Podcast appearances and mentions of paul cezanne

Cosa non darei per vivere tre giorni accanto a quel gigante della pittura che fu Paul Cezanne! Ebbene, sembra che con questo romanzo breve di Mika Biermann possiamo farlo, per lo meno tramite la fantasia dell'autore. Ecco cosa ha scoperto il prof. Zenone leggendo questo libro!Tre giorni nella vita di Paul Cezanne - di Mika Biermann

Wings of Desire (1987) is a film that stays with the viewer; part of how it works is to flood the viewer's mind with images that seem, at first, disconnected but which also take root and then resurface a day or week later when one isn't suspecting to think about a trapeze artist or Peter Falk. More like a painting than a film, Wings of Desire flips the usual extolling of the spiritual world over the material one and asks what our lives could be like if we could see the material world as an angel. It's a film universally loved for reasons that are difficult to articulate but certainly strong. The Pixels of Paul Cezanne is a 2018 collection of essays by Wim Wenders which he presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wings of Desire (1987) is a film that stays with the viewer; part of how it works is to flood the viewer's mind with images that seem, at first, disconnected but which also take root and then resurface a day or week later when one isn't suspecting to think about a trapeze artist or Peter Falk. More like a painting than a film, Wings of Desire flips the usual extolling of the spiritual world over the material one and asks what our lives could be like if we could see the material world as an angel. It's a film universally loved for reasons that are difficult to articulate but certainly strong. The Pixels of Paul Cezanne is a 2018 collection of essays by Wim Wenders which he presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Wings of Desire (1987) is a film that stays with the viewer; part of how it works is to flood the viewer's mind with images that seem, at first, disconnected but which also take root and then resurface a day or week later when one isn't suspecting to think about a trapeze artist or Peter Falk. More like a painting than a film, Wings of Desire flips the usual extolling of the spiritual world over the material one and asks what our lives could be like if we could see the material world as an angel. It's a film universally loved for reasons that are difficult to articulate but certainly strong. The Pixels of Paul Cezanne is a 2018 collection of essays by Wim Wenders which he presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Du 28 juin au 12 octobre 2025, le musée Granet d'Aix-en-Provence présente l'exposition internationale « Cezanne au Jas de Bouffan ». Certains des plus grands chefs d'œuvre du peintre seront présentées dans cette exposition majeure. C'est l'occasion d'en parler avec mon ami Hadrien France-Lanord, philosophe et écrivain, qui consacre une grande partie de son travail à voir et à penser l'art moderne et ce qu'il a à nous dire. Le site officiel de l'exposition : https://cezanne2025.com/cezanne-au-jas-de-bouffan-lexposition-incontournable/ Quelques uns des livres d'Hadrien :- À l'écoute du moderne, pour vivre et penser aujourd'hui : https://www.fnac.com/a20447910/Hadrien-France-Lanord-A-l-ecoute-du-moderne-Pour-vivre-et-penser-aujourd-hui- La couleur et la parole, les chemins de Paul Cézanne et de Martin Heidegger : https://www.gallimard.fr/catalogue/la-couleur-et-la-parole/9782072786983 Mon site : https://www.fabricemidal.com Facebook Fabrice Midal : https://www.facebook.com/FabriceMidalFacebook du podcast Dialogues : https://www.facebook.com/dialogues.fmInstagram Fabrice Midal : https://www.instagram.com/fabricemidalInstagram du podcast Dialogues : https://www.instagram.com/fabricemidal_dialogues/Tiktok : https://www.tiktok.com/@fabricemidal Mes trois chaînes YouTube :Mes vidéos : https://www.youtube.com/@fabricemidal1Les Dialogues : https://www.youtube.com/@dialoguesfmLes méditations guidées : https://www.youtube.com/@mediteravecfabricemidal Mots clé : « Cezanne au Jas de Bouffan » : l'exposition incontournableheader-exposition-cezanne-au-jas-de-bouffan-aix-en-provence-cezanne-2025détail - Paul Cezanne, Maison et ferme du Jas de Bouffan, 1885-1887 Huile sur toile, 60,8 x 73,8 cm National Gallery Prague, République Tchèque © National Gallery Prague 2023Ce que vous réserve l'expositionL'exposition estivale « Cezanne au Jas de Bouffan » propose un parcours thématique autour des œuvres réalisées par l'artiste entre 1860 et 1899, dans sa demeure familiale d'Aix-en-Provence. Ce lieu, bien plus qu'une simple résidence, devient pour Cezanne un véritable atelier de création, où il expérimente les techniques et les motifs qui marqueront son art.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

American and Chinese delegations are meeting in London for a new round of trade talks, with US tariffs and Chinese export restrictions on rare earth minerals at the top of the agenda. Also in this edition: Japan pushes its own trade talks with Washington, and French art lovers protest a construction project near the site of Paul Cezanne's most famous landscapes.

In this first episode of the new series of A brush with…, Ben Luke talks to the painter Celia Paul about her influences—including writers as well as contemporary and historic artists—and the cultural experiences that have shaped her life and work. Paul was born in 1959 in Trivandrum, India, and now lives in London. She makes intense yet ruminative paintings of people close to her, the spaces in which she lives and works, and landscapes of poignant significance. Her paintings are made from life but are pregnant with memory, poetry and emotion, which she imbues in her distinctive painterly language. Her art possesses a rare tranquillity in which one perceives deep feeling; Paul wrote in her memoir that her paintings are “so private and personal that there's almost a ‘Keep Out' sign in front of them”. At once a singular figure yet also connected to strands of recent and historic figurative painting in Britain, she has been admired widely throughout her career but only recently been recognised as a major figure in British art of the past 40 years. She discusses the fact that she began painting before she knew about art, but when she was introduced to Old and Modern Masters, she discovered El Greco and Paul Cezanne, who remain important to her today. She also reflects on the compassion in Rembrandt and Vincent van Gogh, the stillness and scale of Agnes Martin and the elementary power of the novels of the Brontë sisters. She also describes her response in painting to the artists of the School of London, including Lucian Freud, with whom she was once in a relationship, and Frank Auerbach.Celia Paul: Colony of Ghosts, Victoria Miro, London, until 17 April 2025. Celia Paul: Works 1975–2025, published by MACK, £150 (hb) Hosted on Acast. See acast.com/privacy for more information.

Viaxamos á Francia da 2ª metade do s. XIX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.Obras de Paul Cézanne:Natureza morta con tarteira.Os xogadores de cartas.Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato. Músicas da sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).Música:Tanhausser, de Richard Wagner, Public Domain Mark 1.0 Universal,O holandés errante, de Richard Wagner, Attribution-NonCommercial-NoDerivs 3.0 UnportedEste pódcast está baixo a licencia CC BY-NC 4.0.Máis recursos en: facemoshistoria.gal

This is Part 2 of Mandolyn Wilson Rosen and my review of "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Don't forget to listen to Part 1 too! Find the film on Amazon ($2.99 SD) or for free on ⁠Kanopy⁠ Find Mandolyn online at: ⁠https://mandolynwilsonrosen.com⁠ and on IG at ⁠@mandolyn_rosen⁠ Artists mentioned: Philip Guston, Barnett Newman, Jackson Pollock, Willem DeKooning, Frank Stella, Donald Judd, Paul Cezanne, Ad Reinhardt, Mark Rothko, Thomas Hart Benton, Art Problems Podcast Thank you, Mandy! Thank you, Listeners! Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.com All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠⁠⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Odwiedziliśmy region uchodzący za najbardziej malowniczy we Francji. Tam można na nowo poznać smak życia. W Prowansji znajdują się urokliwe miasteczka położone wśród winnic, gajów oliwnych i rozległych pól lawendy, które stanowiły inspiracje dla takich malarzy, jak Vincent van Gogh, Paul Cezanne czy Pablo Picasso. Nikt nie oprze się magii  rzymskiego Arles, teatralnego Awinionu, lazurowego Saint-Tropez. Gościem Jerzego Jopa była Grażyna Woźniczka, współtwórczyni i współwłaścicielka Polka Travel, kulturoznawca, latynoamerykanistka i filolog.

In this episode, we have a lively conversation about Paul Cezanne's famous paintings of the same mountain. We exchange thoughts on the importance of curating art exhibits well using Cezzane's work as a primary example but also including modern art exhibits like the Van Gogh Experience in our discussion. 

Jennifer Coates, friend of the pod, is back to help me consider a new way forward (artwise) after the destabilizing event of the US election. She, herself, is finding comfort in the long history of rocks, geology and the cosmos, while I find myself turning to a book about how Matisse and his daughter, Marguerite, both reacted to the trauma of WWII in opposite yet valid ways. It's a bit of a potpourri, but we promise some great galvanizing art historical quotes and an inspiring double pep talk for the ages. Alternative title of ep: Rock Paper Scissors! Come hang out with us! Media mentions: The Weekly Show w Jon Stewart (ep with Heather Cox Richardson), Alexandria Ocasio-Cortez on IG/Tiktok Rock mentions: The Makapansgat pebble, Paleo "Venuses," Venus de Willendorf, baetyl stones, "The Living Stones" by Ithell Colquhoun, Paul Cezanne's drawings of Fontainbleu Quarry/MOMA show , John Elderfield and Terry Winters discuss Cezanne's Rock and Quarry Paintings for the Brooklyn Rail ,  "Turning to Stone: Discovering the Subtle Wisdom of Rocks" by Marcia Bjornerud, new minerals elalite and elkinstantonite discovered in 2022 in Somalia from a meteorite Art mentions: Cat Balco, Adie Russell, Elisabeth Condon, Pierre Bonnard, Edvard Munch & "White Night" 1900, Dada Movement, Hannah Hoch & “Cut with the Kitchen Knife," Man Ray, "Matisse the Master" by Hilary Spurling, "The Unknown Matisse" by Hilary Spurling, Henri Matisse ”Bathers by a River" 1917 and "The Chapelle du Rosaire de Vence" 1947-51, "Verve Magazine" Issue No 8 Vol 2 (1940), "Les Fleurs de Mal" Baudelaire/Matisse poetry book, Marguerite Matisse, Max Beckmann Jennifer's website and IG: https://www.jenniferlcoates.com/ @jennifercoates666 Thank you, Jennifer! Thank you, Listeners! All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠peptalksforartists.com⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠ Amy's website: ⁠amytalluto.com⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

Silvester im Jahr 1999. Die ganze Welt fiebert dem Feuerwerk und dem neuen Jahrtausend entgegen. Aber einer will nicht feiern, sondern die Gelegenheit für einen ausgefuchsten Diebstahl nutzen. Von Sarah Ziegler.

Ein wertvolles Gemälde des Malers Paul Cezanne ist in England verschwunden. Die Polizei bekommt erste Hinweise - aber kann die Polizei das Bild damit wiederfinden? Von Sarah Ziegler.

Nick brings on Stephy and Dogukan to discuss howPaul Cezanne came to be, what is it that influencedhis art and what did he learn that impacted hisstyling? Who is Ambroise Vollard and how did heimpact Cezanne's life and bring other avant-gardeartists to the limelight? Lastly, of course, what was isit that Cezanne painted and what techniques does heemploy the most? We explore all of that, and howCezanne impacted 19th Century Impressionism and20th Century Cubism.

The last painting made by Gustav Klimt, left on his easel when he died in 1918 of illnesses relating to the Spanish flu epidemic of that year, has sold at auction in Vienna for €35m including fees. But much remains unclear about the picture, including its sitter, its commissioner and what happened to it in the Second World War. Ben Luke talks to Catherine Hickley, The Art Newspaper's museums editor, about whether this murky provenance contributed to its relatively low price for a Klimt in the saleroom. A retrospective of the pioneering German artist Rebecca Horn opens this week at the Haus der Kunst in Munich, and we talk to Jana Baumann, its co-curator, about the show. And this episode's Work of the Week is Mont Sainte Victoire, one of dozens of paintings made by Paul Cézanne of the towering limestone peak near Aix-en-Provence in France. Painted in 1886-87, it is in the collection of the Phillips Collection in Washington, D.C. Elizabeth Steele, the Phillips's Head of Conservation, describes how she revealed the painting from a century of discoloured varnish and dust as it goes on view in the exhibition Up Close with Paul Cezanne, which is at the Phillips until 14 July.Rebecca Horn, Haus der Kunst, Munich, Germany, 26 April-13 OctoberUp Close with Paul Cezanne, Phillips Collection, Washington D.C., until 14 July.Subscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print and digital, or the equivalent in your currency. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Alex Katz talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Katz, born in Brooklyn in 1927, is one of the most distinctive and influential painters of recent decades. Since he began making art in the 1940s, he has aimed to paint what he has called “the now”: to distil fleeting visual experiences into timeless art. It might be a spark of interaction between friends or family, the play of light across water, a field of grass or between the leaves of a tree, the movements of dancers, the electric illumination of an office building at night, or—more than anything else—stolen glances, everyday gestures and intimate exchanges with his wife Ada, who he has painted more than 1,000 times since they married in 1958. From the start, Katz has aimed to match what he calls the “muscularity” of the Abstract Expressionist artists that were dominant in New York when he emerged onto the art scene there in the 1950s, while never giving up on observed reality. He has said “the optical element is the most important thing to me”. He discusses the early influence of Paul Cezanne, the enduring power of his forebears, from Giotto to Rubens and Willem de Kooning, and his admiration for artists as diverse as Utamaro, Martha Diamond and Chantal Joffe. He reflects on the “emotional extension” of the poet Frank O'Hara and his interest in jazz maestros like Pres and Charlie Parker. Plus, he answers our usual questions, including the ultimate: what is art for?Alex Katz: Claire, Grass and Water, Fondazione Giorgio Cini, Venice, Italy, 17 April-29 September; Alex Katz: Wedding Dresses, Portland Museum of Art, Portland, Maine, US, until 2 June; Alex Katz: Collaborations with Poets, The Butler Institute of American Art, Youngstown, Ohio, 15 September-15 November. Hosted on Acast. See acast.com/privacy for more information.

The Rich Zeoli Show- Hour 3: 5:05pm- On Monday, the United States Supreme Court heard oral argument in Murthy v. Missouri—a case which will determine whether officials within the federal government can use their power to coerce social media platforms into censoring speech they unilaterally deem harmful and/or misinformation. While questioning the U.S. Principal Deputy General Brain Fletcher, Justice Samuel Alito seemed to suggest that government pressuring social media companies to do their bidding is violative of the First Amendment, explaining: “The only reason why this is taking place is because the federal government has got Section 230 and antitrust in its pocket…it's got these big clubs available to it—so it's treating Facebook and these other platforms like they are subordinates. Would you do that to The New York Times or The Wall Street Journal or the Associated Press?” 5:10pm- During oral argument in Murthy v. Missouri, Justice Ketanji Brown Jackson voiced concern that ruling against the federal government in this case could result in “hamstringing” their ability to curate speech online—suggesting that the government has a “duty” to police harmful statements. 5:30pm- While appearing at a Mexican restaurant in Phoenix, Arizona, President Joe Biden said of Latino voters: “I need you badly.” According to most polling data, Biden is currently several points behind Republican presidential candidate Donald Trump in Arizona. 5:40pm- Are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.

The Rich Zeoli Show- Full Episode (03/20/2024): 3:05pm- On Tuesday, the Supreme Court decided to temporarily permit Texas's Senate Bill 4 to take effect pending a lower court's review. The bill makes it a crime for migrants to illegally enter Texas—allowing for Texas officials to arrest and/or deport anyone who recently entered the state unlawfully. However, several hours later a Fifth Circuit panel voted 2 to 1, effectively blocking Texas from enforcing SB 4. You can read more here: https://www.wsj.com/us-news/law/supreme-court-ruling-deportation-texas-sb4-f8328b6d?mod=hp_lead_pos4 3:10pm- On Wednesday, the House Oversight Committee held a hearing which included testimony from business associates of Hunter Biden. Biden's “former business partner Tony Bobulinski publicly accused the first son and his uncle, Jim Biden, of lying under oath about the nature of their business dealings with Chinese conglomerate CEFC,” writes James Lynch of National Review. You can read the full article here: https://www.nationalreview.com/news/former-biden-business-partner-accuses-hunter-jim-of-lying-under-oath-about-chinese-dealings/ 3:20pm- During his testimony before the House Oversight Committee, former Hunter Biden business partner Tony Bobulinski said that he was “1,000% sure” that Joe Biden was the “big guy” referred to in several email communications regarding a business deal with a Chinese-based energy corporation—suggesting that Joe may have derived some financial benefit from his family's foreign business transactions. 3:30pm- Ben Schreckinger of Politico reports: “Prosecutors said a business associate of Jim Biden conspired to defraud Medicare alongside an alleged leader of the Colombo crime family in a brief filed Friday in federal court in New Jersey. The government's accusation is likely to intensify scrutiny of the ties between President Joe Biden's brother and the associate, Mississippi businessman Keaton Langston. The Justice Department named Langston as a co-conspirator in the ongoing fraud case just three weeks after congressional investigators grilled Jim Biden about his relationship with the Mississippi businessman. In the course of a previous prosecution, the Justice Department identified a defendant in the fraud case, Florida businessman Thomas Farese, as a high-ranking member of the Colombo crime family, according to court filings.” You can read the full report here: https://www.politico.com/news/2024/03/18/doj-jim-biden-associate-mafia-boss-00147626 3:50pm- Chick-fil-A pizza? Rich says it sounds repulsive—but Matt and Henry are excited to try it. 4:05pm- Coral Davenport of The New York Times reports: “The Biden administration on Wednesday issued one of the most significant climate regulations in the nation's history, a rule designed to ensure that the majority of new passenger cars and light trucks sold in the United States are all-electric or hybrids by 2032. Nearly three years in the making, the new tailpipe pollution limits from the Environmental Protection Agency would transform the American automobile market. A record 1.2 million electric vehicles rolled off dealers' lots last year, but they made up just 7.6 percent of total U.S. car sales, far from the 56 percent target under the new regulation. An additional 16 percent of new cars sold would be hybrids.” You can read the full report here: https://www.nytimes.com/2024/03/20/climate/biden-phase-out-gas-cars.html 4:10pm- Does cross dressing make you a better intelligence officer? Spencer Lindquist of The Daily Wire reports: “Agents at the Central Intelligence Agency, the Federal Bureau of Investigation, and throughout the intelligence community were distributed a newsletter that celebrated an intelligence official for crossdressing, saying that dressing up in women's clothes makes him ‘a better intelligence officer.'” You can read the full article here: https://www.dailywire.com/news/bidens-top-intelligence-agency-says-crossdressing-makes-man-better-intelligence-officer-internal-docs-show 4:30pm- Ben Brasch of The Washington Post reports: “It is the driver who takes tourists on Jeep tours. It is the veteran who works as a carpenter. It is the person who works at the Whole Foods that sells sashimi-grade salmon for $44.99 a pound. They all live a precarious life sleeping every night in their cars parked somewhere around Sedona, Ariz. It's become a big problem for the tony tourist town, which is why the Sedona City Council approved a program last week that temporarily converts an empty parking lot into a place where families or workers or students can live while trying to find a permanent home. Detractors said they feared it would eventually become an encampment of tents, which aren't allowed under the program.” You can read the full report here: https://www.washingtonpost.com/nation/2024/03/19/sedona-homeless-sleep-car-housing-crisis/ 4:40pm- According to reports, New York Attorney General Letitia James does not believe Donald Trump is “truly unable” to post the $450+ million bond in his civil fraud case. Earlier this year, New York Judge Arthur F. Engoron found that the former president inflated the value of assets controlled by the Trump Organization in past financial statements. With no jury, Judge Engoron unilaterally chose to fine Trump and barred him from conducting business in New York for three years. Notably, in 2018, while campaigning to become New York Attorney General, Letitia James vowed to “sue” Trump and routinely spoke of how she would like to see him imprisoned—providing evidence to the defense's legal argument that this civil suit was entirely political. 4:50pm- Kate-Gate! What's the latest online conspiracy theory involving Kate Middleton and the Royal Family? PLUS, are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.   5:05pm- On Monday, the United States Supreme Court heard oral argument in Murthy v. Missouri—a case which will determine whether officials within the federal government can use their power to coerce social media platforms into censoring speech they unilaterally deem harmful and/or misinformation. While questioning the U.S. Principal Deputy General Brain Fletcher, Justice Samuel Alito seemed to suggest that government pressuring social media companies to do their bidding is violative of the First Amendment, explaining: “The only reason why this is taking place is because the federal government has got Section 230 and antitrust in its pocket…it's got these big clubs available to it—so it's treating Facebook and these other platforms like they are subordinates. Would you do that to The New York Times or The Wall Street Journal or the Associated Press?” 5:10pm- During oral argument in Murthy v. Missouri, Justice Ketanji Brown Jackson voiced concern that ruling against the federal government in this case could result in “hamstringing” their ability to curate speech online—suggesting that the government has a “duty” to police harmful statements. 5:30pm- While appearing at a Mexican restaurant in Phoenix, Arizona, President Joe Biden said of Latino voters: “I need you badly.” According to most polling data, Biden is currently several points behind Republican presidential candidate Donald Trump in Arizona. 5:40pm- Are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne. 6:05pm- On Wednesday, the House Oversight Committee held a hearing which included testimony from business associates of Hunter Biden. Biden's “former business partner Tony Bobulinski publicly accused the first son and his uncle, Jim Biden, of lying under oath about the nature of their business dealings with Chinese conglomerate CEFC,” writes James Lynch of National Review. You can read the full article here: https://www.nationalreview.com/news/former-biden-business-partner-accuses-hunter-jim-of-lying-under-oath-about-chinese-dealings/ 6:15pm- During his testimony before the House Oversight Committee, former Hunter Biden business partner Tony Bobulinski said that he was “1,000% sure” that Joe Biden was the “big guy” referred to in several email communications regarding a business deal with a Chinese-based energy corporation—suggesting that Joe may have derived some financial benefit from his family's foreign business transactions. 6:30pm- A new study suggests intermittent fasting can be bad for your health. Rich hopes the research isn't accurate—because he does it almost every day! 6:40pm- Andrew Restuccia of The Wall Street Journal documents how local governments across the country are just handing out cash. He writes: “Houston is joining dozens of American cities and counties—most led by Democrats—that are experimenting with guaranteed-income programs amid growing wealth inequality in the U.S. The programs are part of a trend at the local and national level toward providing direct, largely unconditional payments to Americans for everything from pandemic relief to child assistance. They reflect a growing sentiment among economists, tech industry leaders and Democrats that distributing money without strings is one of the most effective and least bureaucratic ways to help struggling Americans.” You can read the full article here: https://www.wsj.com/politics/policy/governments-across-the-u-s-are-handing-residents-cashno-strings-attached-7f602ea6?mod=hp_lead_pos8

The Rich Zeoli Show- Hour 2: 4:05pm- Coral Davenport of The New York Times reports: “The Biden administration on Wednesday issued one of the most significant climate regulations in the nation's history, a rule designed to ensure that the majority of new passenger cars and light trucks sold in the United States are all-electric or hybrids by 2032. Nearly three years in the making, the new tailpipe pollution limits from the Environmental Protection Agency would transform the American automobile market. A record 1.2 million electric vehicles rolled off dealers' lots last year, but they made up just 7.6 percent of total U.S. car sales, far from the 56 percent target under the new regulation. An additional 16 percent of new cars sold would be hybrids.” You can read the full report here: https://www.nytimes.com/2024/03/20/climate/biden-phase-out-gas-cars.html 4:10pm- Does cross dressing make you a better intelligence officer? Spencer Lindquist of The Daily Wire reports: “Agents at the Central Intelligence Agency, the Federal Bureau of Investigation, and throughout the intelligence community were distributed a newsletter that celebrated an intelligence official for crossdressing, saying that dressing up in women's clothes makes him ‘a better intelligence officer.'” You can read the full article here: https://www.dailywire.com/news/bidens-top-intelligence-agency-says-crossdressing-makes-man-better-intelligence-officer-internal-docs-show 4:30pm- Ben Brasch of The Washington Post reports: “It is the driver who takes tourists on Jeep tours. It is the veteran who works as a carpenter. It is the person who works at the Whole Foods that sells sashimi-grade salmon for $44.99 a pound. They all live a precarious life sleeping every night in their cars parked somewhere around Sedona, Ariz. It's become a big problem for the tony tourist town, which is why the Sedona City Council approved a program last week that temporarily converts an empty parking lot into a place where families or workers or students can live while trying to find a permanent home. Detractors said they feared it would eventually become an encampment of tents, which aren't allowed under the program.” You can read the full report here: https://www.washingtonpost.com/nation/2024/03/19/sedona-homeless-sleep-car-housing-crisis/ 4:40pm- According to reports, New York Attorney General Letitia James does not believe Donald Trump is “truly unable” to post the $450+ million bond in his civil fraud case. Earlier this year, New York Judge Arthur F. Engoron found that the former president inflated the value of assets controlled by the Trump Organization in past financial statements. With no jury, Judge Engoron unilaterally chose to fine Trump and barred him from conducting business in New York for three years. Notably, in 2018, while campaigning to become New York Attorney General, Letitia James vowed to “sue” Trump and routinely spoke of how she would like to see him imprisoned—providing evidence to the defense's legal argument that this civil suit was entirely political. 4:50pm- Kate-Gate! What's the latest online conspiracy theory involving Kate Middleton and the Royal Family? PLUS, are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.  

Auckland art gallery has been gifted 15 masterpieces worth $178 million, in what is considered to be one of the most significant philanthropic gifts in local history.  Included are works by Pablo Picasso, Salvador Dalí, Henri Matisse and Paul Cezanne, in the gift from the late American collectors Julian and Josie Robertson. More than 300 guests gathered for the exhibition opening on Thursday night. Auckland Art Gallery curator Kenneth Brummel spoke to Ingrid Hipkiss.

Stanley Whitney talks to Ben Luke about his influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Whitney, ​​born in Philadelphia in 1946, makes abstract paintings that feature interlocking rectangles, squares and bands of paint whose intense colours hum with musical resonance and rhythm. Rigorously structured yet full of improvisation and unexpected incident, his paintings are both arresting and slow-burning: they grab you with their bold hues and hold you with their complex harmonies and dissonances, their sense of constant movement. He is particularly known for his square-format paintings of the past two decades but his career has been a lifelong search for a distinctive form of painting—one that, as he has said, is defiantly abstract yet contains “the complexity of the world”. He reflects on his encounters with an early mentor, Philip Guston; being painted by Barkley Hendricks, a fellow student at Yale; and his close friendship with David Hammons. He discusses his love of Paul Cezanne, Vincent van Gogh, Paolo Veronese and Henri Matisse, as well as the work of Gees Bend quilters. And explains how he connects this deep love of painting to musical greats including Miles Davis, Charlie Parker and Charlie Mingus. Plus he discusses in detail his life in the studio and answers our usual questions, including “what is art for?”Stanley Whitney: How High the Moon, Buffalo AKG Art Museum, Buffalo, US, 9 February-27 May; Walker Art Center, Minneapolis, US, 14 November-16 March 2025; Institute of Contemporary Art /Boston, US, 17 April 2025–1 September 2025; Stanley Whitney: Dear Paris, Gagosian, Paris, until 28 February. Hosted on Acast. See acast.com/privacy for more information.

Cezanne is widely celebrated today, but he struggled early on. He was rejected by Beaux Arts multiple times. He went back home to work at the bank for a while but he felt compelled to pursue the arts and he persisted. He met other artists like Renoir and Monet who had also been rejected by academic establishment and many critics of the day. The supported each other and learned from each other. In 1863, people were so sick of being rejected by the Paris Salon, they actually set up “Salon des Refuses” (salon of the rejected) next to the official salon to exhibit works by Monet, Manet, Pissarro. Cezanne would have loved to have his paintings exhibited in The Paris Salon, but his work hung in The Salon des Refuses. Related episodes to check out: Paul Cezanne (full episode) Art Smart - Impressionism & Post Impressionism Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode you will hear a little about 3 of our host's favourite artists: Salvador Dali, Andy Warhol and Paul Cezanne.  Link to referenced artwork, 'The Persistance of Memory': https://www.moma.org/collection/works/79018 

“Time and reflection change the sight little by little 'til we come to understand.” - Paul Cezanne / with time and steady reflection for wisdom will take root / Striving For the Bhakti Tipping Point / Bhakti carries the potential to transcend all religious differences / No one has a monopoly on God / incessant transcendental bliss flows in the minds of those who taste a drop of Krishna's glories / happiness of sense gratification is merely a reflection / how to become they the real friends of everyone / the beggars may be the experts at achieving the real goal in life SB 6.9.38-39

“Time and reflection change the sight little by little 'til we come to understand.” - Paul Cezanne / with time and steady reflection for wisdom will take root / Striving For the Bhakti Tipping Point / Bhakti carries the potential to transcend all religious differences / No one has a monopoly on God / incessant transcendental bliss flows in the minds of those who taste a drop of Krishna's glories / happiness of sense gratification is merely a reflection / how to become they the real friends of everyone / the beggars may be the experts at achieving the real goal in life SB 6.9.38-39

Als je het hebt over de Nederlandse abstracte kunst, dan denk je misschien aan Gerrit Rietveld of Piet Mondriaan, maar eigenlijk moet dat Jan van Deene zijn. Samen met vrienden ontwikkelde hij aan het begin van de twintigste eeuw een absolute schilderstijl. En dat nog voor de kunstbeweging van De Stijl zijn intrede had gedaan. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Ludo van Halem.Wil je weten hoe dit schilderij eruitziet? Ga dan naar www.rijksmuseum.nl/podcastIn het Rijksmuseum is powered by ING.

Je reçois Hadrien France-Lanord, philosophe, pour parler des possibilités de se libérer de l'oppression propre à notre temps.Le livre d'Hadrien : https://www.editionsducerf.fr/librairie/livre/20200/A-l-ecoute-du-moderneMots clé : Plonger au coeur du moderne. À travers la philosophie, la peinture, la musique et toute forme de poésie en général, il s'agit ici de s'aventurerdans la révolution moderne, qui bouleverse nos systèmes de représentation et interroge nos concepts traditionnels. C'est pourquoi ce n'est pas une révolution simplement esthétique, mais également éthique, voire politique – le moderne engage un déplacement du regard, des modes d'agir et des manières d'habiter le monde. Le moderne est un geste auquel on peut s'exercer.Voilà ce que nous propose cet ouvrage à la fois original et vivant. Grâce à un travail d'écoute, des exercices de lecture, sans érudition, mais ancrés dans nos vies, notre quotidien, nos corps.Une invitation à découvrir les oeuvres fondatrices de notre temps, pour mieux saisir le monde dans lequel nous vivons. Un appel à réfléchir de manière libre, en retravaillant sans cesse nos appuis.Agrégé de philosophie et professeur en khâgne à Rouen, Hadrien France-Lanord est également associé à l'équipe Identité et subjectivité de l'Université de Caen. Philosophe passionné des arts, il est aussi membre de la Société Paul Cezanne, et donne régulièrement des séminaires à Reso – L'École de méditation. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode: "Perspectives on Luxury with Robert Charles" Host: Nikki Klugh Welcome to Create Your Sacred Space Podcast with Nikki Klugh. the podcast that unveils the soul of architecture and design. Join us as we explore the passion, creativity, and purpose behind the most inspiring spaces and projects and dive deep with those who create them consistently. I'm your host, Nikki Klugh, and I'll be your guide as we journey through the hearts and minds of sacred space architects and designers who are driven by compassion and authenticity. _________________________________________________ Robert Charles Bio: Robert Otis Charles was born in the projects of East Orange, New Jersey. He is a descendant of Costa Rican and West-Indian parents. Robert is the second youngest of four children. Robert established his career based on his creative talents. He developed his passion for multi-disciplinary creativity around the age of five. He held on to his creativity because he was very limited in his physical ability because of his long-term battle with chronic asthma and his encounter with bone cancer at age 21. Robert drew with crayons; built with his beloved Lego and wooden blocks; built go-carts and tree houses of wood; built scale models; supported his father in providing professional photography; and initiated an ongoing livelihood with the trumpet all before his teenage years. He was introduced to architecture by his older sibling and developed a distinct love for architectural design at the age of twelve. His father, (Neil Charles, Sr.), kindled his fire for drawing with excellence. “Pop” Charles purchased Robert's first drafting table shortly after his demonstrated commitment to architecture, drawing, and building. Robert's father continually invested in his career from his youth and procured a large loan that initiated his architectural college training. Robert was educated at Florida Agricultural & Mechanical University where he received both his undergraduate and professional degrees in Architecture. He has received several architectural awards including the distinguished Alpha Roe Chi Medal of Leadership, Service, and Merit, and led design on award-winning projects over his 30-year career. He is a current member of the American Institute of Architects and the lead design architect at LBA Architects. Also, in 1998, Robert established ROC STUDIOS INTERNATIONAL, INC which is his own multi-disciplinary design studio. His studio provides visual arts, creative branding, and professional photography. The following famous architects and artists influence his style of designing buildings and producing graphic works. The architects that inspire Robert are Frank Lloyd Wright, Kenzo Tange, Le Corbusier, Richard Meier, Frank Gehry, Santiago Calatrava, Eliel Saarinen, and Alvar Aalto. Artists like Salvador Dali, Pablo Picasso, Paul Cezanne, and Georges Braque inspire Robert's style of producing abstract graphics. Photographers such as Neil Charles, Sr., Ansel Adams, David Eggleston, and a host of others influence Robert's photography. Prominent political officials, doctors, lawyers, architects, business leaders, bishops, pastors, other artists, organizations, churches, and the general public have collected his artworks and photography. His works have also been displayed in public facilities including those that he designed. Robert is a passionate man who is a joyfully exuberant nerd and enjoys staying fit, public speaking, and playing his horns. Robert readily acknowledges his many blessings including his creatively gifted wife (Shantae). __________________________________________ Thank you for being a part of our heart-centered community, and until next time, may your life be filled with sacred spaces that reflect the beauty of your soul. Remember, FIRST We shape our buildings; thereafter they shape us.

Angela O'Keeffe is the author of Night Blue which was nominated for the Prime Minister's Literary Award. Today I've brought you her latest novel The Sitter A writer sits in a hotel room in Paris early 2020. By her side is the disembodied form of Hortense Cezanne. The writer has traveled to France to capture the essence of Hortense for a book about the wife and muse to Impressionist painter Paul Cezanne. Hortense has returned to the country of her birth for reasons not yet clear to her. Now the two are confined to their hotel room as the world descends into a strange and unknowable illness, forced to observe the quietening world outside.   The Sitter is a strange beast of a novel. Narrated in turns by the long dead Hortense and the reminiscences of the unnamed writer the book asks the reader to ponder creativity both from the perspective of the creator and their subject. When we meet Hortense Cezanne she is variously the wife and muse of the painter Cezanne and the freshly reincarnated spirit of the same grappling with her place in the world a century after her death. This is no fantastical mode of the author but rather a realisation of the author's work in creating. So often I've spoken with authors who talk of their characters being ‘real' to them. O'Keeffe takes this a step further inserting Hortense into the narrative as she grapples with becoming a reality through the writer's words. O'Keeffe's writer must in her turn work to discover the reality of the Hortense who sits by her side. This disembodied spirit is perhaps not enough to justify her book but how can she discover and then in her way create a fuller figure? The books turns on an empty street near the center of Paris. As the world succumbs to the early days of the as yet unknown Coronavirus the writer witnesses a tragedy that turns her thoughts inwards. Now she can no longer simply write Hortense's story. Stuck in her hotel room she is drawn to a new narrative. Abandoning Hortense's story the writer turns to her memories to write the story of her own drive and creativity. I was fascinated by The Sitter for its exploration of the creative process and its questioning of the artists motivations. Hortense is given voice to expose how she has been silenced and the writer must delve into her own silence to uncover the story she needs to tell. Both of these stories ruminate on women's bodies and the ways they are made subject and subjected to a process that renders them voiceless. A process that is rectified somewhat in the ultimate telling of the tale. The Sitter is an intriguing work and please don't doubt that I have oversimplified it even as I worked to understand it. I'll be going back. This is the sort of novel that rewards rereadings and asks of its reader that they take the time to think about the voices and the characters given voice. 

In this podcast, we will be focusing on two artists Paul Cezanne and Ambrose Vollard. We will talk about different aspects of art and the different styles that the artists used in their paintings. And we end up talking about the incident between them and who's fault it was. ·         Artist and Title for Music: Peaceful Paradise by Taizo Audio

In the realm of art history, few figures captivate the imagination quite like Ambroise Vollard and Paul Cezanne. Ambroise Vollard, a renowned French art dealer, emerges as an enigmatic force, credited with providing exposure and emotional support to a multitude of the-unknown artists. His influence reached the likes of Paul Cezanne, Pablo Picasso, Vincent van Gogh, and many more, shaping the course of art history. Meanwhile, Cezanne, often regarded as the father of modern art, mesmerizes with his groundbreaking exploration of form, color, and light. Through his landscapes, still lives, and portraits, Cezanne invites viewers into a world where multiple viewpoints and fragmented forms unveil the essence of his subjects. Together, Vollard and Cezanne intertwine their narratives, leaving us with a rich tapestry of artistic brilliance, tantalizingly shrouded in mystery and awaiting our exploration.

In this podcast you will hear us discuss Ambroise Vollard and Paul Cezanne among other important topics in French art and business. We focused on these French artist and discussed influential artwork that they are known for. We exchange ideas and opinions as well as discussed  Vollard's contribution to the support of French artists and their contributions as well. We utilize some of the concepts we have learned so far to share our appreciation and critiques. We also discussed paintings like Diana Bathing and Temptation of Saint Anthony.  In our case study we focused on the discussion of 19th century French art in terms of business, styles and movements. 

In the realm of art history, few figures captivate the imagination quite like Ambroise Vollard and Paul Cezanne. Ambroise Vollard, a renowned French art dealer, emerges as an enigmatic force, credited with providing exposure and emotional support to a multitude of the-unknown artists. His influence reached the likes of Paul Cezanne, Pablo Picasso, Vincent van Gogh, and many more, shaping the course of art history. Meanwhile, Cezanne, often regarded as the father of modern art, mesmerizes with his groundbreaking exploration of form, color, and light. Through his landscapes, still lives, and portraits, Cezanne invites viewers into a world where multiple viewpoints and fragmented forms unveil the essence of his subjects. Together, Vollard and Cezanne intertwine their narratives, leaving us with a rich tapestry of artistic brilliance, tantalizingly shrouded in mystery and awaiting our exploration.

An audio excerpt from M. Allen Cunningham's talk "Reading, Seeing, and Self-Forgetting," delivered recently in an undergraduate creative writing course. Cunningham considers what a creative writing course can and cannot achieve, and explores the imaginative value of honing one's perceptions by "going beyond the edges" of one's own identity, perspectives, imagination, and discipline. One springboard for this lecture is Ali Smith's Artful, an assigned book for this course Other touchpoints include Rainer Maria Rilke, Paul Cezanne, Harold Bloom, C.S. Lewis, Nabokov, Virginia Woolf, James Baldwin, Michael Oakeshott, and Lynda Barry. (NB: Cunningham's particular discussion of Rilke originates with Letters on Cezanne, edited by Joel Agee, and draws on the observations in Agee's introduction to that book.)Visit www.MAllenCunningham.com to learn more about Cunningham's work as a writer, teacher, and publisher. Hosted on Acast. See acast.com/privacy for more information.

Cezanne is widely celebrated today, but he struggled early on. He was rejected by Beaux Arts multiple times. He went back home to work at the bank for a while but he felt compelled to pursue the arts and he persisted. He met other artists like Renoir and Monet who had also been rejected by academic establishment and many critics of the day. The supported each other and learned from each other. In 1863, people were so sick of being rejected by the Paris Salon, they actually set up “Salon des Refuses” (salon of the rejected) next to the official salon to exhibit works by Monet, Manet, Pissarro. Cezanne would have loved to have his paintings exhibited in The Paris Salon, but his work hung in The Salon des Refuses. Related episodes to check out: Paul Cezanne (full episode) Art Smart - Impressionism & Post Impressionism Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (I'll send a $50 Amazon gift card to the teacher who gets the most shoutouts on this form by Feb 27) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

*) Ukraine liberates dozens of towns Ukraine says dozens more towns and villages have been liberated in the south of the country. It comes as Ukrainian forces continue their advance towards the strategically vital city of Kherson. Russians have announced they're withdrawing from the city but there's considerable scepticism about that. *) Leaders of Turkic nations meet in Uzbekistan Turkish President Recep Tayyip Erdogan is among leaders from the Organization of Turkic States attending the OTS summit in Samarkand. The theme of the summit will be “New Era for Turkish Civilization: Towards Common Development and Prosperity.” At the summit important decisions will be taken that will form the first five-year implementation guide of the vision document, which constitutes the 20-year roadmap of the organisation. Addressing the summit, Erdogan said the bloc has accepted the Turkish Republic of Northern Cyprus as an observer state. *) Biden to meet Xi US President Biden will meet his Chinese counterpart, Xi Jinping, on the sidelines of next week's G20 summit in Indonesia. This will be the first face-to-face meeting between the two since Biden took office, though they have talked via video conference. Relations between the two largest economies have grown worse. That's as tensions rise over Taiwan and China's growing political and military presence around the world. *) Russian hackers behind medical record theft: Australian police Russian hackers are behind a cyberattack on a major Australian healthcare company that breached the data of 9.7 million people, including the country's prime minister, police say. The hackers started leaking the data earlier this week after Medibank -- the country's largest health insurer -- refused to pay a 9.7 million dollars ransom. Australian Federal Police commissioner Reece Kershaw blames the attack on Russia-based "cyber criminals". And finally… *) Paul Allen's art collection fetches record $1.5B at auction Five dozen works from Paul Cezanne, Vincent van Gogh and other revered artists fetch $1.5 billion at an auction. The auction is part of the vast collection of paintings and sculpture amassed by late Microsoft co-founder Paul Allen. The total represented the highest amount ever collected at a single art auction, according to the auction house, Christie's in New York. Proceeds will be donated to philanthropic causes in accordance with the wishes of Allen, who died in 2018.

We meet Alex Rotter, Chairman of Christie's 20/21 Art Departments, to discuss Christie's New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen's collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overviewFrom Canaletto's famed vistas of Venice and Paul Cezanne's magisterial vision of the Mont Sainte-Victoire to Gustav Klimt's Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney's joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli's Madonna of the Magnificat, Georges Seurat's pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud's Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter's progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci's Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons' Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist. Hosted on Acast. See acast.com/privacy for more information.

Paul Cezanne was an influencial post impressionist painter. He was a very thoughtful and deliberate painter taking an almost scientific approach to the landscape reducing nature to brush strokes that would indicate the various planes. He famously sought to reduce all subjects to a collection of geometric forms. For this episode, I was joined by Dr. Lex, host of the LuxeSci Podcast. Find her show on Apple Podcasts, Spotify, or wherever you listen to podcasts. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Orange you glad we're releasing this episode?  Sorry. But not sorry for the topic! This episode is all about well-beloved fruit, the orange. Who knew that art and music embrace the orange as inspiration? Well, we didn't at first, but this episode revealed a lot of fun content, so join us as we explore the orange Orange!   Art: Ryuryukyo Shinsai (1799-1823): Orange, Dried Persimmons, Herring-Roe and Different Nuts; Food Used for the Celebration of the New Year (19th century) Paul Cezanne (1839-1906): Pommes et oranges (1899) Claes Oldenburg (1929-2022): Dropped Bowl with Scattered Slices and Peels (1989)   Music (Spotify playlist): Sergei Prokofiev (1891-1953): The Love for Three Oranges (1919)

The Edinburgh Festival Fringe 2022 series Elaine chats with director Katie Jackson about their new play Visiting Cezanne. We chat the industry as a whole, coming through the pandemic, being nonbinary in the arts and much more. Visiting Cezanne How does an artist keep going when all seems hopeless? Seeking an answer, a failed artist in New York visits the Metropolitan Museum of Art in 2016. From there she unexpectedly travels to an artist's studio in southern France in 1900. She desperately wants to get back to her home in 2016 but Paul Cezanne, another obscure artist with his own problems, is not being helpful. Also ensnared in this crisis are Cezanne's gardener and an art historian from Utah. This play's creative team is Glasgow-based. SHOW: TICKETS WEBSITE: redrovertheatre.com KATIE JACKSON Katie is a theatre director based between Glasgow and London. Having started out as a stage manager, Katie has worked professionally in theatre since 2014 and started to move into directing in 2019.During the pandemic, they relocated to Glasgow to study at the Royal Conservatoire of Scotland, completing a Master of Fine Arts Degree in January 2022. Katie's directing leans heavily into exploring naturalism on stage and delving into the realities of everyday existence for everyday people. When not directing, Katie works in the care sector, supporting vulnerable adults. Website: katiejacksondirector.com Instagram: @katie_jax Twitter: @katie_jax PLANNED PARENTHOOD DONATE DONATE ABORTION SUPPORT NETWORK UK ASN.COM- DONATE LINKTREE P&N Linktr PayPal https://www.paypal.com/paypalme/persistentandnasty for those who can donate. A million thanks and love. Resources https://www.samaritans.org/?nation=scotland http://www.rapecrisisscotland.org.uk/ https://rapecrisisni.org.uk/ https://rapecrisis.org.uk/ https://www.artsminds.co.uk/ https://www.bapam.org.uk/ https://freelancersmaketheatrework.com/sexual-violence-support-services/ Stonewall UK Trevor Project Mermaids UK Switchboard LGBT+ GATE WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: https://join.backstage.com/persistentnasty-uk-12m-free/

This week: is heritage in Ukraine being attacked and looted, and what can be done to protect it? Ben Luke talks to The Art Newspaper's museums and heritage editor, Tom Seymour, who has been to the Ukrainian-Polish border with the International Council of Museums (ICOM), to witness museum materials being sent into Ukraine to help institutions there. Then, Tom talks to Sophie Delepierre, the head of heritage protection at ICOM, about the organisation's efforts in Ukraine and elsewhere. As a major exhibition of the work of Paul Cezanne opens at The Art Institute of Chicago, ahead of its journey to Tate Modern later in the year, Ben talks to Gloria Groom and Caitlin Haskell, the curators of the Chicago exhibition. And for this episode's Work of the Week, our acting digital editor, Aimee Dawson, asks Oliver Lanzenberg, the grandson of the artist Nicola L., about his grandmother's work Gold Femme Commode (1969/1993). The piece is part of a show at Alison Jacques, one of a number of exhibitions opening to coincide with the second edition of London Gallery Weekend.Tom's full report into ICOM's work for Ukraine is in the next print edition of The Art Newspaper and online soon.The organisation Sophie mentions is NEMO, the Network of European Museum Organisations, ne-mo.org.Cezanne, The Art Institute of Chicago, 15 May-5 September; Tate Modern, London, 5 October-12 March 2023.Nicola L., Alison Jacques, London, until 23 July.London Gallery Weekend, 13-15 May. See acast.com/privacy for privacy and opt-out information.

This episode's guest is Rachel Corbett, the author of a brilliant book called You Must Change Your Life, which tells the story of the brief and intense relationship between renowned sculptor Auguste Rodin and the poet Rainer Maria Rilke. In 1902, Rainer Maria Rilke was a delicate young visitor from Prague in Paris, he was broke and suffering from writer's block. He was commissioned to write a book on Rodin, who was already a renowned sculptor at the time, this is when everything changes You Must Change Your Life reveals one of the great stories of modern art and literature: Rodin and Rilke's years together as master and disciple, their heartbreaking rift, and moving reconciliation. In her vibrant debut, Rachel Corbett reveals how Rodin's influence lead Rilke to write his most celebrated poems and inspired his beloved Letters to a Young Poet. She captures the dawn of modernism with appearances by Paul Cezanne, Henri Matisse, Lou Andreas Salome, George Bernard Show and Jean Cocteau. In this interview I also wanted to ask Rachel about how Rodin and Rilke changed HER life, how she discovered them, and what are her favourite poems by Rilke and her favourite sculptures by Rodin. I know this might sound cliche, but When I was reading this book I was getting a strong feeling as if I am reading the script for the second part of Wes Anderson's The Grand Budapest Hotel. Get the Book: You Must Change Your Life by Rachel Corbett Follow Rachel on Twitter

Paul Cezanne was not the usual artist, unlike other artists, his muse was the mountain, Mont-Saint-Victoire, located in the city he grew up, Aix-en Provence in Southern France. Cezanne got popular for his repetition of this painting, which allowed him to identify himself through his artwork. Do artists need to be repetitive with their art in order to identify and realize themselves? How does a painter realize themselves through a subject? Watch our episode“How Artists Come to Their Paintings,” on Exploring Art Podcast to find out. Royalty-Free Music from Bensound-Epic | Royalty-Free Music | Cinematic War

In this podcast, Andres, Maydelis, and Emma all discuss a case study involving Paul Cezanne, and the time throughout his life when he repeatedly painted a landscape of the same mountain. Can drawing something over and over again lead to realization? Of us or of our subjects? Does it have to be more than once? Does the subject have to be human for us to find realization? These are all topics discussed in this podcast. In short, listen to us butt heads about paintings, mountains, and self-identity.

Do you know which of Leonardo da Vinci's paintings is the most expensive ever sold? What about Paul Cezanne's or Jackson Pollack's? Well, listen to today's show to learn about these and more! Every weekday at noon, bUneke's dynamic aquarians bring you jocularity and knowledge while you take a break! Everyone who participates and interacts with them has the opportunity to receive a free gift each week! Visit bUneke.org to see our list of past winners. Just follow, like, comment, and share the posts on Facebook @bUnekeRadio or email contactgeneandmary@gmail.com, just to say hello, and your name will be entered in the drawing. We mail gifts all over the world! You can sponsor the Gene&Mary Show jingle but you must hurry. This sponsorship won't be open long. Email mary@buneke.org for details.

A Serbian special police officer guards “Boy in a Red Waistcoat” by Paul Cezanne in Belgrade. Police in Serbia recovered the impressionist masterpiece, which was one of four paintings stolen at gunpoint four years ago from a Swiss gallery in one of the world's biggest art heists. ( Marko Djurica/Reuters)

Become a Patron!Show Notes:In this episode we're going to be looking at the life and work of Paul Cezanne , a painter synonymous with his aloof character and plein air paintings of the landscape he lived in nearly his whole life. Pablo Picasso regarded Cézanne as a "mother hovering over," Henri Matisse would say he was "father to us all." Inevitably, our understanding of Cézanne's painting is colored by later cubism and abstraction, focusing attention on the formal aspects of his work. His reduction of the visible world into basic, underlying shapes, the faceted brushstrokes that seem to reconstruct nature through purely painterly forms, the fracture and flattening of space - all these can be seen as the beginnings of modern art. Yet Paul Cezanne saw himself stressed that he painted from nature and according to his sensations, seeking to realize a "harmony parallel to nature."“It's not what the artist does that counts, but what he is. Cezanne would never have interested me a bit if he had lived and thought like Jacques-Emile Blanche, even if the apple he painted had been ten times as beautiful. What forces our attention is Cezanne's anxiety - that's Cezanne's lesson. ”Cézanne's insistence on redoing nature according to a system of basic forms was important to Picasso's own interest at that time. Aches on Provence Big break in 1895 at an exhibition . He had been painting for 40 years with little public recognition. When his show opened he didn't show up, he stayed back at the studio and continued to paint. Nowadays this may seem like some sort of a publicity stunt, but in Cezanne's case we see someone who simply coudn't stop painting. It's a cliche at this point, but painting really is about a pursuit of the impossible. Time and time again we see that painters are on a quest of continuous improvement. One which is never fully satisfied. “It is only there that I have found true evidence of the life of our light. Present in its simplest form the austere and tender beauty of our Provence.”One cannot look at Cezanne without thinking of Provence. He and his friends at the time were all quite familiar with the notion of “arcadia” and would read literature highlighting these themes. Arcadian presents us with a harmonious view of the world, where humans lie uncorrupted by civilization, but instead coexist with nature. This is in contrast to writers such as Thomas Moore who envisioned a Utopian civilization within it. An arcadian view represents what's commonly called a “pastoral” view of the world. We can look at Cezanne's landscapes and see this same type of harmony between him and the nature which he painted. His buddy Emil Zola moves to Paris and begins to write Cezanne back home. Telling him that he'd be able to draw from life for hours a day, and also copy master works in the Louvre. It's kind of funny that his buddy, who had moved to Paris (to write about the beauty of nature ironically) had basically sent him a letter which outlined how he could work all day. Dad wanted him to go to Law school. And so he did. And Surprise! Cezanne absolutely hated it. Studying law must have been the furthest thing from roaming the countryside and painting the landscape. This became apparent that Cexanne would never be happy, so he left for Paris in 1861 after his father relented. Once in Paris he did some master copies and took some classes. He was extremely critical of himself. He started to run in the same circles as Manet and his buddies, who were all really bourgeois, but Cezanne was a bit of a country bumpkin by comparison. By 1866 he was trying to get into the Salon, but he knew that it would be rejected. It was also a good form of self promotion to be refused. He would be the company of other impressionists who were also being rejected by the salon at the time. One can look to works by Bougareau which were being done at the same time for a comparison. In his work titled “Recline after Harvest” we see a woman lying next to a field of wheat, but it appears that she hasn't done a minute of work, but rather is longingly looking directly at the viewer. The surface of the painting is flat, and all of the values have been lovingly and correctly rendered. Compare this to a painting from Cezanne done at the same time and you'll see a highly textured surface where paint has been smothered on with palette knives. In this respect Cezanne is signaling that this painting is not only about creating an illusory window to peer through, but it stresses the importance of the paint itself. It's a painting about paint as much as it is about the person who is painting, or the landscape. This way of painting would be referred to as “Couillard” which referred to a weapon which was used to throw cannon balls at castles. One can still equate Cezanne's approach with this type of aggressive action. Becomes buds with Pisarro, who was much about 10 years older than he was. He's referred to as a father figure but I don't necessarily agree with this because of this fact. I imagine they simply began painting together, and Pisarro showed him how to paint outdoors. Then moves to L'estaque . His palette lightens, and he lives in a small village in a humble home where he has a garden. He wanders the countryside, which was near the sea, and paints as much as possible. Here he would take the bits and pieces he learned from Pisarro, and would expand upon it. Here he would continue to work with large patches of color, which was exactly the opposite of “modeling” which would commonly occur among more academic painters. In 1874 Monet holds an exhibition of painters who had rejected the academy. Cexanne would be included with Degas, and Renoir. But Cezanne wasn't really interested in making it big in the Paris scene as others were. I'm sure he wanted recognition, but it doesn't seem he was attracted to any sort of fame associated with it. He would continue to paint, and his works would also continue to have a sort of natural rhythm to them. This would be years before jackson pollock would proclaim “Idon't paint nature, I am nature” but the sentiment is still there. Cezanne moves back to his childhood home, and his father even makes a studio for him in their large home. Here he would make numerous paintings of Mountain St Victoire . He could see that this painting was ancient, and something that had impacted the environment for generations. But it was also a place where he and his friends would romp around during their youth. So it held both a personal connection as well as a larger one as well. This is why it's such an important subject to him. The mountain itself, at only around 4000 feet isn't that tall, however most of the area surrounding it is quite flat so it appears to be more imposing. After his father passed away the house would be sold and he bought an apartment in Aix en Provence. Where he built a studio on the top floor. He'd feel a bit cramped here, so eventually he would move to a small village where he had built a studio specifically for his working style. He had a cool slot for canvases.