Podcasts about Bad as Me

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

Hoy en La Gran Travesía celebramos el 75 cumpleaños de un músico absolutamente único e inclasificable, Tom Waits. En esta segunda parte abarcamos desde su quinto disco Foreign Affairs de 1977, hasta su último trabajo Bad As Me, de 2011. Aquí os dejamos el enlace a la primera parte del especial https://www.ivoox.com/1973-tom-waits-sus-inicios-especial-la-audios-mp3_rf_85021113_1.html También recordaros que desde la semana pasada podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, que son periodistas musicales, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs https://www.distriforma.es/la-gran-travesia-del-rock-id-npq975756 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Marco Landeta Vacas, P. Jose MMB, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Our second set of music videos brings Philippa back to Martin and Sam for the last decade-and-change of Waits music videos. Sampling the work of Jesse Dylan, Matt Mahurin and various others, we consider what these videos mean in a post-YouTube world, as well as Waits's filmed promos in the 21st century. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Hold On, Tom Waits music video from Mule Variations, dir. Matt Mahurin (1999) Come On Up To The House, (unauthorised?) Tom Waits music video from Mule Variations, dir. Anders Lövgren (1999) What's He Building, Tom Waits music video from Mule Variations, dir. Lex Brand (1999) God's Away On Business, Tom Waits music video from Blood Money, dir. Jesse Dylan (2002) Lie To Me, Tom Waits music video from Orphans, dir. Danny Clinch (2006) Tom Waits Press Conference, promo for Glitter&Doom tour, dir. unknown (2008) Tom Waits' Private Listening Party, promo for Bad As Me, dir. unknown (2011) Satisfied, Tom Waits music video from Bad As Me, dir. Jesse Dylan (2011) Hell Broke Luce, Tom Waits music video from Bad As Me, dir. Matt Mahurin (2012) Bad As Me, (unreleased?) Tom Waits music video from Bad As Me, dir. unknown / Jesse Dylan? (2011/2013?) Misery's the River of the World, Tom Waits music / lyric video from Blood Money 20th Anniversary re-release, artwork by Casey Waits / animation by Sarah Sheikh Bridge (2022) Lost In The Harbour, Tom Waits music / lyric video from Alice 20th Anniversary re-release, artwork by Christy Smith / animation by Sarah Sheikh Bridge (2022) God's Away On Business, Tom Waits music / lyric video from Blood Money 20th Anniversary re-release, artwork by Casey Waits / animation by Sarah Sheikh Bridge (2022) Top Of The Hill, Real Gone, Tom Waits (2004) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We're delighted to bring you an extended interview with the man who literally wrote the book on Tom Waits, Barney Hoskyns. Bouncing through a selection of Waits's material from the 70s to the present day, we discuss what it's like to interview and write about artists, what changed (and stayed the same) in Waits's music, and how you should always take a suggestion from Nick Cave seriously. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Ol' 55, Closing Time, Tom Waits (1973) Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen), Small Change, Tom Waits (1976) Shore Leave, Swordfishtrombones, Tom Waits (1983) Goin' Out West, Bone Machine, Tom Waits (1992) Take It With Me, Mule Variations, Tom Waits (1999) Satisfied, Bad As Me, Tom Waits (2011)

WE DID IT! Just over 8 years and several hundred episodes since Ol' 55, we've songed all the songs there are to Song by Song. Along with a little look back at Bad As Me, Kirk, Sam and Martin also give this alphabetically-first-but-chronologically-last track full consideration, and quickly check in to see how The Eagles have been doing. Plus - BONUS! A final appearance of the Smooth Marble Egg theory of art! website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: After You Die, Bad As Me, Tom Waits (2011) I Wish You Peace, One Of These Nights, The Eagles (1975) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

A quintessential and sincere song of advice and experience for Kirk, Martin and Sam this week, perhaps also bordering on the sentimental? We discuss the paired imagery in the lyrics, more rhythmic shifting, and examine the questions these songs are asking (along with the answers they suggest).  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Tell Me, Bad As Me, Tom Waits (2011) Why, Diva, Annie Lennox (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Diving into the three bonus tracks from the Bad As Me Deluxe edition, Sam and Martin welcome Kirk Hamilton of the Strong Songs podcast to explore isolated sax stabs, irregular rhythmic structures and sparse arrangements. We consider Waits's continued vocal experimentation, the oblique details of his lyric writing, and the politics and history of dancehall/pop crossovers from reggae star Shaggy. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: She Stole The Blush, Bad As Me, Tom Waits (2011) It Wasn't Me, Hot Shot, Shaggy feat. Rik Rok (2000) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

At the end of the album-proper, Andrea, Martin and Sam consider the festive season as well as all its associated traumas. We return to Leonard Cohen, Bob Dylan, Rickie Lee Jones as well as 1970s Tom Waits, debating possible autobiographical elements, poverty tourism, and which lullaby is best used to ring in the new year. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: New Year's Eve, Bad As Me, Tom Waits (2011) A Sight For Sore Eyes, Foreign Affairs, Tom Waits (1977) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

With serious discussion of disturbing events from the start, Andrea illuminates for Sam and Martin some of the context for this song of military trauma. We consider musical presentation of problems and solutions to injustice, sonic and lyrical density, and Waits's political engagement more broadly  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Hell Broke Luce, Bad As Me, Tom Waits (2011) Song 33, single, Noname (2020) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We're heading towards conclusions, both in albums and in life, as Andrea Warner joins with Martin and Sam to examine another Tom and Keith team up. The hubris of Waits's sentiments, the juxtaposition of humour and pain in music, and a consideration of vestigial tails all feature in this week's discussion.  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Last Leaf, Bad As Me, Tom Waits (2011) Pale Green Things, The Sunset Tree, The Mountain Goats (2005) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Another Keith Richards collaboration brings Waits to a full confrontation with the Rolling Stones, as Song by Song engages with this cryptic track from the second half of Bad As Me. Determination in music and sports, the sexual or metaphorical interpretations of bullets and guns, and the lunacy of Harry Smith all feature in our third conversation with Sara Gran. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Satisfied, Bad As Me, Tom Waits (2011) (I Can't Get No) Satisfaction, Live in Paris, John Lee Hooker / Carey Bell (1970) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Waits's yearning for a new (or at least newness in) love brings Sara, Martin and Sam to some inherent features of popular music as well as human nature in general. We have conversations about changing affection in art itself, dig into the truths and lies we tell about the shape of life, and begin an extended consideration of the presence of limerence in music. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Kiss Me, Bad As Me, Tom Waits (2011) And Then He Kissed Me, single / Philles Records Presents Today's Hits, The Crystals (1963) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We're delighted to welcome John Darnielle of The Mountain Goats for this special extended episode listening to the title track from Bad As Me. Diving into the history of Waits's musical evolution, John, Martin and Sam consider the value of originality, Waits's reasons for producing this album after a 7 year hiatus, and some of the philosophical questions around the creation and publication of music. Plus some good Zelda chat. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Bad As Me, Bad As Me, Tom Waits (2011) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Joined by long-hoped-for guest Sara Gran, Sam and Martin shuffle back into the crowd of emotional songs of loss and yearning, flanked by Waits in a sorrowful mode and Roy Orbison full of powerful declamatory emotion. Some lyrical interpretation, a little passive-aggression, and the question of how lonely a voice sounds all occupy our discussion, as we continue through Bad As Me. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Back In The Crowd, Bad As Me, Tom Waits (2011) Only The Lonely, Lonely and Blue, Roy Orbison (1960) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

With a brief digression into Beyoncé's oeuvre, Kerry-Jo, Martin and Sam discuss some of the oddities in the writing of Pay Me, and what story Waits is trying to tell. We consider stories of theatrical life, where to find the end of the world, and specificities in the writing of Stephen Sondheim. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Pay Me, Bad As Me, Tom Waits (2011) Send In The Clowns, Good Bad but Beautiful, Shirley Bassey / Stephen Sondheim (1975) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Back with Sam and Martin, Kerry-Jo has some opinions about the honesty of Waits's reasons for departure, as well as the comprehensibility of his Sweetums voice. We discuss the inevitability and/or duality of his departure, styles of poetic writing in both tracks, and the various ways that we get “stuck” in situations and relationships.  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Face To The Highway, Bad As Me, Tom Waits (2011) Carrion, Tidal, Fiona Apple (1996) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We welcome Kerry-Jo Reilly to the show, joining Martin and Sam for songs of travel, departure and longing by Tom Waits, Larry Taylor, and their various associates. There's discussion of the value of 60s/70s blues-rock, Waits's various relationships over the years, and his attitude towards The King. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Get Lost, Bad As Me, Tom Waits (2011) On The Road Again, Boogie With Canned Heat, Canned Heat (1968) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Waits pulls on some (possibly) contemporary references this week, as Bryce, Sam and Martin consider the various meanings that “everybody talking” may relate to. Considering the tone and quality of the song, the applications to various political concerns of various eras, and taking a step into popular music of 2022, the conversation continues through Bad As Me. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Talking At The Same Time, Bad As Me, Tom Waits (2011) Late Night Talking, Harry's House, Harry Styles (2022) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Shambling on from Chicago, Waits lays down some relationship advice for Bryce, Martin and Sam to pick apart and interpret, with some mixed attitudes towards partners' and parents' influence over right and wrong men. We chat about the work of Aretha Franklin, overlap with Nick Cave, and of course the looming influence of Snagglepuss.  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Raised Right Men, Bad As Me, Tom Waits (2011) Do Right Woman, Do Right Man, single, Aretha Franklin (1967) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Back for the beginning of our final(?) season, Bryce Halliday joins Sam and Martin for a journey toward the great unknown of Illinois. We examine the era of the song's setting, the power of Mavis Staples's singing, and the reliability of moving to "better" places. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Chicago, Bad As Me, Tom Waits (2011) I'll Take You There, Be Altitude: Respect Yourself, The Staples Singers (1972) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Sammy Sanchez is back!This time, we dug in to the entire Tom Waits discography, and what a ride it was.Sammy's first appearance on Badass Records was on Episode #44, in which we discussed a little LCD Soundsystem, a little Pink Floyd, and a little Tom Waits. And during that conversation, it occurred to me that I needed a Tom Waits fan with whom to geek out. And you know what? Sammy was game!Here's the list of what we covered:Closing Time (1973)The Heart of Saturday Night (1974)Nighthawks at the Diner (1975)Small Change (1976)Foreign Affairs (1977)Blue Valentine (1978)Heartattack and Vine (1980)Swordfishtrombones (1983)Rain Dogs (1985)Frank's Wild Years (1987)Bone Machine (1992)The Black Rider (1993)Mule Variations (1999)Alice (2002)Blood Money (2002)Real Gone (2004)Bad As Me (2011)Sammy was just as fantastic this time around as he was a few months back, and I'll definitely have him back for another run through some artist's body of work. I feel blessed to have had the opportunity to get this off the ground, and thankful that it's still got a pulse.So thank you for stopping by and giving Episode #66 a listen/view. Please visit the Merch' store at badassrecordspodcast.com and drop me a line at badassrecordspodcast at gmail dot com if you're in the Kansas City area and interested in doing an episode.copyright disclaimer: I do not own the rights to the promo or the intro/outro audio. They are clips from Medeski, Martin & Wood's "Dracula" from their 1996 release, Shack-Man (c/o Gramavision Inc.), and Ward Davis's, "Good and Drunk" off of his 2018 Asunder EP (c/o Ward Davis Music). Both are artists versed in badassery, and you should check out their stuff.

As we enter 2023, Sam and Martin take a quick rummage through the emails, tweets and carrier pigeon letters the listeners have sent in over the last year, getting your take on lyrical and musical elements we may have missed, as well as a bunch of other thoughts and considerations. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Bad As Me, Spirit In The Room, Tom Jones (2012) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Hosts Jim DeRogatis and Greg Kot welcome our crate-digging Kris Kringle, Andy Cirzan to share great holiday songs that aren't played-out. This year's collection is called "The Reindeer Sessions... Further Adventures in Holiday Obscura." Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:Lenny Dee, "Rudolph The Red-Nosed Reindeer," Happy Holi-Dee, Decca, 1961Andy Claus, Santa's Singing Cousin, "Andy's Reindeer Song," (Single), Snowflake, unknownAnn Bennett, "Another Christmas Rolls Around Again," (Single), Bertlen, unknownTommy Hester, "Daddy's Drinking Up Our Christmas," (Single), Luck, unknownLeonard Feather and Friends, "Comet (the Reindeer)," Winter Sequence, MGM, 1954Lenny Dee, "Sleigh Ride," Happy Holi-Dee, Decca, 1961Cristy Lane, "Jesus Is A Soul Man," (Single), Extremely Brave, 1971Jimmie Dale, "There Are Reindeer Running (Down The Christmas Trail)," (Single), Original, 1953Modern Jazz Quartet, "Variation No. 1 On "God Rest Ye Merry, Gentlemen"," The Modern Jazz Quartet At Music Inn, Atlantic, 1956Unknown, "Santa Claus Is Coming To Town," unknown, unknown, unknownMartin Newell (w/ Andy Partridge), "Christmas In Suburbia," The Greatest Living Englishman, Pipeline, 1993Tom Waits, "New Years Eve," Bad As Me, Anti-, 2011Prince, "Another Lonely Christmas," (Single), Warner Bros, 1984Old Musicbox Melodies, "Auld Lang Syne," (Single), unknown, unknown

This week we are watching Inside Llewyn Davis! Bad As Me by Tom Waits Hang Me, Oh Hang Me Filming apartment! Zach's twitter Matthew's twitter Zach's flickchart Matthew's flickchart Email us at: podcaststreamit@gmail.com

The Shadow of the Torturer Chapter 26, "Sennet"Severian and Dorcas and Agia continue their search for the writer of the secret note. Severian considers the connection between love and desire and offers bad relationship advice.Links:The Dragonstairs Press release official of the print version of Rereading Wolfe's interview with Michael Swanwick about Gene Wolfe. Handbound and signed by Swanwick.Dragonstairs Press FB pageDragonstairs Press websiteGoonHandz: Dorcas and the Hyacinth -- labryrinths, mists, fog, Sev getting lost are all signals of time-travelMickey Smith on Inire's mirror room and what happens if you turn on a light in a circular mirrored roomAsk Me Anything on Reddit: Author of Lexicon Urthus, Michael Andre-DriussiReview of Operation Ares posted on Ultan's LibraryA bugle tattooYou can also get episodes on your podcast app or on our Youtube channel.Note: Youtube subscribers in Denmark might not be able to access a few episodes due to their country's more limited tolerance of our use of outro music. However, they will still be able to access the episodes on other platforms.If you have problems accessing the podcast on your favorite platform, let us know.Questions, comments, corrections, additions, alternate theories?Connect with us on on Facebook...or on Twitter @rereadingwolfe...or on Instagram: rereadingwolfepodcast...or on Reddit: rereadingwolfepodcast Intro from "The Alligator", Annihilation soundtrack by Ben Salisbury and Geoff BarrowOutro from "Bad As Me" by Shovels and RopeLogo art by SonOfWitzOutros and alternate outros are cued on the Rereading Wolfe Podcast Spotify playlist IF the songs are available on Spotify.

Hello everyone,  We are back once again with another bumper edition of Down in the Hole! For starters we first break down the new Tom Waits cover album Come On Up to the House: Women Sing Wait. Then for our main course we have our exclusive interview with the legendary Jim Hughart!!! You will know Hughart for his continued collaboration with Waits from The Heart of Saturday Night till Blue Valentine, with his iconic bass lines gracing tracks like "Barbershop", "Diamonds on My Windshield" and, of course, "Step Right Up". Our side dish, will be a fresh serving of Tom and Sam discussing every single song that Waits has released since the show came to its original hiatus (aka, after Bad As Me) three years ago. We cover collaborations with Marc Ribot, Keith Richards and the incredible David Letterman performance. Finally, for dessert, Tom & Sam will continue their explorations into Waits' own personal top 10 albums and films. This time Tom tackles the 1965 album, Solo Monk by Thelonious Monk and Sam explores Charles Laughton's 1955 film, "The Night of the Hunter". Hope you all enjoy the episode, and make sure you take those bad days and choke em'.   If you think 'Down In The Hole' has value and are able to, we encourage you to support us on Patreon. A donation of $5 a month will get you automatic access to over 4 hours of exclusive subscriber content, including top 5 discussions and live album commentaries. We also upload full chunks of upcoming episodes first on there, often months before they drop on the feed. Get involved here: www.patreon.com/tomwaitspodcast An easy and free way to support the show is to leave us a positive iTunes review. It only takes a minute and you can do it here: https://podcasts.apple.com/gb/podcast/tom-waits-podcast-a-z-tom-waits-show/id1459811402  TWITTER: https://twitter.com/tomwaitspodcast?lang=en EMAIL: tomwaitspodcast@gmail.com INSTAGRAM: https://www.instagram.com/tomwaitspodcast/ PATREON: https://www.patreon.com/tomwaitspodcast YOUTUBE: https://www.youtube.com/channel/UCxRst_jRx-V37voc3dOiQKQ   Hosted by Sam Whiles & Tom Kwei Logo by Danny O'Gorman (https://www.behance.net/Danogormandesign) Listen to Sam's Paul McCartney podcast here: https://podcasts.apple.com/gb/podcast/paul-or-nothing-podcast/id1137452802 Tom's Metallica podcast: https://podcasts.apple.com/gb/podcast/alphabetallica-a-z-metallica-podcast/id1227642605 Tom's battle rap podcast: https://podcasts.apple.com/gb/podcast/battle-rap-resume/id1075806297     

Tom Waits is an icon. Since the early 1970's he's sung us late night piano ballads in whiskey soaked bars, taken us into garages of found sounds and mysterious stories, and presented avante garde theatre through his songs. Over many decades, he's develop his own ragged style and continually pushes the boundaries of the music he makes. Back in 2011 I had the rare opportunity to interview Tom on the occasion of his album “Bad As Me”. He didn't want to do any straight interviews, so gave his only radio interview worldwide, to the Take 5. From Captain Beefheart to Beastie Boys, Tom takes us on a sonic adventure and his words dance descriptively like beat poetry, around every song. This is an insight into the heart of a music fan, forever curious, endlessly enchanted. It's one for the ages. I hope you love it as much as I did. Rolling Stones - ‘I Just Want To See His Face' Captain Beefheart - ‘China Pig' Jim Reeves - ‘Put Your Sweet Lips a Little Closer To The Phone' Elvis Presley - ‘Heartbreak Hotel' Beastie Boys - ‘So What Cha Want' Tom Waits - ‘Hell Broke Luce'

Tom Waits is an icon. Since the early 1970’s he’s sung us late night piano ballads in whiskey soaked bars, taken us into garages of found sounds and mysterious stories, and presented avante garde theatre through his songs. Over many decades, he’s develop his own ragged style and continually pushes the boundaries of the music he makes. Back in 2011 I had the rare opportunity to interview Tom on the occasion of his album “Bad As Me”. He didn’t want to do any straight interviews, so gave his only radio interview worldwide, to the Take 5. From Captain Beefheart to Beastie Boys, Tom takes us on a sonic adventure and his words dance descriptively like beat poetry, around every song. This is an insight into the heart of a music fan, forever curious, endlessly enchanted. It’s one for the ages. I hope you love it as much as I did. Rolling Stones - ‘I Just Want To See His Face’ Captain Beefheart - ‘China Pig’ Jim Reeves - ‘Put Your Sweet Lips a Little Closer To The Phone’ Elvis Presley - ‘Heartbreak Hotel’ Beastie Boys - ‘So What Cha Want’ Tom Waits - ‘Hell Broke Luce’

Tom Waits is an icon. Since the early 1970’s he’s sung us late night piano ballads in whiskey soaked bars, taken us into garages of found sounds and mysterious stories, and presented avante garde theatre through his songs. Over many decades, he’s develop his own ragged style and continually pushes the boundaries of the music he makes. Back in 2011 I had the rare opportunity to interview Tom on the occasion of his album “Bad As Me”. He didn’t want to do any straight interviews, so gave his only radio interview worldwide, to the Take 5. From Captain Beefheart to Beastie Boys, Tom takes us on a sonic adventure and his words dance descriptively like beat poetry, around every song. This is an insight into the heart of a music fan, forever curious, endlessly enchanted. It’s one for the ages. I hope you love it as much as I did. Rolling Stones - ‘I Just Want To See His Face’ Captain Beefheart - ‘China Pig’ Jim Reeves - ‘Put Your Sweet Lips a Little Closer To The Phone’ Elvis Presley - ‘Heartbreak Hotel’ Beastie Boys - ‘So What Cha Want’ Tom Waits - ‘Hell Broke Luce’

show#666 10.27.16 Halloween Special DEVIL & HELL Tunz!! Spoonful of Blues - Chasin` that devil`s music from Chasin` that devil`s music 2005 (5:18) Kelly Richey - Run Like Hell from Carry The Light 2008 (4:24) Rory Gallagher - The Devil Made Me Do It from Jinx 2000 (2:52) James 'Buddy' Rogers - Hell To Pay from By My Side 2016 (4:30) Bobby Radcliff - (You're The) Devil in Disguise from Universal Blues 1991 (4:13) Jarekus Singleton - Hell from Refuse To Lose 2014 (4:52) Howlin' Bill - A Date With The Devil from Date with the Devil 2012 (3:52) Joe Cocker - Hell And Highwater from Have A Little Faith 1994 (4:12) Andy J. Forest - Letter from Hell from Letter from Hell 1999 (5:33) Cuban Heels - Devil's Daughter from Sweet and Lowdown 2001 (5:14) Albert Castiglia - What The Hell Was I Thinking from Big Dog 2016 (3:24) John Mayall & the Bluesbreakers - When the Devil Starts Crying from Spinning Coin 1995 (4:16) Ray Fuller And The Bluesrockers - Cold Day In Hell from Long Black Train 2016 (3:35) RB Stone - The Devil's Satisfied from Lonesome Traverler's Blues 2011 (3:17) The Reverend Horton Heat - Where in the Hell Did You Go from Holy Roller (3:36) Nick Moss And The Flip Tops - You've Got The Devil Inside from Play It "Til Tomorrow 2007 (4:05) Mike & the Mellotones - Wedding from Hell from Thumbs Up 1999 (7:32) San Pedro Slim - You're A Devil Now from Barhoppin' 2008 (3:14) Jerry Fish & the Mudbug Club - Daddy Was a Devil from Be Yourself 2002 (3:12) Tom Waits - Everything Goes To Hell from Blood Money 2002 (3:46) Squirrel Nut Zippers - Hell from Hot 1997 (3:12) Ted trek - Zac Harmon ID from 2011-02-24 (0:11) Zac Harmon - Raising Hell from Right Man Right Now (4:33) Big Jon Atkinson & Bob Corritore - I'm Gonna Miss You Like the Devil from "House Party At Big Jon's" 2016 (3:01) Big Joe & the Dynaflows - What the Hell Were You Thinkin'? from You Can't Keep a Big Man Down 2011 (2:45) Paul Reddick - The Devil's Load from Wishbone 2012 (2:35) The Jeff Healey Band - Hell to Pay from Hell to Pay 1990 (3:51) Watermelon Slim & The Workers - Devil's Cadillac from Watermelon Slim & the Workers 2006 (4:04) Elvin Bishop - What the Hell Is Going On from Gettin' My Groove Back 2005 (3:03) Hard Swimmin' Fish - Don't Let the Devil Ride from True Believer 2016 (6:07) Tom Waits - Hell Broke Luce from Bad As Me 2011 (3:57) John Campbell - Devil In My Closet from One Believer 1991 (6:01) Rick Estrin & The Nightcats - Catchin' Hell from Twisted 2009 (3:46) Franc Robert & The Boxcar Tourists - Devil's At The Crossroads from Goin Down To Florida (5:45) Ford Blues Band - Hell & Purgatory from 1999 1999 (4:02) Bob Corritore - Many A Devil's Night from Taboo 2014 (4:11) Bugs Henderson & The Shuffle Kings - Straight To Hell from Blue Music 2008 (3:40) DVL - Devil Woman from diablo 2016 (6:50) Chuck E. Weiss - Devil With Blue Suede Shoes from Extremely Cool 1999 (5:02) Frank Zappa - Titties & Beer from Live at The Palladuim 1977

show#53904.03.14                Click here to donate... and thanks!!!                       Scott T. Miller - I Just Got The News from Scott T. Miller Sings Songs Of Love And Porkchops 2011 (7:51)        Al Basile - Saved By The Blues from Woke Up In Memphis 2014 (3:49)        Melody Gardot - Your Heart Is As Black As Night from My One And Only Thrill 2009 (2:41)        Sunday Wilde - He Digs Me from He Digs Me 2014 (2:27)        BullShit Blues Band - why don't you eat where you slept last night from On your marks (Tramp, 1996) 1996 (3:44)        Marvin Dykhuis - Bali Shag from My House (self-release, 2009) 2009 (4:22)        Mike Henderson & The Bluebloods - Give Me Back My Wig from First Blood 1996 (4:17)        Percy Mayfield - My Jug and I from 1966 (2:59)        Chris Duarte - outside man (unreleased studio track) from Something Old Something New 2009 (4:50)        Eilen Jewell - Bang Bang Bang from Queen Of The Minor Key 2011 (1:45)        Tom Waits - Get Lost from Bad As Me 2011 (2:42)        The Handsome Harry Company - Duty Calls from Get On With It (Munich,2005) 2005 (4:21)        Mike Kindred - Cover Story from Handstand (Loudhouse, 2004) 2004 (5:20)        Frenk Van Meeteren - Till the day I die from Stop Look and Listen 2006 (3:10)        Sue Foley, Deborah Coleman & Roxanne Potvin - Hitting on Nothing from Time Bomb (Ruf, 2007) 2007 (2:56)        Big Walter "The Thunderbird" Price - Pack Fair and Square from 45rpm 1956 (2:19)        Maria Muldaur - My Man Blues with Angela Strehli from Richland Woman Blues 2001 (4:05)        Hound Dog Taylor - She's Gone from Hound Dog Taylor And The Houserockers 1971 (3:53)        The Strikes - Big Pete Boogie from Bathroom Acoustics 2008 (2:50)        Studebaker John - outside lookin' in from Nothin' But Fun (Double Trouble, 1990) 1990 (4:39)        John Campbell - Look What Love Can Do from Howlin' Mercy 1993 (5:09)        Stackhouse - Fine Little Mama from Big Fish Boogie 2013 (3:17)        Darrel Nulisch - The Woman Don't Live Here No More from Just For You 2009 (3:16)        Robert Ealey - Turn Out The Lights from If You Need Me 1994 (3:46)        Jace Everett & C.C. Adcock - Evil (Is Going On) from True Blood: Music From The HBO® Original Series, Vol. 2 2010 (3:03)        The Rolling Stones - Casino Boogie from Exile On Main Street 1972 (3:34)        Tim Buckley - Move With Me from The Best Of Tim Buckley 2006 (4:52)        Big Swifty from Frank Zappa: Wazoo Disc 1 2007 (11:49)

The title says it all!This one goes back a few days, but we think it's valuable, especially for those who want intellectual ammunition to fight supporters of the federal gubment and its growing police state tactics. We hope you like it! We even have music by Pop Will Eat Itself "X,Y,Z to A,B,C", Dinosaur Jr. "Little Furry Things", Grinderman "Heathen Child", Tom Jones "Bad As Me", Rollins Band "Low Self Opinion"!! If you'd like to comment, just join us at the mighty site! www.libertyconspiracy.com :) Be Seeing You!

"Once An Eagle, Always An Eagle" Danny Radio- January 19, 2013This Week on Danny Radio: Stratos Davayios joins Danny on Danny Radio to help celebrate Danny's Eagle Scout Rank. Stratos asks questions, Danny answers them. Also, Danny plays some music that goes along with the Eagle Scout theme.Playlist:Bill Cosby-"My Boy Scout Troop-Live" from When I Was A KidQuest-"Boy Scouts- original" from Off Track Compiled & Mixed by Kon & AmirThe Decemberists-"As I Rise" from Her Majesty The DecemberistsYo La Tengo-"I'm On My Way" from Popular SongsThe Wallflowers-"When You're On Top" from Red Letter DaysMonsters Calling Home-"Growing up" from Monsters Calling Home EPNeil Young-"Lookin' For A Leader- In the Beginning" from Living With War- In The Beginning Wilco-"I Love My Label" from The Whole LoveElvis Costello-"All Grown Up" from  Mighty Like A RoseTom Waits- "Raised Right Men" from Bad As MeJustin Townes Earl-"The Good Life" from The Good LifeGuided By Voices- "Forever Until It Breaks" from Class Clown Spots A UFOSteven Ossana- "Eagle Scout" from ....Free As You AreOfficial Run Time: 60:15To Download/ Listen To the Podcast Click here: Danny Radio"Once An Eagle Always An Eagle"Thank you for listening!!!

Join Bill DeVille while he runs down the week's music headlines; talks about MNDR, the next big thing to emerge from the electro-pop world; speaks with Henry Rollins about what he's listening to these days on The Guest List; reviews the new album from Tom Waits, "Bad As Me," on The Music Meeting; and invites Ali Lozoff, The Current's Marketing Manager, to talk about her favorite songstress Nina Simone on The Essentials. Plus, we'll get a sneak peak of a track from the new record from The Bees (formerly known as A Band Of Bees).

Bad As Me is the first new album in seven years from Waits and is as brash, baudy and over the top as ever.

With Kirsty Lang. Emma Donoghue is the bestselling author of Room, the Booker-nominated novel inspired by the real life Josef Fritzl case. Her latest book is The Sealed Letter, a historical romp that deals with a scandalous 19th Century divorce case. She talks to Kirsty about why she always avoids taking sides among her characters. Music critic Caspar Llewellyn Smith reviews a selection of new albums - including Coldplay's recent Mylo Xyloto; Tom Waits' long-awaited Bad As Me; and Parisienne singer Camille's bilingual Ilo Veyou. Johnny Hallyday has announced he will play his first British concert at the Royal Albert Hall next year. French journalist Agnes Poirier explains the enduring appeal of the Gallic rocker. Martin Sixsmith reviews a new exhibition of Soviet art and architecture at the Royal Academy in London, which explores how the Russian avant-garde aesthetic reflected the energy and optimism of the new Soviet Socialist State Plus: America's most famous cellist, Yo-Yo Ma, is renowned for performing works which range far beyond the standard classical repertoire. His latest CD, The Goat Rodeo Sessions, is a collaboration with three string virtuosos: a bluegrass fiddler, a mandolin wizard, and a bassist. Ma talks about his attitude to improvisation - and explains what a goat rodeo is. Producer Ellie Bury.