Podcasts about Criminal Minds

Η 36χρονη Δέσποινα Φωτάρα και ο 26χρονος λοχίας Γιάννης Κατσούλης γνωρίστηκαν όταν εκείνη του νοίκιασε το διαμέρισμα ακριβώς κάτω από το σπίτι της, στη Ρόδο. Οι δυο τους είχαν έρθει αρκετά κοντά και ζούσαν τον παράνομο έρωτά τους καθώς η Φωτάρα ήταν ήδη παντρεμένη με τον 53χρονο ανθυπαστυνόμο Νικολάο Τσίγκριλα, με τον οποίο είχε αποκτήσει τρία παιδιά ηλικίας 18, 17 και 7 ετών.Η Δέσποινα Φωτάρα σύντομα εκμυστηρεύτηκε στον Γιάννη Κατσούλη ότι ο γάμος της ήταν ένα βασανιστήριο. Ο σύζυγός της τη βίαζε και τη χτυπούσε κι εκείνη για να γλιτώσει σκεφτόταν ακόμη και την αυτοκτονία. Ο Γιάννης πρότεινε στη Δέσποινα να αφήσει τον άντρα της και να φύγουν μαζί, αλλά εκείνη το απέκλεισε. Προοδευτικά τον έπεισε ότι έπρεπε να σκοτώσει τον άντρα της και του έδωσε προθεσμία, διαφορετικά θα τον έδιωχνε, αλλά ο Γιάννης δίσταζε. Τελικά, το απόγευμα της 9ης Οκτωβρίου 2000 ο Γιάννης Κατσούλης έφτασε στο κτήμα του Τσίγκριλα, σήκωσε το όπλο και έριξε μια βολή στην πλάτη του αστυνομικού. Αυτός γύρισε να δει από πού του ήρθε, είδε τον δράστη με προτεταμένη την καραμπίνα, άπλωσε το χέρι να προφυλαχθεί, αλλά έπεσε κάτω. Ο Κατσούλης τον πυροβόλησε δεύτερη φορά, σχεδόν εξ επαφής. Αφού διαπίστωσε ότι ο αστυνομικός ήταν νεκρός, εξαφανίστηκε από τον τόπο του εγκλήματος.ΣυντελεστέςΈρευνα - Κείμενο: Μιμή ΦιλιππίδηΑφήγηση, Sound Design, Ηχοληψία: Δάφνη Γερογιάννη

Η 36χρονη Δέσποινα Φωτάρα και ο 26χρονος λοχίας Γιάννης Κατσούλης γνωρίστηκαν όταν εκείνη του νοίκιασε το διαμέρισμα ακριβώς κάτω από το σπίτι της, στη Ρόδο. Οι δυο τους είχαν έρθει αρκετά κοντά και ζούσαν τον παράνομο έρωτά τους καθώς η Φωτάρα ήταν ήδη παντρεμένη με τον 53χρονο ανθυπαστυνόμο Νικολάο Τσίγκριλα, με τον οποίο είχε αποκτήσει τρία παιδιά ηλικίας 18, 17 και 7 ετών.Η Δέσποινα Φωτάρα σύντομα εκμυστηρεύτηκε στον Γιάννη Κατσούλη ότι ο γάμος της ήταν ένα βασανιστήριο. Ο σύζυγός της τη βίαζε και τη χτυπούσε κι εκείνη για να γλιτώσει σκεφτόταν ακόμη και την αυτοκτονία. Ο Γιάννης πρότεινε στη Δέσποινα να αφήσει τον άντρα της και να φύγουν μαζί, αλλά εκείνη το απέκλεισε. Προοδευτικά τον έπεισε ότι έπρεπε να σκοτώσει τον άντρα της και του έδωσε προθεσμία, διαφορετικά θα τον έδιωχνε, αλλά ο Γιάννης δίσταζε. Τελικά, το απόγευμα της 9ης Οκτωβρίου 2000 ο Γιάννης Κατσούλης έφτασε στο κτήμα του Τσίγκριλα, σήκωσε το όπλο και έριξε μια βολή στην πλάτη του αστυνομικού. Αυτός γύρισε να δει από πού του ήρθε, είδε τον δράστη με προτεταμένη την καραμπίνα, άπλωσε το χέρι να προφυλαχθεί, αλλά έπεσε κάτω. Ο Κατσούλης τον πυροβόλησε δεύτερη φορά, σχεδόν εξ επαφής. Αφού διαπίστωσε ότι ο αστυνομικός ήταν νεκρός, εξαφανίστηκε από τον τόπο του εγκλήματος.ΣυντελεστέςΈρευνα - Κείμενο: Μιμή ΦιλιππίδηΑφήγηση, Sound Design, Ηχοληψία: Δάφνη Γερογιάννη

This is what it sounds like when you don't stick the landing.

Today, we're switching things up. This episode isn't about money. It's about meaning. And someone who knows a lot about that subject is Matt Earl Beesley, who turned a childhood love of film into a decades-long directing career—and is now channeling that experience into a passion project with a powerful message, all while building a life and career on his terms.Matt Earl is a Hollywood director whose credits include Braveheart, National Lampoon's Christmas Vacation, CSI: Miami, Criminal Minds, Bosch, The Closer, and Chicago Fire, just to name a few. He's worked side-by-side with legends like Clint Eastwood and Steven Spielberg. But beneath the glamorous résumé is a down-to-earth family man who chose passion over prestige and lifestyle over burnout.In this conversation, Matt Earl shares how he broke into one of the most competitive industries in the world, the mindset that carried him from minimum wage intern to top-tier director, and why collaboration—not ego—is the secret weapon of success.He also opens up about his new film project set in Texas—one that blends family, integrity, and the emotional complexity of immigration. If you've ever wondered whether you can pursue your craft, make a difference, and still live life on your terms—this episode is your inspiration.In this episode, you'll learn: 1.) The secret to getting your foot in the door—even when everyone tells you your dream is impossible.2.) The mindset shift Matt Earl learned from Clint Eastwood that transformed his approach to leadership and creativity.3.) Why now might be the best time to invest in indie films—and how Matt Earl's new movie gives investors a shot at doing good and doing well.Show Notes: LifestyleInvestor.com/246Tax Strategy MasterclassIf you're interested in learning more about Tax Strategy and how YOU can apply 28 of the best, most effective strategies right away, check out our BRAND NEW Tax Strategy Masterclass: www.lifestyleinvestor.com/taxStrategy Session For a limited time, my team is hosting free, personalized consultation calls to learn more about your goals and determine which of our courses or masterminds will get you to the next level. To book your free session, visit LifestyleInvestor.com/consultationThe Lifestyle Investor InsiderJoin The Lifestyle Investor Insider, our brand new AI - curated newsletter - FREE for all podcast listeners for a limited time: www.lifestyleinvestor.com/insiderRate & ReviewIf you enjoyed today's episode of The Lifestyle Investor, hit the subscribe button on Apple Podcasts, Spotify, or wherever you listen, so future episodes are automatically downloaded directly to your device. You can also help by providing an honest rating & review.Connect with Justin DonaldFacebookYouTubeInstagramLinkedInTwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode is a whole vibe. You're about to hear me and the incredible Aisha Tyler sip margaritas, get real about life, and dive into everything from Hollywood survival to starting over. You'll laugh, you may nod your head a lot, and you may even get emotional.  Aisha's not just the talented actor, stand-up comedian and host you know from “Criminal Minds” and now “Criminal Minds Evolution” plus “Archer,” “The Talk,” and “Whose Line Is It Anyway.” Aisha's also the founder of a premium cocktail company Losophē (we drink a cocktail on-air and you can see photos of Aisha preparing our margaritas on my Instagram, TikTok and YT channel at @karamayerrobinson). Aisha Tyler is also a director, a therapist's dream client, and quite possibly your new favorite philosopher. Aisha opens up about divorce, therapy, imposter syndrome, starting a business from scratch, and the beautiful, messy truth about chasing dreams and rewriting your story at any age. This is not just another celebrity chat. It's a heart-to-heart packed with honest moments, laugh-out-loud moments, and deep wisdom. If you've ever felt stuck, scared to fail, or unsure if you're “doing life right,” this one's for you. You can watch Criminal Minds and CM: Evolution now on Paramout+. All seasons are streaming now, including the newest 18th season. And up soon is season 19. Yes, 19!   Links to everything: Instagram | @karamayerrobinson TikTok | @karamayerrobinson Facebook | facebook.com/karamayerrobinson/ Start therapy or coaching with Kara ➤ https://really-famous.com/therapy-sessions  Subscribe on YouTube  ➤ https://www.youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ Check out soundbox:LA  ➤ https://www.soundboxstudiola.com/  Watch Aisha on Criminal Minds: Evolution | https://www.paramountplus.com/shows/criminal_minds/  Aisha's ready-to-drink organic cocktail brand | https://losophe.com Girl on Guy – Aisha's podcast | https://open.spotify.com/show/0E2MrtPaynw4zQ927wOHlS Aisha's Book | Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation Share your thoughts ➤ mailto:reallyfamouspodcast@gmail.com Celebrity interview by Kara Mayer Robinson Music: Take a Chance by Kevin MacLeod - Incompetech - Creative Commons    

We are celebrating Christmas in July!!!We've missed you all, and we're so excited to jump back into the stories, the hot takes, and the deep dives that make this podcast what it is. #LITHAPPENSLOLTo kick things off, we're starting with a festive bang — discussing "All In" by Zee Rene. It's not your typical holiday read, but trust us, it brought the drama, the plot twists, and the *crime connections* we couldn't wait to unpack.In this episode, we dive into the characters, the tension, and the choices that had us side-eyeing everyone. We also draw some wild and insightful parallels to "The First 48", "Power", and "Criminal Minds" — because why not mix holiday cheer with a little investigative edge?Thank you so much for sticking with us, for being a listener, and for being part of our book-loving community. We're so happy to be back in your ears, and we hope you'll keep tuning in for more episodes, more books, and more unforgettable conversations.You do not want to miss our next episode — we got the incredible chance to sit down with the author herself, Zee Renee! Yep, we talked all things All In, her writing process, and what inspired this intense, twisty read. And of course, we'll still be keeping the Christmas in July vibes going.So make sure you're subscribed, following us, and ready for more. Until next time — keep reading, keep discussing, and stay merry… even in July.

Richard Timothy Jones is a American actor. He has worked extensively in both film and television productions since the early 1990s. His television roles include Ally McBeal (1997), Judging Amy (1998-2005), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011-2014), Narcos (2015), Santa Clarita Diet, and Criminal Minds (2017). Since 2018, he has played Sergeant Wade Grey on the ABC police drama The Rookie. Richard's film roles include Event Horizon, portrayals of Lamont Carr in Disney's Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014).    Want to watch: YouTube Meisterkhan Pod (Please subscribe)

Jim Clemente is joined by the new co-host, Maureen O'Connell as they discuss updates on the 4 Idaho Murders and the verdict on sean P Diddy combs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Filmmaker, actress, comedian, and talk show host Aisha Tyler (CRIMINAL MINDS, ARCHER, WHOSE LINE IS IT ANYWAY?, AXIS) joins Adam and Joe in the ArieScope Studio to discuss her career journey. From her start as a stand-up comedian and talk show host… to why certain comedians have been able to survive cancel culture… to the joy of working on WHOSE LINE IS IT ANYWAY? and her love and respect for the incredibly talented cast she gets to work with… to how she shot her debut feature AXIS in just 7 days (!) and the big creative swings she took with the project… to the moment she started creating her own path, saying “yes” to new experiences, and pursuing the creative outlets that SHE wanted to pursue… to her desire as an artist to explore human nature and the choices we make no matter what the genre… to her work directing music videos for bands like CLUTCH and SILVERSUN PICKUPS… to the upcoming world premiere of her new film I HOPE WE CAN STILL BE FRIENDS at Ireland's prestigious Galway Film Fleadh… Aisha is truly a Jack of all trades and this is one of the most enjoyable conversations you'll hear all year! Also, Dr. Arwen provides “Hollywood Therapy” for an author struggling with a proposition from a loved one and the boys announce what this year's LIVE script reading will be for YORKIETHON IX! Don't miss a single minute of THE MOVIE CRYPT's annual live benefit for Save A Yorkie Rescue featuring 3 days of celebrity guest, live film commentaries, music, comedy, Arwen's Silent Auction and more July 25th - 27th. YORKIETHON IX is FREE to watch and enjoy on www.ariescope.com!

Recorded live at the Fayetteville Comic Show, this episode of CONversations with Craig features a raw, funny, and surprisingly heartfelt conversation with actor C. Thomas Howell. From his early days as a child stunt rider to breakout roles in E.T. and The Outsiders, Howell shares stories from a career that spans Hollywood classics, cult thrillers, and gritty television drama. Whether he's recalling a tense lunch with Rutger Hauer or reflecting on what it means to stay authentic in an industry built on illusion, Howell brings humor, humility, and a cowboy's clarity to the stage. The Spielberg Spark: A nervous teen, a pack of Marlboros, and a surprise audition landed Howell a shot at E.T.—thanks to some fast thinking from his stuntman dad. Rutger's Rule: A cryptic lunch with The Hitcher co-star Rutger Hauer revealed a performance philosophy that would shape Howell's future as a villain on Criminal Minds. Cowboy Credentials: Whether it's wrangling roles or actual horses, Howell proves that sometimes the best special effect is doing your own stunts. “What I do is bullshit. You've got people out here saving lives, man. I play a guy that saves a life.” – C. Thomas Howell Want more exclusive interviews and behind-the-scenes stories from the people who bring your favorite characters to life? Subscribe to our podcast on Apple Podcasts, Spotify, or on your favorite podcasting platform for more behind-the-scenes stories and exclusive interviews.

If you're not interested in hearing Dan talk about Miami Vice, skip to the 6 minute mark!

You may know Paget Brewster as FBI Supervisory Special Agent Emily Prentiss on the television series Criminal Minds or as Joey's girlfriend Kathy on multiple episodes of Friends. If you're a particularly discerning entertainment consumer, you also know her from Andy Richter Controls the Universe or as Sadie Doyle on the podcast and stage series The Thrilling Adventure Hour. We're not going to talk about any of that here, however, because we are going to spend a long time talking about bone broth. Paget walks us through the extensive days-long process of creating a broth that provides the foundation for many delicious meals. Listen to Paget's soothing voice and drift off to sleep and maybe when you wake up you'll have expert bone broth skills of your own.***Order your copy of Tamara Yajia's new book, Cry for Me, Argentina: My Life as a Failed Child Star, at the online book retailer of your choice. ***Go to www.maximumfun.org/join and select Sleeping with Celebrities to support our show.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber? Email us at: sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsBluesky @sleepwithcelebsTikTok @SleepWithCelebsJohn is on Bluesky @JohnMoeJohn's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback.

Feeling down and out? Don't let anything dim your magnificent light! For the low, low price of murder, you too can succeed as a grifter! It's another Criminal Minds recap!Due to the nature of the show, there will be discussion of violence and sexual assault. Original theme music composed and performed by Nate Youngblood. This podcast was produced by Nate Youngblood.

Στις 4 Ιουλίου 2004, η 15χρονη Φιλιώ Αντωνιάδου ετοιμαζόταν να συναντηθεί με τις φίλες της στην πλατεία του χωριού Βλάστη στην Κοζάνη, όμως δεν εμφανίστηκε ποτέ. Όσο η Ασφάλεια ερευνούσε την υπόθεση και έπαιρνε καταθέσεις, δέχτηκε μια ανώνυμη κλήση που υποδείκνυε την εμπλοκή ενός άντρα, του Η.Ζ., στην υπόθεση. Μετά από τρεις δίκες, η τρίτη αθωωτική απόφαση είναι αμετάκλητη και ο κύριος ύποπτος δεν μπορεί να δικαστεί ξανά. Η δολοφονία της 15χρονης Φιλιώς Αντωνιάδου, είναι ακόμα άλυτη όσο τα στόματα παραμένουν κλειστά. Ο φάκελος της υπόθεσης έκλεισε και καταχωρήθηκε στα αστυνομικά και δικαστικά αρχεία με την σφραγίδα «Ανεξιχνίαστη».ΣυντελεστέςΈρευνα - Κείμενο: Μιμή ΦιλιππίδηΑφήγηση, Sound Design, Ηχοληψία: Δάφνη Γερογιάννη

When the team works to hunt down the person who shot Tara, they discover "The Disciple" deliberately had them chasing their tails; while undergoing critical surgery, Tara gets to the root of her relationship issues.

Jim and francey discuss the stepson of the Crown King of Norway, who was just charged with 3 counts of rape and multiple victims.. He thought he would get away.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In which we attempt to figure out a convoluted plot point and somehow neglect to mention that Dan probably had a character named after him!

Jim and Kathy discuss the compelling HBO documentary Surviving Ohio State. Yet another team physician who sexually assaulted his athletes and much more...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This month we are delighted to welcome the wonderful Ramani Leah to our Modern Class of Casting Visionaries!A California native who grew up in San Diego, Ramani found her way into casting while attending film school…and the rest, as they say, is history. Known for her standout work on the long-running series Criminal Minds and the Netflix hit My Life with the Walter Boys, Ramani brings both a sharp creative instinct and a deeply grounded perspective to everything she touches. Jessica had the pleasure of working alongside Ramani under the banner of April Webster Casting, and it was clear from day one that her passion and eye for talent set her apart. When Jess stepped into her first role as head casting director, Ramani was one of the very first people she brought on board. Her intuition, and collaborative spirit have always made her an invaluable partner.What makes Ramani's journey especially inspiring is her experience navigating the industry as a young mother, balancing the demands of casting with the challenges and joys of parenthood. In an industry that too often puts career before everything else, Ramani has forged her own path with grace, strength, and intention. In this episode we discuss...How Ramani started her career in castingHer journey working under casting directorsBeing a young mother and the challenges she faced coming up in the industryHow the industry has changed in terms of casting film and getting approvals through the studio systemHer outlook on the industry as it was and how it stands nowTalent crushes and so much more!Make sure to subscribe, rate and review! Follow us @tipsycastingResources: Ramani Leah Casting WebsiteRamani's IMDBRamani's Instagram────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠⁠⁠⁠⁠⁠

No synopsis, just a recap for episode seven of Criminal Minds, enjoy ✌

Francey & Jim Discuss recent Juror issues and the upcoming Defense case.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A horror episode and a great cliffhanger! If you are afraid of spiders, skip the opening death - just saying!!

The team investigates a network killer who buries his victims alive; Tara confronts Rebecca's ex who has recently re-entered her life; Ronald Graber delivers a message from his Disciple to Voit

Great episode, solid killer of the week. However, Dr. Redmond is still not convinced that Voit is a changed man. The last episode will decide who is right.

AJ Cook, aka JJ Jareau on Criminal Minds and Criminal Minds: Evolution on Paramount+, joins me again and since I'm a therapist, she's been waiting to ask me a lot of questions! We hit hot-button topics like trauma, anxiety and triggers. AJ opens up about what her marriage is REALLY like, and it's probably not what you think. We get into self-doubt and soooo much wisdom coming with age. What AJ shares is totally relatable. What I share may be controversial. Or not. You be the judge. Thank you for listening! Please share the podcast with a friend! Listen to my first talk with AJ Cook here: https://really-famous.com/now/aj-cook  Listen to my talks with Joe Mantegna here: https://really-famous.com/now/joe-mantegna  Coming soon: A spectacular talk (I promise!) with Criminal Minds star Aisha Tyler Watch clips and videos on my YouTube channel here: https://www.youtube.com/reallyfamous  Subscribe. Turn on notifications. Do it all here: https://www.youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ?sub_confirmation=1   Follow me on Instagram: https://www.instagram.com/karamayerrobinson/  Follow me on TikTok: https://www.tiktok.com/@karamayerrobinson  Book a therapy session or a coaching session with me: https://really-famous.com/therapy-sessions  Send me your notes, guest suggestions, podcast feedback, etc here: reallyfamouspodcast@gmail.com Celebrity interview by Kara Mayer Robinson Music: Take a Chance by Kevin MacLeod - Incompetech - Creative Commons

Happy National Iced Tea Day and Criminal Minds Day

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Turns out teachers need more than a day - even if they're good ones and they're teaching murder. It's another Criminal Minds recap!Due to the nature of the show, there will be discussion of violence and sexual assault. Original theme music composed and performed by Nate Youngblood. This podcast was produced by Nate Youngblood.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

ONE OF THE MAJOR INSPIRATIONS FOR JAMES GUNN'S SUPERMAN!! All Star Superman Full Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects With the DCU's flagship Superman film A MONTH AWAY, Coy & John continue their road to Metropolis with their All Star Superman Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Coy Jandreau & John Humphrey as they celebrate the Man of Steel in All Star Superman (2011), the acclaimed DC animated adaptation of Grant Morrison and Frank Quitely's beloved comic. When Superman (voiced by James Denton of Desperate Housewives and Good Christian Belles) absorbs a lethal overdose of solar radiation saving a U.S. space mission, he learns he has only days left to live—but not before completing twelve “super” tasks for humanity. Alongside Clark Kent's heartfelt romance with Lois Lane (Christina Hendricks, Mad Men, Drive), we see Lex Luthor (Anthony LaPaglia, Without a Trace, Frasier) unleash a diabolical plot to capture the bottled city of Kandor, and Perry White (Edward Asner, The Mary Tyler Moore Show, Up) struggle to keep the Daily Planet printing under cosmic threat. Standout moments include Superman's solar recharge chamber scenes, his bittersweet gift of temporary powers to Jimmy Olsen (Matthew Gray Gubler, Criminal Minds), and the climactic showdown where the dying hero still finds hope in saving the world. Nasthalthia (Linda Cardellini, Freaks and Geeks, Avengers: Endgame) offers alien perspective, Ma Kent (Frances Conroy, Six Feet Under, American Horror Story) grounds him in heart, and Steve Lombard (Kevin Michael Richardson, The Simpsons, Black Lightning) supplies brash newsroom flair. Don't miss Coy & John's breakdown of every iconic beat—from Superman racing the sun across the sky to the emotional farewell that cements his legacy as the ultimate hero! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Mase & Sue review MISSION: IMPOSSIBLE - THE FINAL RECKONING, and THE LAST OF US Season 2 finale. Plus, Tony Award winning actor Joe Mantegna talks about his role in the original Broadway production of GLENGARRY GLEN ROSS, David Mamet's distinctive writing style, 19 seasons portraying David Rossi in CRIMINAL MINDS, and his fellow Chicagoan, Pope Leo.00:00 Introduction and Jacob Emrani Message00:39 Welcome to the Culture Pop Podcast04:00 Mission Impossible: The Final Reckoning Review09:36 The Last of Us Season 2 Recap20:03

This interview we welcome an old friend back into the studio - someone who's been part of the soundtrack of our lives for decades, It's JR Richards, fromerly of Dishwalla. JR began his career as the lead singer, guitarist, and songwriter for the iconice alternative rock band Dishwalls. The bands' debut album "Pet Your Friends" dropped in 1995, and it didn't take long for them to make waves. In 1996, The Richards-penned 'Counting Blue Cars" hit #1 earning JR a Billboard Music Award for Top Mainstream Rock Track of the Year. But that was just the beginning. JR has been producing music since the '90s not only for Dishwalla but also for this own solo projects and a slew of TV shows. You might've heard his work on series like One Tree Hill, How I Met Your Mother, Criminal Minds and he even contributed twenty songs to the reboot of Baywatch in 2017.  Now, JR is gearing up to release his 10th studio album (5th solo), "My Darkest Hour", expected in the next few months. So we're thrilled to sit down and talk about it, along with his journey through music and all the incredible milestones along the way.

Jim and Kathy continue their discussion on the recent Diddy case and all the new information coming about from witnesses such as Rapper Kid CudiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Carr interviews Jim Clemente about "Deception detection" and the many methods of lie dectection that Jim taught in the FBI. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jim and Kathy discuss the group "764" that targets, terrorizes, and sexually exploits children...and worse.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jim and Francey discuss the direct testimony of Cassie and the security guard at the hotel where security video documented Diddy abusing Cassie. But now we know the context.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jim and Kathy talk about AI technology and the way predators use it to fulfill their darkest fantasies.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kathy and jim discuss Jury selection in the federal racketeering case against Sean "Diddy" Combs, Federal charges, and Diddy alleged offending behaviors.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.