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CBS Radio Mystery Theater || (63) Death by Whose Hand | (64) It's Simply Murder || Broadcast: March 26, 1974; March 27, 19742:05 ... Death by Whose Hands -- Set nearly a hundred years back, this story is about a prosthetic surgeon's transplant of the hand of a prodigious musician to his competitor with disastrous repercussions. (Starring: Stefan Schnabel; Ira Lewis; Marian Seldes; Roger DeKoven; Robert Drivas)45:35 ... It's Simply Murder -- A hen-pecked wimp fantasizes about running away from his despotic wife. Unwittingly, one weekend he gets wound up in a plot to murder her, participate in a bank robbery and get away with a woman he falls for. (Starring: Jack Gilford; Bryna Raeburn; Dan Ocko; Ian Martin; Marian Haley): : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr@duaneOldTimeRadio #duaneOldTimeRadio#mysteryclassics #oldtimeradio #otr #mysteryradio #radioclassics #rodserling #agathachristie #thewhistler #mystery #suspense #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :
On today's show: 1. Woman pardoned for role in Jan. 6 riot sentenced over deadly drunk driving crash - https://www.usatoday.com/story/news/nation/2025/01/30/emily-hernandez-sentenced-fatal-car-crash/78047420007/ 2. Right-Wingers Bash Anti-Trans Lawmaker for Unwittingly Touting DEI - https://www.rollingstone.com/politics/politics-news/nancy-mace-bashed-right-wingers-citadel-graduation-1235249059/ 3. Rep. Mace's Tweet - https://x.com/NancyMace/status/1885055124139135102 4. Bodies stacked like 'Tetris' blocks. Feds silent after 21 reported deaths at SC monkey farm - https://www.postandcourier.com/beaufort-county/news/monkey-farm-death-details-alpha-genesis-yemassee-research/article_0f8dfe72-d152-11ef-87db-cf2c4cd103f0.html 5. SC Treasurer Loftis vows to stay in office, after auditor resigns amid $1.8 billion error - https://www.thestate.com/news/politics-government/article299384309.html#storylink=cpy This episode's music is by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.
Jacob Jacobson dedicates his life to archiving the history of Jews in Germany. For years, nobody pays much attention—until the Nazis take power. Suddenly, Jacobson's meticulous research is being used to destroy the people whose history he wanted to preserve. Unwittingly, Jacobson has also become an invaluable asset to the Nazis. Can he protect himself without betraying his community? One of the most extensive collections in the LBI Archives, the Jacob Jacobson collection includes former holdings of the Gesamtarchiv der Deutschen Juden – birth, death, and marriage records, mohel books, and administrative records from Jewish communities across Germany dating back to 1660. The remaining holdings of the Gesamtarchiv are now divided between the Central Archive of the Jewish People in Jerusalem and Centrum Judaicum in Berlin. Most of what we know about Jacobson's experiences at the Gesamtarchiv under the Gestapo and in Theresienstadt come from a fragmentary memoir in German and survivor testimony published in London in 1946, both in the LBI Archives. Learn more at lbi.org/jacobson. Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It's narrated by Mandy Patinkin. This episode was written by Marijke Peters. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Manuel Mairhofer. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.
Offshore windfarms are powerful generators of clean energy and are a key part of Labour's green energy pledge. But these colossal turbines can blind the UK's defence systems. What does this mean, and what can be done about it?This episode was written by Elaine McCallig Mixed by Casey Magloire.Photography by Jon Jones. Executive producer is Rebecca Moore Hosted on Acast. See acast.com/privacy for more information.
Chapter 27 of Star Wars: Dark Force Rising (1992) (EU: 9 ABY) by Timothy Zahn.Full Show NotesShare this link to find your preferred podcast player## The Story So Far ##Karrde has been sitting on the location of the Katana Fleet for many years, waiting for the most profitable opportunity to sell this knowledge. Unwittingly betrayed by Mara Jade, Thrawn captured the smuggler to extract the coordinates.Even after the death of the Emperor, Mara is compelled to enact his revenge upon Skywalker, but he is the only person she could ask for help. She found him having followed C'baoth's call. They clashed with the mad Jedi and left him unconscious at his castle. Together, they freed Karrde and set course for Coruscant.Thrawn has also been tracking a splinter faction lead by Garm Bel Iblis. Bel Iblis had acquired six of the Katana dreadnaughts, and after meeting with Han and Lando, gave them a contact for his supplier. Not careful enough, they were tracked by ship thief Niles Ferrier. The Empire intercepted and made away with the supplier.On Coruscant, Fey'lya stalled a full-blown recovery effort in favour of an investigatory team. Knowing that the clock is running down, Karrde sent Mara to regroup their organisation and had Leia commission a rogue team to arrive ahead of Fey'lya's hand-picked one.## Chapter 27 ##Luke, Han, Lando, Chewbacca, and Wedge arrive at the coordinates. Luke guided by the Force, directs the boarding party to the fleet's flagship and namesake, the Katana. Luke and Han lead one team to the bridge, while Lando and Chewbacca head another to engineering. The Katana is eerily pristine, but in spite of that, the sublight drives are inoperable, indicating a cumbersome recovery operation.Fey'lya, Karrde, and Leia arrive in the command suite aboard the Quenfis. From the bridge, Captain Virgilio hails Han to surrender and turn themselves into their custody. Han encourages Wedge to back down before cutting his own comm.It's at this moment that the Imperial Star Destroyer Judicator drops out of hyperspace, immediately launching their own boarding party. Rogue Squadron moves to engage, but Fey'lya demands Captain Virgilio to prepare to retreat. Before Leia can add her voice, Fey'lya cuts the intercom to the bridge and presses his authority; brandishing a blaster for emphasis.On the Katana, Han fires a single, deterring turbolaser lance before the batteries overload. Without recourse, they regroup towards the hangar to repel the incoming Imperials.Aboard Quenfis, Fey'lya admonishes Leia for her sentimentality for soldiers. Karrde drops a surreptitious message for Leia to turn on the intercom. She uses her Jedi powers to activate every comm unit while Karrde sets up Fey'lya to confess his political self-interest. With Fey'lya's cold denouncement of the lives of soldiers, Captain Virgilio orders the Quenfis to full battle readiness, and has him placed under guard.The Chimaera is waiting at a nearby staging area when it receives the engagement report from the Judicator. Before they can jump to assist, C'baoth arrives, demanding to speak with Thrawn. The Peremptory is ordered to go in the Chimaera's stead. Pellaeon and Thrawn share quiet concerns that C'baoth is becoming ungovernable.## Join Us ##Discuss with us on Discord or YouTubeSupport us on PatreonOur WebsiteSupport the show
The aftermath of Jesus raising Lazarus sets the stage for the intensifying conflict between belief and opposition. While many believe in Him, others report the miracle to the Pharisees, sparking a pivotal meeting of the Sanhedrin. In this council, Caiaphas, the high priest, utters a prophecy rich with irony that he himself doesn't understand: that it is better for one man to die for the people than for the whole nation to perish. Unwittingly, he speaks a profound truth about Jesus' sacrificial death; thus God uses him in his high priestly role despite his unbelief. The Rev. Kevin Parviz, pastor of Congregation Chai v' Shalom, in St. Louis, MO, joins the Rev. Dr. Phil Booe to study John 11:45-57. The Gospel of John takes us on a journey through the Good News of Jesus in a unique way. It reveals Jesus as the incarnate son of God from eternity. From His miraculous signs to His profound "I Am" statements, we witness Jesus offering living water to the thirsty, light to those in darkness, and life to the dead. But this is also a story of conflict: Jesus is relentlessly pursued by those who reject Him, yet He willingly goes to the cross, showing the depths of God's love. As we travel from His first miracle to His ultimate victory over death, John invites us to see and believe—that in Jesus, we find eternal life and the very presence of God among us. Connect to God's revealing Word in this series that uncovers the rich, layered truths of John's Gospel and the unshakable hope it offers. Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.
Join me on pilgrimage to Rome and Assisi for the Jubilee Year and get $200 off if you register before the end of October! Details here: https://bit.ly/rome_assisi A scribe, emboldened by Jesus' compelling answer to the debated topic of resurrection presents another question before the Lord, “Which is the greatest commandment?” Exploring Our Lord's answer we discover a response oozing with Scripture, one that impressively sums up both the 600+ laws of the Torah and the heart of the Ten Commandments. Unwittingly, the scribe's own commentary prophetically describes what Jesus will do upon the cross: fulfill Temple worship in his own self-holocaust and unleash a flood of grace that will transform souls and make saints.
EP76 - George Zach - Rosco's ReichAt 21, Rosco has everything he wants—a steady job as sheriff of a quiet Arizona town, a predictable life, and dreams of the classic American family behind a white picket fence. His daily challenges barely go beyond finding lost cats and choosing between glazed or jelly-filled doughnuts. But Rosco's world is shaken when he arrests George Zach, a Greek comedian speeding through town. What Rosco expects to be a routine stop turns into a nightmare when George reveals a shocking secret: a covert Nazi power, hidden deep within American institutions, plans to rise again and seize control of Europe. Unwittingly entangled in a web of conspiracy, Rosco finds himself transporting George straight into the heart of danger, where he discovers that the threat is closer to home than he could have ever imagined. From Nazi spies to Newcastle car boot sales this is an AllMadeUp story that'll keep you guessing till the last mile!Wanna follow George Zachhttps://www.instagram.com/greekcomedian/?hl=en Wanna follow Harry Stachini…Insta: @HarrystandupFB: @HarrystachinicomedianYouTube: @HarrystachiniTwitter: @HstachiniThe Staff Room PodcastWanna follow Lewis Coleman…Insta: @lewiscolemanTwitter: @LewisColeman93Wanna follow Ben Hart…Insta: @benhartcomedyFB: @benhartactorTwitter: @benhart0592CreditsRecorded by Lewis ColemanEdited by Clementine Bogg-Hargroves Produced by @GetGiddierArtwork by Elliot @melodyleeart Soundtrack by @grahammccusker#NewPodcast #ComedyPodcast #Edinburgh #Carboot #Greek #Arizona #Police #liveshow #WW2 #Newcastle #Nazi Hosted on Acast. See acast.com/privacy for more information.
Jase is giddy over making an unexpected friend in a lady pest control technician, discovering extremely rare coins in his yard, and accidentally entertaining his landscaping crew. Phil's pain tolerance is legendary among the Robertson family, and the guys dissect Colossians' themes of spiritual maturity, discipline, and growth. Al points out that an emotional response to Christ is necessary but only part of the whole journey. In this episode: Colossians 1; Colossians 2, verse 8; Acts 19, verses 8-10; 1 Corinthians 8, verses 1-6; Galatians 4, verses 8-20 “Unashamed” Episode 976 is sponsored by: https://www.patriotmobile.com/phil — Get a FREE MONTH of service when you enter code PHIL or call 972-PATRIOT http://www.UnashamedMerch.com — Get 10% OFF with promo code UNASHAMED10 -- Learn more about your ad choices. Visit megaphone.fm/adchoices
Jase chooses one specific Godwin one-liner as not only his favorite “Duck Dynasty” moment but a tactic he has been utilizing in marital squabbles ever since. Phil remembers the first time he met pre-Jesus Godwin, who was sneaking beer into a church function. Jase tries to share ducks with folks in a rough neighborhood, only to be mistaken for a drug purchaser. The guys read their favorite verses in Colossians as an overview of what Paul wants to get across for the entire book. In this episode: Colossians 1, verses 15-20; Colossians 2, verses 9-12; Colossians 4, verses 5-6 “Unashamed” Episode 969 is sponsored by: https://www.patriotmobile.com/phil — Get a FREE MONTH of service when you enter code PHIL or call 972-PATRIOT. http://www.UnashamedMerch.com — Get 10% OFF with promo code UNASHAMED10. -- Learn more about your ad choices. Visit megaphone.fm/adchoices
Holmberg's Morning Sickness - Wednesday October 2, 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices
Holmberg's Morning Sickness - Wednesday October 2, 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hi. Parker Molloy joins Katy and Cody to talk about the DoJ indictment which found that Tim Pool– er, sorry, Commentator-2– and other right-wing influencers (unknowingly!) took money from Russian state media. They also discuss the media double standard in covering Donald Trump vs. anyone else, and the GOP ticket's nuanced policy on lowering the cost of child care. 00:00 - Intro and Chat With Parker 11:30 - Tenet Media indictment 32:37 - Media Failures Even More News listeners get an exclusive 50% discount on a new SimpliSafe system, plus a free indoor security camera, with Fast Protect™ Monitoring. All you need to do is visit https://simplisafe.com/MORENEWS to claim this discount. We've worked out a special offer for our audience! Receive 15% off your first order of ARMRA Colostrum at https://tryarmra.com/MORENEWS or enter MORENEWS to get 15% off your first order. Coffee at home, made better. Head to https://drinktrade.com/MORENEWS to receive your first bag free! Nobody does selling better than Shopify. Sign up for your one-dollar-per-month trial period at https://shopify.com/morenews ALL LOWERCASE. Watch this podcast on YouTube: https://youtu.be/MtgwnwJ8424 Check out our MERCH STORE: https://shop.somemorenews.com SUBSCRIBE to SOME MORE NEWS: https://tinyurl.com/ybfx89rh Subscribe to the Even More News and SMN audio podcasts here: Apple Podcasts: https://podcasts.apple.com/us/podcast/some-more-news/id1364825229 Spotify: https://open.spotify.com/show/6ebqegozpFt9hY2WJ7TDiA
Executive coach Joe Sinnott drops by The Crude Life to discuss operational failures and organization communication using Saturday's assassination attempt as talking points and examples. Sinnott, CEO of Witting Partners, lives about 45 minutes from the Butler, PA, site. On July 13, 2024, Donald Trump, a former president of the United States and [...]
Jase's one and only trip to Buc-ee's was so eventful that Missy nearly filed a missing persons report by the time he got out of there, and Phil is proud of his longtime influence on the life of a newly elected elder at church. Al reminds everyone of why the Robertsons distrust buffet-style food service, and the guys discuss various groups' obsessions with false doctrine and teachers. Jase has some advice for those dealing with scandal within their churches. In this episode: Ephesians 4; Hebrews 12, verses 8-18; 1 Corinthians 1, verse 17 “Unashamed” Episode 943 is sponsored by: https://netsuite.com/phil — Get your one-of-a-kind flexible financing program with NetSuite https://healthylink.com/phil — Get your first month FREE up to $100 off eligible plans with LaaSy Health! https://getliverhelp.com/unashamed — Get a FREE bottle of Blood Sugar Formula to reduce sugar cravings when you try Liver Health Formula https://philmerch.com — Get your “Unashamed” mugs, shirts, hats & hoodies! -- Learn more about your ad choices. Visit megaphone.fm/adchoices
On today's episode of “The Liz Wheeler Show,” BlazeTV host Liz Wheeler responds to the thousands of comments she received over her viral post on X claiming that it's not attractive for men to play video games. Unwittingly, Liz touched on a cultural nerve and sparked a debate that is still raging. On her podcast, Liz breaks down what it means to be a man and what women really find attractive. Plus, Liz explains how individuals like Andrew Tate and Pearl Davis have poisoned the minds of many men as evidenced by her haters. Liz also gives a lesson on why young men need to find good hobbies that actually produce something of value for themselves, their communities, or their families. Then, Liz breaks down the latest polls in the 2024 election between Vice President Kamala Harris and President Donald Trump. And she reveals why the DNC is a sad, sad cry for help. Just take a look at Van Jones on CNN — he's emerging from a “spiritual desert” thanks to the Obamas. Yikes! All that and more on today's episode of “The Liz Wheeler Show.” SPONSORS: First Cup Coffee Company: Go to https://firstcup.com/ and use code LIZ to save an additional 10% plus get free shipping on subscriptions. The Wellness Company: Go to https://www.twc.health/liz/ and use code LIZ for $30 off the Wellness Center Medical Emergency Kit. Cozy Earth: Get up to 40% off at https://www.cozyearth.com/LIZ using LIZ. Learn more about your ad choices. Visit megaphone.fm/adchoices
On THis episode of WSEG, we deep dive into a knife attack in the UK lead to the country's worst riots in a decade and how a foiled terror plot canceled 3 of Taylors shows in Vienna. Video Version: https://youtu.be/yzks6DyK7Mw
What's up, dudes? We interrupt your regularly scheduled summer day to bring you this special news bulletin! Yes, Mike Westfal of Advent Calendar House and Tim Babb from Can't Wait for Christmas are one the scene with me to talk all about the 1989 “Sesame Street News Flash: Santa Claus” sketch! From episode 2592 of season 20, this three minute news flash sees ace reporter Kermit the Frog attempt to catch Santa in the act of delivering presents on Christmas Eve. The sketch was directed by Jon Stone, and was originally titled ‘A Clean Sweep.' Our green correspondent hides behind a family's Christmas tree, and springs into action upon hearing a noise from the chimney. To his great surprise, a “Bert from Mary Poppins”-esque chimney cleaner, C. Sweep, tumbles out of the fireplace. Apparently he was hired to unclog the chimney! And on Christmas Eve of all times!Kermit admonishes the Victorian London sweep and encourages him to clean the chimney post haste! Unwittingly, C. Sweep clears the obstruction, and out pops Santa Claus himself! This is why Gary Shandling greases his chimney. Santa immediately sits to rest, and Sweep jumps on his lap and starts reciting his Christmas list. Kermit gets dragged into the whole charade. It's almost as wacky as the time Kermit saw the holiday mascots get mixed up.Mandatory Jerry Nelson voice? Yep. Anything muppets? Sweep and Santa, of course. Flustered flippers? Only Kermit's! So grab your microphone, hide behind a Christmas tree, and help a chimney sweep unclog this episode about “Sesame Street News Flash: Santa Claus!”Advent Calendar HouseFB: @adventcalendarhouseTwitter: @adventcalhouseIG: @adventcalendarhouseCan't Wait for Christmas FB: @CantWaitForChristmasPodIG: @cantwaitforchristmaspodTwitter: @ChristmasPodGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!
Chris Pudney, Professor of Applied Biochemistry at the University of Bath
Follow Him: A Come, Follow Me Podcast featuring Hank Smith & John Bytheway
How do we recognize anti-Christian rhetoric? Dr. Brent Top examines the sophistries and anti-familial tenets advanced by Korihor and how the Book of Mormon exposes the enemies of Christ for the Latter-day Saints.English: https://tinyurl.com/podcastBM29ENFrench: https://tinyurl.com/podcastBM29FRPortuguese: https://tinyurl.com/podcastBM29PTSpanish: https://tinyurl.com/podcastBM29ES YOUTUBEhttps://youtu.be/GEMJUTQ1HSkALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIMpodcast.comFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookWEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletterSOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE00:00 Part I - Dr. Brent Top02:55 Dr. Brent Tops bio04:54 Introduction Korihorrible decisions06:40 Promises about Book of Mormon10:40 followHIM Favorite story about football13:33 Alma 30 - Obedience is protection against Korihors 14:33 Alma 30:12-18 - Temple experiences vs. Korihor16:25 Alma 30:8-12 - Beliefs and behaviors19:57 Alma 30:13 - Korihor's tactics24:23 Dr. Top shares a story about the Southern Baptist convention27:53 Alma 30:13, 27 - Korihor paints himself as liberator32:41 Korihor makes an intellectual caste system36:38 Alma 30:15 - Countering Korihor's tactics38:11 Discovering and recognizing truth40:02 Alma 30:17-18 - Korihor teaches that man is greater than God46:39 Unwittingly adopting Korihor's philosophies52:07 Alma 30:12-17 The Articles of No Faith56:13 Can you vote to decide true north?58:47 A consequence stick object lesson1:01:32 Alma 32:20 - Anti-family is anti-ChristThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com
Sure we all know when the monster is tearing up our laboratory or when the sky is raining blood, but what are those other telltale signs that you might have just walked into a horror film? Drawing on our Amicus, Hammer, Stephen King knowledge among others, the Blerdsassins Next Door at 6p PST/ 8p CST/ 9p EST will provide you with clues as to when you have unwittingly stepped front and center into a horror film.
Fifty years ago, The New York Times Magazine featured Joyce Maynard on its cover for an essay she wrote entitled “An 18-Year-Old Looks Back on Life.” That story would catapult her to national prominence but also mark a traumatic beginning to a celebrated career as a prolific novelist and memoir writer. Unwittingly, Maynard became part of a MeToo scandal with iconic novelist J.D. Salinger long before male predatory behavior was in the news. She survived that affair to become an acclaimed, prolific author— penning 13 novels and 5 works of non-fiction, two of which were adapted for film. On the pod, she talks about her newest masterpiece, How the Light Gets In, getting canceled in the 90s, returning to Yale as a middle age mom to get a degree, reading and writing with ADHD, and the best writing advice she was ever given. Follow Joyce on Facebook: joycemaynardauthor Sign up for my online Writing Masterclass on June 27 @ https://bit.ly/smallmasterclass
Matthew Garvey of Spirit Filled Hearts Ministry works with the ministry's Dunamis group, with a special focus on young adult ministry. The Journey is a show that focuses on the world Young Adult Catholic's face and the powerful testimonies young adults have living a faithful life following Jesus. In this episode, Matthew talks with Desiree about her conversion.The Journey airs on Spirit Filled Radio 1:30AM Weekdays, Pacific Time.Listen to the live airing here or the podcast episode at https://www.spiritfilledevents.com/the-journeyDownload the free App for you phone or table click below. Access all podcast and live radio shows here.APPLE LINK FOR APPGOOGLE PLAY LINK FOR APP
Consumer advocate Wendy Knowler is delving into whether consumers are unknowingly being charged service fees on garage cards or additional credit cards that have remained unused for years. See omnystudio.com/listener for privacy information.
Today we unravel the second ransomware extortion of Change Healthcare by RansomHub, the cunning malvertising campaign targeting IT pros with malware-laden ads for PuTTY and FileZilla, and the deceptive tactics on GitHub fooling developers into downloading malware. Discover protective strategies and engage with expert insights on bolstering defenses against these evolving cyber threats. Original URLs: https://www.securityweek.com/second-ransomware-group-extorting-change-healthcare/ https://www.helpnetsecurity.com/2024/04/10/malvertising-putty-filezilla/ https://thehackernews.com/2024/04/beware-githubs-fake-popularity-scam.html https://www.bleepingcomputer.com/news/security/malicious-visual-studio-projects-on-github-push-keyzetsu-malware/ Follow us on Instagram: https://www.instagram.com/the_daily_decrypt/ Thanks to Jered Jones for providing the music for this episode. https://www.jeredjones.com/ Logo Design by https://www.zackgraber.com/ Tags: cybersecurity, ransomware, malvertising, GitHub scams, Change Healthcare, IT professionals, data protection, cybercrime, malware, software development Search Phrases: How to protect against ransomware attacks Strategies to combat malvertising campaigns Tips for IT professionals on avoiding malicious ads Safeguarding software development from GitHub scams Change Healthcare ransomware extortion case study Cybersecurity advice for IT administrators Dealing with malware in system utilities ads Best practices for data protection in healthcare Understanding cybercrime tactics on GitHub Preventing repeated ransomware extortions Transcript: Transition (Long) 2 Welcome back to the Daily Decrypt. Change Healthcare falls victim to a second ransomware extortion in just a month, now at the hands of the Emergent Ransom Hub Group, wielding over 4 terabytes of sensitive data stolen in the February 2024 cyberattack. Which comes as a result from the Black Cat Exit Scam. Next, we're turning over to a new malvertising campaign where searching for essential utilities for IT professionals like Putty and Filezilla leads to malware laden ads, and you all know what I'm going to say about this. Don't click Google Ads. And finally, GitHub becomes a battlefield as cybercriminals exploit its search functionality to trick developers into downloading repositories full of malware. How can developers ensure the repositories they download from GitHub are safe and not just traps set by cybercriminals? All right, so at the end of February of this year, you may remember that Change Healthcare, which is a subsidiary of UnitedHealthcare, was the victim of a ransomware attack by the notorious and since disbanded ransomware group named Black Cat. Well, Change Healthcare finds itself in the crosshairs of a ransomware extortion scheme for the second time in just over a month, coming from a new ransomware group called Ransom Hub. There hasn't been a second attack. But this is believed to be a result of the exit scam that Black Cat pulled, where they kept all of the ransom payment that Change Healthcare had made. Allegedly, Optum, which is a subsidiary of Change Healthcare, paid Black Cat 22 million in ransom after the attack. Black Cat then pulled an apparent exit scam and disappeared without paying the affiliate who carried out the attack. And according to Qualys Cyber Threat Director Ken Dunham, it's not uncommon for companies that give in and pay these ransoms to quickly become additional targets or soft targets where their information is extorted again and again and again. Paying and giving into these ransomware artists might seem like a quick fix to your problems, but once you've proven that you will and can pay, they're gonna come after you again. The data doesn't just disappear or get deleted. It's very valuable, and in this case it's worth 22 million dollars, so even if the attackers say they're gonna delete it, maybe they won't and maybe they'll come hit you again. So even though Black Cat has disbanded, whether or not they were taken down by the FBI or performed an exit scam, The data that they pillaged from Change Healthcare is now in the hands, or supposedly in the hands, of a group called Ransomhub, which is extorting Change Healthcare all over again. IT professionals have found themselves at the crosshairs of an ongoing malvertising campaign. These attackers are using malicious Google Ads to disguise malware as popular system utilities, like Putty, which is a free SSH IntelNet client. And FileZilla, which is a FTP application. This research comes from Malwarebytes researcher Jerome Segura, and he points out that even after alerting Google about these malicious ads, the campaign continues unabated. This sophisticated scheme begins when IT administrators search for these utilities on Google. The top search results, or sponsored ads, lead them through a series of cloaking pages. These pages are designed to filter out non target traffic such as bots or security researchers, directing only potential victims to imitation sites. Unwittingly, when these IT administrators download what they believe to be legitimate software, they instead receive nitrogen malware, which is a dangerous software for cybercriminals, enabling them to infiltrate private networks or steal data, deploy ransomware attacks, and was used by the notorious Black Cat from the previous story. The method of infiltration is known as DLL sideloading, which involves the malware masquerading as a legitimate and signed executable to launch a DLL, thereby avoiding detection. So what this essentially means is these IT professionals are probably getting the tool, FileZilla, Putty, that they're looking for, The functionality might remain exactly the same, which only serves to benefit the attackers because once the IT professionals download the software, there's no indicators that it's incorrect or fake, but this software such as Putty or FileZilla will then launch a separate DLL, which is just an executable that contains the malware. So one way you can prevent this as someone downloading software from the web, is to find what's called an MD5 hash, which is essentially a signature of sorts that verifies the integrity of the file you've downloaded. Now, hashing isn't necessarily something we need to get into, Right now on this podcast, but all you need to know is it's sort of like math where you multiply the data from within this piece of software or do algebra or something to create this long string of characters. that can't be replicated if the files have been altered. So as soon as the files are altered, the mathematical equation puts out a different set of characters, right? So the creators of the software release this hash, they display it on their website, and then when you download the software, you run the same algorithm against that software to see if those two hashes match. Now I personally am guilty of Not always checking the hash for softwares. And I know a lot of other IT professionals are guilty of that as well, but it's time to set up a new good habit and consistently check these hashes, maybe even develop a web scraper that will go grab the hash and also run the software through it, comparing it, reducing the amount of work you have to do on the other end, but in summary, as I always say, do not click Google ads unless you absolutely have to, unless the thing you're searching for down below. Unless the thing you're specifically searching for is not in the search results below, and is only present in the advertisement, which will probably only be for things like thedailydecrypt. com, where I haven't been around long enough to boost my search result ranking naturally, so eventually maybe I'll start buying ad space, trying to get to people who are looking for the content that we're providing. But if you're going to download some software, there's no need to click the ads, especially something as popular as FileZilla or PuTTY, VS Code, whatever you're trying to download, go find it in the search results. Do not click the ad. And in a similar vein, let's talk about a scam on GitHub that's fooling developers into downloading dangerous malware. Cybercriminals are exploiting GitHub's search features, luring users into downloading fake yet seemingly popular repositories. This scheme has been identified to distribute malware hidden within Microsoft Visual Studio Code project files, which are cunningly designed to fetch further malicious payloads from remote URLs, as reported by checkmarks. So the attackers are mimicking popular repositories and employing automated updates and fake stars to climb GitHub's search rankings. So unlike Google, I don't believe there are ads you can buy in GitHub search to boost your search rankings. So attackers are becoming a little more creative. Making the repository look like it's consistently updated, helps boost the search rankings, and then naming the repositories, things that developers are constantly searching for will also help boost its rankings in its SEO. So since many of these repositories are disguised legitimate projects, it can be pretty tricky to identify them, but among the discoveries, some repositories were found downloading an encrypted file named feedbackapi. exe. which is an executable and is notably large at 750 megabytes. This executable is designed to bypass antivirus detection and deploy malware, similar to the Kizetsu Clipper, a notorious tool known for hijacking cryptocurrency transactions. And unlike softwares downloaded from the internet by clicking on Google ads in the previous story, there may or may not be hashes for these repositories. Most likely not. Sometimes if they're an executable or a package, they'll provide a hash. But if you're on the GitHub repository, you think it's legit, they might list the hash, but that's just the hash to their malware, giving you a false sense of security, just be extra vigilant when you're downloading anything to your computer, especially open source things that are generally found on GitHub, it can't be that hard to create. A thousand GitHub accounts, or maybe even you can buy them online. And that immediately gives your repo a thousand stars, making it look legitimate. So if you're looking for a tool, it's best to find it on the web within, from within a reputable website. GitHub search feature is not the most reliable. And that's all I've got for you today. Thanks so much for tuning in. Today I'll be traveling to Florida to Participate in the Hackspace conference where I'm really excited to learn a little bit more about how cybersecurity and satellites and other spacecraft intertwine. I'll also be meeting up with dogespan where we'll hopefully do a joint episode, our first ever one in person. So be sure to tune in tomorrow for that episode.
@JordanBPeterson Exploring the Philosophical and Scientific | Dr. Daniel Dennett | EP 438 https://youtu.be/VWpm2NOF2Zw?si=6YS2G0xqn9-b_HCS Paul Vander Klay clips channel https://www.youtube.com/channel/UCX0jIcadtoxELSwehCh5QTg Bridges of Meaning Discord https://discord.gg/J6BqymNg https://www.meetup.com/sacramento-estuary/ My Substack https://paulvanderklay.substack.com/ Estuary Hub Link https://www.estuaryhub.com/ If you want to schedule a one-on-one conversation check here. https://calendly.com/paulvanderklay/one2one There is a video version of this podcast on YouTube at http://www.youtube.com/paulvanderklay To listen to this on ITunes https://itunes.apple.com/us/podcast/paul-vanderklays-podcast/id1394314333 If you need the RSS feed for your podcast player https://paulvanderklay.podbean.com/feed/ All Amazon links here are part of the Amazon Affiliate Program. Amazon pays me a small commission at no additional cost to you if you buy through one of the product links here. This is is one (free to you) way to support my videos. https://paypal.me/paulvanderklay Blockchain backup on Lbry https://odysee.com/@paulvanderklay https://www.patreon.com/paulvanderklay Paul's Church Content at Living Stones Channel https://www.youtube.com/channel/UCh7bdktIALZ9Nq41oVCvW-A To support Paul's work by supporting his church give here. https://tithe.ly/give?c=2160640
Unity Without Compromise with Dr. Steven LaTulippe – And so I ask, are we who love America and lament her rapid decline under a tyrannical government all just a bunch of drama queens? Do we relish being the loudest voice to decry all the evil we see, while in reality, we do nothing? What would you do to save America? At this moment, I'm not asking what we can do to save America or what we should do to save America? I am specifically asking you, the reader — what would you do?
Unity Without Compromise with Dr. Steven LaTulippe – And so I ask, are we who love America and lament her rapid decline under a tyrannical government all just a bunch of drama queens? Do we relish being the loudest voice to decry all the evil we see, while in reality, we do nothing? What would you do to save America? At this moment, I'm not asking what we can do to save America or what we should do to save America? I am specifically asking you, the reader — what would you do?
After losing his CNN hosting gig, Don Lemon was supposed to enjoy a soft landing at X/Twitter, where he was given the opportunity to host a whole new show. But that didn't happen after a tense interview with Elon Musk during which Lemon applauded the X CEO for promoting free speech by adding Lemon's show but criticized him for NOT censoring what Lemon termed “hate speech.” Jimmy and Americans' Comedian Kurt Metzger discuss why it's a bad idea for tech industry billionaires to decide what speech should and should not be allowed. Plus segments on the January 6 committee withholding evidence exonerating Trump and rocker Neil Young coming crawling back to Spotify. Also featuring Stef Zamorano, Mike MacRae and Dr. Robert Malone. And a phone call from Al Pacino!
» Get $100 off my bestselling course, Unlock God Mode « » Download the FREE manifestation PDF guide « • NevilleDaily Community (use the code TRIBE2024)• NevilleDaily Course (use the code PODCAST)• NevilleDaily 1:1 Guidance• Neville Goddard Books• Support the podcast via PatreonDownload: Infinite Spirit Is Never Too Late – Subconscious Meditation» Learn more about Unlock God Mode, a course to develop a LIMITLESS mind « Resources:• Free newsletter• NevilleDaily Store• Manifestation Course• NevilleDaily Community• NevilleDaily YouTube• Support the podcast via Patreon* * * Neville Goddard was a mystic and writer who explored the power of the mind and whose books left an indelible mark on the world.Read four of his books and lectures for free:Feeling is the Secret by Neville GoddardOut of this World by Neville GoddardFreedom for All by Neville GoddardFundamentals by Neville Goddard"You cannot serve two masters. Burn your bridges and completely abandon yourself to the person you want to be.""All things express their nature. As you wear a feeling, it becomes your nature.""Man must believe the unbelievable to fully express the greatness that he is."If you're ready to integrate Neville's teachings into your life and unlock the next level of the game of consciousness, begin with our bestselling course, Unlock God Mode.* * *Unlock God Mode is a transformative 30-day course designed to accelerate your journey towards greater wealth, love, and success through a deeper understanding and manipulation of your reality. Comprising of 30 audio lessons, this course unfolds as a self-paced, introspective expedition into reality creation, aiding you in elevating your consciousness to what's referred to as the God Mode. Throughout this journey, practical tools will be provided daily to help enrich your life with more love, money, and success by altering your mental models and perceptions. This course combines theory and hands-on experience to create a unique deep dive into manifestation, consciousness, and reality creation. Join me on an extraordinary, 30-day adventure (1 lesson per day) and watch your reality transform. Begin the Unlock God Mode experience today »"Do not compromise. Decide exactly what you want and assume you have it."— Neville Goddard * * *Join the Neville tribe at nevilledaily.com/tribeResources:• Free newsletter• NevilleDaily Store• Manifestation Course• NevilleDaily Community• NevilleDaily YouTube Offers:• Infinite Spirit Is Never Too Late (MP3 Meditation) • The Top 7 Mistakes of Manifestation (Free PDF Guide)• 1:1 Guidance CallConnect with James, founder of NevilleDaily.com • My newsletter about manifestation and spirituality • My podcast on manifestation, spirituality, and psychedelics • My YouTube channel where I talk about spirituality and intention See my podcast with Noah Lampert » Neville Goddard resources: • Newsletter • YouTube • Instagram • Threads• Twitter• Patreon» Get 50% off THE METHOD, my upcoming manifestation process « ★ Support this podcast on Patreon ★
Maybe it's steroids? Maybe she's born with it? Wait… no, she's definitely born with it. It's HAE. How fitting is it that Rare Disease Day falls on a fairly rare day, Feburary 29th! In this episode, the fellas sit down with Jordyn Campbell, who not only shares her eye-opening journey with hereditary angioedema (HAE) but also how she's punching back with advocacy and awareness. What the hell is HAE? Here's the elevator pitch - your body decides to puff up like a balloon at the most inconvenient times, thanks to a rare genetic curveball. Welcome to Jordyn's world, where getting swole is just part of the daily routine, no gym membership needed. But there's more to her story than just coping with HAE. Through battles with misdiagnoses and the quest for the right treatment, Jordyn highlights the brighter side of her condition, including her impactful work with HAE Canada and finding unexpected joys in life's challenges. To cap it all off in the wrap-up, the boys are diving into a cheeky discussion about a recent study from plastic surgeons on the ideal male buttocks. Thankfully the Gen-Z consultant came high key came through to translate the science with a zero dose of cringe. The TLDR; This deep dive into male booty aesthetics fills a big ol' gap in the glow-up science, giving us the 411 on what's peak for the peach. These gems could pave the way for next-level booty sculpting moves, making sure bros walking into the OR can walk out feeling 100.Stick around for the end of the show to hear Jordyn's latest single “Hit and Run”Key Takeaways- Hereditary angioedema (HAE) is a rare genetic condition characterized by severe swelling of various body parts.- Receiving a diagnosis for HAE can be challenging, with many individuals experiencing misdiagnosis or a lack of clear answers.- Living with HAE can have a significant impact on daily life, including work, relationships, and sexual activity.- Advocacy and raising awareness are crucial for individuals with HAE to receive proper care and support.- The availability and coverage of different medications for HAE vary from province to province, leading to variations in treatment for patients.- Finding the right drug for HAE patients can be complex, as different drugs work differently for each individual based on their gene mutation.- The decision to have children when living with a hereditary condition like HAE involves considering the potential impact on the child's life and the parents' preparedness to handle the challenges.- Genetic testing can provide valuable information for individuals considering having children, allowing them to make informed decisions about their family planning.- HAE has not taken anything away from Jordyn's life, and she sees it as a part of her normalcy. It has given her confidence, the ability to help others, and a platform to share her experiences.- Having a hereditary condition like HAE can shape one's perspective on life and provide a unique understanding and preparedness for the challenges it presents.Follow Sickboy:Instagram: https://www.instagram.com/sickboypodcastTiktok: https://www.tiktok.com/@sickboypodcastDiscord: https://discord.gg/expeUDNSupport Sickboy:Patreon - https://www.patreon.com/sickboy
Maybe it's steroids? Maybe she's born with it? Wait… no, she's definitely born with it. It's HAE. How fitting is it that Rare Disease Day falls on a fairly rare day, Feburary 29th! In this episode, the fellas sit down with Jordyn Campbell, who not only shares her eye-opening journey with hereditary angioedema (HAE) but also how she's punching back with advocacy and awareness. What the hell is HAE? Here's the elevator pitch - your body decides to puff up like a balloon at the most inconvenient times, thanks to a rare genetic curveball. Welcome to Jordyn's world, where getting swole is just part of the daily routine, no gym membership needed. But there's more to her story than just coping with HAE. Through battles with misdiagnoses and the quest for the right treatment, Jordyn highlights the brighter side of her condition, including her impactful work with HAE Canada and finding unexpected joys in life's challenges. To cap it all off in the wrap-up, the boys are diving into a cheeky discussion about a recent study from plastic surgeons on the ideal male buttocks. Thankfully the Gen-Z consultant came high key came through to translate the science with a zero dose of cringe. The TLDR; This deep dive into male booty aesthetics fills a big ol' gap in the glow-up science, giving us the 411 on what's peak for the peach. These gems could pave the way for next-level booty sculpting moves, making sure bros walking into the OR can walk out feeling 100.Stick around for the end of the show to hear Jordyn's latest single “Hit and Run”Key Takeaways- Hereditary angioedema (HAE) is a rare genetic condition characterized by severe swelling of various body parts.- Receiving a diagnosis for HAE can be challenging, with many individuals experiencing misdiagnosis or a lack of clear answers.- Living with HAE can have a significant impact on daily life, including work, relationships, and sexual activity.- Advocacy and raising awareness are crucial for individuals with HAE to receive proper care and support.- The availability and coverage of different medications for HAE vary from province to province, leading to variations in treatment for patients.- Finding the right drug for HAE patients can be complex, as different drugs work differently for each individual based on their gene mutation.- The decision to have children when living with a hereditary condition like HAE involves considering the potential impact on the child's life and the parents' preparedness to handle the challenges.- Genetic testing can provide valuable information for individuals considering having children, allowing them to make informed decisions about their family planning.- HAE has not taken anything away from Jordyn's life, and she sees it as a part of her normalcy. It has given her confidence, the ability to help others, and a platform to share her experiences.- Having a hereditary condition like HAE can shape one's perspective on life and provide a unique understanding and preparedness for the challenges it presents.Follow Sickboy:Instagram: https://www.instagram.com/sickboypodcastTiktok: https://www.tiktok.com/@sickboypodcastDiscord: https://discord.gg/expeUDNSupport Sickboy:Patreon - https://www.patreon.com/sickboy
MAXIM JAKUBOWSKI, publisher, editor, bookseller, writer & critic chats to Paul Burke about his new novel Just a Girl with a Gun. "Less sex Jakubowski" Cornelia c'est moi... Just a Girl with a Gun Killing Eve meets Mr and Mrs SmithIn the neon-lit world of seduction and secrets, Cornelia, a mesmerizing stripper, finds herself pulled into a sinister web spun by the enigmatic organization known only as ‘The Bureau'. Recruited for her hidden talents, she becomes an unlikely assassin, caught between the dance floor and a life of deadly precision.But Cornelia harbours a secret passion that sets her apart from the other killers – she has a penchant for rare books. With each mission she completes, Cornelia indulges her obsession, using her ill-gotten gains to amass a collection that becomes both her refuge and her escape.Amidst the chaos and danger, Cornelia's path intertwines with Hopley, a fellow assassin haunted by his past. Unwittingly drawn together by their shared world of shadows, they navigate a treacherous landscape where trust is scarce, and survival is paramount.As their forbidden romance blooms amidst the darkness, Cornelia and Hopley find solace in each other's arms, their connection a fragile thread of love against a backdrop of deceit and danger. Yet, as they delve deeper into the heart of The Bureau, they discover a haunting truth that threatens to tear them apart. In this exotic and gripping thriller, where death is a dance partner and love flickers in the shadows, Cornelia must confront her own loneliness and unravel the mysteries that surround her. Will she find redemption and a chance at a life beyond the deadly stage? Or will the sinister forces at play consume her, leaving only echoes of a lost love in their wake?Maxim Jakubowski worked for many years in book publishing and is well-known for his books in a variety of genres. Under a pen name, he is also a Sunday Times bestseller. He lives in London and is currently the Chair of the Crime Writers' Association.Recent books by Maxim jakubowski - (co-ed) Reports from the Deep End & Death Has a Thousand Faces (short stories)RecommendationsFilm POOR THINGS Jan, 24, Mentions: Boris Vian, Lawrence Block, Cornell Woolrich, Day Keane, Brett Halliday, James Hadley Chase, Peter Cheyney, Edward Hopper (painter), WR Burnett, Brian Aldiss, JG Ballard, Michael Moorcock, Philip Jose Farmer Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Music courtesy of Guy Hale author of The Comeback Trail trilogy, featuring Jimmy Wayne - KILLING ME SOFTLY - MIKE ZITO featuring Kid AndersonGUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 2023
79-year-old Luisa Yu had no intention of becoming famous after completing her nearly 50-year-journey to visit every country in the world. But a Croatian social media travel influencer she met along the way had other plans for her, insisting she make Serbia her final country. So, when Luisa arrived in Serbia, a throng of media awaited to interview her and the influencer (Vanna Bojovic @vannabojovic) released an Instagram reel featuring Luisa that garnered 2.7 million views. The rest, they say, is history! Since that day, just last month, Luisa has been featured in news outlets everywhere in the world – in English, Spanish, Chinese, Italian, and many more. However, those interviews feature a quote or two, a favorite country or experience, and little more. As with all interviews on the Pick My Adventure Show (and podcast), we dig a little deeper. Luisa's first full interview gives us a glimpse of: The lives of all the social media influencers she has met on her travels who have adopted her, lovingly calling her “Mama” How she went to 47 states in the United States while waiting for her green card in the 70s (and which state and city was her favorite) Why and how she went against her doctor's orders to skydive last year (at 78 years old!) Why two of the countries she was most-advised AGAINST going to turned out to be two of her favorites (Afghanistan and Somalia) Her advice for other “senior”-aged travelers – and travelers of all ages! How her daughter has attempted to stop her from going to some destinations Why her travels are far from over and what she wants to do next Listen on all your favorite apps – including Apple Podcasts, Google Podcasts, Spotify, Amazon Music and more – or in video format below on YouTube or Podbean.
79-year-old Luisa Yu had no intention of becoming famous after completing her nearly 50-year-journey to visit every country in the world. But a Croatian social media travel influencer she met along the way had other plans for her, insisting she make Serbia her final country. So, when Luisa arrived in Serbia, a throng of media awaited to interview her and the influencer (Vanna Bojovic @vannabojovic) released an Instagram reel featuring Luisa that garnered 2.7 million views. The rest, they say, is history! Since that day, just last month, Luisa has been featured in news outlets everywhere in the world – in English, Spanish, Chinese, Italian, and many more. However, those interviews feature a quote or two, a favorite country or experience, and little more. As with all interviews on the Pick My Adventure Show (and podcast), we dig a little deeper. Luisa's first full interview gives us a glimpse of: The lives of all the social media influencers she has met on her travels who have adopted her, lovingly calling her “Mama” How she went to 47 states in the United States while waiting for her green card in the 70s (and which state and city was her favorite) Why and how she went against her doctor's orders to skydive last year (at 78 years old!) Why two of the countries she was most-advised AGAINST going to turned out to be two of her favorites (Afghanistan and Somalia) Her advice for other “senior”-aged travelers – and travelers of all ages! How her daughter has attempted to stop her from going to some destinations Why her travels are far from over and what she wants to do next Listen on all your favorite apps – including Apple Podcasts, Google Podcasts, Spotify, Amazon Music and more – or in video format below on YouTube or Podbean.
What has Jewish culture unwittingly adopted from Christianity? 'Conversations' are a series of discussions by various personalities with Rabbi Daniel Rowe covering many interesting and difficult topics in Judaism. With thanks to JTV for this video and for giving us permission to share. For more J-TV videos go to https://www.youtube.com/@JTVGlobalJewishChannel/featured Subscribe for more videos about Israel and Judaism. Rabbi Daniel Rowe is a popular Rabbi, philosopher and educator in the UK, who uses deep knowledge of Judaism, science and philosophy to captivate and educate audiences on a daily basis. Follow Rabbi Rowe on Social media for regular new uploads and updates: YouTube: https://youtube.com/@RabbiDanielRowe?si=dLtRunDWpW0GbOkx Spotify: https://open.spotify.com/show/1qPQn7TIWdQ8Dxvy6RfjyD Instagram: https://instagram.com/rabbidanielrowe?igshid=OGQ5ZDc2ODk2ZA%3D%3D&utm_source=qr Facebook: https://www.facebook.com/share/LHRiZdB5EL2VdNaA/? Amazon Music: https://music.amazon.com/podcasts/cd5debfe-684c-411d-b0bc-223dcfa58a39/rabbi-daniel-rowe LinkedIn: https://www.linkedin.com/in/rabbi-daniel-rowe-23838711?utm_source=share&utm_campaign=share_via&utm_content=profile&utm_medium=ios_app TikTok: https://www.tiktok.com/@rabbi.daniel.rowe?_t=8i87VmPNE7V&_r=1 #jew #jewish #judaism #light #happiness #pleasure #philosophy
Are you unknowingly handing the defense the victory in court? It's a common pitfall I've observed, but fear not—there's a way out! And you can thank me later.
“Unwittingly, he trained a dolphin to kill the president of the United States.” What a tagline. This episode, Adam and Nate dive into The Day of the Dolphin (1973), a forgotten entry from director Mike Nichols (The Graduate, The Birdcage) that's celebrating its 50th anniversary this year. Does this forgotten movie deserve a second look, or is its parody in The Simpsons' “Treehouse of Horror XI” (S12E1) segment “Night of the Dolphin” enough?Also in this episode:• How the great Mike Nichols and George C. Scott ended up making a movie about talking dolphins• Who is this movie for? Is it a political thriller or an animal movie for kids?• Adam finds out whether or not dolphins can actually talk• A preposterous plot… or is it?• Plus, every Simpsons reference to The Day of the Dolphin and more bonus content at SpringfieldGoogolplex.com Next time, Adam and Nate celebrate their second Non-Denominational Holiday Fun Fest with a surprise episode under the festive bush!Follow us @simpsonsfilmpod on Instagram, TikTok, Twitter, Letterboxd, and YouTube.
Holmberg's Morning Sickness - Tuesday November 14, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices
Holmberg's Morning Sickness - Tuesday November 14, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 169 of A History of Rock Music in Five Hundred Songs looks at “Piece of My Heart" and the short, tragic life of Janis Joplin. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode available, on "Spinning Wheel" by Blood, Sweat & Tears. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There are two Mixcloud mixes this time. As there are so many songs by Big Brother and the Holding Company and Janis Joplin excerpted, and Mixcloud won't allow more than four songs by the same artist in any mix, I've had to post the songs not in quite the same order in which they appear in the podcast. But the mixes are here — one, two . For information on Janis Joplin I used three biographies -- Scars of Sweet Paradise by Alice Echols, Janis: Her Life and Music by Holly George-Warren, and Buried Alive by Myra Friedman. I also referred to the chapter '“Being Good Isn't Always Easy": Aretha Franklin, Janis Joplin, Dusty Springfield, and the Color of Soul' in Just Around Midnight: Rock and Roll and the Racial Imagination by Jack Hamilton. Some information on Bessie Smith came from Bessie Smith by Jackie Kay, a book I can't really recommend given the lack of fact-checking, and Bessie by Chris Albertson. I also referred to Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday by Angela Y. Davis And the best place to start with Joplin's music is this five-CD box, which contains both Big Brother and the Holding Company albums she was involved in, plus her two studio albums and bonus tracks. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode contains discussion of drug addiction and overdose, alcoholism, mental illness, domestic abuse, child abandonment, and racism. If those subjects are likely to cause you upset, you may want to check the transcript or skip this one rather than listen. Also, a subject I should probably say a little more about in this intro because I know I have inadvertently caused upset to at least one listener with this in the past. When it comes to Janis Joplin, it is *impossible* to talk about her without discussing her issues with her weight and self-image. The way I write often involves me paraphrasing the opinions of the people I'm writing about, in a mode known as close third person, and sometimes that means it can look like I am stating those opinions as my own, and sometimes things I say in that mode which *I* think are obviously meant in context to be critiques of those attitudes can appear to others to be replicating them. At least once, I have seriously upset a fat listener when talking about issues related to weight in this manner. I'm going to try to be more careful here, but just in case, I'm going to say before I begin that I think fatphobia is a pernicious form of bigotry, as bad as any other form of bigotry. I'm fat myself and well aware of how systemic discrimination affects fat people. I also think more generally that the pressure put on women to look a particular way is pernicious and disgusting in ways I can't even begin to verbalise, and causes untold harm. If *ANYTHING* I say in this episode comes across as sounding otherwise, that's because I haven't expressed myself clearly enough. Like all people, Janis Joplin had negative characteristics, and at times I'm going to say things that are critical of those. But when it comes to anything to do with her weight or her appearance, if *anything* I say sounds critical of her, rather than of a society that makes women feel awful for their appearance, it isn't meant to. Anyway, on with the show. On January the nineteenth, 1943, Seth Joplin typed up a letter to his wife Dorothy, which read “I wish to tender my congratulations on the anniversary of your successful completion of your production quota for the nine months ending January 19, 1943. I realize that you passed through a period of inflation such as you had never before known—yet, in spite of this, you met your goal by your supreme effort during the early hours of January 19, a good three weeks ahead of schedule.” As you can probably tell from that message, the Joplin family were a strange mixture of ultraconformism and eccentricity, and those two opposing forces would dominate the personality of their firstborn daughter for the whole of her life. Seth Joplin was a respected engineer at Texaco, where he worked for forty years, but he had actually dropped out of engineering school before completing his degree. His favourite pastime when he wasn't at work was to read -- he was a voracious reader -- and to listen to classical music, which would often move him to tears, but he had also taught himself to make bathtub gin during prohibition, and smoked cannabis. Dorothy, meanwhile, had had the possibility of a singing career before deciding to settle down and become a housewife, and was known for having a particularly beautiful soprano voice. Both were, by all accounts, fiercely intelligent people, but they were also as committed as anyone to the ideals of the middle-class family even as they chafed against its restrictions. Like her mother, young Janis had a beautiful soprano voice, and she became a soloist in her church choir, but after the age of six, she was not encouraged to sing much. Dorothy had had a thyroid operation which destroyed her singing voice, and the family got rid of their piano soon after (different sources say that this was either because Dorothy found her daughter's singing painful now that she couldn't sing herself, or because Seth was upset that his wife could no longer sing. Either seems plausible.) Janis was pushed to be a high-achiever -- she was given a library card as soon as she could write her name, and encouraged to use it, and she was soon advanced in school, skipping a couple of grades. She was also by all accounts a fiercely talented painter, and her parents paid for art lessons. From everything one reads about her pre-teen years, she was a child prodigy who was loved by everyone and who was clearly going to be a success of some kind. Things started to change when she reached her teenage years. Partly, this was just her getting into rock and roll music, which her father thought a fad -- though even there, she differed from her peers. She loved Elvis, but when she heard "Hound Dog", she loved it so much that she tracked down a copy of Big Mama Thornton's original, and told her friends she preferred that: [Excerpt: Big Mama Thornton, "Hound Dog"] Despite this, she was still also an exemplary student and overachiever. But by the time she turned fourteen, things started to go very wrong for her. Partly this was just down to her relationship with her father changing -- she adored him, but he became more distant from his daughters as they grew into women. But also, puberty had an almost wholly negative effect on her, at least by the standards of that time and place. She put on weight (which, again, I do not think is a negative thing, but she did, and so did everyone around her), she got a bad case of acne which didn't ever really go away, and she also didn't develop breasts particularly quickly -- which, given that she was a couple of years younger than the other people in the same classes at school, meant she stood out even more. In the mid-sixties, a doctor apparently diagnosed her as having a "hormone imbalance" -- something that got to her as a possible explanation for why she was, to quote from a letter she wrote then, "not really a woman or enough of one or something." She wondered if "maybe something as simple as a pill could have helped out or even changed that part of me I call ME and has been so messed up.” I'm not a doctor and even if I were, diagnosing historical figures is an unethical thing to do, but certainly the acne, weight gain, and mental health problems she had are all consistent with PCOS, the most common endocrine disorder among women, and it seems likely given what the doctor told her that this was the cause. But at the time all she knew was that she was different, and that in the eyes of her fellow students she had gone from being pretty to being ugly. She seems to have been a very trusting, naive, person who was often the brunt of jokes but who desperately needed to be accepted, and it became clear that her appearance wasn't going to let her fit into the conformist society she was being brought up in, while her high intelligence, low impulse control, and curiosity meant she couldn't even fade into the background. This left her one other option, and she decided that she would deliberately try to look and act as different from everyone else as possible. That way, it would be a conscious choice on her part to reject the standards of her fellow pupils, rather than her being rejected by them. She started to admire rebels. She became a big fan of Jerry Lee Lewis, whose music combined the country music she'd grown up hearing in Texas, the R&B she liked now, and the rebellious nature she was trying to cultivate: [Excerpt: Jerry Lee Lewis, "Whole Lotta Shakin' Goin' On"] When Lewis' career was derailed by his marriage to his teenage cousin, Joplin wrote an angry letter to Time magazine complaining that they had mistreated him in their coverage. But as with so many people of her generation, her love of rock and roll music led her first to the blues and then to folk, and she soon found herself listening to Odetta: [Excerpt: Odetta, "Muleskinner Blues"] One of her first experiences of realising she could gain acceptance from her peers by singing was when she was hanging out with the small group of Bohemian teenagers she was friendly with, and sang an Odetta song, mimicking her voice exactly. But young Janis Joplin was listening to an eclectic range of folk music, and could mimic more than just Odetta. For all that her later vocal style was hugely influenced by Odetta and by other Black singers like Big Mama Thornton and Etta James, her friends in her late teens and early twenties remember her as a vocal chameleon with an achingly pure soprano, who would more often than Odetta be imitating the great Appalachian traditional folk singer Jean Ritchie: [Excerpt: Jean Ritchie, "Lord Randall"] She was, in short, trying her best to become a Beatnik, despite not having any experience of that subculture other than what she read in books -- though she *did* read about them in books, devouring things like Kerouac's On The Road. She came into conflict with her mother, who didn't understand what was happening to her daughter, and who tried to get family counselling to understand what was going on. Her father, who seemed to relate more to Janis, but who was more quietly eccentric, put an end to that, but Janis would still for the rest of her life talk about how her mother had taken her to doctors who thought she was going to end up "either in jail or an insane asylum" to use her words. From this point on, and for the rest of her life, she was torn between a need for approval from her family and her peers, and a knowledge that no matter what she did she couldn't fit in with normal societal expectations. In high school she was a member of the Future Nurses of America, the Future Teachers of America, the Art Club, and Slide Rule Club, but she also had a reputation as a wild girl, and as sexually active (even though by all accounts at this point she was far less so than most of the so-called "good girls" – but her later activity was in part because she felt that if she was going to have that reputation anyway she might as well earn it). She also was known to express radical opinions, like that segregation was wrong, an opinion that the other students in her segregated Texan school didn't even think was wrong, but possibly some sort of sign of mental illness. Her final High School yearbook didn't contain a single other student's signature. And her initial choice of university, Lamar State College of Technology, was not much better. In the next town over, and attended by many of the same students, it had much the same attitudes as the school she'd left. Almost the only long-term effect her initial attendance at university had on her was a negative one -- she found there was another student at the college who was better at painting. Deciding that if she wasn't going to be the best at something she didn't want to do it at all, she more or less gave up on painting at that point. But there was one positive. One of the lecturers at Lamar was Francis Edward "Ab" Abernethy, who would in the early seventies go on to become the Secretary and Editor of the Texas Folklore Society, and was also a passionate folk musician, playing double bass in string bands. Abernethy had a great collection of blues 78s. and it was through this collection that Janis first discovered classic blues, and in particular Bessie Smith: [Excerpt: Bessie Smith, "Black Mountain Blues"] A couple of episodes ago, we had a long look at the history of the music that now gets called "the blues" -- the music that's based around guitars, and generally involves a solo male vocalist, usually Black during its classic period. At the time that music was being made though it wouldn't have been thought of as "the blues" with no modifiers by most people who were aware of it. At the start, even the songs they were playing weren't thought of as blues by the male vocalist/guitarists who played them -- they called the songs they played "reels". The music released by people like Blind Lemon Jefferson, Son House, Robert Johnson, Kokomo Arnold and so on was thought of as blues music, and people would understand and agree with a phrase like "Lonnie Johnson is a blues singer", but it wasn't the first thing people thought of when they talked about "the blues". Until relatively late -- probably some time in the 1960s -- if you wanted to talk about blues music made by Black men with guitars and only that music, you talked about "country blues". If you thought about "the blues", with no qualifiers, you thought about a rather different style of music, one that white record collectors started later to refer to as "classic blues" to differentiate it from what they were now calling "the blues". Nowadays of course if you say "classic blues", most people will think you mean Muddy Waters or John Lee Hooker, people who were contemporary at the time those white record collectors were coming up with their labels, and so that style of music gets referred to as "vaudeville blues", or as "classic female blues": [Excerpt: Mamie Smith, "Crazy Blues"] What we just heard was the first big blues hit performed by a Black person, from 1920, and as we discussed in the episode on "Crossroads" that revolutionised the whole record industry when it came out. The song was performed by Mamie Smith, a vaudeville performer, and was originally titled "Harlem Blues" by its writer, Perry Bradford, before he changed the title to "Crazy Blues" to get it to a wider audience. Bradford was an important figure in the vaudeville scene, though other than being the credited writer of "Keep A-Knockin'" he's little known these days. He was a Black musician and grew up playing in minstrel shows (the history of minstrelsy is a topic for another day, but it's more complicated than the simple image of blackface that we are aware of today -- though as with many "more complicated than that" things it is, also the simple image of blackface we're aware of). He was the person who persuaded OKeh records that there would be a market for music made by Black people that sounded Black (though as we're going to see in this episode, what "sounding Black" means is a rather loaded question). "Crazy Blues" was the result, and it was a massive hit, even though it was marketed specifically towards Black listeners: [Excerpt: Mamie Smith, "Crazy Blues"] The big stars of the early years of recorded blues were all making records in the shadow of "Crazy Blues", and in the case of its very biggest stars, they were working very much in the same mould. The two most important blues stars of the twenties both got their start in vaudeville, and were both women. Ma Rainey, like Mamie Smith, first performed in minstrel shows, but where Mamie Smith's early records had her largely backed by white musicians, Rainey was largely backed by Black musicians, including on several tracks Louis Armstrong: [Excerpt: Ma Rainey, "See See Rider"] Rainey's band was initially led by Thomas Dorsey, one of the most important men in American music, who we've talked about before in several episodes, including the last one. He was possibly the single most important figure in two different genres -- hokum music, when he, under the name "Georgia Tom" recorded "It's Tight Like That" with Tampa Red: [Excerpt: Tampa Red and Georgia Tom, "It's Tight Like That"] And of course gospel music, which to all intents and purposes he invented, and much of whose repertoire he wrote: [Excerpt: Mahalia Jackson, "Take My Hand, Precious Lord"] When Dorsey left Rainey's band, as we discussed right back in episode five, he was replaced by a female pianist, Lil Henderson. The blues was a woman's genre. And Ma Rainey was, by preference, a woman's woman, though she was married to a man: [Excerpt: Ma Rainey, "Prove it on Me"] So was the biggest star of the classic blues era, who was originally mentored by Rainey. Bessie Smith, like Rainey, was a queer woman who had relationships with men but was far more interested in other women. There were stories that Bessie Smith actually got her start in the business by being kidnapped by Ma Rainey, and forced into performing on the same bills as her in the vaudeville show she was touring in, and that Rainey taught Smith to sing blues in the process. In truth, Rainey mentored Smith more in stagecraft and the ways of the road than in singing, and neither woman was only a blues singer, though both had huge success with their blues records. Indeed, since Rainey was already in the show, Smith was initially hired as a dancer rather than a singer, and she also worked as a male impersonator. But Smith soon branched out on her own -- from the beginning she was obviously a star. The great jazz clarinettist Sidney Bechet later said of her "She had this trouble in her, this thing that would not let her rest sometimes, a meanness that came and took her over. But what she had was alive … Bessie, she just wouldn't let herself be; it seemed she couldn't let herself be." Bessie Smith was signed by Columbia Records in 1923, as part of the rush to find and record as many Black women blues singers as possible. Her first recording session produced "Downhearted Blues", which became, depending on which sources you read, either the biggest-selling blues record since "Crazy Blues" or the biggest-selling blues record ever, full stop, selling three quarters of a million copies in the six months after its release: [Excerpt: Bessie Smith, "Downhearted Blues"] Smith didn't make royalties off record sales, only making a flat fee, but she became the most popular Black performer of the 1920s. Columbia signed her to an exclusive contract, and she became so rich that she would literally travel between gigs on her own private train. She lived an extravagant life in every way, giving lavishly to her friends and family, but also drinking extraordinary amounts of liquor, having regular affairs, and also often physically or verbally attacking those around her. By all accounts she was not a comfortable person to be around, and she seemed to be trying to fit an entire lifetime into every moment. From 1923 through 1929 she had a string of massive hits. She recorded material in a variety of styles, including the dirty blues: [Excerpt: Bessie Smith, "Empty Bed Blues] And with accompanists like Louis Armstrong: [Excerpt: Bessie Smith with Louis Armstrong, "Cold in Hand Blues"] But the music for which she became best known, and which sold the best, was when she sang about being mistreated by men, as on one of her biggest hits, "'Tain't Nobody's Biz-Ness if I Do" -- and a warning here, I'm going to play a clip of the song, which treats domestic violence in a way that may be upsetting: [Excerpt: Bessie Smith, "'Tain't Nobody's Biz-Ness if I Do"] That kind of material can often seem horrifying to today's listeners -- and quite correctly so, as domestic violence is a horrifying thing -- and it sounds entirely too excusing of the man beating her up for anyone to find it comfortable listening. But the Black feminist scholar Angela Davis has made a convincing case that while these records, and others by Smith's contemporaries, can't reasonably be considered to be feminist, they *are* at the very least more progressive than they now seem, in that they were, even if excusing it, pointing to a real problem which was otherwise left unspoken. And that kind of domestic violence and abuse *was* a real problem, including in Smith's own life. By all accounts she was terrified of her husband, Jack Gee, who would frequently attack her because of her affairs with other people, mostly women. But she was still devastated when he left her for a younger woman, not only because he had left her, but also because he kidnapped their adopted son and had him put into a care home, falsely claiming she had abused him. Not only that, but before Jack left her closest friend had been Jack's niece Ruby and after the split she never saw Ruby again -- though after her death Ruby tried to have a blues career as "Ruby Smith", taking her aunt's surname and recording a few tracks with Sammy Price, the piano player who worked with Sister Rosetta Tharpe: [Excerpt: Ruby Smith with Sammy Price, "Make Me Love You"] The same month, May 1929, that Gee left her, Smith recorded what was to become her last big hit, and most well-known song, "Nobody Knows You When You're Down and Out": [Excerpt: Bessie Smith, "Nobody Knows You When You're Down and Out"] And that could have been the theme for the rest of her life. A few months after that record came out, the Depression hit, pretty much killing the market for blues records. She carried on recording until 1931, but the records weren't selling any more. And at the same time, the talkies came in in the film industry, which along with the Depression ended up devastating the vaudeville audience. Her earnings were still higher than most, but only a quarter of what they had been a year or two earlier. She had one last recording session in 1933, produced by John Hammond for OKeh Records, where she showed that her style had developed over the years -- it was now incorporating the newer swing style, and featured future swing stars Benny Goodman and Jack Teagarden in the backing band: [Excerpt: Bessie Smith, "Gimme a Pigfoot"] Hammond was not hugely impressed with the recordings, preferring her earlier records, and they would be the last she would ever make. She continued as a successful, though no longer record-breaking, live act until 1937, when she and her common-law husband, Lionel Hampton's uncle Richard Morgan, were in a car crash. Morgan escaped, but Smith died of her injuries and was buried on October the fourth 1937. Ten thousand people came to her funeral, but she was buried in an unmarked grave -- she was still legally married to Gee, even though they'd been separated for eight years, and while he supposedly later became rich from songwriting royalties from some of her songs (most of her songs were written by other people, but she wrote a few herself) he refused to pay for a headstone for her. Indeed on more than one occasion he embezzled money that had been raised by other people to provide a headstone. Bessie Smith soon became Joplin's favourite singer of all time, and she started trying to copy her vocals. But other than discovering Smith's music, Joplin seems to have had as terrible a time at university as at school, and soon dropped out and moved back in with her parents. She went to business school for a short while, where she learned some secretarial skills, and then she moved west, going to LA where two of her aunts lived, to see if she could thrive better in a big West Coast city than she did in small-town Texas. Soon she moved from LA to Venice Beach, and from there had a brief sojourn in San Francisco, where she tried to live out her beatnik fantasies at a time when the beatnik culture was starting to fall apart. She did, while she was there, start smoking cannabis, though she never got a taste for that drug, and took Benzedrine and started drinking much more heavily than she had before. She soon lost her job, moved back to Texas, and re-enrolled at the same college she'd been at before. But now she'd had a taste of real Bohemian life -- she'd been singing at coffee houses, and having affairs with both men and women -- and soon she decided to transfer to the University of Texas at Austin. At this point, Austin was very far from the cultural centre it has become in recent decades, and it was still a straitlaced Texan town, but it was far less so than Port Arthur, and she soon found herself in a folk group, the Waller Creek Boys. Janis would play autoharp and sing, sometimes Bessie Smith covers, but also the more commercial country and folk music that was popular at the time, like "Silver Threads and Golden Needles", a song that had originally been recorded by Wanda Jackson but at that time was a big hit for Dusty Springfield's group The Springfields: [Excerpt: The Waller Creek Boys, "Silver Threads and Golden Needles"] But even there, Joplin didn't fit in comfortably. The venue where the folk jams were taking place was a segregated venue, as everywhere around Austin was. And she was enough of a misfit that the campus newspaper did an article on her headlined "She Dares to Be Different!", which read in part "She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her Autoharp with her everywhere she goes so that in case she gets the urge to break out into song it will be handy." There was a small group of wannabe-Beatniks, including Chet Helms, who we've mentioned previously in the Grateful Dead episode, Gilbert Shelton, who went on to be a pioneer of alternative comics and create the Fabulous Furry Freak Brothers, and Shelton's partner in Rip-Off Press, Dave Moriarty, but for the most part the atmosphere in Austin was only slightly better for Janis than it had been in Port Arthur. The final straw for her came when in an annual charity fundraiser joke competition to find the ugliest man on campus, someone nominated her for the "award". She'd had enough of Texas. She wanted to go back to California. She and Chet Helms, who had dropped out of the university earlier and who, like her, had already spent some time on the West Coast, decided to hitch-hike together to San Francisco. Before leaving, she made a recording for her ex-girlfriend Julie Paul, a country and western musician, of a song she'd written herself. It's recorded in what many say was Janis' natural voice -- a voice she deliberately altered in performance in later years because, she would tell people, she didn't think there was room for her singing like that in an industry that already had Joan Baez and Judy Collins. In her early years she would alternate between singing like this and doing her imitations of Black women, but the character of Janis Joplin who would become famous never sang like this. It may well be the most honest thing that she ever recorded, and the most revealing of who she really was: [Excerpt: Janis Joplin, "So Sad to Be Alone"] Joplin and Helms made it to San Francisco, and she started performing at open-mic nights and folk clubs around the Bay Area, singing in her Bessie Smith and Odetta imitation voice, and sometimes making a great deal of money by sounding different from the wispier-voiced women who were the norm at those venues. The two friends parted ways, and she started performing with two other folk musicians, Larry Hanks and Roger Perkins, and she insisted that they would play at least one Bessie Smith song at every performance: [Excerpt: Janis Joplin, Larry Hanks, and Roger Perkins, "Black Mountain Blues (live in San Francisco)"] Often the trio would be joined by Billy Roberts, who at that time had just started performing the song that would make his name, "Hey Joe", and Joplin was soon part of the folk scene in the Bay Area, and admired by Dino Valenti, David Crosby, and Jerry Garcia among others. She also sang a lot with Jorma Kaukonnen, and recordings of the two of them together have circulated for years: [Excerpt: Janis Joplin and Jorma Kaukonnen, "Nobody Knows You When You're Down and Out"] Through 1963, 1964, and early 1965 Joplin ping-ponged from coast to coast, spending time in the Bay Area, then Greenwich Village, dropping in on her parents then back to the Bay Area, and she started taking vast quantities of methamphetamine. Even before moving to San Francisco she had been an occasional user of amphetamines – at the time they were regularly prescribed to students as study aids during exam periods, and she had also been taking them to try to lose some of the weight she always hated. But while she was living in San Francisco she became dependent on the drug. At one point her father was worried enough about her health to visit her in San Francisco, where she managed to fool him that she was more or less OK. But she looked to him for reassurance that things would get better for her, and he couldn't give it to her. He told her about a concept that he called the "Saturday night swindle", the idea that you work all week so you can go out and have fun on Saturday in the hope that that will make up for everything else, but that it never does. She had occasional misses with what would have been lucky breaks -- at one point she was in a motorcycle accident just as record labels were interested in signing her, and by the time she got out of the hospital the chance had gone. She became engaged to another speed freak, one who claimed to be an engineer and from a well-off background, but she was becoming severely ill from what was by now a dangerous amphetamine habit, and in May 1965 she decided to move back in with her parents, get clean, and have a normal life. Her new fiance was going to do the same, and they were going to have the conformist life her parents had always wanted, and which she had always wanted to want. Surely with a husband who loved her she could find a way to fit in and just be normal. She kicked the addiction, and wrote her fiance long letters describing everything about her family and the new normal life they were going to have together, and they show her painfully trying to be optimistic about the future, like one where she described her family to him: "My mother—Dorothy—worries so and loves her children dearly. Republican and Methodist, very sincere, speaks in clichés which she really means and is very good to people. (She thinks you have a lovely voice and is terribly prepared to like you.) My father—richer than when I knew him and kind of embarrassed about it—very well read—history his passion—quiet and very excited to have me home because I'm bright and we can talk (about antimatter yet—that impressed him)! I keep telling him how smart you are and how proud I am of you.…" She went back to Lamar, her mother started sewing her a wedding dress, and for much of the year she believed her fiance was going to be her knight in shining armour. But as it happened, the fiance in question was described by everyone else who knew him as a compulsive liar and con man, who persuaded her father to give him money for supposed medical tests before the wedding, but in reality was apparently married to someone else and having a baby with a third woman. After the engagement was broken off, she started performing again around the coffeehouses in Austin and Houston, and she started to realise the possibilities of rock music for her kind of performance. The missing clue came from a group from Austin who she became very friendly with, the Thirteenth Floor Elevators, and the way their lead singer Roky Erickson would wail and yell: [Excerpt: The 13th Floor Elevators, "You're Gonna Miss Me (live)"] If, as now seemed inevitable, Janis was going to make a living as a performer, maybe she should start singing rock music, because it seemed like there was money in it. There was even some talk of her singing with the Elevators. But then an old friend came to Austin from San Francisco with word from Chet Helms. A blues band had formed, and were looking for a singer, and they remembered her from the coffee houses. Would she like to go back to San Francisco and sing with them? In the time she'd been away, Helms had become hugely prominent in the San Francisco music scene, which had changed radically. A band from the area called the Charlatans had been playing a fake-Victorian saloon called the Red Dog in nearby Nevada, and had become massive with the people who a few years earlier had been beatniks: [Excerpt: The Charlatans, "32-20"] When their residency at the Red Dog had finished, several of the crowd who had been regulars there had become a collective of sorts called the Family Dog, and Helms had become their unofficial leader. And there's actually a lot packed into that choice of name. As we'll see in a few future episodes, a lot of West Coast hippies eventually started calling their collectives and communes families. This started as a way to get round bureaucracy -- if a helpful welfare officer put down that the unrelated people living in a house together were a family, suddenly they could get food stamps. As with many things, of course, the label then affected how people thought about themselves, and one thing that's very notable about the San Francisco scene hippies in particular is that they are some of the first people to make a big deal about what we now call "found family" or "family of choice". But it's also notable how often the hippie found families took their model from the only families these largely middle-class dropouts had ever known, and structured themselves around men going out and doing the work -- selling dope or panhandling or being rock musicians or shoplifting -- with the women staying at home doing the housework. The Family Dog started promoting shows, with the intention of turning San Francisco into "the American Liverpool", and soon Helms was rivalled only by Bill Graham as the major promoter of rock shows in the Bay Area. And now he wanted Janis to come back and join this new band. But Janis was worried. She was clean now. She drank far too much, but she wasn't doing any other drugs. She couldn't go back to San Francisco and risk getting back on methamphetamine. She needn't worry about that, she was told, nobody in San Francisco did speed any more, they were all on LSD -- a drug she hated and so wasn't in any danger from. Reassured, she made the trip back to San Francisco, to join Big Brother and the Holding Company. Big Brother and the Holding Company were the epitome of San Francisco acid rock at the time. They were the house band at the Avalon Ballroom, which Helms ran, and their first ever gig had been at the Trips Festival, which we talked about briefly in the Grateful Dead episode. They were known for being more imaginative than competent -- lead guitarist James Gurley was often described as playing parts that were influenced by John Cage, but was equally often, and equally accurately, described as not actually being able to keep his guitar in tune because he was too stoned. But they were drawing massive crowds with their instrumental freak-out rock music. Helms thought they needed a singer, and he had remembered Joplin, who a few of the group had seen playing the coffee houses. He decided she would be perfect for them, though Joplin wasn't so sure. She thought it was worth a shot, but as she wrote to her parents before meeting the group "Supposed to rehearse w/ the band this afternoon, after that I guess I'll know whether I want to stay & do that for awhile. Right now my position is ambivalent—I'm glad I came, nice to see the city, a few friends, but I'm not at all sold on the idea of becoming the poor man's Cher.” In that letter she also wrote "I'm awfully sorry to be such a disappointment to you. I understand your fears at my coming here & must admit I share them, but I really do think there's an awfully good chance I won't blow it this time." The band she met up with consisted of lead guitarist James Gurley, bass player Peter Albin, rhythm player Sam Andrew, and drummer David Getz. To start with, Peter Albin sang lead on most songs, with Joplin adding yelps and screams modelled on those of Roky Erickson, but in her first gig with the band she bowled everyone over with her lead vocal on the traditional spiritual "Down on Me", which would remain a staple of their live act, as in this live recording from 1968: [Excerpt: Big Brother and the Holding Company, "Down on Me (Live 1968)"] After that first gig in June 1966, it was obvious that Joplin was going to be a star, and was going to be the group's main lead vocalist. She had developed a whole new stage persona a million miles away from her folk performances. As Chet Helms said “Suddenly this person who would stand upright with her fists clenched was all over the stage. Roky Erickson had modeled himself after the screaming style of Little Richard, and Janis's initial stage presence came from Roky, and ultimately Little Richard. It was a very different Janis.” Joplin would always claim to journalists that her stage persona was just her being herself and natural, but she worked hard on every aspect of her performance, and far from the untrained emotional outpouring she always suggested, her vocal performances were carefully calculated pastiches of her influences -- mostly Bessie Smith, but also Big Mama Thornton, Odetta, Etta James, Tina Turner, and Otis Redding. That's not to say that those performances weren't an authentic expression of part of herself -- they absolutely were. But the ethos that dominated San Francisco in the mid-sixties prized self-expression over technical craft, and so Joplin had to portray herself as a freak of nature who just had to let all her emotions out, a wild woman, rather than someone who carefully worked out every nuance of her performances. Joplin actually got the chance to meet one of her idols when she discovered that Willie Mae Thornton was now living and regularly performing in the Bay Area. She and some of her bandmates saw Big Mama play a small jazz club, where she performed a song she wouldn't release on a record for another two years: [Excerpt: Big Mama Thornton, "Ball 'n' Chain"] Janis loved the song and scribbled down the lyrics, then went backstage to ask Big Mama if Big Brother could cover the song. She gave them her blessing, but told them "don't" -- and here she used a word I can't use with a clean rating -- "it up". The group all moved in together, communally, with their partners -- those who had them. Janis was currently single, having dumped her most recent boyfriend after discovering him shooting speed, as she was still determined to stay clean. But she was rapidly discovering that the claim that San Franciscans no longer used much speed had perhaps not been entirely true, as for example Sam Andrew's girlfriend went by the nickname Speedfreak Rita. For now, Janis was still largely clean, but she did start drinking more. Partly this was because of a brief fling with Pigpen from the Grateful Dead, who lived nearby. Janis liked Pigpen as someone else on the scene who didn't much like psychedelics or cannabis -- she didn't like drugs that made her think more, but only drugs that made her able to *stop* thinking (her love of amphetamines doesn't seem to fit this pattern, but a small percentage of people have a different reaction to amphetamine-type stimulants, perhaps she was one of those). Pigpen was a big drinker of Southern Comfort -- so much so that it would kill him within a few years -- and Janis started joining him. Her relationship with Pigpen didn't last long, but the two would remain close, and she would often join the Grateful Dead on stage over the years to duet with him on "Turn On Your Lovelight": [Excerpt: Janis Joplin and the Grateful Dead, "Turn on Your Lovelight"] But within two months of joining the band, Janis nearly left. Paul Rothchild of Elektra Records came to see the group live, and was impressed by their singer, but not by the rest of the band. This was something that would happen again and again over the group's career. The group were all imaginative and creative -- they worked together on their arrangements and their long instrumental jams and often brought in very good ideas -- but they were not the most disciplined or technically skilled of musicians, even when you factored in their heavy drug use, and often lacked the skill to pull off their better ideas. They were hugely popular among the crowds at the Avalon Ballroom, who were on the group's chemical wavelength, but Rothchild was not impressed -- as he was, in general, unimpressed with psychedelic freakouts. He was already of the belief in summer 1966 that the fashion for extended experimental freak-outs would soon come to an end and that there would be a pendulum swing back towards more structured and melodic music. As we saw in the episode on The Band, he would be proved right in a little over a year, but being ahead of the curve he wanted to put together a supergroup that would be able to ride that coming wave, a group that would play old-fashioned blues. He'd got together Stefan Grossman, Steve Mann, and Taj Mahal, and he wanted Joplin to be the female vocalist for the group, dueting with Mahal. She attended one rehearsal, and the new group sounded great. Elektra Records offered to sign them, pay their rent while they rehearsed, and have a major promotional campaign for their first release. Joplin was very, very, tempted, and brought the subject up to her bandmates in Big Brother. They were devastated. They were a family! You don't leave your family! She was meant to be with them forever! They eventually got her to agree to put off the decision at least until after a residency they'd been booked for in Chicago, and she decided to give them the chance, writing to her parents "I decided to stay w/the group but still like to think about the other thing. Trying to figure out which is musically more marketable because my being good isn't enough, I've got to be in a good vehicle.” The trip to Chicago was a disaster. They found that the people of Chicago weren't hugely interested in seeing a bunch of white Californians play the blues, and that the Midwest didn't have the same Bohemian crowds that the coastal cities they were used to had, and so their freak-outs didn't go down well either. After two weeks of their four-week residency, the club owner stopped paying them because they were so unpopular, and they had no money to get home. And then they were approached by Bob Shad. (For those who know the film Walk Hard: The Dewey Cox Story, the Bob Shad in that film is named after this one -- Judd Apatow, the film's director, is Shad's grandson) This Shad was a record producer, who had worked with people like Big Bill Broonzy, Sarah Vaughan, Dinah Washington, and Billy Eckstine over an eighteen-year career, and had recently set up a new label, Mainstream Records. He wanted to sign Big Brother and the Holding Company. They needed money and... well, it was a record contract! It was a contract that took half their publishing, paid them a five percent royalty on sales, and gave them no advance, but it was still a contract, and they'd get union scale for the first session. In that first session in Chicago, they recorded four songs, and strangely only one, "Down on Me", had a solo Janis vocal. Of the other three songs, Sam Andrew and Janis dueted on Sam's song "Call on Me", Albin sang lead on the group composition "Blindman", and Gurley and Janis sang a cover of "All Is Loneliness", a song originally by the avant-garde street musician Moondog: [Excerpt: Big Brother and the Holding Company, "All is Loneliness"] The group weren't happy with the four songs they recorded -- they had to keep the songs to the length of a single, and the engineers made sure that the needles never went into the red, so their guitars sounded far more polite and less distorted than they were used to. Janis was fascinated by the overdubbing process, though, especially double-tracking, which she'd never tried before but which she turned out to be remarkably good at. And they were now signed to a contract, which meant that Janis wouldn't be leaving the group to go solo any time soon. The family were going to stay together. But on the group's return to San Francisco, Janis started doing speed again, encouraged by the people around the group, particularly Gurley's wife. By the time the group's first single, "Blindman" backed with "All is Loneliness", came out, she was an addict again. That initial single did nothing, but the group were fast becoming one of the most popular in the Bay Area, and almost entirely down to Janis' vocals and on-stage persona. Bob Shad had already decided in the initial session that while various band members had taken lead, Janis was the one who should be focused on as the star, and when they drove to LA for their second recording session it was songs with Janis leads that they focused on. At that second session, in which they recorded ten tracks in two days, the group recorded a mix of material including one of Janis' own songs, the blues track "Women is Losers", and a version of the old folk song "the Cuckoo Bird" rearranged by Albin. Again they had to keep the arrangements to two and a half minutes a track, with no extended soloing and a pop arrangement style, and the results sound a lot more like the other San Francisco bands, notably Jefferson Airplane, than like the version of the band that shows itself in their live performances: [Excerpt: Big Brother and the Holding Company, "Coo Coo"] After returning to San Francisco after the sessions, Janis went to see Otis Redding at the Fillmore, turning up several hours before the show started on all three nights to make sure she could be right at the front. One of the other audience members later recalled “It was more fascinating for me, almost, to watch Janis watching Otis, because you could tell that she wasn't just listening to him, she was studying something. There was some kind of educational thing going on there. I was jumping around like the little hippie girl I was, thinking This is so great! and it just stopped me in my tracks—because all of a sudden Janis drew you very deeply into what the performance was all about. Watching her watch Otis Redding was an education in itself.” Joplin would, for the rest of her life, always say that Otis Redding was her all-time favourite singer, and would say “I started singing rhythmically, and now I'm learning from Otis Redding to push a song instead of just sliding over it.” [Excerpt: Otis Redding, "I Can't Turn You Loose (live)"] At the start of 1967, the group moved out of the rural house they'd been sharing and into separate apartments around Haight-Ashbury, and they brought the new year in by playing a free show organised by the Hell's Angels, the violent motorcycle gang who at the time were very close with the proto-hippies in the Bay Area. Janis in particular always got on well with the Angels, whose drugs of choice, like hers, were speed and alcohol more than cannabis and psychedelics. Janis also started what would be the longest on-again off-again relationship she would ever have, with a woman named Peggy Caserta. Caserta had a primary partner, but that if anything added to her appeal for Joplin -- Caserta's partner Kimmie had previously been in a relationship with Joan Baez, and Joplin, who had an intense insecurity that made her jealous of any other female singer who had any success, saw this as in some way a validation both of her sexuality and, transitively, of her talent. If she was dating Baez's ex's lover, that in some way put her on a par with Baez, and when she told friends about Peggy, Janis would always slip that fact in. Joplin and Caserta would see each other off and on for the rest of Joplin's life, but they were never in a monogamous relationship, and Joplin had many other lovers over the years. The next of these was Country Joe McDonald of Country Joe and the Fish, who were just in the process of recording their first album Electric Music for the Mind and Body, when McDonald and Joplin first got together: [Excerpt: Country Joe and the Fish, "Grace"] McDonald would later reminisce about lying with Joplin, listening to one of the first underground FM radio stations, KMPX, and them playing a Fish track and a Big Brother track back to back. Big Brother's second single, the other two songs recorded in the Chicago session, had been released in early 1967, and the B-side, "Down on Me", was getting a bit of airplay in San Francisco and made the local charts, though it did nothing outside the Bay Area: [Excerpt: Big Brother and the Holding Company, "Down on Me"] Janis was unhappy with the record, though, writing to her parents and saying, “Our new record is out. We seem to be pretty dissatisfied w/it. I think we're going to try & get out of the record contract if we can. We don't feel that they know how to promote or engineer a record & every time we recorded for them, they get all our songs, which means we can't do them for another record company. But then if our new record does something, we'd change our mind. But somehow, I don't think it's going to." The band apparently saw a lawyer to see if they could get out of the contract with Mainstream, but they were told it was airtight. They were tied to Bob Shad no matter what for the next five years. Janis and McDonald didn't stay together for long -- they clashed about his politics and her greater fame -- but after they split, she asked him to write a song for her before they became too distant, and he obliged and recorded it on the Fish's next album: [Excerpt: Country Joe and the Fish, "Janis"] The group were becoming so popular by late spring 1967 that when Richard Lester, the director of the Beatles' films among many other classics, came to San Francisco to film Petulia, his follow-up to How I Won The War, he chose them, along with the Grateful Dead, to appear in performance segments in the film. But it would be another filmmaker that would change the course of the group's career irrevocably: [Excerpt: Scott McKenzie, "San Francisco (Be Sure to Wear Some Flowers in Your Hair)"] When Big Brother and the Holding Company played the Monterey Pop Festival, nobody had any great expectations. They were second on the bill on the Saturday, the day that had been put aside for the San Francisco acts, and they were playing in the early afternoon, after a largely unimpressive night before. They had a reputation among the San Francisco crowd, of course, but they weren't even as big as the Grateful Dead, Moby Grape or Country Joe and the Fish, let alone Jefferson Airplane. Monterey launched four careers to new heights, but three of the superstars it made -- Otis Redding, Jimi Hendrix, and the Who -- already had successful careers. Hendrix and the Who had had hits in the UK but not yet broken the US market, while Redding was massively popular with Black people but hadn't yet crossed over to a white audience. Big Brother and the Holding Company, on the other hand, were so unimportant that D.A. Pennebaker didn't even film their set -- their manager at the time had not wanted to sign over the rights to film their performance, something that several of the other acts had also refused -- and nobody had been bothered enough to make an issue of it. Pennebaker just took some crowd shots and didn't bother filming the band. The main thing he caught was Cass Elliot's open-mouthed astonishment at Big Brother's performance -- or rather at Janis Joplin's performance. The members of the group would later complain, not entirely inaccurately, that in the reviews of their performance at Monterey, Joplin's left nipple (the outline of which was apparently visible through her shirt, at least to the male reviewers who took an inordinate interest in such things) got more attention than her four bandmates combined. As Pennebaker later said “She came out and sang, and my hair stood on end. We were told we weren't allowed to shoot it, but I knew if we didn't have Janis in the film, the film would be a wash. Afterward, I said to Albert Grossman, ‘Talk to her manager or break his leg or whatever you have to do, because we've got to have her in this film. I can't imagine this film without this woman who I just saw perform.” Grossman had a talk with the organisers of the festival, Lou Adler and John Phillips, and they offered Big Brother a second spot, the next day, if they would allow their performance to be used in the film. The group agreed, after much discussion between Janis and Grossman, and against the wishes of their manager: [Excerpt: Big Brother and the Holding Company, "Ball and Chain (live at Monterey)"] They were now on Albert Grossman's radar. Or at least, Janis Joplin was. Joplin had always been more of a careerist than the other members of the group. They were in music to have a good time and to avoid working a straight job, and while some of them were more accomplished musicians than their later reputations would suggest -- Sam Andrew, in particular, was a skilled player and serious student of music -- they were fundamentally content with playing the Avalon Ballroom and the Fillmore and making five hundred dollars or so a week between them. Very good money for 1967, but nothing else. Joplin, on the other hand, was someone who absolutely craved success. She wanted to prove to her family that she wasn't a failure and that her eccentricity shouldn't stop them being proud of her; she was always, even at the depths of her addictions, fiscally prudent and concerned about her finances; and she had a deep craving for love. Everyone who talks about her talks about how she had an aching need at all times for approval, connection, and validation, which she got on stage more than she got anywhere else. The bigger the audience, the more they must love her. She'd made all her decisions thus far based on how to balance making music that she loved with commercial success, and this would continue to be the pattern for her in future. And so when journalists started to want to talk to her, even though up to that point Albin, who did most of the on-stage announcements, and Gurley, the lead guitarist, had considered themselves joint leaders of the band, she was eager. And she was also eager to get rid of their manager, who continued the awkward streak that had prevented their first performance at the Monterey Pop Festival from being filmed. The group had the chance to play the Hollywood Bowl -- Bill Graham was putting on a "San Francisco Sound" showcase there, featuring Jefferson Airplane and the Grateful Dead, and got their verbal agreement to play, but after Graham had the posters printed up, their manager refused to sign the contracts unless they were given more time on stage. The next day after that, they played Monterey again -- this time the Monterey Jazz Festival. A very different crowd to the Pop Festival still fell for Janis' performance -- and once again, the film being made of the event didn't include Big Brother's set because of their manager. While all this was going on, the group's recordings from the previous year were rushed out by Mainstream Records as an album, to poor reviews which complained it was nothing like the group's set at Monterey: [Excerpt: Big Brother and the Holding Company, "Bye Bye Baby"] They were going to need to get out of that contract and sign with somewhere better -- Clive Davis at Columbia Records was already encouraging them to sign with him -- but to do that, they needed a better manager. They needed Albert Grossman. Grossman was one of the best negotiators in the business at that point, but he was also someone who had a genuine love for the music his clients made. And he had good taste -- he managed Odetta, who Janis idolised as a singer, and Bob Dylan, who she'd been a fan of since his first album came out. He was going to be the perfect manager for the group. But he had one condition though. His first wife had been a heroin addict, and he'd just been dealing with Mike Bloomfield's heroin habit. He had one absolutely ironclad rule, a dealbreaker that would stop him signing them -- they didn't use heroin, did they? Both Gurley and Joplin had used heroin on occasion -- Joplin had only just started, introduced to the drug by Gurley -- but they were only dabblers. They could give it up any time they wanted, right? Of course they could. They told him, in perfect sincerity, that the band didn't use heroin and it wouldn't be a problem. But other than that, Grossman was extremely flexible. He explained to the group at their first meeting that he took a higher percentage than other managers, but that he would also make them more money than other managers -- if money was what they wanted. He told them that they needed to figure out where they wanted their career to be, and what they were willing to do to get there -- would they be happy just playing the same kind of venues they were now, maybe for a little more money, or did they want to be as big as Dylan or Peter, Paul, and Mary? He could get them to whatever level they wanted, and he was happy with working with clients at every level, what did they actually want? The group were agreed -- they wanted to be rich. They decided to test him. They were making twenty-five thousand dollars a year between them at that time, so they got ridiculously ambitious. They told him they wanted to make a *lot* of money. Indeed, they wanted a clause in their contract saying the contract would be void if in the first year they didn't make... thinking of a ridiculous amount, they came up with seventy-five thousand dollars. Grossman's response was to shrug and say "Make it a hundred thousand." The group were now famous and mixing with superstars -- Peter Tork of the Monkees had become a close friend of Janis', and when they played a residency in LA they were invited to John and Michelle Phillips' house to see a rough cut of Monterey Pop. But the group, other than Janis, were horrified -- the film barely showed the other band members at all, just Janis. Dave Getz said later "We assumed we'd appear in the movie as a band, but seeing it was a shock. It was all Janis. They saw her as a superstar in the making. I realized that though we were finally going to be making money and go to another level, it also meant our little family was being separated—there was Janis, and there was the band.” [Excerpt: Big Brother and the Holding Company, "Bye Bye Baby"] If the group were going to make that hundred thousand dollars a year, they couldn't remain on Mainstream Records, but Bob Shad was not about to give up his rights to what could potentially be the biggest group in America without a fight. But luckily for the group, Clive Davis at Columbia had seen their Monterey performance, and he was also trying to pivot the label towards the new rock music. He was basically willing to do anything to get them. Eventually Columbia agreed to pay Shad two hundred thousand dollars for the group's contract -- Davis and Grossman negotiated so half that was an advance on the group's future earnings, but the other half was just an expense for the label. On top of that the group got an advance payment of fifty thousand dollars for their first album for Columbia, making a total investment by Columbia of a quarter of a million dollars -- in return for which they got to sign the band, and got the rights to the material they'd recorded for Mainstream, though Shad would get a two percent royalty on their first two albums for Columbia. Janis was intimidated by signing for Columbia, because that had been Aretha Franklin's label before she signed to Atlantic, and she regarded Franklin as the greatest performer in music at that time. Which may have had something to do with the choice of a new song the group added to their setlist in early 1968 -- one which was a current hit for Aretha's sister Erma: [Excerpt: Erma Franklin, "Piece of My Heart"] We talked a little in the last episode about the song "Piece of My Heart" itself, though mostly from the perspective of its performer, Erma Franklin. But the song was, as we mentioned, co-written by Bert Berns. He's someone we've talked about a little bit in previous episodes, notably the ones on "Here Comes the Night" and "Twist and Shout", but those were a couple of years ago, and he's about to become a major figure in the next episode, so we might as well take a moment here to remind listeners (or tell those who haven't heard those episodes) of the basics and explain where "Piece of My Heart" comes in Berns' work as a whole. Bert Berns was a latecomer to the music industry, not getting properly started until he was thirty-one, after trying a variety of other occupations. But when he did get started, he wasted no time making his mark -- he knew he had no time to waste. He had a weak heart and knew the likelihood was he was going to die young. He started an association with Wand records as a songwriter and performer, writing songs for some of Phil Spector's pre-fame recordings, and he also started producing records for Atlantic, where for a long while he was almost the equal of Jerry Wexler or Leiber and Stoller in terms of number of massive hits created. His records with Solomon Burke were the records that first got the R&B genre renamed soul (previously the word "soul" mostly referred to a kind of R&Bish jazz, rather than a kind of gospel-ish R&B). He'd also been one of the few American music industry professionals to work with British bands before the Beatles made it big in the USA, after he became alerted to the Beatles' success with his song "Twist and Shout", which he'd co-written with Phil Medley, and which had been a hit in a version Berns produced for the Isley Brothers: [Excerpt: The Isley Brothers, "Twist and Shout"] That song shows the two elements that existed in nearly every single Bert Berns song or production. The first is the Afro-Caribbean rhythm, a feel he picked up during a stint in Cuba in his twenties. Other people in the Atlantic records team were also partial to those rhythms -- Leiber and Stoller loved what they called the baion rhythm -- but Berns more than anyone else made it his signature. He also very specifically loved the song "La Bamba", especially Ritchie Valens' version of it: [Excerpt: Ritchie Valens, "La Bamba"] He basically seemed to think that was the greatest record ever made, and he certainly loved that three-chord trick I-IV-V-IV chord sequence -- almost but not quite the same as the "Louie Louie" one. He used it in nearly every song he wrote from that point on -- usually using a bassline that went something like this: [plays I-IV-V-IV bassline] He used it in "Twist and Shout" of course: [Excerpt: The Isley Brothers, "Twist and Shout"] He used it in "Hang on Sloopy": [Excerpt: The McCoys, "Hang on Sloopy"] He *could* get more harmonically sophisticated on occasion, but the vast majority of Berns' songs show the power of simplicity. They're usually based around three chords, and often they're actually only two chords, like "I Want Candy": [Excerpt: The Strangeloves, "I Want Candy"] Or the chorus to "Here Comes the Night" by Them, which is two chords for most of it and only introduces a third right at the end: [Excerpt: Them, "Here Comes the Night"] And even in that song you can hear the "Twist and Shout"/"La Bamba" feel, even if it's not exactly the same chords. Berns' whole career was essentially a way of wringing *every last possible drop* out of all the implications of Ritchie Valens' record. And so even when he did a more harmonically complex song, like "Piece of My Heart", which actually has some minor chords in the bridge, the "La Bamba" chord sequence is used in both the verse: [Excerpt: Erma Franklin, "Piece of My Heart"] And the chorus: [Excerpt: Erma Franklin, "Piece of My Heart"] Berns co-wrote “Piece of My Heart” with Jerry Ragavoy. Berns and Ragavoy had also written "Cry Baby" for Garnet Mimms, which was another Joplin favourite: [Excerpt: Garnet Mimms, "Cry Baby"] And Ragavoy, with other collaborators
Back To Eden, How Often Do You Lie, Running Marathons, Work Is Good, Prayer Booth, Joke On Twitter, Welcome To The Show, Kid At Heart, Shock Jock, Tears in A Bottle, Not Needy, Write it Down; Quotes: “We all want peace.” “Nothing is wasted.” “We can still be content with simplicity.”
Tip Of The Week Do you sell your roosters? Rural Crime In The U.S. https://www.wjhg.com/2023/06/19/man-arrested-attempted-burglary/ http://newslj.com/content/lincoln-county-sheriff's-office-says-don't-take-sheep-dogs https://www.1600kush.com/news/cushing-horse-trainer-accused-of-embezzlement https://katv.com/news/nation-world/100-worth-of-farm-fresh-eggs-stolen-from-honor-box-in-rhode-island-outdoor-cooler-keeeps-backyard-community-theft-thieves-stealing-surveillance-footage-small-business Across The Pond, Down Under And Up Above https://www.farmersjournal.ie/minister-must-act-now-on-dog-control-following-kerry-sheep-kill-ifa-771070 https://www.nzherald.co.nz/nz/rural-crime-canterbury-lifestyle-block-owner-shoots-down-drone-over-burglary-fear/JBLBW6DC5NHXTL2TGBMVYCFIOY/ https://www.yourharlow.com/2023/06/21/farm-crime-and-surging-cost-of-living-pose-threat-to-livelihoods/ Africa https://www.ny1.com/nyc/all-boroughs/news/2023/06/21/u-s---u-n--pause-food-aid-delivery-to-ethiopia-after-theft https://www.news24.com/news24/southafrica/news/have-you-seen-these-bulls-free-state-police-on-lookout-for-missing-brahmans-20230621 Chalk One Up For The Good Guys https://jcpost.com/posts/036b9760-c2da-46d6-8037-372a12049880 https://sanangelolive.com/news/crime/2023-06-21/wanted-serial-cattle-thief-corralled-tom-green-county-sheriffs-deputies https://www.google.com/url?q=https://www.google.com/url?rct=j&sa=t&url=https://allongeorgia.com/georgia-public-safety/twelve-arrested-in-jeff-davis-co-in-relation-to-cockfighting-operation-more-expected/&ct=ga&cd=CAEYByoTNDAxMzI1MDgzMTk3MzAzMzUxMzIaYTZmNDE3MjRkMjY1ODg5ODpjb206ZW46VVM&usg=AOvVaw23AwyMkg6AL1YuqGB7VgDk&source=gmail&ust=1687559438612000&usg=AOvVaw38AvUyEsOAyAJjIhqpNVUo More Places You Can Listen to Off-Farm Income And Matt Brechwald:
Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain's Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—nearly always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In Accidental Gods: On Race, Empire, and Men Unwittingly Turned Divine (Metropolitan Books, 2021), Anna Della Subin presents a revelatory history spanning five centuries of a cast of surprising deities that help to shed light on the thorny questions of how our modern concept of "religion" was invented, why religion and politics are perpetually entangled in our supposedly secular age, and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerian spirit possession cults, Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. Anna Della Subin is a writer, critic, senior editor at Bidoun, the award-winning publishing and curatorial initiative focused on the Middle East and its diasporas, and a contributing editor at The Public Domain Review. Her work has appeared in many prestigious publications such as the London Review of Books, Harper's, The New York Review of Books, The New York Times, The New Yorker, and more. Anna Della was named one of the world's top 50 thinkers for 2022 by Prospect Magazine. She studied philosophy and classics at the University of Chicago and the history of religion at Harvard Divinity School. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain's Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—nearly always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In Accidental Gods: On Race, Empire, and Men Unwittingly Turned Divine (Metropolitan Books, 2021), Anna Della Subin presents a revelatory history spanning five centuries of a cast of surprising deities that help to shed light on the thorny questions of how our modern concept of "religion" was invented, why religion and politics are perpetually entangled in our supposedly secular age, and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerian spirit possession cults, Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. Anna Della Subin is a writer, critic, senior editor at Bidoun, the award-winning publishing and curatorial initiative focused on the Middle East and its diasporas, and a contributing editor at The Public Domain Review. Her work has appeared in many prestigious publications such as the London Review of Books, Harper's, The New York Review of Books, The New York Times, The New Yorker, and more. Anna Della was named one of the world's top 50 thinkers for 2022 by Prospect Magazine. She studied philosophy and classics at the University of Chicago and the history of religion at Harvard Divinity School. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The StrangerThe Stranger Full Book Introduction In The Stranger, events happen by chance. Unwittingly, the protagonist, Meursault, becomes involved in his friend's conflict, shoots and kills his friend's rival. During the trial, the public decides to focus on Meursault's character rather than attending to the specific details of the case. Because Meursault didn't weep at his mother's funeral, they conclude that his personality is cold and callous. As a result, he is sentenced to death. Throughout these events, Meursault assumes the role of an outsider. The French title of the book is also sometimes translated as “The Outsider.” He watches events unfold with cold indifference. In his last moments, he calmly accepts his fate and transcends life and death. Author : Albert CamusAlbert Camus was a renowned French-Algerian philosopher, author, and journalist. Camus was a leading figure in the philosophical school of thought known as Absurdism, and was associated with existentialism. He is often compared to his existentialist compatriot, philosopher Jean-Paul Sartre. Though, throughout his lifetime, he firmly denied his philosophical identity. Although Camus' works vividly portray the absurd nature of life, they do not descend into despair and express dejection. Against the contradictory absurdities of modern experience, Camus' works promote resistance, upholding truth and justice instead of hopelessness. The Stranger, The Myth of Sisyphus, and the play Caligula are among his most celebrated works, collectively known as the Absurdist Trilogy. Overview | Chapter 1Hi, welcome to Bookey. Today we will unlock the book The Stranger. This novel describes an accidental occurrence. How a nobody, living a mundane and monotonous life, becomes involved in a murder leading eventually to his execution. The existentialist philosopher Albert Camus wrote The Stranger when he was twenty-six years old. When it was published, the novel was soon a huge success. It laid the foundation for Camus' renowned writing career. Within a few years of its publication, The Stranger had received widespread acclaim in the literary world. Reviewing the novel, critic Marcel Arland concludes, “We recognize… in The Stranger: a genuine writer.” Another critic, Henri Hell, wrote, “With The Stranger, Camus ranks at the apex of the contemporary novel.” In his book Writing Degree Zero, Roland Barthes credits The Stranger as creating a revolutionary “transparent form of speech” that would change our understanding of literature and even of reality.” The story describes Meursault's wrongful conviction. However, unlike in a typical miscarriage of justice, this protagonist is not completely innocent, nor has he been framed. In fact, he expresses his guilt and openly admits to the murder. Nonetheless, others at the scene of the crime are well aware of the fact that he committed this offence in a state of confusion. As this case unfolds, the judicial process becomes increasingly complex, and the trial lasts almost a year. Ultimately, in Meursault's case, the verdict passed is that there is nothing human about him and his crime was premeditated. If you find this outcome absurd, or perhaps consider it strange that such a ridiculous verdict could be reached under the supposedly advanced legal systems of modern times, this would be just what Camus intended. Why didn't Meursault actively fight against it? Let us take a closer look at this story. In this bookey, we will introduce Camus' book in three parts: Part One makes a simple summary of the story and explains how Meursault becomes...
Our eyes don't lie to us and that's why so many were in shock after Bills safety Damar Hamlin collapsed on the field in Cincinnati Monday night. The Bills confirm the blunt force to his chest put Hamlin into cardiac arrest and at the time of this podcast, it looks as if Hamlin received the best, immediate help you can get and could be ok. We'll discuss what the doctors call this and why it's so rare. We all became news junkies Monday night flipping between our phones and tv channels to gain more information. Unwittingly, I became a media critic and it's sad to say each outlet was predictable in how they treated this story. Worse injuries, and death, to more famous people have occurred in accidents in the past 48 hours but they weren't on tv. So those stories apparently didn't happen. We've become totally driven by only things we can see. The GOP is taking over the house, Kevin McCarthy is fighting to be speaker and the new KCI is about to be the most hip, woke airport in America. Oh, goody!
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