Podcasts about twentieth century fox film corporation

CONTENT WARNING: Discussion of deafness, blindness, ableism. D-Day happened over 80 years ago, and to this day, there's only been two films that capture the scope and scale of that bloody day. This movie is one of those, and unfortunately it's the boring one. To be clear, the battle sequences are among some of the best committed to celluloid; there's a few moments that will make you gasp at how well legendary ringleader Darryl F. Zanuck captures the battlefield. But then we turn to the characters, and they're all a) played by actors double the age of the characters and b) say the absolute hokiest lines you'll hear in a war movie. It may be an accurate film, but this definitely isn't entertaining history. We continue Oscars ‘62 as we discuss The Longest Day onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved. Excerpt taken the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. If you've ever done theater, and we definitely have, you dread the thought of having to deal with anything related to this movie and this story. And you'd be right to, because all too often we tell a sanitized, ableist, overacted retelling of a very real story: the breakthrough Annie Sullivan had teaching her student Helen Keller to communicate. So you'll have to pardon our shock while watching the original film adaptation of the Broadway success, and finding it's in fact a brilliant film. Director Arthur Penn is brilliant in adapting his own stage production by showing and not telling, a move that seems impossible for most stage to screen adaptations. Anne Bancroft and Patty Duke, reprising their roles from Broadway, are absolutely phenomenal. And sure, the supporting cast might as well be cardboard cutouts, but it doesn't matter when you've got a film as compellingly made as this one. We finally get a winner for Oscars ‘62 as we talk about The Miracle Worker onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Laurence Rosenthal. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved.

Die Stimmung in der Bevölkerung verschlechtert sich bis Sommer 1934. Das wollen autokratische Partner der Nazis ausnutzen und schicken den Vizekanzler Franz von Papen in den Ring. Der ist völlig ahnungslos. Zu Stefanies Podcast über Widerstandskämpferinnen im NS geht es hier: Potsdamerinnen ans Licht - Staffel 2 (Website, Spotify) Melde dich und unterstütz mich doch auf Patreon oder mit Paypal: https://linktr.ee/deutschland33_45pod Intro-Musik arrangiert und vertont von Max, Auszüge aus Reden von Joseph Goebbels (Rede vor dem Reichsverband der Deutschen Presse am 18.11.1934) und Adolf Hitler (Abschlussrede auf dem Reichsparteitag am 10.9.1934), beide via www.archive.org Outro-Musik: Auszug aus "Aint missbehavin" von Fats Weller (aus dem Film Stormy Weather, Twentieth Century Fox Film Corporation, 1934) Erwähnte Folgen keine Ausgewählte Literatur: Peter Longerich: Abrechnung. Hitler, Röhm und die Morde vom 30. Juni 1934, Wien 2024. Reiner Möckelmann: Franz von Papen. Hitlers ewiger Vasall, Darmstadt 2016. Tags: #Neuere_und_neueste_Geschichte #Deutschland

The countdown to Episode 150 begins with a remastered and re-released (after a copyright-claimed YouTube upload) version of a 2019-recorded episode of Matthew Bailey's YouTube series "¿Waz D Scene?" (2015 - 2019) where Matthew, Ricardo and Sommerleigh Pollonais celebrated the then-20th anniversary of David Fincher's subversive masterpiece "Fight Club". AUDIO CLIPS COURTESY OF  (c) Twentieth Century Fox Film Corporation 1999 All Rights Reserved Matthew Bailey on Social Media, my Fiverr gigs (MUSIC, MUSIC VIDEO & SHORT FILM REVIEWS) and where you can hear the BBB Radio podcast - https://linktr.ee/beersbeatsandbailey Ricardo Medina on Social Media https://facebook.com/ricardo.medina.7169 Sommerleigh Pollonais on Social Media:  https://www.facebook.com/sommerleigh.pollonais  https://twitter.com/tntmoviejunkie  https://www.instagram.com/darqjade/  CHECK OUT SOMMERLEIGH'S YOUTUBE CHANNEL:  https://www.youtube.com/channel/UCIyqKL-ZuzALxqFPWjxh78g  JOIN HER OFFICIAL "MOVIEJUNKIES CONT'D" FACEBOOK GROUP:  https://www.facebook.com/groups/794085497392173/   Music by 99Instrumentals (Envato Elements) Thanks for listening!

Near... far... wherever you are, rest assured that we're (metaphorically) never letting go. And to prove that, Dave set out to BREAK THE SHOW this week by beering us Titanic. The mega hit from the late 1900s that had everyone drawing people like French girls. Whole lotta berets and baguettes. Anyway, we know you've been asking: what are the implications to the Cars universe? Tune in to maybe find out. *Titanic © 1997 Paramount Pictures Corporation and Twentieth Century Fox Film Corporation

fWotD Episode 2439: Shostakovich v. Twentieth Century-Fox Film Corp. Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Monday, 8 January 2024 is Shostakovich v. Twentieth Century-Fox Film Corp..Shostakovich v. Twentieth Century-Fox Film Corp. is a landmark 1948 New York Supreme Court decision that was the first case in United States copyright law to recognize moral rights in authorship. The Shostakovich case was brought following the United States premiere of The Iron Curtain, a 1948 spy film and the first anti-Soviet Hollywood film of the Cold War era. The film featured the music of several Soviet composers: Dmitri Shostakovich, Aram Khachaturian, Sergei Prokofiev, and Nikolai Myaskovsky.The composers—as nominal plaintiffs standing in for the Soviet government, according to some scholars—sued the film's distributor, Twentieth Century-Fox Film Corporation, in the New York Supreme Court, the state's trial court. Conceding that their compositions were in the public domain under United States law, the composers sought an injunction prohibiting further distribution of the film. The composers relied on several legal theories, most notably that they had moral rights in authorship preventing the misuse of their works in a manner that contradicted their beliefs. The court rejected the composers' arguments, holding that the standard for adjudicating moral rights was not settled law and that, in any event, moral rights conflict with the right of the public to use public domain works. The Soviet government continued to press the composers' moral rights case before the French courts, which ruled in their favor in Société Le Chant du Monde v. Société Fox Europe and Société Fox Americaine Twentieth Century.Legal commenters have described the case as a landmark decision and noted that it is representative of United States' courts reactions to moral rights. The decision has been criticized as a misunderstanding of moral rights and praised for upholding the right of the public to use public domain works over the rights of authors to censor uses that they disagree with.This recording reflects the Wikipedia text as of 01:26 UTC on Monday, 8 January 2024.For the full current version of the article, see Shostakovich v. Twentieth Century-Fox Film Corp. on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Brian Neural.

Previewing the 1999-2000 NBA season for every team in the Western Conference's Pacific Division: The Portland Trail Blazers (2:35), the Los Angeles Lakers (10:56), the Phoenix Suns (16:19), the Sacramento Kings (23:50), the Seattle SuperSonics (30:32), the Golden State Warriors (41:05), and the Los Angeles Clippers (49:30). Please fill out this survey to help me make this podcast better!⁠ ---  An NBA history podcast about the 2000s NBA. Hosted by Lew ⁠@L0GICMASTER⁠ Social media links:  Phone/Voicemail: (405) 466-7623 Twitter: ⁠RimDynastyNBA⁠ Instagram: ⁠RimDynastyNBA⁠ TikTok: ⁠RimDynastyNBAPod⁠ YouTube: ⁠RimDynastyNBA⁠ Stats from Basketball Reference and NBA.com. Transaction info from prosportstransactions.com and Basketball Reference.  Intro music: “L'Amour Toujours” by Gigi D'Agostino. © Broadcast Music Inc., LatinAutor, Warner Chappell. Other music: “Andele” from the TV show “Arrested Development”, provided by Universal Music Group, ℗ 2013 Twentieth Century Fox Film Corporation. Sources: ESPN.com, NBA.com, New York Times, Sports Illustrated

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: sexism, manipulation, stealing credit, Kevin Spacey. We jump from a New York nightmare to a fairy tale, albeit one with some real power plays. This week's movie is definitely lighter fare, but it's worth realizing just how empowering it was in its time. Secretaries didn't have the chance to work their way up, and hierarchies only allowed for certain women to make their way to the boardroom. So it was a big deal to say that someone working through various menial positions could get the power to make million or even billion dollar deals. What makes this week's movie great is the combination of its message, its attention to detail, and some truly fantastic chemistry between Harrison Ford and Melanie Griffith. Enjoy your new office as we watch Working Girl this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: From 37:33-38:22, discussion of sexual assault and torture of a minor with respect to a fictional character. Also, discussion of infidelity, obsessive behavior, psychopathy, mental illness, murder, animal cruelty, suicide, drowning, strangulation, sexism, mental health stigma. 1987's movie is truly one of the greatest movies ever made about infidelity. This wasn't just a run-of-the-mill thriller - for many, this was a wake-up call. True, the movie takes things to extremes, but there's layers of meaning and thought in this film. That's mostly due to an outstanding cast, with Michael Douglas finding all the subtleties in being an asshole and Glenn Close giving one of her best-ever performances. The only thing holding the movie back is its 1987 attitude toward mental illness and sexual politics. Nevertheless, this movie is still one hell of a thriller that manages to ask a lot of questions with no easy answers. Check to make sure all your bunnies are in their pens as we watch Fatal Attraction this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from the movie Fatal Attraction, copyright 1987 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved.

This week on On Story, a conversation with acclaimed writer, director, and producer James Gray to discuss not only his artistic process, but how he established himself as one the industry's most talented writer-directors.  A true visionary, Gray made his directorial debut with his celebrated film Little Odessa, which earned him nominations for both Best First Feature and Best First Screenplay at the 1994 Independent Spirit Awards. Other esteemed features in Gray's canon include The Yards, starring Joaquin Phoenix, who is in fact a frequent collaborator of Gray's, and We Own the Night, starring Mark Wahlberg, in addition to his films, Two Lovers, The Immigrant, The Lost City of Z, and Ad Astra, all of which set the bar for both screenwriting and direction.  Gray's most recent feature, Armageddon Time, is a deeply personal film inspired by Gray's childhood. A reflection on the strength of family, the complexity of friendship, and the realities of class as seen through the eyes of a young Jewish boy growing up in 1980s Queens, the film's star-studded cast includes leading actors Anthony Hopkins, Anne Hathaway, and Jeremy Strong.  In addition to speaking with Gray on his process of writing and directing each of his seven critically-acclaimed feature films, AFF was eager to honor Gray with our coveted Bill Wittliff Award for Screenwriting, an annual award presented to leading storytellers within film, television and new media. Gray adds this accolade to his five Palme d'Or nominations, as well as the Silver Lion Award.  During our annual Writers Conference, Barbara Morgan sat down with Gray to discuss how he became a pillar of American filmmaking.  Ad Astra clips courtesy of Twentieth Century Fox Film Corporation. Little Odessa clips courtesy of Fine Line Features. Lost City of Z clips courtesy of Sierra Afinity, LLC. We Own the Night clips courtesy of Columbia Pictures.

Our randomly-selected listener pick for May is here, and it comes to us from Phil Hawkins! Phil has beer'd us the quintessential 90s capoeira movie, Only the Strong. Seriously, if you Google "capoeira movie," it's the first result. So… that's a thing. *Only the Strong © 1993 Twentieth Century Fox Film Corporation.

Last week of April means we're getting beer'd by one of you! Our randomly selected audience pick this month comes from Jeff, and he requested a total Dad movie: Master and Commander: The Far Side of the World. So hoist the sails, batten down the hatches, perform a sweet string duet, watch out for flightless cormorants, and avast, ye mateys! *Master and Commander: The Far Side of the World © 2003 Twentieth Century Fox Film Corporation, Universal Studios and Miramax Film Corp.

Always full of surprises, this week Dave has beer'd us Freddy Got Fingered. Yes, the Tom Green written/directed/starred: FREDDY. GOT. FINGERED. This movie is simultaneously WAY better than you think it is and somehow so much worse. Tune in, daddy! #PROUD *Freddy Got Fingered © 2001 Twentieth Century Fox Film Corporation.

This week on On Story we're joined by writer & showrunner Glen Mazzara as he discusses the ins and outs of the industry, and how his experiences developed him into a versatile writer.  Glen Mazzara is a writer and producer whose work includes AMC's The Walking Dead, The Shield, and Damien. Damien, a TV Drama based on the classic horror film, “The Omen”, follows the film's protagonist, Damien as he copes with his life after finding out he is the prophesied Antichrist. The Shield, a Primetime Emmy Award-winning Drama series following the lives and cases of dirty cop Vic Mackey and the LAPD unit under his command. The Walking Dead, a post-apocalyptic drama made television history, winning 2 Primetime Emmys and becoming the only drama in television history to hold the #1 title for five consecutive years.   Moderator Harrison Glaser sat down with Glen Mazzara for a panel about his work at the Austin Film Festival. Clips of The Walking Dead courtesy of AMC Entertainment Clips of The Shield and Damien courtesy of Twentieth Century Fox Film Corporation

Dude! Sweet! Last week, we opened a secret envelope from Kyle of Experience Grind, which revealed the movie he really wanted to come on the show and talk to us about: Dude, Where's My Car? WHY that movie? Great question. Maybe click that play button and find out. *Dude, Where's My Car © 2000 Twentieth Century Fox Film Corporation.

This week in the Fortress of Poditude, we welcome long-time listener/first-time guest: Phil “Hudson” Hawkins! And what movie did Phil want to talk about?? Why, The League of Extraordinary Gentlemen, of course! It's a movie about a hastily assembled team of literary characters that eventually made Sean Connery say "I reshign from acting." *The League of Extraordinary Gentlemen © 2003 Twentieth Century Fox Film Corporation. Ok. The copyright information is a mess on this one. A lot of these characters are public domain. But there's probably a trademark on “The League of Extraordinary Gentlemen,” but I can't find it. So, you know, none of this stuff is ours. And This production is not sponsored, endorsed by, or affiliated with literally anyone or their companies and/or third party licensors.

This week on On Story we're joined by Westworld co-creator, writer & director Lisa Joy for a conversation on writing science fiction. Lisa Joy is a screenwriter, director, and producer. Her recent work includes Westworld, a dystopian science fiction thriller, and HBO mega-hit. Westworld has received an outstanding 54 Emmy Award nominations, including 9 wins, and Joy's writing and producing have earned her 3 Emmy nominations. Joy attended the 2021 Austin Film Festival's Writers Conference. Westworld is set in a futuristic amusement park where wealthy visitors are given the opportunity to experience their wildest fantasies through a mode of artificial consciousness and centers on a group of robot “hosts” who begin to diverge from their programmed scripts and exhibit abnormal behavior. Moderator Casey Baron sat down with Lisa Joy for a panel about her work at the Austin Film Festival. Clips of Westworld courtesy of Home Box Office Television Clips of Reminiscence courtesy of Warner Brothers Pictures Clips of Burn Notice courtesy of Twentieth Century Fox Film Corporation

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of terrorism, explosions, murder, bombs, bomb threats, car crashes, gunfire, police, death. By all logistical rights, this movie shouldn't exist, let alone be a massive hit. The director used a highway in construction to set up massive special effects sequences that quite often had to be done multiple times and reset in different locations to match continuity. And all of this is because the movie is about a bus. A bus that has to go faster than 50 miles per hour. Somehow, some way, Jan de Bont mustered up all of his filmmaking experience to come out swinging with a debut feature that redefined the action genre. And it doesn't hurt that a slow-burn action star and a breakthrough comedic actress had some of the best chemistry we've ever seen, and they're alongside Dennis Freaking Hopper. This is one of those movies that really makes you think of that term “movie magic.” Hold the remote real tight and don't drop it as we discuss Speed this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the motion picture soundtrack to the film Speed, composed by Mark Mancina. Copyright 1994 Fox Records, Inc. Excerpts taken from the film Speed are © 1994 Twentieth Century Fox Film Corporation. Excerpt taken from “Armenia,” written and performed by Einstürzende Neubauten. Copyright 1983 Some Bizarre Ltd.

Happy Tuesday! Yes, Tuesday. Mondays have been cancelled by royal decree. Why? Because I hate Mondays. The Ginger Skull joins us again for yet another cat-driven movie: Garfield: A Tail of Two Kitties! Because sometimes you accidentally swap your Bill Murrays with your Tim Currys. It's an easy mistake to make, really. *Garfield: A Tail of Two Kitties © 2006 Twentieth Century Fox Film Corporation. Garfield® and its associated titles, logos, and characters are registered trademarks of Paws, Inc. This production is not sponsored, endorsed by or affiliated with Paws, Inc. or any of its subsidiaries or affiliated companies and/or third party licensors.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, arguments, Italian stereotypes, strong language. This week we continue our 90's grab bag with a movie that deals with two “yutes” in a southern town with a big respect for the law. In fact, both the judge and prosecutor in this small town have such respect for legal procedure that the entire comedy of this movie revolves around Vinny Gambini figuring out how to navigate that while still being the mouthy New York wiseguy he clearly is. This is one of those rare cases where a very small, simple comedy pays such attention to the details that you can't help but be drawn in. It's got all the intrigue of a courtroom drama with all the goofy shenanigans of a fish-out-of-water comedy. And don't get us started on Marisa Tomei in this very worthy Oscar performance. Brush up on your court procedure and get ready for My Cousin Vinny this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Way Down South,” written by Edgar Winter and performed by The Fabulous Thunderbirds. Copyright 1992 Epic Associated Records. Excerpts taken from the film My Cousin Vinny are © 1992 Twentieth Century Fox Film Corporation. All rights reserved. Excerpt taken from “Yo Cousin Vinny” performed by Joe Pesci from the album Vincent Laguardia Gambini Sings Just For You. Copyright 1998 Sony Music Entertainment Inc. Excerpt taken from “The Munsters' Theme,” written by Jack Marshall. Copyright 1964, 2006 NBC Universal. Excerpt taken from “Main Title” from the motion picture soundtrack to the film The Pelican Brief, composed by Jack Horner. Copyright 1993 Warner Bros. Inc., Giant Records.

This week in the Fortress of Poditude, we're headed to Kentucky... by way of jolly old England. The movie is Kingsman: The Golden Circle. The bourbon is Old Forester Statesman. That's right, this cheeky spy movie has its own bourbon. So we... partake. Shenanigans ensue. Also in this episode: A surprising amount of cannibalism, Cooper Manning, and Elton John *Kingsman: The Golden Circle © 2017 Twentieth Century Fox Film Corporation. Kingsman® and its associated titles, logos, and characters are registered trademarks of Mark Millar and Icon Comics. This production is not sponsored, endorsed by or affiliated with Mark Millar or Icon Comics or any subsidiaries or affiliated companies and/or third party licensors.

This week in the Fortress of Poditude, we're talking about Dave's favorite thing: The X-Men! But this ain't your daddy's Wolverine, it's LOGAN. The highly-acclaimed emotional conclusion to Hugh Jackman's 9-movie run as the mutant who smells good. *Logan © 2017 Twentieth Century Fox Film Corporation. X-Men® and its associated titles, logos, and characters are registered trademarks of Marvel Entertainment LLC. This production is not sponsored, endorsed by or affiliated with Marvel Entertainment LLC or any of its subsidiaries or affiliated companies and/or third party licensors.

This week on On Story we'll join Breaking Bad creator & showrunner Vince Gilligan for a retrospective look at the 1971 cult-classic The French Connection.    Based on a true story, William Friedkin's 1971 hit The French Connection, gave audiences its first taste at what a truly realistic cop film could be. Starring Gene Hackman as detective Jimmy "Popeye" Doyle, the film follows the story of a driven New York cop whose intuitive street sense allows him to sniff out the secret players in a colossal heroin import operation, bringing the drugs into New York from Marseille. At a time where drug addiction was at an all time high, The French Connection brought a sense of realism to Hollywood's law enforcement films by throwing the proverbial book at them.   Breaking Bad creator Vince Gilligan, an avid fan of Friedkin's work, sat down with me after a retrospective screening of the film at the Austin Film Festival.   Clips of The French Connection courtesy of Twentieth Century Fox Film Corporation

This week on On Story we'll hear from screenwriter April Shih who has worked on shows like Dave, You're The Worst, and This is America and Tripper Clancy who wrote the script for 2019's Stuber, and has worked on Netflix's I Am Not Okay With This.   April Shih is a screenwriter and producer, known for You're the Worst, Mrs. America,starring Cate Blanchett and most recently served as supervising producer on FX's Dave, which follows the semi-autobiographical story of American rapper Lil Dicky. April has also produced several films and plays including the Ovation Award-winning revival of Kiss of the Spiderwoman: The Musical.   Tripper Clancy is a screenwriter known for writing the scripts for Stuber which starred Kumali Nanjiani and Dave Bautista as well as Die Hart starring Kevin Hart and John Travolta. After working in the Fox Writers Studio in 2011, Tripper went on to write comedies and dramas of all shapes and sizes for Columbia Pictures, 20th Century Fox, Amazon, and is currently a writer on season one of I Am Not Okay With This, a half-hour show for Netflix.   Moderator Harrison Glaser spoke with the pair about their journeys as writers at the Austin Film Festival.   Clips of Dave courtesy of FX Productions, LLC.   Clips of You're The Worst courtesy of Bluebush Productions, LLC.   Clips of I Am Not Okay With This courtesy of Netflix Studios, LLC.   Clips of Stuber courtesy of Twentieth Century Fox Film Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of vegetative states, ambulance chasing, right-to-die laws, sexual harassment, lying, manipulation. Our final film of this series takes us into the courtroom in a way few films rarely do. The courtroom drama can be wild, fantastic, and even a bit haughty. But this movie dares to go into the grit and grime of medical malpractice and expose the cost of justice. There's no frills on this movie, no wasted moments, and while the story's missing a little bit of context, it's a masterclass in courtroom storytelling. And then there's the cast, with a murderer's row of performances from some of the best in the business, giving nuanced, crafted performances that take a very good story and make it incredibly grounded and real. We discuss The Verdict this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation. Excerpt from the motion picture The Verdict are © 1982 Twentieth Century Fox Film Corporation. Excerpt taken from the telecast of the 55th Academy Awards Ceremony, broadcast by ABC on April 11, 1983. Music arranged and conducted by Bill Conti.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of the Holocaust, death of a child, genocide, concentration camps, Auschwitz, mental illness, antisemitism, fascism, war. This week's film has been seared into the collective moviegoing memory based on a single, powerful, heartbreaking scene. And yet that scene is meant solely as the culmination of what is, in all honesty, a soap opera romance. In fact, if it weren't for some incredible acting, this movie would be pure pulp trash because it actively avoids the point at all turns. It's strange, too, because a few simple structural changes would make this story into a near masterpiece, tying together the trauma of the past with the tragedy of the present. But instead we're left with an incredibly well-acted mess, and a handful of incredibly powerful moments that don't add up to a full story. We discuss Sophie's Choice this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Love Theme” from the motion picture soundtrack to Sophie's Choice. Composed by Marvin Hamlisch. © 1983 Fifth Continent Music Classics, successor in interest Southern Cross Records, Inc. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation.

This week on On Story we'll join queens of comedy Katie Dippold, Liz Meriwether, & Paula Pell for a conversation all about writing for laughs.   Actress, comedian, and screenwriter, Katie Dippold, wrote for NBC's hit comedy series Park and Recreation as well as the comedy films, The Heat, starring Sandra Bullock and Melissa McCarthy, and the 2016 Ghostbusters reboot.    Liz Meriwether is a writer, producer and television showrunner known for creating the Fox sitcom New Girl, and for writing the romantic comedy film No Strings Attached. She also created the ABC sitcoms Bless This Mess and most recently, Single Parents   Paula Pell got her start working in the writers room at Saturday Night Live in 1995 where she wrote for nearly 20 years before also working as a writer and producer for 30 rock. You may recognize from her cameos as “Paula”, Pete Hornberger's wife, or as Parks and Rec's “Tammy Zero,” Ron Swanson's mother and very, skilled drinker. She performed in the 2015 Oscar-winning Birdman and Anchorman 2. Her body of work also includes writing credits on Bridesmaids, This is 40, and The Heat as well as the Tina Fey & Amy Pohler comedy, Sisters.   Moderator Paul Feig sat down with this panel of writers at the Austin Film Festival.   Clips of Bridesmaids courtesy of Universal City Studios LLC Clips of The Heat courtesy of  Twentieth Century Fox Film Corporation

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of alcoholism, shame, abandonment. This film is both incredibly highly regarded and somehow lost to time, because neither of us knew a single thing about this movie other than some Oscar trivia. But what was originally a Mel Brooks tale of his wild days at Your Show of Shows transforms into a tight, funny, and remarkably poignant movie about the perils of fame and the hard work of redemption. All in a 90 minute farce. It might not be the most memorable film, but it's certainly an outstanding, underrated comedy with a strong emotional core, and it deserves some more attention. So we'll give it some love today as Oscars '82 continues this week with My Favorite Year on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film My Favorite Year is © 1982 Warner Bros. Entertainment. All Rights Reserved. Excerpt taken from the film History of the World, Part I is © 1981 Twentieth Century Fox Film Corporation. All rights reserved. Excerpt taken from “An Actor's Life (Main Title)” from the motion picture soundtrack to Tootsie. Composed and arranged by Dave Grusin. © 1982, 1983 Columbia Motion Pictures Industries, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of war, underwater, explosions, Nazis, death, drowning. There's still a good amount of debate between Macintosh & Maud as to whether or not this is a good movie. Which, in most cases, would be a pretty good indication it isn't, but this movie is a bit of an exception. There's not a lot happening in this movie other than idiot, barely-adult men behaving horribly in 1959 and cracking jokes. Yet the directing is so smart, and the acting is so incredibly good, that it still manages to be charming. Hollywood legend Barry Levinson is better known as a director than a writer, and that shows a bit in a messy, uneven script that doesn't fully make the grade. But this is a movie that has a certain something - whether that's enough to make it good or not is up to you. We continue with Oscars ‘82 this week as we talk about Diner on Macintosh & Maud Haven't Seen What?! Plus, a review of the new film The Tragedy of Macbeth. Spoiler alert: Shakespeare deserves better. You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “A Teenager in Love,” written by Doc Pomus and Mort Shuman and performed by Dion and the Belmonts, included in the original motion picture soundtrack to the film Diner. Phonographic copyright 1982 Elektra/Asylum Records. Excerpt taken from Season 6, Episode 12 of The Simpsons, “Homer the Great.” © 1994 Twentieth Century Fox Film Corporation. Excerpts taken from the film Diner are © 1982 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “Main Theme from ‘Missing'” is written and composed by Vangelis and released on his album Themes. © 1989 Deutsche Grammophon GmbH, Hamburg.

"It's Christmas Theo. It's the time of miracles, so be of good cheer..." – Hans Gruber, Die Hard That's right. We're decking the halls of the Fortress of Poditude the only way we know how: John McClane style. So make fists with your toes and tune in! *Die Hard © 1988 Twentieth Century Fox Film Corporation.Die Hard® and its associated titles, logos, and characters are registered trademarks of 20th Century Studios. This production is not sponsored, endorsed by or affiliated with 20th Century Studios or any of its subsidiaries or affiliated companies and/or third party licensors.

This week in the Fortress of Poditude, we're time traveling!! You never know who's going to show up in these wacky days of the future and/or past. We're talking X-Men: Days of Future Past and you're gonna want to hear what our resident mutant-hater thinks of this one. *X-Men: Days of Future Past © 2014 Twentieth Century Fox Film Corporation. X-Men® and its associated titles, logos, and characters are registered trademarks of Marvel Entertainment LLC. This production is not sponsored, endorsed by or affiliated with Marvel Entertainment LLC or any of its subsidiaries or affiliated companies and/or third party licensors.

It's Monday…. I LOVE Mondays! You Know why? Because it means we release a new episode! This week, we enlist the help of our sworn enemy, "The Ginger Skull" Dave Novak, to talk about YET ANOTHER cat movie from 2004. Naturally, we're talking about Garfield: The Movie starring Bill Murray and bad CGI. *Garfield © 2004 Twentieth Century Fox Film Corporation. Garfield® and its associated titles, logos, and characters are registered trademarks of Paws, Inc. This production is not sponsored, endorsed by or affiliated with Paws, Inc. or any of its subsidiaries or affiliated companies and/or third party licensors.

Es gibt Videospiel-Verfilmungen, Filme über Videospiele und auch Filme, die wie Videospiele sind… Free Guy startet in den Kinos und man sieht: statt eine Version eines bekannten Computerspiels zu machen, macht es mehr Spaß, Filme über Games selber zu machen. Und es gibt noch mehr Beispiele… - - - - - - - - - - - - - - - - 00:00:00 Unser Titellied wird immer billiger 00:05:42 Tron (und ein wenig Westworld) 00:26:30 Tron: Legacy 00:35:17 Jumanji 00:44:58 Ralph reichts 00:57:45 All das Virtual Reality Gedöns 01:02:59 Last Starfighter, WarGames: Saschas Erinnerungen sind getrübt 01:12:13 Stay Alive 01:16:21 Ready Player One 01:20:40 Boss Level 01:33:15 Endlevel: Free Guy 01:41:23 Ist das der Höhepunkt? 02:02:42 Vorschau auf kommende Folgen - - - - - - - - - - - - - - - - Reviews! Nerdzig.de YouTube! Nerdzig TV auf YouTube Comic-YouTube! Nerdzig Comics News! Nerdzig auf Facebook Bilderchen! Nerdzig auf Instagram Intro: Anthem of a Quirky Hipster by Rex Banner - lizenziert durch Artlist.io Outro: Over Drive and Vibe by Campagna - lizenziert durch Artlist.io Bild: © 2020 Twentieth Century Fox Film Corporation. All Rights Reserved.

This week on On Story we'll hear from television writer & producer Howard Gordon on his process of creating a hit television series. Howard Gordon is a television writer and producer best known for his work on the Fox action series 24 and the award-winning Showtime thriller Homeland which he co-developed with Alex Gansa. Gordon first gained national attention for his award-winning work on Fox's groundbreaking series The X-Files, for which he won multiple Golden Globes. His other credits include Tyrant, Legends, Angel, Buffy the Vampire Slayer, Beauty and the Beast, Sisters, and Spenser: For Hire. Producer Barry Josephson spoke with Gordon at the Austin Film Festival at a panel about his process of writing for hit television. Clips of Homeland, The X-Files, and 24 courtesy of Twentieth Century Fox Film Corporation

Modern Family zählt zu den erfolgreichsten Comedyserien des neuen Jahrtausends und den Favoriten von Marc Linten, deswegen präsentiert er erneut 7 Fakten zu Modern Family.+++++++++++++++++++"Modern Family" seht ihr immer Werktags um 19:15 auf Comedy Central und an Ostermontag (05.04.2021) gibt es ab 14:00 fast die komplette elfte Staffel nocheinmal zu sehen.Spoilerwahrung: Staffel 1-10+++++++++++++++++++Bleibt immer auf dem neusten Stand:Reingeschaut auf Instagram: Reingeschaut_podcastMail: Reingeschaut-Zuschauer@gmx.deMedienwerkstatt Bonn: medienwerkstattbonn.de+++++++++++++++++++Bild: MODERN FAMILY TM & © 2009-2010 Twentieth Century Fox Film Corporation. All rights reserved.Photographs © 2009-2010 American Broadcasting Companies. All rights reserved.+++++++++++++++++++#Episode 50

There comes a time in every comic where you have to take away your hero's powers to create stakes. And you might as well do it in Japan. Enter: The Wolverine, a movie that despite all its dead astronauts (it's FAR from airtight), is somehow a lot of fun. *The Wolverine © 2013 Twentieth Century Fox Film Corporation. X-Men® and its associated titles, logos, and characters are registered trademarks of Marvel Entertainment LLC. This production is not sponsored, endorsed by or affiliated with Marvel Entertainment LLC or any of its subsidiaries or affiliated companies and/or third party licensors.

CLICK HERETO FIND US ON YOUR FAVORITE PODCATCHER. iTunes Spotify Patreon CONTENT WARNING: Sex, infidelity, murder, blackmail, trauma. Look - we'd be lying to you if we said this wasn't the absolute weirdest moment in our watch of this silly Archie teen soap opera. When Season 4 ended last may, we didn't know if or when the show might return. Yet here we are, sitting down to preview Season 5 of Riverdale, and we'll be honest, the hype is big this year. We're closing out with the final arc of last season, and then making a huge time jump forward to get the Core Four Plus out of school and into an uncertain future. At least, as uncertain as a certain creator of the show lets things be, seeing as he loves to drop spoiler content online. Most importantly, we're just happy to have this very silly, occasionally frustrating, but nevertheless beloved show back on our radar. We've got news, trailers, predictions, and everything you need to know for the Season 5 premiere of Riverdale, this week in The Doghouse! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo. Clip taken from the film Wall Street is © 1987 Twentieth Century Fox Film Corporation.

We're celebrating the end of the garbage fire that was 2020 by talking about our three favorite episodes of TV that we watched in 2020. Ellie's up first to talk about Killing Eve: Season 1, Episode 5 (4:54); Dave: Season 1, Episode 5 (23:45); and The Americans: Season 1, Episode 1 (35:44). We discuss Ellie's love of: iconic facial expressions of a psychopathic assassin, amazing mental health representation, and Keri Russell's hair.This episode discusses themes of mental illness and sexual assault. Thank you to our sponsor, Selfish! Find more information at Selfishbox.co. (Opening Music © ℗  2018 Heavenly Recording under exclusive license to [PIAS])(Closing Music © ℗  2018 Twentieth Century Fox Film Corporation)

As we inch closer to Christmas Eve, strap on your cardboard wings and buckle up as we take a 2-dimensional flight back to 1999 to revisit the Matt Groening-produced TV special, “Olive, the Other Reindeer,” starring the voices of Drew Barrymore, Joe Pantoliano, Dan Castellaneta, and Ed Asner as Santa four years before “Elf.”On This Episode:Mike Westfall (@fallwestmike), unemployed penguin ready to make you a deal on an extremely valuable watch.Erin Evans (@mserinmevans), my hard-of-hearing pet flea who’s only here to mistakenly tell you your family doesn’t want you here.Joey O. (@ImGonnaDJ24), an injured reindeer’s flightless cousin who’s very excited to be introduced as this, from Y-Not Radio and Words With Nerds.Topics and Tangents:This special premiered exactly 10 years to the minute after the first episode of “The Simpsons.”The Making of “Olive, the Other Reindeer” takes you behind the scenes to watch the computer animation slowly render on what appears to be a Gateway 2000 PC running Windows 98.We compare the animation style to PaRappa the Rapper.“Mr. Lunch Takes a Plane Ride,” the first book by “Olive” creators Vivian Walsh and J. Otto Seibold, was the first children’s picture book created with digital media.“The Goonies II,” a video-game-only sequel for the Nintendo Entertainment System in which the Fratellis kidnap a mermaid.Jay Mohr in “Camp Wilder,” a short-lived TGIF sitcom in the doomed 9:30 spot.The mondegreen, a brief history and other famous examples, how one ended up an official part of another Christmas Carol, and the stupidest lyric I’ve ever misheard.Dan Castellaneta uses a similar voice for the Postman as he does a few years later for the Robot Devil in “Futurama.”A brief history of “You’re no Jack Kennedy,” and its lasting impact.The time Bullwinkle tried to kidnap my baby at Universal’s Islands of Adventure.R U Talkin’ R.E.M. Re: Me?, formerly “U Talkin’ U2 to Me?” and currently “U Talkin’ Talking Heads 2 My Talking Head?”Michael Stipe on “The Adventures of Pete & Pete” and “The Simpsons.”There’s a Hanukkah menorah on top of Santa’s castle.The pope gets a Phillies hat for Christmas.This special suggests Santa sorts his deliveries alphabetically, which is super inefficient.Previous Podcast Episodes Mentioned:Frosty the Snowman (Season 1, Episode 1)A Rugrats Chanukah (Season 1, Episode 6)’Twas the Night Before Christmas (Season 2, Episode 3)Simpsons Roasting on an Open Fire (Season 3, Episode 9)Deck the Halls With Wacky Walls (Season 4, Episode 5)BraveStarr: Tex’s Terrible Night (Season 5, Episode 3)Commercial Break:Amazon.com Christmas Commercial, 1999Podcast Promos:Santa by the Minute, covering “Santa Claus: The Movie” minute-by-minute.The Christmas Podcasts Podcast, a podcast about Christmas podcasts. Yep!“Olive, the Other Reindeer” © 1999 Twentieth Century Fox Film Corporation.The Advent Calendar House is on the web at adventcalendar.house, on Instagram @adventcalendarhouse, and on Twitter @adventcalhouse.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of grief, mental illness, war, slavery, racism, white saviorism, racist propaganda. Here we are, ending our journey through Spielberg’s catalog on a film that’s got to be a sure-fire smash. It’s got an impeccable cast, a great screenwriter, and one of the most compelling people in history around which to build a story. Which is precisely why we’re so angry about this movie. Yes, it’s clearly Oscar bait, and yes, any story about Abraham Lincoln is going to read very, very hollow given the growing movement for racial justice in our country. But it’s the self-indulgent, sentimental and somber framing of a story that refuses to find any real humanity in its protagonist that really gets our goat here. We know Steven’s got a hell of an ego, but it’s never more on display than watching this way too self-important film. For a movie about one of the most interesting human case studies in our nation, there’s very little that we can learn about or empathize with the 16th President. He’s just a portrait in a room, and this is just a WIkipedia entry of a movie. We’re wrapping up with Spielberg’s flat biography of Lincoln on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "The People's House" from the soundtrack to Lincoln, composed and conducted by John Williams. Copyright 2012 Dreamworks II Distribution Co., LLC. Excerpts taken from the film Lincoln are © 2013 DreamWorks II Distribution Co., LLC and Twentieth Century Fox Film Corporation. Excerpt taken from “Theme from Mission: Impossible,” written by Lalo Schifrin, produced and arranged by Larry Mullen with David Beal, and performed by Adam Clayton and Larry Mullen . Copyright 1996 mother records.

Put that cookie down! ...and join us for a Caped Podcasters Christmas Special! 'Tis the season for Arnold Schwarzenegger & Sinbad. We're talking about the 1996 last-minute shopping adventure that is: Jingle All The Way. Turboman is a superhero, so it totally counts. *Jingle All the Way © 1996 Twentieth Century Fox Film Corporation. Jingle All the Way® and its associated titles, logos, and characters are registered trademarks of Twentieth Century Fox Film Corporation. This production is not sponsored, endorsed by or affiliated with Twentieth Century Fox Film Corporation or any of its subsidiaries or affiliated companies and/or third party licensors.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Alien abduction, being treated as mentally ill, fear, obsession. Spielberg’s second film was intended to be his motion picture debut, a passion project of his since making an adolescent film in the mid-60’s. In many ways, it’s his personal love letter to sci-fi, and there are moment of sublime beauty and awe in this film. You could probably just watch the last 35 minutes of the movie showing the moment where humans make contact with alien life, and leave a movie theater buzzing with joy. Except there’s an hour-and-a-half of movie before it, and that movie is pretty hit or miss. Steven has no lack of vision, it’s fair to say, but if there’s anything to learn from this film, it’s that Spielberg should stay away from writing movies, and that every director needs to take a couple months away from a film before trying to edit. Add to that technical complications completely unforeseen because, well, they were literally remaking the rules of cinema, and you’ve got one heck of a technical achievement that winds up being a bit of a bore. But wow, those effects - they’re well worth the ride. Pile up the mashed potatoes and watch out for your electronics, we’re watching 1977’s Close Encounters of the Third Kind on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from “Main Title and Mountain VIsions” and “Theme from ‘Close Encounters of the Third Kind’” from the Close Encounters of the Third Kind soundtrack, composed and conducted by John Williams. Copyright 1977 Arista Records Inc. Clip from the film Close Encounters of the Third Kind is copyright © 1977, 1980 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from "Main Title" from the Star Wars soundtrack, composed and conducted by John Williams and performed by the London Symphony Orchestra. Copyright 1977 Twentieth Century Fox Film Corporation.

Shhh! This week in the Fortress of Poditude, we're talking about spies! The kind of super secret spies that put the name of their organization right on the front window of their hideout. You know, like the ones in Matthew Vaughn's Kingsman: The Secret Service. *Kingsman: The Secret Service © 2015 Twentieth Century Fox Film Corporation. *Kingsman® and its associated titles, logos, and characters are registered trademarks of Mark Millar and Icon Comics. This production is not sponsored, endorsed by or affiliated with Mark Millar or Icon Comics or any subsidiaries or affiliated companies and/or third party licensors.

In dieser Folge geht es um die Abenteuer des Pritchett-Dunphy-Tucker-Clans. Marc Linten präsentiert sieben Fakten zu "Modern Family"+++++++++++++++++++"Modern Family" läuft auf Comedy CentralUnter der Woche in Doppelfolgen um 13:00-14:00 und um 19:30-20:15.Samstags ab 10:00 und Sonntags mit fünf Folgen am Stück ab 13:20.Spoilerwarnung: Spoilerfrei+++++++++++++++++++Bleibt immer auf dem neusten Stand:Reingeschaut auf Instagram: Reingeschaut_podcastMail: Reingeschaut-Zuschauer@gmx.de+++++++++++++++++++Bild: MODERN FAMILY TM & © 2009-2010 Twentieth Century Fox Film Corporation. All rights reserved. / Photographs © 2009-2010 American Broadcasting Companies. All rights reserved.+++++++++++++++++++#Episode 36

Big news from the Fortress of Poditude! DAVE LIKES AN X-MEN MOVIE. That's right. We're not burying the lead on this one. We're covering X-Men: First Class this week, the prequel/reboot... the preboot of the X-Men franchise. Listen to find out what makes this one different for Dave. *X-Men: First Class © 2011 Twentieth Century Fox Film Corporation. X-Men® and its associated titles, logos, and characters are registered trademarks of Marvel Entertainment LLC. This production is not sponsored, endorsed by or affiliated with Marvel Entertainment LLC or any of its subsidiaries or affiliated companies and/or third party licensors.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER. This week, Rarity is hosting a fashion show to benefit some up-and-coming designers with huge creativity, and she’s invited fashion’s biggest ponies to judge. There’s Photo Finish, Hoity Toity and…Applejack? Yep, Rarity’s actually got an interesting idea of how to bring Applejack’s honesty and practicality to the design competition. But Applejack instead thinks it’s gonna be a competition for who can make the best clothes Applejack would wear, and that prompts a series of misadventures and fashion faux pas of epic proportions. It’s another Rarity vs. Applejack episode, but this time, Applejack’s the pony at fault. We’re watching ”Honest Apple” this week on Macintosh & Maud! Please subscribe and rate us on iTunes, Podchaser, or your favorite podcast app and use your best pony puns! It's the best way to help us get more listeners and build our community. You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Intro and outro music is "Madgapuff March (rmx) by JS Bach" by Lee Rosevere. Licensed under a CCO 1.0 Universal License. For the song and information about the artist, visit the song page at the Free Music Archive. Excerpt taken from the episode is copyright 2017 Hasbro, Inc. Excerpt taken from the film The Devil Wears Prada is © 2006 Twentieth Century Fox Film Corporation

By now it's no secret that Dave particularly dislikes the X-Men, and this week's movie is widely regarded as the weakest of the franchise. We're talking X-Men Origins: Wolverine, the movie that made fanboys just so so angry. How weird would it be if Dave liked it? Guess you'll have to listen and find out. #NotMyDeadpool Join Audible and get 30 days of membership free, plus 1 audiobook and 2 Audible Originals to get you started: www.audibletrial.com/superstuff *X-Men Origins: Wolverine © 2009 Twentieth Century Fox Film Corporation. X-Men® and its associated titles, logos, and characters are registered trademarks of Marvel Entertainment LLC. This production is not sponsored, endorsed by or affiliated with Marvel Entertainment LLC or any of its subsidiaries or affiliated companies and/or third party licensors.

We're keeping Not-So-Super January moving with the former highest-grossing box office movie of all time: James Cameron's Avatar. You know, the visually stunning movie with the giant blue cat-people and the Papyrus font logo and famous actor Sam Worthington. That movie. Join Audible and get 30 days of membership free, plus 1 audiobook and 2 Audible Originals to get you started: www.audibletrial.com/superstuff *Avatar © 2009 Twentieth Century Fox Film Corporation. Avatar® and its associated titles, logos, and characters are registered trademarks of Lightstorm Entertainment. This production is not sponsored, endorsed by or affiliated with Lightstorm Entertainment or any of its subsidiaries or affiliated companies and/or third party licensors.