Podcasts about ephemeral

Vykhod Sily Podcast - Ephemeral Objects Guest Mix by Vykhod Sily/Выход Силы

Vítor Santos, vocalista e guitarrista dos Evols, conta-nos o percurso da banda e antecipa o que podemos esperar do quarto álbum “The Ephemeral”. Os Evols têm explorado, desde 2008,  sonoridades intensas e visuais imersivos, destacando-se em festivais como o NOS Primavera Sound e o Milhões de Festa. Nesta conversa, o vocalista partilha as inspirações, o processo criativo, os desafios de manter a autenticidade artística e aquilo que realmente os distingue num panorama em constante mudança. Uma entrevista conduzida por Catarina Gonçalves e Marta Rodrigues no âmbito da unidade curricular de Atelier de Rádio da licenciatura em Ciências da Comunicação da Universidade Autónoma de Lisboa.

In this episode of the KuppingerCole Analyst Chat, Matthias Reinwarth is joined by Martin Kuppinger and special guest Felix Gaehtgens to explore two of the hottest (and most debated) topics in identity today: Identity Threat Detection & Response (ITDR) and Non-Human / Machine Identities (NHI). Together, they gothrough the buzzwords to reveal what’s real, what’s hype, and how organizations should approach these fast-evolving areas of IAM. From visibility vs. observability, to governance challenges and the future of machine identity management, this episode delivers sharp insights and practical recommendations from three IAM veterans. So tell us — are ITDR and NHI just marketing buzzwords, or essential must-haves for modern identity security? Key topics covered: ITDR explained: buzzword or meaningful evolution in IAM? Why visibility and observability are not the same The missing “R” in detection & response IAM vs. SOC responsibilities for ITDR Machine identities: terminology, challenges, and governance Ephemeral vs. static machine identities How IAM teams can prepare for the future of identity security

In this episode of the KuppingerCole Analyst Chat, Matthias Reinwarth is joined by Martin Kuppinger and special guest Felix Gaehtgens to explore two of the hottest (and most debated) topics in identity today: Identity Threat Detection & Response (ITDR) and Non-Human / Machine Identities (NHI). Together, they gothrough the buzzwords to reveal what’s real, what’s hype, and how organizations should approach these fast-evolving areas of IAM. From visibility vs. observability, to governance challenges and the future of machine identity management, this episode delivers sharp insights and practical recommendations from three IAM veterans. So tell us — are ITDR and NHI just marketing buzzwords, or essential must-haves for modern identity security? Key topics covered: ITDR explained: buzzword or meaningful evolution in IAM? Why visibility and observability are not the same The missing “R” in detection & response IAM vs. SOC responsibilities for ITDR Machine identities: terminology, challenges, and governance Ephemeral vs. static machine identities How IAM teams can prepare for the future of identity security

In this bonus segment, Alex and Martin Benes have an interesting conversation about the contrast between ephemeral, fleeting moments in life, travel, and relationships versus stability and longterm growth. The two talk about travel tales, life, and more. They are split.

In this episode of the KuppingerCole Analyst Chat, Martin Kuppinger joins Matthias Reinwarth to dive deep into one of the most overlooked but critical areas in identity and security: non-human identities (NHI) and workload secrets. As cloud-native development and AI-driven workloads grow, so does the complexity of managing machine identities. With AWS now supporting long-lived API keys for generative AI, this episode explores why that's a risky move — and what a modern, secure, and developer-friendly alternative looks like. In this episode, you'll learn: Why workload identities must be treated as privileged How long-lived secrets expand your attack surface Why “balancing convenience vs. security” is a false choice How to apply ephemeral secrets and ITDR signals The role of SPIFFE/SPIRE, policy-as-code (OPA), and automation Why developers shouldn’t own security — and what IAM must do instead How attackers use AI to hunt your leaked secrets What organizations must do to secure NHI at scale Key takeaway: Security must be built around short-lived secrets, automation, and clear separation between identity, secrets, and entitlements — especially for workloads and AI agents.

In this episode of the KuppingerCole Analyst Chat, Martin Kuppinger joins Matthias Reinwarth to dive deep into one of the most overlooked but critical areas in identity and security: non-human identities (NHI) and workload secrets. As cloud-native development and AI-driven workloads grow, so does the complexity of managing machine identities. With AWS now supporting long-lived API keys for generative AI, this episode explores why that's a risky move — and what a modern, secure, and developer-friendly alternative looks like. In this episode, you'll learn: Why workload identities must be treated as privileged How long-lived secrets expand your attack surface Why “balancing convenience vs. security” is a false choice How to apply ephemeral secrets and ITDR signals The role of SPIFFE/SPIRE, policy-as-code (OPA), and automation Why developers shouldn’t own security — and what IAM must do instead How attackers use AI to hunt your leaked secrets What organizations must do to secure NHI at scale Key takeaway: Security must be built around short-lived secrets, automation, and clear separation between identity, secrets, and entitlements — especially for workloads and AI agents.

Fluent Fiction - Japanese: Ephemeral Sparks: A Night of Renewal at Kyoto's Obon Festival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-08-01-22-34-02-ja Story Transcript:Ja: 京都の夏祭りの夕暮れ、通りは色とりどりの提灯で飾られ、伝統的な音楽が響いていました。En: On the evening of a summer festival in Kyoto, the streets were decorated with colorful lanterns, and traditional music echoed through the air.Ja: 屋台の香りが漂い、人々は浴衣を着て楽しんでいます。En: The scent of food stalls wafted around, and people enjoyed themselves dressed in yukata.Ja: 祭りは、先祖を敬い、生の儚さを祝うお盆です。En: The festival was Obon, a time to honor ancestors and celebrate the transience of life.Ja: たけしは、心の中に迷いを抱えながら歩いていました。En: Takeshi was walking, carrying uncertainty in his heart.Ja: 彼は最近会社を辞め、人生に意味を見出そうとしている最中です。En: He had recently quit his job and was in the process of trying to find meaning in his life.Ja: 未来に対する不安と、家族の判断に対する恐れが彼を悩ませています。En: Anxiety about the future and fear of judgment from his family were troubling him.Ja: 「どうすればこの不安から解放されるのだろう？」と彼は心の中で思いました。En: "How can I be freed from this anxiety?" he wondered to himself.Ja: その頃、ゆいは新しいインスピレーションを求めて祭りに来ていました。En: At that time, Yui came to the festival seeking new inspiration.Ja: 彼女は伝統的な日本の仮面を作る芸術家ですが、創造の壁にぶつかっていました。En: She is an artist who creates traditional Japanese masks but had hit a creative block.Ja: 「今日、何か新しいヒントが見つかるかも」と期待に胸を膨らませていました。En: "Maybe I'll find a new hint today," she thought, her heart swelling with hope.Ja: ふたりは、たまたま同じ花火の会場にたどり着きます。En: The two of them happened to arrive at the same fireworks venue.Ja: 空に大きな花火が次々と咲き、夜空をカラフルに彩っていました。En: Large fireworks bloomed one after another in the sky, coloring the night with vibrant colors.Ja: たけしとゆいは、知らず知らずのうちに隣に立って、その景色に魅了されていました。En: Takeshi and Yui found themselves unwittingly standing next to each other, captivated by the view.Ja: 静かな瞬間の中で、ゆいは優しく話しかけました。En: During a quiet moment, Yui gently spoke.Ja: 「花火、きれいですね。」たけしは少し驚きましたが、笑顔で答えました。En: "The fireworks are beautiful, aren't they?" Takeshi was a bit surprised but responded with a smile.Ja: 「はい、本当にきれいです。こんな瞬間こそ大切ですね。」En: "Yes, they are truly beautiful. Moments like these are precious."Ja: ふたりは心を開き、それぞれの悩みを少しずつ話し見つけました。En: They opened their hearts and began to share their respective troubles little by little.Ja: 彼らの会話は、ふたりに新たな視点をもたらしました。En: Their conversation brought new perspectives to both of them.Ja: たけしは、写真家としての新たな道を選ぶことを決心しました。En: Takeshi decided to choose a new path as a photographer.Ja: 「この瞬間を写真に残せば、それが僕の新しい始まりになるかもしれない。」と彼は言いました。En: "If I can capture this moment in a photograph, it might become my new beginning," he said.Ja: 一方、ゆいは、祭りの色彩と彼との出会いをヒントに、新しい仮面のデザインを思いつきました。En: Meanwhile, Yui was inspired by the colors of the festival and her encounter with Takeshi, coming up with a new mask design.Ja: 「この出会いとこの景色を仮面にしたい。」彼女は嬉しそうでした。En: "I want to turn this meeting and this scenery into a mask," she said happily.Ja: 祭りが終わり、たけしとゆいは新たな希望を胸に帰路につきました。En: As the festival ended, Takeshi and Yui headed home with new hope in their hearts.Ja: たけしは、他人の期待ではなく自分の情熱を追いかけることに自信を持ちました。En: Takeshi gained confidence in pursuing his passion rather than others' expectations.Ja: そして、ゆいは創造性を取り戻し、これからのアートに新たな喜びを見つけました。En: Meanwhile, Yui regained her creativity and found new joy in her future art.Ja: 祭りの夜、京都の街は静かになり、彼らの心には新しい決意と友情が残りました。En: On the night of the festival, Kyoto became quiet, leaving them with new determination and friendship in their hearts.Ja: 儚い花火のように、短い時間が彼らの人生に光をもたらしました。En: Like fleeting fireworks, this brief time brought light into their lives. Vocabulary Words:transience: 儚さuncertainty: 迷いanxiety: 不安judgment: 判断freed: 解放されるinspiration: インスピレーションcreative block: 創造の壁hint: ヒントfireworks: 花火unwittingly: 知らず知らずのうちにcaptivated: 魅了されるrespective: それぞれのperspectives: 視点confidence: 自信pursuing: 追いかけるexpectations: 期待creativity: 創造性determination: 決意fleeting: 儚いlanterns: 提灯echoed: 響いていましたscent: 香りwafted: 漂いyukata: 浴衣traditional: 伝統的なbloomed: 咲くvibrant: カラフルmoment: 瞬間path: 道design: デザイン

In today's episode of Technical Tips, Semaphore engineer Veljko Maksimovic shares how we're using ephemeral environments to test open-source projects across multiple clouds. From spinning up short-lived environments with Infrastructure as Code to running cross-cloud acceptance tests — hear how we're improving test coverage, speeding up feedback loops, and reducing cloud waste.Like this episode? Be sure to leave a ⭐️⭐️⭐️⭐️⭐️ review on the podcast player of your choice and share it with your friends.

Ben Vautier is a person who open the door for everyone to see art different. He uses his body as a form of art and he makes you explore the philosophy identity and others. His performances have a story that it is telling and with the podcast we go deeper into this life.

Ben Vautier is a person who open the door foreveryone to see art different. He uses his body as a form of art and he makesyou explore the philosophy identity and others. His performances have a storythat it is telling and with the podcast we go deeper into this life.

#419: Francesco Valentinuzzi 2 -- "Ephemeral" Telluride Mountain Film, Producing Adventure Films by Chris Ward

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Codd's World June 2, 2025 Today's show features guests from Ephemeral Magazine and the Wellness Collective. First up is Megan Vickery (2:15). She is one of three editors for Ephemeral Magazine which launched its second edition this Spring. Ephemeral alters the theme of each edition to ensure it captures some of the magical moments that occur in the desert landscape of Moab and Grand County. Vickery shares her thoughts on how the magazine came into existence and what they hope to achieve with the publication. Vickery said they encourage artists to be creative with their submissions which can be poetry, art, free form writing, and other formats. Vickery, who is also a co-director of the Moab Museum, also discusses the second part of the U-92 exhibit at the Museum which is opening in July 2025 (18:00). The exhibit examines how living with uranium impacts our lives. The exhibit focuses on the environmental and health impacts of uranium upon the lives of those exposed to it. The exhibit also discusses the future of uranium mining in Utah which is experiencing a resurgence in the United States. Also appearing on the show is Breann Davis, Executive Director of the Moab Wellness Collective (22:10). Davis started the Collective two years ago The Collective's primary focus is on mental health. They offer a wide variety of classes and programs intended to help individuals with substance use disorders and related issues overcome their dependency. The Collective partners with other organizations in Moab such as The Moab Hospital's new Regional Recovery Center and USARA. The Wellness Collective has several Facilitators on staff who provide various kinds of yoga classes, healthy eating and nutrition awareness activities, music, art, and other activities to help improve the mental health of many individuals in our community. Thomas, a facilitator with the Collective plays the handpan, a type of drum that sounds similar to a steel drum. He demonstrates its soothing sound and discusses how it is used in conjunction with ear acupuncture to reduce cravings for drugs or alcohol.

During the Phenology Report for the week of June 10, 2025, Staff Phenologist John Latimer discusses wildflowers, fruit trees, and life in the bog.

Murderous TV crushes, TikTok propaganda and whether the internet has eradicated all our unique personalities. Just another day in content city! First up at 15:45 we're discussing which modern propaganda we are and are not falling for. From Labubus to organic deodorant, Dubai chocolate to Soho House, hormonal contraception to tattoo regret… what's a psy-op and what's a stretch? Next up at 27 minutes we talk about the new Mary Oliver merch and the collapse of individuality. Have we lost the art of existing unselfconsciously in our quest to understand ourselves through consumption and categorisation?Aaaand spoiler alert from 42:50- we're being brutally honest about the latest and final series of You. Did it hit the spot or did it fail & flop? Let's find out!Thanks so much for listening! If you've enjoyed this episode please do leave us a gorgeous review or share us on your IG stories or in your most discerning group chat. Also follow us on IG and TikTok @ everythingiscontentpod for BTS clips & to get involved in the discourse. In partnership with Cue Podcasts.------Oenone's been loving Four Seasons Ruchira's been loving City on Fire & Chungking Express Beth's been loving Service by Sarah Gilmartin Made to fade? Two years later my Ephemeral tattoo isn't so temporary Mary Oliver Now Has a Merch Store, and She'd Hate ItPoetry Book Society - Devotions by Mary OliverNetflix - You S5 Hosted on Acast. See acast.com/privacy for more information.

Dharma talk by David Dae An Rynick, Rōshi, on May 6, 2025

Tonight we continue our spring celebration with a focus on new artists, new releases and even a few historical pieces which we've never aired! Tune in from 5-9 p.m. on […]

“If you don't ask your AI what it used to make a decision, it might cost you your reputation—or worse.” — Matt Bramson, Chief Revenue Officer, Frontline Frontline's Matt Bramson on the Monumental Implications of vCon and the Urgent Need for Ethical Oversight in AI Hyannis, MA - April 2025 - As the first-ever vCon Conference concluded, Matt Bramson of Frontline offered a compelling vision of both the promise and the peril emerging from virtualized conversations and AI-driven decision-making. In a far-ranging conversation that blended philosophy, ethics, and enterprise AI, Bramson challenged business leaders to think well beyond lanes, silos, and conventional product rollouts. “We're looking at something civilization-transforming,” said Bramson. “Imagine a mountain of vCons—every conversation, everywhere, stored in a structured format and interrogated by AI. The insights could be profound, even world-changing. But there's a moral cost if we don't ask the right questions.” From Ephemeral Talk to Structured Truth At its core, the vCon standard captures and containers conversations—text, voice, email—across every modality in a standardized format. These containers can then be appended with CRM data, sentiment analysis, and other metadata, unlocking unprecedented insights through AI interrogation. “Conversations are how we share heartbreaks, solve problems, build businesses. They've always been ephemeral. vCons make them permanent—and actionable,” Bramson noted. Yet with such power comes risk. Bramson recounted a chilling real-world example: an AI used by a beverage company to optimize pricing based on customer characteristics. What seemed like a smart revenue idea risked violating anti-discrimination laws—and damaging the brand—because no one had taught the AI what not to use. “Who's teaching the AI business ethics, social ethics? In many cases, no one,” Bramson warned. “If you're not interrogating the AI's output, you might not know it's discriminating—until a journalist does.” A Philosopher's Take on AI With a background in philosophy, Bramson brought a rare perspective to the discussion. Where some see hallucinations in LLMs, he sees echoes of ancient debates in epistemology and metaphysics. “We're overdue for philosophers in tech boardrooms,” he said. “What's unfolding now has been pondered for millennia. Ethics and AI are now converging in real time—and most companies aren't prepared.” He challenged executives to go beyond staying in their lanes: “CEOs must ask how their AIs are making decisions—not just what those decisions are.” Frontline: CX Innovation with Real-World Impact Frontline, Bramson explained, stands at the intersection of contact center services, CCaaS technology sales, and AI-enabled agent software. But what truly excites his team is their work with social impact programs. “We take thousands of 2-1-1 calls—from people seeking food, housing, utility help,” said Bramson. “These conversations are rich with insight, and vCons give us a framework to share that data responsibly across municipalities.” Unlike private-sector rivals, 2-1-1 providers collaborate freely, and Bramson believes vCons will allow best practices in social services to travel faster, more efficiently, and with more measurable impact. Where to Learn More To explore Frontline's technology and mission-driven solutions, visit: frontline.group #vCon #AIandEthics #FrontlineGroup #ConversationalAI #DigitalHumanity #VoiceOfTheCustomer #ResponsibleAI #CCaaS #211Services #TechForGood

I'm joined by guests Rob Hamilton & Rijndael to go through the list.Housekeeping (00:01:09) OP_Next recapBitcoin • Software Releases & Project Updates (00:15:18) Coldcard (00:42:53) Bitcoin Core (00:47:21) BDK (00:48:12) Coinswap (00:48:56) Electrum Wallet (00:52:45) BTCPay Server (00:53:33) Nunchuk Android (00:54:04) Liana (00:54:51) The Mempool Open Source Project (00:57:01) BoltzExchange boltz-web-app (00:57:16) RoboSats (00:57:21) Bitcoin Safe (00:57:58) Blockstream Green (00:58:08) Rust Payjoin (01:01:15) Zaprite (01:01:48) Krux (01:02:29) Iris Wallet Desktop (01:02:46) Bitcoin Core Config Generator (01:02:52) UTXOracle• Project Spotlight (01:04:14) SwiftSync (01:04:43) PrivatePond (01:05:00) JoinMarket Fidelity Bond Simulator (01:05:52) DahLIAS (01:06:00) Satoshi Escrow (01:06:12) Taplocks (01:15:48) bitcoin.softforks.org (01:15:52) CTV and CSFS Enabled Bitcoin Node (01:16:03) UTXOscope (01:16:13) Block Bitcoin Treasury (01:16:47) Waye (01:17:08) Sovereign Craft(Not) a Vulnerability Disclosure (01:17:17) Pay-to-Anchor outputs now exploited for blockchain spamAudience Questions (01:23:46) How do we use open time stamps for transfer of assets using two party integrity between holders? (01:24:50) Does Cove have testnet4? (01:25:15) Can you explain like I'm 5 what opcodes are, how they are used on the network, and the level of optionality that applies to them? (01:26:49) Please discuss this idea: Block-based TOTP for bitcoin wallet passphrase validation.Privacy & Other Related Bitcoin Projects • Software Releases & Project Updates (01:28:48) Tor Browser (01:28:51) TailsOS (01:28:53) NymVPN (01:28:55) MapleAILightning + L2+ • Project Spotlight (01:29:17) Misty Breez (01:29:25) Sovereign Tools (01:29:28) Silk Road on Lightning (01:29:37) Cashu Token Decoder• Software Releases & Project Updates (01:29:48) Zeus (01:29:49) LDK (01:31:40) Minibits Wallet (01:31:42) HydrusNostr • Project Spotlight (01:31:44) Atomic Signature Swaps over Nostr (01:31:51) Lantern (01:31:59) Promenade (01:32:09) Noauth-enclaved (01:32:27) GM SwapBoosts (01:33:04) Shoutout to top boosters Rod Palmer Bugle News, pink monkey, btconboard, jespada, AVERAGE_GARY & larryoshi finkamotoLinks & Contacts:Website: https://bitcoin.review/Substack: https://substack.bitcoin.review/Twitter: https://twitter.com/bitcoinreviewhqNVK Twitter: https://twitter.com/nvkTelegram: https://t.me/BitcoinReviewPodEmail: producer@coinkite.comNostr & LN: ⚡nvk@nvk.org (not an email!)Full show notes: https://bitcoin.review/podcast/episode-95

This Thursday and Friday, April 17 and 18, EMPAC at RPI in Troy, New York presents the Ephemeral Organ Festival. The presentations this week feature a series of residencies, performances, and talks by artists whose works explore dance and movement as a means of experiencing memory, history, and Black lived experience. Tara Aisha Willis is Curator of Theater & Dance at EMPAC and she joins us to tell us more.

Hello Interactors,Spring at Interplace brings a shift to mapping, GIS, and urban design. While talk of industrial revival stirs nostalgia — steel mills, union jobs, bustling Main Streets — the reality on the ground is different: warehouses, data centers, vertical suburbs, and last-mile depots. Less Rosy the Riveter, more Ada Lovelace. Our cities are being shaped accordingly — optimized not for community, but for logistics.FROM STOREFRONTS TO STEEL DOORSLet's start with these two charts recently shared by the historian of global finance and power Adam Tooze at Chartbook. One shows Amazon passing Walmart in quarterly sales for the first time. The other shows a steadily declining drop in plans for small business capital expenditure. Confidence shot up upon the election of Trump, but dropped suddenly when tariff talks trumped tax tempering. Together, these charts paint a picture: control over how people buy, build, and shape space is shifting — fast. It all starts quietly. A parking lot gets fenced off. Trucks show up. Maybe the old strip mall disappears overnight. A few months later, there's a low, gray building with no windows. No grand opening. Just a stream of delivery vans pulling in and out.This isn't just a new kind of facility — it's a new kind of urban and suburban logic.Platform logistics has rewritten the rules of space. Where cities were once shaped by factories and storefronts, now they're shaped by fulfillment timelines, routing algorithms, and the need to move goods faster than planning commissions can meet.In the past, small businesses were physical anchors. They invested in place. They influenced how neighborhoods looked, felt, and functioned. But when capital expenditures from local firms drop — as that second chart shows — their power to shape the block goes with it.What fills the vacuum is logistics. And it doesn't negotiate like the actors it replaces.This isn't just a retail story. It's a story about agency — who gets to decide what a place is for. When small businesses cut back on investment, it's not just the storefront that disappears. So does the capacity to influence a block, a street, a community. Local business owners don't just sell goods — they co-create neighborhoods. They choose where to open, how to hire, how to design, and what kind of social space their business offers. All of that is a form of micro-planning — planning from below. France, as one example, subsidizes these co-created neighborhoods in Paris to insure they uphold the romantic image of a Parisian boulevard.But without subsidies, these actors are disappearing. And in the vacuum, big brands and logistics move in. Not softly, either. Amazon alone added hundreds of logistics facilities to U.S. land in the past five years. Data centers compete for this land. Meta recently announced a four million square foot facility in Richland Parish, Louisiana. It will be their largest data center in the world.These buildings are a new kind of mall. They're massive, quiet, windowless buildings that optimize for speed, not presence. This is what researchers call logistics urbanization — a land use logic where space is valued not for what people can do in it, but for how efficiently packages and data can pass through it.The shift is structural. It remakes how land is zoned, how roads are used, and how people move — and it does so at a scale that outpaces most municipal planning timelines. That's not just a market change. It's a change in governance. Because planners? Mayors? Even state reps? They're not steering anymore. They're reacting.City managers once had tools to shape growth — zoning, permitting, community input. But logistics and tech giants don't negotiate like developers. They come with pre-designed footprints and expectations. If a city doesn't offer fast approval, industrial zoning, and tax breaks, they'll skip to the next one. And often, they won't even say why. Economists studying these state and local business tax incentives say these serve as the “primary place-based policy in the United States.”It forces a kind of economic speed dating. I see it in my own area as local governments vie for the attention (and revenue) of would-be high-tech suitors. But it can be quiet, as one report suggests: “This first stage of logistical urbanization goes largely unnoticed insofar as the construction of a warehouse in an existing industrial zone rarely raises significant political issues.”(2)This isn't just in major cities. Across the U.S., cities are bending their long-term plans to chase short-term fulfillment deals. Even rural local governments routinely waive design standards and sidestep public input to accommodate warehouse and tech siting — because saying no can feel like missing out on tax revenue, jobs, or political wins.(2)What was once a dynamic choreography of land use and local voices becomes something flatter: a data pipeline.It isn't all bad. Fulfillment hubs closer to homes mean fewer trucks, shorter trips, and lower emissions. Data centers crunching billions of bits is better than a PC whirring under the desk of every home. There is a scale and sustainability case to be made.But logistic liquidity doesn't equal optimistic livability. It doesn't account for what's lost when civic agency fades, or when a city works better for packages than for people. You can optimize flow — and still degrade life.That's what those two charts at the beginning really show. Not just an economic shift, but a spatial one. From many small decisions to a few massive ones. From storefronts and civic input to corporate site selection and zoning flips. From a lived city to a delivered one.Which brings us to the next shape in this story — not the warehouse, but the mid-rise. Not the loading dock, but the key-fob lobby. Different function. Same logic.HIGH-RISE, LOW TOUCHYou've seen them. The sleek new apartment buildings with names like The Foundry or Parc25. A yoga room, a roof deck, and an app for letting in your dog walker. “Mixed-use,” they say — but it's mostly private use stacked vertically.It's much needed housing, for sure. But these aren't neighborhoods. They're private bunkers with balconies.Yes, they're more dense than suburban cul-de-sacs. Yes, they're more energy-efficient than sprawl. But for all their square footage and amenity spaces, they often feel more like vertical suburbs — inward-facing, highly managed, and oddly disconnected from the street.The ground floors are usually glazed over with placeholder retail: maybe a Starbucks, a Subway, or nothing at all…often vacant with only For Lease signs. Residents rarely linger. Packages arrive faster than neighbors can introduce themselves. There's a gym to bench press, but no public bench or egress. You're close to hundreds of people — and yet rarely bump into anyone you didn't schedule.That's not a design flaw. That's the point.These buildings are part of a new typology — one that synchronizes perfectly with a platform lifestyle. Residents work remote. Order in. Socialize through screens. The architecture doesn't foster interaction because interaction isn't the product. Efficiency is.Call it fulfillment housing — apartments designed to plug into an economy that favors logistics and metrics, not civic social fabrics. They're located near tech centers, distribution hubs, and delivery corridors, and sometimes libraries or parks outdoors. What matters is access to bandwidth and smooth entry for Amazon and Door Dash.And it's not just what you see on the block. Behind the scenes, cities are quietly reengineering themselves to connect these structures to the digital twins — warehouses and data centers. Tucked into nearby low-tax exurbs or industrial zones, together they help reshape land use, strain energy grids, and anchor the platform economy.They're infrastructure for a new kind of urban life — one where presence is optional and connection to the cloud is more important than to the crowd.Even the public spaces inside these buildings — co-working lounges, shared kitchens, “community rooms” — are behind fobs, passwords, and management policies. Sociologists have called this the anticommons: everything looks shared, but very little actually is. It's curated collectivity, not true community.And it's not just isolation — it's predictability. These developments are built to minimize risk, noise, conflict, friction. Which is also to say: they're built to minimize surprise. The kind of surprise that once made cities exciting. The kind that made them social.Some urban scholars describe these spaces as part of a broader “ghost urbanism” — a city where density exists without depth. Where interaction is optional. Where proximity is engineered, but intimacy is not. You can be surrounded by life and still feel like you're buffering.The irony is these buildings often check every sustainability box. They're LEED-certified. Near transit. Built up, not out. From a local emissions standpoint, they beat the ‘burbs'. But their occupant's consumption, waste, and travel habits can create more pollution than homebody suburbanites. And from a civic standpoint — the standpoint of belonging, encounter, spontaneity — they're often just as empty.And so we arrive at a strange truth: a city can be efficient, dense, even walkable — and still feel ghosted. Because what we've optimized for isn't connection. It's delivery — to screens and doorsteps. What gets delivered to fulfillment housing may be frictionless, but it's rarely fulfilling.DRONES, DOMICILES, AND DISCONNECTIONI admit there's a nostalgia for old-world neighborhoods as strong as nostalgia for industrial cities of the past. Neighborhoods where you may run into people at the mailbox. Asking someone in the post office line where they got their haircut. Sitting on the porch, just waitin' on a friend. We used to talk about killing time, now we have apps to optimize it.It's not just because of screens. It's also about what kinds of space we've built — and what kind of social activity they allow or even encourage.In many suburbs and edge cities, the mix of logistics zones, tech centers, and residential enclaves creates what urban theorists might call a fragmented spatial syntax. That means the city no longer “reads” as a continuous experience. Streets don't tell stories.There's no rhythm from house to corner store to café to school. Instead, you get jump cuts — a warehouse here, a cul-de-sac there, a fenced-in apartment complex down the road. These are spaces that serve different logics, designed for speed, security, or seclusion — but rarely for relation. The grammar of the neighborhood breaks down. You don't stroll. You shuttle.You drive past a warehouse. You park in a garage. You enter through a lobby. You take an elevator to your door. There's no in-between space — no casual friction, no civic ambiguity, no shared air.These patterns aren't new. But they're becoming the norm, not the exception. You can end up living in a place but never quite arrive.Watch most anyone under 35. Connection increasingly happens online. Friendships form in Discord servers, not diners. Parties are planned via private stories, not porch swings. You don't run into people. You ping them.Sometimes that online connection does spill back into the real world — meetups, pop-ups, shared hobbies that break into public space. Discord, especially, has become a kind of digital third place, often leading to real-world hangouts. It's social. Even communal. But it's different. Fleeting. Ephemeral. Less rooted in place, more tied to platform and notifications.None of this is inherently bad. But it does change the role of the neighborhood as we once knew it. It's no longer the setting for shared experience — it's just a backdrop for bandwidth. That shift is subtle, but it adds up. Without physical places for civic life, interactions gets offloaded to platforms. Connection becomes mediated, surveilled, and datafied. You don't meet your neighbors. You follow them. You comment on their dog through a Ring alert.This is what some sociologists call networked individualism — where people aren't embedded in shared place-based systems, but orbit through overlapping digital networks. And when digital is the default, the city becomes a logistics problem. Something to move through efficiently…or not. It certainly is not something we're building together. It's imposed upon us.And so we arrive at a kind of paradox:We're more connected than ever. But we're less entangled.We're more visible. But we're less involved.We're living closer. But we don't feel near.The irony is the very platforms that hollow out public space are now where we go looking for belonging. TikTok isn't just where we go to kill time — it's where we go to feel seen. If your neighborhood doesn't give you identity, the algorithm will.Meanwhile, the built environment absorbs the logic of logistics. Warehouses and data centers at the edge. Mid-rises in the core. Streets engineered for the throughput of cars and delivery vans. Housing designed for containment. And social life increasingly routed elsewhere.It all works. Until you want to feel something.We're social creatures, biologically wired for connection. Neuroscience shows that in-person social interactions regulate stress, build emotional resilience, and literally shape how our brains grow and adapt. It's not just emotional. It's neurochemical. Oxytocin, dopamine, and serotonin — the chemistry of belonging — fire most powerfully through touch, eye contact, shared space. When those rituals shrink, so does our sense of meaning and safety.And that's what this is really about. Historically cities weren't just containers for life. They're catalysts for feeling. Without shared air, shared time, and shared friction, we lose more than convenience. We lose the chance to feel something real — to be part of a place, not just a node in a network.What started with two charts ends here: a world where local agency, social spontaneity, and even emotion itself are being restructured by platform logic. The city still stands. The buildings are there. The people are home. But the feeling of place — the buzz, the bump, the belonging — gets harder to find.That's the cost of efficiency without empathy. Of optimizing everything but meaning.And that's the city we're building. Unless we build something else. We'll need agency. And not just for planners or developers. For people.That's the work ahead. Not to reject the platform city. But to remake it — into something more livable. More legible. More ours. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

If you're enjoying the show, why not consider supporting it on Patreon? You'll get access to lots of new bonus content, including my other podcast, Patron Deities! Thanks to Ray Otus for our thumbnail image. The intro music is a clip from "Space Quest" by ROBOVALJEAN, used under a Creative Commons Attribution 4.0 International License.

They're short-lived but much anticipated! Spring ephemerals are a sign of sunnier days and warmer weather, which we could really use here in West Michigan. Featured shrub: Legend of the Small fothergilla.

Are ephemeral tattoos real, and can you win money in a court of law for getting one? Can you trust a hairdresser in a bad wig? We ask the hard questions

El miedo no tiene por qué controlarte, ni a ti ni a tus acciones. En este episodio te revelo 10 estrategias efectivas para enfrentar cualquier tipo de miedo: desde el miedo al ridículo hasta el miedo a la muerte. Si alguna vez has sentido que el miedo te paraliza, este episodio te dará herramientas prácticas y fáciles de aplicar. ¡No dejes que el miedo tome las riendas de tu vida!

In the '90s, ads were like monuments. Today, they disappear faster than a Snapchat story. New research from LO:LA suggests we're trading brand immortality for algorithmic dopamine hits—and the cost is steeper than anyone predicted. Can your brand balance the two? Find out here: https://www.thelolaagency.com/post/the-age-of-ephemera-how-the-lack-of-permanence-in-modern-advertising-impacts-brands London : Los Angeles (LO:LA) City: El Segundo Address: 840 Apollo Street Website: https://www.thelolaagency.com

Diarmuid Gavin takes us to Japan on The Pat Kenny Show this week!As the countries cherry Trees bloom in the Sakura season, Japan braces itself for a time of natural theatre across the country.

Guest: James Campbell, CEO, Cado Security Chris Doman, CTO, Cado Security Topics: Cloud Detection and Response (CDR) vs Cloud Investigation and Response Automation(CIRA) ... what's the story here? There is an “R” in CDR, right? Can't my (modern) SIEM/SOAR do that?  What about this becoming a part of modern SIEM/SOAR in the future? What gets better when you deploy a CIRA (a) and your CIRA in particular (b)? Ephemerality and security, what are the fun overlaps? Does “E” help “S” or hurts it? What about compliance? Ephemeral compliance sounds iffy… Cloud investigations, what is special about them? How does CSPM intersect with this? Is CIRA part of CNAPP?   A secret question, need to listen for it! Resources: EP157 Decoding CDR & CIRA: What Happens When SecOps Meets Cloud EP67 Cyber Defense Matrix and Does Cloud Security Have to DIE to Win? EP158 Ghostbusters for the Cloud: Who You Gonna Call for Cloud Forensics Cloud security incidents (Rami McCarthy) Cado resources  

The Curve of Time, Chapter 61 — An Ephemeral Wind, in which Zeno experiments with his new power.Followed by musings on how examining logical extremes is helpful.Explore more at www.writtenbyrufus.com where you can join in a discussion of this chapter at the bottom of the text version of this episode.

In this episode I discuss 10 plants that are coming into flower right now:Virginia BluebellsDutchman's breeches BloodrootEastern spring beautyTrout lilyRed trilliumStarflowerWood anemonesRound-lobed hepaticaCutleaf ToothwortNew today in my Woodcraft shop:Toasted Holly Cooking Spoon - Judson Carroll Woodcrafthttps://judsoncarrollwoodcraft.substack.com/p/toasted-holly-cooking-spoonEmail: judson@judsoncarroll.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/southern-appalachian-herbs--4697544/supportRead about The Spring Foraging Cookbook: https://southernappalachianherbs.blogspot.com/2024/01/the-spring-foraging-cookbook.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0CRP63R54Medicinal Weeds and Grasses of the American Southeast, an Herbalist's Guidehttps://southernappalachianherbs.blogspot.com/2023/05/medicinal-weeds-and-grasses-of-american.htmlAvailable in paperback on Amazon:https://www.amazon.com/dp/B0C47LHTTHandConfirmation, an Autobiography of Faithhttps://southernappalachianherbs.blogspot.com/2023/05/confirmation-autobiography-of-faith.htmlAvailable in paperback on Amazon:https://www.amazon.com/dp/B0C47Q1JNKVisit my Substack and sign up for my free newsletter:https://judsoncarroll.substack.com/Read about my new other books:Medicinal Ferns and Fern Allies, an Herbalist's Guide https://southernappalachianherbs.blogspot.com/2022/11/medicinal-ferns-and-fern-allies.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0BMSZSJPSThe Omnivore's Guide to Home Cooking for Preppers, Homesteaders, Permaculture People and Everyone Else: https://southernappalachianherbs.blogspot.com/2022/10/the-omnivores-guide-to-home-cooking-for.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0BGKX37Q2Medicinal Shrubs and Woody Vines of The American Southeast an Herbalist's Guidehttps://southernappalachianherbs.blogspot.com/2022/06/medicinal-shrubs-and-woody-vines-of.htmlAvailable for purchase on Amazon https://www.amazon.com/dp/B0B2T4Y5L6andGrowing Your Survival Herb Garden for Preppers, Homesteaders and Everyone Elsehttps://southernappalachianherbs.blogspot.com/2022/04/growing-your-survival-herb-garden-for.htmlhttps://www.amazon.com/dp/B09X4LYV9RThe Encyclopedia of Medicinal Bitter Herbs: https://southernappalachianherbs.blogspot.com/2022/03/the-encyclopedia-of-bitter-medicina.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0B5MYJ35RandChristian Medicine, History and Practice: https://southernappalachianherbs.blogspot.com/2022/01/christian-herbal-medicine-history-and.htmlAvailable for purchase on Amazon: www.amazon.com/dp/B09P7RNCTBHerbal Medicine for Preppers, Homesteaders and Permaculture People: https://southernappalachianherbs.blogspot.com/2021/10/herbal-medicine-for-preppers.htmlAlso available on Amazon: www.amazon.com/dp/B09HMWXL25Podcast:  https://www.spreaker.com/show/southern-appalachian-herbsBlog: https://southernappalachianherbs.blogspot.com/Free Video Lessons: https://rumble.com/c/c-618325 Become a supporter of this podcast: https://www.spreaker.com/podcast/southern-appalachian-herbs--4697544/support.

Another gem from Grieg's Lyric pieces Op. 12, known as either "Elfin dance" or "Fairy dance". The Scandinavian elves are actually more like fairies or sprites than fantasy elves, and this music captures their short but energetic dance show succinctly!Video: https://youtu.be/6rEWZVMIC3k

Today my guest Katherine Butler Schofield who is a professor of South Asian Music and History at King's College London. She is the author of the recent book Music and Musicians in Late Mughal India: Histories of the Ephemeral, 1748–1858.  She also hosted a podcast series called The Histories of the Ephemeral on the same theme. We talked about the history of classical music in India - from Natyasastra to Dhrupad and to khayals and qawallis. about Aurangzeb's relationship with music, the sacking of Delhiand it's influence on hindustani classical music, the powerful tawaifs of that time, and much more. Recorded January 24th, 2025. Read a full transcript enhanced with helpful links. Connect with Ideas of India Follow us on X Follow Shruti on X Click here for the latest Ideas of India episodes sent straight to your inbox. Timestamps (00:00:00) - Intro (00:02:17) - The Nāṭyaśāstra and Tasting Music (00:09:29) - Raga Style and Persian Influences (00:18:35) - The Influence of Intoxicants (00:19:42) - Aurangzeb and Other Courtly Characters (00:33:37) - Aurangzeb's Demise and Its Effect on Music (00:43:15) - Traveling Musicians and the Spread and Rise of Different Forms (00:49:49) - Development of Tomri (00:55:37) - What Makes Punjab So Different (00:59:17) - The Tawaif (01:02:06) - The Stories of Sophia Plowden and Khanam Jan (01:18:07) - Outro

Joe is the greatest guy in the universe.  Toppie provides evidence by reading from true life found letters written to Joe.  We are sure you will agree after listening... Joe is THE GREATEST GUY IN THE UNIVERSE... EVER, EVER, EVER!!!!!!!!!!!! Write to Toppie at Smellcast@aol.com. Leave a comment on Toppie's blog!  Friend Toppie on Facebook by emailing him YOUR FB name and link, then Toppie will find YOU and friend you! 

#403: Josiah Jones 2 -- Filming Jeff Mercier for Ice Climbing Film "Ephemeral" by Chris Ward

We're back with a deeper dive into the 2024 Data Security Incident Response Report, which features insights and metrics from 1,150+ incidents in 2023.This episode dives deeper into information governance and preservation.Questions & Comments: jsherer@bakerlaw.comand lrecord@bakerlaw.com

In this episode, Mandy (@mandyleft) talks with photographer and filmmaker Marta Arjona (@marjonablasco).   They began by discussing Marta's short films Dolors and Peaceful Wind. They also talked about using expired films and some of Marta's favorites.   Marta was the recent recipient of a community grant from Ilford for her project ePhemeral. The nature of dance is that a dancer will never move exactly the same twice, so each performance is unique. Capturing it on film makes it eternal.   They finished up with the reoccurring segments FFS (For Film's Sake) and PACS (Pleasing Analogue Camera Sounds) and Marta gave a shoutout to Cuarto Color Lab (@cuartocolorlab).

Ephemeral and Evergreen Epiphanies_Allen Hilton_1.5.25 by Covenant Presbyterian

Robert Caulk is responsible for directing software development, enabling research, coordinating company projects, quality control, proposing external collaborations, and securing funding. He believes firmly in open-source, having spent 12 years accruing over 1000 academic citations building open-source software in domains such as machine learning, image analysis, and coupled physical processes. He received his Ph.D. from Université Grenoble Alpes, France, in computational mechanics. Unleashing Unconstrained News Knowledge Graphs to Combat Misinformation // MLOps Podcast #279 with Robert Caulk, Founder of Emergent Methods. // Abstract Indexing hundreds of thousands of news articles per day into a knowledge graph (KG) was previously impossible due to the strict requirement that high-level reasoning, general world knowledge, and full-text context *must* be present for proper KG construction. The latest tools now enable such general world knowledge and reasoning to be applied cost effectively to high-volumes of news articles. Beyond the low cost of processing these news articles, these tools are also opening up a new, controversial, approach to KG building - unconstrained KGs. We discuss the construction and exploration of the largest news-knowledge-graph on the planet - hosted on an endpoint at AskNews.app. During talk we aim to highlight some of the sacrifices and benefits that go hand-in-hand with using the infamous unconstrained KG approach. We conclude the talk by explaining how knowledge graphs like these help to mitigate misinformation. We provide some examples of how our clients are using this graph, such as generating sports forecasts, generating better social media posts, generating regional security alerts, and combating human trafficking. // Bio Robert is the founder of Emergent Methods, where he directs research and software development for large-scale applications. He is currently overseeing the structuring of hundreds of thousands of news articles per day in order to build the best news retrieval API in the world: https://asknews.app. // MLOps Swag/Merch https://shop.mlops.community/ // Related Links Website: https://emergentmethods.ai News Retrieval API: https://asknews.app --------------- ✌️Connect With Us ✌️ ------------- Join our slack community: https://go.mlops.community/slack Follow us on Twitter: @mlopscommunity Sign up for the next meetup: https://go.mlops.community/register Catch all episodes, blogs, newsletters, and more: https://mlops.community/ Connect with Demetrios on LinkedIn: https://www.linkedin.com/in/dpbrinkm/ Connect with Rob on LinkedIn: https://www.linkedin.com/in/rcaulk/ Timestamps: [00:00] Rob's preferred coffee [00:05] Takeaways [00:55] Please like, share, leave a review, and subscribe to our MLOps channels! [01:00] Join our Local Organizer Carousel! [02:15] Knowledge Graphs and ontology [07:43] Ontology vs Noun Approach [12:46] Ephemeral tools for efficiency [17:26] Oracle to PostgreSQL migration [22:20] MEM Graph life cycle [29:14] Knowledge Graph Investigation Insights [33:37] Fine-tuning and distillation of LLMs [39:28] DAG workflow and quality control [46:23] Crawling nodes with Phi 3 Llama [50:05] AI pricing risks and strategies [56:14] Data labeling and poisoning [58:34] API costs vs News latency [1:02:10] Product focus and value [1:04:52] Ensuring reliable information [1:11:01] Podcast transcripts as News [1:13:08] Ontology trade-offs explained [1:15:00] Wrap up

Meditation, guided or not, and green noise is something I use just about daily to help me with all the stimuli that comes with daily life. Sit with yourself a bit and hear what there is to be heard. This one was for me. Hope you enjoy, too. 

La soul est américaine, comme Wolfgang Valbrun et Michelle David. Démonstration dans cette double #SessionLive ! (Rediffusion) Notre 1er invité est Wolfgang Valbrun. Il est invité dans la #SessionLive pour la sortie de l'album Flawed By Design. Wolfgang Valbrun est un auteur-compositeur-interprète né et élevé dans l'État de New York, dont la carrière musicale s'est épanouie en Europe, notamment à Paris où il s'est installé à l'adolescence.Sa mère lui a donné une éducation musicale précoce qui couvre un large spectre, de Bob Marley à Bobby McFerrin, de Billy Joel à Elton John et de Charles Aznavour à Grace Jones, le tout infusé d'une touche de Kompa, la saveur musicale haïtienne qui a influencé de nombreuses scènes musicales caribéennes.Les premières années de Wolf ont été marquées par des périodes tumultueuses, car il déménageait régulièrement entre différents pays en raison de la séparation de ses parents. C'est lorsqu'il s'est installé à Paris que sa vie a pris un tournant décisif. La transition vers une nouvelle culture et un nouvel environnement a exigé une transformation complète, laissant derrière lui les repères familiers qu'il avait connus auparavant.Guidé par des cousins plus âgés, il s'éloigne du rock américain qui définissait ses goûts et s'immerge dans le monde de la soul, du jazz, du hip-hop et de la musique brésilienne. Des artistes comme Erykah Badu, The Roots, Seu Jorge et Gilberto Gil ont marqué son parcours musical. Les horizons de Wolfgang se sont élargis pour embrasser une riche diversité de genres, laissant une empreinte indélébile sur sa jeune âme d'artiste.À la fin de ses études secondaires, Wolfgang cherche à changer d'air. Il passe une année au Venezuela où la salsa, le merengue, la cumbia et le calypso charment et forment ses sens musicaux. De retour au pays, il auditionne pour rejoindre le groupe de funk parisien « Marvellous », où il rencontre Thierry Lemaitre, avec qui il écrit et joue depuis lors.Wolfgang a ensuite rencontré ses futurs collègues James Graham et Adam Holgate en jouant avec Marvellous aux côtés du groupe britannique de soul The Tastemakers.Par un coup du sort, Hillman Mondegreen, leader du groupe The Tastemakers, a proposé à Wolfgang de rejoindre son nouveau projet ephemerals en tant que chanteur et Wolf a saisi sa chance de montrer son talent à un public international.Le premier album des Ephemerals, Nothin Is Easy, est un classique de la soul avec une touche de modernité, les chansons de Mondegreen étant un véhicule parfait pour la voix distinctive de Wolf, qui apporte un élément-clé d'émotion et de puissance à la musique du groupe.Titres interprétés au grand studio :- Where Is The Peace Live RFI- Paris, extrait du CD- Sun Don't Shine Live RFI.Line Up : Wolfgang Valbrun (Lead Vocal), Adam Holgate (Guitar), Thierry Lemaitre (Sax), James Graham (Keys), Charlie Fitzgerald (Bass), Rhi Williams (Drums) et Damian McLean- Brown (Trumpet).Son : Benoît Letirant, Jérémie Besset.► Album Flawed By Design (Jalapeno Rd 2024).YouTube - Web - Facebook - instagram  Puis la #SessionLive reçoit Michelle David & The True-Tones pour la sortie de l'album Brothers & Sisters.Élevée à New York dans une église, Michelle David a commencé à chanter à l'âge de quatre ans et a rejoint son premier groupe, The Mission of Love, un an plus tard. Au cours de sa carrière, elle a parcouru le monde avec la comédie musicale de Broadway Mama, contribué à des pièces de théâtre à succès tels que The Sound of Motown, Glory of Gospel et Mahalia, et enregistré pour des artistes tels que Diana Ross et Michael Bolton. Tout cela s'est produit avant la sortie de six albums de gospel acclamés par la critique avec les True-Tones. Avec leurs grooves entraînants, leurs voix puissantes et leurs mélodies fortes, Michelle David & The True-Tones ont déjà conquis de nombreux festivals et de nombreux clubs.Avec le nouvel album du groupe, Brothers & Sisters, première sortie sous Record Kicks, Michelle David & the True-Tones crée un voyage sonore qui résonne avec l'esprit soul de leurs concerts. Le nouvel album a été enregistré en direct - avec le groupe au complet, simultanément dans une seule pièce, ce qui donne un son énergique, authentique et captivant. Michelle David & the True-Tones utilisent leur plateforme artistique pour inspirer un changement positif, encourageant les auditeurs à les rejoindre dans un voyage de réflexion, de compassion et de responsabilité collective. Dans un monde plein de défis, Brothers & Sisters émerge comme un phare musical, éclairant le chemin vers un avenir où l'héritage de l'amour et de la lumière perdure.Titres interprétés au grand studio :- Brothers and Sisters Live RFI voir le clip - Cold Cold World, extrait du Cd voir le clip - That is You Live RFI.Line up : Michelle David (Chant), Onno Smit (Guitare basse), Paul Willemsen (Guitare basse), Bas Bouma (Batterie), Bart van der List (Trompette), Paul van de Calseijde (Sax tenor), Claus Tofft (Congas) +Claire Simon (Traductrice).Son : Benoît Letirant, Mathias Taylor.► Album Brothers & Sisters (Record Kicks 2024).Web - facebook - Instagram.

La soul est américaine, comme Wolfgang Valbrun et Michelle David. Démonstration dans cette double #SessionLive ! (Rediffusion) Notre 1er invité est Wolfgang Valbrun. Il est invité dans la #SessionLive pour la sortie de l'album Flawed By Design. Wolfgang Valbrun est un auteur-compositeur-interprète né et élevé dans l'État de New York, dont la carrière musicale s'est épanouie en Europe, notamment à Paris où il s'est installé à l'adolescence.Sa mère lui a donné une éducation musicale précoce qui couvre un large spectre, de Bob Marley à Bobby McFerrin, de Billy Joel à Elton John et de Charles Aznavour à Grace Jones, le tout infusé d'une touche de Kompa, la saveur musicale haïtienne qui a influencé de nombreuses scènes musicales caribéennes.Les premières années de Wolf ont été marquées par des périodes tumultueuses, car il déménageait régulièrement entre différents pays en raison de la séparation de ses parents. C'est lorsqu'il s'est installé à Paris que sa vie a pris un tournant décisif. La transition vers une nouvelle culture et un nouvel environnement a exigé une transformation complète, laissant derrière lui les repères familiers qu'il avait connus auparavant.Guidé par des cousins plus âgés, il s'éloigne du rock américain qui définissait ses goûts et s'immerge dans le monde de la soul, du jazz, du hip-hop et de la musique brésilienne. Des artistes comme Erykah Badu, The Roots, Seu Jorge et Gilberto Gil ont marqué son parcours musical. Les horizons de Wolfgang se sont élargis pour embrasser une riche diversité de genres, laissant une empreinte indélébile sur sa jeune âme d'artiste.À la fin de ses études secondaires, Wolfgang cherche à changer d'air. Il passe une année au Venezuela où la salsa, le merengue, la cumbia et le calypso charment et forment ses sens musicaux. De retour au pays, il auditionne pour rejoindre le groupe de funk parisien « Marvellous », où il rencontre Thierry Lemaitre, avec qui il écrit et joue depuis lors.Wolfgang a ensuite rencontré ses futurs collègues James Graham et Adam Holgate en jouant avec Marvellous aux côtés du groupe britannique de soul The Tastemakers.Par un coup du sort, Hillman Mondegreen, leader du groupe The Tastemakers, a proposé à Wolfgang de rejoindre son nouveau projet ephemerals en tant que chanteur et Wolf a saisi sa chance de montrer son talent à un public international.Le premier album des Ephemerals, Nothin Is Easy, est un classique de la soul avec une touche de modernité, les chansons de Mondegreen étant un véhicule parfait pour la voix distinctive de Wolf, qui apporte un élément-clé d'émotion et de puissance à la musique du groupe.Titres interprétés au grand studio :- Where Is The Peace Live RFI- Paris, extrait du CD- Sun Don't Shine Live RFI.Line Up : Wolfgang Valbrun (Lead Vocal), Adam Holgate (Guitar), Thierry Lemaitre (Sax), James Graham (Keys), Charlie Fitzgerald (Bass), Rhi Williams (Drums) et Damian McLean- Brown (Trumpet).Son : Benoît Letirant, Jérémie Besset.► Album Flawed By Design (Jalapeno Rd 2024).YouTube - Web - Facebook - instagram  Puis la #SessionLive reçoit Michelle David & The True-Tones pour la sortie de l'album Brothers & Sisters.Élevée à New York dans une église, Michelle David a commencé à chanter à l'âge de quatre ans et a rejoint son premier groupe, The Mission of Love, un an plus tard. Au cours de sa carrière, elle a parcouru le monde avec la comédie musicale de Broadway Mama, contribué à des pièces de théâtre à succès tels que The Sound of Motown, Glory of Gospel et Mahalia, et enregistré pour des artistes tels que Diana Ross et Michael Bolton. Tout cela s'est produit avant la sortie de six albums de gospel acclamés par la critique avec les True-Tones. Avec leurs grooves entraînants, leurs voix puissantes et leurs mélodies fortes, Michelle David & The True-Tones ont déjà conquis de nombreux festivals et de nombreux clubs.Avec le nouvel album du groupe, Brothers & Sisters, première sortie sous Record Kicks, Michelle David & the True-Tones crée un voyage sonore qui résonne avec l'esprit soul de leurs concerts. Le nouvel album a été enregistré en direct - avec le groupe au complet, simultanément dans une seule pièce, ce qui donne un son énergique, authentique et captivant. Michelle David & the True-Tones utilisent leur plateforme artistique pour inspirer un changement positif, encourageant les auditeurs à les rejoindre dans un voyage de réflexion, de compassion et de responsabilité collective. Dans un monde plein de défis, Brothers & Sisters émerge comme un phare musical, éclairant le chemin vers un avenir où l'héritage de l'amour et de la lumière perdure.Titres interprétés au grand studio :- Brothers and Sisters Live RFI voir le clip - Cold Cold World, extrait du Cd voir le clip - That is You Live RFI.Line up : Michelle David (Chant), Onno Smit (Guitare basse), Paul Willemsen (Guitare basse), Bas Bouma (Batterie), Bart van der List (Trompette), Paul van de Calseijde (Sax tenor), Claus Tofft (Congas) +Claire Simon (Traductrice).Son : Benoît Letirant, Mathias Taylor.► Album Brothers & Sisters (Record Kicks 2024).Web - facebook - Instagram.

The Black Dahlia Murder | Mindreaper | The Convalescence | Rivers of Nihil | Heteromorphic Zoo | Dååth | Insurrection | Avtotheism | Zealed | Shadohm | Entheos | NightWraith | Dying Awkward Angel | Exuvial Music On This Mixtape: The Black Dahlia Murder: "Aftermath" taken from the album "Servitude" Mindreaper: "The God I Am" taken from the album "Withering Shine (...Into Oblivion)" The Convalescence: "No Survivors" taken from the album "Harvesters Of Flesh And Bone" Rivers of Nihil: "Post-Mortem Prostitution" taken from the album "Hierarchy" Heteromorphic Zoo: "Napalm" taken from the EP "New World" Dååth: "Deserving Of The Grave" taken from the album "The Deceivers" Insurrection: "Nemesis" taken from the album "Obsolescence" Avtotheism: "Incarnations of Hush" taken from the album "Reflections of Execrable Stillness" Zealed: "Divination" taken from the single "Divination" Shadohm: "Ripped Apart" taken from the album "Through Darkness Towards Enlightenment" Entheos: "Life in Slow Motion" taken from the album "An End to Everything" NightWraith: "Whispers of Dragonflies" taken from the album "Divergence" Dying Awkward Angel: "The Magical World of The Dead" taken from the single "The Magical World of The Dead" Exuvial: "Necrotic Dissolution" taken from the album "The Hive Mind Chronicles Part I: Parasitica" Thanks for listening! I hope you enjoyed listening to this as much as I enjoyed making it! Interviews, reviews, and more at www.dreamsofconsciousness.com

Une femme équatorienne est décédée quelques jours après que les personnes en deuil à ses funérailles aient été choquées de la trouver vivante dans son cercueil.Traduction :In Ecuadorean woman has died days after mourners at her funeral were shocked to find her alive in her coffin. Hosted on Acast. See acast.com/privacy for more information.

Is there such a thing as a timeless classic? More than a decade ago, Dr. Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, in Written in Water: The Ephemeral Life of the Classic in Art (Yale University Press, 2024) Dr. Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Is there such a thing as a timeless classic? More than a decade ago, Dr. Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, in Written in Water: The Ephemeral Life of the Classic in Art (Yale University Press, 2024) Dr. Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

I'm joined by Jason Fried, Co-founder and CEO of 37signals, as we deep dive on innovative startup ideas, our frameworks to building products people love, and our thoughts on the current software landscape. 1)  The "Scratch-off Ad" app idea:• Full-screen ad you scratch off with your finger• Blow into mic to clear "dust"• Chance to win prizes/coupons• Global, once-a-day experiencePotential: Massive user base, high engagement 2) "Shower Door Sketch" app concept:• Simulates drawing on steamy shower glass• Ephemeral canvas that fogs up & clears• Add shower sounds for immersion• Screenshot to save ideasPerfect for creative brainstorming!3) Key insight: Bring real-world experiences to digital• Leverage mystery, surprise, uncertainty• Create moments that can't be replicated• Tap into universal human experiences"There's some sort of deeper universal things to tap into here." - Jason4)  The power of limitations in software:• Time-based experiences (HQ Trivia)• Visit-once websites• Apps with "open hours"Creates scarcity & increases perceived value 5) Hobbyist ethos missing in modern software:• Early internet had more quirky, fun projects• Less focus on monetization, more on exploration• Need for "weirder" apps and experiencesChallenge: How can we make the internet weird again? 6)  Cozy software movement:• Make apps feel warm, comfortable• Contrast to clinical, cold modern design• Focus on user experience & delightGoal: Create software people genuinely enjoy using Want more free ideas? I collect the best ideas from the pod and give them to you for free in a database. Most of them cost $0 to start (my fav)Get access: https://www.gregisenberg.com/30startupideas 

On the night of Summer Solstice 1986, Larry Harvey and Jerry James built and burned an eight-foot wooden figure on San Francisco's Baker Beach surrounded by a handful of friends. Burning Man was born.This summer, the 39th annual Burning Man gathering begins to assemble on a vast dry lake bed in Nevada's Black Rock Desert, the nomadic ritual's home since 1990. An estimated 80,000 people will come.During production of our Keepers series, chronicling activist archivists, rogue librarians and keepers of the culture and free flow of information, we received this message on the Keepers Hotline:"Hello Kitchen Sisters, I am a rogue archivist, the archivist for Burning Man. Come to Burning Man headquarters and I'll show you the collection. Cheers.” —LadyBee, Archivist & Art Collection Manager, Burning ManHow do you archive an event when one of it's driving principles is "leave no trace," where The Burning Man is in fact burned? What is being kept and who is keeping it? We journey into the archives of this legendary gathering to find out.Produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell, mixed by Jim McKee.

Welcome back to another episode of The Richer Geek Podcast! Today, we're switching things up a bit. While we usually focus on investments, this time we're diving into finance. Our guest is Emmanuel Daniel, an author, entrepreneur, and corporate strategist. As a global thought leader on the future of finance and its impact on business and society, Emmanuel is a member of the Forbes Business Council and was listed as a top 10 global influencer in the "FinTech Power50" in both 2021 and 2022. He is also the founder of the research publication and consulting house, TAB Global. In this episode, we're discussing... Transformation of Banking: The digitization of banking has drastically changed the industry, making transactions faster and more efficient. Future of Finance: As industries become more digitized, the nature of assets and investments will continue to evolve, impacting how people view and manage wealth. Global Economic Dynamics: The intertwined economic relationship between the US and China showcases the complexity of global trade and the significant impact of geopolitical decisions. US Economic Strengths: The US excels in information handling and liquidity in capital markets, setting it apart from other economies. Socialism vs. Capitalism: The US has largely rejected the socialist model, focusing on market-driven solutions, whereas other countries like Sweden and Norway provide examples of successful socialist policies. Local Community Influence: In the US, the role of local communities is crucial in creating social safety nets, reflecting the nation's diverse approach to balancing market forces and social needs.   Resources from Emmanuel LinkedIn | Emmanuel Daniel's website | The Great Transition Resources from Mike and Nichole Gateway Private Equity Group |  REI Words |  Nic's guide

Episode Summary This week on Live Like the World is Dying, Maria comes on to talk to Inmn about the Gaza Freedom Flotilla, the state of aid going to Gaza, and the obstacles the powers that be have erected to prevent aid from arriving. Guest Info Maria Elle is a wing nut anarchist Jewish dyke extremist whore anti-Zionist psycho who writes poetry, conspires against the Empire, and organizes for collective liberation. You can find her on IG @Lchiam.Intifada or @bay2gaza Gaza Freedom Flotilla: freedomflotilla.org International Solidarity Movement: palsolidarity.org International Jewish Anti-Zionist Network: ijan.org Host Info Inmn can be found on Instagram @shadowtail.artificery Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript Live Like the World is Dying: Maria on the Gaza Freedom Flotilla **Inmn ** 00:15 Hello, and welcome to Live Like the World is Dying, your podcast for what feels like the end times. I'm your host today Inmn Neruin. And today we're going to be talking about a kind of different lens of preparedness than we normally talk about...or no--well, I guess we always kind of talk about it. But we're...you know, we're not we're not going to be talking about a skill today as much as the importance for figuring out how to provide aid when the powers that be: governments and nations that we absolutely don't put our trust in but...are trapped by fail to do that or purposefully obstruct it. And today we're going to be talking about the Gaza Freedom Flotilla and organizing efforts around that and trying to bring critical aid to Gaza. But before that, we are a proud member of the Channel Zero Network of anarchist podcasts and here's a jingle from another show on that network. [singing] Doo doo doo doo doo. **The Ex-Worker Podcast ** 01:24 The Border is not just a wall. It's not just a line on a map. It's a power structure. A system of control. The Border does not divide one world from another. There is only one world and the Border is tearing it apart. The Ex-Worker podcast presents No Wall They Can Build: A Guide to Borders and Migration Across North America, a serialized audio book in 11 chapters released every Wednesday. Tune in at crimethinc.com/podcast. **Inmn ** 02:04 And we're back. Thank you so much for coming on the show today. I know we had you on the Stranger's podcast recently for your poetry collection, which everyone should pause right now and go and listen to another hour long podcast episode first and then come back and listen to this...or don't. Or listen to it afterwards. Anyways, thank you so much for coming on the show today. Could you introduce yourself with your name, pronouns, and a little bit about yourself and your involvement with the Freedom Flotilla? **Maria ** 02:44 Absolutely. Yes. Hi, thanks for having me. I'm Maria. She/her pronouns. I am a Jewish, anti-Zionist, anarchist, I don't know, organizer, agitator--whatever you want to call it--from the Ohlone of xučyun (Huichin), aka Oakland, California. And I am.... I've been involved doing Palestine Solidarity work since I was a teenager. Originally, I came to awareness around what was happening in Palestine during the assault on Gaza in 2008 and got involved in the student movement and the student occupations that were happening back then. And then actually got kicked out of university as a result of that, which ended up being perfect because I got the opportunity to join the International Solidarity Movement doing work on the ground in Palestine, which is an amazing group that folks should look up. They were defunct for a little bit during COVID but have come back and are working again basically bringing comrades and activists from around the world to stand in solidarity with Palestinian resistance on the ground in Palestine. So I had that opportunity and then I came home and got involved in organizing back here and was not.... So the flotilla, the Gaza Freedom Flotilla has.... So, freedom flotillas have been sailing, trying to break the siege on Gaza since 2008. Basically, a flotilla--for those who don't know--is a group of boats. So it's a group of boats from.... Our flotillas or group of boats from all over the world. There's over 30 countries that are involved sending comrades and activists to break the siege on Gaza. And so these boats are filled--our current boat--is filled with 5000 tons of food and medical aid that we are attempting to bring directly to Gaza in defiance of Israel's illegal naval blockade. These.... Like I said, these missions have been happening since 2008, trying both to bring aid to Gaza and to bring awareness, international awareness, of Israel's blockade and kind of getting a lot of international notoriety 2010 When the Mavi Marmara, a Turkicsh ship that was part of the flotilla, was attacked. And nine people were murdered in that process. And it made headlines at the time and brought a lot of awareness to the ongoing siege on Gaza. And then since then there have been many attempts to break the siege. This year, of course, is a different context. And it's a little bit hard to know what to expect. As you know, as many of us already know, there has been a genocide happening in Palestine since 1948. But the particular intensified moment of genocide that we're in creates a different context that we don't totally know what to expect. But we are determined to sail. We are determined to break Israel's illegal siege on Gaza. And especially now more than ever, while there's been a humanitarian crisis in Gaza for a very long time, and this blockade has been happening for 18 years, the famine that is now gripping Gaza is unprecedented. And we are seeing mass death, especially in the north of Gaza, and that is spreading throughout Gaza. Now with the most recent attacks on Rafah, the situation just gets more and more dire every day. One of the goals of the Freedom Flotilla is to emphasize that this is not a natural disaster. You know, there's.... A lot of the way that this gets covered in US media and global media is as if this was a humanitarian--people use the word, "humanitarian crisis," and they use the word "famine." And both of those things are true. And they're also a little bit misleading because this famine is being intentionally created by Israel as a tool of genocide. Israel controls the flow of all aid moving into Gaza and is intentionally and carefully counting how many calories it is allowing into the Gaza Strip in order to intentionally keep the population on the verge of starvation in order to cripple the resistance. This needs to be highlighted. This isn't.... It isn't like they don't know how to get the aid in. It is not logistical obstacles. They try to make it seem like this is, "Oh, how can we possibly get aid in?" Israel has closed every barrier. Like, the fact that we even need to go by sea is insane. They could open the land crossings, which would be the most effective way, but they absolutely refuse. And the United States, our so-called government that has the power to do that and has the power to force the--probably the only government in the world--with the power to force Israel to open the land crossings--is instead building this pier, spending millions of dollars of wasted money that could be being used on aid or, you know, on stopping Israel. And this long drawn out project that now isn't even functioning due to like "climate" or "weather." I can't even remember what they said. There's some kind of structural damage. I mean, they put all this money into it and like still can't deliver aid somehow. And we're supposed to believe that that's a coincidence. Meanwhile, we have a plan to,within three days, effectively deliver all of this aid to Gaza by simply having a basic little fold-out pier that we have packed on the ship that could unfold, deliver the aid, and then we can leave again. It's actually really simple. It's not complicated. None of this has to be complicated. It's being intentionally made complicated as a tool of genocide and as a tool of hiding what Israel is intentionally doing. So that's really a big part of what the Gaza Freedom Flotilla is about. I would say that it's rooted, ultimately, in the principles of DIY and direct action, which are fundamentally anarchist principles to me, and to many of us, the basic idea that no one is going to do this but us. If we want something done, we have to do it ourselves. We cannot rely on these so-called governments who, many of whom around the world claim to support Palestine and give lots of lip service to the need for aid to get in and even for Palestinian Liberation. Other governments, such as our so-called government, have done nothing but contribute to and fund and exacerbate this genocide, still give lip service to "Oh, we need to get aid into Israel," but they're not going to do anything. At best, they don't care. At worst, they actively want this to happen. We cannot wait for them. We've been trying.... Like, you know, not that.... You know, fight by every means necessary. I really do believe in a diversity of tactics. And at the same time, we need to be honest with ourselves that there is no amount of pressure that we can really put on the Biden administration that is going to change the US' has strategic Imperial interest in propping up Israel, you know? And there's no amount of electoral or domestic pressure within the existing system that we can put in that will change the fact that Israel is a beacon of US imperialism in the Middle East. It is a central part of US imperialism's operation globally. And not only our military imperialism but our economic imperialism. So as many of you may already know, and many of you may not, a big part of the impetus for this genocide has to do with global trade and global shipping. So, after the Suez Canal crisis, we saw.... It became clearer than ever to the international community, how delicate the infrastructure of global shipping is. We saw with the simple breakdown of one ship in the Suez Canal, the global economy was brought to a halt. And it is unacceptable-- [Interrupted] **Maria ** 10:18 It's so fragile. And we saw its fragility even more with COVID and with the plague. And it has become clear to the West that having such an important chokehold located in Egypt is not strategic for them. And so Israel has a plan to build what they're calling the Ben Gurion Canal, which is going to be directly north of Gaza, within missile range of of Gaza to be clear, that would be an alternative to the Suez Canal and that would allow for Israel's, and therefore the United States', control over global shipping in a way that we do not currently have. So the depth of the economic investment in committing this genocide is deeper than even natural gas off the coast of Gaza, which a lot of us have also seen headlines about. And a lot of us already know Chevron's interest and BP's interest in colonizing Gaza and eliminating Hamas in order to secure access to that natural gas, but even beyond that, in order to facilitate the construction of the Ben Gurion Canal. With that much at stake, with both fossil fuels and global shipping at stake, there's a no amount of pressure that we can put up on the Biden administration to get them to like, hear truth, you know? If we want change, we have to make it ourselves. And no one is going to do this but us. And I think that the Gaza Freedom Flotilla, the amount of aid that we can actually deliver it with one flotilla is a drop in the bucket. The principle that we are trying to communicate to the world, and that we've seen in many places, is that we can't wait. We have to...we have to show up. We have to be there for our Palestinian siblings. We have to be there for our siblings around the world. And we have to do it ourselves. You know, I think we saw a similar thing with the Great March of Return, and I'm extremely inspired by the Great March of Return of Palestinians coming from Lebanon and breaking through the border there. And we, you know, continue to be inspired by Palestinian resistance globally and to work in concert with that resistance in order to do whatever we can to stop this genocide, both in the immediate sense and in the ongoing sense of Israel's colonization of Palestine from the river to the sea. **Inmn ** 10:18 It's so fragile. **Inmn ** 12:35 Golly, thank you for that very--I will call it a little bit of a rant thing. That was incredible and very informative. And now I have like 100 questions. **Inmn ** 12:47 I have 100 more things to talk about but lay it on me. **Inmn ** 12:51 Um, I think like, or.... I don't even know where to start. Actually, there's this funny place that I want to start, which I'm maybe gonna feel funny about and is maybe like.... Whatever, I don't think it's me feeling nihilistic about it as much as like confused by imaging in..... So I, as a lot of us have been seeing a lot of news graphics, infographics. And I saw this one recently that was talking about "planned distraction." And it was like this thing that was like, "Israel's really counting on Americans being distracted by Memorial Day weekend to intensify the assault on Rafah." And I was just like, I don't think Israel's thinking about what random Americans are doing. Like, as you say, I don't think there's any amount of pressure that we can put on institutions like the Biden administration to change those things. **Maria ** 14:30 Yeah, it's an interesting question. I mean, I don't know. I mean, nobody really knows. I do think that it's worth noting that the last major assaults on Rafah began during the Superbowl also. So I mean, it's...who knows, maybe they are thinking about it. And Israel is very much concerned with its public image. [half interrupts self] Well, it's complicated, right? They are very much concerned with their public image and they're also on a genocidal, psychotic rampage, which is causing all sorts of domestic tensions. And Israeli domestic politics are a whole nother can of worms. You know, there isn't one--like anywhere--there isn't one unified Israeli interest. Israel, like every other country, is a contestation of political forces with central goals but also pulling at each other and pulling itself apart. And we actually are seeing Israeli domestic-- [Interrupts self] I think it's also very worth noting that last summer before the assaults on Gaza, before the most recent assault on Gaza began, we saw the first ever domestic Israeli social movement, really since the creation of the state. There was an actual--I mean, you know, fairly tame but for Israel significant--uprising of Israelis against their government. And several months later, this genocide happens, right? And this is not a coincidence. We've seen this kind of pattern time and time again, where a state in order to secure domestic unity will declare war or genocide on a foreign enemy. I think it's also worth noting that the plans for this--while October 7th may have been the the spark--the plans for this were very much already in place. And it is very clear from how quickly and strategically and efficiently they have acted that they have just been waiting for this opportunity. So I think that's worth emphasizing. I think, and then I just also want to clarify, as far as like "no amount of domestic pressure," I think that there's...I want to be clear that, like I said, I believe deeply in a diversity of tactics. And I do think that we need to do everything. And I think that there is very--like, I'm not saying that we should all just go to Palestine. I think there's very important roles for us to play here in the United States in organizing. But we need to be realistic about how we're gauging our targets. So we're never going to be able to appeal to the moral or even political interests of--as far as like electoral political interests--of these things. We...I think...I personally think that our best hope is to challenge their economic function, right, and to make this cost so much that they cannot continue. And that's a lot. It has to cost a lot because they have a lot to gain. But you know, what? We have a lot to lose. We have everything to lose and everything to gain. And we need to make this cost more than they can imagine. **Inmn ** 17:28 Yeah. And yeah, maybe to be clear, the infographic that I was seeing, it was like, its suggestion was like, you know, "Get on the phone and call your congress people." And I was just like, you know, yeah, "by any means necessary," and whatever people can do, but I was like, I don't think the one thing stopping.... It framed it in this way--I am gonna get off this topic very quickly and spent too much time on this--but it framed it in this way of like, "Oh, if Americans just weren't so distracted by barbecuing over the weekend then genocide and then Gaza would have been over," and I was just like...that. Okay, whatever. Anyway, a real question. So I think maybe something that I've been curious, I guess, about is some of the like geopolitical--or like, specifically like geographical--forces at work where.... Like for the.... Can you tell me about waterways, waterways in and around Israel and Gaza? Like I guess like what is the proposed route? Or like, what are some of the.... Like, how get Flotilla? **Maria ** 18:48 How get Flotilla. **Inmn ** 18:49 How blockaded? **Maria ** 18:52 Through the Mediterranean. So we had originally, we had originally planned to sail from Turkey, from Istanbul, and I was actually in Istanbul with hundreds of other people. We were, our bags were packed, the boat was full, we were ready to sail, and the mission was bureaucratically sabotaged by Israel. This was several weeks ago. **Inmn ** 19:13 Is this the flag thing? **Maria ** 19:14 Yeah, so Israel has tried many different avenues to sabotage the Flotilla, including physical sabotage of the ship. But one--and this has happened for many years--but one tactic they have not tried before, and that we were not prepared for, was that they pressured.... So I don't know how much people know about shipping. But every ship that leaves a port has to pass to sail under a flag, a national flag. As far as I understand, any ship that doesn't sail under a flag is technically considered a pirate ship. [says incredulously, laughing] So if we wanted to leave and be allowed to leave by the Coast Guard, we would have to have a national flag. And usually those flags have nothing to do with the mission. You basically buy a flag to sail under. It's interesting. It's actually kind of like a side hustle for a lot of poorer countries, they sell their flags at a cheaper rate and with less bureaucracy. So I think most international shipping actually happens under the flag of the Philippines. But we were gonna sail under the flag of Guinea Bissau, which was a flag of convenience. And Israel put immense--Israel in the United States--put immense pressure on Guinea Bissau to withdraw the flag. And so the flag was withdrawn literally the day we were supposed to depart, like bags packed and ready to go. And, you know, we could have...like the captain could have, I suppose, made the choice to sail anyway, but then that would have forced a confrontation with the Turkish Coast Guard, rather than with the Israeli naval blockade, which people felt wasn't...wasn't worth it. You know, for better or worse. Whatever. The people thought it wasn't worth it. And that it was a better plan to just try to get another flag. So the flotilla is delayed as we are searching for another flag. That process is well underway. And I am hoping.... We'll have more information within the next week about where that is at and when and where we're planning to sail from. It's not sure that we'll be sailing from Turkey anymore at this point. Turkey would have been about a three day sail to Gaza. And at this point we might have to be looking at somewhere further out. TBD. **Inmn ** 21:27 Like somewhere further out to escape the influence of Israel putting pressure on those local areas? **Maria ** 21:36 Yeah, so there was a lot of pressure, a lot of pressure put on the Turkish Government. And Turkey, while it gives incredible lip service to supporting a free Palestine, is actually deeply economically dependent on Israel. And the domestic politics there is a whole can of worms. Anyway, I don't know where that's at. That's not part of the...that's not the team that I'm on. You know? I'm doing a lot of more of a social media and grassroots organizing here in the US. So I'm not one of those people figuring that part out. But, I mean, we can all see, we all basically know the general geopolitics of that region and how complicated it is for any country in the world to allow us to sail because of the possibility of antagonizing Israel, and what that can mean as a nuclear power and as a proxy of the United States in the region. But we will. We'll find a place that we will do it. Inshallah, very soon. And that is underway. I think as far as what's happened in the past, so what's happened in the past, most of the Flotillas have not--actually all of the Flotillas--have not actually made it to Gaza. They are pretty consistently stopped, often in international waters--which is illegal--before arriving. There are no ports in Gaza that one could land at. So like we said, we had this plan with a pier that can unfold. In the past Israel has stopped the flotilla with its naval blockade. In 2010 the ships were famously--one of the ships in particular--was famously attacked, and nine people were were murdered in that process. Since then, there have been no fatalities. No one has been matyred. But everyone pretty much has been arrested and deported. **Maria ** 21:37 From like international waters? [Said confused like it sounds sketchy] **Maria ** 23:40 I think they get brought into Ashdod, usually, and deported from there, like on an Israeli vessel or whatever. I don't know. I haven't been on any of the flotillas before. This will be my first journey. One of my aunts was really involved in them for many years, so I learned a lot about the process, and I've been following the process, since 2010. She's been very involved in--or she was--very involved in it. Gail Miller, may her name be for blessing. So I've been following it but this is my first actual mission joining. **Inmn ** 24:14 Cool. Um, yeah, it's...I don't know, it's.... Thinking about waterways has been something that's been really interesting with a lot of the goings on in and around the genocide in Gaza, like specifically with like...it was fun to see countries like Yemen be like, "Oh, we're gonna blockade Israel or we're gonna blockade shipping routes for Israel shit." And interesting to hear you talk about the connections to global shipping, because then that turned into this big global shipping catastrophe. And like the US and Israel were like "We're protecting global shipping lanes for like the good of Capitalism..." **Maria ** 25:14 One of the first honest things they've said. Yeah, absolutely. I think even with that, it's worth remembering too, just kind of going back to what I said, that the governments of the world are not acting. It wasn't the Yemeni government who took that action. You know, it was it was the Houthis. And overwhelmingly, we see that is not governments anywhere, but rather people working with conviction and solidarity who can actually stop the infrastructure of global trade, can actually stop...can actually have some real impact on this genocide, right? Like, that's one of the only meaningful...you know, people know that acronym BDS, It's boycott, divestment, and sanctions, which is...was a movement in South Africa during the anti-apartheid struggle that the Palestinian anti-apartheid struggle has adopted, and that has been a global call for some time now. And one of the only real meaningful BDS actions we've seen has been by the Houthis, in that way, you know, actually interfering with Israeli shipping. **Inmn ** 26:15 Yeah, yeah. Yeah. Okay, that's, interesting to hear. I feel like this is a topic that I've tried really hard to learn about on the internet and every time I do it's deeply confusing. And I get more confused because there's a lot of propaganda from the US and from Israel about, like, you know, who's enacting these blockades and whatever reasons that they make up. I saw...I was reading a little bit about the 2010 flotilla where, either like before or after it, Israel was making these wild accusations that the flotilla was working with Al Qaeda or had all these connections to groups they labeled as terroristic. And then the claims were withdrawn later because everyone was like, "Literally what the fuck are you talking about?" **Maria ** 27:15 Yeah, absolutely. And, of course, they're always going to do that, you know, and they're always going to try any possible means to antagonize and paint any kind of resistance is terrorism, which is also what we're seeing in Gaza, right? They will paint five-year old children as terrorists, you know? They have no shame and and they've gotten so far...they've spiraled so deep into their own narrative that they have really lost the plot. It's kind of wild. **Inmn ** 27:46 Yeah. Yeah. I think there's...it's like this thing that's been happening for quite some time, which seems like less obvious to people who have been paying attention, but like, I feel like a decade ago, or a decade and a half ago--wow, time happens--there, like you said, Israel has had these moments of being deeply concerned with their public image and then these moments of just the veil coming off and being like, which is happening there, it's happening here in the United States, it's happening everywhere, just fascistic forces becoming less concerned with what their public images are and just owning being terrible and fucked up. Being like, "Who's gonna stop us?" **Maria ** 28:39 Yeah, I mean, you know, it's, like I said, Israeli domestic politics are a total mess, but there is definitely a stronger and stronger faction that feels that way. And just thinking about it also, to bring it back to sort of the actual mission of the Flotilla, which is to deliver aid, and.... Well, it's twofold, right? It's to deliver aid and it's to break the siege and highlight the injustice--and not just injustice but absolute insanity--of the fox guarding the hen house here, so that all aid flowing...coming into Gaza has to be searched and is being monitored by Israel, and the sort of intentional, as I spoke to in the beginning, of the intentional famine that is being constructed there. And, you know, we saw in the news in March, that we were on the...we're at a tipping point of mass starvation. And that tipping point has been tipped. We are seeing unprecedented famine happening in Gaza. And I wanted to bring it back to that because I also want to just think a little bit about contextualizing what famine means. You know, I mentioned before that people often treat--like the media often treats this as a natural disaster or something or tries to paint it as a natural disaster-- **Inmn ** 29:53 Yeah, it "just happened" **Maria ** 29:54 --as an intentional act of war and genocide. And I think that we have to frame it that way and we have to both make sure that aid is getting in immediately, and to recognize that this is political, that no matter how much money we send to the Red Cross, if aid isn't being allowed to cross isn't helpful, which is not to say don't donate. Donate. And donate, specifically, to Palestinian mutual aid funds, which are the most grassroots opportunities, the most direct way to get funding, and you can find that...I can direct you, at the end, towards different places to donate The Middle East Children's Alliance has been able to get a lot of aid directly in. There's also a lot of, there's a group called Bay to Gaza Mutual Aid, which has collected a bunch of on the ground places to help people in Gaza. So just to be clear, I'm not saying not to donate. You definitely should. And we have to recognize that without an end to this, to the siege and to the bombardment, and the occupation, aid can only go so far. And I think it's important to contextualize that, to remember that this isn't...this phenomena also isn't unique to Palestine, right, this ideathat the global media treats famine as somehow a "natural phenomenon," when in reality, it's politically constructed. It's not just for Palestine, It's true all over the world. And we're seeing that especially in..... I think you can't actually talk about Gaza right now without also talking about Darfur and Sudan and what's happening there. And I think even more than in Gaza, famine--the politically constructed famine--that affects Africa, and specifically, that affects Black people in Africa, is often treated as "inevitable," and "natural," when it is very much politically constructed. And what we're seeing in Sudan, and the genocide that is taking place in Sudan right now, and the famine that is gripping Sudan right now, is every bit as politically constructed, is every bit as entwined with resource wars with the UAE and Saudis, race for controlling natural gas and resources, and for having a monopoly over those things. And this is this genocide is being directly funded by the UAE, which the United States will not challenge because of our strategic alliances there. And the people being targeted by this genocide are overwhelmingly African agriculturalists who have continued to keep that land fertile and producing food when it is more within the interest of the imperialist powers, and particularly the UAE, to have the land become arid so that it can become extraction sites for minerals and fossil fuels. So all that to say, a big part of the goal of the Gaza Freedom Flotilla is to politicize famine itself, because it is political. **Inmn ** 32:53 Yeah. Yeah, I know, it's hard to actually think of a famine, like a historical famine, that is actually not a political tool, or like an act of genocide. It's like we...when we...when we think of it, even like the word that we have, it's like when we think of famine, we think of there being a lack of something, we think of there being some kind of disaster that is just like, "Oh, the conditions just made it so that food couldn't be produced." And it's...it's never that. And, at least in English, like we don't really have a word for enacted famine that I can think of that isn't just genocide or that isn't just like purposeful starvation. It's like this entire language lacks a word for this tool that is used. **Maria ** 33:51 Caloric warfare. **Inmn ** 33:54 Yeah, um, I guess like kind of change tack a little bit, I feel like I'm using you as my filter for trying to learn about things on the internet and like running into so many weird like blocks that I'm like, I have no idea what's going on because the global media apparatus is horrible. But what.... I guess like what's going on with world government efforts to like get like food and aid into Gaza? Like I know there's been like a lot of back and forth with what like the UN is doing to get in food and it seems like that's not happening anymore? **Inmn ** 34:40 Where was the pier being built? And, like, what, like there weren't other peirs? **Maria ** 34:40 Right. I mean, one of the most bizarre things that's been happening that has been a lot of the efforts right now is airdrops. So people are like, "There's no way to get aid into Gaza. We have to literally drop it from the air," which is not only unhelpful, but has actually been dangerous and had has caused injury and the destruction of the aid being delivered and has been, shockingly, both ineffective and unsafe. Meanwhile, you could just cross the border, right? We shouldn't even have to be going in through the sea. There's not even.... Like we're going through the flotilla because we feel like that is our best chance of getting in. But there are... like, Egypt shares a border with Gaza. The Rafah crossing a should be open, and people should be able to bring in aid by land. And there's some aid that is crossing there. But as we've seen, to the extent that Israel will let anything in there, which has been very limited, there are settler...civilian--so-called civilians--although, they're not civilian, because they're armed to the teeth with AK--well not AK-47s but M-16s--actively blocking and looting and destroying trucks that are delivering aid to Gaza. I'm just like, can you even imagine? Like, could you imagine? It's hard like.... Like, what goes through your mind? What lives in your heart to destroy food, going to starving children? You know, I.... Whatever. But like, that's actively happening, you know. And so yeah, the airdrops have been a lot of like, you know, this whole US pier that I think I spoke to earlier that they're trying to construct this peir, they constructed this peir. It was pseudo operational for a minute. Now, it's non-operational, again, spending millions of dollars for this basically theater, when the US could, in a heartbeat stop sending aid to Israel and end this whole thing. **Maria ** 36:45 Off the coast of Gaza. It's a floating pier. So yeah, it's whatever.... It's a floating pier off the coast of Gaza. No, it's...I mean, it's honestly, like it's a whole charade. To be honest. Like the United States could, tomorrow, stop this but they won't. **Inmn ** 37:08 Yeah. And it's like the excuses are always these like strange logistical, bureaucratic excuses. Of like, "Oh, I don't know, the pier, the pier didn't work out. Or like, if only we could secure the border crossings, then aid could flow freely through." [Said sarcastically] **Maria ** 37:29 Right, exactly. Which, you know, is a common thing that we see globally too. We see it in this country to some degree like the crisis at the US-Mexico border, which I believe you're at right now. Like, they treat it like..... They treat so much of the humanitarian crisis that's happening there as if it were an impossible problem to solve when it's a very similar situation. It's a intentionally constructed political crisis. **Inmn ** 37:55 Yeah. And it's like, you know, there's a kind of, I guess, famous zine--or maybe people haven't read that one in a while because it's been a long time. But there's a scene called Designed To Kill, which is exactly how the US-Mexico border works. It's like the way that you hear government talk about it, they talk about it as if like, "Oh, we just can't do literally a single thing about it. We have billions of dollars, but we just can't solve this problem." And it's like--this is gonna sound weird--but it's like when you hear Border Patrol talk about like, like, "If only we could figure out how to stop people from coming in," which is not anything that I would ever want, but is what the government talks about. And it's like, you're not trying to do that. If you were trying to do that, it would be quite easy to do that. Like you have designed a system to funnel people in, to exploit them through private prisons, to psychologically terrify, and kill people. **Maria ** 39:06 Absolutely. **Inmn ** 39:06 It is a sick and twisted thing. It is a disaster of your own creation that you then LARP as being the humanitarian actors for, for like public image. Like Border Patrol has a.... Border Patrol has a search and rescue unit. They have like a helicopter that they tote around. [Affirmative sounds from Maria] Fucking absurd. 39:32 I know. I know. Yeah. I mean, I think that you know, I believe you were involved with No More Deaths at the US-Mexico border for a long time, and I think that there's a very similar principle as with the Gaza Freedom Flotilla, that the people who created this crisis are not going to be the ones to stop it. And if anyone's going to do something, it has to be us. We have to do something. Because, yeah, the colonizer isn't going to stop colonizing unless we do something about it. **Inmn ** 40:03 No. And it's like we can't count on.... It's like, we.... Like a lot of people, I think have this, like this myth or hope or whatever that like, "Oh, well, if things ever get really weird, like the UN will step in," or something. And it's like the UN has proceeded to literally fucking nothing. Or it's like the...like, what is it? The I forget the acronym for that court, the UN court, the world.... **Inmn ** 40:31 Yeah. Yeah, the ICJ making rulings towards Israel about, "We want you to stop the genocide." And they're like, "Well, we're not going to do it." And it's like the ICJ does literally fucking nothing. **Maria ** 40:31 The ICJ 40:47 I mean, I believe that ICJ is interesting. The ICJ did issue an arrest warrant for Netanyahu, which, as far as I can tell, only means that there's like, certain countries he maybe can't go to or like, if he loses this war, which inshallah, he will, that there could be potentially be consequences for him. But that really, like, you know, it's all about real politics. That really just depends on how the war itself goes, you know? Like the international arrest warrants issued in Nazi Germany only were meaningful because Germany lost the war. I just wanted to, I mentioned No More Deaths early and I realized that probably not all the listeners know what that is. So I just thought I'd say No More Deaths is mutual aid project at the US-Mexico border. Grassroots, mostly anarchist lead from what I understand, project. Once upon a time, at least. **Inmn ** 41:45 Let's say anarchistic. **Maria ** 41:48 There we go, there we go. That [NMD] provides mutual aid that both has like emergency medical care and food and also like hikes the desert searching for people who are lost and helping evacuate people who are in need and giving direct aid at the Border despite the Border Patrol's attempt to criminalize those efforts. Which I know a lot of our listeners have probably been involved in. I believe you were. I went out there for...a long time ago. I went out there to do that. But I do think that there's powerful mutual aid projects like that happening here in Turtle Island, too. So it's worth shouting them out. **Inmn ** 42:29 Yeah, and it's like there's a lot of really interesting parallels between all of these mutual aid projects, and also the systems that create the need for them. Where, I don't know, there's so many Israeli defense contractors that got hired to build the virtual--like Elbit Systems got hired to build the virtual wall in the Border and it's like, the similar systems that get used in Palestine. And there's.... It's freaky. There's this, in Arizona, there's this company trying to build like a water pipeline from the Gulf of Mexico to Scottsdale or something. And it's the same Israeli company that builds pipelines through...or like distillation centers in Palestine. 43:28 Yeah, absolutely. Yeah, we see similar collaborations with Cop City in Atlanta. It's all, it's a global war machine. And we see it functioning exactly the way it's intended to function. But you know, we also have a power to be a cog in that machine. And I am weirdly optimistic a lot. I actually have a lot of faith that we can, you know, this machine can't operate without us, especially us here in the heart of Empire. Like this is in so many ways the veins of empire where so much of it is plotted and executed right here on Turtle Island. And we're uniquely positioned in a lot of ways to clog those arteries. We just have to find the courage and the confidence and the organization to make it happen. And I have so much faith in our ability to do that. Yeah, before, before we run out of time--I don't know if we're coming up on time or not. But I wanted to just also make sure that there's--and I mentioned this, but I just want to give it enough space that this crisis did not start in October. And it also didn't start with the siege of Gaza 18 years ago. This has been a crisis that has been exhibiting in its current form since 1948, since the creation of the State of Israel and the Nakba, which is the genocide of the Palestinian people in order to create the State of Israel and really for longer than that, since Zionist immigration began in the 1880s. And this crisis didn't start now and it's not going to stop when the bombs stop falling on Gaza. This crisis will not end until the settler, ethnic national...the settler, nationalist ethno state of Israel is dismantled. And really until the whole global system of settler colonialism--and all of the national states--are dismantled. But to look specifically at Palestine, like there is no...this is not over until Zionism is over. Zionism needs to be ended, and that the settler ethno state of Israel needs to be ended. And that until all Palestinians have a right to return to their homelands, until all Palestinians have a right to move freely in their homelands, until all Palestinians have a right to autonomy and self governance within their homelands. And by self-governments, I don't just mean to have a State, but to be able to have agency over their own lives and their own decisions. And until that, the struggle isn't over, and it can't be. And, you know, I think I'm actually very hopeful about this moment, I think that there is...that there is an incredible not, just an outpouring of support for the Palestinians, but incredible recognition of the state of global colonialism in the 21st century and its relationship to resource extraction and what we can do to stop it and I know that the Palestinian.... Like part of the reason that people around the world have responded to what's happening in Palestine the way they do is because this really resonates with so many indigenous people's struggles everywhere. Indigenous people all over the world see their struggle in the struggle with Palestinians and are rising up all over the world and it is very much a global struggle and very much that to free Palestine is in so many ways to free the world. **Maria ** 43:28 Yeah, yeah. Um, I know that you're...you've been part of some...part of this larger project...movement...coalition? I don't know words. But are there...are there ways that people can plug into this? Like if someone's like, "Yo, I got a boat. I want to join the flotilla." Can they do that? 47:25 I don't know about a boat. Well, I mean, if you've got a big boat. These are big boats we're talking Yeah, these are these are big boats. But um, I would say in general, yes. So the website is freedomflotilla.org. You can also find it on all the social medias, but especially you can find it on you know, TikTok, Twitter, Instagram. Also, specifically for those in the so-called San Francisco Bay area, we have our Bay to Gaza contingent that is...we are currently growing and expanding and getting ready to sail, so you can follow us on Instagram @Bay2Gaza. We're also on TikTok and Twitter, and you can reach out to us there if you're interested in supporting or getting involved. My Instagram is @lchaimIntifada. You can also message me there. I check that a little bit more. And, yeah, reach out. We're definitely still recruiting. We don't know exactly when we're going to sail yet. But we need all types of support. And especially, you know, in a lot of ways, this is a media project. This is about shedding light on a phenomenon. So especially folks who have skills in media are very much needed right now. Both legacy media but also social media. **Inmn ** 48:41 Yeah, yeah. Cool. Um, as we get...I guess, get to the end of time--our time, not the end of all time--are there any other things that you wanted to talk about? Any questions that I didn't ask you that you wanted to just touch on? I feel like I had 100 more questions that I will never remember until we stop the recording. And then I'll remember them. 49:11 Happy to keep talking after we stop the recording. But um, no. I mean, I think yeah, like I said, please, the best way to follow us is on social media. And please reach out if you are interested. And I would say other than that, taking the principle of the Flotilla, the principle that nobody is going to do this if we don't, and that we cannot depend on governments or higher powers to make change. We have to make it ourselves, and apply that to all of your organizing. Apply that to the ways, the strategic ways that you're thinking about challenging genocide and occupation and colonialism everywhere that you are, you know. I think that most of our organizing does need to be done at home where we live. And the message that I want people to take away, personally, from the Flotilla is that if we want change, we have to make it ourselves. And to use that framework, and I think...I think what that really is, is the framework of direct action, personally. I think that the word "direct action" has really lost its meaning. And a lot of activists spaces on Turtle Island in particular, people kind of think that direct action just means chaining yourself to something. And I am firmly of the belief that direct action means...it can mean three things. It can mean destroying something that needs to be destroyed, interfering with something that needs to be interfered with, and creating something that needs to be created. And you're doing it directly as opposed to protest, which is when you're asking power to do it for you. And I think there's a role for both. I think there's a role for protests and there's a role for direct action. But we should know what the difference is when we're framing our strategy, and encourage people to look to a framework of direct action and of destroying what needs to be destroyed, creating what needs to be created, and interfering with what needs to be interfered with. So I'd say that other than getting involved with the Flotilla, just holding those principles and all of our organizing, **Inmn ** 51:05 Yeah. And, can I add a little suggestion to that? **Maria ** 51:12 Please. **Inmn ** 51:13 Also in the realm of when thinking about taking direct action, when thinking about protesting, like whenever, it's like making sure that these things that we're doing are community driven and not relying on, I don't know, political parties, or even nonprofits to guide us through taking action. Like, the only ways that we're going to make it through this is if we do it and can't wait for people with more power to just hand it over. **Maria ** 51:55 Absolutely. And I think that's true on the micro sale scale of mutual aid, which is why we do mutual aid projects and it's also true on the macro scale of how this world will change. And, you know, to me, that's what anarchism is. So... **Inmn ** 52:07 Yeah, well, thank you so much for coming on again. And yeah, listeners, if you want to hear more from Maria, then you can find her on social media or you can go and listen to the Strangers in a Tangled Wilderness podcast and you can listen to us talk--honestly, a lot...mostly more about Gaza and the fuckery that is Zionism but through poetry and Maria's beautiful poetry collection, Escape Plan, which you can go check out on the Strangers in a Tangle Wilderness podcast. 52:47 And more about the West Bank, which I didn't get to talk about in this interview. And I'm realizing that was something I missed. But I do talk about that in the other one. 52:53 Do you wanna talk about it now? **Maria ** 52:54 I don't want to add that as like a little side note, but I do just want to say that speaking of like distractions, while this genocide in Gaza has been taking place, Israel has been annexing land in the West Bank at an unprecedented rate, and that the violence, but also the land loss happening right now, is a crisis that needs to be confronted directly. I do talk about that more in the other podcast. **Inmn ** 53:16 Yeah. Cool. Well, we'll see you next time. And I hope that.... **Maria ** 53:26 Free Palestine! **Inmn ** 53:27 Great. Yes. Happen. Free Palestine. I got all the words. At least 10 of them. **Inmn ** 53:40 Thank you so much for listening to Live Like the World is Dying. If you enjoy this podcast, then go do mutual aid. Break the siege of Gaza by any means necessary. But also, if you enjoyed this podcast and you want us to continue to put it on and do other cool stuff, then you can support the podcast and the best way to support the podcast is by talking about it. Tell people about it. If the people that you want to learn more about the weird myths, political myths, constructed to keep us not doing things, then tell them about Like Like the World is Dying. You can also support the show by supporting it financially. And you can do that by supporting our publisher Strangers in a Tangled Wilderness. You can go to our website, tangledwilderness.org and find cool things like books and games and other stuff that we sell and make there. Or you can find us on Patreon and at patreon.com/strangersinatangledwilderness. And yeah, you can get all sorts of fun things--we're gonna call them fun things--through the Patreon. You can get a zine mailed to you every month, like Maria's poetry collection--well, I guess you missed out on getting that one mailed to you, but you can get other future ones mailed to you-and also you can get us to thank or acknowledge things on your behalf. And we would like to thank these wonderful people and organizations. Thank you Reese, Jason, aiden, alium, Amber, Ephemeral, Appalachian Liberation Library, Portland's Hedron Hackerspace, Boldfield, E, Patoli, Eric, Buck, Julia, Catgut, Marm, Carson, Lord Harken, Trixter, Princess Miranda, Ben Ben, anonymous, Janice & O'dell, Aly, paparouna, Milica, Boise Mutual Aid, theo, Hunter, SJ, Paige, Nicole, David, Dana, Chelsea. Staro, Jenipher, Kirk, Chris, Micaiah. And a special shout out to one of our Patreon subscribers who told us that when they have more money, they're going to get the $20 a month tier so that they can get Hoss the dog another acknowledgement, we're just going to thank Hoss the dog like 20 times. Thank you, Hoss the dog. [Chanting] Hoss the Dog, Hoss the dog, Hoss the dog, Hoss the dog, Hoss the dog times 20. Times a million. Thanks all of y'all. Maria, is there anyone you would like to thank in particular today? **Inmn ** 56:34 Oh, I wasn't ready for that question. I'm sorry. That's fine. The people of Palestine, the Palestinian resistance. **Inmn ** 56:44 Hell yeah. Thanks for all and we'll see you next time. freedomflotilla.org, palsolidarity.org, and ijan.org Find out more at https://live-like-the-world-is-dying.pinecast.co