Podcasts about winnie the pooh

Have any questions, insights, or feedback? Send me a text!Mishlei 25:27 - Mussar for Winnie-the-Pooh (Part 4)אָכֹל דְּבַשׁ הַרְבּוֹת לֹא טוֹב, וְחֵקֶר כְּבֹדָם כָּבוֹד:Length: 29 minutesSynopsis: This morning (6/4/26), in our Morning Mishlei shiur, we wrapped up our discussion of this honey-themed pasuk with the Rambam's interpretation in the Moreh ha'Nevuchim, after first briefly discussing the Ralbag's similar approach. We didn't have time to delve TOO deeply into the Rambam - something I plan to do in my women's shiur tonight on the Arbaah Nichnesu l'Pardes - but we still gleaned some insightful and helpful takeaways.---מקורות:משלי כה:כזרלב"גרמב"ם - מורה הנבוכים א:לב (Goodman + Pines translations)חגיגה דף יד עמוד ב-----The Torah content for this month has been sponsored by Meir Areman, l'zeicher nishmas Zelda bas Ziesel, his grandmother, whose yahrzeit is on the 21st of Sivan.-----If you've gained from what you've learned here, please consider supporting my work via Patreon, Venmo, Zelle, or PayPal — links below. Even a small contribution helps cover production costs and gives me the freedom to create more Torah content. To sponsor a day's or week's worth of content, or to inquire about tutoring or teaching, reach me at rabbischneeweiss at gmail. Thank you for listening, reading, and supporting my efforts to make Torah ideas available and accessible to everyone.Patreon | [Venmo: @Matt-Schneeweiss] | [Zelle/PayPal: mattschneeweiss at gmail]Substack | YouTube | YUTorah | InstagramPodcasts: The Stoic Jew | Machshavah Lab | The Mishlei Podcast | Rambam Bekius | The Tefilah PodcastWhatsApp Content Hub | Old Blog | Amazon Wishlist

Have any questions, insights, or feedback? Send me a text!Mishlei 25:27 - Mussar for Winnie-the-Pooh (Part 3)אָכֹל דְּבַשׁ הַרְבּוֹת לֹא טוֹב, וְחֵקֶר כְּבֹדָם כָּבוֹד:Length: 46 minutesSynopsis: This morning (6/3/26), in our Morning Mishlei shiur, we continued last week's pasuk where we left off: mid-Meiri. We learned through his first derech nistar approach in-depth, which was fantastic, then read through his second one and set it aside because it more-or-less follows the Rambam we plan to do tomorrow, and then we learned through his treatment of the "sugya" of honey in Mishlei - a masterful analysis of the three seemingly contradictory pesukim about honey in chapters 24-25. This, too, was very much in line with the Rambam's approach, which makes me even more excited to take it up tomorrow! (בג"ה)---מקורות:משלי כה:כזמאירירמב"ם - משנה תורה: ספר המדע, הלכות דעות פרק גירושלמי קידושין ד:יב-----The Torah content for this month has been sponsored by Meir Areman, l'zeicher nishmas Zelda bas Ziesel, his grandmother, whose yahrzeit is on the 21st of Sivan.-----If you've gained from what you've learned here, please consider supporting my work via Patreon, Venmo, Zelle, or PayPal — links below. Even a small contribution helps cover production costs and gives me the freedom to create more Torah content. To sponsor a day's or week's worth of content, or to inquire about tutoring or teaching, reach me at rabbischneeweiss at gmail. Thank you for listening, reading, and supporting my efforts to make Torah ideas available and accessible to everyone.Patreon | [Venmo: @Matt-Schneeweiss] | [Zelle/PayPal: mattschneeweiss at gmail]Substack | YouTube | YUTorah | InstagramPodcasts: The Stoic Jew | Machshavah Lab | The Mishlei Podcast | Rambam Bekius | The Tefilah PodcastWhatsApp Content Hub | Old Blog | Amazon Wishlist

Another month has passed at the Talking Simpsons Network, and that means we've got another awesome podcast about an animated feature film! This month, our $10 Patreon subscribers get to hear us talk about 2011's Winnie the Pooh! Listen now to this free extended preview, and then subscribe at the $10 level (or up your current pledge to $10) to hear the whole thing and all of our previous What A Cartoon Movie podcasts. Sign up today! And if you want to check out our initial history of Winnie the Pooh, listen to this 2019 episode of What A Cartoon: What A Cartoon - Winnie the Pooh and Tigger Too

We present part two of our Winnie the Pooh 55th anniversary tributeApril 2021 -  For the second installment of our extensive look at Walt Disney's Winnie the Pooh, we begin with the release of the full-length animated feature, "The Many Adventures of Winnie the Pooh," in 1977. We then continue on to the various forms of media where our friends from the Hundred Acre Wood have been featured throughout the decades, including TV series, direct-to-video films, theatrical releases, and theme park attractions. To close out the show we then share our favorite characters and favorite songs, So be sure to bring along a small smackerel of "hunny," and sit back for another adventure with our pals from Pooh Corner... Download (right click / save as)Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!! https://jcpodcast.threadless.com/​ If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month. https://www.patreon.com/DisneyChris​

Have any questions, insights, or feedback? Send me a text!Mishlei 25:27 - Mussar for Winnie-the-Pooh (Part 2)אָכֹל דְּבַשׁ הַרְבּוֹת לֹא טוֹב, וְחֵקֶר כְּבֹדָם כָּבוֹד:Length: 29 minutesSynopsis: This morning (5/28/26), in our Morning Mishlei shiur, we quickly reviewed yesterday's approach, then learned Saadia Gaon's commentary (which answered a question we raised yesterday) and two approaches from the Meiri. I don't want to say that we got sidetracked, but we did get depthtracked. That's okay, because I want to spend an additional week on this pasuk. Great ideas so far!---מקורות:משלי כה:כזפירוש רס"גמאירירמב"ם - אבות א:יח-----The Torah content for this month has been sponsored by Meir Areman, l'zeicher nishmas Zelda bas Ziesel, his grandmother, whose yahrzeit is on the 21st of Sivan.-----If you've gained from what you've learned here, please consider supporting my work via Patreon, Venmo, Zelle, or PayPal — links below. Even a small contribution helps cover production costs and gives me the freedom to create more Torah content. To sponsor a day's or week's worth of content, or to inquire about tutoring or teaching, reach me at rabbischneeweiss at gmail. Thank you for listening, reading, and supporting my efforts to make Torah ideas available and accessible to everyone.Patreon | [Venmo: @Matt-Schneeweiss] | [Zelle/PayPal: mattschneeweiss at gmail]Substack | YouTube | YUTorah | InstagramPodcasts: The Stoic Jew | Machshavah Lab | The Mishlei Podcast | Rambam Bekius | The Tefilah PodcastWhatsApp Content Hub | Old Blog | Amazon Wishlist

All Set! rounds up a fresh mix of things to do this long weekend, from Winnie The Pooh-themed high teas at SKAI to arts performances under Pulau Ubin’s night skies. Lynlee Foo and producer Alexandra Parada also weigh in on which events they’d actually turn up for themselves from rooftop tea sessions and thrift market browsing to late-night island performances and vinyl crate digging weekends.See omnystudio.com/listener for privacy information.

Have any questions, insights, or feedback? Send me a text!Mishlei 25:27 - Mussar for Winnie-the-Pooh (Part 1)אָכֹל דְּבַשׁ הַרְבּוֹת לֹא טוֹב, וְחֵקֶר כְּבֹדָם כָּבוֹד:Length: 46 minutesSynopsis: This morning (5/27/26), in our Morning Mishlei shiur, we began learning a cryptic pasuk about eating too much honey - the second instance of this theme in our perek. We came up with four quite different original approaches. Tomorrow (בג"ה) we'll turn to the meforshim.---מקורות:משלי כה:כזתרגום רס"גתרגום כתוביםרמב"ם - משנה תורה: ספר המדע, הלכות דעות ב:ג; ו:בסוטה דף ה עמוד א-----The Torah content for this month has been sponsored by Meir Areman, l'zeicher nishmas Zelda bas Ziesel, his grandmother, whose yahrzeit is on the 21st of Sivan.-----If you've gained from what you've learned here, please consider supporting my work via Patreon, Venmo, Zelle, or PayPal — links below. Even a small contribution helps cover production costs and gives me the freedom to create more Torah content. To sponsor a day's or week's worth of content, or to inquire about tutoring or teaching, reach me at rabbischneeweiss at gmail. Thank you for listening, reading, and supporting my efforts to make Torah ideas available and accessible to everyone.Patreon | [Venmo: @Matt-Schneeweiss] | [Zelle/PayPal: mattschneeweiss at gmail]Substack | YouTube | YUTorah | InstagramPodcasts: The Stoic Jew | Machshavah Lab | The Mishlei Podcast | Rambam Bekius | The Tefilah PodcastWhatsApp Content Hub | Old Blog | Amazon Wishlist

Matt Haig was already several books into his career as a writer by the time he published “The Midnight Library” in 2020. One of those books, the 2015 memoir “Reasons to Stay Alive,” had even been a best seller in England, his home nation. Yet, “The Midnight Library” was a true breakout phenomenon. The novel, about a depressed woman who, after deciding to end her own life, ends up in a magical library in which every book presents her with an alternative life, eventually sold more than 10 million copies worldwide. The author's new book, “The Midnight Train,” takes place on a parallel track. In it, an older man dies and finds himself on a train, able to revisit key moments in his life on his way to the hereafter. Like its blockbuster sibling, the book is concerned with questions of gratitude, regret and perspective. Haig joined the “Book Review” podcast and spoke to the host, Gilbert Cruz, about his new book and why he returned to the world of “The Midnight Library.” If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources. Books Discussed on This Episode “The Midnight Library,” by Matt Haig “Reasons to Stay Alive,” by Matt Haig “The Labrador Pact,” by Matt Haig “Winnie-the-Pooh,” by A. A. Milne “The House at Pooh Corner,” by A. A. Milne “Alice's Adventures in Wonderland,” Lewis Carroll “The Outsiders,” by S. E. Hinton “Walden,” by Henry David Thoreau “Paris Trance,” by Jeff Dyer “Invisible Cities,” by Italo Calvino “The Invisible Life of Addie LaRue,” by V. E. Schwab “The History of Love,” by Nicole Krauss “We Burned So Bright,” by T. J. Klune “A Novel Love Story,” by Ashley Poston “The Someday Garden,” by Ashley Poston Listen to and Follow the ‘Book Review' Podcast Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. We Want to Hear From You We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to thebookreview@nytimes.com. Credits The “Book Review” podcast is hosted by Gilbert Cruz and produced by Sarah Diamond, Amy Pearl, and Patricia Sulbarán. The show is edited by Larissa Anderson and mixed by Pedro Rosado. Special thanks to MJ Franklin, Dahlia Haddad, and Brooke Minters. Illustration by The New York Times; Photo: Andrew Testa for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Daily Dad Jokes (09 May 2026) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Shower Thoughts Podcast: We have another podcast called Daily Shower Thoughts, showcasing random, amusing and mind bending epiphanies. Search "Daily Shower Thoughts" in your podcast player or click here Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: prankerjoker, Healthy_Ladder_6198, HF_Thom, TRAKRACER, Lucky_Middle_5525, TRAKRACER, I_didnot_know, IEnjoyDadJokes, andersonfmly, HarpyGravey, dadjokeschannel, Masselein, , brodino_maiuscolo, MedicTillar, jobosapien89, FSM89, shebasmum49, WarmFishMiIkshake, Seeyalaterelevator Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (09 May 2026) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Shower Thoughts Podcast: We have another podcast called Daily Shower Thoughts, showcasing random, amusing and mind bending epiphanies. Search "Daily Shower Thoughts" in your podcast player or click here Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: prankerjoker, Healthy_Ladder_6198, HF_Thom, TRAKRACER, Lucky_Middle_5525, TRAKRACER, I_didnot_know, IEnjoyDadJokes, andersonfmly, HarpyGravey, dadjokeschannel, Masselein, , brodino_maiuscolo, MedicTillar, jobosapien89, FSM89, shebasmum49, WarmFishMiIkshake, Seeyalaterelevator Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapters 6 & 7 from A. A. Milne's beloved collection of short stories following the adventures of Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. Charmingly rendered by acclaimed vocal artist Christopher Lane, this episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz plus “The Hundred Acre Woods” theme song composed by Richard C. Washer. 

On our April 1st 2021 episode we celebrated Disney's 55th anniversary with the Winnie the Pooh characters. Five years later, it is time to celebrate Winnie the pooh once again, for his 60th Disney anniversary!April 2021 - DisneyChris, Ruthie and Brain bring you the in depth story behind the story of the many adventures of Winnie the Pooh and all his lovable friends from the Hundred Acre Wood, in celebration of Walt Disney's 55th anniversary of  providing beloved content based on the whimsical books by author A.A. Milne. They first bring you the origin story and a background of how Disney first got evolved in the Pooh franchise, then discuss all the wonderful voice actors involved in the Winnie the Pooh animated shorts. They then discuss the first three original Winnie the Pooh cartoons and how the Disney Parks and the word outside the Hundred Acre Wood was enchanted by these simple tails of childhood wonder and imagination. So grab yourself a big pot of hunny, sit back and relax for this deep dive into the marvelous stories of Pooh and all his friends. Download (right click / save as)Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!! https://jcpodcast.threadless.com/​ If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month. https://www.patreon.com/DisneyChris​

Pooh Sticks looks like a simple game, until you're standing on the real bridge where it all started, in Ashdown Forest watching your stick float on the water underneath the slats and realising Winnie the Pooh began right here in a living landscape. Join Adventurer Phoebe Smith as she travels to East Sussex to find the real Hundred Acre Wood behind the 100 year old Winnie-the-Pooh story. Along the way she meets the people who protect it today and learns why the open heathland – rarer than tropical rainforest – needs our help. Also coming up:Author and dog-friendly travel specialist Lottie Gross on the best and worst countries in Europe for taking your canine companion toTravel Hack: How to travel like Pooh Bear10 literary destinations lifted straight out of your favourite children's booksMeet the woman who has dedicated her life to helping stray dogs and the volunteers who look after them in Greece through the charity Starlight BarkingGear chat: what to pack in destinations with a large stray dog packsSimona Kossak – who lived in a hut in Poland's Białowieża Forest with a lynx, boar and crow – is our Wander Woman of the Month.If Pooh's wisdom and legacy helps you plan your next trip do subscribe, share with a friend who needs some inspiration, and leave a quick review to help more travellers find us. Now pull on your big boots and get ready for your next adventure to happen...Contact Wander Womanwww.Phoebe-Smith.com; @PhoebeRSmith

Winnie-the-Pooh first appeared in book form in 1926, and the fictional teddy bear has only grown more beloved in the century since. Author Gyles Brandreth joins Piya Chattopadhyay to explore how the "pure happiness" and childhood innocence that Pooh and his friends represent help explain the enduring appeal, and why creator A.A. Milne and his son – the real-life Christopher Robin – had a love-hate relationship with Winnie-the-Pooh.

Host Piya Chattopadhyay speaks with economists Randall Bartlett and Jim Stanford about Canada's financial future and how to weather the economic challenges we faceLexicographer Kory Stamper explores the rich history of how Merriam-Webster dictionaries have defined colours, and what it reveals about the craft of definition itselfJournalist Tyler Dawson breaks down the history of Alberta's separatist sentiments, and why they're different todayAuthor Gyles Brandreth reflects on why Winnie-the-Pooh endures, 100 years after the fictional teddy bear made his book debut

Heidi Swain on Walking on Sunshine: A Story of New BeginningsIn this uplifting episode, Heidi Swain joins Helen to discuss her latest novel, Walking on Sunshine. We follow Tilly as she returns to her childhood village after the loss of her father, navigating grief, rediscovering home, and finding the courage to start again.Heidi shares the inspiration behind the story, the importance of setting in her writing, and how themes of friendship, community, and resilience shape her work. She also offers insight into her creative process and reflects on the joy of telling stories that bring comfort and hope.To discover more of Heidi's books head to her website: https://heidiswain.co.uk/What we talk about:The story behind Walking on SunshineWriting about grief, home, and new beginningsThe power of place in storytellingHeidi's creative process and inspirationsBooks that shaped HeidiOf course, no episode of Best Book Forward is complete without book recommendations. Here are the books that have shaped Heidi, you'll find links to buy below:Winnie The Pooh by A.A. MilneIn and Out of the Garden by Sara Midda (currently out of print)A Room With A View by E.M. ForsterA Village Affair by Joanna TrollopeThe Darling Buds of May by H.E. BatesI'll be back next week with another author conversation, and I'd love for you to join me for that too.In the meantime, if you've enjoyed this episode, please subscribe, rate, and review Best Book Forward, and don't forget to tell your friends... it really helps new listeners discover the show.See you tomorrow, and happy listening.Listen & Subscribe Now:https://best-book-forward.captivate.fm/listenTo stay in touch with Best Book Forward news please follow me on Instagram @bestbookforward or visit my website: https://bestbookforward.org/

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, join the Powerleegirls Host Miko Lee speaks with children's book authors Lorraine Nam, Uma Krishnaswami and Maggie Tokuda-Hall about Library Joy in honor of National School Library Month! To Learn More Lorrraine Nam, illustrator and  author Michael Threet's book: I'm So Happy You're Here: A Celebration of Library Joy    Uma Krishnaswami Her books: Book Uncle Triology   Maggie Tokuda-Hall Her book: Love in the Library  Every Library Authors Against Book Bans   Show Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Ayame Keane-Lee: Welcome to tonight's episode of Apex Express Celebrating Library Joy. I'm Ayame Keane-Lee the editor of tonight's show, and part of the PowerLeeGirls bringing you the introduction to tonight's show. Did you know that April is National School Library Month and in just 10 days from April 19th to 25th is National Library Week? The theme for this year's National Library Week is Find Your Joy with Honorary Chair Mychal Threets. The first of three interviews you'll hear my mom, Miko Lee have tonight is with Lorraine Nam the illustrator for the newly released children's book written by that very Mychal Threets called, “I'm So Happy You're Here”. You will then hear Miko speak with Uma Krishnaswami about her children's book “Book Uncle and Me,” and lastly with Maggie Tokuda-Hall about her children's book, “Love in the Library,” and the important work of Authors Against Book Bans. As a library kid and current library worker, I have experienced firsthand the transformative power of library access and the importance of inclusive and diverse storytelling. In and out of schools, libraries are vital to nurturing and uplifting the autonomy and sovereignty of children, which always has and continues to be a liberatory practice. We hope tonight's show will inspire you right into your local library to check out some of the great books mentioned here or to put them on hold. Let's listen in.    [00:02:06] Miko Lee: Welcome, Lorraine Nam, illustrator of amazing  children's books. Welcome to Apex Express.    [00:02:13] Lorraine Nam: I'm excited to be here.    [00:02:16] Miko Lee: I wanna start with a question I ask all of my guests, which is, who are your people and what legacy do you carry with you?    [00:02:24] Lorraine Nam: Who are my people? I would say creative people. People who are interested in having an open mind, and looking at the bright side of things, the beautiful things, people who are curious. The type of legacy that I bring I think is just my parents who are creative and then bringing that, to this new generation.    [00:02:57] Miko Lee: Thank you for sharing. I am, I'm looking at your beautiful face, and behind you is this, find your joy and, and it's in lots of colors on this pink banner and in at the top we see opening up of a library door with Mychal Threets, who's the author of this book, “I'm So Happy You're Here: A Celebration of Library Joy.” I'm wondering if you can talk about your collaborative process with Mychal Threets.    [00:03:25] Lorraine Nam: The first impression that you have of writer and illustrator for a picture book is that they work really closely together, and that's actually not the case. We work pretty separately, but I was very excited. Mychal wrote the words to this book and they were looking for an illustrator and my agent called me and she asked me if I was interested. I was very excited about the project. I signed up for it and we worked pretty separately. We connected on Instagram, but he pretty much had no art notes, everything was pretty much whatever I was open to. Then we met for the first time and we got our very first copy of the book and we met in New York.    [00:04:10] Miko Lee: And what was that like?    [00:04:12] Lorraine Nam: Um, amazing. He is exactly who he is in his videos.    [00:04:18] Miko Lee: Can you share for our audience who he is and a little bit more about him, just in case folks don't know.   [00:04:24] Lorraine Nam: The book calls him a librarian ambassador. He describes himself as a reader, a lover of librarians or the number one fan of libraries. This is his first book and he's also the host of Reading Rainbow on PBS. We met at the New York Library, public Library for the first time, and he's just so nice, very kind. Honestly, it felt like we already knew each other just because we had been talking through the publisher about the book.   [00:05:02] Miko Lee: Thank you for sharing. It's so beautifully illustrated and you have a incredibly diverse,, amount of people in the book, both racially but also physically, and I really appreciate how you encapsulated that. I'm just wondering what inspired you to develop this specific imagery for this book?    [00:05:22] Lorraine Nam: Yeah, so one of the only stipulations in the art notes was that he wanted to have a diverse group of people attending the library. People of all ages of all color, all sizes, all disabilities. That seemed like a no brainer to me because I just know the message that he puts into the world. The only difficult part was narrowing down the cast. There's all these different types of people and just trying to figure out who to focus on. I wanted to make sure that you still see the same group of kids over and over. So it felt like you were following the along throughout the day, while still having lots of diversity and lots of different types of people.    [00:06:11] Miko Lee: Had you set what the cover was gonna be at the beginning or did that come after you had already finished the whole book?   [00:06:19] Lorraine Nam: Oh, that came much later. We pretty much had the art for the interior nailed down, and then we were working on concepts for the cover. I knew from Mychal's social media presence that maybe he didn't want to be the poster cover of the book. He wanted to be about the library goers and the people rather than himself. And so I was kind of towing that line of like obviously people wanna see him, it's his first book. They're such huge fans, and so like how much to put Mychal in and how much to showcase him, as well as showcase like all the other people who go to the library.   [00:07:02] Miko Lee: He definitely does have a joyous kind of ebullient vibe to him. I recommend for audience to check out his socials because he has this, you wanna listen to him. He's so inviting and I love the poster behind you because he is saying, like, “welcome, come into the library. This is my world.” And you also made him look so cute. Really looks like a cartoon version of him. So sweet. In your artistic process, I'm wondering what helps you define the style of art you utilize? I'm thinking about the paper cutouts that you did for a tale of two princes. What is it about the work that inspires you to select that type of style?   [00:07:43] Lorraine Nam: I actually had a very winding path to the style that I have today. So the style that I have today is very much layered. It's painted, a lot of it is painted. And then I cut it out and then I glue and collage different elements, and then I scan everything in and enhance certain aspects through Photoshop. But a lot of it started actually in wanting to make a physical book. So it was with book binding and then with book binding, because that's just a technique to produce a product, it was what goes in those pages and that's when I started doing cut paper. So just silhouetted, cut paper. And I was doing that for a long time, just cutting out rice paper to make silhouettes. I wanted to tell more of the story and depict people. So then I started making paper cut [laughs] sets. So I would build —almost like Legos— a whole set of paper buildings and paper people and paper objects that are three dimensional. And then I would photograph them. And then from there, I landed in this more 2D, but playing with still technique and texture and layers.    [00:09:10] Miko Lee: Wow, that's so interesting. Can you share a little bit more about your artistic process? Do you start at a certain time of day? Do you only work at night? Do you have a whole studio set up?   [00:09:20] Lorraine Nam: well, For the book projects because there's such a timeline to 'em and they're very specific. I'll do very loose sketches on Post-it notes. They're readily available and then you can stick two of them next to each other to make a full spread. I use these post-its, and then I would just fold them in half and use that as like very quick pencil drawings. And then if I had something that I liked, I would just go in and pen. But they were still very small. So it was more about looking at silhouettes and composition. And then I would print, it's a very old school technique, but I would print out all the text for the book and cut 'em out. And double sided tape and just stick them on to see where the text should be on the page and where it could fit. I would just do that manually until I had something that I liked a little bit more. Then I would start creating digital, like line drawings.    [00:10:21] Miko Lee: And are you lining this all up on a wall or putting it on the desk?   [00:10:26] Lorraine Nam: Um, so they're in like a notebook.    [00:10:29] Miko Lee: Oh, you put 'em in book format?    [00:10:31] Lorraine Nam: It's all the spread. So it should take about two pages basically. You should be able to look at it and look at it from like an eagle eye perspective of what the entire book will look like and what the flow will be like, and if there's closeups or this is like a far away saying, you get more of the like, setting of the library.   [00:10:52] Miko Lee: And with the font printed out really small so that it's on the bottom of that Post-it note.    [00:10:56] Lorraine Nam: Mm-hmm.    [00:10:57] Miko Lee: Wow, that is so fascinating. And what is it when you're eagle eye-ing, what are you looking for?    [00:11:04] Lorraine Nam: I'm pretending that I'm a kid looking at a book for the first time, with zero context and maybe zero reading level skill and just looking at the pictures and seeing if I can spot the same character and if there is a story that follows along, because this is a library book where it doesn't talk about specific people. I wanted to be able to follow each character in the book and see what their day was like in the library. So when they first came into the library, what they were doing during the day, what friends they made, and then maybe them leaving or, you know, a resolution of some kind, like their parents are checking out symbols at the library.    [00:11:52] Miko Lee: the concept of having the character go throughout the book. Was that in the instruction or was something that you created.   [00:11:59] Lorraine Nam: That was something that I wanted. Because I know looking at picture books, the pictures can also tell a story where, the words, it might not be in the words. So I wanted there to be more of a layered storytelling through image.    [00:12:18] Miko Lee: I appreciate that as a mom. I remember when my girls were little, they would always say, where is that rabbit on the page? Or where is that thing? And so being able to track a character all the way through, is quite delightful. It adds another dimension for the multiple readings. You mentioned before about how you didn't really meet Mychal, the author of the book until the very end, and I guess that's common as an illustrator and you've worked with so many different experts in their fields from, physicist Neil Degrasse Tyson to Skater Nathan Chen. How is their very different fields, how does that impact your art making?    [00:12:57] Lorraine Nam: It's actually the most fun. It's what drew me to illustration in the first place. I love being able to do like a deep dive and a specific subject that I wouldn't necessarily have gravitated towards and do that research. I actually do go to the library. I start the process at the library and I look at all the books about that particular topic, and then see what other people have done. And so working on the book for Neil deGrasse Tyson, it was so much fun looking at different how space is depicted the idea of galaxies and making that tangible and real for kids. And then for Nathan Chen, I was already a fan before I got the project, so it was very easy. But watching the videos, seeing all the different techniques and for his book it was more looking at sports books. Because he's such a unique person in his specific field in figure skating that there weren't very many books on figure skating and most are of a female portrayal. I was looking more at sports and how people show different types of movement, , and show like form. And the more technical aspects that are very, very, very specific and very critical to those things.    [00:14:32] Miko Lee: And how did that manifest into your book?    [00:14:35] Lorraine Nam: Um, a lot of drawings of like, the breakdown of his jumps and trying to figure out can a child do this jump [laughs]? And also doing a lot of research 'cause he's a very private person. His book is not about him, it's not a biography, but it's also loosely based off of him. You know, I have two other siblings. If I had a book based off of me, I want my siblings to be involved and represented in that as well. So I included his family, even though they're not a huge part of the book, his siblings are not like big characters. But they're still represented in there. So he can still be like, oh that's my family. This is based off of my story.   [00:15:32] Miko Lee: So when you're doing these approaches, like including Nathan's family or in the library book, making sure characters go all the way through, is that something you have to check in with the writer about, to see if they're okay? Or is that something that you just do and then you submit and you see if they like it?   [00:15:50] Lorraine Nam: That's something that I do, that I find joy in and see. Usually the first eyes on my sketches are the publisher and the art director. And I actually have no idea what, at what stage they really share the sketches, if it's like at a more finalized stage or if it's an early on one, but I usually just go with my own ideas and see what they think about it.    [00:16:20] Miko Lee: Wow. I didn't know that you could have that much say into it. That's lovely. You talked a little bit about using the library for research. Gosh, I imagine that Neil deGrasse Tyson, there's so much research on it, that must have been a deep dive. I'm wondering what the library meant to you as a child.    [00:16:38] Lorraine Nam: Yeah. I grew up as a big reader. The library for me it was a magical space that I wasn't really sure what it was. My parents, because they grew up in Korea and moved here to the States, there was a big language barrier between us and they're also very not talkative people. They just took us to this place one day and it was our local public library and it was right before closing and we were able to check out as many books as we wanted in whatever type of book that we wanted. I felt like that was magical, that there was no limit to it.    [00:17:19] Miko Lee: My last question is, what are you working on now?    [00:17:22] Lorraine Nam: I'm working on a few books, actually. I'm juggling a few, but they're all very fun and different. I'm doing a book about a boy dreaming of flying, being a pilot. So I think that will be a really fun imaginative book.    [00:17:43] Miko Lee: What is one of your books that you would've liked to read to your younger self?    [00:17:50] Lorraine Nam: Mm, I probably Wei Skates On, the book with Nathan Chen. ‘Cause his story is about overcoming obstacles and being disappointed. And just feeling frustrated and upset. And I feel like that's an important lesson even in adulthood. It's not really resolved through words. It's more of like the, everyone is there for him, his family is there for him, and they all just want him to enjoy what he's doing and to not care about winning or losing.    [00:18:33] Miko Lee: Lorraine Nam, thank you so much for chatting with us about your work and about the library as a magical place, appreciate talking with you.    [00:18:42] Lorraine Nam: Thank you so much. I had so much fun talking with you.   [00:18:45] Miko Lee: Welcome, amazing award-winning children's book author Uma Krishnaswami, I'm so happy to have you here on Apex Express.   [00:18:54] Uma Krishnaswami: Miko, it's my pleasure to be here.    [00:18:57] Miko Lee: I wanted to start with a question I ask all of my guests, which is, who are your people and what legacy do you carry with you?    [00:19:05] Uma Krishnaswami: What a wonderful question. Who are my people? My people are children who are, my ideal readership is the eight to 12-year-old group. I write for children. I'm not particularly thinking about audience when I begin writing. But at some point I want my readership to feel validated, whether they recognize themselves as being in my stories or my stories are offering them a window into a world that they are not immediately familiar with. So I would say those are my people.    [00:19:45] Miko Lee: And what is the legacy that you carry with you?    [00:19:48] Uma Krishnaswami: I grew up in India. The year that I was born India had been independent for all of nine years. So I carry very much that colonial legacy. I also am an immigrant to two countries, early in my adulthood to the United States and about 12 years ago to Canada. So my legacy is one of moving and finding new roots, finding community. Those are the things that I try to carry forward in my stories. When I began writing, I lived in the US and I started writing when my son was born. So there I was with a little brown baby and I went looking for books that would represent him and I didn't find them. And I think that is what made me think in my early thirties that, real life people could write children's books because of course the books I had read as a child were all written by people from England and many of them were dead. I kind of thought you had to be dead and British to be a writer. So yeah, it's complicated, isn't it? All of that works into, what you think of as, as your legacy. Having done this for 30 plus years now.    [00:21:03] Miko Lee: And you've written so many beautiful books. Tell us about a little bit more about that first book.   [00:21:09] Uma Krishnaswami: So the very first book, it was called Stories of the Flood. I realized very quickly that I didn't really know what I was doing. I looked to folk tales and traditional tales as a way to teach me about story. My second book called The Broken Tusk Stories of the Hindu God Ganesha. That is the one that I consider as the book that taught me how to write. I had a wonderful editor [unintelligble] Thorpe at a small press in Connecticut, Linnet Books. She told me to lean into story and to see myself as a storyteller. In a way, every book I've written has taught me how to write.   [00:21:47] Miko Lee: Can you tell us about your favorite book as a kid?    [00:21:52] Uma Krishnaswami: My favorite book as a kid, it would have to be Winnie The Pooh.    [00:21:58] Miko Lee: And what was it about Winnie the Pooh that enamored you?    [00:22:01] Uma Krishnaswami: I came to it very early and aunt had traveled to England and she brought me my copy of winnie the Pooh in the House of Poo Corner. And I read them, sitting in very Indian gardens, sometimes up in trees. I spent lots of time up in trees and I took my own geography and placed it over the geography of the book. , So that for me, the a hundred acre wood had lime trees and banyan trees and possibly mango trees. It didn't occur to me, until much later when I read an Enid Blyton reader. I had my moment of disillusionment with Enid Blyton and that's when it really occurred to me that there was an us and a them in, in some of the storytelling I was consuming.   [00:22:49] Miko Lee: What age was that where you recognized that?    [00:22:51] Uma Krishnaswami: My post-colonial moment?    [00:22:53] Miko Lee: Yes.    [00:22:54] Uma Krishnaswami: I might have been a 11.    [00:22:56] Miko Lee: Oh, wow. And were you still living in India at that time?    [00:22:59] Uma Krishnaswami: Yeah, yeah. 11 was a very formative year for me. My grandfather passed away, so it sort of brought mortality , into the framework for me. Also that was my year of disillusionment with Blyton. 'cause I read The , river of Adventure. And the villain in it had my name. He was called. Uma, Raya or Raya Uma or something like that. And yeah, I was just shocked. Just totally shocked. It was pure coincidence, I'm sure. She probably just, pulled the name out of the air and plunked it in. But. I began to notice that he was described as dark skinned and he was described as cunning. All this language that had slid right past me before began to be apparent. So, yeah,    [00:23:47] Miko Lee: I love that. That is so amazing. This name, like what? That's my name as the villain.    [00:23:53] Uma Krishnaswami: I'm the Bad Guy. No, I'm not.    [00:23:56] Miko Lee: And all of your books are such a wonderful clap back to that because you have a multitude of characters and so many different worlds. Initially reached out to you because I started reading book Uncle this trilogy of books that are so lovely. Can you first share a little bit about what the Book Uncle's Trilogy is about.    [00:24:16] Uma Krishnaswami: Okay, so it didn't start out as a trilogy. It didn't even start out as a book. It started out as a short story and then it didn't quite fit. It wasn't a picture book. It seemed to have more layers than that, so it kind of grew. But what started Book Uncle and Me was I was visiting my parents in India. At the time, and I was on this very busy urban street and there was this kid sitting on this on the, on the sidewalk. Um, it was kind of a broken brick sidewalk, and she was sitting cross-legged right in the middle and she was reading book and she was just oblivious to the crowd going around her and the. Buses on the road and there were, you know, random goats and dogs running around and she just was ignoring everything and she was absorbed in her book. And I remembered that I had been that kind of reader as a child. There was an election going on at the time as well, and I thought, I wonder what would happen if I put those two things together. And that is how Book Uncle came to be.    [00:25:14] Miko Lee: And then there was just, you wanted to live in those characters more, so you ended up writing additional books?    [00:25:20] Uma Krishnaswami: Hmm and that's a very good question. And actually no, I didn't, I thought I was done. I wrote Book Uncle and Me back in, I'm say 2009, 2010, something like that. I probably started it in 2010. Um, it got published originally in India in 2012, I believe. And then it was picked up by Ground Wood in Canada and published in Canada and the US so North American edition in 2016. And I thought, you know, I'm done. I'm writing other things. And then come the pandemic and we're all in lockdown. And like a lot of writers, I was doing, um, many, many, virtual. Presentations and programs. Um, and I did something through the North Vancouver Public Library and, there were kids zooming in from, you know, some from home, some from their bubbles, some from classrooms, whatever. And we were talking about book uncle and one of the kids, I think in third grade maybe, she said, Are you gonna write a sequel? And I am just joshing, right? I am. I said, yeah, should I? And they're all going, yeah, you should. And you should write three because you've got three characters you should give them each a [story]. And I'm like, all right guys i'll think about it. I absolutely will but not really taking it seriously. And then as often happens. the session ended and, you know, there we were all in lockdown going nowhere. And I thought maybe, maybe there's something there. Maybe I could return to that. And in a way I was kind of intrigued because I hadn't, had never thought about a trilogy and I was interested in how that would play out. Um, and it was kind of a writing challenge to myself, but honestly, once I started writing Birds on the Brain, which was book two it just kind of, I hesitate to say wrote itself 'cause I, that just seems, you know, so kind of woo woo. But, um, it did, it did. Uh, the, the kid came in and she took over and then a bird flew onto the rooftop and there I was on my way. So that's the story of, of how that that happened. In retrospect, I'm really sorry I didn't ask that child's name because I would've absolutely loved to have acknowledged her in the book. But thank you child from North Vancouver, whoever you are.    [00:27:40] Miko Lee: That is so amazing. That's by request, by audience request. You fulfilled this goal of a trilogy and and I I love that they even said, not just a sequel, but a trilogy.    [00:27:52] Uma Krishnaswami: Oh, they were. Yeah. They had it. I mean, they had, then they, they figured it out, which was really lovely.    [00:27:58] Miko Lee: And those, that trilogy is really geared, as you were saying to the second and third grade audience and I So many of your books are written around kids that can make a difference. What is it about that age that appeals to you and that motivation to show them how they can change the world?    [00:28:16] Uma Krishnaswami: I think they have this really, strong sense of what's fair. It's the age at which, you know, you start pushing back against what you see as small unfairnesses in your life. Parental restrictions quite often, or older siblings. You're pushing back. You're doing a little bit of finding who you are. And I think that uh, you begin to get a sense of awareness of the big world outside your small circle. And I think also one of the things that drives me, with writing to this age is that, I feel that it is so unfair that grownups, the adult world, has created so much injustice. And we just kind of expect the next generation to step up and step into it and, and do the best they can. and it just, it doesn't seem right not to at least give them the wherewithal to think about that. And they do, they have children have voices and their voices matter. As we found out with, the climate strikes. I mean it really was young people who brought those messages out into the world and forced us to think about them and talk about them. So, I think that we owe children that.    [00:29:34] Miko Lee: So which of your books would you want to read to the second or third grade Uma?   [00:29:43] Uma Krishnaswami: [Laughs] Maybe Book Uncle and Me. Because I think there's a lot of second and third grade Uma in that book. I was a compulsive reader like Yasmin. I would've absolutely read a book every day for the rest of my life if I'd had that many books available to me. I didn't. So I read the ones I had over and over again. I lived in an imaginary world, quite a bit of the time.   [00:30:06] Miko Lee: Speaking of having access to lots of books, I'm wondering what your relationship was like to libraries, both as a child and then now.    [00:30:15] Uma Krishnaswami: I'm a proud and inveterate library goer. I put holds on things. I go browse on shelves. I download eBooks and audio books. I always have a pending list. I'm very, very grateful for libraries and also for librarians whom many of whom I have come to know over my life and am immensely grateful for. I did not have access to libraries much as a child. We didn't have a public library system that was free and available and open to everybody. There were the kind of unofficial lending library types that I feature in Book Uncle and Me. There are sadly fewer of them now, but you still find them on street corners in India. I remember taking a book and giving one and then getting one back in return. That was, that was part of my life in some of the places we lived.   [00:31:07] Miko Lee: Did you know an actual book uncle?   [00:31:10] Uma Krishnaswami: I didn't actually pay much attention, to the people who handed those books out. I was much more, focused on the books I was getting. There are characters who I've seen who have run these things. I once had somebody email me and say, I'm a book uncle. This is what I do. So that was really nice.    [00:31:31] Miko Lee: That's sweet. I wanna roll back and talk a little bit more about your artistic process. I'm wondering if you, as a writer, as illustrator, you can sometimes be in your own world, and I'm wondering what your process is.   [00:31:43] Uma Krishnaswami: My place is right here. This is my office room, and I'm standing at a treadmill desk, and usually what I will do, is when I'm writing, I will turn that on very, very slowly. I usually start out at the idea stage with a notebook and a pen. I have fountain pens with very varied colors of ink, and I use those always to write my initial notes and questions about a new story idea. I don't go to the computer and the keyboard until the idea has started showing up quite a few times. In, perhaps in a few iterations, almost as if I'm actually pushing it away at first, you know, saying, don't scratch up my window until you are developed a little bit more. I'm not going to, indulge, the initial shallowness that usually the first idea is often not what it's gonna end up being. I question that, and sometimes this is gonna sound really crazy, but, if I write those questions many times over in different colored inks, the answers begin to break out in clumps. Once I've begun to think, okay, well maybe I, I know what I could do with this. That's when I open up a file.    [00:32:56] Miko Lee: Ooh share a little bit more about the different colored inks. How does that work?    [00:33:00] Uma Krishnaswami: Um, right over there, there's a whole row of inks, and right over here is a fountain pen, and I have several of them. I change the ink colors, and when I get stuck with something, it really does help to write those questions to myself, in a journal notebook. I have a terrible handwriting, so I used to really worry about when people gave me nice notebooks. Little empty notebooks with beautiful glossy pages. I used to think, God, my writing is so awful. I feel like I'm desecrating this beautiful book. I've gotten over that and it's actually really helpful to physically write that thought for me is very, very useful.   [00:33:39] Miko Lee: And when you see the different colors, is it like words that stand out to you, that you piece together? Yeah.    [00:33:44] Uma Krishnaswami: Yeah, yeah, yeah. Or sometimes I'll write something, in a paragraph, and then I'll break it up and write it in a lineated way, maybe in a different color. You just start seeing things differently when you try different ways of thinking about the same thing. It's all a trick to get the kind of managerial editorial mind out of the way. You need her later, but I don't need her when I'm trying to shape something.    [00:34:13] Miko Lee: The, for the creative process. Mm-hmm. The multiple colors just helps    [00:34:16] Uma Krishnaswami: Right.    [00:34:16] Miko Lee: Pull you into that.    [00:34:17] Uma Krishnaswami: Yeah. It just loosens, it loosens my mind up so I don't feel so focused on the objective. I often tell myself, I think Linda Sue Park used to say this. You don't have to write a whole novel. You just write a scene. And so that's what I tell myself, I'm a sceneist. I'm not a novelist. I'm just a sceneist. I write one scene. And that's all I need to write. Then I will write another one and so forth.    [00:34:38] Miko Lee: And do you use sticky notes or something to keep those scenes separately or    [00:34:42] Uma Krishnaswami: just all kinds of things? I use sticky notes. I use little boards on which I draw plot lines, and then I write, notes to myself. I use the journal notebooks. I've started using Scrivener and I actually have found that helpful but not until I've got something, in enough shape to plug things in.   [00:35:01] Miko Lee: Oh, I love hearing about artistic process. That's so fascinating. I appreciate you and you're showing your beautiful pen and everything. It's so great.    [00:35:08] Uma Krishnaswami: It's messy, right? One of the things I've learned is to lean into the messiness and not try to organize things too fast, too early.    [00:35:16] Miko Lee: Mm-hmm. Giving yourself the time for the creative juices to flow.    [00:35:20] Uma Krishnaswami: Yeah. Yeah.    [00:35:21] Miko Lee: So my last question is, what are you working on now?    [00:35:25] Uma Krishnaswami: I've actually just got done with edits on a picture book, which is going to be called Mango Sun. And then I'm working on another picture book. That's just gone to my agent. It's got to do with wildlife rescue and conservation in the Himalayas. It's an Indian setting, but a very different setting from Mango Sun.   [00:35:44] Miko Lee: And most of the ideas from your books are just coming from your imagination or something you read or where are you pulling from to get your inspiration?    [00:35:52] Uma Krishnaswami: Everywhere. Absolutely everywhere. I have a picture book that came out of a trip that we took to Galapagos and will it ever take form? I don't know, it's about the rewilding of an island , and how when you bring one species back, the other one follows. Some of it's from my childhood. I have two picture books that came out of a memory of planting a mango seed and watching it grow.   [00:36:21] Miko Lee: Sounds lovely. Two of my favorite things, mango and Sun [laughs], appreciate you joining us and sharing about your artistic process and your amazing book. And I'll put a link to your website in our show notes. And thank you so much for joining us and talking to us about Book Uncle and your work.    [00:36:37] Uma Krishnaswami: Miko, thank you so much. It's really a delight.    [00:36:41] Miko Lee: Welcome, Maggie Tokuda Hall to Apex Express.   [00:36:45] Maggie Tokuda-Hall: Thank you so much for having me.   [00:36:47] Miko Lee: I'm so happy to have you talking about, your wonderful book, love in the Library. But first I wanna, ask you a question I ask my guest, which is, who are your people and what legacy do you carry with you?   [00:37:01] Maggie Tokuda-Hall: Oh man. I feel like I have so many tribes that I identify with in different ways. , Gosh, who are my people? I mean, generally speaking, angry queer teenage girls very much my people. Tired Jewish aunties also my people. Exhausted Asian mothers also my people, [laughs] librarians and book people are my people. I, I, I don't know. I feel like I have so many people that I feel an affinity toward and an affection for, and kinship with.    [00:37:38] Miko Lee: I like you naming all of those because we're multifaceted people and there's many different things that make up who we are. Yeah. And what is the legacy that you carry with you from all these tribes you're a part of?   [00:37:50] Maggie Tokuda-Hall: From my mother, I carry a legacy of honoring the truth, like really believing that children are owed the truth and that part of being an adult is being courageous enough to tell it. but I also come from like a vibrant family of Jewish storytellers and I feel like I have that, that I carry with me as well.   [00:38:17] Miko Lee: Thank you. So you've written the book Love in the Library about Tamma, a woman who works at a library in the Minidoka concentration camp during World War ii.    [00:38:28] Maggie Tokuda-Hall: Mm-hmm.    [00:38:28] Miko Lee: And she meets George and falls in love. Can you tell me about how you very first heard this true love story of your grandparents?   [00:38:40] Maggie Tokuda-Hall: I can't actually, I don't remember the first time I heard this story. It is a story that I've just always known. like for me it's very much a fabric of how I came to understand the world and my place in it. Like sky is blue, grandma and grandpa met in a prison camp, you know, normal stuff. And so, um,    [00:39:00] Miko Lee: so it's just part of the family lore?   [00:39:03] Maggie Tokuda-Hall: Yeah. Like, it's not something my mother was ever shy about telling us. And I truly do not remember the first time she talked to me about it because I remember being very small and already feeling like I knew that story.    [00:39:15] Miko Lee: Okay. Then how did you decide to turn it into a children's book?    [00:39:19] Maggie Tokuda-Hall: Yeah, so, in 2017 when President Trump took office for the first time, in his very first executive order was to sign the travel or Muslim ban where he was banning people from Muslim majority countries from coming to the United States. It was clear immediately that he was gonna be using his time and power to enact a white supremacist agenda. I knew I needed to do all the things that we're supposed to do. Like I called my representatives and I wrote my postcards and I marched and I did all those things. But I really did try to audit what I had to offer, particularly children in that moment. That was unique to me. And I realized I had this beautiful story in my own family, not just about the cruelty of those sorts of policies, but also the resilience and power of the people who they target.    [00:40:05] Miko Lee: Ooh. Fired up the, that truth teller part of you just became ready to go.    [00:40:11] Maggie Tokuda-Hall: Yeah.    [00:40:11] Miko Lee: Um, speaking of the impact of politics and what's going on and how that relates to books, I know that in April, 2023, Scholastic wanted to include love in the library in a collection around AANHPI folks, but they wanted to edit your amazingly fierce author's note. Can you share with our audience what happened?   [00:40:34] Maggie Tokuda-Hall: I mean, first of all, thank you for calling it amazingly fierce. In my author's note, I talk about how what happened to my grandparents wasn't an isolated moment in American history and that it was racist, which I think is a, a reflection of a very basic understanding of that history. It, it's not, a creative extrapolation and. Scholastic offered to license the book, but my licensing offer came with a caveat, which was that I had to remove that entire paragraph. Um, and I had to remove the word racism from the text altogether. And so I decided to say no and say no publicly. And for about three months, my full-time job was talking about Scholastic, but also about our obligation to tell children, American history, honestly.   [00:41:19] Miko Lee: And they wanted you to get word of the word racist. Did they say why?    [00:41:24] Maggie Tokuda-Hall: Yes, they basically said, the language is too strong and we fear that some teachers won't bring it in for fear of this political climate, which is the nice way of saying like, we have to sell into places where book bans are happening and we think that this language is too incendiary for people who would ban books, which to me was always really, Unsatisfactory logic, because books about Japanese American incarceration are banned all the time and they don't use as strident of language as I use in that author's note. baseball saved us, gets banned. They called us, the enemy gets banned. This story is already considered dangerous by the people who would ban books, so they were trying to hold a center that just doesn't exist.   [00:42:04] Miko Lee: And so what did you end up doing?    [00:42:07] Maggie Tokuda-Hall: I said no and said no publicly, just with like, sort of the hope of, sparking some intra community conversation among kid lit creators about what sort of edits are appropriate to offer people. I would, I still posit, that that's a completely inappropriate edit and that's about sanding down people of color's, history and perspective to cater to a white audience. And I was unwilling to do it. and Scholastic initially released like a very, incomplete apology. And then when they received a lot of pushback about that, they offered a much more full apology. They offered to meet with me and my publisher, the CEO of Scholastic and the head of their education divisions, which is the division that made me this offer. And then they also had me work with a restorative justice consultant, for like a year to try to figure out what they could do better. But what I said to them at the end of that time that I told them, I was extremely transparent that I would be talking about this publicly. So I don't feel bad saying exactly what I said to them here is, I think the exact same thing would've happened. It just would've happened more politely.    [00:43:17] Miko Lee: Wow.    [00:43:18] Maggie Tokuda-Hall: I don't think that they actually reexamined what their role is as a publisher of Books for Children under Unconsolidated authoritarianism. They just figured out how to ask people to make racist edits more, more, uh, gently.    [00:43:33] Miko Lee: And you worked with them for one year with an RJ consultant.   [00:43:36] Maggie Tokuda-Hall: I mean, like, not every day, but we had, you know, meetings over the months. And she was a smart lady. Like I don't think that she, you know, did nothing. I think she was trying her best, but I think that, you know, big institutions are very slow to institute cultural change and that that on the one hand has to happen from the top down, but also can't happen from the top down.   [00:43:56] Miko Lee: Mm-hmm.    [00:43:56] Maggie Tokuda-Hall: And so I genuinely believe that there CEO was trying his hardest to, to make a meaningful change, but without them really stopping and examining and questioning what their own role in this moment is in a critical way. I don't think that they are going to be able to have answered what I would've required for them to, for me to then accept their licensing offer. ‘Cause they made it again.    [00:44:25] Miko Lee: So at the end of the one year long, they made the licensing offer to you again?    [00:44:29] Maggie Tokuda-Hall: Yeah. I think just to be kind, just as like a gesture of like, listen, we know we messed up. We'd love to license your book and I still said no because I don't think that they made meaningful enough change.   [00:44:40] Miko Lee: Hmm. Wow. I love this. What did you learn from this experience?    [00:44:47] Maggie Tokuda-Hall: That it is very unusual for people to blow the whistle within publishing, even when the examples are egregious.    [00:44:54] Miko Lee: Tell me about your connection with Authors Against Book Bans. Did that come out of this experience with Scholastic, or were you involved actively involved in this prior to that?    [00:45:05] Maggie Tokuda-Hall: No, it absolutely came as a result of my experience with Scholastic. Authors against Book Bans is an organization that I'm currently the president of. We're over 5,000 book creators across the country who are united under a single point of view, which is that the government shouldn't be allowed to tell us what to read. That's what we believe and that's what we fight for. And I got involved in founding the group along with specifically David Levithan, who's a really wonderful young adult and middle grade author, who had put together most of this group before I even came on board. Cause we realized that authors needed a central place to fight. There was no one organizing specifically us. And so Authors Against Book Bans was born out of necessity and, the dearth of a place that existed for us. Everyone would call on us to come speak, but it was extremely ad hoc. We weren't making any kind of unified movement, even though we all so passionately agree that, you know, book bans are anti-American and in violation of our First Amendment rights. And, you know, the freedom to read is a necessary freedom for a free and democratic society. and the reason I'd reached out to David initially was because I was hoping to put together something like Authors Against Book Bans, but just by myself, which is, maybe a testament more to my own personality [laughs] problems than anything else, but I was like, I'll just figure it out. And he was like, you know, I'm actually assembling a group that's trying to do this. Would you like to be a part of it? And that's how I came aboard. But I had gotten interested in it because as a result of the Scholastic fiasco, I was invited to give the keynote speech at the Idaho Library Association in 2023. I gave my little speech that I'd been giving a lot then, um, about how we have an obligation to tell American history honestly. And, people were like, the reaction was so emotional to it and so profound and like, I thought it was a good speech. I'm proud of the speech, but like it, something else was going on and I could feel it. And I started talking to the people who were there and when these librarians started telling me what they had gone through, just for making books like mine available to children, stalking, harassment, death threats. One of them had been followed home, like really frightening, scary things happening to them on like, in some cases a daily basis. I realized like I was gonna be a part of this fight. That was that. I wasn't gonna let them fight alone. And so, you know, in, in my advocacy work now, Idaho still holds like a very precious place in my heart because I think that it's a very forgotten state. When we think about places that need help, when we think about places that have been gerrymandered, when we think about places where there are so many good people who are disenfranchised and unable to affect meaningful change in their state level, governments. That have just been absolutely run roughshod over by Christian nationalists. We should be thinking about Idaho. They have, I think, like the highest neo-Nazi population in the United States. so it's a very direct line between my grandparents being incarcerated to the activism that I do now. And it wouldn't have happened without Scholastic's offensive offer.   [00:48:22] Miko Lee: I did not realize that librarians were personally being assaulted or attacked or followed. For books.    [00:48:29] Maggie Tokuda-Hall: You should watch, the librarian's documentary that's now streaming on PBS. Okay. Um, it's common across the country. Amanda Jones, who's an Authors Against Book Bans member no big deal, is a librarian in Louisiana that can't go grocery shopping in her own hometown anymore for fear for her own safety because she has taken a stand to like refuse to remove lgbtq plus books from her school library shelves. It's really dire. And I think people understand objectively that book bans are a problem in our country. I do not think that they understand how violent that this fight is. It's a really dark and hard time to be a librarian. So if you're a person who supports libraries, you should be thanking your librarians and letting them know one-on-one and in person face-to-face that you appreciate the work that they do, because there are people who are making their lives really difficult.    [00:49:25] Miko Lee: Can you talk about what the library meant to you as a child?   [00:49:30] Maggie Tokuda-Hall: I mean, honestly it was like a part-time babysitter. You're a kid, there's a library. Entertain yourself, you figure it out. I think the first time I really felt like a sense of belonging in the library was in middle school. We moved from LA to Northern California and I had to start a new school in seventh grade. I didn't really know anyone and it was embarrassing to not have people to eat lunch with and things like that. So I would eat lunch in the library. And the librarian was really kind about it. Like she never called attention to it. She never embarrassed me about it. She would let me sneakily eat in there, even though there was a very specific rule that you weren't allowed to eat in the library. she put, the Enchanted Forest Chronicles on an end cap once, and that's how I found them and ended up reading the entire series and that was really when I became a fantasy reader and you know, my debut novel was a fantasy novel. I still feel very much like a fantasy reader kind of at heart, and that started there. I mean, we never know when libraries are going to save a kid's life.    [00:50:39] Miko Lee: Can we go back to how you ended up writing this book about your grandparents' experience? Sure. And what was the first spark for you to say, I wanna turn this into something. It's a family lore, but I want more people to know about it.   [00:50:54] Maggie Tokuda-Hall: I mean, the Trump administration thing,    [00:50:56] Miko Lee: it was truly that. You said it was    [00:50:57] Maggie Tokuda-Hall: Yeah. Trump was it    [00:50:58] Miko Lee: Trump got elected. People should know this happened.    [00:51:00] Maggie Tokuda-Hall: Yes. What do you have to tell children in this moment If they're Muslim, they're scared, and if they're not, they need a way to understand what it means to feel afraid. Both of those things need to happen at the same time of like, you have to offer comfort to the children of the marginalized. You have to offer perspective to the children who have the privilege not to feel that fear. And so I have this story and what I love about this story is. I know that children are capable of holding the complexity of this story is both very romantic and very sweet, and also the circumstances it happened under were completely unfair. That's the kind of logic children are able to hold, and they should be given the opportunity to hold that kind of complexity because it'll serve them for the rest of their life because most of most situations we confront are complex.   [00:51:57] Miko Lee: And how were you able to eke out more details of that story? Did you do family interviews or was it more from your imagination?    [00:52:05] Maggie Tokuda-Hall: My mother is a journalist and she kept my grandmother's journals from the time she was in Minidoka. So some of it comes from my grandmother's journals. Some of it comes from working with my mother to make sure that it felt accurate, tonally and factually. ‘Cause she was not gonna let me publish a book that was nonsense. I always say it's Truman Capote true. ‘Cause the situation, the sensory details, all that stuff real, but the dialogue is made up. The dialogue is art. The dialogue is a way for children to understand how they might've been feeling. They never had succinct, quick conversations like this about their humanity and how they felt about each other. It was a long courting process, and so, you know. That part is made up for children,    [00:52:49] Miko Lee: but you, but you did include actual quotes from her journal too, right?    [00:52:53] Maggie Tokuda-Hall: Yes. The book closes with her words, not mine.    [00:52:57] Miko Lee: Can you give us those final words?    [00:53:00] Maggie Tokuda-Hall: The miracle is in us as long as we believe in beauty, in change, in hope. Which are words she wrote while she was imprisoned in Minidoka.    [00:53:11] Miko Lee: And how does that resonate with you in the time of now?    [00:53:15] Maggie Tokuda-Hall: They are words that I desperately cling to in the hope that I can see them become manifest.    [00:53:23] Miko Lee: And what are you working on now?   [00:53:26] Maggie Tokuda-Hall: Making Authors Against Book Bans as operational as possible.    [00:53:31] Miko Lee: And what does that look like?    [00:53:32] Maggie Tokuda-Hall: In late 2025, we became a nonprofit corporation. We have fiscal sponsorship under EveryLibrary, which is a really wonderful advocacy group that's a combination [501](c)3-(c)4, which means you can make tax deductible donations to them, but also they do overtly political work. And so now we can receive tax deductible, donations and continue to do the overtly political work that we do. We are an unapologetically political organization. We are more than happy to help get people elected who fight for the freedom to read, and we are delighted to show the door to people who would stand in our way of that freedom.   [00:54:09] Miko Lee: And how can people get more involved in your work?    [00:54:13] Maggie Tokuda-Hall: They could absolutely go to authorsagainstbookbans.com and make a donation. We need it [laughs]. We are one of the only organizations that receives donations that exists for the sole purpose of fighting book bans. Most every other group in our space have an angle that book bans affect them, and so they fight against them, but that's not their only purview. It is our only purview. So if it is something that you were interested in fighting, then you could make a donation to us. I would suggest signing up to be on the email list from EveryLibrary because they mobilize everybody, not just authors and book creators. And if you are a book creator, self-published, traditionally published, we don't care. Then you should sign up to be a member of Authors Against Book Bans and you'll get calls to action every Friday.   [00:55:07] Miko Lee: Thank you so much for sharing with us about your book and educating us about the work you're doing and appreciate hearing from you. Thank you for joining us.    [00:55:16] Maggie Tokuda-Hall: Thank you for having me.   [00:55:28] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night..    The post APEX Express – 4.9.26 – Library Joy appeared first on KPFA.

https://www.annettebaypimentel.com/https://www.faithpraybooks.com/Celebrate the 100th anniversary of the world's most famous bear with award-winning author Annette Bay Pimentel and illustrator Faith Pray as they discuss their new nonfiction picture book, How a Bear Became a Book. This episode offers teachers and librarians a deep dive into the bookmaking process, tracing the evolution of publishing techniques from the manual printing of 1926 to the digital innovations of 2026. By exploring the primary source research behind A.A. Milne's legacy and the unique illustration techniques used to modernize a classic aesthetic, this conversation provides curriculum-aligned storytelling perfect for the elementary school classroom or library storytime. Join us to discover how the art of collaboration continues to champion the freedom to read and inspire a new generation of literary history.

this one kinda hurts to think about.

Alex brings the large history for The Many Adventures of Winnie the Pooh. It's longer and more interesting than you think!For more Dizneyverse, head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dizneyverse.com⁠⁠⁠⁠ or check us out on Instagram @Dizneyverse ⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our shirts on our Tee Public store. T-Shirts by Into the Dizneyverse | TeePublic

Look back at our favourite moments from the week - with JB's Oscars-inspired idea, Topics Brownless, North Melbourne debutant Tom Blamires, Billy's list of the most influential AFL figures, Craft Brayshaw, the Idiot FIle, Dave Hughes, and a joke from a Rush Hour Family member about Winnie The Pooh.See omnystudio.com/listener for privacy information.

Broadcaster and former politician Gyles Brandreth explores that complicated story in his new book Somewhere, A Boy and a Bear: A Biography of A. A. Milne and Winnie-the-Pooh -  he joins Emile Donovan for a chat. 

This is the one! Voice-over actor extraordinaire, the legendary Jim Cummings, sits with the Bancroft Brothers and talks about some of his favorite characters. Winnie the Pooh, Tigger, Darkwing Duck, and Ray from The Princess and the Frog are just the start of his A-list character roles. Have you ever wondered what it takes to make a career as a voice-over actor? Like honey from a bear, hear it straight from Winnie the Pooh himself! Available on iTunes, Spotify, or wherever you get your podcast.

Holy Shed Presents | Winnie the Pooh (and other hermeneutical aids) Welcome back to the littlest parish in the whole of Christendom. Join me for more chat and insights about my way of reading and interpreting parts of the bible and the world we live in. Follow Holy Shed on Facebook; https://www.facebook.com/theholyshed/ Support Holy Shed on Ko-fi; https://ko-fi.com/holyshed follow Dave on https://facebook.com/dave.tomlinson.925/ follow Dave on https://instagram.com/bad_christian/Go

What happens when a land gets rethemed but an existing attraction no longer fits the story?This week, Stephen is joined by Kaity and Jenny as we head to Disneyland to reimagine The Rescuers in Bayou Country. We explore how Imagineering uses story cohesion, ride systems, and immersive details to make a space feel intentional and alive. It is about using every element of a land from lighting to animatronics to emotional beats to tell a story that guests can fully believe in without relying on a mega-IP.Along the way, we dig into small-footprint creativity, clever queue storytelling, and why Disneyland thrives with subtle story-driven experiences. Plus, soaring on sardine cans, albatross shadows, and all the details that bring this classic story to life.Don't forget to check us out on Instagram!

​Sydnee Washington from the hit Big Money Player's iHeart Podcast, Mess, returns to Girls Rewatch Podcast for their new Sex and the City era. We discuss SATC Season 1, Episode 3 "Bay of Married Pigs", the episode where Carrie is invited to stay with a married friend and her husband, Peter, at their beach house. Her trip is unexpectedly cut short when she walks in on Peter who is Winnie-The-Pooh-ing in the hallway. Back in Manhattan, she contemplates whether there is a secret war going on between the singles and the married. Meanwhile, Miranda is gay-for-pay to get invited to her boss' dinner party and Samantha gets a little too wasted at the party full of couples. Sydnee gives all her hot takes on befriending your friends partners, how uncool the Hamptons is, and how marriage expectations really need to calm down. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Rant/Rave episode, Conor and Caroline are shining a light on two Fantasyland dark rides from the Magic Kingdom. Is Peter Pan's Flight one unhappy thought away from crashing to the ground in a heap of decades old pixie dust? And was it right to take away Mr. Toad's license in favor of a honey-loving bear with The Many Adventures of Winnie the Pooh? Keep your arms and legs inside the ride vehicle because this episode floats like a galleon and stings like a honeybee!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Dive deeper into the podcast by becoming a subscriber on our Poor Unfortunate Patreon for ad-free listening, exclusive bonus episodes, and more!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord | On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.

Christopher Robin and Pooh is a new musical adapted from the beloved children's books Winnie The Pooh and The House At Pooh Corner, as well as poems from the books When We Were Very Young and Now We Are Six; written by A. A. Milne and illustrated by E. H. Shepard. The script, music, and lyrics are all written by Harper Craven with several Milne poems adapted into songs as well. Directed and Choreographed by Andrew Winans. The story focuses on Christopher Robin spending his last day in the Hundred Acre Wood with Winnie The Pooh at the Enchanted Place. Christopher is about to head off to boarding school and knows that his childhood is over. He's still nervous about the idea of growing up but is also very excited about it. Pooh is processing the fact that he'll have to say goodbye to his best friend; Christopher Robin and doesn't know if he's ready to do that. All of his other friends are also coming to terms with saying goodbye to Christopher. Touching on themes such as friendship, growing up, self-worth, and healing your inner child. 

Who wants a honey cocktail?  This week Lance and Matt G take a second lick at The Many Adventures of Winnie the Pooh!  This time we take a kite ride through the Easter eggs, trivia, production secrets, and everything you ever wanted to know about The Many Adventures of Winnie the Pooh!  This is Think Drink Disney after all, so we take all of that knowledge and Imagineer a Winnie the Pooh bar with themed cocktails and bar concepts so let's get ready for some high-flying adventures, we're taking a balloon ride through the Many Adventures of our friend Winnie the Pooh!#disney #waltdisney #waltdisneyproductions #thinkdrinkdisney #podcast #disneypodcast #podcasthost #disneydrinkers #waltdisneyworld #disneyworld #disneyland #disneydrinks #disney #podcastseries #disneyadult #disneyadults #past #cast #plot #asiseeit #winniethepooh #manyadventuresofwinniethepooh #classicanimation #goldenera #animated #johnlounsbery #director #nineoldmen #wolfgangreitherman #wooliereitherman #sebastiancabot #narrator #sterlingholloway #winniethepooh # johnfiedler #piglet #paulwinchell #tigger #brucereitherman #christopherrobin #ralphwright #eeyore #clinthoward #roo #barbaraluddy #kanga #juniusmatthews #rabbit #halsmith #owl #howardmorris #gopher #disney+ #streaming #disneystreaming

Chapters 4 and 5 from A. A. Milne's beloved collection of short stories following the adventures of an anthropomorphic teddy bear, Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. Rendered by acclaimed vocal artist Christopher Lane, this episode features signature music by Grammy-recognized trumpeter Markus Rutz and his collaborator on the keys, Adrian Ruiz plus “The Hundred Acre Woods” theme song composed by Richard C. Washer. 

THIS WEEK is packed! Pokemon, Shrek, Smart Plan, and maybe a new theme?? LEGO keeps us on our toes, in Crocs no less (BLAH!) But, we have a lot to catch up on this week so stick around for this week's Bricking LEGO News!FOLLOW my YouTube channel: Back 2 BrickSet Review: 31212 The Milky Way GalaxyRebrickable Review: Radiator Springs Racers Ride Vehicle by __tm31__Smart Play LanguageSauron's HelmetLegoland Castle2x Insiders PointsClassic airplaneStar Wars Smart Play setsDC-3 aircraftCrocs setNew theme??Restaurants of the worldNinajgo Dark IslandWorld Cup Trophy lovePokemon rumorsPenguins in LoveFebruary shopping list100 years of Winnie the PoohBotanical spring setsup-scale AstronautLondon busOrigin of the Smart Brick - YouTubevalentine's day make-and-takeFerrari F2004 & Michael SchumacherShrek!Pokemon big boxFootall (soccer) ball setworking LEGO switch pro controllerLEGO store upgradeBye bye DREAMZZzWorking LEGO typewriter - YouTubeThank you, Patrons! - Bellefonte Bricks Studio, Jimmy Tucker, David, Paul Snellen, Lee Jackson, Pop's Block Shop, Steve Miles, David Support the showSee some of the designs I've built - REBRICKABLE.COMHead over to Back2brick.com for links to the latest LEGO set discounts!Support the podcast through our affiliate links AND join the Back 2 Brick Patreon!Have a question? Want to be a guest? Send me a message!backtobrick@gmail.comBack 2 Brick Podcast is not an affiliate nor endorsed by the LEGO Group.LEGO, the LEGO logo, the Minifigure, and the Brick and Knob configurations are trademarks of the LEGO Group of Companies. ©2025 The LEGO Group.

As Winnie the Pooh turns 100, Jim Hill and Lauren Hersey take a deep dive into how Disney is kicking off a year-long centennial celebration and what the first wave of merchandise already reveals about the strategy behind it. From understated lifestyle apparel to a knit plush that collectors immediately zeroed in on, this episode explores why Pooh still resonates after a century. Then, Jim unpacks the surprisingly complex business history that transformed a simple bedtime story into one of Disney's most carefully managed and profitable characters. NEWS • Disney officially unveils its Winnie the Pooh 100th anniversary branding, signaling a long runway of celebrations tied to Pooh's literary origins • The first wave of centennial merchandise drops, favoring subtle, wearable designs over loud anniversary graphics • A limited-edition knit Pooh plush, capped at 7,500 units, becomes the early breakout collectible • Key 2026 milestones line up, from Winnie the Pooh Day to major Disney animation anniversaries • Publishers and museums outside Disney join in, reinforcing Pooh as a cultural and literary icon FEATURE • How A.A. Milne's bedtime stories for his son evolved into a global phenomenon • The pivotal role of licensing agent Stephen Slesinger in shaping Pooh's commercial future • Why Disney handled Winnie the Pooh differently than almost any other character • How merchandising deals, lawsuits, and strategy shifts helped turn Pooh into a billion-dollar brand HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic, your go-to source for great deals on theme park tickets. If Disney or Universal is on your travel radar for 2026, Unlocked Magic can help you lock in excellent prices with expert guidance from people who truly know the parks. Learn more at UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last Sunday, 18th January, was Winnie-the-Pooh Day. It was the birthday of its creator, the author A A Milne. And Winnie-the-Pooh, his most famous book, was first published 100 years ago, in January 1926. Pooh became one of the most beloved children's book of all time, selling millions of copies around the world, and making the Milne family extremely wealthy - but not entirely happy. In this episode, Gyles tells the story of Pooh, A.A. Milne, Christopher Robin, and of the complex and sometimes sad reality behind the stories. As you may know, Gyles published a brilliant book all about A. A. Milne and his family last year. Called Somewhere, a Boy and a Bear, it's published by Penguin Michael Joseph and is available here. This episode has some Gyles and Harriet chat (we find out about Harriet's own connection to the Milnes) and then it features a talk Gyles gave at the Henley Literature Festival, in front of a live audience, all about his book and A. A. Milne. We hope you enjoy this! Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

This week on Toon'd In!, Jim Cummings celebrates National Winnie the Pooh Day with a warm, reflective journey into the Hundred Acre Wood. As the beloved voice of Winnie the Pooh, Jim welcomes listeners to a special episode dedicated to the gentle wisdom, quiet humor, and enduring heart of one of the most cherished characters in storytelling history.In this cozy and nostalgic episode, Jim shares personal stories from behind the microphone, memorable moments from his time voicing Pooh, and what it means to carry forward the legacy of a character who has comforted generations. From favorite lines and life lessons to the simple joys Pooh represents, Jim explores why this “bear of very little brain” continues to mean so much to audiences of all ages.Jim also reflects on Pooh's timeless themes of friendship, kindness, and slowing down in a fast-moving world—offering thoughtful insights on why Pooh's philosophy feels especially meaningful today. Along the way, he celebrates the fans, the stories, and the emotional connection that has made Pooh a symbol of warmth and reassurance for nearly a century.

Financial educator Tiffany Aliche, also known as “The Budgetnista,” breaks down strategies to recover from holiday debt and get back on track financially. Also, Jim Cummings stops by to talk about celebrating the 100th anniversary of ‘Winnie the Pooh.' Plus, Kyle MacLachlan drops in to catch up and share details on season two of the Emmy-nominated series ‘Fallout.' And, psychotherapist Niro Feliciano offers advice on setting goals, intentions, and building small habits. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy New Year, Christmas Fanatics! We're back with our first full episode of 2027! We hope everyone had a fantastic holiday season and squeezed every last bit of joy out of it because wow, did it fly by!   In this episode, Julia and Anthony are flying without Thom. After catching up on the holidays, birthdays, anniversaries, and the movies they've watched lately, they reluctantly dive into 2025's "A Winnie the Pooh Christmas". Just how bad can a "Winnie the Pooh" holiday special be? Unfortunately pretty rough. So rough, in fact, that discussion about it doesn't even take up half of the episode.   To cleanse the palate with something they actually love, Julia and Anthony then spend the bulk of this one breaking down and reacting to the "Stranger Things" finale! Fair warning: spoilers abound, so proceed with caution if you're not caught up!   So get comfy, unwind, and let us bring a little extra holiday cheer to your Monday to help chase away those post-holiday blues. And don't worry—we'll be right here with you all year long, counting down the days to Christmas 2026. Trust us, it'll be here before you know it.   As always, thank you all so much for the love and support! We couldn't do this without you!

Disney Developing New “Winnie The Pooh” Movie https://whatsondisneyplus.com/disney-developing-new-winnie-the-pooh-movie/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

Disney Developing New “Winnie The Pooh” Movie https://whatsondisneyplus.com/disney-developing-new-winnie-the-pooh-movie/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

Disney Developing New “Winnie The Pooh” Movie https://whatsondisneyplus.com/disney-developing-new-winnie-the-pooh-movie/   #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.

This week on Toon'd In!, the year winds down and the clock ticks toward midnight, bringing reflection, gratitude, and a chance to look back at an unforgettable journey.

This week on Toon'd In!, Christmas Eve arrives by the fireside, bringing twinkling lights, warm blankets, and a very special story to share.

This week on Toon'd In!, Jim Cummings celebrates the gentle, timeless, and unmistakably beloved Winnie the Pooh as the world marks the bear's 100th Anniversary — just in time for Christmastime.

It's All Been Done Radio Hour #560  Itsahlbend Theatre #30 "Winnie-the-Pooh's Holiday Dinner"     Christopher Robin and a new friend crash the holiday dinner being enjoyed by Pooh and his friends.    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   A comedy radio show originally performed on Saturday, December 14, 2024, at Boxland in Columbus, Ohio. New episodes streaming one Saturday every month at 5PM Eastern on Twitch, YouTube, and Facebook! And now performing live at MadLab theatre in Columbus, Ohio! The next live show is December 20, 2025.    STARRING Shane Stefanchik as Archduke Edmund  Rosaleigh Wilson as Winnie-the-Pooh  Joe Morales as Piglet  Nick Arganbright as Christopher Robin  Ben Neidenthal as Rabbit  Nathan Haley as Eeyore  Katie Boissoneault as Kanga  Ashley Clements as Roo  Ryan Yohe as Owl  and introducing Kristin Green as Tigger    Narrated by Darren Esler  Foley Artist Megan Overholt  Podcast edited by Trulie Awesome Productions     It's All Been Done Radio Hour created and produced by Olivia James  Written by Olivia James  Directed by Kristin Green  Music Director Kristin Green  Theme Songs composed by Nathan Haley, with lyrics by Olivia James  Technical Director Shane Stefanchik    Find more from It's All Been Done Radio Hour here: Facebook: https://www.facebook.com/itsallbeendoneradiohour Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   When you post about us, hashtag #IABD   

Happy Thursday, Christmas Fanatics! And Happy Thanksgiving to all of our American listeners! We hope you all have a great day filled with family, friends, loved ones, food, drinks, parades, and football! We are so thankful for the love and support you show us all year long! To show our thanks, please enjoy this special Thanksgiving Day bonus episode, in which Anthony and Julia (sans Thom, who couldn't make his schedule work) sit down to discuss Disney's 1998 television special, "A Winnie the Pooh Thanksgiving"!  So after your Thanksgiving feasts, when you're stuffed full of turkey and basking in the glow of your Christmas tree, settle back, relax, and enjoy this special treat! And get excited, because the countdown to Christmas is well and truly on now! Once again, Happy Thanksgiving! And, as always, thanks for your love and support! ❤️

In this episode of The Heart of Friendship, Cecelia Curtis explores why female friendships and community are essential for a joyful, meaningful life. Drawing from the Bible, philosophy, sociology, and even Winnie the Pooh, Cecelia makes the case that humans were designed for connection—and true friendships help us grow, support one another, and navigate life's ups and downs. You'll hear insights from: The Bible: In Genesis 2:18, God said, “It is not good for man to be alone.” Philosophy: Thomas Aquinas believed friendship is one of life's greatest pleasures. Sociology: Emile Durkheim taught that community is essential for mental health, morality, and purpose. Pop culture & storybooks: Even Winnie the Pooh teaches us about the joy and sweetness of true friendship. Cecelia also shares practical advice on how to deepen your friendships, meet new people, and create a supportive community around you—because friendship isn't just about fun; it's about growth, encouragement, and connection. Whether you're looking for friendship advice, ways to build community, or inspiration to nurture your current relationships, this episode is for you. Action Step: This week, reach out to a friend, join a community group, or try something new to deepen your connections. Friendship starts with showing up. Stay Connected: Join the Facebook Community Get on The Heart of Friendship Email List Visit the Website!

What if one small, curious decision could ripple across generations and change the world?In this heartfelt episode, Marc sits down with Lindsay Mattick, creative director, entrepreneur, and author of the bestselling Finding Winnie — the true story that inspired Winnie the Pooh. Lindsay shares how her great-grandfather's compassionate act of buying a bear cub for $20 during WWI led to one of the most beloved characters in literary history.Their conversation unfolds into a masterclass in creativity, storytelling, and the art of slowing down. From starting her own agency to balancing motherhood and meaning, Lindsay explores how we can all find connection, courage, and calm in a world obsessed with speed — and why she still walks every morning at sunrise to clear her mind and reconnect with her creative flow.Timestamps:[00:00] – Who is Lindsay Mattick? Mother, entrepreneur, and creative storyteller.[02:00] – The leap into entrepreneurship and learning to take risks.[06:00] – The incredible true story of her great-grandfather and the real Winnie.[11:00] – Turning family history into Finding Winnie, and the journey to publishing.[16:00] – The serendipity of finding the perfect illustrator.[20:00] – Feeling connected to her great-grandfather through storytelling.[23:00] – How storytelling shaped her creative agency, Pomp & Circumstance.[28:00] – Lessons from brand storytelling: emotion, depth, and meaning.[31:00] – Thoughts on AI, creativity, and the importance of humanity.[38:00] – The art of curiosity: raising kids and thinking deeply in an AI world.[39:00] – Morning walks and the rituals that spark creative clarity.[44:00] – “What would Winnie do?” — Finding wisdom in simplicity and calm.****Get your copy of Personal Socrates: Better Questions, Better Life Connect with Marc >>> Website | LinkedIn | Instagram |*A special thanks to our mental fitness + sweat partner Sip Saunas.

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August 24, 1914. A train pulls up to the lumber town of White River, Ontario, carrying a regiment of Canadian troops on board. On the tracks where they disembark is a small black bear cub. An army veterinarian decides to buy the bear and name her Winnipeg—Winnie for short—after the town where he's been living.  When the soldiers are deployed to the European front, Winnie is left at the London Zoo, where a child named Christopher Robin Milne will meet her. He'll later rename his own teddy bear after her: Winnie-the-Pooh.  How did a real-life boy and a real-life bear inspire some of the world's most famous literary characters? And what impact did these stories ultimately have on the people who helped bring them to life? Special thanks to Ann Thwaite, whose book about Milne and Winnie-the-Pooh is titled Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh. Artwork: From "Christopher Robin Leads an Expedition to the North Pole" by A.A. Milne, 1926. Illustration by E.H. Shepard. (Cooper Hewitt, Smithsonian Design Museum) ** This episode originally aired August 23, 2021. -- Get in touch: historythisweekpodcast@history.com  Follow on Instagram: @historythisweek Follow on Facebook: HISTORY This Week Podcast To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Phoebe reads a chapter a day of A.A. Milne's Winnie-the-Pooh. Read along. Our other shows are Criminal and This is Love. You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. Learn more about your ad choices. Visit podcastchoices.com/adchoices