic. She won the George Polk award for her photograph of the bodies of a woman and her two children alongside a friend who lay dying moments after a mortar struck them as they sought to flee Ukraine. "If I have time to compose a photo—even if it's of a horrific topic—I will always try to make the most beautiful photograph because I want people to look. I want people to ask questions, to be engaged, to pay attention. And often, that does mean the intersection of beauty and horror." This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tracy Wang and Nick Baker of CoinDesk, along with their colleague Ian Allison, won the George Polk award for reporting that led to the fall of Sam Bankman-Fried and his cryptocurrency exchange FTX. “Crypto had been kind of a backwater of reporting. It was kind of like nobody took it seriously. People didn't know if it was a joke and they thought it was all drug dealers and fraudsters. And I was kind of thinking, well, that seems like a great place to be reporting.” This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lori Hinnant is a reporter for the Associated Press. Along with videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, and video producer Vasilisa Stepanenko, she won the George Polk Award for war reporting for covering the siege of Mariupol. “It's really easy when you see raw footage flash by on the television to just see it as war as hell and this is very abstract. These are people with lives that were utterly ruined and they want to tell their stories. I mean, we're not talking to people who don't want to talk to us. And when you find out what happened the day their lives were changed, it really changes it.” This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Theo Baker is the investigations editor at The Stanford Daily. The first college student ever to win a George Polk Award, Baker received a special recognition for uncovering allegations that pioneering research co-authored by Stanford President Marc Tessier-Lavigne, a renowned neuroscientist, was supported in part by manipulated imagery. “It's useful to intellectualize it because when you actually get going, this is something that keeps me up at night. … It's the last thing I think about when I go to sleep, and the first thing on my mind when I wake up.” This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Riders Come Out at Night: Brutality, Corruption, and Cover-up in Oakland by Ali Winston, Darwin BondGraham NEW YORK TIMES EDITORS' CHOICE From the Polk Award–winning investigative duo comes a critical look at the systematic corruption and brutality within the Oakland Police Department, and the more than two-decades-long saga of attempted reforms and explosive scandals. […] The post Chris Voss Podcast – The Riders Come Out at Night: Brutality, Corruption, and Cover-up in Oakland by Ali Winston, Darwin BondGraham appeared first on Chris Voss Official Website.

As of late, the focus of the crypto space has been on the wrongdoing of a group of people that used the current state of this technology to take advantage of others and advance their own interests. But what about the victims? Where is the compassion for their loss and the loss of trust within the crypto space? On this episode of “Money Reimagined,” Michael Casey and Sheila Warren are together again, discussing Sheila's recent testimony in front of the California state legislature about the current perception of the state of the crypto economy and environment; also, Michaels' article on CoinDesk journalists who were awarded Polk Awards for the scoop and followups, that led to the collapse of Sam Bankman-Fried's FTX crypto empire. See Also:CoinDesk's Major Award Is a Huge Moment for Us and Crypto Media GenerallyCoinDesk Wins a Polk Award, One of Journalism's Top Prizes, for Explosive FTX Coverage-This episode was produced and edited by Michele Musso with announcements by Adam B. Levine and our executive producer, Jared Schwartz. Our theme song is “Shepard.”-Are you building the next big thing in Web3? Apply to pitch your project live on stage at the CoinDesk Pitchfest Powered by Google Cloud at Consensus, the industry's most influential event happening April 26-28 in Austin, Texas. Apply by March 31 for a chance to be among the twelve finalists selected to pitch. Visit consensus.coindesk.com/pitchfest for more information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As of late, the focus of the crypto space has been on the wrongdoing of a group of people that used the current state of this technology to take advantage of others and advance their own interests. But what about the victims? Where is the compassion for their loss and the loss of trust within the crypto space? On this episode of “Money Reimagined,” Michael Casey and Sheila Warren are together again, discussing Sheila's recent testimony in front of the California state legislature about the current perception of the state of the crypto economy and environment; also, Michaels' article on CoinDesk journalists who were awarded Polk Awards for the scoop and followups, that led to the collapse of Sam Bankman-Fried's FTX crypto empire. See Also:CoinDesk's Major Award Is a Huge Moment for Us and Crypto Media GenerallyCoinDesk Wins a Polk Award, One of Journalism's Top Prizes, for Explosive FTX Coverage-This episode was produced and edited by Michele Musso with announcements by Adam B. Levine and our executive producer, Jared Schwartz. Our theme song is “Shepard.”-Are you building the next big thing in Web3? Apply to pitch your project live on stage at the CoinDesk Pitchfest Powered by Google Cloud at Consensus, the industry's most influential event happening April 26-28 in Austin, Texas. Apply by March 31 for a chance to be among the twelve finalists selected to pitch. Visit consensus.coindesk.com/pitchfest for more information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam Davidson is a contributing writer to The New Yorker, covering business, technology, and economics. Previously, he was the On Money columnist and a contributing writer for the Times Magazine. He also co-founded and co-hosted NPR's “Planet Money,” after serving as the international business and economics correspondent. He has been a frequent contributor to “This American Life,” including co-reporting the episode “The Giant Pool of Money,” which received a Peabody Award, a DuPont-Columbia Award, and a Polk Award, and was named one of the top works of journalism of the decade by New York University's Arthur L. Carter Journalism Institute. His work has appeared in The Atlantic, Harper's, GQ, Rolling Stone, and other publications. He has also served as a technical consultant to Adam McKay, the co-writer and director of the Academy Award-winning film “The Big Short.” Learn more at https://createeveryopportunity.org/

Whether it's a huge corporation, a small company or a news station, taking a struggling business from dead last to dominant is a unique, yet thrilling challenge for the right person.   When you're brought in as the fix-it specialist, a lot needs to be done, from driving culture change to motivating your people. What are the most critical pieces of a successful turnaround? In this episode, I'm joined by former TV News Director,  manager and author of political thriller novel, “Fake News”, Troy Wilson. We talk about his recipe for turnarounds and how to set an organization up for success.   As a turnaround artist, you need to have the courage to come in, confront the brutal facts and develop a strategy to put the television station back on the map. -Troy Wilson   Three Things You'll Learn In This Episode    What it takes to shift a negative company culture How do you change a culture where people feel demotivated and defeated? The unique advantage of being a smaller ‘training ground' type company If your organization is the springboard for talent to go elsewhere, how do you deal with their tenure being really short? The path to becoming a giant In order to become number 1, we first have to be the next best thing. How do we position our organizations as a worthy alternative?    Guest Bio Troy Wilson is a former TV News Director,  manager and author of political thriller novel, “Fake News” He worked for more than thirty years in medium and small markets all across the country, and managed newsrooms which have won numerous awards and led and mentored hundreds of journalists. His success in doing that he believes is evidenced by their award-winning work, including Emmys, 'Best Newscast' honors, and individual awards. Troy even managed a newsroom which remains the smallest market newsroom ever to win a Polk Award for investigative journalism. But like many, he was dismayed by the direction journalism has taken in America. 'Fake News' is a novel that explores the contemporary media landscape in a unique way.   Buy the book here (https://www.amazon.com/dp/B0BL3WT22H) and email authortroywilson@gmail.com.    Learn More About Your Host:   Co-founder and Managing Partner for Northstar Group, Craig is focused on recruiting senior level leadership, sales and operations executives for some of the most prominent companies in the aviation and aerospace industry. Clients include well known aircraft OEM's, aircraft operators, leasing / financial organizations, and Maintenance / Repair / Overhaul (MRO) providers.    Since 2009 Craig has personally concluded more than 150 executive searches in a variety of disciplines. As the only executive recruiter who has flown airplanes, sold airplanes AND run a business, Craig is uniquely positioned to build deep, lasting relationships with both executives and the boards and stakeholders they serve. This allows him to use a detailed, disciplined process that does more than pair the ideal candidate with the perfect opportunity, and hit the business goals of the companies he serves.

The Riders Come Out at Night: Brutality, Corruption, and Cover-up in Oakland by Ali Winston, Darwin BondGraham NEW YORK TIMES EDITORS' CHOICE From the Polk Award–winning investigative duo comes a critical look at the systematic corruption and brutality within the Oakland Police Department, and the more than two-decades-long saga of attempted reforms and explosive scandals. No municipality has been under court oversight to reform its police department as long as the city of Oakland. It is, quite simply, the edge case in American law enforcement. The Riders Come Out at Night is the culmination of over twenty-one years of fearless reporting. Ali Winston and Darwin BondGraham shine a light on the jackbooted police culture, lack of political will, and misguided leadership that have conspired to stymie meaningful reform. The authors trace the history of Oakland since its inception through the lens of the city's police department, through the Palmer Raids, McCarthyism, and the Civil Rights struggle, the Black Panthers and crack eras, to Oakland's present-day revival. Readers will be introduced to a group of sadistic cops known as “The Riders,” whose disregard for the oath they took to protect and serve is on full, tragic, infuriating display. They will also meet Keith Batt, a wide-eyed rookie cop turned whistleblower, who was unwittingly partnered with the leader of the Riders. Other compelling characters include Jim Chanin and John Burris, two civil rights attorneys determined to see reform through, in spite of all obstacles. And Oakland's deep history of law enforcement corruption, reactionary politics, and social movement organizing is retold through historical figures like Black Panther Huey Newton, drug kingpin Felix Mitchell, district attorney and future Supreme Court Justice Earl Warren, and Mayor Jerry Brown. The Riders Come Out at Night is the story of one city and its police department, but it's also the story of American policing—and where it's headed.

Gisela is a a human rights lawyer, an open source researcher at Berkeley Law's Human Rights Center Investigations Lab, and a trainer at Amnesty International's Digital Verification Corps, a global network of volunteers who fact-checks social media posts about war crimes and human rights violations. She reports on extremism and other topics for the Investigative Reporting Program with a focus on digital forensics and network analysis. She is also cybersecurity expert and a digital safety trainer with PEN America. In this interview, Gisela talks about the knowledge she gained from several OSINT investigations, which later led to her multi-career journey in journalism, investigative reporting, and OSINT investigations. By sharing her experiences as an OSINTer, she answers questions on how to deal with mental distress when faced with threats and the top 3 must-have tools for her investigations. 0:00 Welcome! 1:10 Tell us a bit about yourself! 4:25 What gets you into intelligence and investigations? 9:08 How do you balance and keep going with multiple careers? 15:31 Tell us the craziest experience you have! 20:12 Has your perosnal safety been threatened when investigating? 25:00 How do you deal with mental distress? 31:39 What was it like winning a team Polk Award with «American Insurrection»? 34:52 What are the top 3 tools you cannot live without? 40:06 What advice would you give to inspire the listeners? ■ About The Pivot Brought to you by Maltego, The Pivot deep dives into topics pivoting from information security to the criminal underground. Each episode features interviews with experts from the industry and research fields and explores how they connect the dots. ■ About Maltego Used by investigators worldwide, Maltego is a graphical link analysis tool that allows users to mine, merge, and map data from OSINT and third-party data integrations for all sorts of investigations—cybersecurity, person of interest, fraud, and more. The podcast streams free on Spotify. You can also watch it all go down on YouTube. Don't forget to subscribe to our Twitter and LinkedIn to stay on top of our latest updates, tutorials, webinars, and deep dives. For more information about Maltego, visit our website.

Vedran ‘Maz' Maslic is the host of ‘The Voices Of War'. In this episode, Maz interviews Andrew Quilty. Who started his career in Sydney, then moved to New York City and eventually to Kabul, Afghanistan, after a two-week trip to photograph the Afghan cricket team turned into an odyssey now into its eighth year. He has worked in all but a handful of Afghanistan's 34 provinces, photographed for most of the world's premiere publications and won several accolades, including a World Press Photo Award, a Polk Award, several Picture of the Year International awards and the Gold Walkley, Australian journalism's highest honour. We covered many topics, including: the danger of oversimplified narratives of conflict, second-order effects of coalition operations, and the dangers of life as a war journalist.

This week we interview Toluse Olorunnipa and Robert Samuels, Peabody Award and Polk Award-winning journalists and co-authors of His Name Is George Floyd: One Man's Life and the Struggle for Racial Justice, published by Viking Press […]

This week on Just the Right Book with Roxanne Coady, Julie Orringer and Rebecca Frankel joins Roxanne to discuss their books, The Invisible Bridge and Into the Forest: A Holocaust Story of Survival, Triumph, and Love as well as Mala Kacenberg's new book Mala's Cat: A Memoir of Survival in World War II. Julie Orringer is the author of the award-winning short-story collection How to Breathe Underwater, which was a New York Times Notable Book. She is the winner of The Paris Review's Discovery Prize and the recipient of fellowships from the National Endowment for the Arts, Stanford University, and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. She lives in Brooklyn, where she is researching a new novel. Rebecca Frankel is a longtime editor and journalist. She is the author of New York Times best-selling book War Dogs: Tales of Canine Heroism, History, and Love and Into the Forest: A Holocaust Story of Survival, Triumph, and Love, which was named one of "The Ten Best History Books of 2021" by Smithsonian Magazine, and a 2021 National Jewish Book Award finalist. She was formerly executive editor at Foreign Policy magazine and managing editor of Moment magazine. Her editing work has garnered multiple accolades including a Polk Award for coverage of the 2015 MSF Hospital bombing in Kunduz, Afghanistan. Rebecca's articles have appeared in The New York Times, The Wall Street Journal, The Atlantic, and The Washington Post and elsewhere. She's been a guest on Conan, PBS NewsHour, The Diane Rehm Show, and BBC World News, among others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stefan Forbes and Face2Face host David Peck talk about his film Hold Your Fire, conflict resolution, toxic masculinity, messy conversations, risk and bridging the gap and how we might be able to transcend street justice.TrailerFor more info check out the website.Synopsis:Brooklyn, 1973. When Shu'aib Raheem and his friends attempted to steal guns for self defense, it sparked the longest hostage siege in NYPD history. NYPD psychologist Harvey Schlossberg fought to avert a bloodbath, reform police methods, and save the lives of hostages, police, and the four young Muslim men at the heart of the conflict.About Stefan: Stefan Forbes is an Emmy-nominated director. His award-winning documentary Boogie Man: The Lee Atwater Story won the IDA Emerging Filmmaker Award, the national Edward R. Murrow Award, the Polk Award for Excellence in Journalism, and was nominated for a WGA Award for Best Theatrical Documentary. It played 40 US cities theatrically and was seen on PBS's Frontline, The BBC's Storyville, the CBC's Passionate Eye, and was a Critic's Pick in newspapers worldwide. The Washington Post called it “one of the best political films ever made.” Mr. Forbes' award winning hourlong documentary One More Dead Fish (2004), about environmentally friendly fishermen in Nova Scotia fighting globalization, was broadcast on PBS. Ken Loach called it “excellent” and Howard Zinn termed the film “an inspiring example of working people resisting the giant forces of globalization, in the great tradition of civil disobedience on behalf of justice. Mr. Forbes wrote and directed the cinematic musical performance Monk Recut with Grammy-nominated jazz ensemble MONK'estra, which Monk biographer Robin D.G. Kelley called “fabulous…breathtaking.” Mr. Forbes is a former New York Foundation for the Arts Fellow and has served on the nominating committee of the Independent Spirit Awards. Image Copyright and Credit: Fab 5 Freddy and Stefan Forbes.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Azmat Khan is an investigative reporter for the New York Times Magazine. She won the George Polk Award for uncovering intelligence failures and civilian deaths associated with U.S. air strikes. “I think what was really damning for me is that, when I obtained these 1,300 records, in not one of them was there a single instance in which they describe any disciplinary action for anyone involved, or any findings of wrongdoing. … When I was looking at this in totality, suddenly it's really hard to say you have a system of accountability.” This is the last in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Daniel Chang covers health care for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries. “I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It's a pretty complicated system and it's difficult for most people to understand how their health insurance works — and that's if they have health insurance. If they don't, there is a whole other system they have to go through. What you look for is access issues and accountability for that.” This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sarah Stillman is a staff writer for The New Yorker and the director of the Global Migration Program at Columbia University Graduate School of Journalism. She won the George Polk Award for "The Migrant Workers Who Follow Climate Disasters." “I'm all about the Venn diagram where the individual meaningful stories of things people are up against intersect with the big systemic injustice issues of our day. It feels like climate is clearly an enormous domain where it's been hard in some ways to tell substantive stories of where actual human beings are navigating and pushing back on some of these huge cultural forces.” This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Maria Abi-Habib is the bureau chief for Mexico, Central America and the Caribbean for the New York Times. Along with her colleague Frances Robles, Abi-Habib won the George Polk Award for revealing concealed aspects of the murder of Haitian president Jovenel Moïse. “We're not going to stop covering Haiti just because you don't like us … at the end of the day you owe it to your citizens to talk to the media because if you can't talk to the media and actually answer some questions, how are you going to run a country? We're not doing this for ourselves, we're doing this because we think that Haiti matters and we think Haitians, like all citizens in this world, actually deserve some answers to their questions and to know what the truth is.” This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Clarissa Ward is the chief international correspondent for CNN. Along with field producer Brent Swails and photojournalists William Bonnett and Scott McWhinnie, Ward won the 2022 George Polk Award for her real-time coverage of the rapid rise of the Taliban as U.S. forces withdrew from Afghanistan last summer. “I used to come back from war zones and feel completely disconnected from my life—disconnected from my friends, from my family. I would look down on people about the conversations they were having about silly things. I would feel kind of numb and miserable. And then I realized that if you want to be able to keep doing this work, you have to choose to embrace the privileges that you've been given. And you have to choose joy and choose love and be kind to yourself and have a glass of wine and go dancing or run up a mountain—whatever it is that does it for you, embrace it. That is part of the tax you pay for surviving these things: You've got to continue to love life.” This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There are some who argue that the United States of America as a nation, should be defined by its civic identity. A federal Republic that's found he promised equality under the law and Liberty to all of its people. But there's a darker side to the American history too, one built on ethnonationalism and white supremacy.  Colin Woodard traces the rise and fall, and rise again of these competed ideas, over the long arc of our national history. Woodard is a New York Times bestselling author, historian and Polk Award-winning journalist.  He is a respected authority on North American regionalism, the sociology of United States nationhood, and how our colonial past shapes and explains the present.  He is a POLITICO contributing editor and the State and National Affairs Writer at the Portland Press Herald and Maine Sunday Telegram, where he was a finalist for the 2016 Pulitzer Prize for Explanatory Reporting.  A longtime foreign correspondent of The Christian Science Monitor, The San Francisco Chronicle, and The Chronicle of Higher Education, for which he has reported from more than fifty countries.  Author of the award winning “American Nations: A History of the Eleven Rival Regional Cultures of North America,” Woodard has written six books including “The Republic of Pirates,” a New York Times bestselling history of Blackbeard's pirate gang that was made into a primetime NBC series with John Malkovich and Claire Foye, and “Union: The Struggle to Forge the Story of United States Nationhood.”  His work has appeared in dozens of publications including The Economist, The New York Times, Smithsonian, The Washington Post, The Guardian, Newsweek and Washington Monthly. See omnystudio.com/listener for privacy information.

On today's episode of The Literary Life, Mitchell Kaplan talks to Julie Brown about her new book, Perversion of Justice: The Jeffrey Epstein Story, out now from Dey Street Books. Julie K. Brown is an investigative reporter with the Miami Herald. During her 30-year career, she has worked for a number of newspapers, focusing on crime, justice and human rights issues. As a member of the Herald's prestigious Investigative Team, she has won dozens of awards, including a George Polk Award in 2018 for “Perversion of Justice,” a series that examined how a rich and powerful sex trafficker, Jeffrey Epstein, managed to arrange a secret plea deal and escape life in prison—even though he was suspected of sexually abusing more than 100 underage girls and young women. The series, and her subsequent dogged coverage of the case in 2019, led to the resignation of President Trump's labor secretary, Alex Acosta, Epstein's arrest on new federal charges in New York and reforms in the way that prosecutors treat victims of sex crimes. Brown previously won acclaim for a series of stories about abuses and corruption in Florida prisons. The stories led to the resignations of top agency officials, firings of corrupt corrections officers and an overhaul in the treatment of inmates with mental and physical disabilities, as well as women in Florida prisons. That series also won a Polk Award. A native of Philadelphia, she is a graduate of Temple University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In conversation with Reginald Dwayne Betts, essayist, poet, and author of the award-winning collection, Felon An investigative reporter at The New York Times, Andrea Elliott won the 2007 Pulitzer Prize for Feature Writing for a series of articles on Sheik Reda Shata, an Egyptian-born imam living in Brooklyn. She formerly worked as a staff writer at the Miami Herald, where she covered immigration and Latin American politics. The winner of Columbia University's Medal for Excellence, the George K. Polk Award, the Scripps Howard Award, and a prize from the American Society of Newspaper Editors, Elliott was a visiting journalist at the Russell Sage Foundation, an Emerson Fellow at New America, and received a Whiting Foundation Grant. Based on her 2013 five-part series for the Times on the plight of children experiencing homelessness in New York City, Elliot's debut book follows eight challenging years in the life of a girl guiding her siblings as they experience the effects of widening income inequality and a disappearing social safety net. (recorded 10/6/2021)

Last week, SF Weekly, the free alternative newspaper, announced that it would cease publication for the foreseeable future. The loss of the paper, which won numerous accolades, including a George K. Polk Award for investigative reporting on the U.S. Navy's handling of nuclear waste at Hunters Point Naval Shipyard, has been called incalculable. Its closure echoes the 2014 demise of the Weeklys bitter rival, the San Francisco Bay Guardian, and it leaves the city with no alt-weeklies. Yet, there was a time when alt-weeklies, their issues fat with pages of copy and advertising, were a vibrant part of the Bay Area's zeitgeist. We'll talk about the golden age of alt-weeklies and whether newer, online models of local journalism can fill that void.

My guest today is one of Australia's most-prominent photo/investigative journalists, Andrew Quilty. Andrew started his career in Sydney, then moved to New York City and eventually to Kabul, Afghanistan, after a two-week trip to photograph the Afghan cricket team turned into an odyssey now into its eighth year. He has worked in all but a handful of Afghanistan's 34 provinces, photographed for most of the world's premiere publications and won several accolades, including a World Press Photo Award, a Polk Award, several Picture of the Year International awards and the Gold Walkley, Australian journalism's highest honour.  More recently, Andrew has focussed on the written word. His 18-month investigation into a CIA-led Afghan militia, responsible for several massacres in 2019, for The Intercept, was recently the recipient of an Overseas Press Club of America Award. His most recent piece published in the April edition of The Monthly is titled, ‘The Worst form of Defence: New revelations of Australian war crimes in Afghanistan', which is an investigation into alleged war crimes by Australian special forces in Uruzgan. This, of course, is separate to the 'Afghanistan Enquiry' released in Nov last year. We covered many topics, including: Andrew's entry into photography The craft of photography The pull of Afghanistan  ‘Seeing' the people of Afghanistan Danger of oversimplified narratives of conflict Second-order effects of coalition operations Foreigner's (lack of) understanding of Afghanistan Background to his award-winning photo “The Man on the Operating Table” Andrew's shift to the written word The dangers of life as a war journalist Andrew's views on the future of Afghanistan You can see some of Andrew's photographs via his webpage here, read Andrew's article 'The CIA's Afghan Death Squads' here, and his article ‘The Worst form of Defence', here.  For recent updates on the situation in Afghanistan, you can follow Andrew on Twitter (@andrewquilty). If you'd like to comment on the episode, visit us @TheVoicesOfWar.

Alec MacGillis is in conversation with Jesse J. Holland about his new book, Fulfillment: Winning and Losing in One-Click America . Alec MacGillis is a senior reporter at ProPublica. MacGillis previously reported for The New Republic, The Washington Post, and the Baltimore Sun. He won the 2016 Robin Toner Prize for Excellence in Political Reporting, the 2017 Polk Award for National Reporting, and the 2017 Elijah Parish Lovejoy Award. His work has appeared in the New Yorker, Atlantic, New York, Harper's, and New York Times Magazine, among other publications. A resident of Baltimore, MacGillis is the author of The Cynic, a 2014 biography of Sen. Mitch McConnell, and the forthcoming Fulfillment: Winning and Losing in One-Click America. Jesse J. Holland is an award-winning writer, journalist and television personality. Jesse is host of the Saturday edition of C-SPAN's Washington Journal, can be seen weekly as a political analyst on the Black News Channel's DC Live and occasionally on CNN, MSNBC, Fox News and other news outlets for news and analysis. He is the author and editor of the new Black Panther: Tales of Wakanda prose anthology released in February 2021 from Titan Books and Marvel, the first prose anthology featuring the first mainstream black superhero. He is also author of The Black Panther: Who Is The Black Panther? prose novel, which was nominated for an NAACP Image Award in 2019 and The Invisibles: The Untold Story of African American Slavery Inside The White House, which was named as the 2017 silver medal award winner in U.S. History in the Independent Publisher Book Awards and one of the top history books of 2016 by Smithsonian.com. Jesse also wrote Star Wars: The Force Awakens - Finn's Story young adult novel and Black Men Built The Capitol: Discovering African American History In and Around Washington, D.C. Writers LIVE programs are supported in part by a bequest from The Miss Howard Hubbard Adult Programming Fund. Recorded On: Wednesday, June 2, 2021

In this episode of Tart Words, Linda Hengerer talks with Tara Lush. Tara Lush is a Rita Award finalist, an Amtrak writing fellow, and a George C. Polk Award-winning journalist. For the past decade, she's been a reporter with the Associated Press, covering crime, alligators, natural disasters, and politics. She also writes contemporary romance set in tropical locations. A fan of vintage pulp-fiction book covers, Sinatra-era jazz, and 1980s fashion, she lives with her husband and two dogs on the Gulf coast.Sign up for a free cozy mystery here (email required): https://BookHip.com/ZLMSVVisit taralush.com to find out more about Tara and her latest books.Facebook: www.facebook.com/LushBooksInstagram: www.instagram.com/authortaralush/Here's a link to the coffee tour mentioned in the episode: stpetecoffeetour.com/Get to know Tara - The Tart Words Baker's Dozen:1.   Plotter or Pantser? Plotter2.   Tea or Coffee? Coffee3.   Beer, Wine, or Cocktails? I rarely drink, but when I do, it's champagne4.   Snacks: Sweet or Savory? Savory5.   Indie Published, Traditionally Published, or Hybrid? Hybrid6.   Strict Writing Schedule: Yes 7.    Strictly Computer or Mix It Up? Strictly computer8.    Daily Goal: Yes 9.    Formal Track Progress: Yes 10.  Special Writing Spot? Sofa or coffee shop11.   Writer’s Block? No12.   File of Ideas: Yes 13.   Favorite Author(s)? Cleo Coyle, Carl Hiaasen, Taylor Jenkins Reid, Diane Mott Davidson

Nikole Hannah-Jones is a Pulitzer Prize-winning journalist covering racial injustice for The New York Times Magazine and the creator and lead writer for the 1619 Project, a NYT initiative that aims to reframe U.S. history by placing the consequences of slavery and the contributions of Black Americans at the center of our national narrative. Nikole's reporting on civil rights, specifically segregation in housing and schools, earned her a National Magazine Award, a Peabody, and a Polk Award. In 2016, she co-founded the Ida B. Wells Society for Investigative Reporting, a training and mentorship organization dedicated to increasing the ranks of investigative reporters of color. She's currently working on a book titled, "The Problem We All Live With", which will explore Black America's centuries-long struggle to obtain quality education, and why integrated schools are the heart of our democracy.On the call we discussed: Nikole's journey from growing up in Waterloo, Iowa to creating one of the most ambitious and impactful pieces of journalism of the century Nikole's inspiration for the 1619 Project and its significance in the current media and political landscape Her 2020 Pulitzer Prize-winning piece, which traces the central role Black Americans have played in the nation, including its vast material success and democracy itself The critical role investigative journalism plays in holding truth to power The planning and coordination behind the 1619 Project, and Nikole's advice for ambitious writers who want to do important work

Michael Grabell and Bernice Yeung are investigative reporters at ProPublica. They won the George Polk Award for Health Reporting for their coverage of the meatpacking industry's response to the pandemic, including their feature "The Battle for Waterloo." This is the final part of our week-long series of conversations with winners of this year's George Polk Awards in Journalism. See omnystudio.com/listener for privacy information.

Roberto Ferdman is a correspondent at VICE News. He and his colleagues at VICE News Tonight won the George Polk Award for Television Reporting for their coverage of the killing of Breonna Taylor and the investigations that followed. This is part four in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. See omnystudio.com/listener for privacy information.

Helen Branswell is an infectious disease and global health reporter for STAT. She won this year's George Polk Award for Public Service for her coverage of the pandemic. This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. See omnystudio.com/listener for privacy information.

Ryan Mac and Craig Silverman are reporters at BuzzFeed News. Together they won this year's George Polk Award for Business Reporting for their coverage of Facebook's handling of disinformation on its platform.  This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. See omnystudio.com/listener for privacy information.

Tristan Ahtone is the former Indigenous Affairs editor at High Country News and is currently the editor-in-chief at The Texas Observer. His High Country News article “Land-Grab Universities,” co-authored with Robert Lee, won the 2021 George Polk Award for Education Reporting. This is the first in a week-long series of conversations with winners of this year's George Polk Awards in Journalism. See omnystudio.com/listener for privacy information.

This episode features Carole Cadwalladr, a journalist for the Guardian and Observer in the United Kingdom. Carole worked for a year with whistleblower Christopher Wylie to publish her report into Cambridge Analytica. The investigation resulted in Mark Zuckerberg being called before Congress and Facebook losing more than $100 billion from its share price. Carole's work has won a Polk Award and the Orwell Prize for political journalism, and she was named a Pulitzer Prize finalist for National Reporting in 2019.

On this show this week, Chris Hedges talks to Pulitzer prize-winning journalist Glenn Greenwald about the incoming Biden administration and what it will mean for a country in crisis, ravaged by a pandemic it cannot control, hostage to corporate power and bifurcated into warring factions. Glenn Greenwald is the author of several bestsellers, including ‘How Would a Patriot Act?’ and ‘With Liberty and Justice for Some’. His most recent book is ‘No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State’. Greenwald is a former constitutional law and civil rights litigator. He was a columnist for the Guardian until October 2013 and was the founding editor of media outlet the Intercept. He is a frequent guest on Fox News, Rolling Stone, and various other television and radio outlets. He has won numerous awards for his NSA reporting, including the 2013 Polk Award for national security reporting, the top 2013 investigative journalism award from the Online News Association, the Esso Award for Excellence in Reporting (the Brazilian equivalent of the Pulitzer Prize), and the 2013 Pioneer Award from Electronic Frontier Foundation. He also received the first annual I.F. Stone Award for Independent Journalism in 2009 and a 2010 Online Journalism Award for his investigative work on the arrest and detention of Chelsea Manning. In 2013, Greenwald led the Guardian reporting that was awarded the Pulitzer Prize for public service.

Today we are talking PURPOSE and PASSION and that job you hate (oh yeah... that).  But also this TIME and CRISIS.  Big topics and big inspiration today.   Adam Davidson is co-founder and CEO of Three Uncanny Four Productions. Davidson has been part of the podcast industry almost as long as its existed. He co-founded NPR’s Planet Money and led the show for its first several years and served as senior podcast strategy advisor to the leaderships of NPR, the NY Times, and The New Yorker Magazine. He co-created and co-hosted the Gimlet Media podcast, Surprisingly Awesome, with Academy-Award-winning writer and director Adam McKay. He has also been a host of several podcasts at Slate and elsewhere. An accomplished journalist, Adam is a contributing writer to the New Yorker and was, previously, economics writer for the New York Times Magazine. He served as NPR’s international business and economics correspondent; Marketplace’s Middle East Correspondent; and has been a frequent contributor to This American Life. He received a Peabody Award, a DuPont-Columbia Award, and a Polk Award. His work has also appeared in The Atlantic, Harper’s, GQ, and Rolling Stone, among other publications. He also served as a technical consultant to Adam McKay, the co-writer and director of the Academy Award-winning film The Big Short.   Follow Adam: www.PassionEconomy.com ======================  Request to Join the FREE Meredith Atwood Community & Coaching https://meredith-atwood-coaching.mn.co/ ======================  Buy Meredith’s Books: The Year of No Nonsense https://amzn.to/3su5qWp Triathlon for the Every Woman: https://amzn.to/3nOkjiH =======================   Follow Meredith Atwood & The Podcast on Social: Web: http://www.swimbikemom.com Instagram: http://instagram.com/swimbikemom   =======================  Want to Connect?  Email: same24hourspodcast@gmail.com =======================  Credits: Host: Meredith Atwood Production & Hair Pulling: Meredith Atwood Podcast Branding and Web: Moon40 Marketing Copyright 2017-2020, 2021 All Rights Reserved, Meredith Atwood, LLC

Lisa DeSisto is the Chief Executive Officer of Masthead Maine, the state's largest media network. She oversees the companies that publish five daily newspapers in Maine – the Portland Press Herald/Maine Sunday Telegram, Morning Sentinel, Kennebec Journal, Sun Journal and Times Record – and their websites. The network also includes 23 weekly newspapers and two commercial printing operations in Lewiston and South Portland. Together the Masthead Maine papers constitute the largest newsgathering organization in northern New England and reach most of Maine's residents. The Portland Press Herald/Maine Sunday Telegram, the state's largest newspaper, has in recent years won some of journalism's top awards, including the Loeb Award and the Polk Award, and was a finalist for a Pulitzer in 2016. Lisa serves on the board of the Associated Press, Harvard Pilgrim Healthcare Foundation, and the Boys and Girls Clubs of Southern Maine. She hosts a live event series, “Like A Boss,” in which she interviews other Maine CEOs on their leadership principles.  Before joining Masthead Maine (then MaineToday Media) in November 2012, Lisa spent 17 years at The Boston Globe, where she served as Chief Advertising Officer and Vice President/General Manager for Boston.com.  She joined Boston.com as marketing manager in November 1995, just two days after the site's launch. A native of Stoneham, Massachusetts, she is a 1985 graduate of the University of Massachusetts at Amherst. Lisa lives with her family and a herd of alpacas in North Yarmouth, Maine.

Today's podcast is with Professor Ying Chan, an award-winning journalist, educator, e-learning advocate, and media strategist. She is a board member of the Media Development Investment Fund, and a member of the World Economic Forum Future Council on Information and Entertainment. She served on the Global Board of Open Society Foundations from 2013-17. A Hong Kong native, Chan spent 23 years in New York City, covering immigration, campaign finance and US China-relations for both Chinese and English language media, including the New York Daily News and NBC News. Since returning to HK in 1998, she has created two journalism schools as the founding director (1999-2016) and professor of the Journalism and Media Studies Centre at The University of Hong Kong, and the founding dean (2003-2012) of the journalism school at Shantou University in China. Both programs are early adopters of convergent media, data, and enterpreneurial journalism, while being grounded in the best international professional standards. She is a founding member of the the International Consortium for Investigation Journalists. Her honors include a Polk Award for Excellence in Journalism, a CPJ International Press Freedom Award, a Lifetime Achievement Award by the Asian American Journalists Association, and a Nieman Fellowship at Harvard University. She currently mentors media startups in relation to China and cross-border projects, while conducting research on media in China and transitional societies.

Julie Brown of the Miami Herald conceived, reported, and wrote one of the most explosive criminal justice stories in recent memory. She revealed the shutting down of an FBI investigation that may have been on the verge of discovering the full extent of a child-sex-trafficking operation run by politically-connected billionaire Jeffrey Epstein. The prosecutor allegedly behind that decision, Alex Acosta, is now President Trump's Secretary of Labor.  Acosta offered Epstein a plea deal in which Epstein pleaded guilty to recruiting underage girls for sex and spent about a year in the local lockup, with work release.  The deal also proactively protected from prosecution any potential co-conspirators.  Brown pored over internal emails to see exactly how Acosta and other powerful law-enforcement officials made these decisions.  While in New York to receive a Polk Award for her work, Brown stopped by WNYC's Greene Space to talk to the host of "Here's the Thing" Alec Baldwin about her reporting. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Julie Brown of the Miami Herald conceived, reported, and wrote one of the most explosive criminal justice stories in recent memory. She revealed the shutting down of an FBI investigation that may have been on the verge of discovering the full extent of a child-sex-trafficking operation run by politically-connected billionaire Jeffrey Epstein. The prosecutor allegedly behind that decision, Alex Acosta, is now President Trump's Secretary of Labor.  Acosta offered Epstein a plea deal in which Epstein pleaded guilty to recruiting underage girls for sex and spent about a year in the local lockup, with work release.  The deal also proactively protected from prosecution any potential co-conspirators.  Brown pored over internal emails to see exactly how Acosta and other powerful law-enforcement officials made these decisions.  While in New York to receive a Polk Award for her work, Brown stopped by WNYC's Greene Space to talk to the host of "Here's the Thing" Alec Baldwin about her reporting.

Following the US Supreme Court striking down Curtis Flowers’ conviction, In The Dark has returned with what could be the final episode of season two. The Polk Award-winning podcast saved some of its most compelling journalism for its final hour, accomplishing more in 56 minutes than most podcasts do in their entire series. FOR OUR THUMBS UP OR THUMBS WAY UP REVIEW OF THIS EP OF IN THE DARK, GO TO MINUTE 25. The Irish Times’s podcast “Atlantic” examines the unsolved mystery of Peter Bergmann, a tourist found dead on a beach in County Sligo in 2009. The question remains - not how did he die - but why did he come to Ireland to disappear? FOR OUR SPOILER-FREE REVIEW OF “ATLANTIC,” GO TO MINUTE 46 Then in Crime of the Week: burn, baby, burn. For exclusive content and more, sign up at patreon.com/partnersincrimemedia. http://www.crimewriterson.com/listen/atlantic Support the show.

Julie Brown of the Miami Herald conceived, reported, and wrote one of the most explosive criminal justice stories in recent memory. She revealed the shutting down of an FBI investigation that may have been on the verge of discovering the full extent of a child-sex-trafficking operation run by politically-connected billionaire Jeffrey Epstein. The prosecutor allegedly behind that decision, Alex Acosta, is now President Trump's Secretary of Labor.  Acosta offered Epstein a plea deal in which Epstein pleaded guilty to recruiting underage girls for sex and spent about a year in the local lockup, with work release.  The deal also proactively protected from prosecution any potential co-conspirators.  Brown pored over internal emails to see exactly how Acosta and other powerful law-enforcement officials made these decisions.  While in New York to receive a Polk Award for her work, Brown stopped by WNYC's Greene Space to talk to Alec about her reporting, and the personal background that drove it.

David Corn is the Polk Award-winning Washington Bureau Chief of Mother Jones. He appears frequently on Fox News, MSNBC and NPR. Michael Isikoff is chief investigative correspondent at Yahoo News. He reported previously at Newsweek, NBC and the Washington Post. Together, they wrote the best-selling book Russian Roulette: The Inside Story of Putin’s War on America and the Election of Donald Trump. In April, they sat down with former Mother Jones editor Deirdre English and a live audience to give a crash course on the key players of the 2016 election, and beyond. Check out prior episodes of On Mic for more fascinating conversations with some of the world's best writers, journalists and documentarians. This podcast is brought to you by the UC Berkeley Graduate School of Journalism. Technical facilities for On Mic are underwritten by the Jonathan Logan Family Foundation. Produced by Lee Mengistu and Cat Schuknecht.

Melissa Segura, a Polk Award-winning journalist with BuzzFeed, joins Michael O'Connell to discuss her journey from unwitting sports nerd with an interest in writing deep, human stories to shining a bright light on a dirty Chicago detective in the name of righting several decades' worth of wrongs. 

The final installment of our “Women We Love” series features Nikole Hannah-Jones— investigative reporter for the New York Times Magazine, known for her extensive coverage of racial justice and civil rights for outlets including ProPublica, The Atlantic and Essence Magazine. She’s won many awards, including the 2012 Columbia Journalism School Tobenkin Award for distinguished coverage of racial or religious discrimination, and a Polk Award for her 2016 This American Life episode about school desegregation in Missouri. Hannah-Jones discussed these experiences at the Columbia Journalism School in September as part of our Delacorte Lecture Series, which brings in leading writers and editors from the magazine world to speak to our students.

Twenty-two years at the New York Times, currently senior financial writer, winner of a Polk Award, Pulitzer Prize finalist for her coverage of the 2008 financial crisis and author of a great new book The Wizard of Lies: Bernie Madoff and the death of trust, it was an honor to welcome Diana Henriques to Pundit Review Radio. So much has been said and written about Bernie Madoff and his Ponzi scheme. Incredibly, there is much about the story that people do not know, and in many cases, what people do know is flat out wrong. Ms. Henriques was the first journalist to interview Madoff in prison, and he sent her dozens of follow-up emails and letters. Few people know his story better. Everything is in this book, from the childhood and the lessons learned, to his early business days to the Ponzi scheme itself. Of course, the story is filled with gut wrenching human drama, the damage Madoff inflicted upon everyone around him, starting with his family. After reading the book, I am convinced that Madoff’s wife and sons did not know about his Ponzi scheme. It was fascinating to hear her describe meeting Madoff in prison a couple of months after his oldest son Mark had committed suicide. He seemed like a shattered man and it was hard to think anything other than “good”! That is just one of many moments of clarity that the book provides. It also goes to great detail to explain how he was able to get away with it for so long, and how many opportunities regulators had to stop him. The failure of government at all levels is another central character in this story. Not only did they miss numerous chances to identify the fraud, they asked all the wrong questions after the fact. Shocker. This is a great book. The Pundit Review Radio Podcast RSS feed can be found here. What is Pundit Review Radio? On Boston’s Talk Station WRKO since 2005, Pundit Review Radio is where the old media meets the new. Each week we give voice to the work of the most influential leaders in the new media/citizen journalist revolution. Called “groundbreaking” by Talkers Magazine, this unique show brings the best of the blogs to the radio every Sunday evening from 6-9pm on AM680 WRKO, Boston’s Talk Station.

Twenty-two years at the New York Times, currently senior financial writer, winner of a Polk Award, Pulitzer Prize finalist for her coverage of the 2008 financial crisis and author of a great new book The Wizard of Lies: Bernie Madoff and the death of trust, it was an honor to welcome Diana Henriques to Pundit Review Radio. So much has been said and written about Bernie Madoff and his Ponzi scheme. Incredibly, there is much about the story that people do not know, and in many cases, what people do know is flat out wrong. Ms. Henriques was the first journalist to interview Madoff in prison, and he sent her dozens of follow-up emails and letters. Few people know his story better. Everything is in this book, from the childhood and the lessons learned, to his early business days to the Ponzi scheme itself. Of course, the story is filled with gut wrenching human drama, the damage Madoff inflicted upon everyone around him, starting with his family. After reading the book, I am convinced that Madoff’s wife and sons did not know about his Ponzi scheme. It was fascinating to hear her describe meeting Madoff in prison a couple of months after his oldest son Mark had committed suicide. He seemed like a shattered man and it was hard to think anything other than “good”! That is just one of many moments of clarity that the book provides. It also goes to great detail to explain how he was able to get away with it for so long, and how many opportunities regulators had to stop him. The failure of government at all levels is another central character in this story. Not only did they miss numerous chances to identify the fraud, they asked all the wrong questions after the fact. Shocker. This is a great book. The Pundit Review Radio Podcast RSS feed can be found here. What is Pundit Review Radio? On Boston’s Talk Station WRKO since 2005, Pundit Review Radio is where the old media meets the new. Each week we give voice to the work of the most influential leaders in the new media/citizen journalist revolution. Called “groundbreaking” by Talkers Magazine, this unique show brings the best of the blogs to the radio every Sunday evening from 6-9pm on AM680 WRKO, Boston’s Talk Station.

In The Warmth of Other Suns, Isabel Wilkerson chronicles the decades-long migration of African Americans from the South to the North and West through the stories of three individuals and their families. Over a decade in the writing and research, and drawing on archival materials and more than 1,200 interviews, Wilkerson traces the lives of Ida Mae Gladney, George Starling, and Robert Foster, from their difficult beginnings in the South, to their critical decisions to leave and look for a better life in Chicago, New York, and Los Angeles.Isabel Wilkerson won a Pulitzer Prize in 1994 for her feature writing in The New York Times, making her the first African American woman to receive a journalism Pulitzer. She has also won a George S. Polk Award, a Guggenheim Fellowhip, and a Journalist of the Year award from the National Association of Black Journalists. She is Professor of Journalism and Director of Narrative Nonfiction at Boston University.Recorded On: Wednesday, January 12, 2011