Podcast appearances and mentions of Bronagh Gallagher

Notre critique du film "The End" réalisé par Joshua Oppenheimer avec Tilda Swinton, George MacKay et Michael Shannon.Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast  ---  Titre : The EndSortie : TBARéalisé par Joshua OppenheimerAvec : Tilda Swinton, George MacKay et Michael Shannon.Synopsis : Après la mort du Pape, le cardinal Lomeli, réticent, est chargé de superviser le groupe de cardinaux du monde entier chargés de sélectionner un nouveau chef pour l'Église. Mais alors que les machinations politiques au sein du Vatican s'intensifient, il se rend compte que le défunt leur avait caché un secret qu'il doit découvrir avant qu'un nouveau Pape ne soit choisi.#Critique #CINECASTHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Academy-award winning director David Marsh (Man on Wire) takes viewers on cinematic journey through the life of literary genius Samuel Beckett. DANCE FIRST highlights his lived life of many parts: Parisian bon vivant, WWII Resistance fighter, Nobel Prize-winning playwright, philandering husband, recluse. But despite all the adulation that came his, way he was a man acutely aware of his own failings. Titled after Beckett's famous ethos "Dance first, think later," The film is a sweeping account of the life of this 20th-century icon. It focuses on his relationships with the people he loved and who loved him back, but who he felt that he had wronged. Director David Marsh (The Theory of Everything) joins us for a conversation on why he chose to dive into the life of a notoriously private man, working with screenwriter Neil Forsyth, their decision to frame the various chapters of Beckett's life from the perspective of his”mistakes”, using a black and white format in filming the story and finally assembling a terrific cast includes; Fionn O'Shea, Sandrine Bonnaire, Leonie Lojkine, Bronagh Gallagher, Grainne Good, Robert Aramayo, Maxine Peake, and Aidan Gillen as James Joyce. For more go to: magpictures.com/dancefirst To watch go to: magpictures.com/dancefirst/watch-at-home

In this weeks episode of the world's-fastest-movie-review podcast Jackson and Mike review TWO new films!!! First “DANCE FIRST” Two robbers must go on the run with the help of one of their therapists after a theft doesn't go as planned. Starring Matt Damon, Casey Affleck, Hong Chau, Michael Stuhlbarg, Alfred Molina, Ving Rhames. Then a quick review of “THE INSTIGATORS”. Examining the life of Irish playwright Samuel Beckett. The World War II resistance fighter, Nobel Prize winner, philandering husband and recluse. Starring Aidan Gillen, Gabriel Byrne, Bronagh Gallagher, Sandrine Bonnaire  and Fionn O'Shea.

Primer balla, després pensa. Crítica de la pel·lícula «Dance First». Guió de Neil Forsyth, sobre la biografia de Samuel Beckett. Intèrprets: Gabriel Byrne, Sandrine Bonnaire, Aidan Gillen, Maxine Peake, Fionn O'Shea, Caroline Boulton, Barry O'Connor, Rebecka Johnston, Bronagh Gallagher, Lisa Dwyer Hogg, Gráinne Good, Cillian Hollywood, Patrik Piró, Léonie Lojkine, Andrew Hefler, Caleb Johnston-Miller. Música de Sarah Bridge. Fotografia d'Antonio Paladino. Coproducció de 2LE Media, Film Constellation, Proton Cinema, Sky Arts, Umedia. Durada: 100 minuts. Regne Unit, 2023. Direcció: James Marsh. Estrena exclusiva: FILMIN. Barcelona, 16 març 2024. Veu: Andreu Sotorra. Música: Companion (banda sonora de «Dance First». Interpretació: Otto A. Totland. Composició: Otto A. Totland. Àlbum: Companion, 2021.

Ray is joined by an array of guests.

The Commitments is is a 1991 musical comedy-drama based on the story of the same name by Irish novelist Roddy Doyle. In it a collection of working-class youths in Northern Dublin come together to form a soul band amidst crippling poverty and miserable living conditions, and quickly experience the trials and tribulations of being a local band as tensions rise and egos develop. The film was directed by Alan Parker and featured acting performances by a vareity of Irish actors and musicians with little acting experience, including Robert Arkins, Glen Hansard, Angeline Ball, Colm Meaney, Bronagh Gallagher, and many more. Though the film was not a major hit in North America, it received rave reviews and would go on to be a cult favorite among audiences.On a new episode of Hell Is A Musical, Lilz and Scott are graced with the return of longtime favorite Christopher Brown, still feeling bitter from the trio's previous excursion into the filmography of Alan Parker. Join them as they take in The Commitments and Scott develops theories of an extended Glen Hansard-iverse, Lilz feels like the local music side of things cuts a little too close for her comfort, and CB helps herald the return of a beloved recurring segment....with Lilz and Scott!

Howyeh, ya gobshites.  It's our 100th episode and to celebrate we've been drinking again.  We've also brought in a super guest: the fab Julia Raeside has selected THE COMMITMENTS.END CREDITS - Presented by Robert Johnson and Chris Webb - Produced by Chris Webb - "Still Any Good?" logo designed by Graham Wood & Robert Johnson - Crap poster mock-ups by Chris Webb - Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission  (c) 2023 Tiger Feet Productions  Find us: Twitter @stillanygoodpod Instagram stillanygoodpod Email stillanygood@gmail.comFind Julia:Twitter @JNRaesideSupport the show

0:00 - Intro & Summary2:00 - Movie Discussion43:22 - Cast & Crew/Awards55:00 - Pop Culture1:07:06 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Witch It Up is Bronagh Gallagher's new EP - Crossing Skin by Junk Ensemble, which explores our relationship to the sea - Composer Deirdre Gribbin at the West Cork Chamber Music Festival - Meat, a poem by Victoria Kennefick - This Train Is For, Bernie McGill's new short stories collection.

See out the year with actor and singer Bronagh Gallagher -- who can currently be seen starring in Shelly Love's spiky pregnancy comedy A Bump Along the Way -- as she celebrates the eventful life and remarkable art of Yayoi Kusama as captured in Heather Lenz' 2018 documentary Kusama Infinity. Your genial host Norm Wilner is happy for the distraction.

The TDG's are now back in their separate homelands after an extended Hallowe'en visit to Derry. Any rumours that their stay had anything at all to do with Derry Girls filming in the City last week are merely speculation.  Ask No Questions…is both a request and the title of Derry Writer Claire Allan's latest novel. Claire has a true Derry Girl pedigree - all of her books are set in the City and this latest crime novel takes place at Hallowe'en. We all know how much Derry Loves Hallowe'en. Add to this the fact that Claire was two years ahead of Lisa Mc Gee at school and was editor of school magazine The Habit and you can guess that the TDG's had a lot of questions to ask….  Claire's website: https://www.claireallan.com/ https://harpercollins.co.uk/blogs/authors/claire-allan https://www.claireallan.com/freya-kennedy An outline of the Saville Inquiry into Bloody Sunday https://www.bbc.co.uk/news/10147362 Congratulation to Jenni - Little Acorns Bookstore regional winner of An Post bookshop of the year https://www.derryjournal.com/news/people/derrys-little-acorns-bookstore-named-ulster-regional-winner-in-an-post-bookshop-of-the-year-2021-awards-3452617 Short list announced for An Post Irish book awards 2021 https://www.irishcentral.com/culture/an-post-irish-book-awards-shortlist-2021 The Habit - https://www.joe.ie/movies-tv/school-derry-girls-actually-brought-habit-magazine-back-perfect-article-617924 BBC NI - Blue Lights https://www.belfastlive.co.uk/whats-on/be/new-bbc-drama-blue-lights-20288003 A bump along the way  https://www.northernirelandscreen.co.uk/news/general/bump-along-way-now-available-demand/ Louise Gallagher https://www.northernirelandscreen.co.uk/news/general/hat-trick-appoints-louise-gallagher-scripted-executive-producer/ Bronagh Gallagher https://www.imdb.com/name/nm0302345/ The Chocolate Manor - https://thechocolatemanor.com/ Hallowe'en in Derry - https://derryhalloween.com/ Feed my Curiosity Podcast with Tara Lynne O'Neill - https://www.stevencarterbailey.co.uk/podcasts Jamie Lee O'Donnell guest on The Proper Class Podcast https://shows.acast.com/the-proper-class-podcast/episodes/jamie-lee-odonnell Whistle through the Shamrocks - Nicola Coughlan's new podcast https://play.acast.com/s/whistle-through-the-shamrocks Paul Mallon - soon to be a guest with TDGs https://www.imdb.com/name/nm2546951/ For more information about Talking Derry Girls, go to: www.thebiglight.com/talkmedia

The Panti Personals S1 E6 Bronagh Gallagher #ThePantiPersonals www.pantisocracy.ie The original Derry Girl Bronagh Gallagher, is the guest with Panti Bliss is this episode of The Panti Personals. Bronagh, an old friend of Panti's, began her film acting and singing career on a high as Bernie in Alan Parker's classic, The Commitments when she was just 17 Her film appearances include Star Wars, Pulp Fiction and Albert Nobbs and she is currently filming the TV Brassic in Manchester. Bronagh's work life splits between acting and singing and during the pandemic she collaborated with Dave Stewart on the track 'Truth or Dare' and with Noel Hogan on the song 'Cry Baby'. In this conversation Bronagh shares her lockdown secrets, including daily yoga and meditation, and how she headed back to Derry for lockdown 1 and stayed close to her parents. With Cian Boylan on piano she performs two of her own songs for Panti, 'Greatest Love' and 'So the Story Goes' and talks of how music remains the great love of her life. You can find out more about Bronagh and her work here: https://www.bronaghgallagher.com/ Music Bronagh performs in this episode : 'Greatest Love' 'So The Story Goes' and we hear from her recordings of 'Cry Baby' and "Truth or Dare'. Transcript of Episode https://www.happyscribe.com/transcriptions/c12bdd7a49b74a62b3071a674fb87134/edit_v2?share_code=18c7fd0dd66c803d7e1b The Panti Personals is an Athena Media independent podcast production, the producer is Helen Shaw and the audio and digital editor is John Howard. The shows are recorded in Camden Recording Studios with Conor Brady and our themem music is Knots by Lisa Hannigan and it is used with her kind permission. For more go to www.pantisocracy.ie and see the videos of the performances from the shows.

The Panti Personals S1 E6 Bronagh Gallagher #ThePantiPersonals pantisocracy.ie/bronagh-gallagher The original Derry Girl Bronagh Gallagher, is the guest with Panti Bliss is this episode of The Panti Personals. Bronagh, an old friend of Panti's, began her film acting and singing career on a high as Bernie in Alan Parker's classic, The Commitments when she was just 17 Her film appearances include Star Wars, Pulp Fiction and Albert Nobbs and she is currently filming the TV Brassic in Manchester. Bronagh's work life splits between acting and singing and during the pandemic she collaborated with Dave Stewart on the track 'Truth or Dare' and with Noel Hogan on the song 'Cry Baby'. In this conversation Bronagh shares her lockdown secrets, including daily yoga and meditation, and how she headed back to Derry for lockdown 1 and stayed close to her parents. With Cian Boylan on piano she performs two of her own songs for Panti, 'Greatest Love' and 'So the Story Goes' and talks of how music remains the great love of her life. You can find out more about Bronagh and her work here: www.bronaghgallagher.com Music Bronagh performs in this episode : 'Greatest Love' 'So The Story Goes' and we hear from her recordings of 'Cry Baby' and "Truth or Dare'. Transcript of Episode https://www.happyscribe.com/transcriptions/c12bdd7a49b74a62b3071a674fb87134/edit_v2 The Panti Personals is an Athena Media independent podcast production, the producer is Helen Shaw and the audio and digital editor is John Howard. The shows are recorded in Camden Recording Studios with Conor Brady and our themem music is Knots by Lisa Hannigan and it is used with her kind permission. For more go to www.pantisocracy.ie and see the videos of the performances from the shows.

Musician and actor Bronagh Gallagher talks to Colin Murray about her family’s love of music from Aretha Franklin to James Brown, getting the right accent for The Commitments and working with Quentin Tarantino on Pulp Fiction. Midnight Meets is part of Colin Murray’s BBC Radio 5 Live show which is on Monday to Thursday 10.30pm to 1am - or available whenever you want via the free BBC Sounds app.

We all stumble in life...it's how we deal with it that really matters... On this episode we sit down with Bronagh Gallagher to talk about her new film 'A Bump Along The Way' It's the story of a boozy and directionless 44 year old single mother (Bronagh Gallagher) who gets pregnant after a one night stand. When she decides to keep the baby it is much to the shame of her buttoned up teenage daughter (Lola Petticrew). It's a hilarious but heartfelt look at some of the uphill battles that women of the world have to deal with. When we sat down with Bronagh we asked her about how she got involved with the project, the nature of representation on screen and so very much more...

The Cranberries guitarist Noel Hogan reveals the uniqueness of his latest song collaboration: I have written long distance before but eventually you do end up in the studio. Bronagh and I have never actually met in person! It has been a massive challenge but just goes to show what can be done. A mutual friend suggested that Noel and Bronagh hook up virtually and chat tunes! That fateful suggestion gave birth to a brand new joyous track, called 'Cry Baby' This will be Noel’s first release since The Cranberries released Grammy-nominated In the End in April 2019 – the band’s eighth and final studio album, which they had been working on prior to Dolores’ premature passing in January 2018. The two national music treasures spoke to Fergal D'Arcy as part of his brand new 'All Irish' show now airing every Sunday from 8-9am just before Weekend Breakfast. In a specially extended warm and engaging chat Noel and Bronagh reveal the challenges of making a song virtually, getting gigs going again, trying to adapt in a pandemic, Bronagh on 'Brassic', Noel's future projects and loads more 'Crybaby' is available for download and streaming now. Have a little goo here:  

Joe chats to Noel Hogan from the Cranberries about his new release 'Crybaby' with actor/singer Bronagh Gallagher See acast.com/privacy for privacy and opt-out information.

This week, Joe Murphy talks to actor and singer Bronagh Gallagher about perseverance, impostor syndrome and having respect for others – and why her chosen PlayCrush, August: Osage County by Tracy Letts, is such an important play. See acast.com/privacy for privacy and opt-out information.

Dave chats to The Cranberries' Noel Hogan and The Commitments star, Bronagh Gallagher about teaming up for their new single, 'Crybaby'!

Stuart Clark brings us a taster of new music from Mick Jagger and David Grohl, Noel Hogan featuring Bronagh Gallagher, Annmarie Cullena nd Greta Van Fleet. Listen and subscribe to The Pat Kenny Show on Apple Podcasts, Google Podcasts and Spotify.      Download, listen and subscribe on the Newstalk App.    You can also listen to Newstalk live on newstalk.com or on Alexa, by adding the Newstalk skill and asking: 'Alexa, play Newstalk'.  

The Panti Personals - a new podcast hosted by Panti Bliss, starts May 1 2021. Panti Bliss is breaking out of lockdown and getting up close ( well two metres) and personal. In this new podcast, a child of the multi-award winning Pantisocracy, Panti Bliss is escaping her husband, Penny the dog and Crayon the lockdown cat, to have some intimate and revealing conversations with old and new friends who also, since, they're all performers, entertain her in a private audience of one. In this season she meets the handsome beast, mindfulness and music man, Niall Breslin, ala Bressie of the Blizzards, American singer and songwriter, Galia Arad, film-maker and musician Myles O'Reilly, the unstoppable Bronagh Gallagher, and the Dutch singer and songwriter Jane Willow. For more go to the mothership http://pantisocracy.ie/panti-personals/ The Panti Personals is an independent podcast production by Athena Media. The producer is Helen Shaw and the digital editor is John Howard. This first season of The Panti Personals is made with the support of Camden Recording Studios in Dublin. The theme music for The Panti Personals is Knots by Lisa Hannigan, and used with her kind permission. Thanks Lisa!

For episode 2 of Craic on I sit down with the Irish actress, singer songwriter and all-round philosophical rock star Bronagh Gallagher! We discuss everything from rejection and ego to finding musical inspiration in every day life and her new award-winning feature film A Bump Along The Way Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

On the list this week is #38 with a bullet! The guys break down the 1991 Irish hit The Commitments about a fictional all-white soul band out of Dublin! They discuss Alan Parker's very unique and un-Hollywoodlike casting process, the strength of the musical performances, the bittersweet ending, they debate how much truth is contained in Joey the Lips' stories and much more!   The guys also roll the dice to find out what they'll be watching next week. Join us, won't you?   Full List: https://en.wikipedia.org/wiki/BFI_Top_100_British_films Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/bfi_pod Our logo was designed by the wonderful Mariah Lirette (https://www.instagram.com/mariahhx)   The Commitments stars Robert Arkins, Andrew Strong, Maria Doyle Kennedy, Angeline Ball, Bronagh Gallagher, Glen Hansard, Johnny Murphy, Dave Finnegan, Kenneth McCluskey and Colm Meaney; directed by Alan Parker. Is It Streaming? USA: Hoopla Canada: Crave Starz and Hoopla UK: available to rent on Google, Amazon & YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Bronagh Gallagher is one of Ireland’s best-known actors and musicians. Originally from Derry city, she famously starred in the classic Irish movie the Commitments and has had roles in films such as Pulp Fiction, Star Wars and Sherlock Holmes, in numerous TV shows including Holby City and Moone Boy, and in stage in productions such as War Horse. A prolific singer, songwriter and musician, she has several albums to her name and has collaborated with the likes of Brian Eno. Thanks to all Love and Courage podcast patrons for supporting this episode. You can support over at www.loveandcourage.org. Please share this episode if you like it.

Seán is joined by Roddy Doyle, Bronagh Gallagher, Robert Arkin & Donald Clarke in paying tribute to film director Alan Parker, Jess Kavanagh reviews Beyoncé's new visual album, Black is King & Kate Brennan Harding & Brian Boyd review new albums.

A Bump Along The Way sees what happens when 40-something Irish party girl Pamela (played by Bronagh Gallagher) unexpectedly becomes pregnant.

Miriam hears from Eileen Flynn on becoming the first female Traveller in the Oireachtas Liverpool legends Ian Rush & Ray Houghton talk of their joy at Liverpool FC 19th league win. Derry's Bronagh Gallagher online concerts on TG4. English actress Denise Welch on struggles & triumphs with depression. Plus live music from musician Daoirí Farrell.

Pauline, Jeanie and Marie-Louise go back to where it all began in Episode 1: Erin wakes to find her cousin Orla reading her diary. Clare wants to be an individual. Michelle has made the connection between Derry and Pulp Fiction, Slainte Mofos. The wee English Fella is learning some harsh realities. We meet the the players from our ensemble cast and learn that picking a favourite isn’t going to be easy. Our girls talk teenage diaries, how bombs play havoc with your suntan and the quickest route from Dennis’ wee shop to the school bus. Discover how John Travolta could have married a Derry Girl, why matchboxes are to be feared and how one Londonderry girl nearly donned a sash at a very early age. This was most definitely not a sash her father would have worn. Episode 1 of Lisa McGee’s Derry Girls: where it all began and new comedy gold was born. For more information about the podcast, visit: www.thebiglight.com/talkingderrygirlsKeep up to date with us on Twitter: @TBLderrygirls Check out our Facebook page: https://www.facebook.com/talkingderrygirlsWATCH Derry Girls on Channel 4: https://www.channel4.com On RTE (in Ireland): https://www.rte.ie/Series 1 & 2 available on Netflix outside UK: https://www.whats-on-netflix.com/news/derry-girls-season-2-coming-to-netflix-in-august-2019/Bronagh Gallagher: https://www.imdb.com/name/nm0302345/That disco dancing fella that was in Look who’s Talking: https://www.imdb.com/name/nm0000237/BBC Radio Foyle Breakfast Show: https://www.bbc.co.uk/programmes/b00wdb5r See acast.com/privacy for privacy and opt-out information.

For episode eighteen of season two, Tim and Tuesday discuss what it means to take the work, and The Outside, to greater scale and longer lasting impact.Together, Tim Merry and Tuesday Ryan-Hart are THE OUTSIDE—systems change and equity facilitators who bring the fresh air necessary to organize movements, organizations, and collaborators forward for progress, surfacing new mindsets for greater participation and shared impact.NOTE TO LISTENERS: We recorded this podcast prior to COVID-19 but the question of how we scale our change work for greatest impact feels even more important. The global crisis has brought into sharp relief the need for systemic and structural change towards great equity. The short-term discomfort of change is better than returning to the long-term dysfunction of life prior to COVID-19. Let's work together for it!2.18 — SHOW NOTESTim: This week on the podcast we are going to talk about “scaling” - what it means to take the work to greater and greater scale. We are going to touch in on two things: (1) How we are going to greater scale with the clients and people we are working with on how we roll out change and graduate it to a level of scale where it really begins to impact the systems and organizational structures as a whole; and (2) The Outside is also going to scale. Tues: One of the things I want to begin to interrupt, because it feels like right on the edge of our own learning, is that when we talk about greater and greater scale; the inference is that we somehow mean we’re “scaling up.” One of the things that we’ve been in really clear learning, and articulation of, is the idea that there are different kinds of scale. When we talk about scaling, we might be talking about “scaling impact,” but that does not mean getter bigger, etc. The first time I heard the difference between scaling up was with Deborah Frieze - scaling up vs scaling across… which is sharing learning out across an ecosystem. The scale of impact is felt because you are scaling across. Tues: We are soon going to have Gabrielle Donnelly on the podcast and she and Bronagh Gallagher are really expanding our thinking on scaling. They talk about scaling up (how do we work with systems and structures), scaling across (across an organization), scaling deep (shifting culture and beliefs and assumptions) and scaling scree (scree are mountain pebbles - often when you begin to do this work, other pebbles begin to fall which you had no intention of falling). Tues: For example, last year we did a project with a Core Team that launched 11 prototypes (small experiments such as layers of decision-making, mental health, purchasing processes) and created 8 recommendations from their learnings. This year, the work is around how do we institutionalize those recommendations. That is the scale we are at now. The work has gone from a small group of people experimenting to having our work impact the system and people’s daily lives.Tim: What I love about our approach is that it is graduated. It’s a far more organic style of change. It begins to build the culture of people being involved in designing their own futures and then implementing them. Ownership is all the way through the process. Tues: As we are doing this particular work; it is important to be explicit that this is an iterative process and sets you up for the next iteration. In times of stress and regression, how do we remind folks that this is a different way of working. Part of our articulation can be that there is going to be a first wave and then we have to make decisions and the tendency may be to pull back. We have to keep facing forward and keep working. Tues: We have another client who, over the past 18-months, has been focused on internal to their organization - what does it mean to work in this way, how do we want the organization to be working as a way to get ready to shift the very large system the organization is located within, which is a very large bureaucracy in the City of New York. After 18 months we are getting to the point where we are thinking of how do we open our eyes to the larger system and begin to think about how we would impact that. These folks have had 18 months to look inward before they begin to look outward. Tim: Simultaneously to all of this happening to two of our biggest clients, The Outside itself is going through its own scaling. We started with you, me and Jen and now we are 16 people. Let’s be clear, we are not 16 people working full-time, that’s not our model. We are up to 50% of somebody’s time, with the assumption that they are doing something else in their lives that they want to be putting time into. The engagement with The Outside supports that - financially, intellectually, practically. Now, we are suddenly managing a large distributed team and trying to figure out how we maintain relationships with people who are spanning continents and how we do that over time. We also have people coming to us looking for work. A previous client has just brought the idea to us to open an office in Sweden. It’s just kinda crazy. Tim: Beyond that, Bronagh has really brought to our attention climate emergency. As we grow, and we burn more and more carbon travelling to our clients, Bronagh is bringing this to our attention. How is this cooked into the model and how we turn up as we grow bigger and bigger? That is one of the reasons we want to create local teams in other parts of the world. But then maybe we need to become the cutting edge, global leader in online, remote-based systems change work because in 10 years we are going to be operating in a world of increasing crisis where travel becomes more limited. Tues: What feels good about this idea of a particular issue, like climate justice, is that it feels like with the people we are bringing into the work - even if they don’t have the expertise around climate justice - they can get behind it because of what we stand for. If you’re an Outsider, and you’re committed to equity and justice, there is no resistance, there is only “okay, how do we pull up our sleeves and do this together.” The people part of the scaling is really important. As we get bigger, how do we stay together? How do we really stay together on this team, and the team continues and we push ourselves and the team reflects the world we want to see. It’s a little bit like Shared Work. Part of what keeps us together is our work with clients, but part of it is we can really rally around the idea of climate justice. There is something about this team having a gravitational pull of the work. Tim: We’re all building this together. It’s kinda amazing!Song: “Final Form,” by Sampa The GreatQuote rather than a poem: From the book “Games for Actors and Non-Actors” by Augusto Boel“When so many certainties have become so many doubts, when so many dreams have withered on exposure to sunlight, and so many hopes have become as many deceptions—now that we are living through times and situations of great perplexity, full of doubts and uncertainties, now more than ever I believe it is time for a theatre which, at its best, will ask the right questions at the right times. Let us be democratic and ask our audiences to tell us their desires, and let us show them alternatives. Let us hope that one day—please, not too far in the future—we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences—us—what they should do, so as to make this world a place to live and be happy in—yes, it is possible—rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!”Subscribe to the podcast now—in Apple Podcasts, Spotify, Stitcher or anywhere else you find podcasts. New episodes will be available every second Tuesday. If you’d like to get in touch with us about something you heard on the show, reach us at podcast@findtheoutside.com. Find the song we played in today’s show—and every song we’ve played in previous shows—on the playlist. Just search ‘Find the Outside’ on Spotify.Duration: 40:08Produced by: Mark Coffin @ Sound Good StudiosTheme music: Gary BlakemoreEpisode cover image: source See acast.com/privacy for privacy and opt-out information.

For episode fifteen of season two, Tim and Tuesday are excited to introduce you to two members of the Outside Team, Bronagh Gallagher and Sommer Sibilly-Brown. We hear their perspectives, from two different parts of the world, on COVID-19 and talk about how we are not all experiencing this pandemic in the same way.Together, Tim Merry and Tuesday Ryan-Hart are THE OUTSIDE—systems change and equity facilitators who bring the fresh air necessary to organize movements, organizations, and collaborators forward for progress, surfacing new mindsets for greater participation and shared impact.2.15 — SHOW NOTESTues: Today on the podcast, we have two Outsiders with us! Welcome, Sommer & Bronagh. Our podcast continues to be about this pandemic. We wanted to talk with some other folks on our team as it has become clear that not all of us are affected in the same way. We’re seeing in the news more and more everyday about how people are disproportionally affected. We thought it might be great to hear from the two of you, who are in very different parts of the world than Tim and I, to hear what’s happening there, what you’re noticing and we can ground this conversation of it’s happening to all of us but it’s not the same for all of us in our own lived experience. Tim: I feel this podcast is juxtaposed to a lot of the stuff that turns up on my social media - themes which are like, “now we’re discovering the great equalizer,” “we’re all in this together,” “finally there is a shared human experience”… and we are not all experiencing this the same. And so I think this podcast, is somewhat in response to that. Sommer Sibilly-Brown: I live in the St. Croix US Virgin Islands and in my day job, when I am not an Outsider, I run a food systems organization that focuses on food systems change. I live in a predominantly black and brown community and I have the awesome opportunity to work and learn with The Outside and its multiplicity of Outsiders; learning a lot more about equity, complexity science and really how we attack large-scale systems change so I can bring some of that work and that lens here to the Virgin Islands. Bronagh Gallagher: Based in Glasgow, Scotland. Been working for The Outside for over 1 year now - involved in prototyping, how to work with complex systems and also in this inquiry with you all around how to make systems change, equity systems change, and not just changing a system for the sake of it and building in old patterns. Bronagh: Some of the other work that I am actively involved in is around economic systems change related to climate breakdown and so really finding the parallels with the conversations I’ve been in around that versus where we are now with the pandemic in which a lot of the stuff that we have been arguing for, in order to create a better world for everyone, was completely off the table 3-4 months ago is now suddenly moving from the “politically impossible” to the “politically inevitable.” We’re seeing conversations about universal basic income, we’re seeing massive amounts of money suddenly being available when we were told that they weren’t… so that is really fascinating from a political perspective. The flip side of this is that around us, there is a really horrible virus killing people, it is being massively disruptive to people’s lives. Everyone I know is negotiating huge amounts of personal stress, health stress, family stress, work stress, and it’s such an intensely exhausting moment to be in.Bronagh: Sitting in Glasgow, I’m just noticing where the numbers of people testing positive are considerably higher than in comparable areas and really wondering what that means and what that is? There is not a real analysis coming through yet but one thing that Glasgow is well-known for is being the “sick man” of Europe. This is known as the “Glasgow Effect” where the death rate is significantly higher than similar post-industrial cities… so really curious to see if the existing health inequalities will be a part of why we are recording such considerably higher numbers. Tues: This feels like it is quite analogous with what’s happening in the US where we’re seeing more COVID-19 deaths among black folks and there are just a few cities who are just starting to track by race; who is being infected and who is dying from COVID. It’s disproportionally black and brown people; black people specifically and it’s because of long-term health disparities. Are you saying that is what’s happening in Glasgow… that the long-term disparities are manifesting through COVID? Can you say more, Bronagh?Bronagh: I’m noticing that the numbers in Glasgow are significantly higher than I think for comparable cities… but we don’t have the analysis on that yet but I am wondering if the pre-existing health inequalities in this city are one of the reasons why folks are experiencing it a lot more. I think we are just seeing that ill health is often socially determined and so communities which have a lot of socially determined ill health are going to be the most “vulnerable.”Tim: Bronagh, when you say “heath inequalities’ can you just make that very, very laymen’s terms for me? What exactly are you pointing to? Can you also break down “social determinants?” Bronagh: So one of the ways of thinking about this is how poverty is actually a social determinant - how your lived experience of poverty actually makes you more vulnerable to illness, to heart attacks, to strokes, to cancer. The stress of that kind of existence makes you more vulnerable to those experiences of ill heath. Poverty is a social determinant.Tues: As we go into this conversation and we say that not all of us are experiencing this the same; this is a key part of it. This idea of class, race, different marginalized groups are going be more vulnerable simply because of pre-existing conditions. Sommer: St. Croix, US Virgin Islands, is a territory. We are an unincorporated territory and I think the largest fare for me is how invisible we tend to be to our nation. As you talk about structural inequalities, we talk about communities that have high level of vulnerabilities… we import 98% of our food, my sister territories have predominantly huge instances of obesity so 60% of my population (20-40yrs) are all vulnerable. When you couple that with two devastating back-to-back hurricanes, that we experienced in 2017, and a hospital that is in recovery where we don’t have access to respirators… those structural inequalities also puts another layer/lens of equity, and service and what justice means for people. What health justice means for people for whom the disaster was created way before COVID. While we are dealing with COVID-19, the other issue is how do we manage what is here in a system that was not made to see me and my community. Tues: Sommer, you’ve been so clear here and careful in calling the US Virgin Islands a territory but I’ve also heard you refer to it as a colony and I’m asking you to go a little deeper into what you understand around the relationship with the US as a territory. What does that look like? What does it mean to be a territory?Sommer: What it means to be a territory of the US is that we are owned property. We are run through the Department of Interior. As an unincorporated territory that means we cannot apply for statehood. So Puerto Rico is a Commonwealth and statehood is an option. For unincorporated territories it means our territory has not been officially incorporated into the American status. It’s still a level of ownership… and so we are in that regard a colony because technically the United States owns us and we are probably four major steps away from being able to ever consider statehood. Tim: How much of this is class? And Bronagh, are you seeing a geographical parallel as Sommer described it?Bronagh: For me, it is being experienced/witnessed as having a very direct class relationship. A really basic framing of it is the rich went to their private islands and yachts, the middle classes stayed home and worried about their kids, and the working class folks had to go and stock shelves, drive buses and take people around and they got very, very, very sick. That is really basic but pretty accurate reading of how this is impacting people.Tues: That’s such a clear way of showing the stratification. To keep us all integrated, we can sometimes be that clear when the classes are all white. Just to name that class is a huge factor and here, at least, we cannot separate from race. Class here is so inextricably tied with race and often gender. Here in the US, people want to say it’s about class, not race. It’s a clear way to not talk about race here instead of really talking about the fact that we have structurally stratified our economy so that black and brown folks are in the lower class. Here there is a real overlay with race. Tim: We’re beginning a conversation and we are inviting you in. As always with The Outside, there are no simple answers but by seeing it and hearing these perspectives from the different parts of the world we get to understand this in a completely different level and way then we would if I was just living in sweet, little Mahone Bay. Tues: We’ll be having these conversations together as Outsiders. Bronagh & Sommer, you are both are so brilliant. This is why I leave our team meetings so happy. Thank you for being here! Song: “Take The Power Back” by Rage Against The Machine Poem: “Untitled,” by Sommer Sibilly-BrownDoes a Black Heart Bleed Black Blood?Does a Black man make Black Love?Does Being Black now signify everything that I am ?Or will ever be?Am I Black?Or is Being Black Me?Does Being Black, mean seeing Black?Black Vision The Black Decision Do the Right thing. Not the White thing !And Manifest your Black Destiny Black DaysBlack Ways Black MagicBLACK MAJESTY Brought on BlackshipsBeaten with Black Whips Stole Freedom in the Black NightFought the Black Fight That one day Black might Escape the Black lagoon And Break the Black Cocoon And Fly high Black Butterfly And Celebrate myself and my way of lifeThan more than some Black HolidaySubscribe to the podcast now—in Apple Podcasts, Spotify, Stitcher or anywhere else you find podcasts. New episodes will be available every second Tuesday. If you’d like to get in touch with us about something you heard on the show, reach us at podcast@findtheoutside.com. Find the song we played in today’s show—and every song we’ve played in previous shows—on the playlist. Just search ‘Find the Outside’ on Spotify.Duration: 31:59Produced by: Mark Coffin @ Sound Good StudiosTheme music: Gary BlakemoreEpisode cover image: source See acast.com/privacy for privacy and opt-out information.

It's a doubles feature as both Will Smith and Paul Rudd deal with two versions of themselves in our movie and netflix recommendations. Bronagh Gallagher hits a bump along the way, Niall challenges Sinéad to guess the sequel and l we have movie news and cool clips See acast.com/privacy for privacy and opt-out information.

On this week's super-sized edition of entertainment.ie's flagship movie podcast and Ireland's most beloved purveyors of movie news, reviews and endlessly stupid sound effects, we've got reviews of Ang Lee's 'Gemini Man', the new Dreamworks Animation movie 'Abominable' (wherein Brian drops in that he's been to China in the most unsubtle way possible), Dee talks Bronagh Gallagher's sweet new dramedy 'A Bump Along The Way', and together, the gang try to mention the name of their website - entertainment.ie - ten times in one show because the producers told them to. Does it work? Yes, yes it does.See omnystudio.com/listener for privacy information.

The Big Reviewski Ep39 with Bronagh Gallagher and GEMINI MAN by JOE

Ahead of the release of her new film 'A Bump Along the Way', Dion is joined by Irish musician and actress, Bronagh Gallagher. Gallagher discuss life growing up in Derry and the struggles faced by the people of northern Ireland, her comedown from fame after the success of The Commitments, and the moment she knew Pulp Fiction would be a hit.

This week on Screentime John Fardy  gets to grips with ‘Joker’ to see what all the fuss is about as well as reviewing Renee Zellweger in ‘Judy’. There’s also an interview with Director Shelly Love about ‘A Bump Along the Way’ which stars Bronagh Gallagher as a single mother who gets pregnant following a one- night stand who also happens to have a moody 16-year-old daughter. Plus, Deirdre O’Kane picks her favourite movie.

John Kelly was joined by Bronagh Gallagher aboard the Mystery Train Sunday Service for a whistlestop tour of her extensive record collection, a brief history of bebop and soul music, plenty of hilarious anecdotes and as many top-notch tunes as this pair of music-loving Northerners could wedge into the two-hour journey.

Ahead of the gala screening of their new film,'A Bump Along the Way' at the Belfast Film Festival, Sara and Hugh from Film Hub NI talk to Louise and Bronagh Gallagher. We talk about being a women in the film industry, how a Northern Irish film gets made and the type of biscuits they ate on set. Support the show (https://www.filmhubni.org/contact/)

Panti's guests in her chamber in this show are novelist John Boyne, (author of The Boy in the Striped Pyjamas), Amanullah De Sondy, Senior Lecturer in Contemporary Islam University College Cork, Sligo based Illustrator Annie West, singer Hozier and the actor and singer Bronagh Gallagher. Bronagh offers a song to the cabaret with Bronagh performing ‘Hand on My Heart’ and Hozier sings his song ‘To Be Alone’. www.pantisocracy.ie for more

In this Panti monologue Panti shares her coming of age story around 'The Pope's Visit' and touches on the theme of what we believe in and what faith means to us. In this episode, her guests in her chamber are novelist John Boyne, (author of The Boy in the Striped Pyjamas), Amanullah De Sondy, Senior Lecturer in Contemporary Islam University College Cork, Sligo based Illustrator Annie West, singer Hozier and the actor and singer Bronagh Gallagher. Bronagh offers a song to the cabaret with Bronagh performing ‘Hand on my Heart’ from her new album and Hozier sings his song ‘To Be Alone.’ Pantisocracy Monologue Episode 6 “The Pope’s Visit” I think sometimes when people look at me, this big painted ‘lady’, they find it hard to imagine that I came from anywhere. They imagine that I just appeared, fully formed, like the Good Witch Glinda from her bubble. But of course I am from somewhere. I’m from a small town in Mayo called Ballinrobe. Ballinrobe is your typical, Irish, country market town. It has a couple of streets, a church, a Town Hall and huge excitement when Tescos came to town. And even though it now has a Tescos, and a black family, it hasn’t really changed much since I was growing up there, a young boy called Rory, in the 1970’s. Growing up in Ballinrobe, the much loved son of the local vet and his well respected wife, surrounded by five noisy brothers and sisters, countless animals, it was an idyllic upbringing: easy, free, fun. There wasn’t a lot to rebel against to be honest. But... In 1979, I started to think for myself. That was the year the Pope came to Ireland, and when he did, there were no dissenting voices. Or if there were, I was too young to hear them. This was going to be the greatest thing that has ever happened to Ireland – the Pope himself, this huge holy celebrity, was coming to Ireland and nothing would be the same again. Everyone was on board - even I was on board. After all, I was already putting my latent drag tendencies to work as Ballinrobe’s pre-eminent altar (lady) boy. But even my enthusiasm, driven as it was really by the perceived glamour of the occasion, paled into insignificance beside my mother’s Papal devotion. For days beforehand, our house, like every other house in Ballinrobe, was a hive of activity and nervous excitement, my mother a sandwich making tweedy blur, and at the crack of dawn on the big day she piled the Volkswagen high with egg sandwiches, brown bread, flasks of tea, Pope stools, and giddy children and drove to the next town, Claremorris, where we parked in a field. We then boarded shuttle busses to the site at Knock and in the grey early morning light it was a sight to behold – hundreds of thousands of damp pilgrims muttering their bovine devotions, stretched out across fields, ironically vacated by their actual bovine residents for the glorious occasion. We set up camp, miles from the stage, among nodding nuns, stressed mothers, praying shop-keepers, and farmers drinking cold tea from TK lemonade bottles, as an interminable rosary was broadcast over the tannoy system. By the time the Pope arrived it already felt like we’d been at a mass for days on end, but now an actual mass did start, and it was longer and more boring than any mass I’d ever been to in my twelve years. But during the mass I looked around me – and I had an epiphany of sorts. I didn’t belong here. I didn’t feel any wonder, any joy. I felt afraid. There was nothing spiritual or divine about this event; this was a cult. A cult of personality and hype. A colony of drones; a multicellular organism made up of unicellular minds. A wilful refusal to see with their own eyes. A switching off of all critical faculties. And if I’d had the courage I would have stood up and screamed, “The Pope has no clothes!” I didn’t become an atheist that day – that would be a longer process – but I took the first step... and became a Protestant. When the mass ended, the excitement was palpable, because this was wh...

Reviews and interviews in Film, Music and beyond.

Reviews and interviews in Film, Music and beyond.

Derry-born actor and singer with a passion that burns bright. From joyful to harrowing and back again in an hour as her true grit gleaned from growing up in a war zone with great parents emerges.

País Irlanda Director Teresa de Pelegrí, Dominic Harari Guión Teresa de Pelegrí, Dominic Harari, Eugene O’Brien Música Ray Harman Fotografía Andreu Rebés Reparto Richard Coyle, Leonor Watling, Ginés García Millán, Simon Delaney, Lorcan Cranitch, Bronagh Gallagher, Ger Ryan, David Wilmot Sinopsis Oliver (Richard Coyle) es un conocido periodista gastronómico de Dublín en plena crisis sentimental. A pesar de que su columna sobre el buen comer y la búsqueda del alma gemela es un éxito en Irlanda, su vida amorosa es un desastre: todas sus relaciones acaban en fracaso. Cuando su última pareja lo abandona, conoce a Bibiana (Leonor Watling), una comisaria de arte española por la que Oliver se siente atraído desde el primer momento, a pesar de que no tienen nada en común. A ella la van las buenas causas, a él la buena comida. Mientras que ella es audaz en el amor y se lanza de cabeza a relaciones imposibles, a él le aterran los compromisos.

Since then her music has alternated with film roles (Pulp Fiction, Star Wars Episode I: The Phantom Menace, Sherlock Holmes) plus theatre work (War Horse, The Street Of Crocodiles) and TV drama (Pramface, The Street, You Me And the Apocalypse). However she maintains a special place for singing, writing and performing music. Bronagh has recently released her 3rd album of new material called Gather Your Greatness and joins Mark Millar to talk all about it. This weeks featured track is ‘Lost And Found' from Birmingham's Glenn Smyth. The track is from his forthcoming EP ‘A Sense Of Freedom'. Mixed by Owen Morris (Oasis, The Verve) and produced by Dave McCabe, ‘Lost And Found' is the follow up to ‘Dead To The World' and ‘What Have I Done To Deserve This?', which received support from the likes of BBC Introducing, Amazing Radio, This Feeling and XS Noize. After a youth spent playing football for Derby County, a near career ending fractured fibula and tibia meant Glenn had time on his hands. This resulted in him picking up the guitar for the first time and his journey into music began. After a few brushes with the law as a misguided teenager, the guitar was picked up again, but this time a love of songwriting was born, specifically writing gritty songs that are somewhat lacking in today's world of beige. Two cult Birmingham bands in Escobar and Evil Alien followed which bought parallel levels of success in two very different worlds. Escobar – an up tempo rock n roll band in the mold of Oasis and The La's, and Evil Alien – soundscapes, beeps and synths influenced by the likes of Cabaret Voltaire and Depeche Mode, championed by Zane Lowe, BBC Radio 1 and Q Magazine. Get in touch: podcast@xsnoize.com

On this week’s Róisín Meets podcast, Derry-born actress and singer Bronagh Gallagher talks about making her third solo album, Gather Your Greatness, and the “monastic” lifestyle that fuels her creativity.

País Estados Unidos Director Quentin Tarantino Guión Quentin Tarantino, Roger Avary Música Varios Fotografía Andrzej Sekula Reparto John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim Roth, Amanda Plummer, Maria de Medeiros, Ving Rhames, Eric Stoltz, Rosanna Arquette, Christopher Walken, Bruce Willis, Paul Calderon, Bronagh Gallagher, Peter Greene, Stephen Hibbert, Angela Jones, Phil LaMarr, Robert Ruth, Julia Sweeney, Quentin Tarantino, Frank Whaley, Duane Whitaker, Steve Buscemi, Burr Steers Sinopsis Jules y Vincent, dos asesinos a sueldo con no demasiadas luces, trabajan para el gángster Marsellus Wallace. Vincent le confiesa a Jules que Marsellus le ha pedido que cuide de Mia, su atractiva mujer. Jules le recomienda prudencia porque es muy peligroso sobrepasarse con la novia del jefe. Cuando llega la hora de trabajar, ambos deben ponerse "manos a la obra". Su misión: recuperar un misterioso maletín.

Título original Albert Nobbs Año 2011 Duración 108 min. País Reino Unido Reino Unido Director Rodrigo García Guión Glenn Close, John Banville, Gabriella Prekop (Historia corta: George Moore) Música Brian Byrne Fotografía Michael McDonough Reparto Glenn Close, Mia Wasikowska, Aaron Johnson, Jonathan Rhys Meyers, Brendan Gleeson, Maria Doyle Kennedy, Janet McTeer, Brenda Fricker, Pauline Collins, Bronagh Gallagher, Michael McElhatton Productora Coproducción Reino Unido-Irlanda; Mockingbird Pictures / Parallel Film Productions / WestEnd Films Género Drama | Siglo XIX Sinopsis Irlanda, siglo XIX. Una mujer (Glenn Close) se ve atrapada en un triángulo amoroso inusual. Se disfraza de hombre para poder trabajar y sobrevivir, pero 30 años después se encuentra perdida en su propia prisión...

Título original Tamara Drewe Año 2010 Duración 109 min. País Reino Unido Reino Unido Director Stephen Frears Guión Moira Buffini (Cómic: Posy Simmonds) Música Alexandre Desplat Fotografía Ben Davis Reparto Gemma Arterton, Luke Evans, Dominic Cooper, Roger Allam, Bill Camp, Tamsin Greig, Jessica Barden, Charlotte Christie, James Naughtie, John Bett, Josie Taylor, Bronagh Gallagher, Pippa Haywood Productora Ruby Films / BBC Films / WestEnd Films Género Drama. Comedia | Vida rural. Cómic Sinopsis Una joven periodista, Tamara Drew, regresa a su pueblo natal, en la campiña inglesa, con motivo de la venta de la casa donde se crió. Cuando abandonó el pueblo, era una adolescente tímida y poco agraciada, pero ahora se ha convertido en una deslumbrante mujer que desata en el pueblo una tormenta de envidia, deseo y maledicencia. Con su nariz retocada, sus piernas interminables, su trabajo en la prensa del corazón, su fama y su facilidad para romper corazones despertará oscuras pasiones. Su regreso supone un trastorno para la pequeña y tranquila población. Hombres y mujeres, bohemios y gente del campo, un autor de best-sellers, un universitario frustrado, una estrella del rock retirada o un muchacho de la región... todos se sentirán atraídos por Tamara.

Título original Last Chance Harvey Año 2008 Duración 92 min. País Estados Unidos Estados Unidos Director Joel Hopkins Guión Joel Hopkins Música Dickon Hinchliffe Fotografía John de Borman Reparto Dustin Hoffman, Emma Thompson, Eileen Atkins, Kathy Baker, Richard Schiff, James Brolin, Liane Balaban, Tim Howar, Wendy Mae Brown, Bronagh Gallagher, Jeremy Sheffield Productora Overture Films Género Romance. Drama | Drama romántico. Bodas Web oficial http://www.widepictures.es/nuncaestardeparaenamorarse/ Sinopsis Harvey Shine (Dustin Hoffman), un neoyorquino maduro que compone música publicitaria, está pasando por un mal momento tanto profesional como personal. De repente, surge una novedad en su vida: durante un viaje a Londres para asistir a la boda de su hija, conoce a Kate (Emma Thompson), una peculiar solterona cuya vida social es bastante anodina. Harvey se siente inmediatamente atraído por su inteligencia y su espontaneidad y pronto se establece entre ellos una relación que puede cambiar el curso de sus tristes y solitarias vidas.

Salve Cinéfilos Temporais! No Ar Nosso Décimo Nono Episodio do Podcast Mais Injusto e Democrático da Internet. Nesse Episodio Os Integrantes Dinho Corleone, Samuel Ragnus, Sethista, e Nossa Convidada Melina do Jurassicast Destrincham o Filme Clássico do Tarantino: Pulp Fiction: (Tempo de Violência) 1994!   Gênero: Policial Direção: Quentin Tarantino Roteiro: Quentin Tarantino,…

Lawless – Director John Hillcoat discusses his take on the true story of the infamous Bondurant Brothers: bootlegging siblings who made a run for the American Dream in Prohibition-era Virginia. /Dredd: Siobhan Synnott discusses The Judge Dredd reboot /Our DVD Pick of the Week is Albert Nobbs" – actress Bronagh Gallagher discusses her role in this critically acclaimed film in which award-winning actress Glenn Close (Albert Nobbs) plays a woman passing as a man in order to work and survive in 19th century Ireland/ Shut Up and Play The Hits: Film critics Ian Hoey and Jane Graham review this music documentary.

RoJo chats to Irish musician and actress Bronagh Gallagher.

Ciaran Hinds introduces a series of letters written 100 years ago to the day by Titanic passengers, each read by a different famous person. Read by Bronagh Gallagher.