Podcasts about yoshitsune

It is late winter in the year 1185, and the Genji general Yoshitsune is leading a group of samurai through a raging storm at sea. Yoshitsune has been given an imperial command to seek out and destroy the Heike - the powerful samurai clan that has taken charge of the infant Emperor and the Three Imperial Treasures. But to take on the Heike at their island stronghold of Yashima, Yoshitsune must pull off a daring surprise attack -  despite being outnumbered ten to one...Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

The young Genji general Yoshitsune receives a command from the Retired Emperor: Protect the imperial line and retrieve the Three Sacred Treasures! But to achieve his mission, Yoshitsune must first face the might of the Heike army, which is now just one day from the capital...Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Yoshitsune rides into battle—and into legend—while the Heike scramble to save the Emperor and the imperial treasures, before the Genji can capture them. The momentous clash on the beach between two samurai clans will go down in history as one of the great turning points of the Gempei War: The Battle of Ichi-no-Tani!Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

An envoy from the capital brings shocking news: The Emperor has been attacked! Yoritomo learns that his reckless cousin Kiso Yoshinaka - the Asahi Shogun - has burned down the Emperor's residence and is threatening to make a truce with the Heike. So he accepts the Emperor's summons and sends his half-brother Yoshitsune to bring his cousin to heel. Meanwhile Kiso and his lover Tomoe Gozen - Japan's most celebrated female samurai -  prepare for what could be their final stand. Written and presented by Sean BerminghamMusic and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Le moine guerrier Benkei, connu pour sa force, défie les samouraïs sur le pont de Gojō pour collecter leurs épées. Battu par le rusé Yoshitsune, il devient son plus fidèle allié et se sacrifie héroïquement pour le protéger lors d'un dernier combat.La morale : La loyauté et le courage font la grandeur d'un homme, plus encore que la force physique.

Le moine guerrier Benkei, connu pour sa force, défie les samouraïs sur le pont de Gojō pour collecter leurs épées. Battu par le rusé Yoshitsune, il devient son plus fidèle allié et se sacrifie héroïquement pour le protéger lors d'un dernier combat.La morale : La loyauté et le courage font la grandeur d'un homme, plus encore que la force physique.

It's the finale of this series on the Genpei War (1180-1185); the showdown between the two most powerful clans of the age. This episode is one of the most drama & action packed that I have ever covered in History on Fire. We'll discuss Minamoto Yoritomo's Godzilla-sized ego, the Minamoto killing each other when they are not busy warring against the Taira, the legendary female samurai Tomoe Gozen, a ritual suicide to urge your commander to stop having sex and concentrate on military maneuvers instead, the charge at Ichi No Tani, the mythical fight between Kumagai Naozane and Taira Atsumori, a victory party in Kyoto parading enemy heads, Yoshitsune's utter fearlessness, a feat of archery so amazing that it convinced the enemies to stop battle and cheer for the archer, the child emperor's grandmother drowning herself and her grandson, samurai crabs, Benkei being a pal and holding back an army so that Yoshitsune can kill himself, and much more.

The Genpei War (1180-1185), pitting against one another the two most powerful clans of the era, the Minamoto and the Taira, is one of the most crucial turning points in Japanese history. Movies and video games have usually overlooked this conflict in favor of the civil wars of the warring states period of the 1500s. Big mistake since the story of the Genpei War is packed with drama and larger than life characters—from the tragic hero Minamoto Yoshitsune, his brother in arms the gigantic warrior monk Benkei, the female samurai Tomoe Gozen and many others. And on top of it, this civil conflict ushered major changes in Japanese society, shifting power from a nobility made of imperial bureaucrats into the hands of landowning samurai families. In this first of two episodes dedicated to the Genpei War, we'll tackle one of the most important works in Japanese literature, Buddhist impermanence, the 1156 Hogen Rebellion, the 1160 Heiji Rebellion, revenge, exorcisms, the rise of the Taira family, emperors struggling with loss of power, warrior monks, the battle at the Uji River, announcing your family lineage before cutting heads off, inviting the gods to witness battle, Minamoto Yorimasa's suicide, Yoshitsune learning swordsmanship from the demons of the forest, the duel between Yoshitsune and Benkei, the Taira burning down the monasteries of Nara, Kiyomori's death, and much more.

As we've reached the halfway point in the rise to power of Yoritomo, in this episode we take a break from the main story to look at some of the main books, films, TV shows, and podcasts that deal with this period of early Japanese history. The episode includes tips and suggestions for anyone who's interested to know more about the Gempei War and the life of Japan's First Shogun...List of sources and media mentioned in this episode:Books and sources:The Tale of the Heike - tr. Helen McCullough (Stanford University Press)The Tale of the Heike - tr. Royall Tyler (Penguin Classics)The Founding of the Kamakura Shogunate / Azuma Kagami - tr. Minoru Shinoda (Columbia University Press)Before Heike and After: Hogen, Heiji, Jokyuki - tr. Royall Tyler (Arthur Nettleton)Yoshitsune (Gikeiki) - tr. Helen McCullough (Stanford University Press)The Gempei War 1180-85 - Stephen Turnbull (Osprey)The Tale of Genji by Murasaki Shikibu tr. Royall Tyler (Penguin Classics)The World of the Shining Prince - Ivan Morris (Vintage)The Heike Story by Eiji Yoshikawa - tr. Fuki Uramatsu (Tuttle)Kwaidan - tr. Lafcadio Hearn (Tuttle)TV shows & Movies:Kwaidan (1964) - dir. Masaki KobayashiRashomon (1950) - dir. Akira KurosawaThe Men Who Tread on the Tiger's Tail (1945) - dir. Akira KurosawaTaira Clan Saga (1955) - dir. Kenji MizoguchiGate of Hell (1953) - dir. Teinosuke KinugasaThe 13 Lords of the Shogun (2022), Taira no Kiyomori (2012), Yoshitsune (2005) - NHKPodcasts:A History of Japan (Justin Hebert)History of Japan (Isaac Meyer)Read Japanese Literature (Alison Fincher)Geeks and GaijinsThe Samurai ArchivesThe First Shogun podcast website: https://firstshogun.buzzsprout.com

Lord Kiyomori has sent a massive army to suppress the Genji uprising in the east led by Minamoto no Yoritomo. But for now Yoritomo has a more immediate threat: outnumbered ten to one, he prepares to confront a force of 3,000 samurai on the slopes of Mount Ishibashi. Yoritomo's response to this attack will pass into legend - and will lead to the war between Genji and Heike that will change Japan's history forever.People featured in this episode:For the Genji:- Minamoto no Yoritomo - Genji heir; future First Shogun of Japan- Masako Hojo - Yoritomo's wife; the future 'Nun Shogun'- Tokimasa Hojo - Masako's father; landowner and samurai- Minamoto no Yoshitsune - Yoritomo's half-brother- Musashibo Benkei - a giant warrior-monk; Yoshitsune's retainer- Miura Yoshizumi - heir to the Miura clan; son of Miura YoshiakiFor the Heike- Taira no Kiyomori - Lord of the Heike- Taira no Koremori - Kiyomori's grandson- Kajiwara Kagetoki - Heike retainer; samurai commanderThe First Shogun podcast website: https://firstshogun.buzzsprout.com

In this episode we follow the early life of Yoshitsune, the Luke Skywalker of medieval Japan! Saved from execution by his mother's courage, Yoshitsune was exiled at an early age to a remote temple, where, according to legend, he learned swordsmanship and battle strategy from the great Goblin King Sojobo. It was the start of a long journey that will eventually see him reunited with his half-brother, Yoritomo - the future First Shogun of Japan...Key figures in this episode:Yoshitsune - younger half-brother of Yoritomo, the future First ShogunYoshitomo - father of Yoshitsune and YoritomoLady Tokiwa - Yoshitomo's mistress; mother of Yoshitsune Lord Kiyomori - Head of the Heike clanBenkei - a giant monkKichiji - a gold merchantSojobo - Goblin King of the TenguWritten and presented by Sean Bermingham. Music and sound effects from Pond 5: www.pond5.comThe First Shogun podcast website: https://firstshogun.buzzsprout.com

The Noted Raconteur, Sean Orleans returns for a magical night in Sendai: Kenta Kobashi & Tsuyoshi Kikuchi vs. The Can-Am Express of Doug Furnas & Dan Kroffat from May 25, 1992.  PLUS: a fiesta, Makoto Hashi, the differences between the All-Japan and New-Japan Junior divisions, indoor gardening, world records, a 40in vertical leap, Ladder matches, the WWF run, Jushin Liger vs. Yoshitsune, a new word, Richard Slinger, the All-Asia Tag Title, the Phil Lafon Appreciation Society, “ZERO-SEN KEEEEEEECK”, the cheap seats, Jeremy Borash, the Sky High Lariat, the best Cobra Clutch in history, “the Sheffield Hammer”, yet another plummeting fridge, “uchu”, Kent Walton, and one of the best crowds of all time.  Follow and support Sean and St Louis Anarchy Pro Wrestling: @SeanOrleans // @STLAnarchy Follow the project and podcast on Twitter/IG/Bluesky/Threads: @MustSeeMatches http://linktr.ee/mustseematches Kieran: @kieranedits Mark: @monkey_buckles Kieran's new wrestling photos IG: @kieranisheretoo MUSIC: "Chuck Kick Ass" by Nicolas Jeudy. Used under license from Dark Fantasy Studio.

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Apparently the new Shonen Jump+ series called History's Mentalist by Tomato Tri and Natsuko Uruma wanted to get real real and be depressingly relatable for many during these past few years! Music: Ishy (Instrumental) by The A.C. Be sure to follow me on all my social medias, too: https://ko-fi.com/theacstories https://discord.gg/x78UXV22XD https://www.instagram.com/the_ac_stories/ https://www.threads.net/@the_ac_stories https://twitter.com/theacstories https://www.facebook.com/theacstories https://www.twitch.com/theacstories https://theacstories.wixsite.com/theacstories Or, email me at: theacstories@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/theacstories/support

No ano de 1159, o clã Heishi derrota em batalha as forças Genji, tomando o controle sobre as Amahaganes (joias que possuem um poder divino, o Kamui). Com isso, Heishi se torna o clã mais poderoso do Japão, criando uma nova era política através da força. Minamoto no Yoshitsune é um dos últimos descendentes do clã Genji, assim como um dos poucos que pode controlar o Kamui. Ao ser atacado em seu refúgio e descobrir sobre sua linhagem, Yoshitsune se vê confrontado pela responsabilidade de seu próprio destino: assumir o controle das Amahaganes, lutar contra a dominação Heishi e restabelecer seu antigo clã. A estreia do Sala de Save analisa e comenta uma pérola esquecida no querido PlayStation 2: Genji: Dawn of the Samurai @podcastporao Instagram YouTube Twitter TikTok #game #jogo #videogame #playstation #ps2 #samurai #ghostoftsushima #sekiro

No ano de 1159, o clã Heishi derrota em batalha as forças Genji, tomando o controle sobre as Amahaganes (joias que possuem um poder divino, o Kamui). Com isso, Heishi se torna o clã mais poderoso do Japão, criando uma nova era política através da força. Minamoto no Yoshitsune é um dos últimos descendentes do clã Genji, assim como um dos poucos que pode controlar o Kamui. Ao ser atacado em seu refúgio e descobrir sobre sua linhagem, Yoshitsune se vê confrontado pela responsabilidade de seu próprio destino: assumir o controle das Amahaganes, lutar contra a dominação Heishi e restabelecer seu antigo clã. A estreia do Sala de Save analisa e comenta uma pérola esquecida no querido PlayStation 2: Genji: Dawn of the Samurai @podcastporao Instagram YouTube Twitter TikTok #game #jogo #videogame #playstation #ps2 #samurai #ghostoftsushima #sekiro

A brand new venture can bring trepidation, and is never as straight forward as it may seem. That's something that I know all too well. On this episode of The Unfinished Print, I speak with curator, collector, and small business owner David Kutcher about his Japanese woodblock print gallery Moonlit Sea Prints. Located in Easthampton, Massachusetts, David opened his gallery to share his love of Japanese woodblokc prints. We discuss why he got involved with the Japanese woodblock, the background of the business, his own private collection, the competition, and how history plays a part in his business.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Moonlit Sea Prints - website, Instagram.  Night Fishing by Arai Yoshimune (1873-1935) - Arai Yoshimune was a woodblock print designer who designed for the Hasegawa/Nishinomiya publishing house. “Night Fishing” is one print in a series of popular shin-hanga style woodblock prints published in the early 1900's by Hasegawa/Nishinomiya of Tōkyō, called "Night Scenes". The series is made up of 21 prints. A fascinating article on this series can be found, here. Below is the "Fishing Boat," print from the this series.    Fuji Arts - is an online Japanese woodblock print store, for collectors and is based in Ann Arbor, Michigan. The company has been in operation since 2000.  Connie Mack (1862-1956) - was an American professional baseball player and manager, and is the longest serving manager in baseball history.   Babe Ruth (1895-1948) - is arguably the greatest American baseball player of all time. Made famous for his time with the New York Yankees form 1920-1934. Is said to have hit his first ever home run here in Toronto in 1914 when baseball was played on the island, against the Toronto Maple Leafs (baseball club).  1934 Japan Baseball Tour - baseballs all stars of the time, including Connie Mack and Babe Ruth, went to Japan in 1934 to play on an “All American All-Stars” team. More information can be found here, with some footage.  Acidic and non acidic matting - acid is a natural occurring element within paper. Like food, some have more, some have less. For very acid-free paper you would be using paper made from cloth rag and containing a small amount of a chemical compound called “lingnin” which is in all paper. The more lignin, the more acid the paper has. You want to use an acid-free paper to protect your print or piece of art from yellowing and other damage. For a great read on the subject, you can check it out, here .  Starry Night by Takahashi Shōtei (1871-1945) - is a woodblock print, 6”x15” produced around 1926-1927.  Shōtei  designed woodblock prints for the Okura Shoten publishing house, and later for Maeba Shoten, finally designing some of his most famous prints, such as the one below, with Watanabe Shōzaburō (1885-1962). I have seen this print with the 1926/27 year of production as well as a 1936 date as well. A biography of Shōtei can be found, here. Tōshi Yoshida (1911-1995) and the Franklin Mint - in the early 1980's Tōshi Yoshida, the eldest son of Hiroshi Yoshida (1876-1950) embarked on a collaboration with the Franklin Mint. A private mint (a place where currency is made) based in Pennsylvania. The series of prints are considered surimono (privately commissioned prints). The prints are three sets of prints, called The Friendly Garden, Birds of the Seasons, and the calendar prints of birds and flowers. The sizes seems to vary. In muy research i've seen some prints as being 13.5" x 21.5" for the calendar prints and 12" x 20" for Birds of the Seasons. You can see some of these prints here.   print sizes - Japanese print sizes vary. The following are from the book, “The Printed Image: the Flowering of Japan's Woodblock Print Culture, (2018). ōban - 15” x 10” chūban - 10.4” x 7.5” ōtanzaku - 15.3” x 7” chūtanzaku - 15.3” x 5.2” For a larger and more extensive list you can find that, here, at artelino.com Japan in the 1950's - coming out of the second world war, Japan was slowly beginning to recover ecenomically. Starting with the U.S/Japan security alliance, called the San Fransisco Peace Treaty of 1951. By the late 1950's, and well into the late 1960's, with the help of the United States, Japan's GDP began to grow exponentially. A few economic reasons were for this. First, the US market was opened to Japanese exporters, leading to protectionism by a stregthening Japanese bureaucracy, enabling the Japanese government to control domestic and international production. Second, is what Jeff Kingston calls  “industrial targeting.” This is where the Japanese government would focus on certain sectors deemed to be vital to economic growth, thereby giving private loans which in turn would create strength in Japanese infrastructure like heavy industry, crude-oil and natural gas. This also enabled the cartel system by creating fixed cliques which as a matter of course, were open to corruption. These cartels (zaibatsu) played a large part in the fascist Japanese war machine, but with their connections with American corporations and being anti-Communist, the American post-war occupying government saw these zaibatsu as an asset to Japanese growth. Companies that had connections to militarist Japan are, Mitsui, Mitsubishi, and Hitachi to name a few. This growth that began in the 1950's, continued until the Japanese economic bubble burst in 1989. For more information on Japan's economic history check out Jeff Kingston's 2019 book, called Japan: Polity Histories. Moonlit Sea by Shoda Koho (1871-1946) - Koho was the designer of this famous print. Little seems to be known about this print designer who published his designs with Nishinomiya Yosaku, also known as the Hasegawa Publishing Co.  Jimbōchō -  is an area in the city of Tōkyō. Located in Chiyoda. It is an area made famous for its bookstores, where you can buy vintage, used, and new books of all genres. Some information can be found, here. Toyohara Kunichika (1835-1900) - considered to be the last ukiyo-e designer. Known as an incredible talent and having his own demons, Kunichika studied under Utagawa Kunisada (1786-1865) and lived and died in Tōkyō. His work is powerful, bombastic, and colourful. His triptychs at times broke from the single panel sheet traditoin of one image per sheet, where one image for Kunichika could take up all three panels. More information can be found, here. The Museums of Liverpool have a new Kunichika exhibition from April 15, 2022 - September 4, 2022. The print below is Onoe Kikugoro V as Akashi no Naruzo (1890) Yoshikazu Utagawa (dates unknown but active from 1850-1870) - famous for his Yokohama-e prints, prints that focused on the foreigners in Yokohama City in the 19th Century. Yoshikazu also made triptychs of tengu (long nose trickster forest goblins), and other demons. The triptych below is, Yoshitsune on Mount Kurama. Minamoto no Yoshitsune (1159-1189) - was a leader of the Minamoto clan, associated with the period of warrinhg between the Minamoto and the Taira clans during the Heian Period (794-1185). Yoshitsune's history, like many individuals of that historical period in Japanese history, is mixed with legend and is difficult to know what is true and what is not. Many woodblock prints were made describing his military prowess, as well as his adventures with his friend Benkei.  Some history of Yoshitsune can be found, here.  intaglio printmaking - is a style of printmaking, the opposite of relief printmaking, where scratches are made with a burin on the plate (copper, zinc, aluminum) and then dipped in acid. Ink and pigment is rubbed on with a brayer, brushes, etc. More info can be found, here. Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be. The print below is Kude Beach, Wakasa (1920) Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915), and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others. Below is Suma Beach (1938) James Abbott McNeil Whistler (1834-1903) - was an American painter based in Britain. His paintings are generally of landscapes of lonely terrain, as well as of portraits. His most famous painting is of his mother.  His complete works can be found, here.  Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Below is, Coastal Landscape In Moonlight (1857) Gustav Klimt (1862-1918) -  was a Viennese born artist who was a part of the art nouveau, and Vienna Secessionist movements.  His subjects were, generally, of women. More information can be found, here. Vincent Van Gogh (1853-1890) - was a Dutch post-Impressionist painter. He began to collect Japanese woodblock prints around the winter of 1886-1887 from the art dealer Siegfried Bing, to collect and to sell for a profit, although he didn't sell very many. This collection would go on to influence much of his work.  Red Fuji - also called “Fine Wind, Clear Morning,” is a woodblock print designed by Katsushika Hokusai (1760-1849) and made around 1830-1832.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Hokusai Updated - was an exhibition held at the Mori Art Museum in the Roppongi area of Tōkyō which ran from January, 17th, 2019 to March, 24th, 2019.  Hokusai manga - first published in 1814 these comical figures, lansdscapes, flowers, and other various images were created by the woodblock designer and artist Katsushika Hokusai. Beginning with Volume 1, “Transmitting the Spirit and Revealing the Form of Things,” the series became impressively popular and was continually produced, in fifteen volumes, until 1878, and in woodblock print form.  More information from the Princeton Library can be found, here.  Kawanabe Kyōsai (1831-1889) - was a woodblock print designer and painter who focused on dark, devious, ghostly images and even some war prints.  Kyōsai's work has had a resurgence the passed decade with many people outside of the woodblock print community. More information can be found, here. Below is his triptych, Demon's Out. The Western influence on the Japanese print market - Western collectors have had a deep affinity for Japanese woodblock prints since the late 19th Century. In 1891, the print curator of the Boston Museum of Fine Arts held a Japanese print exhibition at the Smithsonian and in many ways, helped usher in a love for the Japanese woodblock print in America. As the popularity of Japanese woodblock prints began to grow, with more foreign artists living and working in Japan and abroad, such as Emil Orlik (1870-1932), Bertha Lum (1869-1954), and Helen Hyde (1868-1919) who started making their own woodblock prints. This new awareness of contemporary and vintage Japanese woodblock prints began to foster more collecting. As time has gone on, and with the Japanese woodblock print becoming so famous in the West, prices in Japan have begun to climb steadily, with more collectors in Japan collecting woodblock prints.   sensō-e - are Japanese woodblock prints which focus on war. They can be single panel, diptych and triptych's. Complicated woodblock techniques were used, which highlighted war, specifically the first  Sino-Japanese War (1894-1895). Artists such as Kobayashi Kiyochika designed prints for this war, the beginning of the Japanese Imperialist project. More information can be found, here. Below is Great Victory and Occupation of Jiuliancheng (1894) by Watanabe Nobukazu (1874-1944)  Shirō Kasamatsu (1898-1991) - was a woodblock print designer who worked with the Watanabe atelier making shin-hanga designs. Below is Mount Wakakusa (ca. 1930) and Mountains Cottage in Spring (ca. 1960's) Floating World Gallery - is a Chicago-based  brick and mortar / online Japanese woodblock print outlet in operation since 1987.  Focusing on all genres of Japanese woodblock prints. More info, here.  Crosseyed Gallery - is a Los Angeles based woodblock print online store. More info, here.   Art Walk: Easthampton, Massachusetts - is a monthly art walk held the first Friday of the month and created by Easthampton City Arts. They arrange arts programming and cultural events. More info, here.  Pillar prints  - also called hashira-e (柱絵), are prints which have the shape of scrolls but are smaller. They are 4.5” x 28” and were attached to pillars in Japanese homes. Associated with the 18th Century. More info can be fond, here. Below is Cherry and the Moon, by Yoshimoto Gesso (ca. 1910-1930) Yoshimoto Gesso (1881-1936) - was a shin-hanga print designer who designed many landscapes, birds, and flowers. More info, here. Below is his Blue Bird and Asters (ca.1930's) surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.  Ronin Gallery - is a NYC based Japanese woodblock print brick and mortar, online shop, and was established in 1975. More info can be found, here.  Taoist alchemy -  also called nei-dun, is a type of internal alchemy in Taoism which purports to give the initiate a long life. External alchemy in Taoism is called wai-dan which uses herbs and minerals to promote a long life. More info can be found, here.    © Popular Wheat Productions opening and closing credit sound - I am listening to the CBC's IDEAS podcast and the episode is called "Madame Blavatsky: Intellect, Adventurer, Occultist...Fraud. This can be found on any podcast platform.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.*** Bibliography: Forrer, Matthi, Michael Scuffil, and Adele Schlombs. The Printed Image: The Flowering of Japan's Woodblock Printing Culture. Köln: Buchhandlung Walther König, 2018. Marks, Andreas, Chiaki Ajioka, and Elisabeth Sövik. Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection. Minneapolis, MN: Minneapolis Institute of Arts, 2015. Martin, Katherine. Highlights of Japanese Printmaking, Part 3: The International Perspective.Scholten Japanese Art, 2008. Uhlenbeck, Chris, Louis van Tilborgh, Shigeru Oikawa, Lynne Richards, and Diane Webb. Japanese Prints: The Collection of Vincent Van Gogh. London: Thames & Hudson, 2018.  

Short（短編） There is a legend that Minamoto no Yoshitsune (childhood nickname Ushiwakamaru) entered Kurama-dera Temple at the age of 7 and was given a military art by a tengu. Eizan Electric Railway Kurama Line, Arrive at Hachiman-mae Station - Cable car interior sound-Crowded area in front of Kuramaji main hall - Yamanaka, crowded worshipers, river flow, sound of Suzune in the distance-Sounds of rivers and wild birds. (Partially recorded) 源義経（幼名牛若丸）は、７歳頃に鞍馬寺に入山し、天狗に兵法を授けられたという伝説があります。叡山電車鞍馬線、八幡前駅着～ケーブルカー車内音～鞍馬寺本堂前の雑踏～山中、参拝客の雑踏、川の流れ、遠くに鈴音の音～川のせせらぎと野鳥のなき声。（一部収録） * There is also a paid version of "Sound in Nature" which is rich in episodes and has a long version.(Apple podcast only) ロングバージョンのある有料版「Sound in Nature」もあります。 https://podcasts.apple.com/us/podcast/sound-in-nature/id1569798616

After the Gempei War, Minamoto Yoritomo moved toward creating a permanent parallel government in Kamakura. Retired Emperor Go-Shirakawa, however, continued to interfere until eventually brother was pitted against brother.Support the show (https://www.patreon.com/AHistoryOfJapan)

From the heart of the Mongolian steppe, to North China's loess plateaus; from the rugged edges of Northern India, to the hot sands of Syria and the Levant, to humid jungles in southeastern Asia, rocky islands off the coast of Japan, the high peaks of the Caucasus, Himalayas, Altai, Tien Shan and Carpathian Mountains, to the frozen rivers  in Rus' granting access to Eastern Europe, and everywhere in between.  Our series on the Mongol Empire has taken you across Eurasia, meeting all sorts of figures; the brutal Tamerlane, the indefatigable Sultan Baybars, the brave if shortsighted Jalal al-Din Mingburnu and his foolish father Muhammad Khwarezmshah; the cunning Jia Sidao, the silver-tongued Qiu Chuji, the thorough scholar Rashid al-Din, and travellers like John de Plano Carpini, William of Rubruck, and Ibn Battuta, to the exhausted but noble-hearted Yelü Chücai. And of course, the Mongols themselves: the powerful Öz Beğ, Khan of the Golden Horde; the thorough and pious convert Ghazan Il-Khan; the scheming Du'a of the Chagatais, the stout Qaidu Khan of the Ögedaids, to the Great Khans of the thirteenth century, the most powerful of men; Khubilai, whose hands scrambled for more until his body and empire failed his ambitions; his brother Möngke, whose steely determination sought to solidify the empire at all costs, no matter the bloodshed; Güyük, a reluctant and unfortunate man to ascend to the throne; his mother Törögene, whose fierce will forced her son to that same throne; Ögedai, a drunk who despite his failings built the infrastructure of the empire. And of course, Chinggis himself; once a scared boy in the steppes, turned into the greatest conqueror of them all. Today we end our journey with the Empire of the Great Khans, and reflect on the passage of the Chinggisids. I'm your host David, and this is Kings and Generals, Ages of Conquest.       Back in our first episode, we highlighted certain trends to look for over the course of this series. The first emphasized looking for the middle ground between the Mongols as inherently evil or good forces, but as people whose expansion was rooted in historical events and personages. The second was the struggles that came with the management of a world empire, and the need to rely on non-Mongolian subject peoples—Chinese, Central Asian Muslims, Persians, Turks and others. The third was the struggle for the purpose of the empire; should it be continued conquest, or consolidation and serving the needs of the imperial princes. This was the balance between the Khan and his central government, or the Chinggisid and military aristocrats. The fourth was the steady assimilation, particularly Turkification, of the Mongols outside of Mongolia, as Mongolian was replaced as the language of administration, legitimacy and finally, among the ruling family itself, even while retaining the Mongolian imperial ideology.        Regarding the first theme, we have sought to highlight in our many discussions of sources their often complicated, conflicting portrayals or events and persons. While authors like Ibn al-Athir, Nasawi and Juzjani had little good to say about the Mongols or Chinggis Khan, and fit well with the popular model the destructive brute, we've also looked at many sources which had more positive portrayals of the khans. Some of these are rather obvious, imperial-produced sources such as the Secret History of the Mongols, but even sources from outside the empire could give glowing reviews of Chinggis Khan. For instance, the fourteenth century English writer Geoffrey Chaucer, in the Squire's Tale of his famous Canterbury Tales, opens with the following lines:   At Tzarev in the land of Tartary There dwelt a king at war with Muscovy Which brought the death of many a doughty man This noble king was known as Cambuskan And in his time enjoyed such great renown That nowhere in that region up or down Was one so excellent in everything; Nothing he lacked belonging to a king.       Written at the same time as Toqtamish Khan of the Golden Horde was fighting for control of that Khanate, here Chaucher remembered Chinggis Khan not as a bloodthirsty barbarian, but as a monarch embodying all ideal qualities of kingship. Chaucer continues thusly;   As to the faith in which he had been born He kept such loyalties as he had sworn, Then he was powerful and wise and brave, Compassionate and just, and if he gave His word he kept it, being honourable, The same to all, benevolent, and stable As is a circle's centre; and in fight As emulous as any squire or knight. Young personable, fresh and fortunate, Maintaining such a kingliness of state There never was his match in mortal man, This noble king, this Tartar Cambuskan.        For writers in fourteenth century England, obviously distant from the Mongol Empire itself, it was not unbecoming to idealize the portrayal of Chinggis Khan. This is not to say that Chaucher's description is accurate, or necessarily reflects any actual qualities about the man or any of his descendants. But rather, it reflects historical perception. How an individual is perceived by contemporaries, history, and modern people often bears little resemblance to actual details of the individual.  Instead, people will contort an image for whatever use suits their current purposes, context and political climate. Thus, warlords from the late imperial, and post-Mongol world styled Chinggis' image to suit their needs. In Central Asia Chinggisid descent remained one of the most prestigious, and necessary, requirements for rulership up until the nineteenth century in some areas. This was problematic though with the spread of Islam, given that Chinggis Khan's actual life produced very few episodes to nicely accommodate an Islamic narrative. Certain Persian writings during the Ilkhanate sought to fix this by making Chinggis a Muslim in all but name. On the tomb of Tamerlane, an inscription likely added during the reign of his grandson Ulugh Beğ, makes Tamerlane a descendant of both the Prophet Muhammad and of Chinggis Khan. Later post-imperial authors had a more direct solution; simply making Chinggis Khan outright a Muslim. As the destruction of the conquests slipped further back in time, this became easier and easier to accomplish.    Religion was not the only aspect which can be molded, for Chinggis' very status as a Mongol becomes malleable in state efforts to construct national mythos, in both medieval and modern settings. Today, you can find countries where official propaganda, or influential theorists, incorporate Chinggis into the desired story of their nation-state. In China, there remains a significant Mongolian population, largely in what the Chinese call the Inner Mongolian Autonomous Region, the land south of the Gobi desert but north of the mountains which divide it from the North China plain. The Chinese government has taken to presenting China's non-Han peoples, Mongols among them, more or less as Chinese minority peoples and actively encourages their adoption of the state-language, Mandarin, and Han Chinese culture. In this view, the Mongol conquests are sometimes presented as a period of national reunification rather than foreign conquest. The efforts of Khubilai Khaan to legitimize the Yuan Dynasty based on Chinese dynastic legal precedent becomes the quote-on-quote “historical evidence,” that Chinggis Khan was actually Chinese, or that in fact, the Mongol conquerors were fully assimilated into the Chinese population and culture. The borders of the Yuan Dynasty served to justify later Chinese territorial claims in Inner Mongolia, Xinjiang, Manchuria, Tibet and Yunnan; places that were, before the Mongols, inconsistently in the Chinese sphere of influence, but since the conquests have often remained dominated by empires based in China. Not coincidentally, such narratives serve to support the narrative of 5,000 years of a continuous Chinese Empire, and remove the sting that may accompany the embarrassment of being conquered by perceived barbarians.    Likewise, various Turkic peoples, most notably Kazakhs, Tatars, and Anatolian Turks, have sought to claim Chinggis as their own, and there are even groups in Korea and Japan that will argue that Chinggis was actually one of theirs. The Japanese version has Chinggis as the Samurai Minamoto no Yoshitsune, who faked his death and fled Japan for the steppe! Khubilai's later invasions of Japan again become not foreign assaults, but attempts at national reunification or the efforts by Yoshitsune's descendants to return home. And of course, fringe groups even in Europe and Russia which, refusing to believe a barbarian horseman could conquer such great states, insist that Chinggis was actually a red-haired, green-eyed man of European ancestry. Such claims often include vague references to the mummies of the Tarim Basin, who bore some features associated with Caucasian populations. The fact that these mummies pre-date Chinggis by millenia is often conveniently left out. All of these people care much more about ethnic categorization than Chinggis himself likely ever did.        Just as religion or ethnicity can be forced to fit certain agendas, so too can portrayal as barbarian or saviour. In Mongolia today, Chinggis Khan's unification of the Mongols, his introduction of a writing system, religious tolerance, laws and stability are most heavily emphasized. For building a post-soviet national identity, obviously these are useful attributes to appeal to for the desired national character. But the Mongolian governmet also tends to gloss over the aspects less appreciated in the twenty-first century: namely, the destruction of people and property on a massive scale, mass-rapes, towers of skulls and wars of conquest. The fact that Mongolia's two neighbours, Russia and China, suffered particularly under Mongol onslaughts, also avoids some diplomatic hurdles to step past these military aspects. For most of the twentieth century during Mongolia's years as a Soviet satellite state, Chinggis was largely pushed aside, framed as a feudal lord. Instead, Mongolia's hero of the 1921 socialist revolution, Damdin Sükhbaatar, became the preferred national icon. After Mongolia was democratized in the 1990s after the fall of the USSR, Chinggis Khan has seen a massive resurgence in popularity. Today, Chinggis and Sükhbaatar remain national icons, with monuments to both throughout the country. Outside Mongolia's parliament, the main square has changed names from Sükhbaatar to Chinggis Square, and since back to Sükhbaatar square. An equestrian statue to Sükhbaatar sits in the middle of that square. More than a few foreign observers had mistakenly called this a statue of Chinggis. In fact, only a few metres away from the equestrian statue of Sükhbaatar sits a massive Chinggis Khan on a throne flanked by his generals, at the top of the steps leading into Mongolia's parliament. In a way it is metaphorical. No matter how prominent any later hero of Mongolia may be, he will always stand in the shadow of Chinggis Khan.  And that's not even mentioning the 40 metre tall silver monstrosity about 50 kilometres outside of Ulaanbaatar. Speaking of state narratives, much of the cost for this statue was covered by the company owned by Khaltmaagin Battulga, a former professional sambo wrestler who from 2017-2021 served as the fifth President of Mongolia.       Outside of Mongolia though, Chinggis and the Mongol Empire remain a top-point of reference to paint someone in the most unfavourable light. One of the highest level cases of recent years was when the President of Iraq, the late Saddam Hussein, compared former US President George W. Bush to Hülegü, Chinggis' grandson and conqueror of Baghdad. The American bombing and capture of Baghdad, and ensuing tragedies that Iraq as suffered in the aftermath of the campaign, have only solidified the connection for a number of Muslims.  Meanwhile Russian television and education tend to present the Mongols in a style comparable to Zack Snyder's film 300, such as the 2017 Russian film Легенда о Коловрате [Legenda O Kolovrate], also known as Furious. Like the Spartans in the film or Frank Miller's graphic novel, the Rus' soldiers are presented as formidable warriors fighting monstrous, untrained hordes from the east. Only through sheer numbers or trickery do the disgusting Orientals overcome the pasty-white heroes of the story— though few of the heroes in the Russian films have Scottish accents. Russia has turned the so-called Tatar Yoke into a catch-all to explain any perceived deficiencies compared to western Europe, from government absolutism to alcoholism. Not only the Russians have employed the comparison: “scratch a Russian and you'll find a Tatar,” Napoleon Bonaparte is supposed to have quipped. And in 2018 the Wall Street Journal released a particularly poorly written article, which compared the political machinations of current president Vladimir Putin as “Russia's turn to its Asian past,” accompanied by vague comparisons to the Mongols and an awful portrait of Putin drawn in Mongolian armour. In contrast, the Russian Defence Minister, at the time of writing, is Sergei Shoigu, a fellow of Tuvan descent who is alleged to enjoy comparisons of himself to Sübe'edei, the great Mongol general popularly, though inaccurately, portrayed as a Tuvan. The 2022 Russian invasion of Ukraine, essentially a good old-fashioned war of conquests accompanied by war crimes and destruction of cities, has also earned many comparisons to the Mongol conquests by many online commentators. Though unlike the Russians, the Mongols actually took Kyiv.   Somewhat surprisingly, most cinematic portrayals of Chinggis himself lean towards sympathetic or heroic. One of the most recent is a 2018 Chinese film entitled Genghis Khan in English, which features a slim Chinese model in the titular role, and one of his few depictions without any facial hair. In that film he battles a bunch of skeletons and monsters, and it could be best described as “not very good,” as our series researcher can, unfortunately, attest. One popular portrayal is the 2007 film Mongol, directed by Sergei Bodrov and starring a Japanese actor in the role of Chinggis. That actor, by the way, went on to play one of Thor's buddies in the Marvel movies.  Here, Chinggis is a quiet, rather thoughtful figure, in a film which emphasizes the brutal childhood he suffered from. Another sympathetic portrayal, and one perhaps the most popular in Mongolia, is the 2004 Inner Mongolian series where Ba Sen, an actor who claims descent from Chagatai and appeared in the previously two mentioned films, plays the role of Chinggis.       Hollywood does not tend to portray Chinggis Khan or the Mongols in films at all, but when it does, it really goes for a swing and a miss. Bill and Ted's Excellent Adventure has Chinggis essentially only a step above a cave-man in that film. Other Hollywood endeavours are infamous for having non-Asian actors in the role, such as Egyptian-born Omar Shariff in 1965's Genghis Khan, Marvin Miller in 1951's The Golden Horde and the most infamous of them all, the cowboy John Wayne in 1956's The Conqueror. That film's theatrical release poster bears the tasteful tagline of, “I am Temujin…barbarian… I fight! I love! I conquer… like a Barbarian!” The film was also produced by Howard Hughes, founder of Playboy Magazine, and was filmed near a nuclear testing site.  As you may suspect, that film bears as much resemblance to the historical events as an opium-induced fever dream.        The appearance and depiction of Chinggis and his successors varies wildly. The internet today loves the stories of Chinggis being the ancestor of millions of people, and killing so many people that it changed the earth's climate. The articles that made both of these claims though, rested on shaky evidence. In the first, which we dedicated an entire episode of this podcast too, the study claimed that high rates of a certain haplotype among the Hazara of Afghanistan demonstrated that Chinggis himself bore that haplotype, and Chinggis was extrapolated to be the ancestor of other peoples bearing such a haplotype. But the historical sources indicate Chinggis and his immediate descendants spent little time in Afghanistan, and the associated Haplotype was probably one associated with various populations leaving Mongolia over centuries, rather than specifically Chinggis himself.  Likewise, the study which spawned the claim that the Mongols killed enough people to cool the climate, firstly did not make that claim itself, but moreso incorrectly made the Mongol conquests last from 1206 to 1380, and presented it as an almost two-century period of population decline brought on by Mongolian campaigns; despite the fact that the major destructive Mongolian military campaigns largely halted after 1279. While campaigns continued after that, they were never on the level of the great-campaigns of conquest. Thus it's irresponsible to claim that any atmospheric carbon loss over the fourteenth century was brought on by continued Mongol military efforts.       What these two popular descriptions lend themselves to, is one of extremes. The internet loves extremes of anything. For instance, since 1999 the Internet has always sought to outdo itself in declaring the latest Star Wars product to actually be the worst thing ever made. And the Mongol Empire, as history's largest contiguous land-empire, responsible for immense destruction and long-ranging campaigns and forced migrations, can easily slot in this ‘extreme manner.' A “top-ten” list where the author writes about how the Mongols were the most extreme and destructive and badass thing ever, repeating the same 10 facts, probably gets released on the internet every other month. Just as national-myth makers in Ulaanbaatar, Beijing and Moscow set how to portray the Mongol Empire in the way most suited to them, so too does the internet and its writers choose an aspect of the empire to emphasis; be it religious tolerance, free-trade, brutality, multi-culturalism, Islam, clash of civilizations, human impact on climate, the territorial expanse of a certain country or its national identity, or whatever argument the author hopes to make.        The Mongol Empire though remains in the past, and should be treated, and learned about, as such.  The events which led to the rise, expansion and fall of the Mongol Empire do not fit into nice, sweeping modern narratives, but their own historical context and situation. The Mongol Empire was not predetermined to ever expand out of Mongolia, or to break apart in 1260; had Chinggis Khan been struck by an arrow outside the walls of Zhongdu, or Möngke lived another ten years, in both cases the empire, and indeed the world, would look dramatically different. History is not the things which ought to be or needed to happen or were supposed to happen; it is the things that did happen, and those things did not occur simply for the purposes of the modern world to exist. A million choices by hundreds of millions of individuals, affected by climate and geography with a healthy dose of luck and happenstance, resulted in the world as we know it. Reading backwards from the present to understand the course of the Mongol Empire, and attempting to make it fit into the political narratives we like today, only does a disservice to history. It should be seen not as a virtuous force bringing continental peace justified by easier trade, nor as a demonic horde, but as an event within human history, in which real humans took part, where great tragedy occured in the pursuit of empire.     History is not just written by the victor of the actual battles; as we've detailed across this series, we have no shortage of historical sources on the Mongol Empire; imperial approved sources, sources by travellers passing through the empire, to sources written by the peoples the Mongols crushed. Instead, the history learned in schools and passed down through historical memory and media is built on top of preferred state narratives, those made today and in the past.   Our series on the Mongol Empire concludes next week with a final afterward on Mongolia after 1368, so be sure to subscribe to the Kings and Generals podcast to follow. If you enjoyed this was want to help us keep bringing you great content, then consider supporting us on patreon at www.patreon.com/kingsandgenerals. This episode was researched and written by our series historian, Jack Wilson. I'm your host David, and we'll catch you on the next one. 

The series begins in 12th century Japan and centers on Kuro, a character based loosely on the legendary Japanese swordsman Minamoto no Yoshitsune. Kuro and his servant, Benkei, meet a beautiful and mysterious woman named Kuromitsu while on the run from Kuro's elder brother, who seeks his life. Kuromitsu and Kuro fall in love, but he soon discovers that she harbors a terrible secret: she is a vampiric immortal. Following an attack by his pursuers, Kuro is badly injured and must imbibe Kuromitsu's blood to save his own life. Kuro is then betrayed and attacked by Benkei, who has been subverted by a shadowy organization called the Red Army, and Kuro's head is severed, which interferes with his transformation into a fully immortal being. Kuro loses consciousness and wakes up centuries later in a post-apocalyptic, dystopian Japan with his memories of the past century missing. The surviving citizens have fallen under constant oppression by the Red Army, and Kuro is quickly found and recruited by an underground revolutionary movement called Haniwa. The remaining episodes follow Kuro's fight with the Red Army and its host of elite warriors, who have been hunting Kuromitsu for her blood, believing it contains the secret to eternal life; focusing on Kuro's quest to find his inexplicably lost love. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/no-country-for-otakus/support

ตัวที่ 97 นายพลของญี่ปุ่นในช่วงสงครามเก็นเปย์

We're talking about two central genres of Medieval Japanese literature—the warrior ballad and Noh drama. We'll see two characters from The Tale of the Heike again, including the valiant female warrior Tomoe. This time, she's a mournful ghost.https://readjapaneseliterature.com/2021/12/22/episode-4-yoshitsune-ballads-and-tomoe-drama/

With the Minamoto army now unified under the banners of Yoshitsune and Noriyori, both brothers would seek to bring the war to a close and put an end to the Taira Clan once and for all. At the battle of Dan-no-Ura, the factions would face off for the last time in a dramatic naval battle in the straits of Shimonoseki.Support the show (https://www.patreon.com/AHistoryOfJapan)

Japanese Myths, Yoshitsune and Benkei --- Support this podcast: https://anchor.fm/phines-jackson-jr7/support

Japanese Myths, Yoshitsune and Benkei Fight IG: Everythingsjustphine --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/phines-jackson-jr7/support

Hvernig nær bastarður, munaðarlaus, sonur þjónustustúlku og samúræja, hent niður í gleymt og afvikið hof hátt í fjöllum meðal Tengúa að rísa upp og verða herforingi og hetja? Í þessum þætti kynnumst við hinum tragíska Minamoto no Yoshitsune, sem leiddi Minamoto ættina til sigurs gegn Taira-ættinni en þurfti svo sjálfur að flýja þegar bróðir hans snerist gegn honum. Honum til halds og traust voru hin ægifagra Shizuka Gozen og hinn fílsterki stríðsmunkur Benkei, en þau þrjú hafa orðið innblástur í ótal leikrit, myndir, ljóð og skilið eftir sig djúp spor í menningu Japans. Myndin eftir Tsukioka Yoshitoshi sýnir þegar Yoshitsune og Benkei börðust upp á Gojo-brú.

Their story is the stuff of legends. In this episode, we talk about Minamoto no Yoshitsune and Musashibo Benkei and the swords that were intertwined with the fate of master and retainer.

Ana e Cláudia revisitam esse anime queridíssimo de nossas infâncias na Manchete! Com personagens anti-heróis, irreverência e dublagem descambadíssima (no bom sentido), Yu Yu Hakusho foi um marco entre os primeiros animes exibidos no Brasil.Muita nostalgia, referências míticas sobre youkais e uma boa dose de nerdice acompanham esse episódio. Vai lá ouvir, diabo!!__________________________________________________ > INDICAÇÕES - Livro: Minha irmã a serial killer - Oyinkan Braithwaite - Livro: O Mundo se despedaça - Chinua Achebe - Anime: Gegege no Kitarou - Série: Des - Podcast: Assassinos em série - Siga #mulherespodcasters, #opodcastédelasVeja também outros animes com Youkai: - Inari, konkon, koi iroha - Natsume yuujichou - Hoozuki no reitetsu - Dororo - Kamisama hajimemashite - Kakuriyo no yadomeshi - Gugure! kokkuri san - Gingitsune - Fukigen na mononokean - Kimetsu no aiba - Mononoke hime - Kiitariu shounen no Youkai Enikki - Yamishibai - Inu Yasha - Hanyō no Yashahime____________________________________________________________________________________________________ > JABÁS - Loja Meni @lojameni > REDES SOCIAIS - Twitter: Loremspodcast - Instagram: loremspodcast - E-mail: podcastlorems@gmail.com > EQUIPE Instagram - Cláudia @catsitterclaudia e @yama_ph (Fotografia Profissional) - Noemia @noemiapm - Paula @parnemanncostura (fabricação de roupas e cosplays sob medida) - Stefanie @stefaniegon ____ > E Twitter - Ana @semvontade.png - Cláudia @claudia_yl ____________________________________________________________________________________________________> Algumas fontes para o episódio:- https://coisasdojapao.com/2019/03/folclore-japones-conheca-a-lenda-de-urashima-taro- https://pt.m.wikipedia.org/wiki/Minamoto_no_Yoshitsune- https://pt.m.wikipedia.org/wiki/Kintar%C5%8D- https://mundo-nipo.com/cultura-japonesa/mitos-e-lendas/14/03/2015/kitsune-raposa/- https://mundo-nipo.com/cultura-japonesa/mitos-e-lendas/01/05/2013/yuki-onna-a-bruxa-ou-a-mulher-da-neve/- https://skdesu.com/yomi-o-mundo-dos-mortos/- https://coisasdojapao.com/2019/05/aprenda-o-que-sao-os-tesouros-do-imperio-do-japao/- https://www.aficionados.com.br/yu-yu-hakusho/- https://pt.m.wikipedia.org/wiki/Minamoto_no_Yoshitsune- https://coisasdojapao.com/2019/03/folclore-japones-conheca-a-lenda-de-urashima-taro/- https://pt.m.wikipedia.org/wiki/Kintar%C5%8D____________________________________________________________________________________________________ - Edição de som: Cláudia Yamanaka - Arte da capa / Arte mídias sociais: Ana Carolina Bretas - Logo Lorems: Noemia Menezes - Textos mídias sociais: Cláudia Yamanaka

Its Japanese History for Gaijins. Ever wanted to learn about the history of Japan, but history books too boring?  Well lets learn about Japan together!!It's the finale series 1 for our history show, that has taken us all the way from prehistory to the end of Heian Era. WARNING this week it's going to get GORY! As it's time to reflect on the life of one of Japan's most famous figures, Minamoto no Yoshitsune and what happens to him after the Genpei War (Spoilers, not good stuff!) . From Japan's greatest general to a disastrous death . What has a monster man, a mob of assassins, seppuku and Ghenghis Khan got to do with him? Find out!  All in under 20 minutes!  Would you like to hear us talk about Japan some more? Find our podcast here:Spotify: https://tinyurl.com/G-GSpot Itunes: https://tinyurl.com/Ge-Gaitune Twitter: https://twitter.com/GGaijins Facebook: https://tinyurl.com/y5kk5key Sound Effect credit: http://www.freesound.org/people/klankbeeld/ (Photo Press conference)

Show Notes This week, we recap, review, and analyze Mobile Suit Zeta Gundam (機動戦士Ζガンダム) episode 5 “Father and Son” (父と子と), discuss our first impressions, and provide commentary and research on parenting in Japan in the 1970s and 80s, a Cat Stevens song, angry ghosts, and posessed crabs. - Articles on parenting, that give some historical insight and analysis of more recent attitudes and trends:Holloway, Susan & Nagase, Ayumi. (2014). Child Rearing in Japan. 10.1007/978-94-007-7503-9_6. The Japanese Family, Anne E. lmamura For Video Letter from Japan II: A Young Family. Asia Society (1990): 7-17.- Youtube link for the Cat Stevens song "Father and Son" with original music video.- Wikipedia page for the Cat Stevens song "Father and Son," and for the Japan-exclusive live album "Saturnight," which came out in 1974.- Articles about ghosts in Japanese tradition generally: Yurei: Japanese Ghosts, Yūrei: the Ghosts of Japan, Ghosts on the shore, Ghosts, Demons and Spirits in Japanese Lore, and Ghosts in Ancient Japan.- Funerary practices in American communities of Japanese descent.- Modern changes to the funerary practices. - Wikipedia pages on Japanese funerals, Yūrei (ghosts), and Onryō (vengeful spirits).- Two stories about the crab ghosts, and a photograph of one of the crabs (see if you can spot the face-like markings!). - Two versions of the Story of Hoichi.- Other stories about the Taira ghosts that didn't make it into the podcast:Ghosts of the Taira: The Relationship Between The Wars of The Gempei and the Warrior Ghost Noh Dramas Haunted at Sea: The Tale of Yoshitsune and the Taira Ghosts- Stories of Kronos/Cronus/Saturn and Ouranous/Uranus/Caelus.- The music from the memorial is:Caribdis by @nop (c) copyright 2016 Licensed under a Creative Commons Attribution (3.0) license.Brave New World by RavenWing (c) copyright 2014 Licensed under a Creative Commons Attribution (3.0) license. You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com

In this episode we finish out "The Tengu's Sermon on the Martial Arts" with some examples from then-modern entertainment and close with an overview and recap of how to structure our training and how to not sabotage our efforts. Support us at: https://www.patreon.com/walkingtengu Reference: Benkei and Yoshitsune cross the Ataka Barrier: https://youtu.be/ySTVrIIf-c0?t=478

Marina and I discuss one of our favorite anime of the season, Angolmois! 00:00 Intro 00:35 Summary of Angolmois, location and time period 01:56 Locating Tsushima Island 05:00 Participating parties and notable characters 12:23 Battle scenes, art, and animation 15:52 Best romance of the season 19:34 Female characters and Teruhi’s lineage 23:32 Minato no Yoshitsune … Continue reading Kaiseki Anime Ep. 14 — Angolmois →

Award-winning author, Pamela S. Turner discusses two new books, Crow Smarts: Inside the Brain of the Worlds Smartest Bird (HMH Books for Young Readers, 2016), and Samurai Rising: The Epic Life of Minamoto Yoshitsune (Charlesbridge, 2016). In Crow Smarts, Turner introduces scientist Dr. Gavin Hunt and provides a fascinating account of how his team in New Caledonia is investigating the mysteries of crow smarts, exploring the questions: How do New Caledonian crows learn to use and make tools? Is it possible that crows are improving their tool technology and passing the improvements on to the next generation–an achievement long thought unique to humans? Where is this tool use driving the crow brain, and what can crows teach us about the evolution of intelligence? Then, in Samurai Rising, Turner takes readers back to twelfth-century Japan to recount the dramatic story of Minamoto Yoshitsune, the child exile and teenage runaway, whose military genius made him a legendary samurai warrior and whose story has been told in books, manga, film, kabuki theater, and incorporated into a number of video and online games. At first, Yoshitsune had little going for him. Exiled to a monastery, he had no money, no allies, and no martial training. He wasn’t big or strong or good-looking. His only assets were brains, ambition, and a dream. But childhood dreams can change history. At the age of fifteen, Yoshitsune escaped. Blow by painful blow, he learned the art of the sword. Fall after bruising fall, he mastered mounted archery. He joined his half brother Yoritomo in an uprising against the most powerful samurai in Japan. This is the story of insane courage and daring feats, bitter rivalry and fatal love. Based on one of the great works of Japanese history and literature, Samurai Rising takes a clear-eyed, very modern look at the way of the samurai–and at the man who became the most famous samurai of all. Learn more at: http://www.pamelasturner.com Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoices

The names of Yoshitsune and Yoritomo of the Minamoto clan are legendary in Japanese history.  But how did they seize power from the Taira?  And how and why did they move the de facto capital to Kamakura and usher in a new age in Japanese governance.

Taira Kiyomori  spared the lives of Yoritomo and Yoshitsune - two young children at the time - in order, allegedly, to sleep with their mother. Ewwwww.  But this is a cracking tale of revenge, bravery and betrayal.

By Yei Theodora OzakiChapter Three - The Story of YoshitsuneRead by Robyn PatersonMusic by Yi WengProduced by Robyn Paterson