Podcast appearances and mentions of Jay Duplass

PopaHALLics #142 "Aren't You Somebody?"We know the face, but not the name, whether that's members of the Eagles (biography "Life in the Fast Lane") or comedian Martin Short being mistaken for a waiter (memoir "I Must Say"). But being somebody can also apply to coming into your own, whether you're seeking your first orgasm after a terminal diagnosis ("Dying for Sex") or finding new purpose in your life in a tiny Arctic village ("North of North"). Welcome to this episode's pop offerings!Streaming:"North of North," Netflix. A goodhearted, if bumbling, Inuk woman (Anna Lambe) tries to reinvent herself in this warm, lighthearted comedy set in a tiny Arctic town. Also starring Maika Harper as her feisty mother and Mary Lynn Rajskub (Chloe on "24") as her boss"Dying for Sex," Hulu, FX, Disney +. In this comedy drama based on a real woman's podcast and memoir, Molly (Michelle Williams) is diagnosed with Stage IV breast cancer and decides to explore her sexual desires before it's too late. With Jenny Slate, Rob Delaney, Sissy Spacek and Jay Duplass."Small Things Like These," Hulu. A coal merchant (Cillian Murphy) uncovers disturbing secrets about the convent in an Irish village. This 2024 historical drama is adapted from Claire Keegan's novel. Books:"Life in the Fast Lane: The Eagles' Reckless Ride Down the Rock & Roll Highway," by Mick Wall. This no-holds-barred biography written with rock 'n roll attitude traces the rise of one of the best-selling acts of all time. And how money, cocaine, and egos affected their relationships and music."A Thousand Threads," by Neneh Cherry. This joyful autobiography looks at the fascinating life of the Grammy-nominated singer/songwriter. She grew up in a bohemian family in Stockholm, New York, and London. Her own music—a mix of punk funk, hip hop, and UK street soul—helped usher in a new wave of black British club culture."I Must Say: My Life as a Humble Comedy Genius," by Martin Short. This 2014 memoir is funny, heartfelt, and chock full of celebrities (from buddies like Steve Martin to cringey encounters with Sinatra, Hepburn, and Tony Bennett). It's surprisingly poignant, as Short recounts the loss of a beloved brother and his parents by age 20 and his wife Nancy's battle with cancer. The memoir was published seven years before "Only Murders in the Building" would make Short a TV star again.Music:PopaHALLics #142 Playlist (Eagles) features the California band's hits as well as music from Neneh Cherry (memoir "A Thousand Threads") and her talented family. It's eclectic—and fun!Click through the links to watch, read, and listen to what we're talking about.

Today's episode is a conversation with Autumn Dea. She shares her journey into editing, her early interest in storytelling, the transition from advertising to long-form editing, and her experiences working on the film BLEEDING LOVE which was directed by Emma Westenberg starring Ewan McGregor and Clara McGregor. We discuss the emotional aspects of editing, the importance of collaboration with directors, and the challenges faced in the editing process. Autumn Dea is a film, television, and commercial editor from Los Angeles, CA. Originally hailing from the Philadelphia, PA area, Dea graduated from Virginia Commonwealth University's School of the Arts, with a Bachelor of Arts degree in film and a double minor in media studies and psychology. Dea's unique editorial background has allowed her to work with various high-profile artists and actors, including Beyonce, Lizzo, Ewan McGregor, and Jay Duplass. Her most recent feature film BLEEDING LOVE, directed by Emma Westenberg and starring Ewan McGregor and Clara McGregor, world premiered at SXSW 2023. The film has already garnered industry praise and was chosen as one of the must-see films of the festival by Deadline's SXSW 2023 Hotlist. Her most recent documentary feature film, LOVE, LIZZO (HBO Max), directed by Doug Pray and starring Grammy Award-winning musician and vocalist Lizzo, premiered on HBO Max in November 2022. Previously, her feature film, SHITHOUSE (IFC), directed by Cooper Raiff, won the Grand Jury Award for Best Narrative Feature at SXSW 2020 and was named Vanity Fair's 10 Best Movies of 2020. Her work in television has also received accolades including an Emmy award for THE FUTURE OF AMERICA'S PAST (PBS), and inclusion in the Tribeca Film Festival for the documentary feature THE DEATH OF MY TWO FATHERS (PBS), directed by Sol Guy.  

Skyler Bible, a dynamic Native American and Latin actor/stuntman, brings his unique heritage (Cherokee and Mexican Indigenous) and vibrant energy to the highly anticipated live-action remake of Disney's Lilo & Stitch, set to hit theaters on May 23, 2025. Filmed in Oahu, Hawaii, Skyler stars as Agent Foster, the steadfast right-hand man to Cobra Bubbles, assisting in the thrilling pursuit of Stitch. The film, a reimagining of the 2002 animated classic, explores the heartfelt bond between a lonely Hawaiian girl, Lilo, and the mischievous alien, Stitch, featuring a stellar cast including Zach Galifianakis, Courtney B. Vance, Billy Magnussen, and Maia Kealoha.Hailing from Santa Barbara, California, Skyler has carved a niche in Hollywood with his versatile and emotive performances. Best known for his role as ‘Fixer' in Star Wars: The Book of Boba Fett, he has captivated audiences in projects like The Wolf of Snow Hollow alongside Jim Cummings, and as Astronaut Richard Gordon in Damien Chazelle's First Man with Ryan Gosling. His diverse roles span genres, from a quirky college athlete in 9-1-1: Lone Star to the poignant portrayal of Richard Guerrero in Ryan Murphy's Monster: The Jeffrey Dahmer Story. Skyler's upcoming projects include Jay Duplass' comedy/drama See You When I See You and the indie thriller Grizzly Night, directed by Burke Doeren.Beyond acting, Skyler is a trained stuntman with a passion for creativity, often channeling his energy into playing guitar, painting, and sports like soccer, boxing, and running. A committed philanthropist, he supports Big Brothers Big Sisters, inspired by his own experience as a mentee, and advocates for climate change and animal conservation. With his infectious passion and growing presence in film and TV, Skyler Bible continues to leave a lasting mark on the industry.

On Prophecy Radio episode #134, Karen and Kristen return to The Red Pyramid with their discussion of chapters 23 and 24! They also talk about Rick Riordan's love of high-quality boxes, as well as some minor Percy Jackson and the Olympians news. New episodes of Prophecy Radio will air every other week. All discussions are PG-13. News and Updates (00:07:24) Independent Bookstore Day is on April 26–go support your local shop if you can!! Did you catch Rick Riordan unboxing his Emmys? The Dad vibes are strong with this video! Jay Duplass will not return as Hades in Percy Jackson and the Olympians season 2–but all is not lost. We love how much his kids love Percy Jackson, which means the likelihood of him coming back for Percy Jackson and the Olympians season 3 is pretty high. We can't remember if we discussed the Gray Sisters casting from D23 2024, but we're doing it now! Where do we know Sandra Bernhard, Kristen Schaal, and Margaret Cho from? The Red Pyramid discussion (00:19:45) Let's start with The Red Pyramid chapter 23. Sadie is human again! We find out how she did it. Nobody woke Carter for lunch, but that's the least of his worries right now. Bast thinks Set might not be the one at the top of the food chain here, and that's definitely cause for concern. It's time to head to Memphis–and this time they're not “borrowing” a car, though Bast still requires a convertible. There's a lot of atmospheric description to this book, and we're all for it. Baboons playing basketball is probably a good indication that a god is nearby. Carter is NOT great at basketball, but we find out why it's so important to him. We love how hard Sadie is working to be kind to him about this. Finally, we get to meet Toth, the god of wisdom, as well as all of his ibis receptionists. Is it weird that the Greeks likened him to Hermes? Ah, yes, the importance of astrology and leechcraft. The way Thoth's powers are portrayed was super interesting and makes you wonder how powerful he is. We get some important backstory about the relationship between Horus, Isis, Set, and Thoth. Thoth seems to be a bit of a contradiction–highly intelligent and yet not very observant. Knowing a creature's actual name has such power, and we love this concept. How can Sadie hold a goddess at bay if she was also having trouble with her sense of self enough to struggle coming out of her kite form? Did we all feel on a spiritual level how much Thoth didn't want to read his old work, or was that just us? Was this chapter too long and too full of information to really comprehend everything? Time for our favorite lines and favorite moments! Now it's time to head to Graceland in The Red Pyramid chapter 24. Was Elvis a magician? All signs point to yes. Seriously, though, music really is magical. It must be so weird to be at Graceland with no tourists. STOP DESTROYING NATIONAL MONUMENTS. Karen really wants to know what type of lizard Carter was turned into. Sadie is SO resourceful, and we loved seeing how she defeated the magicians. This time, we DO know what kind of reptile is on the page–and it's a big one! How did Sadie turn Carter back into a person? Was this just a test from Thoth? At least they fixed up Graceland before they left. Could the cat of Ra actually be Bast?? How does she feel about battling Apophis again? Favorite lines and favorite scenes! Thanks for listening, and tune in next time for episode 135, where we'll discuss The Red Pyramid chapters 25 and 26, as well as get you up to date on whatever Percy Jackson news might be out there. This episode's hosts are: Karen and Kristen Each episode, Prophecy Radio‘s hosts will discuss any official news coming out of Camp Half-Blood before doing a chapter by chapter reread of Percy Jackson or one of Rick Riordan's other series. Follow Us: Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.

Host Nikki Boyer sits down with Rob Delaney and Jay Duplass, who bring depth and humanity to the male characters in FX's 'Dying for Sex.' Delaney opens up about playing the enigmatic 'neighbor guy,' finding vulnerability in comedy, and creating chemistry with Michelle Williams. Then, Duplass discusses embodying Steve, Molly's well-intentioned but overbearing husband, and shares behind-the-scenes insights about filming some of the show's most vulnerable moments. Together, they explore how this story about death ultimately teaches us how to live more fully.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hometown Radio 04/10/25 4p: Actor/Producer Jay Duplass, recipient of this year's SLO Film Fest honors

Erik Childress has been traveling to Austin for over 20 years for the annual South by Southwest Film Festival. He is back to tell you all about 19 films that he saw this year. Among the films you can see soon are the return of Anna Kendrick and Blake Lively to the world of simple favor. Paul Rudd and Jenna Ortega trying to survive the revenge of a unicorn and Nicolas Cage battles some territorial Australians. Hopefully audiences won't have to wait too long to see the solo directorial debut of Jay Duplass or the latest from Matt Johnson that pays homage to the world of Robert Zemeckis and Rosamund Pike & Matthew Rhys desperately try to get to the scene of their daughter's accident, Daisy Ridley has to dodge zombies and a pair of brothers take a leisurely stroll through San Francisco with their guitars in a single take. There are documentaries about Curtis Mayfield, Marc Maron, the horrors and fascism in the wake of the Uvalde school shooting and what to do when an A.I. Pioneer won't answer your questions. Erik reviews all that plus Michael Bay's parkour documentary in this recap of one of his favorite festivals.   0:00 – Intro 2:02 – Another Simple Favor 5:08 – Hallow Road 8:27 – Brother Verses Brother 11:19 – The Dutchman 14:03 – Death of a Unicorn 18:51 – American Sweatshop 22:18 – Uvalde Mom 25:22 – Forge 28:10 – We Bury the Dead 31:25 – Nirvanna the Band the Show – The Movie 35:59 – Deepfaking Sam Altman 39:40 – The Baltimorons 45:02 – For Worse 49:21 – The Surfer 53:14 – The Makings of Curtis Mayfield 54:27 – Make It Look Real 57:07 – Caper 59:50 – We Are Storror 1:03:59 – Are We Good? 1:07:02 - Outro

Caveh Zahedi is one of the most influential independent filmmakers of our time. Jay Duplass, Lena Dunham, Richard Linklater, Greta Gerwig, are all big fans of his 30+ years worth of ultra-autobiographical work (five features, “I am A Sex Addict” perhaps being the most popular). His magnum opus, “The Show About The Show,” started out as a “self-reflexive TV show about its own making” for BRIC TV and has continued despite lawsuits, loss of distribution, re-castings, and many more obstacles, thanks to Zahedi's dogged determination to simply tell the story, mostly through re-enactments using the actual people in his orbit playing themselves, of what happened in his life. He gets a small, but passionate amount of support from his loyal fanbase who want him to see this now decade long journey come to an end in the final season, which is about to be released. Zahedi has done a lot of interviews about his filmmaking, but rarely any, like this one, that focuses on his work as an actor for other filmmakers and in front of his own camera, where he plays a version of himself. He talks about the tonal fine line he has to walk when addressing the camera, nudity (his and others'), actors who work well with his directorial approach (like Emmy Harrington and Jim Fletcher), the rigors of auditioning to play a pedophile rabbi, striving for “non-acting,” and much more. Creative Nonfiction Film Weekend is bringing Zahedi's work (and the man himself) on a UK tour in March 2025. Check here for more info Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

A new 'Craftwork' episode about the art of literary collage. My guest is David Shields, author of How We Got Here: Melville Plus Nietzsche Divided by the Square Root of (Allan) Bloom Times Zizek (Squared) Equals Bannon and A Christian Existentialist and a Psychoanalytic Atheist Walk Into a Trump Rally, both of which are available from Sublation Media. Shields also wrote and directed a documentary film called How We Got Here, based on his book and available now on Prime and other platforms. ***Note: Here is a list of some of David's favorite works of literary collage. Shields is the internationally bestselling author of twenty-five books, including Reality Hunger (which, in 2020, Lit Hub named one of the most important books of the past decade), The Thing About Life Is That One Day You'll Be Dead (New York Timesbestseller), Black Planet: Facing Race During an NBA Season (finalist for the National Book Critics Circle Award and PEN USA Award), Remote: Reflections on Life in the Shadow of Celebrity (PEN/Revson Award), and Other People: Takes & Mistakes (NYTBR Editors' Choice). The Very Last Interview was published by New York Review Books in 2022. The recipient of a Guggenheim fellowship, two NEA fellowships, and a New York Foundation for the Arts fellowship, Shields--a senior contributing editor of Conjunctions--has published essays and stories in New York Times Magazine, Harper's, Esquire, Yale Review, Salon, Slate, Tin House, A Public Space, McSweeney's, Believer, Huffington Post, Los Angeles Review of Books, and Best American Essays. His work has been translated into two dozen languages. The film adaptation of I Think You're Totally Wrong: A Quarrel, which Shields co-wrote and co-stars in, was released in 2017 and is now available as a DVD on Prime Video. Shields wrote, produced, and directed Lynch: A History, a 2019 documentary about Marshawn Lynch's use of silence, echo, and mimicry as key tools of resistance (streaming on Prime, Peacock, AMC, Sundance, Apple, and many other platforms). I'll Show You Mine, a feature film that Shields co-wrote and was produced by Mark and Jay Duplass, was released in 2023 and is now available on Prime and several other platforms. A new film, How We Got Here, which Shields wrote and directed and which argues that Melville plus Nietzsche divided by the square root of (Allan) Bloom times Zizek (squared) equals Bannon, is streaming now on Prime and several other platforms; the companion volume is forthcoming in September 2024. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is a writer, director, producer, actor, and indie filmmaking legend, Edward Burns.Many of you might have heard of the Sundance Film Festival-winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His Cinderella story of making the film, getting into Sundance, and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love life of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer, and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.Johnny Rizzo is about to trade his dream job in talk radio for some snooze-Ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice Guy Johnny's not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of his life.The film debuted at the Tribeca Film Festival. While he was releasing that film, Burns wrote, starred, and directed Newlyweds. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000. Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days, and On the Corner of Ego and Desire which I shot in 4 days.  To be honest, Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg, and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back, and many more.Ed jumped into television with the Spielberg-produced TNT drama Public Morals, where he wrote, directed, and starred in every episode.Set in the early 1960s in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.His latest project is EPIX's Bridge and Tunnel is a dramedy series set in 1980 that revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island hometown. He also pulls writing, producing, and directing duties for all the episodes.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me to go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told me that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit down and speak to a filmmaker that had such an impact on my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to all of you.Please enjoy my conversation with Edward Burns.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Russ and Jared are back to bring you the thrilling conclusion to Pain Hustlers (2023), starring Emily Blunt, Chris Evans, Catherine O'Hara, Chloe Coleman, Andy Garcia, Brian d'Arcy James, Jay Duplass, and Amit Shah. There will be chaos and FBI raids, some accent work and social commentary, big pharma losses (kinda), and more! Stay tuned for a brand new movie next week.

Bring on the pain! Russ and Jared are getting right down to business, the big business of pain, with Pain Hustlers (2023), starring Emily Blunt, Chris Evans, Catherine O'Hara, Chloe Coleman, Andy Garcia, Brian d'Arcy James, Jay Duplass, and Amit Shah. Will big pharma win again? Will the guys make Fast Facts not fast? Does anyone go to prison? Answers to these questions as more when you tune in! And stay tuned for part 2 on Thursday.

Enjoy the second instalment of the Creep Cinematic Universe! We talk the film, Mark and Jay Duplass, the Las Vegas Sphere, and so much more. Thanks for not unsubscribing to the feed so these episodes show up once in a while! --- Send in a voice message: https://podcasters.spotify.com/pod/show/nothingtofear/message

Russ and Jared have been hustling since they were rascally young pharmaceutical salesmen (editor note: they were not). And now you too can enjoy the fast-paced world of pharmaceutical sales by listening to this episode for the low, low price of $4.99 (editor note: it's free)! The guys are talking about the trailer for Pain Hustlers (2023), starring Emily Blunt, Chris Evans, Catherine O'Hara, Chloe Coleman, Andy Garcia, Brian d'Arcy James, Jay Duplass, and Amit Shah. Stay tuned for the full, scene-by-scene breakdown next week!

Josiah is joined by AJ Ditty (@thefuzzymask, The Worst of All Possible Worlds) to discuss The Puffy Chair (2005) and how Mumblecore can actually be pretty good sometimes. Follow today's guest on Twitter.Check out The Worst of All Possible WorldsBecome a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work hereFollow Josiah on Twitter @josiahwsuttonReferencesThe Puffy Chair (2005), directed by Jay Duplass"'The Puffy Chair' Tells the Story of a Trip to Atlanta (and to Adulthood)," A.O. Scott in New York Times, https://www.nytimes.com/2006/08/04/movies/04puff.html.Jay and Mark Duplass at the Academy, 2015, Oscars YouTube Channel, https://www.youtube.com/watch?v=el_O0rFDCkM.Jay Duplass breaks down his career, Vanity Fair, https://www.youtube.com/watch?v=zeWiogEnMic."What Makes This Film Great: The Puffy Chair," Aaron Hunter, https://www.youtube.com/watch?v=mgBYD7j-yME. I (Josiah) forgot to say I pulled the point about Josh ripping off the motel but being indignant when he gets ripped off later from this lovely little video essay about the film.Matthew Christman reviewing the film on Letterboxd, https://letterboxd.com/worsethan/film/the-puffy-chair.Music & audio creditsYesterday – bloom.At the Bottom of Everything - Bright EyesPrevious TWOAPW episode where I insulted Mumblecore (Episode 84)

From the beloved book series by Rick Riordan, demigod Percy Jackson leads a quest across America to prevent a war among the Olympian gods. #PercyJacksonAndTheOlympians #DisneyPlus E4: "I Plunge to My Death" E5: "A God Buys Us Cheeseburgers" Percy Jackson and the Olympians (2023) is a Disney+ television series starring Walker Scobell, Leah Jeffries, Aryan Simhadri, Charlie Bushnell, Dior Goodjohn, Glynn Turman, Jason Mantzoukas, Megan Mullally, Virginia Kull, Timm Sharp, Toby Stephens, Jay Duplass, Lin-Manuel Miranda and Lance Reddick. OllivAmber's Wands ✨ YouTube: https://www.youtube.com/@OllivAmbersWands Instagram: https://www.instagram.com/ollivambers.wands/ Subscribe, rate and review! Follow The Watchers in the Basement on social media! Use #WatchersBasement to comment about the show! facebook.com/watchersbasement twitter.com/WatchBasement instagram.com/watchersbasement threads.net/@watchersbasement anchor.fm/watchersbasement

Prophecy Radio episode #118 discusses Percy Jackson and the Olympians season 1, episode 7, “We Learn the Truth, Sort Of.” How was Jay Duplass as Hades, and what did the Underworld look like? Was Cerberus as cute as we were promised? And can Percy please stop being so self-sacrificing for, like, two seconds!? We also tackle the latest Percy Jackson news and read a few pieces of listener feedback. New episodes of Prophecy Radio air weekly, and we keep our discussions PG-13. News and Updates (00:04:55) We wish Daniel José Older a belated happy birthday! A Drop of Venom by Sajni Patel is out now, and we WILL be discussing it next month. Did you see the Wrath of the Triple Goddess covers posted on Rick's blog? The synopsis sounds amazing, and we can't wait to read this one! The Hollywood Reporter gives us some important stats regarding Percy Jackson and the Olympian‘s current streaming ratings. Make sure you watch the BTS video for episode 5 and check out the poster for episode 6.. Did you know that Augustus from Percy Jackson and the Olympians episode 6 was named after the Black Sails character? In case you missed the big news, there WAS a Bianca and Nico di Angelo reference in the last episode. Rick also gives us some additional information about this scene on Goodreads. He also talks about what he wants to do for Percy Jackson and the Olympians season 2. Percy Jackson and the Olympians season 1, episode 7, “We Learn the Truth, Sort Of” (00:24:17) What did we think about this episode overall? Spoiler alert: We're still trying to figure out how we feel about the Crusty's scene. Are we okay with the kids knowing a lot more than they did in the book? What was the secret code? Crusty's little monologue hints at what else is to come in this episode. Are we sad he didn't get his head chopped off? There have been some top-tier quotes this season, and we may need to rank them at some point. That stress ball does a lot of heavy lifting this episode. Wait, is Annabeth more concerned about Percy's mom than the quest!? Sally gets mad in the first scene of the flashback, and we kind of love it. So, like, the first movie Percy is showing Annabeth is The Wizard of Oz, right? Percy is such a city kid, and we love it. Is Charon supposed to look like the figure in the vision? Was that Janus on his staff? Um, did Cerberus just eat Grover!? Annabeth is such a badass, but of course we already knew that. Did anyone else think she was gonna throw up once they pulled her up the edge of the cliff? We get SUPER MAD about how the principal of Percy's new school treats him. Homeschooling is not an option for everyone!! Percy refuses to blame Grover for losing one of the pearls. We love him so much, but could he be a little less self-sacrificing!? The Fields of Asphodel are very creepy. What does Annabeth regret!? Also, can we talk for a minute about the part where she says she trusts Percy's dad!? You know a place has bad vibes when the giant three-headed dog won't follow you out there. Who else thought Percy might chop off Grover's legs? Just Kristen?? Okay. If we don't admit that's the master bolt then it can't be true!! Everyone loves Sally! Although Young Percy says some very mean things to her. Okay, Hades' Palace is huuuuge. We're still trying to figure out how we feel about Jay Duplass as Hades. “I seldom cahoot.” Do we believe Percy figured out it was Kronos? Percy decides to do the right thing, even though it's difficult. How often does Sally get to talk to Poseidon? Does Zeus know who Percy is? In an alternate timeline, Percy and Annabeth could've been best friends at age seven. There are so many great quotes in this scene, and we love Toby Stephens as Poseidon! Why doesn't Grover get a helping hand!? Ares is going down, one way or another! Feedback (02:03:31) Liz O is very happy we didn't see the skin seat on Ares' motorcycle. Steph says there were no winter solstice presentations in the book. Thanks for listening, and tune in next time for episode 119, in which we'll discuss Percy Jackson and the Olympians episode 8! This episode's hosts are: Karen Rought and Kristen Kranz. Each episode, our Prophecy Radio hosts and their guests will keep you up to date on the latest information coming out of Camp Half-Blood, including upcoming books and adaptation news, discuss a topic of choice, and do a chapter by chapter reread of the Percy Jackson series. Follow Us: Twitter // Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.

Happy New Year film fans! On the first episode of 2024, we are ringing in the new year with a discussion of one of the more recent underseen science fiction films - Prospect. Made for roughly $4 million, Prospect, could be best described as a sci-fi/western, with fantastic world building and powerful performances. Sadly, with even a tiny budget, Prospect failed to make an impact at the box office. Thankfully, Vinegar Syndrome released an amazing 4K edition complete with some amazing special features. With the help of this podcast, maybe Prospect will find a second life. Also, we spend a little time talking about our listeners' choices for the best/worst films of 2023. Prospect is directed by Zeek Earl and Chris Caldwell and stars Pedro Pascal, Sophie Thatcher, and Jay Duplass. If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

From the beloved book series by Rick Riordan, demigod Percy Jackson leads a quest across America to prevent a war among the Olympian gods. #PercyJacksonAndTheOlympians #DisneyPlus E1: "I Accidentally Vaporize My Pre-Algebra Teacher" E2: "I Become Supreme Lord of the Bathroom" E3: "We Visit the Garden Gnome Emporium" Percy Jackson and the Olympians (2023) is a Disney+ television series starring Walker Scobell, Leah Jeffries, Aryan Simhadri, Charlie Bushnell, Dior Goodjohn, Glynn Turman, Jason Mantzoukas, Megan Mullally, Virginia Kull, Timm Sharp, Toby Stephens, Jay Duplass, Lin-Manuel Miranda and Lance Reddick. OllivAmber's Wands ✨ YouTube: https://www.youtube.com/@OllivAmbersWands Instagram: https://www.instagram.com/ollivambers.wands/ Subscribe, rate and review! Follow The Watchers in the Basement on social media! Use #WatchersBasement to comment about the show! facebook.com/watchersbasement twitter.com/WatchBasement instagram.com/watchersbasement threads.net/@watchersbasement anchor.fm/watchersbasement

So @EchoChamberFP https://www.instagram.com/echochamberfp/ today is coming with FIVE films!!! Brainstorm Media has a teen rom-com, and Gaumont bring a spy jaunt to Netflix, also on the streamer is a tale of Pharma corruption. StudioCanal has a new 'Vintage Classics' title, and Artists For Change hit us with the realities of human trafficking!!! Today we have: The Other Zoey Watch Review: Here. https://youtu.be/1cHroy1QzRQ Theatrical Release Date: 20th October 2023 Digital Release Date: 20th October 2023 Director: Sara Zandieh Cast: Josephine Langford, Drew Starkey, Archie Renaux, Mallori Johnson, Patrick Fabian, Heather Graham, Andie MacDowell, Patrick Fabian, Heather Graham, Olive Abercrombie, Amalia Yoo, Maggie Thurmon, Jorge López, Gabriella Saraivah, Christie Lynn Smith Running Time: 91 min Cert: 12a Trailer: Here. https://youtu.be/tO55fzQl5PA Watch via Apple TV+: Here. https://tv.apple.com/us/movie/the-other-zoey/umc.cmc.2vm4ld88fcd1hf2c3j18oe1cw Watch via Prime Video: Here. https://www.primevideo.com/detail/The-Other-Zoey/0OH4DY01L80YAG8CBJL6I6B7XX Watch via Prime Video UK: Here. https://www.amazon.co.uk/Other-Zoey-Josephine-Langford/dp/B0CGLXN2G4 Website: Here. https://www.theotherzoeymovie.com/ -------------- Pain Hustlers Watch Review: Here. https://youtu.be/FsiCRXjRBP8 Toronto International Film Festival: 11th September 2023 Theatrical Release Date: 20th October 2023 Digital Release Date: 27th October 2023 Director: David Yates Cast: Emily Blunt, Chris Evans, Catherine O'Hara, Chloe Coleman, Jay Duplass, Brian d'Arcy James, Amit Shah, Aubrey Dollar, Michael Kosta, Nick McNeil, Andy García Running Time: 123 min Cert: 15 Trailer: Here. https://youtu.be/HbPeXsdamT4?si=MhoGMKQTeaup4rry Watch via Netflix: Here. https://www.netflix.com/title/81614419 Website: Here. https://www.netflix.com/tudum/articles/pain-hustlers-release-date-photos ---------------- Wingwomen (aka Voleuses) Watch Review: Here. https://youtu.be/hBOXszXKpgI Digital Release Date: 1st November 2023 Director: Mélanie Laurent Cast: Mélanie Laurent, Running Time: 114 min Cert: 15 Trailer: Here. https://youtu.be/Au9Uz4_H6zA?si=SvYu1Z7iLk1qM-jv Watch via Netflix: Here. https://www.netflix.com/browse?jbv=81282091 Website: Here. https://www.netflix.com/tudum/articles/voleuses-melanie-laurent-trailer-release-date-news ------------ King and Country Watch Review: Here. https://youtu.be/q-jqgdvNH84 Venice Film Festival: 5th September 1964 Theatrical Release Date: 3rd December 1964 Digital Release Date: 6th November 2023 Blu-ray & DVD Release Date: 6th November 2023 Director: Joseph Losey Cast: Dirk Bogarde, Leo McKern, Barry Foster, Peter Copley, James Villiers, Jeremy Spenser, Barry Justice, Vivian Matalon, Keith Buckley, Derek Partridge, Brian Tipping Running Time: 88 min Cert: 12a Trailer: Here. https://youtu.be/W-8GD8YOMuE?si=aKO9MMu3RFrphifQ Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Buy Blu-ray & DVD via Amazon: Here. https://www.amazon.co.uk/King-Country-Vintage-Classics-DVD/dp/B0CJJS3JKG/ref=sr_1_2?crid=10EJ7XNCFTAC8&keywords=King+%26+Country&qid=1698886066&s=dvd&sprefix=king+%26+country%2Cdvd%2C118&sr=1-2 Watch via Apple TV+: https://tv.apple.com/us/movie/king-and-country/umc.cmc.4zswcvx3x6qfuyxcdp3ndh4ay Website: Here. https://www.studiocanal.com/title/king-and-country-1964/ ------------ Maya Watch Review: Here. https://youtu.be/F686OL0mWRI Raindance Film Festival: 30th October 2023 Theatrical Release Date: 26th January 2024 Director: Julia Verdin Cast: Patricia Velasquez, Isabella Feliciana, Billy Budinich, Rumer Willis, Gian Franco Rodriguez, Betzaida Landin, Basilio Cerdan Jr, Rena Owen, Anthony Montgomery Running Time: 104 min Cert: 15 Trailer: Here. https://www.youtube.com/watch?v=rFFLXOQXfGw Website: Here. https://www.artists4change.org/filmprojects/maya/ ------------ *(Music) 'Dancing with Myself' by Billy Idol - 1981 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow."People don't change their minds when they hear facts. You're not going to shame someone into action. That's just not that's not going to happen. Stories, and importantly, who is telling that story are so essential. In terms of engaging with science and having a relationship with science, it's critical."" Speaking about theater and climate change, we produced that piece this year. We followed a young theater performer who, along with other young people, put on a play about climate change informed by real scientists, and real marine biologists, including discussion of reefs and other challenges that oceans are facing due to climate change.And I think what's really exciting about that piece and that approach, for me personally, is that we don't necessarily expect that the play will move the needle on climate change. But I think it was very clear from following this young protagonist who embarked on this act of storytelling and performance herself, that she felt a great deal of catharsis and also empowerment by creating this artistic piece and sharing it with other young people. And that this artistic expression set her on a lifelong journey to deal with this issue, which she knows - she's 17 - sits uniquely on her generation's shoulders. And so I do think there's an important synthesis between science, the arts, and the actual tackling of the formidable challenge that we face."www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"People don't change their minds when they hear facts. You're not going to shame someone into action. That's just not that's not going to happen. Stories, and importantly, who is telling that story are so essential. In terms of engaging with science and having a relationship with science, it's critical."" Speaking about theater and climate change, we produced that piece this year. We followed a young theater performer who, along with other young people, put on a play about climate change informed by real scientists, and real marine biologists, including discussion of reefs and other challenges that oceans are facing due to climate change.And I think what's really exciting about that piece and that approach, for me personally, is that we don't necessarily expect that the play will move the needle on climate change. But I think it was very clear from following this young protagonist who embarked on this act of storytelling and performance herself, that she felt a great deal of catharsis and also empowerment by creating this artistic piece and sharing it with other young people. And that this artistic expression set her on a lifelong journey to deal with this issue, which she knows - she's 17 - sits uniquely on her generation's shoulders. And so I do think there's an important synthesis between science, the arts, and the actual tackling of the formidable challenge that we face."Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"People don't change their minds when they hear facts. You're not going to shame someone into action. That's just not that's not going to happen. Stories, and importantly, who is telling that story are so essential. In terms of engaging with science and having a relationship with science, it's critical."" Speaking about theater and climate change, we produced that piece this year. We followed a young theater performer who, along with other young people, put on a play about climate change informed by real scientists, and real marine biologists, including discussion of reefs and other challenges that oceans are facing due to climate change.And I think what's really exciting about that piece and that approach, for me personally, is that we don't necessarily expect that the play will move the needle on climate change. But I think it was very clear from following this young protagonist who embarked on this act of storytelling and performance herself, that she felt a great deal of catharsis and also empowerment by creating this artistic piece and sharing it with other young people. And that this artistic expression set her on a lifelong journey to deal with this issue, which she knows - she's 17 - sits uniquely on her generation's shoulders. And so I do think there's an important synthesis between science, the arts, and the actual tackling of the formidable challenge that we face."Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow."People don't change their minds when they hear facts. You're not going to shame someone into action. That's just not that's not going to happen. Stories, and importantly, who is telling that story are so essential. In terms of engaging with science and having a relationship with science, it's critical."" Speaking about theater and climate change, we produced that piece this year. We followed a young theater performer who, along with other young people, put on a play about climate change informed by real scientists, and real marine biologists, including discussion of reefs and other challenges that oceans are facing due to climate change.And I think what's really exciting about that piece and that approach, for me personally, is that we don't necessarily expect that the play will move the needle on climate change. But I think it was very clear from following this young protagonist who embarked on this act of storytelling and performance herself, that she felt a great deal of catharsis and also empowerment by creating this artistic piece and sharing it with other young people. And that this artistic expression set her on a lifelong journey to deal with this issue, which she knows - she's 17 - sits uniquely on her generation's shoulders. And so I do think there's an important synthesis between science, the arts, and the actual tackling of the formidable challenge that we face."www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Q: Who is David Byrne?David Byrne: ...I have no idea.Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are.To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are.What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne's brain, showcasing Byrne's immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix's The Great Hack, NBC Peacock's The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO's The Vow.www.youtube.com/@sciencesandboxwww.davidbyrne.comhttps://nickny.com/biohttps://www.simonsfoundation.org/people/john-tracey/https://peoples.tv/director/ian-moubayed/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don't Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Chicago's own Amy Landecker called in on September 22, 2017 to talk about an all-new season (season 4) of her critically-acclaimed and Emmy-Award winning Amazon Prime series Transparent.ABOUT AMY LANDECKERLandecker is best known for playing the first-born child in Transparent, Amazon Video's groundbreaking series about a transgender woman and her chaotic yet lovable family. She stars opposite Jeffrey Tambor, Jay Duplass, Judith Light and Gaby Hoffman. Additionally, Landecker made her directorial debut on Transparent: The Lost Sessions, a 10-episode off shoot of comedic shorts for Funny or Die using Soloway's world of Pfeffermans and the cast of characters surrounding the often dysfunctional family.Transparent‘s fourth season takes the Pfefferman family on a “spiritual and political journey as they dig deep into their family's history.” That includes a trip to Israel, where Maura is chosen to speak at a conference and makes a “startling discovery.”On the big screen, Landecker has completed production on A Kid Like Jake, an independent drama also starring Claire Danes and Jim Parsons, which is based on a celebrated Lincoln Center play about a couple trying to raise a 4-year-old-son who prefers to dress up as a princess instead of G.I. Joe. She most recently appeared opposite Salma Hayek and John Lithgow in Beatriz At Dinner.  

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

It's a true honor and treat to have filmmaker, actor, and true mensch Jay Duplass on this week's Mothering Heights. As an actor, you've seen Jay in the iconic series Transparent, The Chair, and Industry. As a filmmaker, he and his brother Mark redefined independent cinema with films like Jeff, Who Lives at Home, Cyrus, and The Puffy Chair and have fostered beautiful series like HBO's Togetherness and Somebody, Somewhere. Jay and Leonora talk about Jay's prolific writing and how anxious he is to get back to directing, his generous and generative advice-giving, getting old, and what we see of ourselves in our kids. Check out all of Jay's movies and series everywhere you can, and buy the book he and his brother Mark wrote, Like Brothers, anywhere you buy books! 

Telling Powerful Stories that Change the World Nick Bruckman and Ryder Haske, People's Television   – The Sharkpreneur podcast with Seth Greene Episode 929 Nick Bruckman and Ryder Haske   Nicholas Bruckman is the founder and CEO of People's Television, a production studio and creative agency that produces award-winning independent films as well as video storytelling for the world's leading brands. His feature documentary Not Going Quietly, executive produced by Mark and Jay Duplass, premiered at the 2021 SXSW Film Festival where it won the Audience Award and Special Jury Prize, and was nominated for Best Documentary and Best Director of the year at the IDA awards. The film was critically acclaimed and acquired for distribution by Greenwich Entertainment (theatrical), PBS POV (broadcast), Vice World News (international), and Hulu (streaming). He previously produced the narrative feature film Valley of Saints, shot under lockdown in Kashmir, which won the Audience Award at the Sundance Film Festival and the Asia Africa Prize at the Dubai Film Festival. His first documentary La Americana broadcast worldwide on networks including National Geographic and Al Jazeera. He has executive produced numerous short films, including Rosa, which won Best Short at the Woodstock Film Festival and was acquired by HBO Max, and Desert Mourning, which premiered at Mountainfilm Telluride. Nick has participated in numerous labs, fellowships, and markets worldwide, including the Rotterdam Producers Lab, the IFP Cannes Producers Fellowship, and the Film Independent Producers Lab. His work has been supported by foundations including the Sloan Foundation, Cinereach, Rooftop Films, and the International Documentary Association. Through People's TV, Nick regularly produces branded films for clients including Airbnb, Greenpeace, Meta, and Dropbox, and works with A-list talent and CEOs. He has shot in over 25 countries around the world, including across Latin America, Europe, and Asia. Ryder Haske has been a partner at People's Television for over 10 years. During his tenure, he directed and produced commercials and ad campaigns for fortune 500 companies, federal agencies, and global foundations. He was a Cinematographer and Executive Producer on the feature documentary Not Going Quietly and has won multiple AAF and Telly awards. Ryder's work has brought him to nearly every state and over 25 countries. Based in Washington, where he oversees the DC office, Ryder's work ranges from mental health awareness to environmental conservation and social justice.   Listen to this informative Sharkpreneur episode with Nick Bruckman and Ryder Haske about telling powerful stories that change the world.   Here are some of the beneficial topics covered on this week's show: - How character driven stories can be the most impactful for an audience. - Why many people don't know that they have a powerful story to tell. - How most people intuitively skip over advertising, which is why you need a compelling story. - Why the storytelling techniques learned in film school, or a creative writing class apply to storytelling in ads. - How you want your story to be so interesting that it will be shared past potential customers.   Connect with Nick and Ryder: Guest Contact Info Twitter @peoplestv Instagram @peoples.tv Facebook facebook.com/pplstv LinkedIn linkedin.com/company/people's-tv   Links Mentioned: peoples.tv Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Filling the Void, Lesley talks to filmmaker and actor Jay Duplass about running. The two chat about his 180 BPM running playlist, embarrassing his daughter with his iconic dolphin shorts, and the peak moments of joy when running in nature. To talk to Lesley about your hobby, you can email the podcast at fillthevoidpod@gmail.com. Filling the Voiding is part of the Earios Network. This episode is produced, engineered, and edited by Alex Paul. Theme music by Michael Cassidy.Bonus! Take a peek at Jay's running music playlist:Tusk by Fleetwood MacBreaking the Girl by Red Hot Chili PeppersHere I Go Again by WhitesnakeFoxey Lady by Jimi HendrixStrange Magic by Electric Light OrchestraHey Ya by OutKastThe Boys Are Back In Town by Thin LizzyThe Boys of Summer by Don HenleyModern Love by David BowieMessage In a BottleEvery Little Thing She Does Is Magic by The Police Hosted on Acast. See acast.com/privacy for more information.

Today on the show we have Katie Aselton. She is an acclaimed actor and filmmaker based in Los Angeles. She may be best known for her starring role as Jenny in the FX comedy “The League.” Aselton can next be seen in Bill Burr's comedy Old Dads. She was recently seen in The Unholy, opposite Jeffrey Dean Morgan, and appeared in Tiller Russell's Silk Road, with Jason Clarke. Aselton was also seen in the second season of the hit Apple + series “The Morning Show.”Aselton's breakout acting role came in the indie darling The Puffy Chair, directed by Mark and Jay Duplass. The film was nominated for two Independent Spirit Awards. Aselton's other feature credits include Book Club, Father Figures, She Dies Tomorrow, Synchronic and Bombshell. Her small-screen work includes “Legion,” “Animals,” “Togetherness,” “Curb Your Enthusiasm,” “Veep,” “The Office,” “Room 104” and “Casual.”Aselton made her directorial debut with The Freebie, in which she also stars. The film premiered to much critical acclaim at the 2010 Sundance Film Festival and was released theatrically by Phase 4. She also directed and starred in the survivor thriller Black Rock, opposite Kate Bosworth and Lake Bell. The film premiered at the 2012 Sundance Film Festival and was released by LD Entertainment.Katie's new film is Mack & Rita starring the legendary Diane Keaton.When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita” (Oscar winner Diane Keaton). Freed from the constraints of other people's expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack's adorable dog-sitter, Jack (Dustin Milligan). A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.Enjoy my conversation with Katie Aselton.

Today, you'll be hearing from the independent film industry's favorite duo, The Duplass Brothers. Mark and Jay Duplass are known for their generosity, creativity, and transparency. Two undercover agents who successfully infiltrated a notoriously cutthroat and self-centered industry, Hollywood. Together, they broke into the business via a seven-minute short film they shot on their parents' video camera, with a total production budget of $3 — the cost of the blank tape they purchased to shoot it. Erik, Mark, and Jay discuss allowing your work to speak for itself, embracing limits and constraints, inspiration waiting at the bus stop, the value of keeping a lot of irons in the fire and hiring for personality over experience.   You may know Mark and Jay through their acting careers. The lists are long but Mark currently stars on Apple TV's The Morning Show as Charlie Black. And Jay, perhaps most famously, played Josh Pfefferman in the Emmy Award winning Amazon original series, Transparent.   5x #1 Bestselling Author and Motivational Speaker Erik Qualman has performed in over 55 countries and reached over 50 million people this past decade. He was voted the 2nd Most Likable Author in the World behind Harry Potter's J.K. Rowling.   Have Erik speak at your conference: eq@equalman.com   Motivational Speaker | Erik Qualman has inspired audiences at FedEx, Chase, ADP, Huawei, Starbucks, Godiva, FBI, Google, and many more on Focus and Digital Leadership.   Learn more at https://equalman.com

Today's guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns. Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.

Cooper Raiff's debut film, 2020's "Sh*thouse," put the young writer/director on the map with a tale of collegiate malaise, and was made not long after Raiff himself left college. His follow-up, the new CHA CHA REAL SMOOTH, sees Raiff exploring the existential restlessness that awaits college grads. As with his debut, Raiff is back in a starring role, this time with a legit movie star as his co-star, Dakota Johnson. Adam interviews Raiff, who talks about crying in movies, his mentor Jay Duplass, and why Michael Caine isn't right about everything. And with Buzz currently flying solo in the new "Lightyear," we revisit Adam's TOP 5 STORY STORY MOMENTS (2019) with guest Griffin Newman from the Blank Check podcast. And Adam adds to the praise that has met the latest Netflix Adam Sandler joint, HUSTLE. 0:00 - Billboard 1:24 - Interview: Cooper Raiff ("Cha Cha Real Smooth") 25:01 - Review (AK): "Hustle" 34:37 - Next Week / Notes 44:51 - Polls 54:09 - Top 5: Toy Story Moments w/Griffin Newman 1:50:40 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices