Podcasts about Yolngu

Shortly before he died, Japanese composer Ryuichi Sakamoto performed a piano concert called Kagami – which was filmed and recorded with mixed reality technology. Thanks to that, the audience can see and hear Sakamoto play on a level of reality which pushes the boundaries of what a concert can be. Todd Eckert was a friend of Sakamoto and through his company Tin Drum, is pioneering this tech for the stage. The tragic heroine Violetta, from La Traviata, is one of the most iconic roles in opera.  Samantha Clarke is reprising her much acclaimed performance as the ill-fated courtesan for Opera Australia's La Traviata and explains why Violetta is so dear to her. She also sings the breathtaking aria Addio del passato for us, accompanied by Brian Castles-Onion.For generations, Yolngu met and traded with other seafaring people in the top end of the continent. From this, language and songs, stories and more was exchanged. Now the Yolngu songman and dancer Banula  Marika and choreographer Rachael Wallis are collaborating with First Nations artists from Taiwan, including Suming Rupi … for a show called Gapu Ngupan (Chasing the Rainbow) at Asia TOPA in Melbourne.

On the podcast this month Janine speaks with author Kylie Ladd about her new release "The Mix-Up" - A beautifully told and thought-provoking novel about a mix-up that leaves two children wondering who they really are and where they belong . . .  Sam then chats to Darwin based writer Leonie Norrington about her book – A Piece of Red Cloth, A powerful, unique novel based on the oral history of the Yolngu people from north-east Arnhem Land that tells the story of a grandmother who stops at nothing to protect her granddaughter.Connected Libraries WebsiteConnected Libraries Facebook PageIn a nook with a book Facebook GroupConnected Libraries Instagram PageConnected Libraries YouTube

Historian, Professor Clare Wright tells the story of a formative moment — before the Mabo decision — in Australia's democracy that you may not have heard of.Historian Clare Wright moved her family to Yirrkala in North-East Arnhem land in 2010. She became a part of the Yolngu community and kept in touch after the family returned to Melbourne.Little by little, Clare learned about an extraordinary moment in Australian history, when Yolngu people used their artwork and their language, Yolngu Matha to petition the Federal government over a planned bauxite mine on their traditional lands.The bark petitions were not sent in the traditional sense, pleading up to an authority, but rather asserted Yolngu custodianship of the land, and spoke as equal partners to the Australian government.This episode of Conversations touches on Indigenous stories, Yolngu, Yirrkala, Australian democracy, the Bark Petitions, Naku Dharuk, Yolngu Matha, mining, the Australian Government, Menzies, Kim Beazley Snr.

Send us a textTimothy John Trudgen is the CEO and co-founder of Hope for Health, a non-profit organization that provides deep learning and supportive coaching using traditional knowledge to improve the health of Australia's indigenous population.Timothy has worked with the Yolngu people, located in the East Arnhem Land in Australia, for the last 21 years. The Yolngu people of this region now have the highest preventable death rates in Australia, caused largely by chronic disease, poor diet and lifestyle, and cross-cultural marginalization.Timothy has managed the Hope for Health charity over its 10 years of development, while also working as the program's cross-cultural educator, and is also qualified as a biological scientist and as an Anthropologist.The charity is facing the potential that the Hope for Health solution may never be delivered in their communities due to lack of support from the Australian Government and major NGO's. This is partly due to a distrust and resistance to the low-carbohydrate diet approaches that Hope for Health takes, even though in Timothy's opinion, that is exactly the solution that is needed. Find Timothy at-Hopeforhealth.com.aufoa.net.auFB- @Our Hope For HealthIG- @ourhopeforhealthLK- @Hope For Health Arnhem LandFind Boundless Body at- myboundlessbody.com Book a session with us here!

Moe Clark nous présente Waak Waak Djungi, un groupe de musique australien dont les membres font partie du peuple Yolngu, originaire du nord-est du pays. Alliant chants et instruments traditionnels à une musique moderne incorporant des synthétiseurs, Waak Waak Djungi a su réinterpréter dans les années 1990 des chansons cérémonielles du peuple Yolngu. Assistante à la recherche Geraldine Eguiluz. Photo : Waak Waak Djungi

Today on Archive Fever the tables are turned, and interviewer turns interviewee. Co-host Clare Wright jumps in the hot seat to tell Yves and producer Matt Smith about the research journey behind her latest book Näku Dhäruk: The Bark Petitions (Text, 2024)—the final work in her Democracy Trilogy, an award-winning series that uses the material heritage of Australian democracy to retell how the people acquired a voice. How to incorporate Yolngu ways of being and knowing into a linear historical narrative? What does it mean to practice truth telling a year on from the unsuccessful Voice referendum? Where did Clare uncover a long-lost fourth copy of the bark petition? And what does Joan Didion have to do with any of this?

En août 2024, le Garma festival, plus grand rassemblement autochtone d'Australie, s'est tenu en Terre d'Arnhem. Une occasion rare de s'immerger dans le monde aborigène Yolngu. Au nord du pays, depuis Darwin, pour accéder au Festival Garma, il faut soit faire 1 200 km de routes sur des pistes en terre rouge, muni de permis spécifiques, soit survoler les 700 km qui séparent la capitale du Territoire du Nord et Nhulunbuy, une ville construite dans les années 70 pour desservir une mine de Bauxite. Dans les deux cas, en arrivant, vous êtes dans l'un des coins les plus reculés d'Australie, mais surtout dans des terres de réserves très réglementées, soumises à autorisation spéciale pour les non-autochtones. Le Garma lui, permet cet accès, au cœur d'un rassemblement unique en son genre, initié par le peuple Yolngu et placé dans une vaste clairière cernée de forêts tropicales truffées d'eucalyptus, située sur une falaise surplombant la mer et des rivages escarpés et sauvages.Ici, c'est donc la terre ancestrale des Yolngu, un groupe aborigène qui, jusqu'au début du XXè siècle, vivait de manière relativement autonome, à l'écart de la brutale colonisation britannique. On parle d'une présence des Yolngu depuis plus de 60 000 ans. Contrairement à d'autres groupes aborigènes, les Yolngu n'ont pas été déplacés, arrachés à ce lien si puissant qui les relie à la terre et au fait de la parcourir. Ce qui fait la force de leur culture, de leur langue et dialectes, de leurs chants et de leurs danses qu'ils ont su maintenir à travers les millénaires et qui s'expriment pendant quatre jours au Garma. Véritables pionniers de la lutte pour les droits fonciers autochtones aborigènes, les Yolngu ont également su faire de cet évènement une tribune où se pressent désormais les hommes politiques australiens de tous bords.  En 2024, près de 3 000 visiteurs, dont la moitié non-aborigènes, se sont immergés dans ce monde peuplé de rêves, d'ancêtres créateurs, d'abeilles, de grues brolga ou de serpents arc-en-ciel ; au son du Yidaki ou Didjeridoo qui est né au nord-est de la Terre d'Arnhem. Un festival pour dire la fierté noire et autochtone, celle d'un peuple debout et maître chez lui. Un voyage sonore de Sophie Ansel. En savoir plus :- Sur le Garma Festival et la Yothu Hindi Foundation- Sur les Yolngu en images et en sons: le projet visuel Twelve canoes- Sur les Yolngu, le site du Musée National Australien. 

En août 2024, le Garma festival, plus grand rassemblement autochtone d'Australie, s'est tenu en Terre d'Arnhem. Une occasion rare de s'immerger dans le monde aborigène Yolngu. Au nord du pays, depuis Darwin, pour accéder au Festival Garma, il faut soit faire 1 200 km de routes sur des pistes en terre rouge, muni de permis spécifiques, soit survoler les 700 km qui séparent la capitale du Territoire du Nord et Nhulunbuy, une ville construite dans les années 70 pour desservir une mine de Bauxite. Dans les deux cas, en arrivant, vous êtes dans l'un des coins les plus reculés d'Australie, mais surtout dans des terres de réserves très réglementées, soumises à autorisation spéciale pour les non-autochtones. Le Garma lui, permet cet accès, au cœur d'un rassemblement unique en son genre, initié par le peuple Yolngu et placé dans une vaste clairière cernée de forêts tropicales truffées d'eucalyptus, située sur une falaise surplombant la mer et des rivages escarpés et sauvages.Ici, c'est donc la terre ancestrale des Yolngu, un groupe aborigène qui, jusqu'au début du XXè siècle, vivait de manière relativement autonome, à l'écart de la brutale colonisation britannique. On parle d'une présence des Yolngu depuis plus de 60 000 ans. Contrairement à d'autres groupes aborigènes, les Yolngu n'ont pas été déplacés, arrachés à ce lien si puissant qui les relie à la terre et au fait de la parcourir. Ce qui fait la force de leur culture, de leur langue et dialectes, de leurs chants et de leurs danses qu'ils ont su maintenir à travers les millénaires et qui s'expriment pendant quatre jours au Garma. Véritables pionniers de la lutte pour les droits fonciers autochtones aborigènes, les Yolngu ont également su faire de cet évènement une tribune où se pressent désormais les hommes politiques australiens de tous bords.  En 2024, près de 3 000 visiteurs, dont la moitié non-aborigènes, se sont immergés dans ce monde peuplé de rêves, d'ancêtres créateurs, d'abeilles, de grues brolga ou de serpents arc-en-ciel ; au son du Yidaki ou Didjeridoo qui est né au nord-est de la Terre d'Arnhem. Un festival pour dire la fierté noire et autochtone, celle d'un peuple debout et maître chez lui. Un voyage sonore de Sophie Ansel. En savoir plus :- Sur le Garma Festival et la Yothu Hindi Foundation- Sur les Yolngu en images et en sons: le projet visuel Twelve canoes- Sur les Yolngu, le site du Musée National Australien. 

Mokuhanga has the ability to take the artist or craftsperson anywhere they would like to be. From the subject matter in their studio to physical movement around the world, teaching, exploring, and discovering. Wonder and beauty is what makes mokuhanga so special.   In this episode of The Unfinished Print, I speak with printmaker Jacqueline Gribbin, who has spent years honing her craft in mokuhanga and other printmaking techniques across Japan, Southeast Asia, and Australia. We discuss her deep connection with Indigenous communities, collaborating with the late Ralph Kiggell, and exploring the nuances of water-based and oil-based mokuhanga. Jaqueline explains her experiences traveling to isolated communities, conducting workshops, and sharing her passion for printmaking. We'll explore her teaching methods, the importance of community in her work, and how she balances creating and selling her prints.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacqueline Gribbin - website  Shifting Tides (2022) Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   Toru Ueba - was a print instructor at Nagasawa Art Park, and was one of Yoonmi's instructors in 2004.   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Orange Flower On Blue    Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Instagram   赤絵（アンドレ・マルティ「狼よ！」より) (2022) 34.7cm×28.4cm   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     The Torii Gate at Miyajima (2009) 37.5 x 26cm sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Yoshitaka Amano (b. 1952) - is a character designer for the Final Fantasy video game series. He uses ukiyo-e and Japanese woodblock prints as insirpation for some of his work.    Takashi Murakami (b. 1962) is a contemporary artist best known for his fine art works and contributions to the commercial market. His works are heavily influenced by manga and anime, characterized by their bright colors and distinctive style. Multicolour Superflat Flowers - archival pigment print, silkscreen, 45 cm x 17.7cm   Margaret Thatcher 1925-2013) -  was the Prime Minister of the United Kingdom from 1979 to 1990. She was the first woman to hold the office and remains one of the most influential figures in British political history. Leading the Conservative Party, Thatcher implemented a series of economic policies known as "Thatcherism," which emphasized deregulation, privatization of state-owned industries, and reducing the power and influence of trade unions. Her tenure was marked by significant economic transformation, as well as controversial measures that sparked widespread debate and protest.    Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.    STPI Creative Workshop & Gallery - which stands for Singapore Thailand Print Institute is an educational gallery and workshop, based in Singapore. More info, here.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga which was separated in two parts, Kyoto and the Awaji Islands in Japan.    MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.    Incoming Tide 30.5 x 30.5cm   Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Keiko also leads the Mokuhanga Project Space based in Walla Walla, Washington. More info on Keiko's work can be found, here. More info regarding the Mokuhanga Project Space, here.   Verse Space M-1, lithography and stencil, 55.8 cm x 76.2 cm   Yamanashi Prefecture - (山梨県, Yamanashi-ken) is located in the Chūbu region of Honshu, Japan, and borders Saitama Prefecture to the northeast, Nagano Prefecture to the northwest, Shizuoka Prefecture to the southwest, Kanagawa Prefecture to the southeast, and Tokyo to the east. The capital and largest city is Kōfu. Yamanashi is one of only eight landlocked prefectures in Japan, with most of the population residing in the central Kōfu Basin, surrounded by the Akaishi Mountains. 27% of its land area is designated as Natural Parks, and it is home to many of Japan's highest mountains, including Mount Fuji, the country's tallest peak and a significant cultural icon, which is partially located on the border with Shizuoka Prefecture.   Tiwi Islands - which means "two islands," are part of the Northern Territory, Australia, located 80 km (50 mi) north of Darwin. They comprise Melville Island, Bathurst Island, and nine smaller uninhabited islands, with a combined area of 8,320 square kilometers (3,212 sq mi). The islands have been inhabited by the Tiwi, an Aboriginal Australian people, since before European settlement, with a population of 2,348 recorded in the 2021 census. The Tiwi Land Council, one of four land councils in the Northern Territory, serves as a representative body with statutory authority under the Aboriginal Land Rights (Northern Territory) Act 1976 and holds responsibilities under the Native Title Act 1993 and the Pastoral Land Act 1992.   Charles Darwin University - was established in 2003 in the Northern Territory of Australia, and resulted from the merger of Northern Territory University, Centralian College, and the Menzies School of Health Research. Named after naturalist Charles Darwin, CDU focuses on research and education tailored to the unique challenges of the region, with strong emphasis on Indigenous education and partnerships. The university offers a broad range of programs across disciplines like health, education, engineering, business, and environmental science, and is recognized for its research in desert knowledge, Indigenous systems, tropical health, and sustainable development. With campuses in Darwin, Alice Springs, Katherine, and Nhulunbuy, CDU plays a crucial role in the educational, economic, and social development of the Northern Territory. The More Than Human World: North Australian Ecologies was the exhibit which Jacqueline speaks on in her episode. The exhibit catalogue can be found, here.    Balgo - also known as Wirrimanu, is a remote Aboriginal community in the Kimberley region of Western Australia. Home to the Kukatja people and other desert groups like the Ngarti and Warlpiri, Balgo is renowned for its vibrant art scene, particularly through the Warlayirti Artists art center, which produces art reflecting the rich cultural heritage of the local people. The community, accessible mainly via local roads and air, provides essential services such as a health clinic, school and plays a vital role in preserving and promoting Indigenous culture and traditions. A description of Wirrimaru can be found, here via Deutscher and Hackett.    Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here.   Arnhem Land - is located in the northeastern Northern Territory of Australia, and is a vast and culturally rich region covering approximately 97,000 square kilometers. Bordered by the Arafura Sea, the Gulf of Carpentaria, and Kakadu National Park, it is one of the largest Aboriginal reserves in Australia, home to around 16,000 Indigenous people, primarily the Yolngu. Known for its stunning natural landscapes, including rugged coastlines, rainforests, and wetlands, Arnhem Land is also a cultural treasure, famous for Indigenous art, music, and traditions. Access is restricted to protect its heritage, and the region plays a crucial role in Indigenous land rights movements and the preservation of Aboriginal culture.   Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.    Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō.   uwa senka long - is a Thai kozo machine made paper which can be used for mokuhanga.    The Japanese Paper Place- is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here.   gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques.   The Adelaide River - is a significant waterway in the Northern Territory of Australia, extending approximately 180 km from its source in the Litchfield National Park to its mouth at the Timor Sea. The river flows through  lush wetlands, dense mangroves, and open floodplains, providing a rich habitat for diverse wildlife. It is particularly renowned for its large population of saltwater crocodiles.    © Popular Wheat Productions opening and closing credit - Stardust by Lester Young, Oscar Peterson Trio. (1956) © UMG Recordings logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                                

Hey BlurtstartOn todays action packed show there is lots to cover.Straight off the stick on Blurt Around The World:* Oilers are making a fighting comeback. Can they repeat history with a 4-3 win in this final series?* Around the grounds...it's been chilly across much of Australia.* What are the popular baby names at the moment?On Trump watch, Kegsta will show us Biden's new ad campaign to help beat Trump.Then on Indelible Indigenous, Wencee will blurt about a successful native title claim. And the Kegsta will talk to us about the Makaratta commission.Then on Let's Get Technical, Kegsta will blurt about Apple Intelligence and what Elon REALLY thinks about Apple. And Wencee will tell us what Meta is using AI for and then ask what Australians think about AI generated news stories.So, let's get on with the show!!Tune in and find out more on https://www.youtube.com/@thenewblurt7773, with Wencee and the Kegsta.Subscribe to our newsletter: https://thenewblurt.substack.com or contact us at blurtstar[at]gmail.com.Blurt Around The WorldThe Edmonton Oilers are making history coming back from losing the first three games by winning game 4 eight goals to one keeping the series alive →NHL Official | Panthers vs. Oilers, Game 4 of Stanley Cup Final: Instant reactionThe Hockey Writers | Oilers Stave Off Elimination vs. Panthers in Game 4It's been chilly across much of Australia. Will we survive this winter apocalypse →ABC News | Australia shivers towards winter solstice as unusually long cold snap continuesWhat the popular baby names at the moment in Australia? It's not what you expect →Guardian News AU | Baby names: Oliver and Isla are the most popular in Australia but what do the long-term trends reveal?Trump watchJoe Bidens new ad campaign released to help beat Trump →CNN | Biden campaign slams Trump as ‘convicted criminal' in first ad seizing on former president's legal woesIndelible IndigenousThe Krabi Krabi people from around Sunshine Coast, South East Queensland, succeeded in a native title claim. What does it mean for everyone? Nothing significant, as the Krabi Krabi will create educational resources for all people →ABC News | Kabi Kabi elders say 'life will still go on' in Queensland tourism hotspots after successful native title claimThe Makaratta commission, Yolngu word, is a proposed process to advance a treaty by using a process of conflict resolution, peacemaking and justice. Prime Minister Albanese will attend Arnhem Land's Garma festival in August to continue this process →Guardian News | Anthony Albanese open to Makarrata commission for truth and treaty for Indigenous AustraliansLet's Get TechnicalElon is at it again bashing Apple and their recently introduced Apple Intelligence →Drive News | Elon Musk ‘to ban Apple devices' from his businesses in row over AI software – reportAustralians are more skeptical on AI news than other parts of the world. And Meta will use your data from Facebook, Instagram, Threads and WhatsApp as far back as 2007 to train Artificial Intelligence →ABC News | Is Australia a nation of tech sceptics? Inside Meta's AI plans, social media warning labels for teens and decoding the whale alphabetABC News | Meta to use Instagram and Facebook posts from as far back as 2007 to train artificial intelligence toolsFollow us on our socials:YouTube - https://www.youtube.com/@thenewblurt7773Facebook - https://www.facebook.com/blurtstar/Instagram - https://www.instagram.com/blurtstar/Twitter - @BlurtNewThreads - https://www.threads.net/@blurtstar This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thenewblurt.substack.com

How did First Nations people learn before books, school and the internet?   What are some of the teaching places on Country? Can a cave or a beach be a classroom?  What's the role of rock art, like engravings, stencils and prints, in the ‘oldest classroom'?  What are the different kinds of classrooms First Nations kids learn ion today?  Students at La Perouse Primary School in Sydney tell us what they know about how their ancestors learnt on Country.  Wayne Brennan and host Axel Clark visit a very old rock shelter on Dharug and Gundungurra Country. We hear about different kinds of rock art, learning when you're ready and ways of passing down knowledge. Merrikiyawuy Ganambarr-Stubbs invites us into her classroom at Yirrkala Bilingual School in North East Arnhem Land.  How to use this episode in your classroom Play all the way through (24 minutes) or play half the episode (12 minutes) and pause. We'll tell you when you've reached halfway, and recap the episode. Use the 4 page Learning Materials worksheet PDF with your class, and find more resources on our website.  Voices  Wayne Brennan is an archaeologist at the University of Sydney , a Gamilaraay person and Blue Mountains custodian.  Merrikiyawuy Ganambarr-Stubbs is the Principal of Yirrkala Bilingual School, a Yolngu woman and leader.   Episode image  Red ochre used in painting. Image courtesy of the National Museum of Australia. Transcript Download The Oldest Classroom transcript as Word Download The Oldest Classroom transcript as PDF Music Thannoid and Highway 94 by Blue Dot Sessions. Credits Hosted by Axel Clark Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen Executive producers are Claire Wright and Anna Clark Podcast concept, design and development by Anna Clark Indigenous Cultural Consultant is Katrina Thorpe   Story editor is Kyla Slaven Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary school, Marrickville West Primary School, Westbourne Grammar School, Preshill Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert. 

As the world continues to change and our consciousness evolves, we can look to other cultures to help us better understand the larger picture. In this episode, we will look at the medicine of Australian mint, North American Bee Balm, and Echinacea and ways we can explore our collective consciousness, create ripples of change in ourselves and each other, and draw to the underworld as Pluto makes its way into the sign of Aquarius. I share my experience living in Australia and what I learned there. From the indigenous perspective on time and the importance of space to how we define ourselves, there is much to learn from the many people who inhabit modern-day Australia. We will look at the medicine of Australian mint, North American Bee Balm, and Echinacea and ways we can explore our collective consciousness, create ripples of change in ourselves and each other, and the draw to the underworld as Pluto makes its way into the sign of Aquarius. It's a packed episode, and I would love to hear your thoughts! RESOURCES Video on the Aboriginal Australian Art and Cosmology - https://youtu.be/AoHAn58-_rg?feature=shared On Creating a Big Yet Small Collective Consciousness - From the Australian Podcase "Awaye" - Episode with dancer and mover Ghenoa Gela has been asking herself these questions as a Torres Strait Islander woman, born and raised on mainland Australia. Listen Here: https://www.abc.net.au/listen/programs/awaye/culture-and-climate/103201880?utm_campaign=abc_listen&utm_content=link&utm_medium=content_shared&utm_source=abc_listen Ralpa -- To Motivate - From the Australian Podcast "Awaye!" Word UP from Merrkiyawuy Ganambarr-Stubbs is an educator, a writer and an important voice for Yolngu in north-east Arnhem Land. Listen here: https://www.abc.net.au/listen/programs/awaye/features/word-up/word-up-merrkiyawuy-ganambarr-stubbs/103201448?utm_campaign=abc_listen&utm_content=link&utm_medium=content_shared&utm_source=abc_listen Nightlight Astrology Podcast - 5 Radical Ideas Pluto in Aquarius Might Have Us Thinking About. Watch here: https://youtu.be/BXflmkEIpWo?feature=shared

Billabong X King Stingray Collab Collection Presents... Ain't That Swell with Roy Kellaway, one of the founding members of Arnhem Land Aussie Rock icons King Stingray. Get the lowdown on how the band emerged from the direct lineage of Yothu Yindi to create an instantly classic Aussie sound with their own unique voice, sharing story and language and taking the world by storm!See omnystudio.com/listener for privacy information.

Episode 5 – Happy Birthday MAF Arnhem Land! For half a century, MAF's been serving the Yolngu people who live in the vast, isolated wilderness of Australia's Arnhem Land. We hear from MAF Arnhem Land's country director Matt Henderson and MAF partner Natalie Morreau who manages Miyalk Domestic & Family Violence Shelter, which has been empowering women for decades.

Dr Molly Shorthouse is a Medical Enigma—the Indiana Jones of medicine. A one-woman psychiatry, psychology, and wellness revolution dedicated to uniting the world and ancient secrets through diverse disciplines. Her expertise spans all elements of medicine—a Western-trained Remote Medicine GP, a lifelong yogi, and one of the very few experienced in working in a both-ways medical model with the world's oldest living culture: the Yolngu. No academic paradigm can explain the many profound spiritual and healing recoveries Molly has witnessed. Join Elevation Barn in conversation with Rajiv Arapurakal and Dr Molly Shorthouse, as we explore healing family unit trauma. This is sure to be utterly mind-blowing. 

A Japanese scholar Yasunori Hayashi came to Australia to learn how to play the Didgeridoo and was advised to learn the Yolngu language to understand its traditional way of being played. He has been studying Yolngu language for 20 years and started teaching it at Charles Darwin University ten years ago. - ヨルング語を20年学び、10年前からは教える立場になったチャールズ・ダーウィン大学の林靖典（やすのり）さん。「国会への先住民の声」をめぐる国民投票の行く方を見守っています。

One of the great Australian writers, Don Watson has done much to hold a mirror up to the nation. His latest title, The Passion of Private White, tells the true story of an anthropologist and Vietnam veteran, Neville White who has devoted fifty years to the Yolngu clans of the Donydji homeland in north-east Arnhem Land; at once mapping and recording their culture, law, lands and languages and helping them build a successful community – one precariously poised between their traditions and European ideology and institutions. Don speaks with Laura Tingle about his storied career and his new book, which brings unique insight into the deep past and the troubled present. Supported by ARA. This episode was recorded live at the 2023 Sydney Writers' Festival.   If you enjoyed this episode, please rate and follow our channel.  Sydney Writers' Festival podcasts are available on all major podcast platforms.  After more? Follow Sydney Writers' Festival on social media:Instagram: @sydwritersfestFacebook: @SydWritersFestTwitter: @SydWritersFestTikTok: @sydwritersfestSee omnystudio.com/listener for privacy information.

Jessica Mumford, a Student Wellbeing and Inclusion Coordinator for Laynhapuy School, is one of 22 inspiring teachers across Australia recognised at the 2023 Commonwealth Bank Teaching Awards, hosted by SchoolsPlus, for their invaluable commitment to students and communities.

Both sides of the debate about the upcoming referendum on Indigenous Voice to Parliament sought to amplify their views at this year's Garma Festival; an event otherwise dedicated to celebrating Yolngu culture and dubbed the biggest Garma ever.

This special episode of The voice ask me anything takes us to Garma festival on Gumatj country in north-east Arnhem land, Australia's largest Indigenous gathering and celebration of Yolngu djambatj (excellence).Laura Murphy-Oates speaks to Labor and Liberal politicians campaigning yes to answer your questions about the Indigenous voice to parliament. Also, a Yolngu 10-year-old on her question for prime minister Anthony Albanese and what she wants a voice to do for Aboriginal and Torres Strait Islander youth

Premier Anthony Albanese spotkał się z lokalną radą Yolngu, znaną jako Dilak, która wyraziła zdecydowane poparcie dla kampanii „Tak” mającej na celu wprowadzenie The Voice do australijskiego parlamentu.

El Festival de Garma 2023 se realizará en el contexto del referéndum sobre la voz indígena ante el Parlamento. Será el primer festival desde la muerte del patriarca (elder) Yunupingu de Yolngu.

The Prime Minister has thrown the national spotlight on north east Arnhem Land's local Indigenous council, holding it up as an example of what a successful referendum could do to change the nation. The influential local Yolngu council - known as the Dilak - has given strong backing for the National Indigenous Voice to Parliament at the Garma festival… a legacy of their leader.

July 30 marks the 15th anniversary of a court case that gave sea-rights to the Yolngu people. The win guaranteed Aboriginal people ownership of around 80% of Northern Territory's coastline, a ruling that included precedence over any commercial interests or fishing. And a series of bark paintings was at the centre of the ruling.

Ngày 30 tháng 7 đánh dấu kỷ niệm 15 năm, về vụ kiện trao quyền biển cho người Thổ Dân thuộc bộ tộc Yolngu. Chiến thắng nầy bảo đảm quyền sở hữu của ho đối với khoảng 80% đường bờ biển của Lãnh thổ Bắc Úc, một phán quyết bao gồm quyền ưu tiên đối với bất kỳ lợi ích thương mại hoặc đánh bắt cá nào. Ngoài ra một loạt các bức tranh vỏ cây, là trung tâm của phán quyết.

Today we are speaking with Melbourne Independent Filmmaker Sinem Saban. She has been working on an extraordinary film Luku Ngärra: The Law of the Land in collaboration with Dr Djiniyini Gondarra OAM, a highly respected Yolngu clan leader, initiated lawman and civil rights activist who has led the battle for the spiritual and political freedom of his people for over 45 years. GofundmeChauvel Cinema June 1 screening

Most Australians would regard our health system as world class, but there's an ecosystem of discrimination that many of us often don't see. Stuart Yiwarr McGrath is a Galiwin'ku man from north-east Arnhem Land. He's passionate about shifting the dial on health discrimination and providing culturally appropriate healthcare to his community. Yumi Stynes speaks to Stuart about becoming the first Yolngu registered nurse, and what it means to reconcile both black and white parts of his identity.

Yunupingu, a senior Yolngu lore man, Gumatj clan leader passed away recently, aged 74. 

Yunupingu, a senior Yolngu lore man, Gumatj clan leader passed away recently, aged 74. 

Diljem zemlje se odaje počast preminulom Yunupingu, pioniru u borbi za zemljišna prava Abordžina koji nas je napustio 3. travnja nakon duge borbe s bolešću. Ovaj 74-godišnjak je bio cijenjeni starješina naroda Yolngu koji je čitav svoj život posvetio unaprijeđenju zemljišnih prava, kulture i poboljšanju života australskih starosjedilaca.

Cả nước Úc đang bày tỏ lòng tiếc thương cho người tiên phong về quyền đất đai Yunupingu, ông đã qua đời sau một thời gian dài chiến đấu với bệnh tật vào ngày 3 tháng 4. Người đàn ông 74 tuổi này là trưởng lão Yolngu đáng kính, người đã cống hiến cả cuộc đời mình để thúc đẩy quyền đất đai, văn hóa và cải thiện cuộc sống của người dân.

From his deathbed, revered Yolngu leader Yunupingu held the PM to his promise of a Voice with real power - but can the nation agree? Find out more about The Front podcast here and read about this story and more on The Australian's website or search for The Australian in your app store. This episode of The Front is presented by Claire Harvey, produced by Kristen Amiet, and edited by Jasper Leak. The multimedia editor is Lia Tsamoglou, and original music composed by Jasper Leak.See omnystudio.com/listener for privacy information.

Yirrmal joined us via a studio in Yirrkala in North East Arnhem Land to discuss his music, culture, and community connections. Yirrmal shares how his earliest memory of music was as a child playing on stage with members of Yothu Yindi (one of the most famous Aboriginal musical groups) and how growing up in Daliwuy Bay and listening to his elders' stories inspired his song writing. This conversation has been reshared on 26 January which is a significant date in Australia's colonial history. The Wide Open Air Exchange regards that date as a commemoration not a celebration and a moment to focus on Aboriginal perspectives. This is a quote from Yirrmal during the interview: “All of the songs for Yolgnu people it's pretty much like bringing people together and making a unity as we are one people of Australia. And so our song it's about healing – healing the times, healing the past – what it was before – and then we're hoping for the better future to come to everyone living in Australia. We are all Australians”.

Yirrmal joined us via a studio in Yirrkala in North East Arnhem Land to discuss his music, culture, and community connections. Yirrmal shares how his earliest memory of music was as a child playing on stage with members of Yothu Yindi (one of the most famous Aboriginal musical groups) and how growing up in Daliwuy Bay and listening to his elders' stories inspired his song writing. This conversation has been reshared on 26 January which is a significant date in Australia's colonial history. The Wide Open Air Exchange regards that date as a commemoration not a celebration and a moment to focus on Aboriginal perspectives. This is a quote from Yirrmal during the interview: “All of the songs for Yolgnu people it's pretty much like bringing people together and making a unity as we are one people of Australia. And so our song it's about healing – healing the times, healing the past – what it was before – and then we're hoping for the better future to come to everyone living in Australia. We are all Australians”.

THE scale of violence that has made the Comanchero Australia's most dangerous gang can be revealed - and includes two shocking convictions for child sexual assault.FALLEN TV star Andrew O'Keefe has been released on bail after allegedly testing positive to ice and cocaine less than a month after completing a six-month stint in rehab.A FORMER senior Cricket Australia executive is facing the possibility of jail time if convicted of two separate sexual assault charges involving a male colleague and another male cricket employee.YOLNGU star Baker Boy fronted a First Nations takeover of the 2022 ARIA Awards, winning five of the big music prizes on Thursday.See omnystudio.com/listener for privacy information.

This episode celebrates Indigenous women in business with host Liandra Gaykamangu, proud Yolngu woman and founder and creative director of Liandra Swim and guest Amanda Healy, CEO and Founder of Kirrikin. Amanda talks about leveraging entrepreneurship to connect and support Indigenous artists and communities by drawing deep connections to country through fashion, leading by example, and encouraging us all to be fierce.   Key Insights (02:39) How did Amanda start her leadership journey? Amanda started her career in the mining industry. In the late 80s, during her time at BHP, she secured her first leadership role. She ended her time at BHP working in Canada in the remote Northwest Territories as the manager of HR and Community. From there she worked at Argyle Diamonds for a few years, but found it hard to manage as a single mum, so she decided to start her own business, Max Engineering. (10:55) How does Amanda invest in others and communities through her businesses? Kirrin and Warrikal support the community in different ways. Kirrikin began as a way to fill a hole in the market, but soon became a way to support community members by engaging Indigenous artists to create designs. Kirrikin also provides artists with structure on their arrangements. Warrikal funds scholarships for kids to schools with boarding capabilities. (27:14) What tool can Amanda share to the audience to add to their Leadership Toolbox? Amanda shares the importance of leading by example. She would never ask someone to do something that she can't or wouldn't do. Amanda also advises, just do your best. Be you. Do the best that you can do and show others that it's possible.   Important Resources and Links If you'd like to learn more about how CommBank is supporting the growth of women in business visit https://www.commbank.com.au/women-in-focus.html   Host of this special episode of Leading Women podcast, Liandra Gaykamangu, is the Creative Director and Founder of Liandra Swim. She fuses her Aboriginal culture with her work, which allows people, from all walks of life, to authentically engage, celebrate and connect with Australian Indigenous culture through fashion. If you're interested in learning more about Liandra, visit her profile: https://www.linkedin.com/in/liandra-gaykamangu The Leading Women podcast is proudly brought to you by Commonwealth Bank.  The series is produced by Nicole Hatherly, recorded at RadioHub Studios with post production by Cooper Silk and Iain Wilson.   Things you should know: Aboriginal and Torres Strait Islander listeners are advised this podcast may contain conversations about deceased persons. Discretion is advised. Guests featured in the podcast are speaking from their personal experiences only. As this podcast has been prepared without considering your objectives, financial situation or needs, you should, before acting on the content consider its appropriateness to your circumstances. CommBank does not necessarily endorse the views of a particular individual or guarantee the accuracy of the information provided.

Today on Lets Talk we yarn to Yirrmal, a Yolngu … Continued

Entering the world of inclusivity… I don't even know the ‘right' words to say when it comes to inclusion, people of colour and honouring the land I grew up on or reside on… I'm lost… I was part of an inclusivity training a few months ago. Even though I am of Chinese ethnicity, I grew up in Melbourne, Australia with Malaysian-Chinese parents who spoke English at home because their dialects were completely different (Hokkien and Cantonese). I was one of three asians in a class of caucausians. I took part in a retreat in Darwin with the Yolngu people of Elcho Island 2 years ago… and I was lost, and ashamed at how little I knew in the space I found myself in… I'm at the start of my journey learning about how to speak about this topic, how to honour the land and the people… This is an off the cuff recorded conversation with the beautiful Jodie Treanor. We met one week prior and she was my safe person to start the journey describing my NZ origins and I am forever grateful. I am sure this is just the start. I'm sure if I feel this way some of you also feel this way. I realise with anything, it's about starting. Now I have the desire after so many years. Jodie has kindly left her details below and the template that she discussed on our call. As always I love if you reach out to my guests and of course if you are after assistance and you feel that Jodie is the person who can help you please reach out. Pepeha Template: HERE We always appreciate a 5 star rating, review or for you to share with your friends. To watch the video version of this Podcast head to my YouTube channel https://www.youtube.com/channel/UCTpnN0BqACf-K15rCsgruuA To find out more about Jin https://drjinong.com For group courses and trainings https://theartoflisteningtoyourbody.com

This episode is dedicated to the late Uncle Archie Roach.Garma is Australia's premier Indigenous event, a celebration of the cultural, artistic and ceremonial traditions of the Yolngu people.Over four days in remote Arnhem Land, guests are immersed in the rich cultural heritage of Yolngu hosts, experiencing traditional miny'tji (art), ancient story-telling, manikay (song) and bunggul (dance). The over-riding artistic vision and cultural mission of Garma are to provide a contemporary environment for the expression and presentation of traditional Yolngu knowledge systems and customs and to share these practices in an authentic Yolngu setting.Garma is a window into a slice of life not often seen outside of remote communities, and guests often describe it as a life-altering experience. Garma has the ability to transcend colour, creed and race. Many of our supporters recognise how valuable these ingredients are in shaping the future of our nation. The Garma gathering brings together business leaders, international political leaders, intellectuals, academics and journalists to discuss the most pressing issues facing Australia.The eclectic mix of Yothu Yindi Foundation stakeholders and Garma participants and guests, despite its very remote location, makes northeast Arnhem Land the place to be each year. In the afternoon the call of the yidaki (didjeridoo) announces the start of Garma, the largest and most vibrant annual celebration of Yolngu (Aboriginal people of northeast Arnhem Land) culture. The ancient sound of the Yidaki (didjeridoo) is a call to all people to come together in unity; to gather for the sharing of knowledge and culture; to learn from and listen to one another. Garma incorporates visual art, ancient storytelling, dance – including the famous nightly bunggul and music, forums and education and training programs relevant to cultural tourism, craft, governance and youth leadership.Recommendations throughout this episode: https://www.yyf.com.au/Music by Uncle Archie Roach: Song - My Grandmother - https://music.apple.com/au/album/my-grandmother/1365972608?i=1365974285Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

This episode is dedicated to the late Uncle Archie Roach.Garma is Australia's premier Indigenous event, a celebration of the cultural, artistic and ceremonial traditions of the Yolngu people.Over four days in remote Arnhem Land, guests are immersed in the rich cultural heritage of Yolngu hosts, experiencing traditional miny'tji (art), ancient story-telling, manikay (song) and bunggul (dance). The over-riding artistic vision and cultural mission of Garma are to provide a contemporary environment for the expression and presentation of traditional Yolngu knowledge systems and customs and to share these practices in an authentic Yolngu setting.Garma is a window into a slice of life not often seen outside of remote communities, and guests often describe it as a life-altering experience. Garma has the ability to transcend colour, creed and race. Many of our supporters recognise how valuable these ingredients are in shaping the future of our nation. The Garma gathering brings together business leaders, international political leaders, intellectuals, academics and journalists to discuss the most pressing issues facing Australia.The eclectic mix of Yothu Yindi Foundation stakeholders and Garma participants and guests, despite its very remote location, makes northeast Arnhem Land the place to be each year. In the afternoon the call of the yidaki (didjeridoo) announces the start of Garma, the largest and most vibrant annual celebration of Yolngu (Aboriginal people of northeast Arnhem Land) culture. The ancient sound of the Yidaki (didjeridoo) is a call to all people to come together in unity; to gather for the sharing of knowledge and culture; to learn from and listen to one another. Garma incorporates visual art, ancient storytelling, dance – including the famous nightly bunggul and music, forums and education and training programs relevant to cultural tourism, craft, governance and youth leadership.Recommendations throughout this episode: https://www.yyf.com.au/Music by Uncle Archie Roach: Song - My Grandmother - https://music.apple.com/au/album/my-grandmother/1365972608?i=1365974285Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

This episode is dedicated to the late Uncle Archie Roach.Garma is Australia's premier Indigenous event, a celebration of the cultural, artistic and ceremonial traditions of the Yolngu people.Over four days in remote Arnhem Land, guests are immersed in the rich cultural heritage of Yolngu hosts, experiencing traditional miny'tji (art), ancient story-telling, manikay (song) and bunggul (dance). The over-riding artistic vision and cultural mission of Garma are to provide a contemporary environment for the expression and presentation of traditional Yolngu knowledge systems and customs and to share these practices in an authentic Yolngu setting. Garma is a window into a slice of life not often seen outside of remote communities, and guests often describe it as a life-altering experience. Garma has the ability to transcend colour, creed and race. Many of our supporters recognise how valuable these ingredients are in shaping the future of our nation. The Garma gathering brings together business leaders, international political leaders, intellectuals, academics and journalists to discuss the most pressing issues facing Australia.The eclectic mix of Yothu Yindi Foundation stakeholders and Garma participants and guests, despite its very remote location, makes northeast Arnhem Land the place to be each year. In the afternoon the call of the yidaki (didjeridoo) announces the start of Garma, the largest and most vibrant annual celebration of Yolngu (Aboriginal people of northeast Arnhem Land) culture. The ancient sound of the Yidaki (didjeridoo) is a call to all people to come together in unity; to gather for the sharing of knowledge and culture; to learn from and listen to one another. Garma incorporates visual art, ancient storytelling, dance – including the famous nightly bunggul and music, forums and education and training programs relevant to cultural tourism, craft, governance and youth leadership.Recommendations throughout this episode: https://www.yyf.com.au/Music by Uncle Archie Roach: Song - My Grandmother - https://music.apple.com/au/album/my-grandmother/1365972608?i=1365974285 Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

有專家指，伽馬文化藝術節（Garma Festival）的意義可以追溯到幾百年前，與擁有這片土地的雍古族（Yolngu）、來自中國及印尼的望加錫商人之間的貿易關係有關。 伽馬儀式最初更是為了迎接和中國貿易有關的望加錫船隊的歡迎儀式。

A prominent Yolngu leader calls the prime minister's plans for Indigenous constitutional change 'hopeless'; An election threatens the stability of Senegal as president Macky Sall tries to control the growing opposition; In sport, swimmer Emma McKeon breaks the record for the Australian with the most gold medals at the Commonwealth Games.

'We live right in the middle of tragedy. that's our daily life'. This week we are joined by Richard Trudgen, author of Why Warriors Lie Down and Die and long-time community educator working with the Yolngu people of Arnhem Land, Northern Australia. Sign up to our mailing list: https://landing.mailerlite.com/webforms/landing/c1u1n9 Visit: www.worldwild.org.uk

Broc Martin is an Aboriginal Man from the Punthamarra Mithaka people in southwest Queensland Australia. He currently lives on Elcho Island, off the north of Australia in a remote Aboriginal community. He moved there to be a health coach to support the Yolngu people in making healthy lifestyle changes. Broc is a nature enthusiast passionate about holistic health and being of service to others in supporting them on their journey to accessing their own inner wisdom and power.  Broc has an amazing story and he took part in my practitioner training as a health coach in 2020.- he will be sharing his own pain story and how techniques learned in the last 6 months has helped him to release suppressed emotions and how his life has changed as a result of applying this work into his life and others. Broc goes pretty deep in this podcast and has had a range of experiences in his life. Many of the topics and stories he covers may trigger and upset you. I don't want to tell you what he covers as he has told the story from his heart. As with all my guests it's not easy to share on such a public platform, but they do because of the change they've been able to create in their lives. Broc shares his contact details on the podcast but his email has changed to ketoriginal@icloud.com please reach out to him if you feel compelled after you've had a listen. You can also find Broc on instagram @ketoriginal87

This week, we're getting spooky on Halloween, rocking out to Yolŋu tunes and visiting a Starman, waiting in the sky…

Today on News Time, we talk about the Black Lives Matter movement and why people are protesting around the world...

In episode eight of Frontier War Stories Boe Yarns with Paddy Gibson activist and Senior Researcher, from Jumbunna Institute for Indigenous Education and Research at the University of Technology Sydney. Preventing the Punitive Expedition Planned (Massacre) in Arnhem Land in 1933, after the killing of a police officer by Yolngu leader Dhakiyarr Wirrpanda who fatally speared a NT police officer Constable McColl. Now, both the NT Administration and the Department of the Interior in Canberra began to prepare a “punitive expedition” that would ride into Arnhem Land and “teach the natives a lesson”. Dhakiyarr's act of resistance inspired an unprecedented movement of support for Aboriginal rights across broad sections of Australian society.  

Eora means 'first people' in the language of the Darug, traditional owners of the land the Australia National Maritime Museum museum now stands on. Join us with Beau James for an interpretive description of some of these precious works. The EORA First People Exhibition takes us on a journey from Tasmania to Far North Queensland and the Torres Strait, exploring this deep connection through art and adornments. EORA First People Exhibition works   EORA First People Exhibition works include: Elaborately carved and painted Pukumani burial poles from the Tiwi people Hollow log coffins decorated with the story of Mäna, the shark. Following a funeral ceremony still practised today, the bones of the deceased are placed in the top of the log coffin. Ceremonial sculptures and handwoven works from Arnhem Land and Cape York Delicate shell work from Tasmania Spectacular headdresses, body ornaments and dance machines of the Torres Strait. A SPECIAL FEATURE: SALTWATER - YIRRKALA BARK PAINTINGS OF SEA COUNTRY This series of paintings explains the spiritual and legal basis of the Yolngu's claim on the Saltwater Country of north-east Arnhem Land. The stories were painted to teach the Balander (stranger or white people) about the lore and law of the Yolngu people. The collection is a record of sacred lore based on the wisdom of thousands of lifetimes. "... They represent a social history; an encyclopaedia of the environment; a place; a site; a season; a being; a song; a dance; a ritual; an ancestral story and a personal history." - Djon Mundine, OAM, Aboriginal curator, on the Saltwater paintings. The EORA FIRST PEOPLE EXHIBITION  is a small sample from over 4000 pieces from the local people that include Burial poles from northeast that were placed around a burial site Hollow log coffins with intricate designs and totems Saltwater barks created by local elders sharing the stories of poachers and showing secrecy designs. Beau shares the intricate stories with us of how the barks portrayed the person they are and who they are related to within some of the barks. The 80 barks were also used to help prove their connection to the land and the bark paintings were used in a court case to help claim sea rights for the local people from that country.    Bark gathering is hard work, and then the bark is used and worked to have a vibrancy that shares the connection to the country, and many are preserved over time at the gallery. The waters around give story and meaning, and the fibres used also include spinifex. Stories emerged from looking out into the area and observing the local animals including the stingray as that area could be someone's totem, and therefore this area is someone's responsibility to look after the nests of that area as they could become the voice of that country and the voice of that nesting area. Saltwater or freshwater people Precious objects were carefully around the grave to help with the journey into the next life, and then bags could be placed on or near totem poles so that a person's story and connection are taking them to the other side and so there is definite a connection on the journey into the next life. The Tasmanian section Massacres wiped out many people in Tasmania, and the seaweed baskets and the shell necklaces are an essential part of the collection from this country. Baskets from this collection were also used to carry clams and oysters, and Eel traps were utilised along with sardine scoops.     More details can be found on the website below. WARNING: This website may contain the names, images and artworks of deceased people which may cause sadness or distress to Aboriginal and Torres Strait Islander People.

Actress Naomie Harris talks about her latest role in Brad Peyton's big-screen video game adaptation Rampage, which sees her fighting a trio of oversized genetically-modified predators alongside Dwayne 'The Rock' Johnson. Has it got harder for working class talent to make a career on stage and screen? This week the Anna Scher Theatre School, which is responsible for launching the careers of working class actors such as Kathy Burke, Daniel Kaluuya and Adam Deacon, celebrates 50 years, and there are calls for drama schools to remove audition fees to boost access to more formal training. To discuss how working class talent can thrive in 2018 we are joined by director Asif Kapadia, producer Rebecca O'Brien and actor Johnny Harris.The aboriginal singer Gurrumul died last year at the age of 46. Before his death, the highest-selling indigenous musician of all time had spent four years working on his album Djarimirri with his long-term friend, producer and manager Michael Hohnen. On the line from Sydney, Michael reflects on Gurrumul's life, music and early death, as well as the richness and influence of Gurrumul's own Yolngu culture.Presenter: Kirsty Lang Producer: Hannah Robins.