Podcast appearances and mentions of Jonathan Goldstein

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

On this episode of Star Trek Universe, Matt and Dave are discussing the death of the Kelvinverse, Paramount's aborting of Simon Kinberg's Star Trek: Origin trilogy and the development of Goldstein and Daley's new supposedly unconnected Star Trek film! We're also talking about the canonicity of the podcast Star Trek: Khan, maman, as well as a tease about Captain Sisko for Starfleet Academy, and how Strange New Worlds is reigning it in for the wrap-up! All that and so much more, maman! It's wild. We even get into a spoilery section on Pluribus for those keeping up with that Apple TV series!The MoviesThe Kelvinverse is Dead!Simon Kinberg's Star Trek: Origin Trilogy Abandoned!Jonathan Goldstein and John Francis Daley Tapped For Unconnected Star Trek Film!Starfleet AcademyBrit Marling Cast as Ship's Computer VoiceNoga Landau Teases Resolution to Sisko MysteryWho is Deidre Hall Playing?Strange New WorldsAkiva Goldsman Says SNW Will Have Fewer "Outliers" As Series WrapsKhanKirsten Beyer and David Mack on Canonicity of KhanThere Are Hopes For More Star Trek PodcastsSpoiler-Filled Discussion of Apple TV's PluribusHosts:David C. RobersonMatthew CarrollNote: This episode of Star Trek Universe continues Dave and Matt's ongoing journey discussing Star Trek as they have since the late 1980s.Join Us:Site: http://startrekucast.comApple: http://bit.ly/StuCastSpotify: http://bit.ly/StarTrekUCastSpreaker: http://bit.ly/StuCastSpreakerDavid C. Roberson's Newsletter: https://davidcroberson.substack.com/

It's Thanksgiving week on Enjoy Stuff, and Jay and Shua are setting places at the table for the most eclectic, retro, and downright entertaining dinner guests imaginable. From icons to eccentrics, everyone's invited to the feast! Join the guys as they talk turkey, share gratitude, and celebrate a holiday where everyone is family, and everyone is ready to Get Stuffed.   News The Super Mario Galaxy Movie has dropped its first official trailer ahead of its April 3, 2026 release.    Paramount has confirmed a new Star Trek film is moving forward with directors Jonathan Goldstein and John Francis Daley.   Poker Face will end on Peacock after two seasons, but Rian Johnson is shopping a new version starring Peter Dinklage to other networks.   The Lucas Museum of Narrative Art opens September 22, 2026 in Los Angeles, with 35 galleries and over 40,000 works celebrating the art of storytelling.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua has been diving into the new John Candy documentary, "I Like Me," which shines a warm, emotional light on the beloved comedian. Jay has been deep into Columbo, revisiting the rumpled detective's brilliant mysteries, partly to comfort himself after the sad cancellation of Poker Face. The classic charm and clever cases are the perfect antidote.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay spotlights Ex Machina, a sleek, cerebral, and unsettling exploration of artificial intelligence, identity, and manipulation. It remains a modern sci-fi classic with style, tension, and a chilling finale. Read his article on RetroZap.com.  And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Thanksgiving!  On this week's Thanksgiving episode, Jay and Shua set out to build the ultimate retro dinner table. They each select an assortment of legendary personalities, from artists and scientists to entertainers and peace advocates, crafting a holiday feast packed with humor, inspiration, brilliant conversation, and just a dash of chaos. Food contributions range from the traditional to the surreal, while the guests bring stories, laughter, life lessons, music, and occasionally questionable cleanup skills.   Along the way, the hosts explore which dishes their guests might bring, what conversational rabbit holes they'd tumble down, and who would roll up their sleeves when the plates are empty. It's a celebration of gratitude, creativity, togetherness, and the joy of imagining a Thanksgiving where every seat is filled with someone fascinating.   Who would you invite to Thanksgiving dinner? And who's going to clean up? Let us know! First person that emails me with the subject line, "Pass the gravy" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com   

Az Enterprise a Caldos kolóniára látogat, hogy Dr. Crusher részt vehessen nagymamája temetésén. Amikor Beverly felkeresi gyermekkori házát, a birtokot gondozó Ned Quint figyelmezteti őt, hogy szabaduljon meg a családi mécsestől, a láng ugyanis szellemet vonz a tulajdonosához. Bár a doktornő rossz néven veszi a babonát, hamarosan olyan élményeket tapasztal, amelyek valóban kísértetiesek, egyúttal zavarba ejtően érzékiek is. Aktuális adásunk témája a ‘Titkos szerető' című epizód, melyről Emese társaságában beszélgetünk. 0:01:09 - Rövid hírszekció • 0:01:09 | Jonathan Goldstein és John Francis Daley kerültek nyeregbe az új Star Trek mozi kapcsán. A duó leginkább a Dungeons & Dragons: Betyárbecsület, valamint a Pókember: Hazatérés által ismert. - https://deadline.com/2025/11/star-trek-movie-jonathan-goldstein-john-francis-daley-1236616716/ • 0:07:13 | Az Amazon feléleszti a Csillagkaput. - https://youtu.be/e82uV9sBt4I?si=sW_PZn0lzYZ7YQAV 0:10:15 - Kibeszélő: Titkos szerető (TNG 7x14) • Gótikus románc: mit érdemes tudni a műfajról? Milyen elemek ismerhetők fel az epizódban? • Mitől válik egy romantikus sztori átélhetővé, mikor csúszik át gagyiba? • Illik-e Beverly karakteréhez a történet? • Megérdemli a Sub Rosa a nagyon negatív fogadtatást? 1:02:38 - Összefoglalás, értékelés Műsorunk videós formában is fogyasztható: - https://youtu.be/XZao3yIinns

Pol ‘n Bud geek out about AI, Nintendo live-action movies, Disney live-action movies, SpongeBob not-live-action movies, well-deserved recognition for Chadwich Boseman and Tom Cruise, and a cake R&R. Bud’s Weekly Geek-out 03:25 – Data! in! spaaaaaace! Coming Soon 15:37 – Nintendo issues first official The Legend of Zelda movie photos showing Link and Zelda in costume 21:12 – Moana (live action Disney movie, in theatres July 10) (Zoner Mary) 23:34 – Project Hail Mary (in theatres March 20) 25:34 – The Devil Wears Prada 2 (in theatres May 1, 2026) 26:33 – Wake Up Dead Man (in select theatres November 26, Netflix December 12) 28:34 – Fallout (S2, Prime Video, December 17, BLESS WEEKLY THIS TIME) 30:33 – The SpongeBob Movie: Search for SquarePants (in theatres December 19) 35:42 – Marty Supreme (in theatres Christmas day) 37:09 – Is This Thing On? (in theatres December 19, perfect! ) 38:36 – Taylor Swift | The End of an Era (6-episode documentary, Vancouver concerts, Disney+, two-episode premiere December 12) 43:54 – Labyrinth returning to theaters in 4K for 40th anniversary (January 8–11) 45:42 – Steam Hardware (Controller, Machine, Frame, 2026) 52:40 – Sabrina Carpenter to Produce and Star in New Alice in Wonderland Movie Musical 55:18 – New Star Trek movie in works at Paramount from Jonathan Goldstein & John Francis Daley 1:00:35 – Animated series Death Stranding Isolations coming to Disney+ from Hideo Kojima (TANGENT: a href=”https://www.youtube.com/watch?v=2bJQfUHDZsM” target=”_blank”>new practical Apple TV logo) Geek News Proper 1:03:31 – Chadwick Boseman to get posthumous star on the Hollywood Walk of Fame 1:04:06 – Tom Cruise has finally been awarded an Honourary Oscar (video) 1:04:26 – Disney+ plans to add user-generated, short-form AI content with its characters 1:05:37 – $320 CAD iPhone sock condom Listener mailbag (geekout@TheZone.fm) 1:07:33 – Zoner Ewan: the Batman ’89 soundtrack by Prince Reviews and Recommendayshes 1:11:57 – Frankenstein (again) (Bud) related: they should totally make a Mary Shelly biopic 1:17:39 – Nicole’s birthday cake for Pol 1:19:27 – It: Welcome to Derry (Pol, first four eps) Join The Geek-out Podcast’s Facebook page (where we’ll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone’s Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast

We discuss the hottest topics from the week! Weekend Box Office Brainiac will be the villain in ‘MAN OF TOMORROW’ Elizabeth Olsen says she will NOT return as Scarlet Witch in ‘AVENGERS: DOOMSDAY’ Tom Cruise finally has an Oscar ‘MARTY SUPREME’ Trailer ‘PROJECT HAIL MARY’ Trailer ‘THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS’ Trailer ‘THE SUPER MARIO GALAXY MOVIE’ Trailer ‘TOY STORY 5’ Teaser ‘GOOD LUCK, HAVE FUN, DONT DIE’ Trailer ‘MOANA’ Live Action Teaser ‘THE DEVIL WEARS PRADA 2’ Teaser ‘FALLOUT’ S2 Trailer Stranger Things 5 Training Tease John Boyega SAID … Ryan Coogler says that ‘BLACK PANTHER 3’ is his next film. Jonathan Goldstein and John Francis Daley are set to write and direct a ‘STAR TREK’ movie. ‘Heat 2’ Casting ‘AVATAR: FIRE & ASH’ runtime has been listed at 3 hours & 15 minutes. Labubu Movie in the Works with Sony A ‘JESSICA RABBIT’ movie is reportedly in the early works. Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesSinners mastermind Ryan Coogler confirmed that Black Panther 3 is the next film he's working on during Contenders Film: Los Angeles last week, an event put on by Deadline. This is exciting news for us MCU fans, as work on the third Black Panther film has been mostly quiet other than Denzel Washington's confirmed slip up that he is in the movie.A new Star Trek movie is being created under the writing and direction of John Francis Daley and Jonathan Goldstein, the duo behind Dungeons & Dragons: Honor Among Thieves and Game Night as well as the recently wrapped Apple film Mayday, starring Ryan Reynolds and Kenneth Branagh. With the last feature film being Star Trek Beyond in 2016, there's been little movement on both the Chris Pine-led series and new takes on the universe, but this new film will move forward unconnected to anything done previously.Glen Powell in The Running Man was a favored first place winner at the box office this weekend, but was ousted by the sleight of hand of Now You See Me: Now You Don't, the third movie in that franchise. Now You See Me racked up a global $75 million opening, while The Running Man limped across the finish line at $28 million. This marks Powell's first big box office miss, when compared to openings for Twisters, Top Gun: Maverick, and Anybody But You, but the action film did have to compete against Predator: Badlands, which is holding strong at the box office still.Nintendo and Illumination have released the first trailer for Super Mario Galaxy, the follow up to 2023's hit The Super Mario Brothers Movie. The film will hit theaters on April 3rd, 2026. The trailer reveals some new characters and cast members including Bowser Jr. who will be voiced by Benny Safdie and Rosalina who will be voiced by Brie Larson.Amazon Prime has released a new, extended trailer for “Fallout” Season 2. The season begins streaming on December 17.20th Century Studios has released a very short teaser trailer for The Devil Wears Prada 2, the follow up to the 2006 fashion comedy that starred Meryl Streep and Anne Hathaway, who are reprising their roles for the sequel. The film opens on May 1, 2026.Apple TV has set Friday, February 27 for the Season 2 premiere of Monarch: Legacy of Monsters and has dropped a first trailer. The 10-episode second season will premiere globally on Feb. 27 with the first episode, followed by one episode every Friday until May 1.Disney has released the first trailer for the live action adaptation of Moana which hits theaters on July 10, 2026.According to Deadline, Sadie Sink will appear in Avengers: Secret Wars following her appearance in Spider-Man Brand New Day.Hideo Kojima‘s groundbreaking video game franchise Death Stranding is set to expand with an all-new animated series that's heading to Disney+. The show, which is titled Death Stranding Isolations is expected to debut sometime in 2027.Peacock has decided not to renew Poker Face for a third season. Natasha Lyonne exits as star, but series creator Rian Johnson has begun an effort to shop the show to other broadcasters for a two-season commitment and has cast Peter Dinklage to take over the role of Charlie Cale from Natasha Lyonne.Sony Pictures has picked up the rights to the Chinese doll brand Labubu with the intent to launch a franchise based on the dolls in the near future.Nintendo's live action Legend of Zelda movie has begun production and Nintendo social media accounts posted first look images earlier this week of Link and Zelda, the film's main characters. The film is currently set for release in May of 2027.Peacock has renewed Twisted Metal for a third season, with David Reed taking over as showrunner and executive producer following Michael Jonathan Smith's exit. Reed has previously been a producer on series like Supernatural and The Boys.

This week, we're presenting an episode of one of our favorite podcasts. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. Balancing humor and empathy, host Jonathan Goldstein helps his subjects pinpoint the moment things went wrong and joins them on a quest to make them right.This episode is about Anita, who, on her flight, to emigrate from Italy in 1959, was tasked with babysitting a two-year-old boy being brought to the US for adoption. During the flight, Anita fell in love with the child, and for the rest of her life, she wondered what became of him.Find Heavyweight wherever you get your podcasts.

In Episode 362 of the Monkey Nut Punch Podcast, we cover huge TV and film announcements, fresh trailers, and sharp reviews — from Star Trek to Shōgun and beyond. News Highlights: Star Trek is boldly going again — Jonathan Goldstein and John Francis Daley (Dungeons & Dragons: Honor Among Thieves) are developing a new movie for Paramount. Shōgun creators promise an even bigger and bloodier Season 2, with “epic war sequences” and a surprising love story at its core. Reports suggest Line of Duty is returning with its full original cast — can AC-12 crack one more case? Luther is back! Idris Elba and Ruth Wilson reunite for a brand-new movie at Netflix, reigniting the dark cat-and-mouse dynamic between Luther and Alice Morgan. Trailer Talk: Fallout Season 2 trailer teases more chaos, mutants, and Vault-Tec mischief. Good Luck, Have Fun, Don't Die trailer drops — Sam Rockwell leads a meta, time-bending action-comedy. Reviews: Pluribus — Apple TV's political thriller goes full tension. Tulsa King — Stallone's mobster series keeps its swagger alive. Retro Review: Star Trek: Deep Space Nine – Looking for Par'Mach in All the Wrong Places — romance, comedy, and Klingon courtship collide. Don't forget to like, comment, and subscribe! Visit www.mnp.ninja   for all episodes and extras.

Here's an episode from Heavyweight, a new addition to the Pushkin slate of shows. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. In this episode: A young man had just turned 14 when he took his father’s shotgun, skipped school, and robbed a bank for $40,000. Now, 33 years later, he wants to apologize to the people he harmed that day. Find Heavyweight wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Three stories about the strange power inanimate objects can hold over us. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Nunzio gets caught in a kind of servile relationship…with a scooter. (8 minutes)Act One: Ted was six when he first picked up a rock from the Petrified Forest National Park. Nearly 50 years later, he really wishes he hadn't. Aviva DeKornfeld talked to him. (15 minutes)Act Two: Heavyweight host Jonathan Goldstein leaps in to help a family, who are not entirely sure they want or need his help, get rid of their stuff. (31 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

We have a special episode for you today! In which Nate and Maria join their fellow Pushkin hosts to dive deep into the art of failure. Tim Harford of Cautionary Tales shares stories of minor mistakes with massive consequences. Jonathan Goldstein of Heavyweight speaks with his friend, the writer Sheila Heti about the cost of mistakes and whether we're really in control of how many we make. And, our very own Nate and Maria give a gambler's take on the strange science of regret. Cautionary Tales and Heavyweight are available wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Willy was joined by Jonathan Goldstein, Co-Founder and CEO of Cain, an investment firm with approximately $14 billion in assets under management. They discussed Jonathan's upbringing and the strong foundation his family instilled in him, key lessons in leadership that he's carried forward, pivotal moments throughout his career journey, the biggest risk he's ever taken, insights into the hospitality sector and why the details matter, the importance of connection, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're excited to share an episode from another podcast I think you'll enjoy. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. Balancing humor and empathy, Jonathan helps his subjects pinpoint the moment things went wrong and joins them on a quest to make them right. In this episode: A young man had just turned 14 when he took his father's shotgun, skipped school, and robbed a bank for $40,000. Now, 33 years later, he wants to apologize to the people he harmed that day. Find Heavyweight wherever you get your podcasts.      Ben

Looking for your next favorite podcast (besides mine, of course)? Heavyweight, hosted by Jonathan Goldstein, will break your heart...and then put it back together. In each episode, Jonathan helps someone revisit a defining regret, lost connection, or unsolved mystery from their life—and gently, hilariously, humanely, helps them try to make it right. If you've ever found yourself replaying a moment from your past and wondering what could've gone differently, this is the podcast for you. In this episode, you'll meet Michael, who, as a high school senior, got his lucky break—the chance to star in a big-budget movie. Shooting wrapped, a premier date was set...and then he found out that his success was all based on a lie. Michael wanted to know—how did it all go so wrong? Find Heavyweight wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here's an episode from Heavyweight, a new addition to the Pushkin slate of shows. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. Balancing humor and empathy, host Jonathan Goldstein helps his subjects pinpoint the moment things went wrong and joins them on a quest to make them right. This episode features Michael, who, as a high school senior got his lucky break—the chance to star in a big-budget movie. Shooting wrapped, a premier date was set…and then he found out that his success was all based on a lie. Find Heavyweight wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Maybe you've laid awake and imagined how it could have been, how it might yet be, but the moment to act was never right. Well, the moment is here and the podcast making it happen is Heavyweight. Join Jonathan Goldstein for road trips, thorny reunions, and difficult conversations as he backpedals his way into the past like a therapist with a time machine.EPISODES AVAILABLE HERE:https://www.pushkin.fm/podcasts/heavyweight Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

We're excited to share an episode from a podcast we love, Heavyweight. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. Balancing humor and empathy, host Jonathan Goldstein helps his subjects pinpoint the moment things went wrong and joins them on a quest to make them right. This episode features Michael, who, as a high school senior got his lucky break—the chance to star in a big-budget movie. Shooting wrapped, a premier date was set...and then he found out that his success was all based on a lie. Find Heavyweight wherever you get your podcasts.  Link: lnk.to/HWMoth To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

I originally interviewed Jonathan Goldstein, creator and host of the greatest podcast of all time, Heavyweight, back in 2017 for Transom.org. I'm playing it here to celebrate Heavyweight's grand return. Learn more about your ad choices. Visit megaphone.fm/adchoices

Roughly 10 years ago, a podcast host named Jonathan Goldstein and his friend Gregor flew to Los Angeles. Goldstein was there to help his friend confront the famous musician, Moby, over a set of CDs he'd borrowed and never returned.Goldstein created a hit show through these types of interactions, helping people talk through troubling moments from their pasts. The podcast called Heavyweight was released in 2016.Goldstein now lives in the Twin Cities. On Thursday, he and his team launched a new season. He joined MPR News host Nina Moini to talk about it.

The Department of Justice announced federal charges for eight people who allegedly defrauded Minnesota's Housing Stability Services out of millions of dollars. The top prosecutor said it's “like staring into a bottomless well of fraud.” We dive into it.A nationally recognized podcast out of Minneapolis is back after a break. We talk to Jonathan Goldstein, the host of Heavyweight.Farm Aid is coming to town for it's 40th concert. We learn about the history of the 1980s farm crisis here in Minnesota. Plus, road rage doesn't usually result in a heart-to-heart over breakfast. We hear that story in our Thank You, Stranger.And the Dakota Jazz Club is celebrating 40 years with a block party in Minneapolis. We talk to the club's founder.The Minnesota Music Minute was "Son de la Loma" by Salsa Del Sol. Our Song of the Day was "Hands of Time" by Margo Price.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Game Night, es una película de acción y comedia negra estadounidense de 2018 dirigida por John Francis Daley y Jonathan Goldstein y escrita por Mark Perez.   Plot: Un grupo de amigos que se reúne periódicamente para noches de juegos se ve envuelto en un misterio de la vida real cuando el hermano sospechoso de uno de ellos es aparentemente secuestrado por gente peligrosa. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

For our penultimate Heavyweight encore, we’re joined by Pen15 co-creator Anna Konkle to revisit last season’s junior high drama — #53: Leif.On Valentine’s Day in junior high, Leif was supposed to ask Kalila out. But he never did. Leif’s lack of action that day impacted Kalila’s life to come. And so seventeen years later, she wants to know: what happened.For more, head over to Pushkin+, where you can subscribe to hear an extended cut of Kalila’s conversation with Anna. CreditsThis episode was hosted and produced by senior producer Kalila Holt, along with Jonathan Goldstein and Phoebe Flanigan. The supervising producer is Stevie Lane. Production assistance from Mohini Madgavkar. Editorial guidance from Emily Condon. Special thanks to Max Green, Flora Lichtman, and Connor Sampson. In the IM recreation, Karina was played by Reagan Didier, and Leif was played by John Claassen — thanks to Greg Holt and Tony John for making that possible. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Blue Dot Sessions, Katie Mullins, Florian Le Prisé, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

This week, we check back in with Joey to answer everyone’s burning question: does he still have a mullet?Years ago, Joey had a very bad day — all due to awkward misunderstandings. Jonathan and Gregor get involved to help him set things right.CreditsThis episode was produced by Jonathan Goldstein, Kalila Holt, Peter Bresnan, and Stevie Lane, with editing by Jorge Just and Alex Blumberg. Special thanks to Emily Condon, Flora Lichtman, PJ Vogt, Saidu Tejan-Thomas, Grace Hawkins, and Jackie Cohen. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Blue Dot Sessions, Bobby Lord, and Y La Bamba. Our theme song is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

This week, we talk to Steve Marsh from our episode, The Marshes. The family has changed in ways they could never have guessed at when the story was first published in 2019. After a drunken slip of the tongue, Steve and his siblings discovered a secret their mother had been keeping for almost 40 years. Steve decides to step in and help his mom take action. This episode was produced by Jonathan Goldstein, Kalila Holt, BA Parker and Stevie Lane, with editing by Jorge Just. Special thanks to Emily Condon, Lulu Miller, Hans Buetow, Damiano Marchetti, Alex Blumberg, and Jackie Cohen. The show was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Blue Dot Sessions, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

Filmmaking Insights, Academy Screenings, and Creative Struggles | Get Reelisms Podcast Episode 158 In Episode 158 of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen, both filmmakers, share advice, stories, and behind-the-scenes insights into their creative processes. Christine discusses her recent excursions to Academy screenings and encounters with industry legends like Jim Plannette, gaffer for 'ET', and Jonathan Goldstein, director of 'Dungeons and Dragons'. The duo also talks about the challenges of screenwriting, the importance of avoiding distractions, and the inspirations they draw from mundane activities like walking or driving. Additionally, Christine reflects on the impact of biased reviews on independent films, emphasizing the value of forming personal opinions about movies. The episode concludes with a reminder to support the podcast and its mission to democratize filmmaking knowledge.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Podcast Overview 01:12 Christine's Writing Retreat 02:16 The Creative Process and Overcoming Writer's Block 05:30 Engaging with the Audience 08:52 Christine's New Projects and Challenges 12:27 Networking and Industry Insights 18:25 Connecting with a Filmmaker 19:10 Mel Brooks' Influence on Comedy 19:50 Catching Up on Classic Films 20:40 Reviewing Recent Film Screenings 21:16 Challenges in Filmmaking 22:39 Meeting Industry Professionals 24:44 The Subjectivity of Film Criticism 26:58 The Impact of Negative Reviews 31:26 Attending Academy Screenings 36:15 Podcast Sign-Off and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This week, we’re calling up one of our fan-favorite guests from season two: Rose. Almost twenty years ago, Rose was kicked out of her college sorority. “You know what you did,” was the only explanation she was ever given. All these years later, Rose still wants to know what it is she did. Credits This episode was produced by Jonathan Goldstein, Kalila Holt, and Kaitlin Roberts, with editing by Jorge Just, Alex Blumberg, and Wendy Dorr. Special thanks to Emily Condon, Stevie Lane, Misha Glouberman, and Jackie Cohen. The show was mixed by Kate Bilinski. Music by Christine Fellows and John K Samson, with additional music by Blue Dot Sessions, Michael Charles Smith, Hew Time, and Keen Collective. Our theme song is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

This week, we check back in with Scott to find out what turns his life has taken since the original episode aired in 2019.When Scott was a heroin addict, he crossed a line he thought he would never cross. And he’s been trying to uncross it ever since.CreditsThis episode was produced by Jonathan Goldstein, Stevie Lane, Kalila Holt, and BA Parker, with editing by Jorge Just. Special thanks to Emily Condon, Alex Blumberg, Nathan Foster, Jacob Eppler, and Jackie Cohen. This episode was mixed by Bobby Lord. Music by Christine Fellows, John K Samson, Blue Dot Sessions, Michael Hearst, Michael Charles Smith, Podington Bear, Shadowlands, Stratus, Haley Shaw, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

Ximena Smith joined Jesse to review Missing in the Amazon - a new 6-part investigative series from The Guardian about journalist Dom Phillips and indigenous rights advocate Bruno Pereira who went missing in the Amazon three years ago. She also reviewed Heavyweight a podcast by Jonathan Goldstein, which returns after being cancelled by Spotify in 2023. The show helps people deal with moments from their past they wish they could change - funny, emotional, and thought-provoking without being naff.

This week, we catch up with Jonathan's dad about the years since his appearance in our first ever episode — #1 Buzz. Buzz and Sheldon are brothers in their eighties who’ve been estranged for decades. Buzz visits Sheldon to see if there’s still a relationship left to salvage. CreditsThis episode was produced by Jonathan Goldstein, Wendy Dorr, Chris Neary, and Kalila Holt, with editing by Alex Blumberg and Peter Clowney. Special thanks to Caitlin Kenney, Starlee Kine, and Rachel Ward. The episode was mixed by Haley Shaw. Music by Christine Fellows and Haley Shaw. Our theme music is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

While the original policy intent behind Opportunity Zones was to catalyze more entrepreneurship and small business investment in disadvantaged communities all across the nation, most OZ capital has flowed into real estate. Jonathan Goldstein of Advantage Capital joins the show to discuss how a few targeted legislative fixes could finally make the OZ incentive work for operating businesses, especially in rural and underserved communities. Show notes & summary: https://opportunityzones.com/2025/05/jonathan-goldstein-347/

While the new season is under construction, we’re revisiting some of our favorite episodes and calling up former guests to see what’s happened since. This week: #2 Gregor. 20 years ago, Gregor lent some CDs to a musician friend. The CDs helped make him a famous rockstar. Now, Gregor would like some recognition. But mostly, he wants his CDs back. Credits This episode was produced by Jonathan Goldstein, Wendy Dorr, Chris Neary, and Kalila Holt, with editing by Alex Blumberg and Peter Clowney. Special thanks to Emily Condon, Paul Tough, Stevie Lane, Michelle Harris, Dimitri Ehrlich, Sean Cole, Jorge Just, and Jackie Cohen. This episode was mixed by Haley Shaw. Music by Christine Fellows, Tockstar, the Eastern Watershed Klezmer Quartet, and Haley Shaw. Our theme music is by The Weakerthans courtesy of Epitaph Records.See omnystudio.com/listener for privacy information.

This week, we're presenting an episode of a new show we like called What We Spend, one of Vulture's best podcasts of 2025. Also, for our Incognito Mode listeners, today, we're having an online, live event with Heavyweight's Jonathan Goldstein. Details in the top of the episode! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this podcast special, we hear from two presenters in the wonderful world of audio storytelling. The much-beloved podcast ‘Heavyweight’ involves guests engaging the help of Jonathan Goldstein to answer some unsolved aspect of their past. Ahead of the show’s return at its new home, Pushkin Industries, we catch up with Goldstein to hear about the origins of the podcast and what’s involved in its production. Plus: DJ and broadcaster Kate Hutchinson discusses her new series, ‘Studio Radicals’, which puts musicians, producers and engineers in the spotlight.See omnystudio.com/listener for privacy information.

Riding Shotgun With Charlie #227  Jonathan Goldstein NRA BOD, NRA 2.0 Candidate   This is a small first, but a first nonetheless. Jonathan Goldstein flew up from Philadelphia to Boston just to film a show with me! Yes, I'm beyond honored! He's also working that hard to get elected for the NRA Board of Directors. And in his home state of Pennsylvania for their gun owners. It's always fun to meet someone new and widen my circle of friends. I picked up Jonathan at the airport and we drove for a bit to get to know each other.  We kick things off quickly and jump in deep, talking about Bruen, open carry v concealed, and why some laws aren't conducive to logic. He's got a great line, borrowed from Chris Conte from the NRA ILA, about “New Jersey being the North Korea of gun ownership.” I knew things were going to be fun after that.    Jonathan didn't really grow up as a gun guy. He owned IT businesses and sold them before going to law school. Besides that, he was a newlywed and applied for law school, and was on the ballot for the state legislature. After not liking the big law firm, he got together with some other friends and started outsourcing legal work to India.  But as he says everyone “hates outsourcing, but they hate lawyers more.”    Back in 1994, the gun laws were being redone in the Pa. There were lots of folks against it and he wanted to see what they were against. Each of the towns and cities were supposed to have the same laws. But they decided they were going to have different classes of cities, and thus, Philly was in its own class. Therefore, having its own laws that the rest of the state didn't have. He started thinking about why the politicians were so set against lawful gun ownership. That piqued his interest and that's when he became a gun owner. He got a permit, bought a snub revolver, got into shotguns and bird hunting and found a new passion.    Around the time Heller was going on in 2008, he was getting more involved in getting cases and getting noticed by the NRA. This is where he became friends with Chris Conte at NRA ILA. In 2011, he was awarded the Defender of Justice by NRA ILA. He also helped raise money for the NRA.    On the radar of the NRA, he ends up on a couple committees, one for the legal affairs and one for the non-traditional gun owner, those of racial and sexual minorities. With enough trust, he was placed on the nominating committee. That's when he started seeing that things were not necessarily going so well. That's when he started seeing that some BOD members weren't there for wholesome reasons. He saw that they weren't all rowing in the same direction. Some of the folks haven't seen that the old tactics aren't working, haven't been, and don't want to change.    We got into it a bit more of course. He's very passionate about the NRA and what is going on and what needs to be changed. I really enjoyed the conversation with Jonathan and I look forward to seeing him in Atlanta in April.    This wraps up the five interviews I've done with the NRA 2.0 Candidates running on the reform ticket. I've had another five or so on the show over the years. I'm voting for all 28 of the “Reformers”. I enjoyed the conversations with them all. As with the NRA staff that I've had on the show, I can see the passion for the NRA and our rights that they have and they're fighting for. These 28 candidates know that the NRA didn't earn the respect of the members, their funds, and their support. I do have faith in them and what they plan on doing to resurrect the NRA from what has been going on. I have confidence in them and I'm looking forward to the progress for gun owners across the country.    While it is too late to become a life member and be able to vote, it's not too late to vote for those who haven't yet. Ballots were sent out in the February magazines and have to be received by April 6, 2025.    Favorite quotes: “The goal is to frustrate the gun owner.” “The modality that works best today is concealed carry. Not open carry.” “The fact that I carry a gun keeps you safer. You're welcome.” “What do these politicians intend to do to me that my ownership of firearms is a threat to them.” “NRA is back on the map. We're clean. We're well run. We deserve to get out seat at the table back.”   Elect A New NRA Website https://electanewnra.com/   Goldstein Law Partners https://goldsteinlp.com/   Second Amendment Foundation https://secure.anedot.com/saf/donate?sc=RidingShotgun    Citizens Committee for the Right to Keep and Bear Arms https://www.ccrkba.org/     Please support the Riding Shotgun With Charlie sponsors and supporters.    Self Defense Radio Network http://sdrn.us/   Buy a Powertac Flashlight, use RSWC as the discount code and save 15% www.powertac.com/RSWC   SABRE Red Pepper Spray  https://lddy.no/1iq1n   Or listen on: iTunes/Apple podcasts https://podcasts.apple.com/us/podcast/riding-shotgun-with-charlie/id1275691565

Jonathan Goldstein and his team of producers have moved. Sponsored by Riverside. Create studio-quality recordings, edit in seconds, and repurpose effortlessly—all with Riverside's latest updates. Trusted by top podcasters and brands like Tim Ferriss, Ali Abdaal, and Spotify, it's their go-to creation platform. Try Riverside today and grow your podcast! https://podnews.net/cc/2773 Visit https://podnews.net/update/heavyweight-pushkin-news for the story links in full, and to get our daily newsletter.

Send us a textBack in 2009 Jonathan Goldstein wrote an entertaining book entitled "Ladies and Gentlemen, The Bible!"  For those looking for orthodox teaching, it might veer a bit off base.  But for those looking for 15 minutes of entertainment, maybe you will like this.  

Adam rambles with comedian Natasia Demetriou about pregnancy, why she owes her whole career to Adam, the weird crap Tash looks at on her phone, revolting recipes, accents, the sadness of time, and parenting tips.CONTAINS STRONG LANGUAGE AND REVOLTING DESCRIPTION Conversation recorded face to face in front of a live audience at the Liverpool Royal Philharmonic on May 20th, 2024 as part of the Adam Buxton Podcast Tour.Thanks to Séamus Murphy-Mitchell for production support and conversation editing and to Becca Bryers for audio mixing.Podcast illustration by Helen GreenADAM'S WEBSITERELATED LINKSTASH'S PHONE CRAPFUNERAL POTATOES TRAY BAKE - 2024 (YOUTUBE SHORTS)I LET A BIRD NEST IN MY HAIR FOR 84 DAYS by Hannah Bourne-Taylor - 2022 (GUARDIAN)'TAKE THE PISS' SAUSAGE TEXT (REDDIT)JESSICA KNAPPETT'S UPLIFTING MOVIE PICKVACATION (TRAILER) Directed by John Francis Daley and Jonathan Goldstein - 2015 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

Dorian Price, Alexis Hejna and Mark Radulich present their Hysteria 2024 TV Show Review! Hysteria! is an American horror-thriller television series created by Matthew Scott Kane. Set during the Satanic panic of the 1980s, a beloved varsity quarterback's disappearance causes whispers of occult activity and Satanic influence throughout the town. Dylan Campbell, Jordy, and Spud, a trio of outcasts in a struggling heavy metal band called Dethkrunch, decide to capitalize on the town's sudden interest in the occult by rebranding themselves as a Satanic metal band, which leads to them becoming the targets of the town's witch hunt.Peacock's horror series Hysteria! blends dark humor, supernatural thrills, and a retro look at 1980s "Satanic Panic." Created by Matthew Scott Kane and David Goodman, this eight-episode series was released on October 18, 2024, with the first episode simulcast on USA Network and Syfy. The storyline revolves around a high school heavy metal band in a small Michigan town that seizes the local Satanic scare to boost its image, only to become embroiled in a genuine crisis of mysterious disappearances, murders, and supernatural phenomena, creating a charged narrative about generational fears and paranoia. Key casting choices include Julie Bowen, breaking from her Modern Family persona as the protective and edgy Linda Campbell, Anna Camp, and Bruce Campbell, who brings a nostalgic horror presence. Casting young actors as musicians and outcasts required a balance between authenticity and depth, which Kane and Goodman were keen to maintain, especially for the series' metal and occult themes. Early marketing highlighted the nostalgic thriller appeal with eerie trailers and strategic releases across Peacock and other platforms, drawing both horror fans and those intrigued by the cultural backdrop of Satanic Panic. Production was helmed by executive producers like Jonathan Goldstein and Jordan Vogt-Roberts, with the latter directing episodes that bookend the season. Critical responses have praised the series for its blend of humor, horror, and social commentary, securing an approval rating on Rotten Tomatoes and reflecting Peacock's broader strategy to attract diverse audiences.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

This afternoon, Joe began the show by talking about how election integrity expert Greg Stenstrom in Pennsylvania revealed to Elon Musk that the state's officials have admitted in court that the voting machines are NOT secure. Later, Joe moved on to discuss the mRNA vaccines and how there is evidence emerging that they greatly increase one's risk of developing cancer, as well as passing on hereditary defects. Following a short break, Joe welcomed Dr. Michael Goldstein and Jonathan Goldstein to the show! Together, the three discussed how our rights were taken from us during COVID, the effects of the COVID mRNA vaccine, and why Dr. Michael Goldstein is running for Congress. After Dr. Michael Goldstein and Jonathan Goldstein's departure, Joe welcomed Bruce Fong, D.O., to the show. Dr. Bruce Fong is the medical director of Sierra Integrative Medical Center and Nutronics Lab. Together, Joe and Dr. Fong discussed the benefits of IGF and how it can help you. In closing, Joe discussed "Safe and Secure," as well as Trump's jokes at the Al Smith Dinner last night, before ending with a prayer. Happy weekend! We'll catch you next week!

Thank you to our sponsors at Lumen and Magic Spoon!  If you want to take the next step in improving your health, go to lumen.me/NEDS to get 15% off your Lumen.  Get 5 dollars off your next order of delicious cereal at Magic Spoon.com/NEDS. This week we welcome America's dad to the pod, aka Jonathan Goldstein. You may recognize Jonathan from playing Walter, the dad, on “Drake and Josh”. Jonathan talks about his experience living in LA during the 90s and some of his most memorable on set experiences. He reflects on the emotional impact of working his first day on “Buffy the Vampire Slayer”, which coincided with the tragic events of 9/11. He is also put to the test, and decides which of his favorite tv children is his favorite. Jonathan shares what it is like to watch child stars grow up and highlights the importance of having fun in life. Follow @NedsDeclassifiedPod on Instagram & Facebook, and @NedsPod on TikTok. Want access to weekly bonus videos, exclusive behind-the-scenes content and more? Join our Patreon now at patreon.com/NedsPod. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thank you to our sponsors at Lumen and Magic Spoon! If you want to take the next step in improving your health, go to lumen.me/NEDS to get 15% off your Lumen. Get 5 dollars off your next order of delicious cereal at Magic Spoon.com/NEDS.This week we welcome America's dad to the pod, aka Jonathan Goldstein. You may recognize Jonathan from playing Walter, the dad, on “Drake and Josh”. Jonathan talks about his experience living in LA during the 90s and some of his most memorable on set experiences. He reflects on the emotional impact of working his first day on “Buffy the Vampire Slayer”, which coincided with the tragic events of 9/11. He is also put to the test, and decides which of his favorite tv children is his favorite. Jonathan shares what it is like to watch child stars grow up and highlights the importance of having fun in life.Follow @NedsDeclassifiedPod on Instagram & Facebook, and @NedsPod on TikTok.Want access to weekly bonus videos, exclusive behind-the-scenes content and more? Join our Patreon now at patreon.com/NedsPod.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Before Scott died, he bequeathed to his brothers his beloved pet parrot, Harry. The brothers promised to care for the bird. Except they didn't. Over twenty years later, they want to find Harry and make things right. Credits This episode was produced by Phoebe Flanigan, Mohini Madgavkar, and Jonathan Goldstein. Our senior producer is Kalila Holt. Our supervising producer is Stevie Lane. Editorial guidance from Emily Condon.  Special thanks to Mimi O'Donnell, Lauren Silverman, and Katherine Brewer. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Heinz Kiessling, Boxwood Orchestra, Luke Janela, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Stay in touch on Twitter @heavyweight, on Instagram @heavyweightpodcast, or at our new email address: heavyweightshow@gmail.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Loch swears his kindergarten teacher used to steal his cheese. But no one believes him. Credits This episode was produced by Phoebe Flanigan, Mohini Madgavkar, and Kalila Holt, along with Jonathan Goldstein. The supervising producer is Stevie Lane. Editorial guidance from Emily Condon. Special thanks to Pierce Singgih, Wendy Zukerman, and extra special thanks to Loch's mom, Dawn. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Sean Jacobi, Matthew Hollingsworth, Jaybird Blonde, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Yasser was a boy, he saw a cartoon that changed his life. He's been searching for it ever since. The only problem is… it's vanished. Credits This episode was hosted and produced by supervising producer Stevie Lane, along with Jonathan Goldstein, Mohini Madgavkar, and Phoebe Flanigan. The senior producer is Kalila Holt. Editorial guidance from Emily Condon. Special thanks to Pia Gadkari, Bobby Lord, Dr. Mohamed Ghazala, and Tom Scharpling over at The Best Show. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Podington Bear, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Heavyweight is a Spotify Original Podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1993, Nick was shot in an Idaho motel room. One stranger came to his aid. Nick wants to find him. CREDITS Heavyweight is hosted and produced by Jonathan Goldstein. This episode was produced by senior producer Kalila Holt, along with Phoebe Flanigan. The supervising producer is Stevie Lane. Production assistance by Mohini Madgavkar. Editorial guidance from Emily Condon. Special thanks to Annie Minoff, Laura Morris, Lauren Silverman, and Jackie Cohen. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Michael Hearst, Katie Condon, Ehren Ebbage, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Learn more about your ad choices. Visit podcastchoices.com/adchoices

One morning, Amy opened her mailbox and found a package with 44 photos inside—photos of complete strangers. Now Amy wonders: Who are they? And why were the photos sent to her? Credits This episode was hosted and produced by supervising producer Stevie Lane, along with Jonathan Goldstein, Phoebe Flanigan, and Mohini Madgavkar. The senior producer is Kalila Holt. Editorial guidance from Emily Condon. Special thanks to Alex Blumberg, Mimi O'Donnell, Lauren Silverman, Maureen Taylor, Estelle Ivory, and all the incredibly patient people over at the USPS. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Golden Dunes, In Skies, Megatrax, Christopher Lennertz, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Heavyweight is a Spotify Original Podcast. Amy has just written a new book, Artificial, a graphic memoir about her father's efforts to preserve her late grandfather's identity using AI technology. You can find it at your local bookstore. Learn more about your ad choices. Visit podcastchoices.com/adchoices

After his father's death, Toby found a box of cassette tapes in his dad's house. These private recordings tell the story of how his parents' relationship fell apart—a story that Toby never knew, and might not want to know. CREDITS Heavyweight is hosted and produced by Jonathan Goldstein. This episode was produced by senior producer Kalila Holt, along with Phoebe Flanigan. The supervising producer is Stevie Lane. Production assistance by Mohini Madgavkar. Editorial guidance from Emily Condon. Special thanks to Alex Blumberg, Max Greene, Blythe Terrell, and Jackie Cohen. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Saigon Would Be Seoul, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Victor can't stop painting portraits of his ex-wife, decades after their divorce. You can find Victor's work at victorrodrigueznyc.com, or on his Instagram at instagram.com/victorrodrigueznyc CREDITS Heavyweight is hosted and produced by Jonathan Goldstein. This episode was produced by supervising producer Stevie Lane, along with Phoebe Flanigan. The senior producer is Kalila Holt. Production assistance by Mohini Madgavkar. Editorial guidance from Emily Condon. Special thanks to Lauren Silverman, Neil Drumming, Mimi O'Donnell, Anya Schultz, Jackie Cohen, and Jessica Bashir—the director of Heroin, a short documentary about Victor and Maite. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Michael Hearst, Saigon Would Be Seoul, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Heavyweight is a Spotify Original Podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The new season of Heavyweight starts today, so to celebrate, we're sharing one of our favorite episodes. In 1968, Jonathan Goldstein's mother-in-law Becky spent one of the best summers of her life with a woman named Barbara. But then they never spoke again. Now, over fifty years later, Becky learns something about Barbara that makes her question whether she ever really knew her at all. Listen to the full episode right here, and follow Heavyweight to get new episodes every Thursday! Learn more about your ad choices. Visit podcastchoices.com/adchoices