Podcasts about kusama

The work of Japanese avant-garde artist Yayoi Kusama is famed for its use of dots and inspired the likes of Andy Warhol. She was a work of art herself, often photographed wearing a bright orange wig and technicolour clothes covered in her signature polka dots. But, behind the canvas Yayoi was suffering with her mental health and spent almost five decades living in a psychiatric hospital. Frances Morris, the former Director of Tate Modern, now chair of the Gallery Climate Coalition, curated a retrospective exhibition of Kusama's work.  The Bosnian Serb General Ratko Mladić was jailed for life in 2017 for genocide, war crimes and crimes against humanity. He was known as the "Butcher of Bosnia" and infamously ordered the death of thousands of men and boys in the town of Srebrenica in July 1995. The author and journalist Tim Judah met and interviewed Ratko Mladić and tells his story.When the actor Tim Curry slapped on full make up, donned fishnet stockings and corset and let loose his uniquely powerful voice, no one in the audience was ever going to forget meeting the Rocky Horror Show's Frank N Furter. Curry was born in Warrington in 1946 and his first acting job came after university in the original London production of the equally groundbreaking rock musical “Hair” in 1968. He was known also as the original Pennywise from Stephen King's "It”, the naturalist Nigel Thornberry in the much-loved children's series “The Wild Thornberrys”, and Long John Silver in the 1996 film “Muppet Treasure Island” alongside a young Kevin Bishop who recalls his experience of working with Tim Curry.Violet Hensley has died at the astonishing age of 109. She was one of the last surviving links back to depression-era America, she was also a luthier, or instrument maker, and a fine fiddle player. Her instruments were of such high quality that she became known as the “Stradivarius of the Ozarks”. Violet made her first instrument when she was 14, but four years later she got married and stopped performing and making fiddles while she raised nine children. After a thirty-year break, she started making music again. Her daughter Sandra Flagg remembers her.Presenter: Matthew Bannister Producer: Ben Mitchell Assistant Producers: Lowri Morgan and Alice McKee Researcher: Jesse Edwards Editor: Andrea KennedyArchive: BBC One, Newsnight, 01/02/2012; BBC Radio 4, Front Row, 09/02/2012; BBC One, News, 26/05/2011; BBC World Service, Witness History, 29/10/2025; BBC One, News, 04/11/2011; BBC, Film Week, 26/07/1975; “Muppet Treasure Island”, directed by Brian Henson, produced by The Jim Henson Company and The Walt Disney Company, 24/05/1996 (UK release)

Mika Kusama, 28 ans, Japonaise, célibataire et globetrotter. Au printemps 2002, son corps martyrisé est découvert sur un rocher magique sur une île paradisiaque de Nouvelle-Calédonie. Deux frères d'un clan kanak accusés, dans une enquête conduite dans le plus grand désordre. Un désastre judiciaire. Vingt-quatre ans plus tard, le dossier est rouvert. Est-on au seuil de la vérité ? Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mika Kusama, 28 ans, Japonaise, célibataire et globetrotter. Au printemps 2002, son corps martyrisé est découvert sur un rocher magique sur une île paradisiaque de Nouvelle-Calédonie. Deux frères d'un clan kanak accusés, dans une enquête conduite dans le plus grand désordre. Un désastre judiciaire. Vingt-quatre ans plus tard, le dossier est rouvert. Est-on au seuil de la vérité ? Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:06:02 - La grande matinale - Une enquête du magazine 'Society' explore le marché de la GPA chez les ultra-riches, à travers le cas de 21 nourrissons découverts dans un manoir californien. Cette revue de presse revient aussi sur la disparition de l'artiste japonaise Yayoi Kusama. - équipe : Marc Voinchet Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

(8.20.2026-8.27.2026) War of words(and lakes). Tune in.#applepodcasts⁠⁠⁠ ⁠⁠⁠#spotifypodcasts⁠⁠⁠ ⁠⁠⁠#youtube #amazon⁠⁠⁠ ⁠⁠⁠#patreon⁠⁠⁠patreon.com/isaiahnews

An IDF social media video appeared to advise ultra-Orthodox Israelis facing military draft enforcement on how to avoid arrest at Ben Gurion Airport — and it was quickly deleted. In this episode of Israel Daily News, Shanna Fuld breaks down the controversy surrounding the now-deleted IDF video ahead of the annual Rosh Hashanah pilgrimage to Uman, Ukraine. The video reportedly used an AI character called “Dudy the Explainer” to explain how draft evaders could avoid being detained at the airport. The controversy comes as Israel's long-running battle over Haredi military service intensifies and new legislation has left some pilgrimage-bound Israelis facing draft-evader status. Shanna also examines the growing security tensions in Judea and Samaria, including the strategic significance of the proposed E1 settlement expansion, British pressure over Israeli settlements, and warnings about settler violence. Meanwhile, election season is heating up. Gadi Eisenkot is calling a two-state solution “delusional” following October 7th while simultaneously criticizing the E1 expansion as a strategic mistake. He also takes aim at Ministers Bezalel Smotrich and Itamar Ben-Gvir over settler violence. The episode also looks back at the 2014 Gaza war, including reports of secret direct back-channel contacts between Prime Minister Benjamin Netanyahu and Hamas through intermediary Shlomi Fogel — contacts that Netanyahu's office and Fogel have denied. Plus, Shanna speaks about Tal Goldstein-Almog, a young survivor of Hamas captivity, and highlights his interview with Australian journalist Erin Molan. And in a cultural tribute, Shanna remembers Dolly Parton and the extraordinary impact of her Imagination Library, including its connection to PJ Library and Israel's Sifriyat Pijama program. The episode also remembers Japanese artist Yayoi Kusama, including her acclaimed 2021 exhibition at the Tel Aviv Museum of Art. Finally, Rabbi Yossi Madvig explores this week's Torah portion, Ki Tavo, discussing light and darkness, the Messianic era, and the difference between the afterlife and the “world to come.” In this episode: • The controversial IDF video for draft evaders • Why the IDF deleted the video • The Haredi military draft crisis • The Rosh Hashanah pilgrimage to Uman • Airport enforcement and draft evaders • Rising tensions in Judea and Samaria • The E1 settlement expansion plan • British pressure over Israeli settlements • Gadi Eisenkot's election campaign • Israel's upcoming elections • IDF operations against October 7th attackers • Tal Goldstein-Almog and his experience in captivity • Reports of secret Netanyahu-Hamas contacts in 2014 • Israel Daily News' independent journalism • Rosh Hashanah gifts from Israeli artists • Dolly Parton's global legacy and PJ Library • Yayoi Kusama's legacy in Israel • Torah thought with Rabbi Yossi Madvig Support independent journalism: Israel Daily News is independently produced and does not work for the Israeli government. Your support helps us continue reporting on Israel and the region. Visit israeldailynews.org to make a one-time or monthly donation. Subscribe to Israel Daily News on YouTube, Spotify and Apple Podcasts, and sign up for the Israel Weekly News newsletter for the top stories from Israel each week. Israel Daily News website: https://israeldailynews.org YOUTUBE: https://www.youtube.com/@israeldailynews Israel Daily News Patreon: https://www.patreon.com/shannafuld Support our Wartime News Coverage: https://www.gofundme.com/f/independent-journalist-covering-israels-war Links to all things IDN: https://linktr.ee/israeldailynews Timestamps 00:00 IDF Video Advises Draft Evaders Ahead of Uman Pilgrimage01:00 The Deleted “Dudy the Explainer” Video02:00 Why the IDF Post Was Removed03:00 How Draft Evaders Are Caught at the Airport04:00 Rising Tensions in Judea & Samaria05:00 The E1 Settlement Expansion Plan06:00 Israel Responds to British Sanctions07:00 Gadi Eisenkot Rejects Two-State Solution08:00 Eisenkot Takes Aim at Smotrich & Ben-Gvir09:00 IDF Kills October 7th Attackers in Gaza10:00 Tal Goldstein-Almog's Story of Captivity11:00 Secret Netanyahu-Hamas Talks?12:00 What Happened During the 2014 Back Channel13:00 Supporting Independent Journalism14:00 Rosh Hashanah Gifts From Israeli Artists15:00 Remembering Dolly Parton16:00 Dolly Parton's Imagination Library & PJ Library17:00 Sifriyat Pijama & Dolly's Global Impact18:00 Remembering Yayoi Kusama19:00 Kusama's Legacy in Israel20:00 Her 2021 Tel Aviv Exhibition21:00 Torah Thought: Ki Tavo22:00 Rising Above the Darkness23:00 The Afterlife vs. the World to Come24:00 The Messianic Paradox25:00 Sign-Off & Shabbat Shalom #Israel #IsraelNews #IDF #IsraeliPolitics #IsraelPolitics #HarediDraft #DraftCrisis #Uman #RoshHashanah #JudeaAndSamaria #WestBank #E1 #Gaza #Hamas #Netanyahu #GadiEisenkot #October7 #IsraelDefenseForces #MiddleEast #DollyParton #YayoiKusama #IsraelDailyNews #IsraelDailyNewsPodcast #BreakingNews Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:06:21 - Les Matins de France Culture - par : Catherine Duthu - Près de la moitié des Argentins sont endettés et le taux de défaut de paiement bancaire a atteint son plus haut niveau depuis vingt ans : l'endettement pèse sur la population et le gouvernement Milei. Yayoi Kusama, artiste avant-gardiste japonaise devenue icône pop avec ses pois, est morte à 97 ans. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Den japanske kunstner, Yayoi Kusama, malede til det sidste og lagde aldrig penslen fra sig, lyder det fra hendes selskab, som i dag har annonceret Kusamas dødsfald. Vi skriver nekrologen over polkaprikkernes dronning, den farverige avantgardekunstner, sammen med en sand fan, der selv har mødt Kusama. Mens Anmelderne går Hella Joofs nye komediefilm efter i sømmene. Medvirkende: Marie Laurberg, direktør på kunstcentret CC Lea Fløe Christensen, litteraturformidler og forfatter Ann Lind Andersen, filmanmelder og podcastvært Vært: Morten Runge Producer: Linnea Albinus Lande Redaktør: Lasse Lauridsen

Erstmals besucht ein Bundespräsident die Gamescom. Japanische Künstlerin Kusama stirbt mit 97. Von Anne Basak.

Punkte, Spiegel und unendliche Räume: Die Werke der Künstlerin Kusama sind mehr als perfekte Fotomotive. Für Yilmaz Dziewior, Direktor des Museum Ludwig in Köln, ist ihre Ausstellung ein umfassendes Erlebnis, auch wegen ihrer historischen Arbeiten. Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Bill Laboon is the Vice President of Ecosystem at the Web3 Foundation, where he plays a key role in shaping the long-term direction of the Polkadot, Kusama, JAM, and broader Web3 ecosystem.At the Web3 Foundation, Bill focused on OpenGov initiatives, technical education, staking support, and decentralised node operations.Read more about Bill Laboon: https://businessabc.net/wiki/bill-laboonBill Laboon Interview Questions00:00 - Intro03:55 - Inspiration in the modern Web 3.0 era07:16 - Blockchain For User's Application14:50 - Polkadot and Web 3.0 Foundation Use Cases19:52 - Blockchain for digital identity solutions26:11 - Education in blockchain35:17 - International Blockchain Certifications40:53 - Courses at Web 3.0 Foundation44:08 - OpenGov initiatives of Polkadot48:08 - Blockchain & AI54:13 - Encointer58:00 - Trust in tech01:03:37 - Blockchain & advanced deep tech01:07:55 - Web 3.0 Foundation initiatives01:12:16 - Closure#trusteconomy  #digitalidentity  #ai #web3innovation  #blockchain_technology  #aiforgood  #techforgood Useful Links and Resourceshttps://www.linkedin.com/in/billlaboon/?originalSubdomain=chhttps://x.com/BillLaboonhttps://web3.foundation/funding-support About businessabc.nethttps://www.businessabc.net/About citiesabc.comhttps://www.citiesabc.com/​​​​​​​​​​​ About Dinis Guardahttps://www.dinisguarda.com/https://businessabc.net/wiki/dinis-guardaBusiness Inquiries- info@ztudium.comSupport the show

Durch die Ausstellung der japanischen Künstlerin Yayoi Kusama steuert das Kölner Museum Ludwig auf einen Besucherrekord zu. Ein wichtiger Faktor sei die "Instagramability" der Kunst, sagt Martin Juhls von der Initiative Kulturkommunikation. Von WDR 5.

For episode 236, we're excited to welcome Bill Laboon, VP of Ecosystem at Web3 Foundation, a nonprofit organization supporting the growth of the Polkadot and Kusama ecosystems.You'll learn:

#145 Can one art experience completely change how you see museums? In this episode of The Everyday Bucket List Podcast, we're exploring why a Yayoi Kusama art exhibit is one of the most unforgettable immersive art experiences you can add to your bucket list, even if you don't usually visit museums. We break down what makes her work so iconic, meaningful, and worth planning a trip around. You'll hear about: Immersive Infinity Mirror Rooms Why Kusama's work is iconic and meaningful Simple museum and travel tips   In this episode of the Everyday Bucket List Podcast, we break down 7+ reasons why a Yayoi Kusama art exhibit belongs on your bucket list. From her world-famous Infinity Mirror Rooms to her instantly recognizable polka dots and pumpkins, Kusama's immersive art experience is visually stunning, emotionally powerful, and unforgettable in person. We discuss why her exhibits appeal even to people who don't usually visit museums, how their limited-time, ticketed nature makes them feel exclusive, and why seeing the work of one of the most influential contemporary artists alive is something worth planning a trip around. We also share our personal journey to see the exhibit after missing it before, practical museum and travel tips, and bonus ideas like nearby attractions and money-saving hacks. If you love art travel, immersive experiences, bucket list ideas, or must-see museum exhibits, this episode will inspire you to run to a Yayoi Kusama exhibit while you still can.   CLICK THE LINKS BELOW OR CUT AND PASTE THEM INTO YOUR BROWSER:    Binge-listen my Seasonal Bucket List playlist https://bit.ly/3SPiiVN   Listen to these episodes next:  2 Day Dublin Itinerary: What to Do in Dublin City Centre (Ep 104) Best Spots in Hawaii for Vacation with a Travel Expert (Ep 32) 9 Affordable Weekend Trips in the USA for Couples: Perfect for Feb & Mar (Ep 116) 15 Easy Peasy Bucket List Ideas (Ep 66)   RESOURCES: Grab a copy of  The Everyday Bucket List Book https://amzn.to/3vwxz2K If you'd like to support my work, check out https://buymeacoffee.com/edbl   Connect with me: Website: KarenCordaway.com Twitter (X): @KarenCordaway https://x.com/karencordaway Pinterest: @Everyday_Bucket_List https://www.pinterest.com/EverydayBucketList/ Tiktok: @Everyday_Bucket_List https://www.tiktok.com/@everyday_bucket_list   If you're enjoying this podcast, please rate and review it here. Let me know what you like about it so I know exactly what content to keep creating for you. Disclaimer: Some of the outbound links financially benefit the podcast. Using our links is a small way to support the show at zero cost to you. I only endorse products, programs, and services I use and would recommend to close friends and family. I appreciate your support. https://karencordaway.com/disclaimer/      

How did Yayoi Kusama - a recluse who lives in a psychiatric facility - become the world’s biggest-selling artist? Today we reflect on the most significant presentation of Kusama’s work, a blockbuster NGV show that drew 600,000 visitors - and what Kusama has planned next. Plus, Donald Trump reshapes the global order with the military capture of Venezuelan leader Nicolas Maduro. This episode of The Front is presented and produced by Kristen Amiet and Claire Harvey and edited by Jasper Leak, who also composed our theme. Our team includes Lia Tsamoglou, Tiffany Dimmack and Joshua Burton.See omnystudio.com/listener for privacy information.

Ob Spiegelräume oder Kunstwerke mit Punktmustern: Die japanische Künstlerin Yayoi Kusama prägt die zeitgenössische Kunstszene seit Jahrzehnten. Auch mit 96 Jahren ist sie noch produktiv. Die Fondation Beyeler widmet ihr nun als erstes Schweizer Museum eine Retrospektive. Yayoi Kusama lebt schon ihr halbes Leben freiwillig in einer psychiatrischen Einrichtung in Tokio. Sie steht exemplarisch für das heute allgegenwärtige Thema Mental Health. Ihren Traumata und Zwängen begegnete Kusama, indem sie grossformatige Malereien mit repetitiven Mustern und Strukturen schuf. Die unendlichen Spiegelräume sind genauso ihr Markenzeichen wie die Polka Dots – eine Vielzahl Punkte gemalt auf Leinwand – oder menschliche Körper. Längst ist Kusama auch ein Phänomen der Pop-Kultur – zwischen Genialität und Selbstvermarktung. Zu erleben aktuell in der Fondation Beyeler in Riehen.

Maria Vittoria Baravelli"I discorsi belli. Custodire, ricordare, curare"Kum! Festivalwww.kumfestival.itKum! Festival, PesaroSabato 18 ottobre 2025, ore 14:30I discorsi belli. Custodire, ricordare, curare.Maria Vittoria BaravelliPlatone fa dire a Socrate che l'anima si cura con incantesimi, e questi incantesimi sono i discorsi belli. Curare significa avere a cuore; ricordare, da re-cordis, significa ripassare dalle parti del cuore. L'arte, come i discorsi belli, fa entrambe le cose: custodisce la memoria e ci rimette al mondo. Dalla follia di Van Gogh all'universo di Kusama, dalle ninfee di Monet alle ferite di Louise Bourgeois, la storia dell'arte mostra come ogni ferita possa farsi visione e ogni dolore balsamo.Maria Vittoria Baravelli"Il mondo non merita la fine del mondo"Storie, arti e altri incantiElectawww.electa.itLe opere d'arte sono così. Ci chiamano a sé, vogliono rubare la nostra attenzione, come sirene che cantano, ammaliano e ci confondono. Finché esisterà l'arte, come incanto, memoria, bellezza e richiamo all'infinito, il mondo non merita di finire. Maria Vittoria Baravelli ci accompagna attraverso un personale atlante di bellezza che spazia dall'antichità al contemporaneo, dal cinema, alla fotografia, alle installazioni, con accostamenti inediti e paralleli inaspettati. L'arte richiede presenza: la prima vera regola, imperturbabile al tempo e ai cambiamenti, è che l'espressione artistica deve essere sperimentata dal vivo, nei musei, alle mostre. Accanto all'energia e alla possibilità di fruizione che le nuove tecnologie ci mettono a disposizione, l'autrice resta fermamente convinta del valore dell'arte incontrata di persona, che ci entra dentro e non ci abbandona più. Questo libro è un viaggio nella vita di capolavori che non finiscono mai di parlarci, alla scoperta di cosa ci colpisce davvero quando contempliamo un'opera d'arte e questa sembra avvicinarci ai suoi segreti. Come diceva Umberto Eco, leggendo un libro, così come osservando un'opera, si innesca una sorta di "immortalità all'indietro". Per un attimo ci è concesso di guardare direttamente negli occhi il passato, incrociare lo sguardo dell'artista e perderci nella nostalgia di epoche che non sono la nostra.Maria Vittoria Baravelli è curatrice d'arte e fotografia, autrice Rizzoli de Il mondo non merita la fine del mondo. Insegna " Moda e Arte all'Accademia della Moda e del Costume (Milano), scrive per Domani e Il Giornale dell'Arte. È nel CdA del MAR di Ravenna e nel board curatoriale di Art D'Egypte, società che realizza installazioni di arte contemporanea nel deserto, in dialogo con le piramidi di Giza e Luxor.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Große Kunst im Sprengel Museum: Die Ausstellung "Niki. Kusama. Murakami." ist die größte Blockbusterschau seit 16 Jahren. Das Medienecho ist groß, die Besucherresonanz gewaltig. Wie man solche kostspieligen Hochkaräter viel öfter machen könnte, klärt in der neuen Folge von "Klar so weit?" Host Felix Harbart vor Ort mit seinem Kulturkollegen Stefan Arndt sowie mit einem der Kuratoren der Schau, Stefan Gronert und Judith Hartstang, im Museum zuständig für Presse- und Öffentlichkeitsarbeit. Was ist bei einer solch großen Schau anders als sonst? Wie finanziert sich eine solche Ausstellung? Und welchen ungewöhnlichen Rat hat Sprengeldirektor Reinhard Spieler in einem Brief bekommen, der mit "Niki" unterzeichnet war? Und muss man sich eigentlich schämen, wenn man Kunst nicht als Kunst versteht?

Weitere Themen: In Hildesheim gibt es kein Trinkwasser wegen eines Wasserrohrbruchs // Kampgange "BaumLand" übergibt Petition mit 160.000 Unterschriften an Landwirtschaftstministerin Staudte in Gehrden // Ausstellung "Niki,.Kusama.Muramaki" im Sprengel Museum

"Niki. Kusama. Murakami. Love You For Infinity" - so heißt die neue Ausstellung im Sprengel Museum Hannover. Drei Ikonen der Gegenwartskunst werden hier vereint und treten in den Dialog. Was für Niki de Saint Phalle die Nanas sind, können für Yayoi Kusama die Polka-Dots und für Takashi Murakami die ikonischen Emoji-Flowers sein. Die Drei zeichnen sich aus durch farbintensive Gestaltungskraft und klare Statements zu Liebe, Sexualität, utopischem Denken oder existentieller Angst. Ihre Werke werden im Sprengel Museum in einer atemberaubenden Schau erstmals zusammen gezeigt. Flankierend zur Ausstellung wird an die großzügige Schenkung vor 25 Jahren erinnert, als Hannover mehr als 400 Werke von Niki de Saint Phalle erhielt und seitdem die weltweit größte Sammlung der Künstlerin beherbergt. Über ein ambitioniertes Ausstellungsprojekt spricht der Direktor des Sprengel Museums, Reinhard Spieler, mit Claudia Christophersen in NDR Kultur à la carte.

Episode: “Bitcoin Rich List, CPI Impact, Tether Moves & UATX's Bold BTC Curriculum”Generated via: Notebook LM by Google

For episode 205, we're excited to welcome Bill Laboon, Director of Education and Governance Initiatives at Web3 Foundation—the team driving innovation behind the Polkadot and Kusama networks. At a moment when governance challenges in decentralized communities are front-and-center, Bill is leading the charge on education and initiatives designed to make decentralized governance more transparent, accessible, and impactful.We discuss:How decentralized governance models unlock exciting new pathways for real-world social and environmental impact initiativesAn introduction Polkadot and Kusama and the unique opportunities for impact builders in these ecosystemsWhy networks like Kusama—built specifically for innovation and experimentation—are critical for accelerating Web3's potential to solve complex global challengesAnd practical insights for builders and communities on fostering healthy, effective decentralized governance that advances public good.--Key Takeaways--

Vera Glushchenko, an art historian from Melbourne, is visiting the Arty podcast. We talked about Japanese artist Yayoi Kusama's exhibition at the National Gallery of Victoria in Melbourne, which will be open until April 21. - В гостях у подкаста об искусстве Arty искусствовед из Мельбурна Вера Глущенко. Мы поговорили о выставке японской художницы Яёи Кусамы в Национальной галерее Виктории в Мельбурне, которая будет открыта до 21 апреля и фотографиями с которой вы, скорее всего, уже любуетесь в Инстаграме.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Cet épisode est réservé aux abonnés Minuit +.Vous souhaitez entendre la suite ? Retrouvez cet épisode en intégralité sur la chaîne Crimes Histoires Vraies l'Intégrale, ainsi que des centaines d'autres histoires et trois épisodes inédits par semaine, sans publicité et avec un mois d'exclusivité. Crimes, Espions, Paranormal, et Catastrophes Histoires Vraies l'Intégrale, sont disponibles dans l'abonnement Minuit +L'affaire Mika Kusama, ou affaire des frères Kohnu, est bouleversante à plus d'un titre. C'est d'abord la mort tragique d'une jeune touriste japonaise sauvagement assassinée alors qu'elle visitait, en baroudeuse joyeuse et solitaire, une île de Nouvelle Calédonie, ce petit morceau de France situé à plus de 10 000 kilomètres de la métropole. Mais c'est aussi l'histoire d'une enquête criminelle bâclée : des témoignages infondés, des scellés oubliés, des pièces à conviction non analysées en temps et en heure, des coupables désignés du départ, - les frères Kohnu- , et des suspects bien vite innocentés..."Crimes : Histoires vraies" est un podcast Studio Minuit. Minuit est une chaîne de podcast française axée sur la diffusion d'un large catalogue de productions originales grand public. Affaires criminelles, Aventure et Histoire : Minuit raconte dans le détail des centaines d'histoires vraies qui fascinent des centaines de milliers d'auditeurs. Découvrez les autres contenus de Minuit par ici :Paranormal - Histoires vraiesMorts Insolites - Histoires VraiesLes Zéros du Crime - Histoires VraiesCélèbres et Assassinés - Histoires VraiesComparutions Immédiates - Histoires VraiesSherlock Holmes, les enquêtesArsène Lupin, les aventuresSurvivants - Histoires vraiesHistoires Insolites de Trésors - Histoires VraiesCatastrophes - Histoires VraiesSports Insolites Histoires VraiesLes Pires Dictateurs Histoires VraiesConspirations et Complots - Histoires VraiesEspions - Histoires VraiesEscrocs de Légende - Histoires Vraies Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

The reservation platform Resy centers itself around the communal experience that comes from dining, affirming and building connection between restaurants and diners, according to CMO Hannah Kelly. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.[00:00:00] Damian: I'm Damian Fowler. [00:00:01] Ilyse: And I'm Ilyse Liffreing [00:00:02] Damian: welcome to this edition of The Current Podcast. [00:00:05] Ilyse: This week, we're delighted to talk with Hannah Kelly, the CMO of Resy. [00:00:09] Damian: Want to make a restaurant reservation? American Express owned Resy is there for you. With over 40 million global users, the app has driven over 600 million reservations. Now that's a lot of fine dining, I imagine. [00:00:23] Ilyse: With almost 14 years of working at American Express under her belt, Hannah leads marketing efforts to connect restaurants and tastemakers. [00:00:31] Damian: We start off by talking about the value of customer data and how insights inform Resy's marketing strategy.  [00:00:38] Damian: We work in an industry where, data is capital. You know, how does Resy rely on the customer data, especially from its parent company, American Express? [00:00:47] Hannah: Sure. So thank you so much for having me. And you could argue that the premise of the Resyacquisition was based on American Express's deep use of data. So when we look at spend at American Express, dining one [00:01:00] of our highest spend categories. We reached 100 billion in spend for the full year in 2023 for the first time ever. [00:01:06] So for us, being an American Express and in the business of membership, we are constantly looking for ways to engage and attract card members and deepen our relationships with merchants. Resy naturally presented that opportunity as a way for us to own an asset, own a brand, and build a community of being able to connect the world's best restaurants to the world's best diners on a proprietary basis. [00:01:28] Damian: That makes a lot of sense. I, as an Amex owner, do spend a lot in restaurants. I wonder if you have any interesting stories around turning those insights into action. [00:01:38] Hannah: Sure. So, We know that millennials and Gen Z's are worried about making the perfect reservation. In fact, we commissioned our own research and we found that 50 percent of the millennial and Gen Z population are worried about making the perfect reservation. [00:01:52] And so with that, that drove three sort of primary objectives and campaigns for us. So first is our brand platform. we launched a brand platform in [00:02:00] 2023 called Reservationships, which is really meant to highlight how that Resy is more than reservations, really being that trusted partner in crime when you don't know where to go. [00:02:09] You want to have that fine dining moment with your potential in laws to be with a new date. How can we really own the fact that Resy has served as that sort of curator, and role. I think the second piece has been, this past year we introduced our Resy shareable hit list. so what that function allows you to do in the iOS app is anyone can go in and create a list based on any title that you want. [00:02:31] Go to date nights. Kid friendly places. You name it. We have some very creative takes in there. and you can share them out with friends. So again, it's really meant to give users the confidence that they are selecting and making the best reservation possible for them. [00:02:48] Hannah: And we've extended that and really leaned into that a bit more with our third deliverable this year, which has been around the launch of our discover tab. [00:02:54] So now when you go into the Resy app, you not just only see a list of restaurants based [00:03:00] on your location or cities. We've always had collections, but now our discover tab actually brings in all of our editorial content into the app. And just for reference in Q one of 2024, we highlighted over 000 plus restaurants in all of our editorial across 300 stories. [00:03:17] So now all of that content is there in formats that can helpfully guide users on how they can connect with restaurants that they should love if they don't know them already and ones that they want to continue to celebrate their love for and be a patron of. [00:03:28] Ilyse: You know, retail data continues to have a moment among marketers. In your experience, how much do these insights influence your strategy? And what do you think is the future of this type of data? [00:03:42] Hannah: So I think for us, guest research is the number one place that we constantly look to. And for us, a lot of that is where are people notifying, where are people searching, where are people dining. And at American Express, we're able to see where our card members are spending. And with Resy, we're able to see where they're searching. [00:03:57] And we use that to inform our research. Anything from [00:04:00] the restaurants that we go after on our platform. So being really thoughtful around what are the types of cuisines that might be missing? What are the types of underrepresented cuisines or restaurants that we need to bring onto our platform? So what's not being searched for? [00:04:11] and then obviously our product offering. So as mentioned, really trying to tap into ways that we can not only help diners based on research that we've collected, but also By introducing the discover tab by introducing things like shareable hit list. Those give us new avenues to really discover. What are the trends and what are the capabilities and offerings that Resy can provide? [00:04:31] And even more importantly, what can we pass to our restaurants that they could learn about guests that they might not be able to get on their own? So we think about it not only as What type of research can we use to improve the experience around discoverability and in restaurant dining, but also think about how we can use that a differentiator for our partners and for our restaurants on our platform as well. [00:04:51] Ilyse: That's, that's made me curious. What is the, most popular cuisine that Resy users are, [00:05:00] are making reservations for? [00:05:01] Hannah: I don't know the exact cuisine type, but I can tell you we typically look at the types of cities that we see a lot of dining demand around, and we use that to really guide where we have a lot of our restaurant partners. We also really care about shining a light on underrepresented food types as well. [00:05:16] So, We did a ton of work during, COVID 19 around highlighting the importance of Chinatown and the love stories of Chinatown, knowing that there is xenophobia happening as a result of the pandemic. also in the spring of 2020, when we think back to the wake of George Floyd, looking at how we can really highlight black owners and operators and chefs in our community. [00:05:35] And that's something that we had always done. So, we again look at what's been searched, what hasn't been searched and really how we want to perpetuate the diversity, and future of the industry in the best way possible. [00:05:47] Damian: You mentioned the site is more than a reservations app, and you're basically building kind of editorial and curated content. that's fascinating. could you say a little bit more about that and how you target taste makers and [00:06:00] people in the know and those underrepresented kind of food types that you mentioned? [00:06:04] Hannah: So believe it or not, we get asked all the time if restaurants have to apply to be on Resy and what the selection process is. There is no selection process. Any restaurant can pay to be on Resy. But I think the reason why we get that is because of how we are able to surface and highlight the restaurants on our platform in a way that goes beyond just the menu and when their hours of operation are. [00:06:27] So for us, that's really thinking about the editorial stories, as mentioned, where we have, A whole entire editorial team that's dedicated to coming up with ongoing franchises, like the one who keeps the books, which is our most popular, where we see, our guests going in and figuring out of the top restaurants from the actual owners and operators, when they release inventory, how they release inventory, and how best to get seated, also longer form content as well. [00:06:52] Beyond our edit. We're really an experiential brand as well. We'll do around 200 events by the end of [00:07:00] 2024 with restaurant partners. Why? Because we know that our guests want to be able to experience restaurants and get that behind the scenes, behind the curtain look and feel. And our restaurant partners view us as a co conspirator and collaborator. [00:07:13] We meet with our top restaurant partners. Frequently and instead of saying, Hey, how is your performance with Rosie? How are you enjoying? We talk about what are your 5 10 year growth plans? What are you thinking about in the immediate future that's keeping you up? What story do you want to be able to tell? [00:07:27] What opening do you have? What new product? What front of house team member do you want to celebrate and really use that to help guide and inspire how we create a lot of our content, not just for edit, but in real life experiences. Yes. [00:07:48] Damian: I suppose that feeds into that in many ways. But, how do you strike a balance between telling those stories and your own story? It's [00:07:57] Hannah: not about us. people care about Resy because of the [00:08:00] restaurants on our platform. And I think Resy, when it was founded in 2014, really came out with a differentiated view, which is we want to be for restaurants by people from the restaurant community. And it's not about the dollar that Resy wants to spend. [00:08:13] It's to take or make from the restaurant partners. So we've really maintained that not only in our business offering but in our brand story. And when I look at the reservations platform that we developed last year, it's not about Resy and about how great Resy is. It's about the relationships. that we broker, broker between restaurants and the broader industry and the community. [00:08:33] So all of the B to B and industry support that we do, on the guest side, obviously building relationships and starting new ones between guests and hopefully restaurants that they want to become a regular with and between our diners as well, celebrating why people love going out. And when we look at our editorial, we're trying to curate around insights. [00:08:52] [00:09:00] Um, it's really about creating a platform and owning the fact that we are a network and that our restaurants are greater than us. And in doing that and having the right level of gravitas towards our partners. In turn, I think that's what has allowed Resy y to become a little bit more of a darling than maybe some of our competitors. [00:09:20] Damian: So interesting. And in terms of, like, the results that you're seeing from this kind of, integration of these different stories and balancing between restaurants and guests, are there any new innovations that you're looking at this year to kind of keep that in motion? Yeah, [00:09:35] Hannah: I think this year. So the discover tab and our shareable lists were really big launches for us this year. So it's really starting to think about what that ecosystem looks like and owning that as a platform for our guests in our restaurants to tell their story. [00:09:51] I think also leaning into our relationships with our partners. So this summer, what's really exciting in a prime example of this is the [00:10:00] Unapologetic experience that we push live with our partners at Unapologetic Foods. So, for context, Unapologetic Foods is a hospitality group, Indian hospitality group, based in New York. [00:10:11] Very, very highly sought after restaurants, such as SEMA. and in fact, the New York Times did an entire story on how you could get into SEMA. Um, it Yeah, [00:10:21] Ilyse: jealous of them all. [00:10:23] Hannah: Which, by the way, the Resy Notify does work for SEMA. I can't tell you how many friends have texted me to say, I got off the list at SEMA, the feature works. [00:10:31] I'm like, thank you so much for validating. Also, going early works as well, which you'll find in the one who keeps the books. But, a prime example of this year and how we've really kind of put all these insights to practice has been when we met with Ronnie, the owner of Unapologetic Foods. I think it's really important to note that, when I was in the United States last year, he had really expressed a deep desire to try and get the word out and spread the word and love of Indian food outside of the major cities in the United States. [00:10:58] so basically trying [00:11:00] to make Indian food as mainstream as American or as Italian and how it's pretty underrepresented. He was a crazy thought, but I just wanted to share that with you. That's what I'm really thinking about. He said, Absolutely not crazy. Let's actually sit and think about how we could create a tour, what that experience would look like, really taking a nod and inspiration from him. [00:11:20] His dream was to go on tour. We pulled on that thread, and this past summer we have gone live in three different cities, L. A., Chicago, and D. C., at different Southeastern Asian cuisine. [00:11:31] Ilyse: glad to [00:11:31] Hannah: Those chefs collaborated with Ronnie and his team on a custom menu. There's content around it. And again, our job there is greater than Resy. [00:11:39] It's greater than a reservation. It's really about. So we're here at the Anna Jack Thai restaurant, unlocking something that was important to our partners. We had an hour long wait at the Anna Jack Thai experience the first night, even some influencers who were not asked to go standing in line for over an hour, which, again, is a testament to, I think, tapping into a real trend, but that really coming from an authentic place [00:12:00] from the restaurants on our platform and treating them as collaborators. [00:12:03] Damian: I just want to say I'm glad to hear that about Indian food because, you know, I'm originally from Britain and, Indian food is our number one cuisine. So it was always amazing to me that it was never that big in the U. S. I certainly, I think maybe New York it has been because there's a special area to the city, but in general, it's good to hear [00:12:19] Hannah: It's not the same as Britain. it's really not. And I think with Ronnie, his staff and the front of house team, they take the time to really educate you. So if you go to SEMA, They'll give you the menu, they'll assess, what you're there for, why, but they have no problem demystifying and taking the lead on walking you through why each dish is special, why their biryani has a very special rice, which is different because of the region of India that the chef is from versus what you might see somewhere else and calling attention to things that diners might not pick up on other than like, Oh, I know I need to go here because it's a hot reservation. [00:12:54] They really take the time to use that as an opportunity to tell a bigger story and hopefully make a bigger impact. [00:13:00] Now you've spent [00:13:02] Ilyse: years working at American Express. That's like a tenure that's almost unheard of in today's working landscape, let alone marketing. And you've worn many hats at American Express. So we're going to talk a little bit about your experience along the way. How has this experience shaped your philosophy now as CMO? [00:13:17] Hannah: already shaped your philosophy now. At American Express, I had come from fashion PR, which was very much here's this asset. Here's this piece. Go pitch it, send out a sample, get it back, and it felt very transactional. I started on the open brand strategy team, which was our small business branded American Express at the time, and the number one thing the team was focused on was this new report that had come out around what is on the mind of a small business owner, and the number one [00:14:00] insight was help me get more customers. [00:14:02] And in that moment, I remember sitting in this conference room thinking, Oh, God, how is American Express going to tackle this? What do we do? And really, it was diving in and understanding they just need a day. They need a moment that's going to get people to go out and shop. So with the partnership of many agencies and teams internally, we came up the most simple idea possible, which was small business Saturday. [00:14:25] And here we are entering its 15th year. It launched with a Facebook page and really just anything possible to help get more business to small businesses was the premise. Since that time on, and now almost 14 years later, I've always tried to think about what is that deeper, higher order insight that we have the opportunity to serve and have translated that through all the many years and months of experience in American Express and now Resy and Resy, we acquired and closed Resy in July of 2019. [00:14:56] We're in the process of integrating the companies, making [00:15:00] sure that we're keeping Resy and figuring out how we bring the best to bear of American Express. And then a pandemic happens, which brought our industry to its knees. So again, pulling on that same tool, what's the number one thing we needed to do? [00:15:11] How do we keep our restaurants afloat? So at the other end of this pandemic, there are restaurants that we can serve on our platform. And with that, We met the chief medical officer of American Express, figured out that we have a chief medical officer in American Express, and looked at ways that we could create COVID safe dining behaviors. [00:15:28] And that led to sponsorship of outdoor experiences across 45 restaurants within the state. So again, just, I think, really listening and being obsessed with the customer. It has paid dividends. And [00:15:45] Damian: up, that's a tremendous legacy. 15 years of small business Saturday, yes, must be satisfying. And then as you think about Resy now and building out that future, do you have, um, do you have Goals that you want to achieve this year five years down the line [00:16:00] And maybe I don't know if you have any thoughts on that. [00:16:03] I'm sure you do [00:16:03] Hannah: Yeah. So this year is actually our 10 year anniversary at Resy. and it's amazing to see you to the point of all the growth that you cited at the beginning of the taping. Like what? What we've had in that short period of time, and I think for us, it's really been because we've been that co conspirator and partner to the industry. [00:16:22] So for us, The next sort of chapter of Resy is really going to be harnessing that even more, which is when you are a restaurant and you're trying to think of how you can grow your business, how you're trying to get your story out there. Who are you turning to? I want you to be thinking about Resy. [00:16:37] And I don't want you to be thinking about Resy just from the sake of a table management platform or a demand network. I want you to be thinking about us as a critical partner in helping you scale, grow your demand, tell that story of a cuisine type, build an experience that only we could be able to partner with. [00:16:55] And then from a guest side, when you have a dining occasion, I want [00:17:00] you to come to Resy, yes, of course, to think about that. But. But I also want to be the destination to help curate and really be the trendsetter that anytime you're trying to figure out what is happening in my city, a city that I'm traveling to in the broader food industry at large, what does that mean? [00:17:16] And I think a great example of how that is sort of coming to life now is, as part of American Express's relationship with Disney, they actually approached us to think about how we could do a deeper integration for the season three premiere of the bear. Why the bear? All about food. You have people at home now saying corner when they're cooking in their kitchen, and I didn't know what that meant prior to watching that show. [00:17:40] They came to American Express because of our ownership of Resy and what we mean to that industry. So we actually hosted a private screening for American Express card members for the first, and we're also doing episodes one and two of season three at Kusama, one of our L. A restaurants. and that's really because these brands are [00:18:00] looking to figure out how do we authentically play in food and they're thinking Resy. [00:18:03] So how do we continue to evolve on that? What does that mean? How are we meeting our customers? The industry where it needs to be and really being seen as that sort of foothold. Wow. [00:18:15] Damian: that's amazing. That's the bear the hulu connection. That's fantastic [00:18:20] Ilyse:  [00:18:20] Damian: I read Anthony Bourdain's Kitchen Confidential many years ago, but it seems like, people's interest in food and cuisine is hotter than ever. If I may say, what's your take on  [00:18:33] Hannah: Couldn't agree more. and I think that if anything positive coming out of COVID 19 was that it taught us all and showed us all the importance of restaurants and what they mean to us. [00:18:43] So I think coming out of COVID, the number one thing that we heard and we've seen, and even as, as personally, I felt is, Wanting to go out and congregate and to be with people that I love friends, coworkers, family and restaurants are the gathering place for that. [00:19:00] And when that was taken away, I think that was really indicative of what this culture is missing and the role that restaurants can play in that. [00:19:07] And what you've seen is, I think, a genuine interest from the average consumer or diner who is just wanting to understand, What the importance of those restaurants are is like how they operate how we can keep them in business Get that peek behind the curtain. You're seeing shows like the bear emerge and  [00:19:27] I think, really indicates that reservations are a form of cultural currency, which is something that we talk about, inside Terezi. So our job is to really harness that, that sort of cultural zeitgeist moment and really use that as a way to help prop up more restaurants, keep them in business, and drive more demand. [00:19:45] Hannah: And that's it for this edition of The Current Podcast. [00:19:47] Damian: We'll be back next week, so stay tuned. [00:19:50] Ilyse: The Current Podcast's theme is by Love Caliber. The current team includes Kat Vesce and Sydney Cairns. [00:19:56] Damian: And remember, I'm Damian. [00:19:58] Ilyse: I'm Ilyse. [00:19:59] Damian: [00:20:00] And we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also, tune in to our other podcast, The Current Report.

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

In this episode of Decentralize with Cointelegraph, host Zoltan Vardai is joined by Gavin Wood, co-founder of Ethereum, Polkadot and Kusama. Wood shares his ideas for Web3 and the future of cryptocurrency, as well as his hope for a world where cryptocurrency transactions are free, making Web3 technology a universally accessible public good. The episode explores Wood's innovative concepts, including the “proof-of-ink” system and the possibility of an Ether-less Ethereum. Wood also discusses his concerns about centralization within Ether distribution and the recent launch of Ethereum ETFs.Follow Cointelegraph on X @Cointelegraph.Follow this episode's host, Zoltan Vardai, on X at @ZVardai. Timestamps:(00:00) – Introduction to the episode(00:53) – Challenges with airdrops and identity in Web3(02:12) – Individuality as a building block for Web3 adoption(05:16) – Centralization concerns in Ethereum(06:55) – Polkadot's path and Ethereum's decentralization(09:23) – Risks of liquid staking and network security(11:02) – Why Polkadot was created(14:17) – Concerns and hopes for the future of Web3The views, thoughts and opinions expressed in this podcast are its participants' alone and do not necessarily reflect or represent the views and opinions of Cointelegraph. This podcast (and any related content) is for entertainment purposes only and does not constitute financial advice, nor should it be taken as such. Everyone must do their own research and make their own decisions. The podcast's participants may or may not own any of the assets mentioned.

The eleventh episode of our season on the awesome movie year of 2000 features one of the Sundance Film Festival Grand Jury Prize winners, Karyn Kusama's Girlfight. Written and directed by Karyn Kusama and starring Michelle Rodriguez, Santiago Douglas, Jaime Tirelli, Paul Calderón and Ray Santiago, Girlfight was the first feature film for both Kusama and Rodriguez.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/girlfight-2000), A.O. Scott in The New York Times (https://www.nytimes.com/2000/09/29/movies/film-review-floating-like-a-butterfly-stinging-like-a-bee.html), and Lisa Schwarzbaum in Entertainment Weekly (https://ew.com/article/2000/10/06/movie-review-girlfight/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring the Academy Awards Best Picture winner, Ridley Scott's Gladiator.

Hosts Zak and Lianne explore the fascinating life of Yayoi Kusama featuring a chance discovery in a secondhand bookshop, couches covered in phalluses, and a “happening” with four nude dancers gyrating on Wall St. whilst the artist painted them with polka dots. Then, we'll answer the question on everyone's mind - what is happening with the Ghanaian crown jewels?! Follow up on Instagram! @notarthistorians Sources: https://www.tate.org.uk/art/artists/yayoi-kusama-8094/introduction-yayoi-kusama https://www.bbc.com/culture/article/20180925-yayoi-kusamas-extraordinary-survival-story https://www.christies.com/en/stories/yayoi-kusama-collecting-guide-c540ed4a4c70465fb06c6467e830c8df#:~:text=She%20now%20lives%20voluntarily%20in,been%20her%20home%20since%201977. https://psychnews.psychiatryonline.org/doi/full/10.1176/appi.pn.2017.9a21 https://americanart.si.edu/blog/kusama-cornell-art https://www.huffpost.com/entry/kusama-and-cornell-an-unl_b_1580210 https://whitneymuseum.tumblr.com/post/31820518666/fly-back-to-me-spring-flower-and-i-shall-tie-a https://www.portlandgarmentfactory.com/news/2016/8/15/soft-sculpture-survey-yayoi-kusama https://actipedia.org/project/anatomic-explosion https://subversivesweetheartfatp.wordpress.com/feminist-artist/ https://www.bbc.com/news/world-africa-68925059 https://www.bbc.com/news/world-africa-45406557?xtor=AL-72-%5Bpartner%5D-%5Byahoo.north.america%5D-%5Blink%5D-%5Bnews%5D-%5Bbizdev%5D-%5Bisapi%5D https://afktravel.com/98696/10-things-you-didnt-know-about-the-ashanti-kingdom/ "Danse Macabre" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

The director of several modern classics, like Jennifer's Body and The Invitation, joins us to discuss her feature debut Girlfight, now on Blu-Ray from Criterion. Kusama reflects on working with Michelle Rodriguez in her first movie role, and her intentions from several decades ago, and how the film has aged since. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the worksheets & complete show notes for this episode at https://cariocaconnection.comIn this episode of Carioca Connection, Alexia and Foster revisit their experience at the Yayoi Kusama exhibit in Porto's Serralves Museum.They dive into the Japanese artist's trippy "infinity rooms" - these mind-blowing installations of mirrored balls that make you feel like you're trapped in an endless kaleidoscope. Hilarity ensues as Foster admits he got totally lost.  It's the perfect chance to learn fun vocabulary like Alexia's nostalgic reconnection with Kusama's immersive art she first saw years ago in Rio. Pay attention as they dissect art terms like "curadoria" (curation) and crack up over words like "bengaleiro" (that room to stash your stuff).Whether you're an art buff or just love getting a taste of authentic Brazilian culture and language, this is an entertaining must-listen!E agora em português...Nesse episódio do Carioca Connection, Alexia e Foster relembram sua experiência na expo da Yayoi Kusama no Museu Serralves, no Porto.  Eles mergulham nas psicodélicas "salas do infinito" da artista japonesa - instalações multi-dimensionais de bolas espelhadas que te fazem sentir preso em um caleidoscópio sem fim. A maior brincadeira é o Foster admitir que ficou totalmente desnorteado lá dentro!É a oportunidade perfeita pra aprender vocabulário divertido como a reconexão nostálgica da Alexia com a arte imersiva de Kusama, que ela conheceu anos atrás no Rio. Fiquem ligados enquanto eles destrincham termos como "curadoria" e morrem de rir com palavras como "bengaleiro".  Seja você um amante das artes ou só queira ter um gostinho da cultura e língua brasileiras autênticas, este é um episódio educativo e divertido! Ready to massively improve your Brazilian Portuguese in 2024?

Join us as we explore the fascinating and multi-faceted history of the polka dot. These innocuous little spots contain multitudes, from technological advancements to a risqué dance craze. If you have any requests or questions, or simply feel like saying hello, drop us a line at ⁠⁠⁠⁠⁠historyunhemmedpodcast@gmail.com⁠⁠⁠⁠⁠  and/or follow us on social media: Instagram: @history_unhemmed Facebook: https://m.facebook.com/p/History-Unhemmed-100084597553601/ Support us at: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/historyunhemmed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THANK YOU! RESOURCES:  Johns Hopkins University. "Introducing Data Science: Big Data, Machine Learning, and More, Free Online Textbook." https://jscholarship.library.jhu.edu/items/6cf47d49-4968-46ee-a8f9-c7c8c35b55ac. Knox, Charles Henry. The Spirit of the Polka. Legare Street Press, 2023. Kusama, Yayoi and Delphine Arnault, Akira Tatehata, Hans Ulrich Obrist, and Mika Yoshitake. Louis Vuitton Yayoi Kusama. New York: Rizzoli, 2023. Le Tour de France. "The Polka Dot Jersey." https://www.letour.fr/en/the-jerseys-tour-de-france/the-polka-dot-jersey. PBS Western Reserve. "The History of Polka: From Europe to Northeast Ohio." ⁠https://www.pbswesternreserve.org/blogs/luminus-stories-about-us/the-history-of-polka-from-europe-to-northeast-ohio/#:~:text=The%20origins%20of%20polka%20are,day%20Czech%20Republic%20and%20Poland⁠. Stewart, Jude. Patternalia: An Uncovered History of Polka Dots, Stripes, Plaid, Camouflage, and Other Graphic Patterns.  New York: Bloomsbury, 2015.  Welters, Linda and Cunningham, Patricia A. (eds.). Twentieth-century American Fashion. New York: Berg, 2005.  --- Support this podcast: https://podcasters.spotify.com/pod/show/historyunhemmed/support

Kevin & Chris continue their Women's History Month film series with Karyn Kusama's excellent claustrophobic thriller The Invitation (2015). The 'mos talk a dinner party-from-hell, a twisty slow burn mystery, engaging characters and queer representation, psychological trauma, cult mentality, 1970s horror influences, a jaw-dropping ending and more. Bonus topics include Scream 7 news, Final Destination, and cult documentaries. Connect with us on Patreon and social media for updates! Patreon (on hold): https://www.patreon.com/homosonhauntedhill Instagram: https://www.instagram.com/homosonhauntedhill Facebook: https://www.facebook.com/hohhpodcast X/Twitter: https://twitter.com/hohhpodcast

Aeon Flux is often forgotten when discussing Charlize Theron's action roles. Before Mad Max: Fury Road turned her into a legitimate genre icon, a status re-affirmed by Atomic Blonde and The Old Guard, her first attempt at headlining an action flick, 2005's Aeon Flux, had been largely forgotten. At the time, Theron was mostly known for prestige drama. She had won an Oscar in 2004 for his role as Aileen Wuornos in Patty Jenkins' Monster. She chose to follow this up by trying her luck at leading an action franchise, as female-driven action films were having a moment thanks to the success of the Underworld franchise. Directed by Karyn Kusama and based on the cult MTV Animated series, Aeon Flux seemed to have everything going for it. Still, the film was a notorious bomb that temporarily derailed Kusama's career, while Theron would avoid action movies until being lured back by George Miller. So what happened? We explain how studio battles, dulling cuts of the film and a fetishized heroine derailed what could have been a big franchise for all involved in this episode of WTF Happened to this Movie, written by Gaius Bolling, edited by Paul Podeyn, and narrated by Mathew Plale. 

Yayoi Kusama is one of the most popular contemporary artists with her infinity rooms drawing massive crowds wherever they are installed. In the infinity rooms, the walls are covered in mirrors creating reflections of reflections that seem to go on forever. This idea of playing with reflections was a fixture in Kusama's work pretty much from the start. As I covered in my previous episode about Yayoi Kusama, she grew up in Japan where her family owned a nursery. She was surrounded by plans and looked at nature around her imagining not only what was beyond the mountains in the landscape, but what was inside the plants, the rocks, the dirt. This is where we get her signature polka dots. She refers to the repeated dots as Infiniti nets, a visualization of the structures that make up all of the things in our world and even our universe. It seems fitting that in 1966, she created Narcissus Garden to catapult her career to the next level. The piece consisted of an installation of 1,500 reflective spheres. It feels both personal to Kusama and simultaneously generic as the woman who grew up at her family's garden nursery installed a garden of mass-produced mirrored spheres. In 1966, she accompanied the installation with a performance as she dressed in a gold kimono and sold the mirrored balls for $2 each. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Composable and Picasso are the team leading the extension of IBC to all ecosystems in order to bring to life secure and chain-agnostic interoperability for users and builders. Picasso currently powers cross-ecosystem IBC across Polkadot, Kusama, Cosmos with 20+ connected chains and soon Ethereum, Solana, and NEAR will also be connected. Composable will leverage the various IBC connections with the addition of Composable's CVM & MANTIS to bring to life seamless, secure, and cost-efficient intent execution across all connected chains.Omar ‘brainjar' Zaki is the founder of Composable and Picasso. He joined the Bitcoin.com News Podcast to talk about the technology.

This episode of the #citizenweb3 podcast features Guillem Ferrer, from Dragon Stake DragonStake is a blockchain security team specialising in non-custodial staking. The team operates validators on various high-profile Proof of Stake networks, such as Cosmos, Polkadot, Kusama, Kava, Avalanche, Evmos, and plans to expand to Ethereum in the future. The team actively engages with the networks it supports and aim to participate in testnets from their early stages. Our guest Guillem Ferrer details how we went from initially being critical of Bitcoin, to actively trying to grow and promote Web3 education across platforms. We spoke to Guillem Ferrer (https://twitter.com/itsguillem) about DragonStake (https://www.dragonstake.io/) and: The vision needed to see the future from a white paper Proof of Stake vs Proof of work The secret to community building The barriers of entry to Ethereum validating Non Custodial Staking Values driving chain selection Decentralization How best to counter the reputation damage done by bad actors in web3 Economics Aligning with the correct people as a recipe for success The inevitability of regulation and why it may be a good thing Testnets as a starting point for validators Solutions to tribalism If you like what we do at Citizen Web3: Stake with Citizen Web3 validator (https://www.citizencosmos.space/staking) Listen to the YouTube version (https://youtu.be/5d9_pKdAudE) Read our blog (https://citizen-cosmos.github.io/manuscripts/) Check out our GitHub (https://github.com/citizenweb3) Join our Telegram (https://t.me/citizen_web_3) Follow us on Twitter (https://twitter.com/cosmos_voice) Sign up to the RSS feed (https://www.citizencosmos.space/rss) Special Guest: Guillem Ferrer.

✨About Centauri ✨Centauri is an extension of the IBC protocol that facilitates trust-minimized cross-ecosystem communication among various blockchains; it already connects Polkadot, Kusama, and Cosmos, with plans for expansion to Ethereum, NEAR, and other ecosystems. Centauri expands the existing IBC beyond Cosmos appchains for the first time. Similar to any IBC connection between two chains, Centauri supports asset transfers (including fungible and non-fungible tokens), generic message passing, cross-chain contract calls, cross-chain fee payments, interchain collateralization, and more in a trust-minimized manner.Guest: 0xbrainjar, CEO of Composable Finance

'Un arqueólogo nómada en busca del Dr. Jones'; El museo Guggenheim de Bilbao expone la mayor restrospectiva de Kusama en España y 'El diccionario de las palabras olvidadas' de Pitt Williams. Escuchar audio

Yayoi Kusama: You, Me & The Balloons is the inaugural show in Aviva Studios, the new headquarters for the Manchester International Festival. In a variety of ways Kusama's distinctive polka dots fill the new Warehouse space. Economics the Blockbuster – It's Not Business As Usual at The Whitworth is a very different kind of visual art show which asks artists to re-imagine that most topical of subjects, the economy. Art critic Laura Robertson and novelist Okechukwu Nzelu review. In his illustrious career Benji Reid has moved from the world of breakdancing, to contemporary dance, to physical theatre, to hiphop theatre. After pursuing his interest in photography, he has now created a new art form which he calls Choreo-Photolism. He talks to Nick about the importance of curiosity both for artists and the arts. Grammy award winning composer John Luther Adams and the composer Ailís Ní Ríain have been commissioned to create brand new work inspired by the environment as part of the Manchester International Festival. The premiere is Friday, we'll hear all about it on tonight's programme. Presenter: Nick Ahad Producer: Ekene Akalawu

A conversation with Flavin Judd, Artistic Director of the Judd Foundation and son of the late artist Donald Judd. Donald Judd passed away nearly thirty years ago, but his presence still looms over the art world today through his writings, his artwork and the spaces he created as permanent homes for his work. It was Judd who brought the art world to Marfa in the early 1970s triggering a cultural transformation of the West Texas town. The conversation takes a look at the artist's origins, his philosophies, the stressful early days of the foundation and the show of Donald Judd work on display now through July 14 at Gagosian's Madison Avenue locations in New York.https://juddfoundation.org/https://gagosian.com/exhibitions/2023/donald-judd-980-madison-avenue/

Yayoi Kusama is one of the most popular contemporary artists with her infinity rooms drawing massive crowds wherever they are installed. In the infinity rooms, the walls are covered in mirrors creating reflections of reflections that seem to go on forever. This idea of playing with reflections was a fixture in Kusama's work pretty much from the start. As I covered in my previous episode about Yayoi Kusama, she grew up in Japan where her family owned a nursery. She was surrounded by plans and looked at nature around her imagining not only what was beyond the mountains in the landscape, but what was inside the plants, the rocks, the dirt. This is where we get her signature polka dots. She refers to the repeated dots as Infiniti nets, a visualization of the structures that make up all of the things in our world and even our universe. It seems fitting that in 1966, she created Narcissus Garden to catapult her career to the next level. The piece consisted of an installation of 1,500 reflective spheres. It feels both personal to Kusama and simultaneously generic as the woman who grew up at her family's garden nursery installed a garden of mass-produced mirrored spheres. In 1966, she accompanied the installation with a performance as she dressed in a gold kimono and sold the mirrored balls for $2 each. Check out my other podcasts Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the DeFi Download podcast, Piers Ridyard and Bruno Škvorc, the founder of RMRK, delve into the RMRK NFT 2.0 standard and the Singular marketplace, which is designed to showcase the possibilities of NFT 2.0s. They also talk about marketing challenges and Bruno's hope for widespread technology adoption. SummaryRMRK (pronounced “remark”) is a collection of smart contract standards and building blocks that allows NFTs to be infinitely extended and exist as NFT2.0s. It runs on the Kusama blockchain, Polkadot's canary network, without requiring parachains or smart contracts, and aims to elevate NFTs beyond just monkey pictures.Key takeawaysRMRK is a protocol created by a team of developers who are working to establish a new standard for NFTs. This new standard enables more complex data structures to be used.The RMRK team has created a marketplace called Singular that showcases the possibilities of the NFT 2.0 standard and allows artists and collectors to trade NFTs 2.0. Singular is very much like the OpenSea of NFTs 2.0.NFTs can be used to represent anything from music tracks to financial instruments.Adopting a new idea, even if it's a really good one, can be difficult. To capture the popular imagination, it's important to create a narrative around a new technology.The RMRK team has struggled with marketing their technology, but they recognise that it is necessary to build familiarity through exposure.Chapters[01:06] The origin story of RMRK[02:52] The journey of RMRK: from hacking NFTs on layer 1 to building robust cross-platform standards[06:46] Game equipables and the power of NFTs owning NFTs and equipables[10:35] Examples of combining fungible tokens with non-fungible tokens to experiment with data structures in a decentralised way[13:01] Exploring the boundaries of NFTs: Should chat history be an NFT?[14:06] Is the creation of identity and reputation as on-ledger objects leading to lighter front ends?[15:52] NFTs owning NFTs and fungible tokens: how does it differ from a wallet?[18:02] Social media and finance are converging on Web3 and DeFi, but there may also be a convergence with gaming. Will game skill sets be the next big thing in DeFi?[24:24] Does a large number of generative arts need to be involved in making two pieces of artwork together in NFTs and making a new collection compatible with equipables?[27:20] Younger generations have grown up with digital gaming and missions, which can be applied to the DAO economy and lead to interesting developments. What are some examples of groups understanding and using the RMRK standard?[28:39] The value of reputation in building successful Web3 communities: lessons from Web2 communities like Reddit[30:23] What is the new marketplace that Bruno is building besides RMRK?[32:57] What defines success for Singular? Is it having many RMRK-standard marketplaces or becoming the main NFT2.0 trading platform?[34:29] Overcoming the challenges of introducing a good idea to the world and the road ahead for RMRK[36:03] The importance of narrative in NFT 2.0 adoption — RMRK's nestable NFTs and Radix compatibility[38:00] Navigating the RMRK and Singular ecosystems: where to start?Further resourcesRMRK Website: rmrk.app Singular App: singular.app Twitter: @RmrkApp Bruno's Twitter: @bitfalls 

This week: as robotic figures of the Japanese artist Yayoi Kusama appear in windows of Louis Vuitton stores in New York, London and Tokyo, Ben Luke talks to Federica Carlotto, a specialist in art and luxury, about the latest collaboration between Kusama and the LVMH brand. What does it tell us about what the former creative director of Louis Vuitton, Marc Jacobs, called the “monumental marriage between art and commerce”? Also this week, the artist Michael Rakowitz hopes to give a public sculpture he made for Trafalgar Square in London to Tate Modern and an Iraqi institution. He explains how it prompted Iraq to request the return of one of the lamassu, the ancient Assyrian sculptures that inspired Rakowitz's work, from the British Museum to its country of origin. And this episode's Work of the Week is I didn't put myself down for sainthood (2018), a piece made by Rosy Martin in collaboration with Verity Welstead. The photographic ensemble is in the opening displays of the new Centre of British Photography in London. We speak to James Hyman, the art dealer, collector and co-founder of the centre, about the work.You can hear our interview with Michael Rakowitz when he unveiled the sculpture in Trafalgar Square in the episode from 22 March 2018 and an in-depth conversation with Michael in the episode of the A brush with… podcast from 9 June 2021.Headstrong: Women and Empowerment, Centre for British Photography, London, until 23 April. Hosted on Acast. See acast.com/privacy for more information.