POPULARITY
On s'intéresse au personnage de Frankenstein, ce savant fou qui est apparu sous la plume de Mary Shelley il y a plus de 200 ans, puisque c'était en 1818, dans le roman Frankenstein ou le Prométhée moderne. On sait que bien souvent les personnages de fiction sont inspirés de personnalités bien réelles; et j'avais donc envie de savoir si c'était le cas avec le médecin Victor Frankenstein. Il semble que Mary Shelley se soit inspirée de la vie de Johann Conrad DIPPEL, un théologien, alchimiste et médecin allemand, né dans le château Frankenstein en 1673. SOURCES : Si vous avez envie d'aller un peu plus loin dans ce podcast n'hésitez pas à relire Le roman de Mary Shelley ou ses variations qui ont été nombreuses: Jean-Claude Carrière a par exemple écrit entre 1957 et 1959 six romans Frankenstein qui sont censés être la suite de celui du premier livre de Mary Shelley. En 1973 Brian Aldiss a aussi fait paraitre son roman de science-fiction Frankenstein délivré, qui mêle les personnages de Frankenstein ou le Prométhée moderne — ainsi que Mary Shelley elle-même — il y a une histoire de voyage dans le temps. Et puis L'écrivain André-François Ruaud avec ses essais Les Nombreuses vies de Frankenstein en 2008 et Sur les traces de Frankenstein en 2017 dans lesquels se mêlent fiction littéraire et histoire. Et sinon bien sûr les adaptations cinématographiques dont la première réalisée en 1910 qui est un film muet. Puis le mythique film sorti en 1931 réalisé par James Whale pour Universal Pictures avec Boris Karloff dans le rôle de la créature/ Quelques années sortent les suites La Fiancée de Frankenstein puis Le Fils de Frankenstein. Et enfin plus proche de nous en 1994, Kenneth Branagh a réalisé Frankenstein avec Robert De Niro dans le role du monstre ! Et à noter aussi qu'il y a eu des adaptations plutôt insolites autour de Frankenstein, avec par exemple Frankenstein vs. Baragon (qui mêle le mythe de Frankenstein avec le genre des monstres géants japonais) et qui a été réalisé en 1965 par Ishirō Honda, on a aussi eu droit à Dracula, prisonnier de Frankenstein ou bien encore Les Expériences érotiques de Frankenstein. Et on n'oublie pas le mythique film humour parodique Frankenstein Junior de Mel Brooks sorti en 1974.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
New Releases: Companion Director: Drew Hancock Starring: Sophie Thatcher, Jack Quaid Release Date: Friday, January 31st, 2025 "Companion" is a 2025 American science fiction thriller directed by Drew Hancock, featuring Sophie Thatcher as Iris and Jack Quaid as Josh. The film follows a weekend getaway to a lakeside estate that spirals into chaos after the sudden death of a billionaire. What begins as a tragedy soon unravels into a tense exploration of control, entitlement, and the blurred lines between humanity and artificial intelligence. Critics have lauded the film's suspenseful narrative and dark humor, with some comparing it to "The Stepford Wives" for its modern take on artificial companions and the ethical dilemmas surrounding advanced technology. You're Cordially Invited Director: Nicholas Stoller Starring: Reese Witherspoon, Will Ferrell Release Date: January 30th, 2025 (Amazon Prime) This 2025 romantic comedy brings together Reese Witherspoon and Will Ferrell for a hilariously chaotic clash of weddings. When Jim (Ferrell), a widowed father, and Margot (Witherspoon), a reality TV producer, realize that both their weddings are double-booked at the same venue, chaos ensues. The unexpected mix-up forces the two families to navigate their differences, leading to comedic confrontations and surprising emotional moments. "You're Cordially Invited" blends classic rom-com elements with sharp humor, making for an entertaining and lighthearted watch. Classic Revisit: A.I. Artificial Intelligence Director: Steven Spielberg Release Year: 2001 Originally developed by Stanley Kubrick and later directed by Steven Spielberg, "A.I. Artificial Intelligence" is a sci-fi film that explores deep philosophical questions about identity, love, and the meaning of consciousness. Based on the 1969 short story "Supertoys Last All Summer Long" by Brian Aldiss, the movie tells the story of David (Haley Joel Osment), a child-like android programmed to love. When his human family abandons him, David embarks on a journey to become "real" in hopes of reuniting with his mother. Along the way, he encounters Gigolo Joe (Jude Law), a pleasure-seeking android, and a series of adventures that question what it means to be human. Upon its release, "A.I." received mixed reviews, with some praising its emotional depth and visual effects, while others criticized its tonal shifts between Kubrick's darker vision and Spielberg's sentimental style. Over time, the film has been re-evaluated and is now considered one of Spielberg's most thought-provoking works. Follow & Support Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us More From the Critics Crew: Jeff's Art: Jeff Lassiter Art Sean's Reviews: Sean at the Movies Don't forget to rate, review, and subscribe!
233. Bölümde Dünya Trendleri Sinema Kulübü ile karşınızdayız. Her ay Linkedin sesli odasında yeni bir filmi konuşuyoruz. 10 ay boyunca Yapay Zeka filmlerini konuşacağız. Bu bölümde A.I. filmini konuştuk. Artificial Intelligence (A.I.) (Yapay Zekâ), yönetmenliğini Steven Spielberg'in yaptığı 2001 yapımı bilimkurgu filmidir. Bu bölümde Digicon'nun Kurucusu ve Doktora Araştırmacısı Yeliz Figen Döker ve kulübün daimi sunucusu Eğitmen Tolga Uçak ve konuklarım bana eşlik etti. (00:00) – Açılış (00:12) – Dünya Trendleri Sinema Kulübü Nedir? (02:55) – Bu bölümde neler yapacağız? (04:20) - Artificial Intelligence (A.I.) film hakkında bilgiler… (08:50) – Filmin anlatısı Yapay Zeka ile ilgili doğru tahminler yapıyor mu? Uncanny valley - https://en.wikipedia.org/wiki/Uncanny_valley#:~:text=The%20uncanny%20valley%20(Japanese%3A%20%E4%B8%8D%E6%B0%97%E5%91%B3,computer%20animations%20and%20lifelike%20dolls. (13:27) - Bu filmin sinemada AI'yi temsil etme biçimi sizi nasıl etkiledi? https://www.imdb.com/title/tt0212720/trivia/?ref_=tt_dyk_trv (16:35) - Bir robotun bir insanı ‘'programlaması'' mümkün mü? (20:23) – Filmin bilimsel doğruluk seviyesi: İnsan benzeri AI yaratmak mümkün mü? Optimus - https://www.youtube.com/watch?v=cpraXaw7dyc (24:58) - Günümüzdeki yapay zeka gelişmeleri (ChatGPT, robotlar, etik AI vb.) bu filmle nasıl paralellik gösteriyor? Brian Aldiss - https://en.wikipedia.org/wiki/Brian_Aldiss (25:20) – Neden robotun hareketlerini sınırlandırmamışlar? Antropomorfizm ya da insan biçimcilik - https://tr.wikipedia.org/wiki/%C4%B0nsan_bi%C3%A7imcilik Isaac _ Asimov - https://en.wikipedia.org/wiki/Isaac_Asimov (27:40) – Son sözler (28:27) – Dinleyici yorumları… I Robot - https://tr.wikipedia.org/wiki/Ben,_Robot_(film) (35:06) - Kapanış Yeliz Figen Döker - https://www.linkedin.com/in/yeliz-figen-d%C3%B6ker-302627143/ Tolga Uçak - https://www.linkedin.com/in/tolga-ucak/ Sosyal Medya takibi yaptın mı? Twitter - https://twitter.com/dunyatrendleri Instagram - https://www.instagram.com/dunya.trendleri/ Linkedin - https://www.linkedin.com/company/dunyatrendleri/ Youtube - https://www.youtube.com/c/aykutbalcitv Goodreads - https://www.goodreads.com/user/show/28342227-aykut-balc aykut@dunyatrendleri.com Bize bağış yapıp destek olmak için Patreon hesabımız – https://www.patreon.com/dunyatrendleri Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we have a look at the horror film Frankenstein Unbound. This is Episode #438! Frankenstein Unbound is a 1990 science fiction horror film based on Brian Aldiss' 1973 novel of the same name, starring John Hurt, Raul Julia, Bridget Fonda, Jason Patric, and Nick Brimble. The film is co-written and directed by Roger Corman, returning to the director's chair after a hiatus of almost fifteen years. This is his final film as a director before his death in 2024.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.
Is A.I. Artificial Intelligence (2001) Steven Spielberg's best movie? It's certainly his most misunderstood. A.I. Artificial Intelligence is best remembered as a curious Stanley Kubrick project taken over by Spielberg, and the movie does indeed feel like a strange hybrid of the two filmmakers. But that's part of its magic, because there is no other movie like this. It's a movie all about the horror story that is life. Even artificial life. We are cursed by our bodies and brains, folks. Life is a prison. We are in a cage. But have fun with David (Haley Joel Osment), this child robot who's out here looking for love, and his best friend Gigolo Joe (Jude Law), who's also out here looking for love (of a different kind, wink wink). And don't forget about Teddy (played by himself), an adorable little animatronic bear who stumbles around after David. These three are on a divine quest to talk to God and ask Him what the hell, man. Watch this episode in full: https://www.youtube.com/channel/UC-Vs9gXxAUNmmX8gJq76hOg Next week: Ready Player One (2018)! Time stamps: 00:01:23 — Promo for our Indiana Jones livestream 00:03:00 — Our personal histories with A.I. Artificial Intelligence and our big-picture thoughts on the movie 00:20:57 — History segment: The short story “Supertoys Last All Summer Long” by Brian Aldiss, which served as the basis of the film; Stanley Kubrick's long history with the project; Kubrick's death and Spielberg taking the project over; production of the movie 01:00:26 — In-depth movie discussion 02:17:50 — Final thoughts and star ratings Artwork by Laci Roth. Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: “Summer of Spielberg” - https://youtu.be/yglAqqLEaoI “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ “Summer of Spielberg” theme song credits: Words and music written by Matt Stokes Performed by Wade Hymel (drums/guitar), Laci Roth (vocals), and Matt Stokes (vocals/guitar/bass) Produced by TJ Barends, Wade Hymel, and Matt Stokes Engineered and mixed by TJ Barends at Bare Sounds Studio in Ponchatoula, Louisiana Sources: “From Kubrick to Spielberg: The Story of ‘A.I.'” by Tim Greiving | The Ringer (2021) - https://bit.ly/3WuCwWf “Regarding Stanley” by Rachel Abramowitz | The Los Angeles Times (2001) - https://lat.ms/3WbbIKh
Lee and Leah are joined by friends and fellow podcasters Matt (from Movie Melt) and Vaughn (from Motion Picture Massacre) to talk about the last film Roger Corman directed, 1990's "Frankenstein Unbound", an adaptation of Brian Aldiss' 1973 novel. A box office failure at the time, is this a complete mess or is it unfairly overlooked? Hop into your AI-controlled DeLorean Tesla and load up this podcast to find out! "Frankenstein Unbound" IMDB. Watch a fan-made upscaling of the film. Listen to the abridged audio version of the source material, produced by the BBC. Matt's Podcast Vaughn's Podcast Featured Music: "The Monster's Rage" & "Main Titles" by Carl Davis.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Nos encontramos con un entusiasta miembro de una civilización avanzada, sumergiéndose en un viaje en el tiempo (al pasado), su pasión: la caza. Su trofeo más deseado es nada menos que el formidable tiranosaurio. En este relato, no existen paradojas temporales ni infortunios; el cazador alcanza su meta con éxito. No obstante, al igual que un urbanita que busca refugio en la serenidad del campo sólo para encontrar que no es el idílico retiro que esperaba, nuestro valiente, aunque diminuto guerrero, pronto descubre que el mundo prehistórico ofrece más que solo dinosaurios y aire fresco. Enfrenta desafíos y peligros insospechados, para los cuales no estaba en lo más mínimo preparado. ¡Buen viaje! 👨🚀🚀 Puedes seguir escuchando más historias de Brian Aldiss en este Podcast: 🎙 https://podcasters.ivoox.com/#/episodes/69031966 Trabajando en los astilleros de la nave espacial https://podcasters.ivoox.com/#/episodes/57409500 Androides y robots en el espacio https://podcasters.ivoox.com/#/episodes/47749681 No para una época https://podcasters.ivoox.com/#/episodes/47127560 T. Incluye tomas falsas Brian Aldiss, escritor, crítico y destacado antólogo, autor de, entre otras obras, Frankenstein desencadenado, El tapiz de Malacia , Invernáculo , El momento del eclipse , Informe sobre probabilidad A , la trilogía de Heliconia ( Heliconia Primavera, Heliconia Verano , y Heliconia Invierno ), así como de algunos poemas y un libro de viajes. Entre los múltiples premios que ha recibido, cabe destacar el Nébula (1956 y 1965), el de la British Science Fiction Association (1971, 1973, 1982 y 1985), el Hugo (1962, por Invernáculo ) y el John W. Campbell Memorial por Heliconia Primavera (1982). Se le considera uno de los mayores exponentes de la corriente literaria de la New Wave, y ha sido revalorizado últimamente gracias a la adaptación cinematográfica de su obra por parte de Spielberg con Inteligencia artificial . En 2005 fue ordenado Caballero del Imperio Británico. Falleció el 19 de agosto de 2017. Voz y sonido: Olga Paraíso. Una producción de Historias para ser leídas Música Epidemic Sound con licencia premium autorizada 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas 📢Nuevo canal informativo en Telegram: https://t.me/historiasparaserleidas YouTube Shorts: https://www.youtube.com/@historiasparaserleidas/shorts 🚀🚀🚀🚀🚀🚀🚀 Si estas historias te han cautivado y deseas unirte a nuestro grupo de taberneros galácticos, tienes la oportunidad de contribuir y apoyar este podcast desde tan solo 1,49 euros al mes. Al hacerlo, tendrás acceso exclusivo a todos las historias para nuestros mecenas y podrás disfrutar de los episodios sin interrupciones publicitarias. ¡Agradezco enormemente tu apoyo, me ayudas mucho a seguir creando contenido!. 🍻🚀🎙 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
MAXIM JAKUBOWSKI, publisher, editor, bookseller, writer & critic chats to Paul Burke about his new novel Just a Girl with a Gun. "Less sex Jakubowski" Cornelia c'est moi... Just a Girl with a Gun Killing Eve meets Mr and Mrs SmithIn the neon-lit world of seduction and secrets, Cornelia, a mesmerizing stripper, finds herself pulled into a sinister web spun by the enigmatic organization known only as ‘The Bureau'. Recruited for her hidden talents, she becomes an unlikely assassin, caught between the dance floor and a life of deadly precision.But Cornelia harbours a secret passion that sets her apart from the other killers – she has a penchant for rare books. With each mission she completes, Cornelia indulges her obsession, using her ill-gotten gains to amass a collection that becomes both her refuge and her escape.Amidst the chaos and danger, Cornelia's path intertwines with Hopley, a fellow assassin haunted by his past. Unwittingly drawn together by their shared world of shadows, they navigate a treacherous landscape where trust is scarce, and survival is paramount.As their forbidden romance blooms amidst the darkness, Cornelia and Hopley find solace in each other's arms, their connection a fragile thread of love against a backdrop of deceit and danger. Yet, as they delve deeper into the heart of The Bureau, they discover a haunting truth that threatens to tear them apart. In this exotic and gripping thriller, where death is a dance partner and love flickers in the shadows, Cornelia must confront her own loneliness and unravel the mysteries that surround her. Will she find redemption and a chance at a life beyond the deadly stage? Or will the sinister forces at play consume her, leaving only echoes of a lost love in their wake?Maxim Jakubowski worked for many years in book publishing and is well-known for his books in a variety of genres. Under a pen name, he is also a Sunday Times bestseller. He lives in London and is currently the Chair of the Crime Writers' Association.Recent books by Maxim jakubowski - (co-ed) Reports from the Deep End & Death Has a Thousand Faces (short stories)RecommendationsFilm POOR THINGS Jan, 24, Mentions: Boris Vian, Lawrence Block, Cornell Woolrich, Day Keane, Brett Halliday, James Hadley Chase, Peter Cheyney, Edward Hopper (painter), WR Burnett, Brian Aldiss, JG Ballard, Michael Moorcock, Philip Jose Farmer Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Music courtesy of Guy Hale author of The Comeback Trail trilogy, featuring Jimmy Wayne - KILLING ME SOFTLY - MIKE ZITO featuring Kid AndersonGUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 2023
Le Dr.Frankenstein a t il existé? Bienvenu dans le podcast de La Petite Histoire édité par la Fabrik Audio qui produit aussi le podcast Les Aventuriers, et tous les podcasts de CinéMaRadio. Je tiens à vous remercier pour vos appréciations sur les plateformes de podcasts et notamment sur iTunes. Pour ce mois de novembre alors qu'Halloween est derrière nous j'avais envie de m'intéresser au personnage de Frankenstein, ce savant fou qui est apparu sous la plume de Mary Shelley il y a tout juste deux cents ans puisque c'était en 1818 dans le roman Frankenstein ou le Prométhée moderne. On sait que bien souvent les personnages de fiction sont inspirés de personnalités bien réelles; et j'avais donc envie de savoir si c'était le cas avec le médecin Victor Frankenstein. Il semble que Mary Shelley se soit inspirée de la vie de Johann Conrad DIPPEL, un théologien, alchimiste et médecin allemand, né dans le château Frankenstein en 1673. - Si vous avez envie d'aller un peu plus loin dans ce podcast n'hésitez pas à relire Le roman de Mary Shelley ou ses variations qui ont été nombreuses: Jean-Claude Carrière a par exemple écrit entre 1957 et 1959 six romans Frankenstein qui sont censés être la suite de celui du premier livre de Mary Shelley. En 1973 Brian Aldiss a aussi fait paraitre son roman de science-fiction Frankenstein délivré, qui mêle les personnages de Frankenstein ou le Prométhée moderne — ainsi que Mary Shelley elle-même — il y a une histoire de voyage dans le temps. Et puis L'écrivain André-François Ruaud avec ses essais Les Nombreuses vies de Frankenstein en 2008 et Sur les traces de Frankenstein en 2017 dans lesquels se mêlent fiction littéraire et histoire. Et sinon bien sûr les adaptations cinématographiques dont la première réalisée en 1910 qui est un film muet. Puis le mythique film sorti en 1931 réalisé par James Whale pour Universal Pictures avec Boris Karloff dans le rôle de la créature/ Quelques années sortent les suites La Fiancée de Frankenstein puis Le Fils de Frankenstein. Et enfin plus proche de nous en 1994, Kenneth Branagh a réalisé Frankenstein avec Robert De Niro dans le role du monstre ! Et à noter aussi qu'il y a eu des adaptations plutôt insolites autour de Frankenstein, avec par exemple Frankenstein vs. Baragon (qui mêle le mythe de Frankenstein avec le genre des monstres géants japonais) et qui a été réalisé en 1965 par Ishirō Honda, on a aussi eu droit à Dracula, prisonnier de Frankenstein ou bien encore Les Expériences érotiques de Frankenstein. Et on n'oublie pas le mythique film humour parodique Frankenstein Junior de Mel Brooks sorti en 1974.
Between Metropolis and Star Wars lies a 50 year wasteland of terrible movie robots. Every week we rate the robot from a movie, if it gets a score of 7 out of 10 then we say that it is not a shit robot. Today, we begin Season 6 with new titles and a deep-dive into the 1964 British movie, THE EARTH DIES SCREAMING. The robots are glam-rockin' but are they any good?WARNING! The S**t-bomb is sometimes uttered but nothing more. Twitter: @FiftyYOSRInsta: @FiftyYOSRTikTok: @FiftyYOSRNOTES**CORRECTION** At 5'30(ish), Stephen Murray claimed that Mark Gatiss coined the phrase ‘Cosy Catastrophe'. According to the internet, it was actually coined by top British sci-fi author Brian Aldiss. I can only apologise for any inconvenience. THE EARTH DIES SCREAMING TRAILERhttps://www.youtube.com/watch?v=8Pa_cVQlkEQ CHRISTOPHER LEE TALKING ABOUT TERENCE FISHERhttps://www.youtube.com/watch?v=N9iHpI8nWmY TERENCE FISHER AND HAMMER HORRORhttps://horrorobsessive.com/2022/01/28/terence-fisher-and-hammer-horror/ MOVIES THAT USE FOOTAGE FROM OTHER FILMShttps://www.gamesradar.com/50-movies-that-used-recycled-movie-footage/ ELISABETH LUTYENShttps://www.lutyenstrust.org.uk/portfolio-item/composer-elisabeth-lutyens-daughter-of-edwin/WORDY FROM LOOK AND READhttps://www.eightieskids.com/look-and-read-shows-that-will-remind-you-of-your-school-days/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
DEAD AIRWAVES Episode 44 Tell Mommy what Happened By Alan Ryan Read by Chrisi Pashley. Alan Peter Ryan (May 17, 1943 – June 3, 2011) was an American author and editor, known for his work in the horror genre in the 1980s. Ryan was a prolific horror author and also a respected editor, with notable anthologies including World Fantasy Award nominees Perpetual Light (1982) and Night Visions: In the Blood (1984, first in the Night Visions series published by Berkley and later Subterranean Press). These anthologies feature works from authors like Charles L. Grant, Robert Silverberg and Brian Aldiss. He also edited Halloween Horrors (1986), Vampires (1987; re-edited as The Penguin Book of Vampire Stories in 1988), and Haunting Women (1988). Make sure you checkout Twisted Pulp Magazine on Amazon and our website https://www.screamingeyepress.com/ Look for Horrible Little Stories Anthology featuring Joe Lansdale, Elizabeth Massie, G.L. Raisor, Jack Dann and more! All proceeds will go to thefire.org to help fight censorship. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mslade/message
Hoy debuta una amiga y compañera en Relatos Salvajes. Se llama Carmen Alcaraz y es colaboradora del podcast de cine La Camarilla. El cuento que vais a escuchar es el que inspiró la película de Steven Spielberg "Inteligencia Artificial". Espero que os guste su trabajo tanto como a mi. Nos vemos pronto con más Relatos Salvajes... Narración: Carmen Alcaraz Edición: Ramón Salazar Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Pilosofía, el arte de ponerle pilas a la vida. Un magazine cargado de información, actualidad y entretenimiento. Hablaremos de la conmemoración del Día mundial del perro🐶🐕🐩🦮 También tenemos la información del día con Javier Rodríguez 🗣️📻🎙️ Os ofreceremos un reportajes sobre las ventajas e inconvenientes de dormir con el ventilador encendido estas noches sofocantes de verano. 😴🥵 Y hablaremos sobre los Espacios violetas una iniciativa del ayuntamiento de Ciudad Real para concienciar y evitar agresiones sexistas y de violencia y abuso contra la mujer durante las fiestas locales que se celebrarán próximamente en la localidad. 💜💜💜💜 Regresa la sección de literatura Piletas y libros, donde el profesor y escritor Ramona Aguirre va a hablar de Brian Aldiss, escritor inglés, uno de los principales representantes de la ciencia ficción.📖📚 Y todo ello salpicado de música española e internacional.💃🏻🕺🏻 Gracias por escucharnos Pilósofos!!!! 🎙️📻🎛️
Avec Céline Minard, Corinne Morel Darleux, luvan et Saul Pandelakis.Animation : Anne Canoville. Table ronde "Écofictions et mondes post-humains : une écriture de l'interaction" lors de la 10e édition du festival les Intergalactiques le samedi 23 avril 2022. Le site web du festival :https://intergalactiques.net En résonance avec la prise de conscience de l'impact destructeur de l'humanité sur les écosystèmes, nous voyons apparaître, dans le paysage littéraire, de plus en plus de fictions qui semblent prendre à la lettre la fameuse formule de Spinoza : à savoir que l'être humain – son corps, sa conscience, ses productions matérielles et immatérielles – dans la Nature n'est pas “un empire dans un empire”. Bien entendu, critique et scepticisme envers une vision humano-centrée ne sont pas neuves en science-fiction, il n'y a qu'à penser à ses liens inextricables avec la cybernétique pour s'en convaincre, ou aux oeuvres d'auteur·ice·s comme Ursula K. Le Guin, Brian Aldiss, Clifford D. Simak… Par son caractère spéculatif, la science-fiction offre précisément la possibilité de désaxer notre point de vue. Une thématique que nous avions abordée lors de la 9é édition des Intergalactiques, La Forme de l'autre. Au cours de cette table-ronde, nous discuterons des expressions les plus contemporaines de cet aspect du genre, et tenterons justement de les replacer dans cette tradition de la science-fiction écologique. Des oeuvres comme celles de Vinciane Despret avec Autobiographie d'un poulpe (Actes Sud, 2021), Corinne Morel-Darleux avec Là où le feu et l'ours (Libertalia, 2021), Céline Minard avec Plasmas (Rivages, 2021) mixent les genres, renvoyant à d'autres types de littérature comme l'essai scientifique ou le manifeste d'écologie politique. Avec elles, il ne s'agit pas non plus d'essentialiser la nature, humaine ou non-humaine : aussi peuvent-elles être mises en rapport avec d'autres univers post-humains, qui procèdent de la robotisation et des intelligences artificielles, comme celui dépeint dans La séquence Aardtman de Saul Pandelakis (Goater, 2021). En somme, ces fictions sortent du cadre philosophique qui pose l'humain comme un sujet, la nature comme un objet, comme pour mieux saisir d'autres façons de sentir et de comprendre : en repartant de l'interface que constitue le rapport de l'organisme avec son milieu, en explorant des intelligences animales, végétales, symbiotiques, elles ouvrent vers d'autres manières d'écrire, qui dans leur radicalité même, interrogent l'expérience subjective, la limite entre les êtres, le début, la fin… Une écriture du milieu ?
We've got a very special guest for you this week - Yoon Ha Lee, author of, among others, the Machineries of Empire series, and the Thousand Worlds series (with Rick Riordan Presents). Join us as we compare adult SF/F publishing to middle grade & YA, get our PhDs in space operas, and even discuss the appeal of robots. Theo is more honorable than Jackie. Jackie reveals some truly shocking information. Rachel talks about her worst teacher. Yoon exposes his own shameless pandering. Topics include: the Labyrinth board game, choose your own adventure books, Spyro, The Lord of the Rings, Betrayal at the House on the Hill, matrix multiplication, The Billionaire Were-Bear's Curvy Bride, planetary romance, space operas, everyday Gom Jabbars, fan-made wikis, YHL's (potentially) favorite fan, R2-D2 & BB-8 & C-3PO, the retractable gills we all have, porgs, Battlestar Galactica, Brian Aldiss' checklist, an uncle that betrays, Into the Spider-Verse, mathematicians vs vampires
We've got a very special guest for you this week - Yoon Ha Lee, author of, among others, the Machineries of Empire series, and the Thousand Worlds series (with Rick Riordan Presents). Join us as we compare adult SF/F publishing to middle grade & YA, get our PhDs in space operas, and even discuss the appeal of robots. Theo is more honorable than Jackie. Jackie reveals some truly shocking information. Rachel talks about her worst teacher. Yoon exposes his own shameless pandering. Topics include: the Labyrinth board game, choose your own adventure books, Spyro, The Lord of the Rings, Betrayal at the House on the Hill, matrix multiplication, The Billionaire Were-Bear's Curvy Bride, planetary romance, space operas, everyday Gom Jabbars, fan-made wikis, YHL's (potentially) favorite fan, R2-D2 & BB-8 & C-3PO, the retractable gills we all have, porgs, Battlestar Galactica, Brian Aldiss' checklist, an uncle that betrays, Into the Spider-Verse, mathematicians vs vampires
What makes games 'savoury'? Why is Twitter such a bad place to get game design advice? And is it ever sensible to push a count off a cliff?This episode, Lottie and Alexis talk art, games and critique, through architect Christopher Alexander to Jack Cohen and Brian Aldiss' fight over speculative xenobiology in Helliconia. Listen to avoid the perils of categorisation, and the pitfalls of diamonds - and hear Alexis fake his own death. Literally.Games / books mentioned in this episode, for your gaming / reading pleasure:- The Devil's Elixirs, by E T A Hoffmann- The Snare of the Tree, by Alexis Kennedy- A Pattern Language, by Christopher Alexander- Cultist Simulator, by us- Sunless Sea, by Alexis Kennedy and Failbetter Games- Helliconia, by Brian AldissFollow us on Twitter and sign up to the mailing list to make sure you don't miss the next episode! ♥Support the show (http://bit.ly/2JCKVEH)
"Era el último día del último verano del siglo LXXXIII d.C. Tarareando en voz baja, a gran altura en la estratosfera, viajaba en su balsa J. Smithlao, de profesión psicodinamista, sobre el Sector 139 de Ing Land. Comenzó a descender. Bajaba oblicuamente, como zambulléndose, hasta que volvió a ponerse horizontal y quedó oscilando en el aire sobre la propiedad de Charles Gunpat, eligiendo su curso sin que Smithlao le prestara atención". Texto original: https://lecturia.org/cuentos-y-relatos/brian-aldiss-todas-las-lagrimas-del-mundo/2220/ Musica; Jamendo, licencia autorizada Estudio de locución: - Micrófono: Neumann TLM-103 - Interfaz: Universal Audio Apollo Twin - Cabina: Demvox ECO100 - Plugins: Universal Audio Estoy en Twitter: @VengadorT Te ofrezco mi voz como locutor online profesional, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo en info@locucioneshablandoclaro.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Book Vs. Movie: AI: Artificial Intelligence Brian Aldiss's Supertoys Last All Summer Long Vs. the 2001 Steven Spielberg Film Twenty years ago, Steven Spielberg released a longtime project with his friend Stanley Kubrick--AI: Artificial Intelligence. Kubrick bought the rights to the 1969 short story from author Brian Aldiss (which appeared as Supertoys Last All Summer Long in the August 1969 issue of the UK edition of Harper's Bazaar. The story is about a robot child being jettisoned by his parents when permitted to have a baby and a dystopian future where overpopulation has caused the management of families. Kubrick liked the idea of a story about a neglectful parent but thought there weren't any child actors who could accurately play the part. After he died in 1999, Spielberg took over the project and divided to flesh out the story with Mechas (humanoid robots) and hired actor Haley Joel Osment to lead David. A young Mecha is programmed to love his mother. When she decides to abandon him after he has behavioral issues, the story turns into a tale of David, his “Teddy” bear friend, and Jude Law (a hustler Mecha) to now underwater NYC to find the “Blue Fairy” to make him a real boy. The film divided the critics and the audience, with some praising the vision and others finding the “Kubrick Vs. Spielberg” styles making a messy picture. Now that 20 years have gone by, there are now think pieces about its brilliance. So, between the short story and the movie--which did we prefer? In this ep the Margos discuss: The original short story by Brian Aldiss The history of the adaptation from Kubrick to Spielberg. The special effects are used on the actors and onset. Starring: Haley Joel Osment (David,) Jude Law (Gigolo Joe,) Frances O'Connor (Monica Swinton,) Sam Robards (Henry Swinton,) William Hurt (Professor Allen Hobby,) Brenden Gleeson (Lord Johnson-Johnson,) Jack Angel (Teddy,) Robin Williams (Dr. Know,) Ben Kingsley (Specialist,) Meryl Streep (Blue Fairy,) and Chris Rock in a creepy cameo! Clips used: David meets an advanced Specialist AI trailer David is driven away Gigolo Joe talks about David's mother David at the Flesh Fair Music by John Williams Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com, You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: AI: Artificial Intelligence Brian Aldiss's Supertoys Last All Summer Long Vs. the 2001 Steven Spielberg Film Twenty years ago, Steven Spielberg released a longtime project with his friend Stanley Kubrick--AI: Artificial Intelligence. Kubrick bought the rights to the 1969 short story from author Brian Aldiss (which appeared as Supertoys Last All Summer Long in the August 1969 issue of the UK edition of Harper's Bazaar. The story is about a robot child being jettisoned by his parents when permitted to have a baby and a dystopian future where overpopulation has caused the management of families. Kubrick liked the idea of a story about a neglectful parent but thought there weren't any child actors who could accurately play the part. After he died in 1999, Spielberg took over the project and divided to flesh out the story with Mechas (humanoid robots) and hired actor Haley Joel Osment to lead David. A young Mecha is programmed to love his mother. When she decides to abandon him after he has behavioral issues, the story turns into a tale of David, his “Teddy” bear friend, and Jude Law (a hustler Mecha) to now underwater NYC to find the “Blue Fairy” to make him a real boy. The film divided the critics and the audience, with some praising the vision and others finding the “Kubrick Vs. Spielberg” styles making a messy picture. Now that 20 years have gone by, there are now think pieces about its brilliance. So, between the short story and the movie--which did we prefer? In this ep the Margos discuss: The original short story by Brian Aldiss The history of the adaptation from Kubrick to Spielberg. The special effects are used on the actors and onset. Starring: Haley Joel Osment (David,) Jude Law (Gigolo Joe,) Frances O'Connor (Monica Swinton,) Sam Robards (Henry Swinton,) William Hurt (Professor Allen Hobby,) Brenden Gleeson (Lord Johnson-Johnson,) Jack Angel (Teddy,) Robin Williams (Dr. Know,) Ben Kingsley (Specialist,) Meryl Streep (Blue Fairy,) and Chris Rock in a creepy cameo! Clips used: David meets an advanced Specialist AI trailer David is driven away Gigolo Joe talks about David's mother David at the Flesh Fair Music by John Williams Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com, You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Para esta nueva emisión de #LasVocesDelLibroUR estuvimos hablando con Leonardo Palacios, profesor titular, cofundador e integrante del Centro de investigación en Neurociencia, de la Escuela de Medicina y Ciencias de la Salud, sobre su libro: “Abriendo la caja negra. Una historia de la neurociencia”. Un libro que recoge algunos de los aspectos y temas estudiados sobre la neurociencia, desde los primeros acercamientos y estudios sobre el cerebro, hasta los aportes y estudios de finales del siglo XX. En la segunda parte del programa, sobre recomendados de literatura e inteligencia artificial, contamos con la participación de Luis E. Izquierdo, escritor colombiano, quien, en compañía de las panelistas y conductora del programa, hablaron de los libros: “Máquinas como yo” de Ian McEwan; “Galatea 2.2”, de Richard Powers; “¿Sueñan los androides con ovejas eléctricas?”, de Philip K. Dick; y “Los superjuguetes duran todo el verano”, de Brian Aldiss. Conduce: María Camila Núñez.Panelistas: Nathalia Gómez Parra y Laura Ballesteros Chitiva.Produce: Diego A Garzon-Forero, Juan Carlos Ruíz Hurtado y Laura Ballesteros Chitiva.Editorial Universidad del Rosario.
"En el jardín de la señora Swinton era siempre verano. Los delicados almendros estaban perpetuamente cubiertos de hojas. Mónica Swinton arrancó una rosa azafranada y se la mostró a David". Texto: https://lecturia.org/cuentos-y-relatos/brian-aldiss-los-superjuguetes-duran-todo-el-verano/5353/ Estudio de locución: - Micrófono: Neumann TLM-103 - Interfaz: Universal Audio Apollo Twin - Cabina: Demvox ECO100 - Plugins: Universal Audio Estoy en Twitter: @VengadorT Te ofrezco mi voz como locutor online profesional, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo en info@locucioneshablandoclaro.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Tonton juga videonya di YouTube.
We're returning to the Netflix original series, Black Summer, for season 2. Does it hold up to the excellent first season or is it another black mark on Netflix's record? But first, we're reviewing Willy's Wonderland, Frenzy, Unacknowledged: An Expose on the World's Greatest Secret, Close Encounters of the Fifth Kind, Thir13en Ghosts, Omen IV: The Awakening, The Omen (2006), Fear Street 1994, Life After Beth, To Be Devoured by Sara Tantlinger, Blue World by Robert McCammon, Dracula Unbound by Brian Aldiss, and Twisted: Tainted Tales by Janine Pipe.
Chegamos ao centésimo episódio! Angélica e Marcos comentam suas impressões sobre “I Sing The Body Electric” (Eu Louvo O Corpo Elétrico), episódio dirigido por James Sheldon e William F. Claxton, com roteiro de Ray Bradbury. Sua única contribuição para a série. Conheça o que se sabe da origem da animosidade entre Bradbury e Rod Serling. Mencionados: Livro: “Superbrinquedos Duram O Verão Todo”, de Brian Aldiss (o conto do mesmo título inspirou o filme “Inteligência Artificial“) / Artigo: “I Sing The Body Electric” no site The Twilight Zone Vortex (em inglês) / Vídeo: Marc Scott Zicree “Rod Serling and Ray Bradbury- The Untold Story” / Séries: The Outer Limits, episódio ” I Robot” / Black Mirror: ” Be Right Back” (Volto Já) / Série: Humans (Trailer) / Filme: Os Meus, Os Seus E os Nossos (1968/Filme Completo no Ok.Ru) (nesse site aqui, tem uma crítica e as fotos da família real) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.
Chegamos ao centésimo episódio! Angélica e Marcos comentam suas impressões sobre "I Sing The Body Electric" (Eu Louvo O Corpo Elétrico), episódio dirigido por James Sheldon e William F. Claxton, com roteiro de Ray Bradbury. Sua única contribuição para a série. Conheça o que se sabe da origem da animosidade entre Bradbury e Rod Serling. Mencionados: Livro: "Superbrinquedos Duram O Verão Todo", de Brian Aldiss (o conto do mesmo título inspirou o filme "Inteligência Artificial") / Artigo: "I Sing The Body Electric" no site The Twilight Zone Vortex (em inglês) / Vídeo: Marc Scott Zicree "Rod Serling and Ray Bradbury- The Untold Story" / Séries: The Outer Limits, episódio " I Robot" / Black Mirror: " Be Right Back" (Volto Já) / Série: Humans (Trailer) / Filme: Os Meus, Os Seus E os Nossos (1968/Filme Completo no Ok.Ru) (nesse site aqui, tem uma crítica e as fotos da família real) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.
Chegamos ao centésimo episódio! Angélica e Marcos comentam suas impressões sobre “I Sing The Body Electric” (Eu Louvo O Corpo Elétrico), episódio dirigido por James Sheldon e William F. Claxton, com roteiro de Ray Bradbury. Sua única contribuição para a série. Conheça o que se sabe da origem da animosidade entre Bradbury e Rod Serling. Mencionados: Livro: “Superbrinquedos Duram O Verão Todo”, de Brian Aldiss (o conto do mesmo título inspirou o filme “Inteligência Artificial“) / Artigo: “I Sing The Body Electric” no site The Twilight Zone Vortex (em inglês) / Vídeo: Marc Scott Zicree “Rod Serling and Ray Bradbury- The Untold Story” / Séries: The Outer Limits, episódio ” I Robot” / Black Mirror: ” Be Right Back” (Volto Já) / Série: Humans (Trailer) / Filme: Os Meus, Os Seus E os Nossos (1968/Filme Completo no Ok.Ru) (nesse site aqui, tem uma crítica e as fotos da família real) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.
Título original Working in the Spaceship Yards 1969, Brian Aldiss (Episodio liberado de Fans). Voz Intro Olga Paraíso, basado en el juego Half Life. De este relato publicado por primera vez 1978 por ediciones Minotauro salió la película iniciada por Stanley Kubrick y completada por Steven Spielberg "Inteligencia artificial". Brian Aldiss trata la condición humana y el carácter perturbador , exuberante y ambiguo de nuestra época. Brian Aldiss, escritor, crítico y destacado antólogo, autor de, entre otras obras, Frankenstein desencadenado, El tapiz de Malacia , Invernáculo , El momento del eclipse , Informe sobre probabilidad A , la trilogía de Heliconia, así como de algunos poemas y un libro de viajes. Entre los múltiples premios que ha recibido, cabe destacar el Nebula (1956 y 1965), el de la British Science Fiction Association (1971, 1973, 1982 y 1985), el Hugo (1962, por Invernáculo ) y el John W. Campbell Memorial por Heliconia Primavera (1982). Se le considera uno de los mayores exponentes de la corriente literaria de la New Wave, y ha sido revalorizado últimamente gracias a la adaptación cinematográfica de su obra por parte de Spielberg con Inteligencia artificial . En 2005 fue ordenado Caballero del Imperio Británico. Falleció el 19 de agosto de 2017. Historias para ser Leídas: https://twitter.com/HLeidas Suscríbete a nuestra Newsletter: https://www.getrevue.co/profile/historiasparaserleidas 📢Nuevo canal informativo en Telegram: https://t.me/historiasparaserleidas 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
RockerMike and Rob Discussed the legend of Frankenstein. This is the final installment of the four part series on universal monsters. This is conspiracy 420!!!! Light them up if you got them and enjoy the show. Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states that the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results.The novel has had a considerable influence on literature and popular culture and spawned a complete genre of horror stories, films, and plays. Since the publication of the novel, the family name "Frankenstein" has often been used to refer to the monster, rather than his creator/father. www.newyorker.comThe Strange and Twisted Life of “Frankenstein” https://www.sparknotes.com › lit › f...Frankenstein: Study Guide | SparkNotes https://m.imdb.com › titleFrankenstein (1931) - IMDb Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #youngfrankenstein #frankenstein #frankensteinsmonster #frankensteintattoo #brideoffrankenstein #monsterenergy #monster #monstera #monsterjam #monsterart #monsterhigh #moviequotes #movie #movies #moviescenes #movienight --- Support this podcast: https://anchor.fm/rob-rossi/support
O Pindorama é um podcast quinzenal sobre contos de ficção científica nacional. Este episódio comenta o conto "Os filhos dos homens", de Michel Peres, publicado na Nove Amanhãs 01, em 2020. Participam: Rodrigo Hipólito, Dennis Almeida e Lu Bento. Sinopse do conto: Ben é um gimo. Criado em laboratório, Ben faz o seu trabalho com muito mais gosto que a maioria dos gimos produzidos para a exploração das novas colônias de Marte. Ben não apenas pensa, como tenta compreender a lógica daquele mundo cheio de limitações. Fora dos domos e dos veículos, Ben pode respirar e é livre. Dentro dos domos, Ben precisa usar máscara e é hostilizado pelos habitantes do complexo. Talvez, essa vida de escravidão programada esteja prestes a acabar. O episódio comenta as principais características desse conto, como: pós-humanismo, preconceito linguístico, relações de exploração humanas e interespécies e experimentação narrativa. Obras e links mencionados - [ site ] Alliah; - [ livro ] Os negros anos-luz, de Brian Aldiss; - [ livro ] Laranja mecânica, Anthony Burgess; - [ podcast ] Incêndio na escrivaninha; - [ livros ] Despertar, Octavia Butler; Apoie o Leitor Cabuloso! Contribua com Catarse do Leitor Cabuloso para que mais iniciativas fabulosas possam existir! www.leitorcabuloso.com.br Catarse: catarse.me/leitor_cabuloso Facebook: www.facebook.com.br/leitorcabuloso Instagram: @leitorcabuloso Twitter: @leitorcabuloso Participantes do episódio Rodrigo Hipólito | Twitter: @lhamanalama | podcast Não Podtocar, Twitter: @naopodtocar | site: notamanuscrita.com Dennis Almeida | Twitter: @DennisAlmeida82 | #AulaFio Lu Bento | Twitter: @amaepreta| Instagram: @amaepreta | @quilomboliterario | @cladaspretas Próximo episódio Conto A arca, de Augosto Fraco, também publicado na revista Nove Amanhãs 1, em 2020. *** Goles de Solidão e Poesia Estamos ajudando um autor nacional que está passando por um momento difícil a divulgar o seu livro. O spot que vocês ouviram no início do programa foi feito de maneira gratuita, por isso não sinalizamos como Publi. Bio: Nascido em Akizhar na Turquia no mítico ano de 1968, imigrou para o Brasil aos seis anos de idade, estabelecendo-se primeiramente em São Paulo. Aos treze anos mudou para o Rio de Janeiro onde foi estudar em um seminário, como a carreira eclesiástica não era bem seu forte mudou-se para a cidade do Rio de Janeiro onde morou até terminar a graduação em Comunicação Social com ênfase em jornalismo e em filosofia. Foi assessor de imprensa de bandas de rock dos anos 1980 e na década de 1990 mudou-se para Paris onde ingressou na prestigiada Paris III da Sourbonnè e fez seu mestrado e doutorado em filosofia das religiões. De volta ao Brasil, outra vez em São Paulo, foi empresário, dono de casa noturna, trabalhou com importação e exportação o que o levou a morar na China e conhecer dezenas de países. Voltou ao jornalismo, agora atuando como independente. É pai de uma linda garota chamada Lívia. Alek Honse é um pseudônimo. Kindle | Versão impressa | Redes sociais do Alek: Facebook | Instagram | Twitter; Email: alekhonseescritor@gmail.com
In this episode, Dave, Chaz, and John briefly discuss character development using the "Big Five" model of personality before haring off on a number of predictable tangents. Also in this episode: everything Dave knows about factor analysis and psychological modeling (tl;dr: psychology is squishy); what Chaz doesn't know about "Aspects of the Novel:" by E.M. Forster (quite a bit, and seemingly proud of it); and John reminds Chaz to panic about being replaced by a computer. Also: MFAs are a dodgy proposition; the academic wing of the Tolkien industry; Freud sucks (Dave again); and how pantsing yourself into a corner is like failing to solve a Sudoku. Finally, a plea: "plotting" is fine, but can we please find an alternative to "pantsing"?! … Continue...Episode 91 – A Psychological Model for Character Building
Chegou a hora de falarmos do conto Superbrinquedos Duram o Verão Todo escrito por Brian Aldiss e traduzido por Beth Vieira. O conto faz parte de uma antiga coletânea que não está mais disponível para venda, fazendo parte do catálogo da Companhia das Letras. Apesar do nome diferente, talvez você já conheça essa história através […]
Frankenstein - Mary Shelley - Book 1, Part 2 Title: Frankenstein Overview: Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley traveled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometers (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy B. Shelley. In 1816 Mary, Percy, and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued for it as the first true science-fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The novel has had a considerable influence on literature and on popular culture; it has spawned a complete genre of horror stories, films, and plays. Since the publication of the novel, the name "Frankenstein" has often been used, erroneously, to refer to the monster, rather than to his creator/father. Published: 1818, Revised Edition 1831 List: 100 Classic Book Collection Author: Mary Shelley Genre: Gothic Novel, Horror Fiction, Science Fiction Episode: Frankenstein - Mary Shelley - Book 1, Part 2 Part: 2 of 2 Length Part: 4:56:41 Book: 1 Length Book: 8:44:47 Episodes: 15 - 28 of 29 Narrator: Thomas A. Copeland Language: English Edition: Unabridged Audiobook Keywords: pursuit of knowledge, science, human exploration, human limits, secret of life, monster Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support
Frankenstein - Mary Shelley - Book 1, Part 1 Title: Frankenstein Overview: Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley traveled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometers (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy B. Shelley. In 1816 Mary, Percy, and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued for it as the first true science-fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The novel has had a considerable influence on literature and on popular culture; it has spawned a complete genre of horror stories, films, and plays. Since the publication of the novel, the name "Frankenstein" has often been used, erroneously, to refer to the monster, rather than to his creator/father. Published: 1818, Revised Edition 1831 List: 100 Classic Book Collection Author: Mary Shelley Genre: Gothic Novel, Horror Fiction, Science Fiction Episode: Frankenstein - Mary Shelley - Book 1, Part 1 Part: 1 of 2 Length Part: 3:48:18 Book: 1 Length Book: 8:44:47 Episodes: 0 - 14 of 29 Narrator: Thomas A. Copeland Language: English Edition: Unabridged Audiobook Keywords: pursuit of knowledge, science, human exploration, human limits, secret of life, monster Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support
On this episode of Out of Theaters, Billy and Will pick apart "A.I.," discussing what works, what doesn't and what hits Billy right in the heartstrings. They debate what elements Stanley and Steven brought to the film, and talk about that ending, and why it should have happened about 20 minutes before it (finally) does.
We've talked a lot about Frankenstein already here on What Mad Universe?!?--not surprising, as by some lights it's the first SF novel. One of those lights was Brian Aldiss, British New Wave SF writer, who decided to write an elaborate bit of self-insert fanfic involving time-traveling to meet Mary Shelley and do battle with the monster at the end of the universe. It's also set in 2020 as all reality is breaking down. Uh, no comment... Support us on Patreon and listen to the show a week early! Phil's Patreon Adam's Patreon What Mad Universe?!? on Twitter Adam's Twitter Phil's Twitter What Mad Universe on Facebook What Mad Universe on Instagram What Mad Universe RSS Feed Engineer/Producer: Alex Ross Theme song by Jack Feerick This podcast is powered by Pinecast.
Brian Aldiss did a great service for science fiction when he identified Frankenstein as the first SF novel. You can debate the reasons, but science fiction did a pretty solid job of writing women out of its history. Verne and Wells, Asimov and Heinlein were made the written history. Mary Wollstonecraft Shelley’s name was rarelyContinue reading "Frankenstein : how a teenage goth invented science fiction"
Os cuento mis impresiones sobre la novela del título. --- Podcast asociado a la red de SOSPECHOSOS HABITUALES. Suscríbete con este feed: https://feedpress.me/sospechososhabituales
Os cuento mis impresiones sobre la novela del título. --- Podcast asociado a la red de SOSPECHOSOS HABITUALES. Suscríbete con este feed: https://feedpress.me/sospechososhabituales
This is the tinnitus and sleep version, which means I've added a light thunderstorm as atmosphere to the background to ease tinnitus, aid in sleep, and provide additional calming effects that not everyone receives with vocal ASMR alone. ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. A TINNITUS & INSOMNIA version is also available to aid in the sensations of ASMR for people with tinnitus, insomnia, anxiety, depression, ptsd, and sleeplessness. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
This is the tinnitus and sleep version, which means I've added a light thunderstorm as atmosphere to the background to ease tinnitus, aid in sleep, and provide additional calming effects that not everyone receives with vocal ASMR alone. ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
ASMR reading of Frankenstein, the Modern Prometheus, by Mary Wollstonecraft Shelley, 1818. This book contains several letters written before the first chapter starts and will be read in this order, as was published. Listen with headphones for the best experience. Support me: https://paypal.me/TomeByTome Support me on Anchor: https://anchor.fm/tome-by-tome-asmr Best way to keep in touch - Twitter: http://twitter.com/TomeByTomeASMR Athena's Archive ASMR: https://anchor.fm/athenas-archive-asmr Asylum ASMR: https://anchor.fm/asylumasmr/ YouTube: http://bit.ly/youtubeTomebyTomeASMR Patreon: http://www.patreon.com/TomeByTomeASMR For more about the Hunt for the Elder God Cthulhu, watch: https://youtu.be/x20EaYa1OPw Shelley traveled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel. Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states the central character ‘makes a deliberate decision’ and ‘turns to modern experiments in the laboratory’ to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. #frankenstein #asmrhorrorstory #maryshelleyfrankenstein --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tome-by-tome-asmr/message Support this podcast: https://anchor.fm/tome-by-tome-asmr/support
Supertoys Last All Summer Long, by Brian Aldiss, was published in 1969, and tells the story of a young boy unable to please his mother, a boy who is not a boy at all, a boy whose intelligence is artificial…
Hayley and Basil go long in this episode where we compare the very short story (9 pages?) “Supertoys Last All Summer Long” by Brian Aldiss to the quite long movie (over 2.5 hours??), “A.I.:... The Fancy Film Fellows discuss film from every era in a variety of formats. Be Warned! You might learn more than you'd care to know...
Rodny odiaba a todos los habitantes de aquel mundo futuro. Solo una simple casualidad había libertado al prisionero del tiempo. Un hombre viaja 33.077" segundos al futuro. Brian Aldiss, (1925-2017) escritor, crítico y destacado antólogo, autor de, entre otras obras, Frankenstein desencadenado, El tapiz de Malacia, Invernáculo, El momento del eclipse, Informe sobre probabilidad A, la trilogía de Heliconia (Heliconia Primavera, Heliconia Verano, y Heliconia Invierno), así como de algunos poemas y un libro de viajes. Entre los múltiples premios que ha recibido, cabe destacar el Nebula (1956 y 1965), el de la British Science Fiction Association (1971, 1973, 1982 y 1985), el Hugo (1962, por Invernáculo) y el John W. Campbell Memorial por Heliconia Primavera (1982). Se le consideraba uno de los mayores exponentes de la corriente literaria de la New Wave, y fue revalorizado gracias a la adaptación cinematográfica de su obra por parte de Spielberg con Inteligencia artificial. En 2005 fue ordenado Caballero del Imperio Británico. Aldiss es un escritor preocupado por la condición humana, de modo que su obra roza lo biográfico, repleta de sensaciones e imágenes evocadoras de la juventud y plagada de inquietudes respecto a la percepción de la realidad y a la ambigüedad de nuestro mundo, que aúna lo terrible y lo fascinante, lo bello y lo repulsivo. Sir Brian W. Aldiss, el gran anciano de la ciencia ficción británica, falleció en el año 2017 rodeado de hijos, nietos y amigos, pocas horas después de celebrar su 92 cumpleaños. Estamos en Twitter @hleidas no te pierdas las novedades.
This episode Steve, Isaiah, and Mason discuss Hexarchate Stories by Yoon Ha Lee Like what we’re doing? Have something you want to say? Need help transferring the memories of a mass murderer? You can find us at : Our website : thestory.network Instagram : thestory.network Twitter : @thestorynet_pod Email : stroynetworkinfo@gmail.com We’ll be back next Tuesday with Non-Stop by Brian Aldiss
Here’s the recording of the Fandom in the 60’s panel at Continuum 14, minimal editing. After a bit of faffing around with the recording mikes, Leigh Edmonds introduced the panel:Lee Harding, Rob Gerrand, Bill Wright and Leigh Edmonds (moderator). Leigh started by asking Lee to describe the state if SF in the sixties (1:46), and theembargo on American imports (2:11). Lee talked about Operation Fantast (2:35), American fanzines (3:47) and what it was like to get published (5:54). Rob Gerrand talked about The New Wave (1967), Aldiss, and his reaction to Barefoot in the Head. (12:33) Lee noted that they received proof pages of Cryptozoic from Brian Aldiss (13:03), and went on todiscuss media fandom — basically movies and TV (14:20) and commented on SF, fans and racism. (15:34) Leigh invited Bill to talk about the sixties, and he discussed ANZAPA, fanzines (16:47) and how SFliberated us from restrictive 60’s culture (18:45). Lee noted the influence of Foyster, Baxter and Barrett (20:43) and discussed the effect ofFoyster, Binns and SpaceAge. There was some discussion of the first convention (23:44),then Lee talked about John Foyster (24:20), and Bill chimed in with his thoughts on John (25:14). Rob discussed the influence of ASFR (25:59), and noted the influence of SF clubs at uni,noting Damien Broderick’s editorship of Lot’s Wife (29:11). They discussed the 68 con (29:31), then Leigh pulled them back to discuss the 1966 nation (30:32).Rob talked about the Fantasy Film Society (32:55), and Bill noted the hazards of super 8, 16mm and nitrate films (33:40). Lee noted the point of ASFR and the introduction of John Bangsund to SF (35:18), and Rob noted the role of Cassells in introducing George Turner and John Bangsund (38:34). Turner gets involved in reviewing and tears apart a piece on Alfred Bester’s novel (39:28). Lee talks about Penguin and publishing Australian science fiction (40:04).Bruce Gillespie comments from the audience about continuing reluctance to publish SF (41:42).Bill talks about ASFR (43:10). Some discussion about collating SF Commentary from Lee (45:07).
To celebrate having been at the podcast for one full year, Matt & Adrian are joined by Kevin Kelsey of Heradas.com as we make our most self-indulgent pick yet: Dark Eden, by Chris Beckett (https://amzn.to/2TRcpX0). Join us for a somewhat self-reflective episode on why this is one of our favorite books, and why we think everyone should read it. It has linguistics, it has sociology, it has long time scales, it has survival in a harsh world, it has society building, it has a page-turning story, and it is probably the book we've mentioned the most on this podcast without actually reading and talking about it in its own episodes. Kevin joins us to help us ground the conversation for folks who haven't read the book yet, and in a few weeks we'll all three dig into the rich thematic depth of this novel. Some other works mentioned include: - Chris's Q&A on the SF Book Club subreddit - Chris on his history being labeled disabled - NK Jemisin's review of Dark Eden in the NY Times - Review by a juror on the Arthur C. Clarke award- Our own episodes on Children of Time, Romie Futch, Gnomon, & Semiosis - Ice by Anna Kavan - The Helliconia Trilogy by Brian Aldiss - Lord of the Flies by William Golding - And if you're in the UK, pre-order Beckett's new book, Beneath the World, A Sea (As always, links are at spectology.com if they don't show up in your podcatcher.) --- We'd love to hear from you, either by chatting with us on twitter at @spectologypod, sending us an email at spectologypod@gmail.com, or submitting the episode to r/printSF on reddit. We'll reply, and shout you out in the next podcast when we talk about your comment. And if you like the episode, subscribe at spectology.com or whever you listen to podcasts, and share it with your friends! Many thanks to Dubby J and Noah Bradley for doing our music and art.
PARTE 2. CONTENIDOS EXTRA. Continuamos hablando y debatiendo sobre A.I. Inteligencia Artificial, de Steven Spielberg. En este segundo bloque, hablaremos de Spielberg, de los actores, de la banda sonora de John Williams y de Brian Aldiss, autor del relato en que se basa la película "Los superjuguetes duran todo el verano". Recordaremos, de la mano de Elena, las noticias acaecidas en 2001. Hablaremos de las películas que tocan el tema de la inteligencia artificial. Analizaremos sus efectos especiales y mencionaremos las leyes de la robótica. Además, también conoceremos a Sophia, la primera robot con inteligencia artificial que ha amenazado con destruir la Tierra. Y, por último, no faltará la nota de humor con “Son las cosas del Juan Carlos”. Como ves, no puedes perderte este interesantísimo podcast. Por eso, si decides quedarte con nosotros, juntos iremos a la búsqueda del hada azul. Mi nombre es Tomás García Baringo y ¡esto es frikilosofía! ¡ARRANCAMOS! ¿QUÉ ES FRIKILOSOFÍA? Frikilosofía es un programa que nace con el único propósito de entretener. Hablaremos de cine, series, dibujos animados, libros, cómics…, en definitiva, de todas aquellas cosas que nos apasionan. Nuestra generación creció sin móviles, con sólo dos cadenas de televisión, no teníamos tablets ni ordenadores... y, aún así, logramos sobrevivir. Disfrutamos al 100% las pocas cosas que teníamos. Y hoy, 40 años después, sólo unos pocos seguimos disfrutando como niños de todos aquellos recuerdos. CARTA DE INTENCIONES Estimado oyente, si estás escuchando este podcast, quiere decir que has decidido darnos una oportunidad seleccionando Frikilosofia entre los miles de audios que circulan por la red. Y ya sea por fruto del azar o por alguna extraña conjunción cósmica, ¡lo único importante es que estás aquí, escuchándonos! Por eso, me gustaría dedicarte a ti, querido oyente, este audio y agradecerte, en mi nombre y en el de todos los que hacemos posible este programa, tu confianza. Frikilosofìa nace con un único propósito: ¡entretener! Nuestro objetivo es pasar un buen rato junto a ti, hablando de aquellos temas que marcaron nuestra infancia y que hoy, 40 años después, siguen emocionándonos como el primer día. Es importante que sepas que no pretendemos sentar cátedra con nuestras opiniones y te pedimos perdón de antemano si alguna cosa de la que digamos puede llegar a molestarte o si nos equivocamos en algún dato o referencia. Estamos seguros que sabrás perdonarnos. Nuestro fin es crear un espacio de opinión y un punto de encuentro donde compartir contigo nuestras pasiones. Por eso, querido amigo y amiga, sólo nos queda desearte que pases un rato agradable con este programa. Puedes contactar con nosotros por Facebook, Instagram, Ivoox o en nuestro correo frikilosofos@gmail.com #podcast #cine #terror #opinión #frikilosofia #frikilosofo #cifi #friki #series #años70 #dibujos #cineclasico #starwars #mazinger #años80 #citas #reflexion #frases #miticas #futurama #bender #simpsons #ai #inteligenciaartificial
Arrancamos nuestra segunda temporada con un peliculón: A.I. Inteligencia Artificial, de Steven Spielberg, estrenada en 2001. Hablaremos de Spielberg, de los actores, de la banda sonora de John Williams y de Brian Aldiss, autor del relato en que se basa la película "Los superjuguetes duran todo el verano". Recordaremos, de la mano de Elena, las noticias acaecidas en 2001. Hablaremos de las películas que tocan el tema de la inteligencia artificial. Analizaremos sus efectos especiales y mencionaremos las leyes de la robótica. Además, también conoceremos a Sophia, la primera robot con inteligencia artificial que ha amenazado con destruir la Tierra. En nuestra sección fija, “La opinión de Adrián y Héctor”, dos niños de 11 y 13 años nos contarán qué les ha parecido la película. ¿Tendrán la misma opinión que nosotros? Y, por último, no faltará la nota de humor con “Son las cosas del Juan Carlos”. Debido a su duración, este programa lo hemos dividido en dos partes: en la primera, analizaremos la película, y en la segunda, desarrollaremos los contenidos extra de la misma. Como ves, no puedes perderte este interesantísimo podcast. Por eso, si decides quedarte con nosotros, juntos iremos a la búsqueda del hada azul. Mi nombre es Tomás García Baringo y ¡esto es frikilosofía! ¡ARRANCAMOS! ¿QUÉ ES FRIKILOSOFÍA? Frikilosofía es un programa que nace con el único propósito de entretener. Hablaremos de cine, series, dibujos animados, libros, cómics…, en definitiva, de todas aquellas cosas que nos apasionan. Nuestra generación creció sin móviles, con sólo dos cadenas de televisión, no teníamos tablets ni ordenadores... y, aún así, logramos sobrevivir. Disfrutamos al 100% las pocas cosas que teníamos. Y hoy, 40 años después, sólo unos pocos seguimos disfrutando como niños de todos aquellos recuerdos. CARTA DE INTENCIONES Estimado oyente, si estás escuchando este podcast, quiere decir que has decidido darnos una oportunidad seleccionando Frikilosofia entre los miles de audios que circulan por la red. Y ya sea por fruto del azar o por alguna extraña conjunción cósmica, ¡lo único importante es que estás aquí, escuchándonos! Por eso, me gustaría dedicarte a ti, querido oyente, este audio y agradecerte, en mi nombre y en el de todos los que hacemos posible este programa, tu confianza. Frikilosofìa nace con un único propósito: ¡entretener! Nuestro objetivo es pasar un buen rato junto a ti, hablando de aquellos temas que marcaron nuestra infancia y que hoy, 40 años después, siguen emocionándonos como el primer día. Es importante que sepas que no pretendemos sentar cátedra con nuestras opiniones y te pedimos perdón de antemano si alguna cosa de la que digamos puede llegar a molestarte o si nos equivocamos en algún dato o referencia. Estamos seguros que sabrás perdonarnos. Nuestro fin es crear un espacio de opinión y un punto de encuentro donde compartir contigo nuestras pasiones. Por eso, querido amigo y amiga, sólo nos queda desearte que pases un rato agradable con este programa. Puedes contactar con nosotros por Facebook, Instagram, Ivoox o en nuestro correo frikilosofos@gmail.com #podcast #cine #terror #opinión #frikilosofia #frikilosofo #cifi #friki #series #años70 #dibujos #cineclasico #starwars #mazinger #años80 #citas #reflexion #frases #miticas #futurama #bender #simpsons #ai #inteligenciaartificial
PARTE 2. CONTENIDOS EXTRA. Continuamos hablando y debatiendo sobre A.I. Inteligencia Artificial, de Steven Spielberg. En este segundo bloque, hablaremos de Spielberg, de los actores, de la banda sonora de John Williams y de Brian Aldiss, autor del relato en que se basa la película "Los superjuguetes duran todo el verano". Recordaremos, de la mano de Elena, las noticias acaecidas en 2001. Hablaremos de las películas que tocan el tema de la inteligencia artificial. Analizaremos sus efectos especiales y mencionaremos las leyes de la robótica. Además, también conoceremos a Sophia, la primera robot con inteligencia artificial que ha amenazado con destruir la Tierra. Y, por último, no faltará la nota de humor con “Son las cosas del Juan Carlos”. Como ves, no puedes perderte este interesantísimo podcast. Por eso, si decides quedarte con nosotros, juntos iremos a la búsqueda del hada azul. Mi nombre es Tomás García Baringo y ¡esto es frikilosofía! ¡ARRANCAMOS! ¿QUÉ ES FRIKILOSOFÍA? Frikilosofía es un programa que nace con el único propósito de entretener. Hablaremos de cine, series, dibujos animados, libros, cómics…, en definitiva, de todas aquellas cosas que nos apasionan. Nuestra generación creció sin móviles, con sólo dos cadenas de televisión, no teníamos tablets ni ordenadores... y, aún así, logramos sobrevivir. Disfrutamos al 100% las pocas cosas que teníamos. Y hoy, 40 años después, sólo unos pocos seguimos disfrutando como niños de todos aquellos recuerdos. CARTA DE INTENCIONES Estimado oyente, si estás escuchando este podcast, quiere decir que has decidido darnos una oportunidad seleccionando Frikilosofia entre los miles de audios que circulan por la red. Y ya sea por fruto del azar o por alguna extraña conjunción cósmica, ¡lo único importante es que estás aquí, escuchándonos! Por eso, me gustaría dedicarte a ti, querido oyente, este audio y agradecerte, en mi nombre y en el de todos los que hacemos posible este programa, tu confianza. Frikilosofìa nace con un único propósito: ¡entretener! Nuestro objetivo es pasar un buen rato junto a ti, hablando de aquellos temas que marcaron nuestra infancia y que hoy, 40 años después, siguen emocionándonos como el primer día. Es importante que sepas que no pretendemos sentar cátedra con nuestras opiniones y te pedimos perdón de antemano si alguna cosa de la que digamos puede llegar a molestarte o si nos equivocamos en algún dato o referencia. Estamos seguros que sabrás perdonarnos. Nuestro fin es crear un espacio de opinión y un punto de encuentro donde compartir contigo nuestras pasiones. Por eso, querido amigo y amiga, sólo nos queda desearte que pases un rato agradable con este programa. Puedes contactar con nosotros por Facebook, Instagram, Ivoox o en nuestro correo frikilosofos@gmail.com #podcast #cine #terror #opinión #frikilosofia #frikilosofo #cifi #friki #series #años70 #dibujos #cineclasico #starwars #mazinger #años80 #citas #reflexion #frases #miticas #futurama #bender #simpsons #ai #inteligenciaartificial
Arrancamos nuestra segunda temporada con un peliculón: A.I. Inteligencia Artificial, de Steven Spielberg, estrenada en 2001. Hablaremos de Spielberg, de los actores, de la banda sonora de John Williams y de Brian Aldiss, autor del relato en que se basa la película "Los superjuguetes duran todo el verano". Recordaremos, de la mano de Elena, las noticias acaecidas en 2001. Hablaremos de las películas que tocan el tema de la inteligencia artificial. Analizaremos sus efectos especiales y mencionaremos las leyes de la robótica. Además, también conoceremos a Sophia, la primera robot con inteligencia artificial que ha amenazado con destruir la Tierra. En nuestra sección fija, “La opinión de Adrián y Héctor”, dos niños de 11 y 13 años nos contarán qué les ha parecido la película. ¿Tendrán la misma opinión que nosotros? Y, por último, no faltará la nota de humor con “Son las cosas del Juan Carlos”. Debido a su duración, este programa lo hemos dividido en dos partes: en la primera, analizaremos la película, y en la segunda, desarrollaremos los contenidos extra de la misma. Como ves, no puedes perderte este interesantísimo podcast. Por eso, si decides quedarte con nosotros, juntos iremos a la búsqueda del hada azul. Mi nombre es Tomás García Baringo y ¡esto es frikilosofía! ¡ARRANCAMOS! ¿QUÉ ES FRIKILOSOFÍA? Frikilosofía es un programa que nace con el único propósito de entretener. Hablaremos de cine, series, dibujos animados, libros, cómics…, en definitiva, de todas aquellas cosas que nos apasionan. Nuestra generación creció sin móviles, con sólo dos cadenas de televisión, no teníamos tablets ni ordenadores... y, aún así, logramos sobrevivir. Disfrutamos al 100% las pocas cosas que teníamos. Y hoy, 40 años después, sólo unos pocos seguimos disfrutando como niños de todos aquellos recuerdos. CARTA DE INTENCIONES Estimado oyente, si estás escuchando este podcast, quiere decir que has decidido darnos una oportunidad seleccionando Frikilosofia entre los miles de audios que circulan por la red. Y ya sea por fruto del azar o por alguna extraña conjunción cósmica, ¡lo único importante es que estás aquí, escuchándonos! Por eso, me gustaría dedicarte a ti, querido oyente, este audio y agradecerte, en mi nombre y en el de todos los que hacemos posible este programa, tu confianza. Frikilosofìa nace con un único propósito: ¡entretener! Nuestro objetivo es pasar un buen rato junto a ti, hablando de aquellos temas que marcaron nuestra infancia y que hoy, 40 años después, siguen emocionándonos como el primer día. Es importante que sepas que no pretendemos sentar cátedra con nuestras opiniones y te pedimos perdón de antemano si alguna cosa de la que digamos puede llegar a molestarte o si nos equivocamos en algún dato o referencia. Estamos seguros que sabrás perdonarnos. Nuestro fin es crear un espacio de opinión y un punto de encuentro donde compartir contigo nuestras pasiones. Por eso, querido amigo y amiga, sólo nos queda desearte que pases un rato agradable con este programa. Puedes contactar con nosotros por Facebook, Instagram, Ivoox o en nuestro correo frikilosofos@gmail.com #podcast #cine #terror #opinión #frikilosofia #frikilosofo #cifi #friki #series #años70 #dibujos #cineclasico #starwars #mazinger #años80 #citas #reflexion #frases #miticas #futurama #bender #simpsons #ai #inteligenciaartificial
Sesli Öyküler serimizin birinci sezonunu, Brian Aldiss‘ın unutulmaz öyküsü Yazlık Süper Oyuncaklar (Supertoys Last All Summer Long) ile noktalıyoruz. Usta yazarın 1968’de kaleme aldığı öykü, 2001 yılında Steven Spielberg tarafından Artificial Intelligence: AI (Yapay Zeka) ismiyle sinemaya da uyarlanmış ve büyük beğeni toplamıştı. Kalabalık ve distopik bir gelecekte, ailelerin çocuk sahibi olması özel izne bağlanmıştır ve çocuk özlemi çekenler için son teknoloji ürünü sentetik çocuk robotlar geliştirilmiştir. David de bu sentetik çocuklardan biridir. Ancak Swinton ailesi, aylık çocuk piyangosunu kazanıp da çocuk yapma hakkı elde edince David kendini boşluğa düşmüş hissedecektir. Yazlık Süper Oyuncaklar, bir çocuk robotun gözünden insanlığın geleceğine dokunaklı bir pencere aralıyor. Gelecek sezonlarda görüşmek dileğiyle, iyi dinlemeler… Çeviri: Sinan İpek Seslendirenler: Varlık Ergen, Eflatun, Meleksu ve Ulaş Ali
Acesse nosso SITE: goo.gl/hDQkSw e FACEBOOK: goo.gl/3mGhfd Com Frankenstein abrindo as portas da moderna ficção científica em 1818, criou-se uma impressão no mundo literário contemporâneo que gerou até mesmo um termo específico. Graças ao grande Isaac Asimov, "Complexo de Frankentein" passou a designar essa obsessão criada sobre a ciência que se volta contra a humanidade. Muito antes dele, os autômatos já eram figuras familiares na Literatura fantástica, assustando um público que achava sacrílega uma imagem humanoide animada sem a centelha divina. No entanto, a questão aprofundada da inteligência artificial em si só apareceria em 1894, quando Ambrose Bierce se inspirou na realidade e mostrou uma máquina capaz de jogar xadrez. De lá até aqui, muita coisa rolou entre as especulações da inteligência artificial na imaginação dos escritores. Do já citado Asimov, com seus famosos robôs relativamente integrados à sociedade, aos futuros mais pessimistas, também houve espaço para aqueles que chegaram a prever até mesmo uma rede de computadores domésticos antes mesmo de qualquer pessoa imaginar que lares teriam PC's. São inúmeros os desdobramentos do tema, passando pelo HAL 9000 de Arthur C. Clarke, cristalizado na memória dos cinéfilos graças ao filme de Stanley Kubrick, até o garotinho robô de Brian Aldiss (de Os Negros Anoz-Luz) em Superbrinquedos Duram o Verão Todo. Por sinal, trabalho que o mesmo cineasta queria adaptar e acabou realizado por Steven Spielberg. É muita coisa em uma discussão que rende demais, então alguma coisa a gente sempre esquece ou acaba fora por falta de tempo. Você acha que não comentamos algo fundamental ao tema? Deixe a gente saber aí nos comentários ou mande um email para podcast@formigaeletrica.com.br. Sua opinião é importante! Nos vemos em uma quinzena. Até lá!
Frankenstein a t il existé? Bienvenu dans le podcast de La Petite Histoire édité par la Fabrik Audio qui produit aussi le podcast Les Aventuriers, Le Bouche à Oreille et tous les podcasts de CinéMaRadio. Je tiens à vous remercier pour vos appréciations sur les plateformes de podcasts et notamment sur iTunes. Pour ce mois de novembre alors qu’Halloween est derrière nous j'avais envie de m’intéresser au personnage de Frankenstein, ce savant fou qui est apparu sous la plume de Mary Shelley il y a tout juste deux cents ans puisque c’était en 1818 dans le roman Frankenstein ou le Prométhée moderne. On sait que bien souvent les personnages de fiction sont inspirés de personnalités bien réelles; et j’avais donc envie de savoir si c’était le cas avec le médecin Victor Frankenstein. Il semble que Mary Shelley se soit inspirée de la vie de Johann Conrad DIPPEL, un théologien, alchimiste et médecin allemand, né dans le château Frankenstein en 1673. - Si vous avez envie d’aller un peu plus loin dans ce podcast n’hésitez pas à relire Le roman de Mary Shelley ou ses variations qui ont été nombreuses: Jean-Claude Carrière a par exemple écrit entre 1957 et 1959 six romans Frankenstein qui sont censés être la suite de celui du premier livre de Mary Shelley. En 1973 Brian Aldiss a aussi fait paraitre son roman de science-fiction Frankenstein délivré, qui mêle les personnages de Frankenstein ou le Prométhée moderne — ainsi que Mary Shelley elle-même — il y a une histoire de voyage dans le temps. Et puis L'écrivain André-François Ruaud avec ses essais Les Nombreuses vies de Frankenstein en 2008 et Sur les traces de Frankenstein en 2017 dans lesquels se mêlent fiction littéraire et histoire. Et sinon bien sûr les adaptations cinématographiques dont la première réalisée en 1910 qui est un film muet. Puis le mythique film sorti en 1931 réalisé par James Whale pour Universal Pictures avec Boris Karloff dans le rôle de la créature/ Quelques années sortent les suites La Fiancée de Frankenstein puis Le Fils de Frankenstein. Et enfin plus proche de nous en 1994, Kenneth Branagh a réalisé Frankenstein avec Robert De Niro dans le role du monstre ! Et à noter aussi qu’il y a eu des adaptations plutôt insolites autour de Frankenstein, avec par exemple Frankenstein vs. Baragon (qui mêle le mythe de Frankenstein avec le genre des monstres géants japonais) et qui a été réalisé en 1965 par Ishirō Honda, on a aussi eu droit à Dracula, prisonnier de Frankenstein ou bien encore Les Expériences érotiques de Frankenstein. Et on n’oublie pas le mythique film humour parodique Frankenstein Junior de Mel Brooks sorti en 1974.
Le Dr.Frankenstein a t il existé? Bienvenu dans le podcast de La Petite Histoire édité par la Fabrik Audio qui produit aussi le podcast Les Aventuriers, Le Bouche à Oreille et tous les podcasts de CinéMaRadio. Je tiens à vous remercier pour vos appréciations sur les plateformes de podcasts et notamment sur iTunes. Pour ce mois de novembre alors qu'Halloween est derrière nous j'avais envie de m'intéresser au personnage de Frankenstein, ce savant fou qui est apparu sous la plume de Mary Shelley il y a tout juste deux cents ans puisque c'était en 1818 dans le roman Frankenstein ou le Prométhée moderne. On sait que bien souvent les personnages de fiction sont inspirés de personnalités bien réelles; et j'avais donc envie de savoir si c'était le cas avec le médecin Victor Frankenstein. Il semble que Mary Shelley se soit inspirée de la vie de Johann Conrad DIPPEL, un théologien, alchimiste et médecin allemand, né dans le château Frankenstein en 1673. - Si vous avez envie d'aller un peu plus loin dans ce podcast n'hésitez pas à relire Le roman de Mary Shelley ou ses variations qui ont été nombreuses: Jean-Claude Carrière a par exemple écrit entre 1957 et 1959 six romans Frankenstein qui sont censés être la suite de celui du premier livre de Mary Shelley. En 1973 Brian Aldiss a aussi fait paraitre son roman de science-fiction Frankenstein délivré, qui mêle les personnages de Frankenstein ou le Prométhée moderne — ainsi que Mary Shelley elle-même — il y a une histoire de voyage dans le temps. Et puis L'écrivain André-François Ruaud avec ses essais Les Nombreuses vies de Frankenstein en 2008 et Sur les traces de Frankenstein en 2017 dans lesquels se mêlent fiction littéraire et histoire. Et sinon bien sûr les adaptations cinématographiques dont la première réalisée en 1910 qui est un film muet. Puis le mythique film sorti en 1931 réalisé par James Whale pour Universal Pictures avec Boris Karloff dans le rôle de la créature/ Quelques années sortent les suites La Fiancée de Frankenstein puis Le Fils de Frankenstein. Et enfin plus proche de nous en 1994, Kenneth Branagh a réalisé Frankenstein avec Robert De Niro dans le role du monstre ! Et à noter aussi qu'il y a eu des adaptations plutôt insolites autour de Frankenstein, avec par exemple Frankenstein vs. Baragon (qui mêle le mythe de Frankenstein avec le genre des monstres géants japonais) et qui a été réalisé en 1965 par Ishirō Honda, on a aussi eu droit à Dracula, prisonnier de Frankenstein ou bien encore Les Expériences érotiques de Frankenstein. Et on n'oublie pas le mythique film humour parodique Frankenstein Junior de Mel Brooks sorti en 1974.
In this episode, Emrys and Adam explore the theme of time travel as its applies to representations of eighteenth-century culture. Discussion focuses on Brian Aldiss's weird and wonderful novel, Frankenstein Unbound, as well as a foray by Doctor Who to the court of King Louis XV.
Erik och Kristin pratar med Bellis om hur fandom fungerar i Grekland, sitt liv som översättare, diverse författarmöten och förslag på bra SF-böcker. Varför fantasy inte fångar honom förutom allt med Tove Jansson. Författare som nämns i avsnittet. Brian Aldiss, Poul Anderson, Alfred Bester, Harry Harrison, Robert Silverberg, Clifford D. Simak, Jack Vance, Sam J Lundwall. Böcker på Bellis topplista över bra litteratur: "Tigermannen" av Alfred Bester "City" av Clifford D. Simak "The illustrated man" av Ray Bradbury "1984" av George Orwell "Orlando” av Virginia Woolf "Arena" av Fredric Brown "Pappan och havet" av Tove Jansson
Ruiz Tremello & Marguerite are in New Polygon City, Columbia, and discussing Brian Aldiss' 1964 short story, "The Underprivileged". As usual, Marguerite didn't read the story, so Ruiz provides a helpful summary.Twists and turns await, laughter and fear abounds, and the planet Dansson sounds incredible and Ruiz wants to go there for his next vacation.
Vi strövar vidare genom rymdens litteraturhistoria i denna del två av vår serie om klassisk science fiction! Maths och Gabi samtalar om Arthur C Clarke (2001: A Space Odyssey) och Ursula K Le Guin (Tales from the Earthse, The Dispossessed), två författare som flyttat tankens gränser på hisnande vis. Vi intervjuar Robert Silverberg, tongivande sf-författare och redaktör; han berättar om sitt författarskap och hur han sett science fiction utvecklas under en lång karriär. Speltipset är Conan the Barbarian rollspelet, där man kan ikläda sig sitt eget cimmerianska ländskynke och ge sig ut på rövartåg, och så presenteras även Brian Aldiss (Heliconia), Larry Niven (Ringworld) och Marion Zimmer Bradley (Darkover). 00:00 Intro & tävling 01:35 Tema Klassisk SF I: Arthur C Clarke - 2001, Rendezvous with Rama, Childhood's End 08:38 Larry Nivens "Ringworld" 10:49 Tema Klassisk SF II: Ursula K Le Guin - The Dispossessed, Earthsea, Orsinian Tales, Those Who Walk Away from Omelas 19:28 Intervju - Robert Silverberg, Grand Master of Science Fiction (in English) 40:38 Tema Klassisk SF III: Marion Zimmer Bradley - Darkover, Avalon 44:38 James Tiptree Jrs "Her Smoke Rose Up Forever" 48:15 Speltips: Conan the Barbarian (Modiphius rollspel) 50:29 Brian Aldiss "Heliconia" och "Galaxies Like Grains of Sand" 52:21 Avslutning & Livepodd på Vetenskapsfestivalen 18/4 TÄVLING: Berätta för oss vilken epok eller författare som kan räknas bland science fiction klassikerna som du vill veta mer om, så deltar du i utlottningen av Robert Silverbergs "Capricorn Games"! Maila ditt svar till fragor@sfbok.se senast 12 april 2018 för att vara med. LIVEPODD: Den 18 april deltar vi i Vetenskapsfestivalens program i Göteborg. Kom dit och lyssna på oss prata om nörderi som identitet och dess kulturella markörer!
On this week’s show, a recent Brian Aldiss binge gets us talking about science fiction and Samantha Harvey chats about her 15th-century murder mystery
Ed, Mikey, Ross and special guests Gemma and Reese talk about Artemis by Andy Weir.We also discuss Hothouse by Brian Aldiss and Worldcon ribbons. All recordings are issued under official license from Fab Radio International. The Bookworm is a Truly Outrageous Production.
Brian Aldiss - „Peatumata”
Episode 7.11: Beargamy In which Martin Unsworth continues to drum up support for Gotham, and uncovers the farting prowess of leslie Nielsen. Mike Royce has yet another DC Extended Universe meltdown, and incurs the wrath of the Fab Café Mounted Police, whilst Ed Fortune makes his STARBURST Radio debut by announcing the sad passing of Brian Aldiss, and taking us behind the scenes with George R.R. Martin at Worldcon. The future of the STARBURST International Film Festival is announced, The Defenders do NOT get reviewed, the Rules of Nine Worlds come under scrutiny, and Joss Whedon gets caught in the crosshairs of some very angry ladies. [Warning: This episode contains an important announcement that was mentioned would be mentioned] All recordings are issued under official license from Fab Radio International
Los Swinton son un matrimonio ejemplar. Mónica se queda en casa cuidando el jardín mientras su marido dirige el comité ejecutivo de la Synthtank. El mundo está superpoblado pero eso no es un problema gracias a las comodidades de la realidad virtual y de la vida moderna. Además, Synthtank está a punto de hacer un gran avance en la creación de cerebros artificiales, las cosas no pueden ir mejor para el matrimonio… y su hijo. [semi-spoilers] "Supertoys Last All Summer Long" fue publicada por primera en 1969 en la revista de moda “Harper’s Bazaar” (una revista de 1867 que perteneció al propio Randolph Hearst, el que sale caracterizado en Ciudadano Kane). Posteriormente ha sido recogida en numerosas recopilaciones; es la historia que inspiró la película Inteligencia Artificial. Más bien, inspiró a Kubrik un guión, basado en la historia, que acabó llevando a la pantalla Spielberg – nunca sabremos si la versión original sería tan “melodramática” como la que terminó facturando el director que tan buenas horas de divertimento nos ha dado con su cine ochentero a generaciones y generaciones. En cualquier caso la película se inspira en la historia original ya que ésta transcurre en un solo día. Me queda una duda poderosa. El niño dice algo sobre acordarse de aquel momento en el jardín, con el tiempo detenido… puede ser una figura poética pero mientras lo estaba leyendo (lo había leído de pequeño y ya no me acordaba de nada) pensé “ajá! Así que el hijo original murió y trasladaron su memoria a un androide por eso recuerda ese momento de esa manera!” Pero no, me pasé de listo. En realidad nunca tuvieron un hijo sino que estaban deseando tenerlo pero las duras leyes anti natalidad se lo impedían. Tenemos dos componentes de un futuro distópico más o menos cyberpunk: superpoblación (mala calidad de vida excepto para el 1% afortunado, como los Swinton, o esos empresarios de la corporación que comen como en “La Gran Comilona” y evitan problemas instalándose una tenia robot, que imagen tan patética!) y androides/robots… replicas. Sustitutos. Sosias. Fabricación de robots como sustitutos de lo real. Y de regalo, la inteligencia artificial, y la misma reflexión que Dick a menudo nos plantea: ¿qué nos hace humanos? Si han sido capaces de unir la carne con la fibra “sintética”, si el pobre niño robot no sabe que lo es.. que le diferencia de un niño real? Fue programado para ser el niño de Mónica – sólo quiere el amor de su mamá! Y su mamá, le rechaza… es terrible! Es un dramón gigantesco. Primero te traen al mundo y luego… si no te quieren, te joden! O te quieren o te destrozan. Por que tú ya estás vivo, ya vas a vivir no precisamente poco tiempo (lo digo por el final de la peli). Es como con las mascotas. El matrimonio tiene al niño igual que a una mascota a la que abandonas cuando te cansas. Pero no, las mascotas y los seres duran todo el verano, el siguiente, el siguiente,.. La superficialidad del matrimonio, una vez que he empatizado con el androide, me mata. Igual con Teddy: La madre observa "impasible como el robot baja las escaleras con su cuerpo rechoncho" ¿cómo no te vas a divertir y a pensar "qué adorable!" viendo esa criatura tratar de descender escalones que no están hecho a su tamaño? Luego coge a Teddy en brazos pero es sólo para poder hablarle mejor porque no parece inspirarle nada de ternura la imagen poéticos sintética que nos da Aldiss: " la mujer pudo sentir la vibración de su corazón artificial". Es como el ronroneo y a ella le da igual. Desde luego los personajes humanos de la historia tratan a los seres pensantes sintéticos como si fueran objetos, y eso me enfurece. ¡Derechos para los replicantes ya! Teddy se queda en la mesa con los brazos abiertos en un "eterno abrazo" y ella pasa de todo, le dice: "no me llames mamá".. Este rechazo parece importarle menos al osito que a Danniels, porque en principio es una forma sintética más simple, el niño es la segunda generación de robots de la que habla el marido en su discurso... por eso le duele más? LA verdad es que a mí como lector me dan pena los dos a partes iguales. Uno es más si.ple que el otro pero a mí Teddy tb me da pena, no soy capaz se verlo como objeto aunque él mismo no se dé cuenta de su triste realidad. Si lo pienso, creo que eso puede tener que ver con nuestra tendencia a humanizar las cosas. Es el pensamiento mágico de los niños y de las tribus dar un espíritu a lo que es un objeto (el "animismo"). Y aquí habría otra posible explicación a porque Mónica y el niño no consiguen "comunicarse" (ambos lo expresan así) aunque un poco pillada por los pelos (en realidad me apetece sacar la palabra:). La Teoría del "Valle Inquietante". Dice así: en cuanto a la construcción de objetos que representen vida desde el principio de la historia se han creado figuritas, existen muñecos para los niños, etc. Pero están muy lejos de poderse confundir con el objeto real. Dentro de la corriente de la robótica que trata de construir robots lo más parecidos a la realidad (esto no siempre es el caso en todas las áreas de la robótica, el diseño depende de los objetivos) saben que cuanto más parecido a una forma de vida real mayor empatía se genera entre humano y robot... a no ser que la artificialidad del robot sea demasiado indistinguible de algo real. Estar frente a este tipo de robot produciría por el contrario un sentimiento de inquietud que llevaría al rechazo (rechazo que cae sobre Danniel y Teddy en el relato). Se le llama " valle inquietante" porque es la forma gráfica que tomaría una línea que marcase la empatía que genera el robot conforme más se parece a un humano (o, "más real es"): iría subiendo y subiendo hasta que al llegar al punto de máxima semejanza caería de golpe a cero. Normalmente se representa como que vuelve a subir pero ahora mismo no se explicar esa parte de la gráfica lo siento. Otro comentario gratuito: el tema de que los nuevos cerebros estén conectados a la Red Mundial de Datos: es un poco anticipación de IAs como al de Her o las que tenemos ahora (Siri, Cortana) del internet de las cosas, del buscador Wolfram… ya lo vimos en “Campaña Publicitaria”. Otra cosas que destacar gratuitamente: la idea de los súper juguetes no inteligentes que SynthTank lleva comercializando casi diez años, entre ellos los dinosaurios en miniatura... ! Buah! Cómo molaría, no? Siempre he pensado que, si la vida tuviera un creador y un orden y por tanto cada cosa su lugar, esta muy bien por parte de quien diseño todo esto incluir entre los animales uno que sea esponjosa, suave, gracioso, cariñoso, que ya sólo mirarlo molase... el concepto peluche aplicado a los nichos ecológicos. Peluche para nosotros, claro. Y ahí esta el gato. Gracias Dios, o Darwin.. Aunque el hecho de que existan gatitos para mi es la mayor evidencia de que quizá existe Dios y el mundo es a la medida del hombre. No tendría porque existir el animal que cumpla esta función tan hermosa :) je. Aunque que existiera un gato grande y morado con orejas y colas larguísimas como el de Ozymandias en Watchmen eso siempre lo deseé. No se puede tener todo supongo. En un episodio de Nathan Never sale un robot-peluche sintético con todos los añadidos más guais. Otra cosa: cuando Daniel (bastante de sopetón por cierto) pregunta a Teddy (recuerdo que Teddy es el nombre que dan los anglosajones a los ositos de peluche -teddy bear) cómo saber "qué es real" es muy auténtica respuesta de robot de la ciencia ficción el tratar de argumentar con un sofisma, un razonamiento lógico con premisas: "mamá lleva reloj, los relojes miden el tiempo, mamá es real, el tiempo es real" (referencia mítica de este proceder en Dark Star, opera prima de Carpenter donde consiguen derrotar a una bomba inteligente mediante un planteamiento lógico pervertido. Otros robots desarrollan neurosis a raíz de las conclusiones que sacan, como Hal de 2001 cuando se da cuenta de su existencia/mortalidad) No lo iba a subir porque no me gustó mucho cómo quedó (básicamente aunque ajusto el input level del micro siguen saliendo algunos artefactos como los que habéis escuchado) pero leí la noticia del fallecimiento de Brian Aldiss esta semana y por eso lo hago (espero que si no para dormir se pueda seguir la historia al menos). Es un autor al que tenía un cariño enorme principalmente porque cuando tenía 14/15 años, misma época en que descubría por ejemplo el señor de los anillos, leí “Heliconia”. Heliconia es una trilogía con tres tomos, titulados como estaciones del año. Está basada en un planeta del mismo nombre (es un tipo de planta también) situado en un sistema binario. El planeta y su sol más cercano giran en torno a otro mayor y más lejano. Esta última circunvolución toma ~1400 años terrestres (estoy recordando la cifra a ojímetro). Eso significa que tienen estaciones muy largas. Además, dos especies han evolucionado hacia la conciencia. Unos son homínidos (y hay varios tipos) y otros evolucionaron a partir de los bovinos (en serio). Cada especie se adapta mejor a una temporada, la cálida o la fría, y conforme se suceden las vueltas a la estrella civilizaciones de una y otra especie surgen y se derrumban perdiéndose sus restos en la nieve o con el paso del tiempo. (rollo Eterno Retorno). El autor construye reinos, personajes, costumbres, ritos, imaginarios, creencias, flora, fauna,.. con un nivel de detalle propio del divertimento puro de un Asperger, muy como es El Señor de los Anillos también. No sé si hoy por hoy la volvería a leer pero de pequeño, me marcó. Muchas gracias por todo, Descanse en Paz con todo el cariño de mi corazón. Ilustración: Brian W. Aldiss >> soymescalito@gmail.com /// Muchas gracias!! =^__^= Relato, historia, fantasía, novela, cuentos, cuento, scifi, ciencia, ficción, literatura, audio, audiolibro, ciencia ficción, novelas, relato, relatos, voz, lectura, scifi, ficion, cyberpunk, ciberpunk, literatura, historia, historias, terror, pulp, capitalismo, consumidor, comprar, compras, economía, think, tank, androide, robot, inteligencia, artificial, ordenador, computador, informática, ontología
Los Swinton son un matrimonio ejemplar. Mónica se queda en casa cuidando el jardín mientras su marido dirige el comité ejecutivo de la Synthtank. El mundo está superpoblado pero eso no es un problema gracias a las comodidades de la realidad virtual y de la vida moderna. Además, Synthtank está a punto de hacer un gran avance en la creación de cerebros artificiales, las cosas no pueden ir mejor para el matrimonio… y su hijo. [semi-spoilers] "Supertoys Last All Summer Long" fue publicada por primera en 1969 en la revista de moda “Harper’s Bazaar” (una revista de 1867 que perteneció al propio Randolph Hearst, el que sale caracterizado en Ciudadano Kane). Posteriormente ha sido recogida en numerosas recopilaciones; es la historia que inspiró la película Inteligencia Artificial. Más bien, inspiró a Kubrik un guión, basado en la historia, que acabó llevando a la pantalla Spielberg – nunca sabremos si la versión original sería tan “melodramática” como la que terminó facturando el director que tan buenas horas de divertimento nos ha dado con su cine ochentero a generaciones y generaciones. En cualquier caso la película se inspira en la historia original ya que ésta transcurre en un solo día. Me queda una duda poderosa. El niño dice algo sobre acordarse de aquel momento en el jardín, con el tiempo detenido… puede ser una figura poética pero mientras lo estaba leyendo (lo había leído de pequeño y ya no me acordaba de nada) pensé “ajá! Así que el hijo original murió y trasladaron su memoria a un androide por eso recuerda ese momento de esa manera!” Pero no, me pasé de listo. En realidad nunca tuvieron un hijo sino que estaban deseando tenerlo pero las duras leyes anti natalidad se lo impedían. Tenemos dos componentes de un futuro distópico más o menos cyberpunk: superpoblación (mala calidad de vida excepto para el 1% afortunado, como los Swinton, o esos empresarios de la corporación que comen como en “La Gran Comilona” y evitan problemas instalándose una tenia robot, que imagen tan patética!) y androides/robots… replicas. Sustitutos. Sosias. Fabricación de robots como sustitutos de lo real. Y de regalo, la inteligencia artificial, y la misma reflexión que Dick a menudo nos plantea: ¿qué nos hace humanos? Si han sido capaces de unir la carne con la fibra “sintética”, si el pobre niño robot no sabe que lo es.. que le diferencia de un niño real? Fue programado para ser el niño de Mónica – sólo quiere el amor de su mamá! Y su mamá, le rechaza… es terrible! Es un dramón gigantesco. Primero te traen al mundo y luego… si no te quieren, te joden! O te quieren o te destrozan. Por que tú ya estás vivo, ya vas a vivir no precisamente poco tiempo (lo digo por el final de la peli). Es como con las mascotas. El matrimonio tiene al niño igual que a una mascota a la que abandonas cuando te cansas. Pero no, las mascotas y los seres duran todo el verano, el siguiente, el siguiente,.. La superficialidad del matrimonio, una vez que he empatizado con el androide, me mata. Igual con Teddy: La madre observa "impasible como el robot baja las escaleras con su cuerpo rechoncho" ¿cómo no te vas a divertir y a pensar "qué adorable!" viendo esa criatura tratar de descender escalones que no están hecho a su tamaño? Luego coge a Teddy en brazos pero es sólo para poder hablarle mejor porque no parece inspirarle nada de ternura la imagen poéticos sintética que nos da Aldiss: " la mujer pudo sentir la vibración de su corazón artificial". Es como el ronroneo y a ella le da igual. Desde luego los personajes humanos de la historia tratan a los seres pensantes sintéticos como si fueran objetos, y eso me enfurece. ¡Derechos para los replicantes ya! Teddy se queda en la mesa con los brazos abiertos en un "eterno abrazo" y ella pasa de todo, le dice: "no me llames mamá".. Este rechazo parece importarle menos al osito que a Danniels, porque en principio es una forma sintética más simple, el niño es la segunda generación de robots de la que habla el marido en su discurso... por eso le duele más? LA verdad es que a mí como lector me dan pena los dos a partes iguales. Uno es más si.ple que el otro pero a mí Teddy tb me da pena, no soy capaz se verlo como objeto aunque él mismo no se dé cuenta de su triste realidad. Si lo pienso, creo que eso puede tener que ver con nuestra tendencia a humanizar las cosas. Es el pensamiento mágico de los niños y de las tribus dar un espíritu a lo que es un objeto (el "animismo"). Y aquí habría otra posible explicación a porque Mónica y el niño no consiguen "comunicarse" (ambos lo expresan así) aunque un poco pillada por los pelos (en realidad me apetece sacar la palabra:). La Teoría del "Valle Inquietante". Dice así: en cuanto a la construcción de objetos que representen vida desde el principio de la historia se han creado figuritas, existen muñecos para los niños, etc. Pero están muy lejos de poderse confundir con el objeto real. Dentro de la corriente de la robótica que trata de construir robots lo más parecidos a la realidad (esto no siempre es el caso en todas las áreas de la robótica, el diseño depende de los objetivos) saben que cuanto más parecido a una forma de vida real mayor empatía se genera entre humano y robot... a no ser que la artificialidad del robot sea demasiado indistinguible de algo real. Estar frente a este tipo de robot produciría por el contrario un sentimiento de inquietud que llevaría al rechazo (rechazo que cae sobre Danniel y Teddy en el relato). Se le llama " valle inquietante" porque es la forma gráfica que tomaría una línea que marcase la empatía que genera el robot conforme más se parece a un humano (o, "más real es"): iría subiendo y subiendo hasta que al llegar al punto de máxima semejanza caería de golpe a cero. Normalmente se representa como que vuelve a subir pero ahora mismo no se explicar esa parte de la gráfica lo siento. Otro comentario gratuito: el tema de que los nuevos cerebros estén conectados a la Red Mundial de Datos: es un poco anticipación de IAs como al de Her o las que tenemos ahora (Siri, Cortana) del internet de las cosas, del buscador Wolfram… ya lo vimos en “Campaña Publicitaria”. Otra cosas que destacar gratuitamente: la idea de los súper juguetes no inteligentes que SynthTank lleva comercializando casi diez años, entre ellos los dinosaurios en miniatura... ! Buah! Cómo molaría, no? Siempre he pensado que, si la vida tuviera un creador y un orden y por tanto cada cosa su lugar, esta muy bien por parte de quien diseño todo esto incluir entre los animales uno que sea esponjosa, suave, gracioso, cariñoso, que ya sólo mirarlo molase... el concepto peluche aplicado a los nichos ecológicos. Peluche para nosotros, claro. Y ahí esta el gato. Gracias Dios, o Darwin.. Aunque el hecho de que existan gatitos para mi es la mayor evidencia de que quizá existe Dios y el mundo es a la medida del hombre. No tendría porque existir el animal que cumpla esta función tan hermosa :) je. Aunque que existiera un gato grande y morado con orejas y colas larguísimas como el de Ozymandias en Watchmen eso siempre lo deseé. No se puede tener todo supongo. En un episodio de Nathan Never sale un robot-peluche sintético con todos los añadidos más guais. Otra cosa: cuando Daniel (bastante de sopetón por cierto) pregunta a Teddy (recuerdo que Teddy es el nombre que dan los anglosajones a los ositos de peluche -teddy bear) cómo saber "qué es real" es muy auténtica respuesta de robot de la ciencia ficción el tratar de argumentar con un sofisma, un razonamiento lógico con premisas: "mamá lleva reloj, los relojes miden el tiempo, mamá es real, el tiempo es real" (referencia mítica de este proceder en Dark Star, opera prima de Carpenter donde consiguen derrotar a una bomba inteligente mediante un planteamiento lógico pervertido. Otros robots desarrollan neurosis a raíz de las conclusiones que sacan, como Hal de 2001 cuando se da cuenta de su existencia/mortalidad) No lo iba a subir porque no me gustó mucho cómo quedó (básicamente aunque ajusto el input level del micro siguen saliendo algunos artefactos como los que habéis escuchado) pero leí la noticia del fallecimiento de Brian Aldiss esta semana y por eso lo hago (espero que si no para dormir se pueda seguir la historia al menos). Es un autor al que tenía un cariño enorme principalmente porque cuando tenía 14/15 años, misma época en que descubría por ejemplo el señor de los anillos, leí “Heliconia”. Heliconia es una trilogía con tres tomos, titulados como estaciones del año. Está basada en un planeta del mismo nombre (es un tipo de planta también) situado en un sistema binario. El planeta y su sol más cercano giran en torno a otro mayor y más lejano. Esta última circunvolución toma ~1400 años terrestres (estoy recordando la cifra a ojímetro). Eso significa que tienen estaciones muy largas. Además, dos especies han evolucionado hacia la conciencia. Unos son homínidos (y hay varios tipos) y otros evolucionaron a partir de los bovinos (en serio). Cada especie se adapta mejor a una temporada, la cálida o la fría, y conforme se suceden las vueltas a la estrella civilizaciones de una y otra especie surgen y se derrumban perdiéndose sus restos en la nieve o con el paso del tiempo. (rollo Eterno Retorno). El autor construye reinos, personajes, costumbres, ritos, imaginarios, creencias, flora, fauna,.. con un nivel de detalle propio del divertimento puro de un Asperger, muy como es El Señor de los Anillos también. No sé si hoy por hoy la volvería a leer pero de pequeño, me marcó. Muchas gracias por todo, Descanse en Paz con todo el cariño de mi corazón. Ilustración: Brian W. Aldiss >> soymescalito@gmail.com /// Muchas gracias!! =^__^= Relato, historia, fantasía, novela, cuentos, cuento, scifi, ciencia, ficción, literatura, audio, audiolibro, ciencia ficción, novelas, relato, relatos, voz, lectura, scifi, ficion, cyberpunk, ciberpunk, literatura, historia, historias, terror, pulp, capitalismo, consumidor, comprar, compras, economía, think, tank, androide, robot, inteligencia, artificial, ordenador, computador, informática, ontología
Brian Aldiss - the gifted science fiction author who inspired the Hollywood movie AI artificial intelligence. Jerry Lewis the American comic who - with Dean Martin found fame as one of the most successful double acts of all time. Blanche Blackwell - the Jamaican society hostess who became Ian Fleming's lover and some believe - the inspiration for the Bond movie character Pussy Galore. Abu Kifah, the Syrian rescue worker who made headlines around the world after pulling a baby alive from the wreckage of a bombed out building - and Sir Bruce Forsyth whose death a week ago today has seen him fondly remembered for his contribution to British entertainment in a career spanning more than seven decades.
Juntamos um time de fãs de ficção científica para bater um papo interessantíssimo sobre o filme "Z.P.G. - Zero Population Growth" ou aqui no Brasil " É Proibido Procriar" de 1972, dirigido por Michael Campus com atuações de Geraldine Chaplin, Oliver Reed, Diane Cilento e Don Gordon! Uma gema quase esquecida pelos cinéfilos, cujo universo distópico rendeu uma das melhores conversas sobre Sci-Fi que você pode conferir apertando o play! Angélica Hellish e Marcos Noriega convidaram os amigos Alexandre Luiz do Cine Alerta e Fábio Fernandes, do podcast Três Páginas, escritor, professor de jogos digitais da PUC SP e tradutor de Neuromancer! Escutem até o final para conferir a timeline de eventos distópicos nos filmes de ficção científica que o Marcos bolou. Mencionados: Clique no link para ver o trailer/escutar o podcast! Do diretor Michael Campus: The Mack (1973) / The Passover Plot (1976) / The Christmas Cottage (2008) Durante o Podcast: 1984 (1984) Michael Radford - Filhos da Esperança (2006) Alfonso Cuarón - THX 1138 (1971) George Lucas - Soylent Green (1973) Richard Fleischer - Logan's Run (1976) Michael Anderson [Escute o nosso podcast!] - Silent Running (1972) Douglas Trumbull [Podcast sobre o filme]- Blade Runner (1982) Ridley Scott - Ravagers (1979) Richard Compton - A Boy And a is Dog (1975) L.Q. Jones [Podtrash com a nossa participação sobre o filme] - Mad Max (1979) George Miller - Zardoz (1974) John Boorman - The Road (2009) John Hillcoat - Adaptações para o livro de Richard Matheson Eu Sou a Lenda: Vincent Price (The Last Man on Earth - 1964) - Charlton Heston (The Ômega Man - 1971) - Will Smith ( I Am Legend - 2007) Acesse também! [Conto] Amor: Uma Arqueologia de Fábio Fernandes, na Revista Trasgo [Trailer] É Proibido Procriar [Podcast] Trilogia Flamenca de Carlos Saura [Podcast] Masmorra Cast Sobre Filmes Apocalípticos e Distopias [Filme] Z.P.G. Zero Population Growth [Livro PDF] Superbrinquedos Duram o Verão Todo / Jornada de Esperança (Brian Aldiss)
But Who Can Replace A Man by Brian Aldiss
Prize-winning author Brian Aldiss, the grand old man of British science fiction writing, talks about his 1964 classic sci-fi novel Greybeard. Set decades after the Earth's population has been sterilised as a result of nuclear bomb tests in space, the world is gradually emptying of humans. The remaining ageing, childless population are left to face the fact that there is no younger generation coming to replace them. Instead, nature is reclaiming the earth and Greybeard and his clan wander this strange new and dangerous land searching out a place of safety to grow ever older in. (Photo: Brian Aldiss, courtesy of Brian)
The author chooses The Journal of Marie Bashkirtseff. Plus archive interviews with Doris Lessing, Tanith Lee and Dr Rowan Williams.
With Mark Lawson. Lowry and the Painting of Modern Life, a new exhibition at Tate Britain, compares Lancashire born artist L S Lowry with the French tradition of the time and argues for his pre-eminence as a painter of the industrial city. Rachel Cooke reviews. The writer Jonathan Dee, whose novel The Privileges was shortlisted for the Pulitzer Prize for Fiction, discusses his latest work. A Thousand Pardons explores what it means to apologise and the tradition of apology and forgiveness in public life. Jonathan Dee talks about receiving an angry e-mail from a reader shocked by the novel's dramatic twist. This is the End is the latest collaboration from Evan Goldberg and Seth Rogen, following Superbad and Pineapple Express. It's set at a glamorous party, where James Franco, Seth Rogen and Jonah Hill play versions of themselves, with cameos from stars including Rihanna and Emma Watson. The festivities are in full swing when the apocalypse arrives. Viv Groskop reviews. The writer Brian Aldiss, best known for his science fiction, chooses his Cultural Exchange. He explains how The Journal of Marie Bashkirtseff, the diary of a young artist written between 1860 and 1884, influenced him when he discovered it as a young boy. Scared To Get Happy is a 5 CD, 134 track box set which charts the history of indie music from 1980 to 1990. An exhaustive collection, it includes tracks from famous names such as The Stone Roses, Primal Scream and Lloyd Cole and the Commotions as well as less familiar groups like Trixie's Big Red Motorbike and Tallulah Gosh, featuring 2013 Turner Prize winner Elizabeth Price. Andrew Collins traces the sound that defined a generation. Producer: Olivia Skinner.
With Mark Lawson. Kim Cattrall plays a fading Hollywood star in a new staging of Tennessee Williams' Sweet Bird of Youth. Marianne Elliott directs the play, which is set in the late 1950s in the American South. Sarah Churchwell reviews. The artist Cornelia Parker is best known for installations involving the exploding of a garden shed, Tilda Swinton sleeping in a glass case and the wrapping of Rodin's The Kiss in a mile of string. She reflects on her latest exhibition, and a new book on her work. For Cultural Exchange, Gwyneth Lewis - the inaugural Poet Laureate of Wales - chooses a dance routine from the Laurel and Hardy film Way Out West (1937). Novelist Brian Aldiss discusses his final science fiction work Finches Of Mars, which he's published at the age of 87. He also reveals why he has been writing a short story every day for the last year and casts his mind back over a long career that included a brief stint as an erotic novelist. Producer Nicki Paxman.
Another quick Kickstarter-related Iteration this time. Upcoming guest David Sobkowiak talks about an ongoing Kickstarter campaign for Walk the Fire, a shared world sci-fi anthology series. Check it out HERE.And stay tuned at the end for outtakes from Episode 19!Mentioned in this Iteration:David SobkowiakJohn MierauTwin PeaksTexas InstrumentsBrian Aldiss / HelliconiaGame of Thrones / World of A Song of Ice and FireThe Hudsucker ProxyThe Man in the MoonJ.R.R. Tolkien / Middle Earth LanguagesGoldilocks ZoneSlurpee Epoch Iteration 10 - Walk the Fire Download
Rebecca Levene sits in with Mark Sinker and Elisha Sessions to talk about Brian Aldiss’ 1957 short story, “All the World’s Tears”. It’s about a vitiated ecology, a mechanized society, and a desolate, wind-swept mansion where love may not be all you need. Music is “In the Pines” by Bill Monroe and His Bluegrass Boys, […]
Kirsty Young's castaway this week is the author Brian Aldiss. He is best known for pioneering, alongside JG Ballard, a new wave of British science fiction writing in the 1960s. He says science fiction is not so much a prediction of the future as a metaphor for the human condition; and for him, at least, writing it offered an escape route and a filter through which to view his own extraordinary upbringing. He grew up in a small Norfolk village in a very devout and austere home. While his father was distant, his mother was still suffering from the grief after her first child, a daughter, was still-born. He was the second child and even when he was very small, remembers feeling a strong sense of his mother's disappointment in him. The army finally offered a way out for him and it was on his return to England that he started writing seriously while also working in a bookshop. One of his early works was a short story describing the sadness felt by a boy who was never able to please his parents, which was turned into a film by Stanley Kubrick. While he remains best known for his science fiction writing - and has won every major award in the field - he has also written novels, poetry and biographies and short stories. Now, he says, he aims not for high sales but to become a better and better writer.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Old Rivers (with the Johnny Mann Singers) by Walter Brennan Book: Biography of John Osborne by John Halpern Luxury: A banjo
Kirsty Young's castaway this week is the author Brian Aldiss. He is best known for pioneering, alongside JG Ballard, a new wave of British science fiction writing in the 1960s. He says science fiction is not so much a prediction of the future as a metaphor for the human condition; and for him, at least, writing it offered an escape route and a filter through which to view his own extraordinary upbringing. He grew up in a small Norfolk village in a very devout and austere home. While his father was distant, his mother was still suffering from the grief after her first child, a daughter, was still-born. He was the second child and even when he was very small, remembers feeling a strong sense of his mother's disappointment in him. The army finally offered a way out for him and it was on his return to England that he started writing seriously while also working in a bookshop. One of his early works was a short story describing the sadness felt by a boy who was never able to please his parents, which was turned into a film by Stanley Kubrick. While he remains best known for his science fiction writing - and has won every major award in the field - he has also written novels, poetry and biographies and short stories. Now, he says, he aims not for high sales but to become a better and better writer. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Old Rivers (with the Johnny Mann Singers) by Walter Brennan Book: Biography of John Osborne by John Halpern Luxury: A banjo
Roy Plomley's castaway is novelist and critic Brian Aldiss.Favourite track: Sonata In A by Franz Schubert Book: Rasselas by Dr Samuel Johnson Luxury: Time machine
Roy Plomley's castaway is novelist and critic Brian Aldiss. Favourite track: Sonata In A by Franz Schubert Book: Rasselas by Dr Samuel Johnson Luxury: Time machine