Podcasts about Olympic Park

The death toll rises as Israel and Iran exchange missile attacks for a third day; Prime Minister Anthony Albanese to meet with Canada's Mark Carney at the G7 summit; Bulldogs defeat the Rabbitohs at Olympic Park.

It's Thursday and you know what that means....S18 Ep2 is here and this week we are teaming up with our pals at Protein Rebel to bring you an action packed and incredibly unorganised episode of the What The Fartlek PodcastWe are joined by Fartlek Family OG and all round lovely bloke, Pete Marshall as he looks back at our first Southern foray into the world of Pacing with RunThrough at Olympic Park 5k & 10k this past week alongside our new friends at Thamesmead Running ClubPete also tells us all about this week's partner, Protein Rebel, for whom he is, of course, an ambassador. What is all the fuss about? Well tune in to hear about it. We also look ahead to the Protein Rebel Running Festival, hosted alongside the lads at Couch 2 Coached landing in July.Lou Looks Back again - a new segment returns for the second week as Lou has been scouring the web for inspiring stories coming out of Spring Marathon season, and this week tells us all about the incredible feats for 12in12an supporting Anthony Nolan in memory of her late husband. Check out this amazing story - we hope you don't mind the tag Jack's Elite Corner returns - Jack is sporting a sexy new mullet and running incredibly quick times, but the segment isn't about him, it's about the awesome athletes at the elite end of running. Then of course its on to Bemma and parkrun chat - this week they joined some familiar fartlek family faces to check out Tamworth Castle Gardens parkrun - is it worth a visit? Well tune in to find out!And we finish with our first look at Most Miles Wins 2025 - Team Captains Matt and Lou give updates that are as in depth and educational as you would expect, Rob flaps at an accent and we reveal the Week 2 challenge criteria. Told you it was a long one! Available now wherever you get your podsTell a pal Subscribe, rate, review and checkout our social media channels:Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What The Fartlek Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Whatthefartlek_Podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What The Fartlek Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@WhatTheFartlek ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What The Fartlek Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us at - whatthefartlekpodcast@gmail.comMusic by: Graham LindleyFollow on: Facebook, Twitter, Instagram and YouTube Email at: g.lindley@hotmail.co.uk

President of the Mildura Motorcycle Club Jason Stewart with details on this Easters King of the Murray event at Olympic Park Speedway. See omnystudio.com/listener for privacy information.

We share a lot of success stories here on the ISO Show, along with hints, tips and updates to Standards, including insights from our consultants who work with Standards day in and day out.  In our latest mini-series, we're taking a step back to introduce members of our team, to explore how they fell into the world of ISO and discuss the common challenges they face while helping clients achieve ISO certification.   In this episode we introduce Darren Morrow, a Senior Consultant at Blackmores, to learn about his journey towards becoming an ISO Consultant and what drives him to help clients on their ISO journey.   You'll learn ·      What is Darren's role at Blackmores? ·      What does Darren enjoy outside of consultancy? ·      What path did Darren take to become an ISO Consultant? ·      What is the biggest challenge he's faced when implementing ISO Standards? ·      What is Darren's biggest achievement?   Resources ·      Isologyhub ·      Engagement Amplifier Gameplan   In this episode, we talk about: [00:30] Episode Summary – We introduce Darren Morrow, a Senior Consultant here at Blackmores, to discuss his journey towards becoming an ISO consultant who specialises in ISO 9001, ISO 45001, ISO 14001 and ISO 50001.   [03:45] What is Darren's role at Blackmores? Darren is a Senior Consultant with Blackmores, supporting companies with maintaining systems, undertaking internal audits, and supporting with implementing new systems to gain certification. A key part of his role is translating ISO Standards into plain English, and guides clients on how to apply them in practice. [04:55] What does Darren enjoy doing outside of consultancy?: Darren moved to Norfolk back in 2021 ans has since found the relaxed way of life there to be a great fit. It also offers a lot of good walking opportunities for his 2 Leonberger's (giant breed dogs), who mostly enjoy the local parks and beach walks. Darren is also an avid reader, clocking in a whopping 343 weeks' worth of reading on his kindle. His favourite genres include:- ·      Crime, thriller, adventure types - Clive Cussler, Michael Connelly, David Baldacci, CJ Box, Dan Brown, James Carol ·      Horror - James Herbert, Stephen King ·      Supernatural, urban fantasy, fantasy - Ben Aaronvitch, Jim Butcher, Raymond E Feist, C S Lewis & Tolkien ·      Historical - CJ Sansom, SJ Parris ·      And Terry Pratchett for a weird dose of reality. He's also a movie buff, with a collection of over 1,000 films ranging from the 1930's all the way to modern era. Recently he took on the challenge of watching all the Marvel films in chronological order, which took a few weeks! [10:35] What was Darren's path towards becoming an ISO Consultant?: Before Blackmores, Darren was the Quality Manager for a company that worked within the Highways Maintenance sector, working there for 8 years. For the first 18 months he was primarily the Quality Manager for a specific contract on the Olympic Park, as that contract came to an end, he moved into the main company Quality Manager role supporting multiple highway term maintenance contracts along with various smaller projects that the business won. Prior to that, he was a SHEQ Advisor within the Rail industry, working for a signaling company. Darren worked there for about 5 years, within head office support roles for quality and health and safety, moving to working on supporting the project teams and project delivery for signaling schemes. Overall, looking back, he's worked with standards within a quality, health & safety, environmental for around 25 years now.  [13:20] What is Darren's favourite aspect of being a Consultant? – Darren likes the variety. As an ISO Consultant, he gets to work with lots of different people, companies and industries, so he gets to learn a lot about how they work and how Standards apply to different industries. He also enjoys the fact that after working with clients for a number of years, he becomes just another member of the team.   [15:15] What Standards does Darren specilaise in and why? Starting with: ·      ISO 9001 Quality: This is the main standard that Darren starting working with back in 1999 ·      ISO 45001 Occupational Health and Safety: While working within rail, Darren was given the opportunity to do some training and proceeded to complete NEBOSH courses - general and construction, this proved invaluable in future roles. ·      ISO 14001 Environmental: Darren ended up working with this Standard as part of on-going development. His role as a Quality Manager expanded, and at the time, all external audits with our certification body were coordinated through him. So, for on-going development he completed the NEBOSH environmental managed certificate. ·      ISO 50001 Energy Management: This is one of Darren's favourites. He's taken on this standard since working with Blackmores and seemed like a natural progression with the work he was already doing. He likes how this standard helps companies think more about their impacts on the environment in terms of energy consumption. In terms of companies climate change impacts, Darren likes how ISO 50001 can support deep dives into data that is available or not clearly available in many cases to support improvement and reduction in energy consumption. This also can pave the way for those companies that take it more seriously, and progress to newer standards like ISO14064-1 for quantification and reporting of greenhouse gases, but also part 3 for the verification and validation of greenhouse gases. This is where our sister company, Carbonology Ltd, really excel. Darren does his bit with ISO 50001 clients to educate and prepare them for taking more proactive steps towards meaningful energy and carbon reporting. For example, if they grow sufficiently or fall within the parameters of mandatory schemes such as ESOS or SECR reporting, or they just want to do their bit and demonstrate their commitment to minimising their impact on the environment and overall energy consumption. [23:10] What is the biggest challenge Darren had faced during a project and how did he overcome it?: He doesn't have a single one that stands out, but common issues are usually either down to availability or commitment of the individuals within the company he's supporting. For example, the company may decide that they require certification to a standard or multiple standards. There will be commitment from some within the business, and there are those that may not see the importance or feel it's not important to them and what they do.  Darren's job is to support the company in achieving its main goal in gaining certification. His work with the company involved explaining what is to be done and why. He's found that most of any resistance is because individuals do not know the why and how it impacts them, etc. The other aspect is to make it clear that he is not there to tell them what to do, or that they're doing it wrong. He works with people to either document the process (where required), help them find improvement in the process and continue to search for improvement. [27:00] What is Darren's proudest achievement? Darren states that there's no one definitive achievement to highlight, rather he would say supporting clients who are new to the standards. Working with them and providing knowledge so that they know the 'why' and understand the standards and their processes, and finally seeing the end result with being recommended for certification. The ones that he's particularly happy with are those that go for multiple standards, that result in recommendation for certification with little or no significant findings from the certification body, it shows that the company has been fully engaged and embedded the overall process into how they work. If you'd like any assistance with implementing ISO standards, get in touch with us, we'd be happy to help! We'd love to hear your views and comments about the ISO Show, here's how: ●     Share the ISO Show on Twitter or Linkedin ●     Leave an honest review on iTunes or Soundcloud. Your ratings and reviews really help and we read each one. Subscribe to keep up-to-date with our latest episodes: Stitcher | Spotify | YouTube |iTunes | Soundcloud | Mailing List

Vicki Igbokwe-Ozoagu is an inventive choreographer, an Olympic movement director and a very positive lifecoach. Her dance company Uchenna promises to Empower, Entertain & Educate, while she wants everyone she engages with to Think Fierce, Be Fabulous & Live Free Spirited. Sadler's Wells in London are channelling that positive spirit, asking her to create Our Mighty Groove, a show that will open their brand new theatre in London's Olympic Park – just minutes from where Vicki helped create the legendary opening ceremony of the 2012 London Olympics. Vicki tells us about taking her own advice, andhow she first got her groove on.Vicki Igbokwe-Ozoagu is the founder and joint CEO of Uchenna, an international touring dance company. Her work in theatre as a choreographer and movement director includes productions at Leeds Playhouse, Regents Park Open Air Theatre, Greenwich and Docklands International Festival, National Youth Theatre, Royal Court and more. She created Uchenna's four touring shows: Our Mighty Groove, The Head Wrap Diaries, Hansel and Gretel and The Head Wrap Diaries – Fierce and Free. Internationally, she has worked as a mass movement choreographer for Olympic and Paralympic Ceremonies, including London 2012. She is Director of Empowerment at People Make It Work and is the Self-First Instigator, empowering creative women to kickstart the habit of putting themselves first.LINKShttps://www.sadlerswells.com/whats-on/vicki-igbokwe-ozoagus-our-mighty-groove/https://www.vickiigbokwe.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

BJ Gledhill from Olympic Park Speedway with details on this Australia Day Sunday's epic Mildura Solo Masters event. See omnystudio.com/listener for privacy information.

BJ Gledhill from Olympic Park Speedway with details on this Saturday Nights epic Jason Lyons Solo Trophy meeting. See omnystudio.com/listener for privacy information.

BJ Gledhill from Olympic Park Speedway with details on Saturday Nights Epic Victorian Solo Titles meeting.See omnystudio.com/listener for privacy information.

BJ Gledhill from Olympic Park Speedway with details of this weekends Victorian Solo Titles being postponed to December 7TH. See omnystudio.com/listener for privacy information.

Every girl (or almost every girl) wants to become a princess, and in case it's impossible by blood or by marriage, you can still look and behave like one if you follow some simple rules of the royalty. Somehow, the royal ladies' outfits, hair, and makeup always look flawless no matter what. The reason is these secret beauty rules that royal women continue to live by every day to always look perfect. If you want to look like a princess, your makeup should look absolutely natural. To achieve this, you can apply some concealer and a matte foundation. A filler will help you to define your eyebrows. Apply some light matte eyeshadow. Coat your eyelashes with two layers of mascara. If you want to look like a royal lady, visit a nail studio on a regular basis or care about your nails at home. It's obvious that royal ladies have professionals working on their hair, cutting, treating, coloring, and styling it. But even without a team of professionals, you can take a good care of your hair. Visit hair salon at least several times a month to have your hair professionally cut and colored. As for a royal outfit, the main rule here is the mixture of conservatism and elegant fashion. Princesses are famous for their classic and chic style of dress. However, that doesn't mean that you can't choose clothes as smart and stylish as royal ladies wear. You need to learn to handle everything that comes your way with grace. Don't hurry to react negatively, compose yourself, breath in, breath out. Don't forget about the way you stand, sit, and move. If you stand, your posture should be straight. If you sit, one ankle should be put behind the other one or your knees and ankles should be pressed together and slightly slanted to one side. Avoid slouching by all means. Music: Runnin Partner https://www.youtube.com/audiolibrary/... Preview photo credit: Fiancee of Britain's Prince Harry, US actress Meghan Markle meets well-wishers as they leave after a visit to Reprezent 107.3FM community radio station in Brixton, south west London on January 9, 2018. During their visit to the station, they met some of the presenters, content producers and staff, heard more about their training programmes, and met some of the current and former volunteers who have benefitted from the training: By ADRIAN DENNIS/AFP/EAST NEWS, https://www.eastnews.ru/pictures/pict... The Duke and Duchess of Cambridge attend a SportsAid event on the Duchess's last day of engagements before she begins Maternity leave, at the Copper Box, Olympic Park, London, UK, on the 22nd March 2018. Picture by James Whatling. 22 Mar 2018 Pictured: Catherine, Duchess of Cambridge, Kate Middleton: By JAMES WHATLING/MEGA/EAST NEWS, https://www.eastnews.ru/pictures/pict... Animation is created by Bright Side. TIMESTAMPS No bright lipstick 0:35 No heavy contouring 1:06 No heavy eye makeup 1:33 Makeup should be long-lasting 1:58 No touch-ups in public 3:01 No bright nail polish 3:27 Hair should be styled properly 4:01 Modesty is the key element 4:46 Hats used for formal events 5:09 The royal outfit 5:41 Bonus: behaving like royalty 7:11 Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightgram   5-Minute Crafts Youtube: https://www.goo.gl/8JVmuC ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Davis competed for the US in the winter sliding sport of Skeleton at the Olympic Park (1999-2003). For the last few years, he has enjoyed sharing the stories and history of Park City and Utah in general as an Anchor and Reporter for the NBC affiliate KSL and as the former Host of the Mountain Morning Show on PCTV (Park City Television). In addition, he proudly continues serving as a Public Affairs Broadcast Journalist for the United States Air Force. Joe Davis is a long-term supporter of Writers of the Future having done dozens of interviews with me, Contest winners, and judges. In this interview, we discuss how to do a successful interview. What is important to provide? What should you not do?

This week Fran Williams is joined by the architectural journalist Amy Frearson to discuss: The Elizabeth Line comes out on top at this year's RIBA Stirling Prize // Government housing targets branded ‘unrealistic' by local authorities // The Olympic Park gets a refresh with a new public space for young women and girls // And the £4 million pound battle for Bethnal Green Working Men's ClubTo help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City friend by clicking here.The Brief is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate. To book a free day pass follow this link.The Brief is produced in association with the Architects' Journal, and the C20 Society.The Brief is also supported by Bloomberg Connects, the free arts and culture app.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Dan is joined by Georgie Delaney MBE, Co-Founder of The Great Outdoor Gym Company, who shares insights on entrepreneurship, leadership, faith, and the particular challenges of being a female entrepreneur. Georgie shares her journey from early career to starting with a bold idea inspired by the legacy of London 2012, to building an internationally recognized brand of sustainable, community-driven outdoor gyms. In this episode: A day in the life From idea to international success Entrepreneurship & community Unique challenges for female entrepreneurs   Faith as a guiding force About Our Guest: Georgie Delaney is the co-founder of The Great Outdoor Gym Company Ltd (TGO), the global leader in outdoor gym installations. A graduate with First Class Honours in Industrial Design from University College London, Georgie founded TGO in 2007. The company has installed over 3,000 gyms worldwide, including in iconic locations like London's Olympic Park and Sydney's Bondi Beach. TGO is known for promoting health and wellbeing, with 26% of its users new to exercise, and has pioneered safety standards for outdoor gyms. Their innovative green energy gyms, which generate electricity, have been featured on CNN and presented at global climate conferences. In 2021, Georgie was awarded an MBE for Services to International Trade and Export. Listen Now: Join Dan Maudhub & guests as they discuss key topics on Christian leadership, especially where business, society and Christianity collide. The Wonderful Leaders Podcast is available on Apple Podcasts / iTunes, Google Podcasts and Spotify. Sign up to the Wonderful Leaders Newsletter Sign up to the Wonderful WhatsApp Community

On July 27th, 1996, a bomb exploded in the Olympic village in Atlanta, Georgia. The FBI finally had a suspect linked to all three attacks, Eric Robert Rudolph. However, he fled authorities and was nowhere to be found. Who is Eric Rudolph, and can the authorities catch him before he strikes again? Music by The Captain of True Crime GarageGet bonus content from Generation Why at: patreon.com/generationwhyListen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/generationwhy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You can listen to Generation Why: The Olympic Park Bombing ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Wondery.fm/GW_MOM Learn more about your ad choices. Visit podcastchoices.com/adchoices

On July 27th, 1996, a bomb exploded in the Olympic village in Atlanta, Georgia. Officers initially suspected Richard Jewell, the security guard who found the bomb, but he was cleared a few months after the attack. Because of this, the lawsuits against him by two of the survivors were dismissed. Authorities were back to square one. Music by The Captain of True Crime Garage.Get bones episode and beyond the episode content at! patreon.com/generationwhyListen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/generationwhy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael Chammas and Danny Weidler join you to discuss the Josh Addo-Carr incident, how it unfolded, the confusing timeline, how Phil Gould handled the media and what's next for the Foxx. Then the guys talk player movement, sideline eye reporting and their finals headlines for week one!  Subscribe on LiSTNR: https://www.listnr.com/podcasts/footy-talk-rugby-league-podcast Subscribe on Apple Podcasts: https://link.chtbl.com/FootyTalkRLApplePodcasts Subscribe on Spotify: https://link.chtbl.com/FootyTalkRLSpotifySee omnystudio.com/listener for privacy information.

July 27th, 1996. Atlanta, Georgia. During a free concert at Atlanta's Centennial Olympic Park, security guard Richard Jewell spotted an abandoned knapsack and reported it to a GBI agent. Authorities soon discovered the knapsack contained a live bomb and the agent and Jewell began evacuating people from the area. The bomb detonated minutes later, killing one person and injuring more than 100 others. Days later, Jewell became the main suspect in the bombing. Music by The Captain of True Crime Garage. patreon.com/generationwhyListen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/generationwhy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the newest season of Generation Why: The Olympic Park Bombing, hosts Aaron and Justin explore the aftermath of the 1996 Centennial Olympic Park Bombing. Listen as they delve into the details of the case, the sway of public opinion, and the identity of the real killer; who after a years long manhunt was apprehended through pure luck and was found to be responsible for other bombings across the United States. Wondery.fm/GW_CRIME You can listen to Generation Why: The Olympic Park Bombing ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts.

In the newest season of Generation Why: The Olympic Park Bombing, hosts Aaron and Justin explore the aftermath of the 1996 Centennial Olympic Park Bombing. Listen as they delve into the details of the case, the sway of public opinion, and the identity of the real killer; who after a years long manhunt was apprehended through pure luck and was found to be responsible for other bombings across the United States.  Post Clip: You can listen to Generation Why: The Olympic Park Bombing ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts.

July 27th, 1996. Atlanta, Georgia. During a free concert at Atlanta's Centennial Olympic Park, security guard Richard Jewell spotted an abandoned backpack. Authorities soon discovered that it contained a live bomb. The bomb detonated minutes later, but Jewell's actions saved countless lives. Days later, he became the main suspect in the bombing. The public would immediately associate him with the bombing and some would continue to believe he was responsible even after the actual perpetrator confessed. Listen to Generation Why: The Olympic Park Bombing on the Wondery App or wherever you get your podcasts. You can listen ad-free on Wondery+. Join Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial by visiting Wondery.fm/GW_CA now.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

July 27th, 1996. Atlanta, Georgia. During a free concert at Atlanta's Centennial Olympic Park, security guard Richard Jewell spotted an abandoned backpack. Authorities soon discovered that it contained a live bomb. The bomb detonated minutes later, but Jewell's actions saved countless lives. Days later, he became the main suspect in the bombing. The public would […] The post Listen Now-Generation Why: The Olympic Park Bombing appeared first on Tiegrabber.

July 27th, 1996. Atlanta, Georgia. During a free concert at Atlanta's Centennial Olympic Park, security guard Richard Jewell spotted an abandoned backpack. Authorities soon discovered that it contained a live bomb. The bomb detonated minutes later, but Jewell's actions saved countless lives. Days later, he became the main suspect in the bombing. The public would immediately associate him with the bombing and some would continue to believe he was responsible even after the actual perpetrator confessed.Listen to Generation Why: The Olympic Park Bombing on the Wondery App or wherever you get your podcasts. You can listen ad-free on Wondery+. Join Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial by visiting Wondery now.

July 27th, 1996. Atlanta, Georgia. During a free concert at Atlanta's Centennial Olympic Park, security guard Richard Jewell spotted an abandoned backpack. Authorities soon discovered that it contained a live bomb. The bomb detonated minutes later, but Jewell's actions saved countless lives. Days later, he became the main suspect in the bombing. The public would immediately associate him with the bombing and some would continue to believe he was responsible even after the actual perpetrator confessed.Listen to Generation Why: The Olympic Park Bombing on the Wondery App or wherever you get your podcasts. You can listen ad-free on Wondery+. Join Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial by visiting http://wondery.fm/GW_WSD now. Become a supporter of this podcast: https://www.spreaker.com/podcast/we-saw-the-devil-a-true-crime-podcast--4433638/support.

Generation Why: The Olympic Park Bombing  You can listen to Generation Why: The Olympic Park Bombing ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts.  

What if your Sydney property investment isn't as foolproof as you thought? Discover the shocking truth about areas like Box Hill and Sydney Olympic Park, where property values have surprisingly decreased over the past decade. We'll unpack the concept of a "10-year price freeze" and reveal how overdevelopment and an oversupply of properties have contributed to this unexpected trend. Equip yourself with the critical insights on appreciating land versus depreciating structures to avoid common investment pitfalls and make smarter real estate decisions.Explore the intricate balance between choosing a home for its investment potential and its livability. Imagine the transformation of regions like the Olympic Park into prime residential zones with relaxed planning controls around train stations—yet the reality tells a different story. Through personal anecdotes and expert analysis, we highlight the importance of capital growth and lifestyle considerations. Remember, in real estate, "Supply is the enemy of capital growth." Tune in for essential tips to navigate the complexities of the Sydney property market, ensuring your investments align with both your financial goals and lifestyle needs.

I'm thrilled to be sharing about God chasing me down while at an Olympics in this episode of the Abounding Faith for Today podcast and in this Miraculous Lovely blog post: https://www.miraculouslovely.com/2024/07/29/my-true-gold-medal-moment-my-testimony/ I still write and speak about this moment because God met me and called me to follow Him in such a special way that day in Olympic Park. I also share about this amazing moment in my new book God-Given Dreams: 6 Ways to Live Your Divine Purpose (NavPress, available wherever books are sold) and in By Faith: Adventures and Reflections on Walking With God Here and Abroad (available on Amazon). You can see a few pics from what I call my “Olympiac Daze” in this short video. You can find more encouragement at https://www.aboundingfaith.com/ Ways to Show Your Support: Please take a moment to subscribe to this uplifting podcast, leave a kind rating and review and tell your friends about this podcast. If you're looking for a few ways to show your support for my podcast and other work, check out Abounding Faith's Dream Team on Patreon here: ⁠⁠⁠https://www.patreon.com/aboundingfaith⁠⁠⁠ You can also buy me a virtual coffee or two or more here: ⁠⁠⁠https://buymeacoffee.com/aboundingfaith

With the Olympics in full flow, France and Roland Garros is firmly in the spotlight for tennis. And one of the leading names in French tennis is supercoach Patrick Mouratoglou who has mentored the likes of Serena Williams, Grigor Dimitrov and Laura Robson and many others over his career to date.In this episode, Joel took the time to sit down with Coach Mouratoglou for a wide ranging chat on the tennis landscape including his grand ambitions for the Ultimate Tennis Showdown as master creator and his hopes for a women's event in the future.Elsewhere, they talk about his partnership with Holger Rune this season which comes as they have announced they are to split (again) plus we put him to the test with some prediction challenges including who he thinks will win the Gold in Paris and who he thinks will be the next first time Grand Slam winners. They may not be the answers you were expecting!This episode was pre-recorded during Wimbledon.ULTIMATE TENNIS SHOWDOWN GRAND FINALBuy tickets here for the UTS London Grand Final at the Copper Box Arena in the Olympic Park from December 6th to 8th! See you there!SOCIALSFollow us on Twitter, Instagram, TikTok and YouTube, plus email the show tennisweeklypod@gmail.com.MERCHPurchase Tennis Weekly Merch through our Etsy store including limited edition designs by Krippa Design where all proceeds go towards the podcast so we can keep doing what we do!REVIEWS***Please take a moment to rate and review the show on Apple Podcasts, Spotify or wherever you get your pods. It really means a lot to us at HQ and helps make it easier for new listeners to discover us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

It's time for another Tennis Weekly Diaries and this time it's a biggie - our first ever Grand Slam... Wimbledon! Join Joel, Kim and Chris as they offer everyone thinking about taking a trip to SW19 their infinite grass pearls of wisdom and knowledge from going to The Championships as fans over the last two decades plus.This includes hot tips on how to master The Queue from our resident expert Kim plus the best way to bag tickets in the ballot with Chris and what are some of the hidden gems that regular fans might not be aware of (this may or may not include how awesome Wimbledon Qualifying in Roehampton is). We also run the event past our famous Tennis Weekly Event scorecard to see how it stacks up against other events and Grand Slam on critical fan factors such as atmosphere, facilities and, most importantly for many, the food and drink where the Strawberries and Cream are simply a must (and reasonably priced too!).ULTIMATE TENNIS SHOWDOWN GRAND FINALBuy tickets here for the UTS London Grand Final at the Copper Box Arena in the Olympic Park from December 6th to 8th! See you there!SOCIALSFollow us on Twitter, Instagram, TikTok and YouTube, plus email the show tennisweeklypod@gmail.com.MERCHPurchase Tennis Weekly Merch through our Etsy store including limited edition designs by Krippa Design where all proceeds go towards the podcast so we can keep doing what we do!REVIEWS***Please take a moment to rate and review the show on Apple Podcasts, Spotify or wherever you get your pods. It really means a lot to us at HQ and helps make it easier for new listeners to discover us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

In this episode, lauded planting designer Professor Nigel Dunnett describes all the things he would have to include in his dream garden, from wildflowers to birdsong, and where Claude Monet and David Bowie would fit into his garden fantasies. We hear about what it was like to create his famous projects including Superbloom at the Tower of London, the gardens at the Barbican, Sheffield Grey to Green and plantings at the Olympic Park, as well as details about his own garden on a north-facing slope. Find out why shrubs are due a resurgence, what his problem is with cats, and why he's not really in favour of low-maintenance schemes.  Talking Gardens is created by the team at Gardens Illustrated magazine. Find lots more great garden inspiration and planting ideas at www.gardensillustrated.com  Enjoyed this episode? Tell a friend, make sure to leave a review, or a comment to let us know who you would like to hear talking about their dream garden next time.  Follow now so you never miss an episode.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

If there's one word that defines Utah, it just might be adventure. From the adrenaline-pumping to the meditative, the outdoors in Utah is a veritable playground for exploration. In Part One of Uniquely Utah adventures, we spent the morning fly fishing on the teal waters of Flaming Gorge, followed by an afternoon of mountain biking, chasing sharp turns with a pro rider. In Part Two, follow along as we ride on muleback to trace the steps of ghostly gunslingers through narrow slot canyons, rappel over the sides of redstone cliffs (sometimes directly into mud), and finally attempt the legendary 50-foot ski jump directly into a pool at Park City's Olympic Park. Thank you to everyone who featured in this episode: -Fly fisherman Ryan Kelly at Flaming Gorge -Expert canyoner and guide Micah Mansfield with East Zion Adventures -Pro mountain biker Eric Porter in Park City -Trail guide McClain from Meecham Outfitters -Ski coach Ryan Devine from Park City's Olympic Park -Two-time Olympic medalist Shannon Bahkre PLAN YOUR UTAH TRIP If you want to learn more about experiencing the sights and attractions featured in this episode, go to VisitUtah.com or follow along on social media @VisitUtah. International listeners can also book this itinerary directly as a package, with lots of other bonus experiences too -- just visit AmericanSky.co.uk/Utah-Holidays/ Self-Drive-Experience-Utah-Life-Elevated or learn more about all the incredible destinations around the state at VisitTheUSA.com or on social media @VisitTheUSA. SOCIAL Follow us on Instagram and Facebook @armchairexplorerpodcast. Want travel tips and advice? Questions about this episode? Message me! Sign up for the monthly newsletter at armchair-explorer.com. CREDITS This show was produced by Armchair Productions, the audio experts for the travel industry. Brian Thacker managed pre-production. Jenny Allison was the in-field producer. Jason Paton recorded, wrote, mixed, and sound designed the episode. Aaron Millar hosted and served as executive producer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sportradar is one of the big beasts of the sports business, providing software, data and content through subscription and revenue share arrangements to sports leagues, betting operators and media firms. It serves more than 1,600 customers across 120 countries, including DraftKings, Twitter and ESPN, and is an official partner of the National Basketball Association, the National Hockey League and the NASCAR. In 2001, it went public with an IPO on the New York Stock Exchange, which valued the company at $8billion. The company's valuation today is less than half that number, but it remains directional in terms of second guessing sport's relationship with betting, media and customer data. Our guest is Mike Falconer,  VP of Strategy, who was one of the stars of the Unofficial Partner Convergence event at Olympic Park in London last year. Unofficial Partner is the leading podcast for the business of sport. A mix of entertaining and thought provoking conversations with a who's who of the global industry. To join our community of listeners, sign up to the weekly UP Newsletter and follow us on Twitter and TikTok at @UnofficialPartnerWe publish two podcasts each week, on Tuesday and Friday. These are deep conversations with smart people from inside and outside sport. Our entire back catalogue of 300 sports business conversations are available free of charge here. Each pod is available by searching for ‘Unofficial Partner' on Apple, Spotify, Google, Stitcher and every podcast app. If you're interested in collaborating with Unofficial Partner to create one-off podcasts or series, you can reach us via the website.

A fire at Montreal's Olympic Park caused the Paris 2024 swimming trials to move to Toronto. Sports Reporter Brock Richardson analyzes the impact to athlete's mental preparation.

Ornamental grasses are a beautiful and low maintenance option that can also be used for a natural garden boarder. Susan Kerney shares her favourite varieties and how to care for them. Apple is settling a class action lawsuit where iPhone users alleged their older models were being throttled with software updates. John Biehler tells us how to find out if you're eligible to claim a share on the App Update. Bud Light's Buckle Up tour is hitting 12 small town bars from Alberta to Ontario, but are small towns equipped to offer access to all their country fans? We get the details with Brock Richardson on The Buzz! A fire at Montreal's Olympic Park caused the Paris 2024 swimming trials to move to Toronto. Sports Reporter Brock Richardson analyzes the impact to athlete's mental preparation. Ryan Hooey reviews “Sitting Pretty”, an author-ated memoir full of humorous essays about dating, teaching, and life as a wheelchair user. While Monday's solar eclipse was a hard act to follow, we had plenty of other insightful and entertaining stories this week. We recap and weigh in on those conversations on Cut for Time.

Elias Makos is joined by Justine McIntyre, Strategic consultant and former city councillor, and Trudie Mason, veteran newscaster here at CJAD 800.  It has now come to light that in 2012, the Olympic Park estimated that a winterized stadium without a roof would be 10 times less expensive The CAQ continues to slide in the polls - so much so the PQ is now in majority territoryThe Liberal MP for Mount-Royal, Anthony Housefather, is 'reflecting' on his place in his party's caucus

新州當局對泰勒絲 (Taylor Swift) 今個周未一連四日的雪梨演唱會嚴陣以待，並強烈呼籲沒持演唱會票的歌迷，屆時不要到「奧運公園」聚集。

Elias Makos welcomes in Christina Chough, Spanish teacher and Chair of the modern languages department at Dawson College, and Meeker Guerrier, Weekend News Anchor at Noovo and a commentator at RDS. While Quebec looks to increase tuition fees for out-of-province Canadians who want to study at anglo universities, it seems they're looking to majorly reduce tuition for French & Belgian students Some CEGEP students are holding a “strike” of their own The Olympic Stadium will be closed indefinitely as the Olympic Park begins exploratory work for the replacement of the roof

Hello, and welcome to the 42nd episode of my trip! Today's episode is the 19th of our road trip across Canada and the USA. When leaving to backpack the world this year, we always intended to return to our campervan in Vancouver and drive to the East Coast in July. This is the seventh and last episode of the USA road trip as we enter the final state of Washington. We left Ocean City and went to Olympic Park before heading to Port Townsend. Then, we jump on the ferry across the mainland to head towards Bellingham before crossing the border into Vancouver and Canada. We had an unsavoury last night in the USA, forcing us to leave early, but it felt right.After 14,000+ miles (23,000+ km), we have our last night on Jericho Beach in Kitsilano in Vancouver. A full circle, and what a road trip!! Enjoy!The places visited - Ocean City, Olympic National Park, Port Townsend, + Bellingham, WA.Patreon Shout-OutThanks to Laura Hammond for supporting this podcast; she does so by purchasing a membership every month on my Patreon. You can support too, by checking out the details below!Winging It Travel PodcastHost/Creator/Writer/Composer/Editor - James HammondProducer - James HammondPodcast Art Design - Swamp Soup Company - Harry UttonWant to watch my solo episodes? Then head to my YouTube channel below, where I add photos and videos from my trip to the weekly solo episodes.Winging It Travel Podcast YouTube Channel - https://www.youtube.com/channel/UC173L0udkGL15RSkO3vIx5ASupport My Podcast - MembershipsPatreon - https://patreon.com/wingingittravelpodcastBuy Me A Coffee - https://www.buymeacoffee.com/wingingitSupport My Podcast - Affiliate Links - If you click one of the below to book something, then I get a tiny commission, which helps the podcast.Order Your Revolute Card Today - https://revolut.com/referral/?referral-code=jamesebu!NOV1-23-AR-H2Get Your E-Sim With Airalo - https://airalo.tp.st/4OEAn2kaBook Hostels With Hostelworld - https://hostelworld.tp.st/fYOrWHy3Book your accommodation with booking.com - https://booking.tp.st/bM18anPXBook Experiences With Viator - https://viator.tp.st/VAODlwxmDiscovery Car Hire - https://www.discovercars.com/?a_aid=Jhammo89Book Buses With Busbud - https://busbud.tp.st/n3qpfCf9Travel Insurance with SafetyWing - https://safetywing.com?referenceID=wingingittravelpodcast&utm_source=wingingittravelpodcast&utm_medium=AmbassadorBook Flights With Expedia Canada - https://prf.hn/click/camref:1100lqfY7/creativeref:1100l68075/destination:https://www.expedia.com/Flights?siteid=1&langid=1033Book Hotels with Hotel.com - https://hotels.prf.hn/click/camref:1101lqg8U/creativeref:1011l66932/destination:https://uk.hotels.com/?pos=HCOM_UK&locale=en_GBBook Hotels With Agoda - https://agoda.tp.st/4KSaDxHcBook Hotels With Trivago - https://trivago.tp.st/tWLkGcGeBook Accommodation With Vrbo - https://vrbo.tp.st/Uqx0Afs3Booking Events With Ticketmaster - https://ticketmaster.tp.st/LOyHs1oQContact me - jameshammondtravel@gmail.com or message me on my social media on the links below.Social Media - follow me on:YouTube - Winging It Travel Podcast https://www.youtube.com/channel/UC173L0udkGL15RSkO3vIx5AInstagram - wingingittravelpodcast - https://www.instagram.com/wingingittravelpodcast/TikTok - wingingittravelpodcast - https://www.tiktok.com/@wingingittravelpodcastFacebook - Winging It Travel Podcast - https://www.facebook.com/jameshammondtravelReview - Please leave a review and rating wherever you get your podcasts! MY SISTER YOUTUBE CHANNEL - The Trendy Coffee PodcastPlease follow and subscribe below.YouTube Channel - https://www.youtube.com/channel/UCgB8CA0tAk3ILcqEZ39a33gPodcast Links - https://linktr.ee/thetrendycoffeepodcastThanks for your support, James!

In this episode, hosts Chriso and Zacca dive into their weekly training recap. Chris covers 85k for the week, revealing the wisdom behind his decision to skip a session, ultimately putting him in a good spot as he knocks out Deeks Quarters and looks towards his 3000m hit out. Zacca shares his momentum with faster easy running and hints at upcoming changes to his mileage and strength program. Featured Guest: Paul Clearly, Australian Olympian from Atlanta 1996 Paul, Cleary isa run2pb athlete, recently achieved a marathon PB, breaking the 3-hour mark at the Sydney Marathon under the guidance of coach Matt Davy. Chriso and Zacca explore Paul's junior running career, detailing his swift ascent to National and International prominence. We hear insights into the challenges of life on the road, junior training experiences, and hear audio snippets from one of Paul's memorable races at Melbourne's Olympic Park. Paul candidly reflects on his Olympic Games experience, sharing stories of celebrity sightings in the Olympic village and navigating the unique environment as a 20-year-old athlete. Paul also provides insights into his recent marathon build-up, highlighting aspects he enjoyed in the preparation and the unique challenges of marathon training.

By Davy Crockett Get this history in my new book The first certified 100 km race in America was held at Lake Waramaug, Connecticut, in 1974. Today it remains as the oldest 100 km race in the country and the second oldest American ultra still held. For many years in the late 1970s and throughout the 1980s, it was the unofficial national championship for the 100 km distance and the best ultrarunners in the U.S. made their pilgrimage to Lake Waramaug to test their abilities on the 7.59-mile paved road loop around the lake. Before 1974, the 50-mile or 100-mile distances had been the America's “standard” ultra distances. But most of the ultras held during the 1970s were of odd lengths. There were a few road 50 kms, such as those put on by the AAU in Sacramento. But in the New York City area, the hotspot for ultramarathons put on by Ted Corbitt (1919-2007), of the New York Road Runners, had a large variety of ultra distances during the 1960s and early 1970s. San Francisco had been the scene of multiple 32 milers. Racing around Lake Tahoe for 72 miles would become popular starting in 1975. No one had yet thought to put on a race that was exactly 100 km. The Great Tarahumara 100 km of 1926 We must give credit to Mexico and the Tarahumara for the earliest known running race that was strictly 100 km long. With the Central American Games coming to Mexico in 1926, Jesus Antonio Almeida (1885-1957), the governor of the State of Chihuahua, and the President of Mexico, Plutarco Elias Calles (1877-1945) wanted to showcase the newly discovered Tarahumara distance running talent on this world stage. They arranged for an exhibition 100 km race to be held. It was called La carrera Tarahumara, or the “Great Tarahumaran Race,” and was held five days after the games. It was hoped with the attention to this race, that the 100 km would be adopted by the upcoming Olympic Games. “They dreamed that their Tarahumaran countrymen would win honor for Mexico by thrilling the world at Amsterdam in 1928.” With Mexican victories, they hoped that it would help drive away racial lies about the Mexican people. The 100 km race was held on a highway from the silver mining center Pachuca to the stadium in Mexico City. Tarahumaras, Tomas Zafiro ran along with Leoncio San Miguel. A third Tarahumara, Virgillo Espinoza, also competed but did not finish. The race began in the dark at 3:05 a.m. The people in the villages along the highway to Mexico City lined the road to cheer them on to the city. They shot off firecrackers, cheered, and some joined in to run with them for short distances. Church bells tolled, bringing out more spectators. Zafiro and San Miguel entered the stadium packed with thousands of spectators at about 12:35 p.m. and ran three laps around the track, finishing tied for the win of 9:37. College athletes at the games were astonished. Zafiro and San Miguel became national heroes. 100 km Races Begin in Europe George Perdon 100 km races began to be held in Europe as early as 1959 with the Lauf Biel 100K that was competed on a long road loop in Biel, Switzerland. Most of these European 100 km events started as hikes but opened up to runners. In 1974, nearly 2,500 runners and walkers finished the very popular European race. At least 14 100 km races were held that year in Europe. The fastest recorded 100 km times were usually split times accomplished by runners trying to achieve longer distances, such as 100 miles. In 1974, before America had a 100 km race, the world record of 6:42:53, was held by Ensio Tanninen (1936-) of Finland, who set that mark on an uncertified road course in 1972 at Järvenpää, Finland. The record on a certified track was 7:26:14, set by George Perdon (1924-1993) of Australia, in 1970, at Olympic Park in Melbourne, Australia. America Was Slow to Adopt the 100 km Ultra America, of course, was not on the metric system, although there was increased discussion in the 1970s to start using it.

This week is all about Montreal, Canada and the French-influenced culture just North of the Border. We tagged along on our friend Patrick's (see Episode 66 for more info) vacation and were transported into Europe when we were met by Old Montreal's historic architecture. We were in for quite the twist when we found an underground city with 20 miles of shops, restaurants, transit - a fully functioning metropolis below ground! Our food experience, though, was rather dysfunctional. From Labor Day closings to charred kebabs and cold steak, we kept in the Skiptown tradition of rollercoaster restaurant adventures. Still, being among top sites like Notre-Dame Basilica, Mont Royal, Olympic Park, Old Port and SO MANY charming neighborhoods, we LOVED Montreal's vibrant, cosmopolitan flair. We're suckers for the European culture that lives just a few hours from Upstate New York and a return trip is already in the works... who's joining us in June, 2024? We're going to be dropping an "Ask a Local" Episode for Montreal on our YouTube Channel soon. Check it out! And be sure to chase us around on the daily on the socials of your choice here. #emptynest #fulltank

The Unofficial Partner Brainstorm is a podcast recorded in front of a live audience, in partnership with Livescore Group.   The event took place at the top of the iconic ArcelorMittal Orbit Tower on Queen Elizabeth Olympic Park in London. The subject was the relationship between sport, media and the gambling industry in the US and the UK.What role will gambling firms play in the new converged sports economy? What is the role of fantasy games in the sports ecosystem, and how important is player data in the way today's sports fan engages with media outlets of all types?This is an important and timely conversation that offers a fascinating insight in to the opportunities and limitations of sports media to generate a return for its commercial partners, both now and over the next decade.Speakers:Sam Sadi – CEO at LiveScore GroupMike Falconer - Vice President, Strategy for SportradarJames Liddy – Managing Director and Head of Gaming, Lodging & Leisure EMEA at Deutsche Bank Elizabeth Dunn – Partner (Sports & Gambling) at Bird & Bird LLPCharlie Boss - CCO at Southampton Football ClubNic Coward, Partner at Portas and chair of Sportable, former Premier League General Secretary and British Horseracing Authority CEOJuan Delgado – CEO at FootballcoSamuel Westberg – CRO & Co-Founder of Livelike Unofficial Partner is the leading podcast for the business of sport. A mix of entertaining and thought provoking conversations with a who's who of the global industry. To join our community of listeners, sign up to the weekly UP Newsletter and follow us on Twitter @UnffclPrtnrWe publish two podcasts each week, on Tuesday and Friday. These are deep conversations with smart people from inside and outside sport. Our entire back catalogue of 300 sports business conversations are available free of charge here. Each pod is available by searching for ‘Unofficial Partner' on Apple, Spotify, Google, Stitcher and every podcast app. If you're interested in collaborating with Unofficial Partner to create one-off podcasts or series, you can reach us via the website.

FLAGPIESSSS. This snack has 3 short snippets from 3 Pies legends; Mason Cox, Isaac Quaynor and Brayden Maynard. Mason Cox (episode #143) talks about his first experience with AFL and Collingwood, the special feel he had after his first visit at Olympic Park and how he learnt Eddie McGuire is 'kind of a big deal'. Isaac Quaynor (episode #182 of footy and friends) talks about the belief mentality, importance of shaking things up and that Craig McCrae was never too scared to say the word 'premiership'. Brayden Maynard (episode #179) talks about how it is to play with Jamie Elliot, why Darcy Moore was appointed captain (quote: "hopefully he can lead us to multiple premierships") and what it's like to be coached by Craig McCrae. Contact Email - hello@producey.com Instagram - @dylbuckley @dylandfriends Youtube - @dylandfriends Facebook - dylandfriends Tiktok - @dylandfriends Dyl & Friends is produced by Darcy Parkinson Video and audio production by Producey. ILY XXXX

Ildiko Krajnyak, having just returned from a visit to her family in Hungary, finds herself on the cusp of a life-altering moment as she opens a seemingly innocuous package, only to be thrust into a realm of near-instant vaporization by a devastating explosion. Joseph Scott Morgan and Dave Mack unfurl the intricate threads of Stephen Beal's connection to Ildiko Krajnyak. They delve deep into the captivating dynamics that once defined the relationship between Beal and Krajnyak, former lovers and business partners, and explore the deadly explosion that tragically marked their intersecting paths.   Subscribe to Body Bags with Joseph Scott Morgan : Apple Podcasts Spotify iHeart Time Codes: 00:00:20 - Joseph Scott Morgan introduces the potential inside a package, setting the episode's tone about potential energy and explosive themes, hinting at a devastating event where a package almost vaporized its opener. 00:03:20 - Stephen Beal, with his obsession as a model rocket hobbyist, is introduced as the episode's main subject. 00:04:20 - Dave Mack delves deeper into Beal's progression from model rockets to destructive explosives, he touches upon the mysterious circumstances surrounding Stephen's first wife, suggesting a potential link to Ildiko Krajnyak's case. 00:07:38 - Joe Scott discusses the challenges of assimilating into a new culture in the context of Ildiko, a Hungarian woman who was very attached to her family. 00:08:20 - Dave Mack elaborates on the professional relationship between Stephen and Ildiko Krajnyak after their romantic split with reflection on the complexities of maintaining business ties after a personal relationship ends. 00:10:40 - Dave gives insights into Ildiko Krajnyak's new romantic affiliations and Stephen's continued obsession with her. He narrates the tragic event when Ildiko was nearly vaporized after a package exploded as she opened it. 00:15:22 - Joseph Scott Morgan recalls a gas explosion from his past, shedding light on the horrors of such incidents. Dave Mack offers a riveting survivor's perspective on enduring an explosion. 00:18:31 - Morgan walks listeners through the investigator's precise methods in an explosion's aftermath, describes the challenges, and highlights the complexity of the task. 00:20:09 - The Olympic Park bombing is referenced, emphasizing the enduring trauma of explosion victims. 00:22:57 - Morgan describes the significance of minutiae at a crime scene, explaining the process of triaging survivors and securing a scene after an explosion, highlighting the potential of everything as evidence. 00:24:14 - Mack decodes the investigative process post-explosion, including deciphering the intended victim. The intricacies of blast trauma and bomb residue in forensic science are explained. 00:30:41 - Discussion of the complexities of constructing a lethal device with common materials, with emphasis on the importance of knowledge and access to the environment where the device will be placed. 00:32:07 - Dave Mack points out the immediate suspicions about Stephen Beal after Ildiko Krajnyak's tragedy and highlights the strategic search at Beal's residence, leading to explosive discoveries. 00:34:23 - Joe Scott Morgan expresses his suspicion over Beal's claim that he did not have the materials to create an explosion that large, pointing out the length of time it took for this case to make it through the systemSee omnystudio.com/listener for privacy information.

Di Nûçeyên buletena Îniyê de: Komîsyona Qraliyetê ya seqetiyê piştî çar sal û nîvan lêpirsîna xwe kuta dike... Tîmên rizgarkirinê li Lîbiya li cenazeyên ku ketine deryayê digerin ku ta niha jimara miriyan gihîşteye 11,000... Ji nçeyên sportê, dê li Olympic Park li Sydney navê werzêşvana xwecîh Cathy Freeman neqiş bibe, ew nûçeyana û nûçeyên din di buletenê de hene.

Flo Lloyd-Hughes is joined by Jessy Parker Humphreys straight after the final whistle of the World Cup final in the Olympic Park in Sydney. They try to digest England's defeat to Spain and the legacy for these two teams moving forward. Host: Flo Lloyd-Hughes Guest: Jessy Parker Humphreys Producer: Jonathan Fisher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Katie Smith, Mani Djazmi and Maz Farookhi take a ferry trip down the Parramatta River from Sydney's Circular Quay to the Olympic Park, where tomorrow either Spain or England will be crowned world champions for the very first time at Stadium Australia. We hear from Women's Champions League-winning coach Lluis Cortes, Women's European Championship winner Jill Scott, Chelsea Women manager Emma Hayes and two-time Women's World Cup-winning manager Jill Ellis, as well as England captain Millie Bright and Spanish football journalist Sara Gutierrez, as we build up to Sunday's tournament finale. Image: The World Cup trophy prior to the FIFA Women's World Cup Australia and New Zealand 2023 Group A match between New Zealand and Norway at Eden Park on July 20, 2023 in Auckland, New Zealand. (Credit: DeFodi Images via Getty Images)

Ildiko Krajnyak, having just returned from a visit to her family in Hungary, finds herself on the cusp of a life-altering moment as she opens a seemingly innocuous package, only to be thrust into a realm of near-instant vaporization by a devastating explosion. Joseph Scott Morgan and Dave Mack unfurl the intricate threads of Stephen Beal's connection to Ildiko Krajnyak. They delve deep into the captivating dynamics that once defined the relationship between Beal and Krajnyak, former lovers and business partners, and explore the deadly explosion that tragically marked their intersecting paths. Alongside this narrative, Joe Scott and Dave illuminate facets of the human psyche, the complexities of relationships, and the intricate artistry involved in crafting lethal devices.    Time Codes: 00:00:20 - Joseph Scott Morgan introduces the potential inside a package, setting the episode's tone about potential energy and explosive themes, hinting at a devastating event where a package almost vaporized its opener. 00:03:20 - Stephen Beal, with his obsession as a model rocket hobbyist, is introduced as the episode's main subject. 00:04:20 - Dave Mack delves deeper into Beal's progression from model rockets to destructive explosives, he touches upon the mysterious circumstances surrounding Stephen's first wife, suggesting a potential link to Ildiko Krajnyak's case. 00:07:38 - Joe Scott discusses the challenges of assimilating into a new culture in the context of Ildiko, a Hungarian woman who was very attached to her family. 00:08:20 - Dave Mack elaborates on the professional relationship between Stephen and Ildiko Krajnyak after their romantic split with reflection on the complexities of maintaining business ties after a personal relationship ends. 00:10:40 - Dave gives insights into Ildiko Krajnyak's new romantic affiliations and Stephen's continued obsession with her. He narrates the tragic event when Ildiko was nearly vaporized after a package exploded as she opened it. 00:15:22 - Joseph Scott Morgan recalls a gas explosion from his past, shedding light on the horrors of such incidents. Dave Mack offers a riveting survivor's perspective on enduring an explosion. 00:18:31 - Morgan walks listeners through the investigator's precise methods in an explosion's aftermath, describes the challenges, and highlights the complexity of the task. 00:20:09 - The Olympic Park bombing is referenced, emphasizing the enduring trauma of explosion victims. 00:22:57 - Morgan describes the significance of minutiae at a crime scene, explaining the process of triaging survivors and securing a scene after an explosion, highlighting the potential of everything as evidence. 00:24:14 - Mack decodes the investigative process post-explosion, including deciphering the intended victim. The intricacies of blast trauma and bomb residue in forensic science are explained. 00:30:41 - Discussion of the complexities of constructing a lethal device with common materials, with emphasis on the importance of knowledge and access to the environment where the device will be placed. 00:32:07 - Dave Mack points out the immediate suspicions about Stephen Beal after Ildiko Krajnyak's tragedy and highlights the strategic search at Beal's residence, leading to explosive discoveries. 00:34:23 - Joe Scott Morgan expresses his suspicion over Beal's claim that he did not have the materials to create an explosion that large, pointing out the length of time it took for this case to make it through the systemSee omnystudio.com/listener for privacy information.

What happens when an iconic band leaves a lasting impression on you? Join us and our special guest, Dan from London, as we reminisce about the Tragically Hip's fifth studio album, Trouble at the Henhouse. We explore the album's lyrical genius and discuss tracks like "Don't Wake Daddy" and "Springtime in Vienna," while also delving into the technicalities behind each track.From the anticipation leading up to its release for jD to the experience of listening to this album for the first time, we'll analyze dark, politically charged lyrics and the unique phrasing, strange tempo, and guitar work that make certain songs stand out from the rest.Step back in time with us as we appreciate the album and discuss the raw energy and chaotic elements that make it truly iconic. With Dan's perspective, we'll explore the album's success in different countries and the sense of mystery surrounding it. So tune in and join our captivating conversation about this timeless musical masterpiece.Transcript0:00:00 - Speaker 1Hey, it's JD here and I'm with Pete and Tim and we have a really big announcement we want to make. Are you strapped in Good? Mark your calendars for Friday, september 1st, as long-sliced brewery brings to you getting hip to the hip on evening for the Downey Wend Jack Fund. 0:00:22 - Speaker 2Join us at the Rec Room in Toronto for a night of music, unity and making a meaningful impact. This event is dedicated to honoring the legacy of the tragically hip, while supporting the Downey Wend Jack Fund. 0:00:32 - Speaker 3Immerse yourself in a powerful tribute performance by 50 Mission, celebrating timeless classics that have shaped Canadian rock history. We'll also wrap up the podcast in a memorable way by doing our finale live that evening, but it doesn't stop there. 0:00:48 - Speaker 1This event is all about making a difference. So we've got a silent auction with prizes. you've got to see, from Blue Jays tickets to tragically hip ephemera to kitchen appliances. If you're looking for something cool, chances are you'll find it at our silent auction. 0:01:05 - Speaker 2All proceeds for the evening will go directly to the Downey Wend Jack Fund supporting healing, reconciliation and positive changes for Indigenous communities. 0:01:13 - Speaker 1Tickets are on sale June 1st and can be picked up by visiting gettinghiptothehipcom and clicking on finale By attending Getting Hip to the Hip, you're not only enjoying a night of incredible music and comedy, but also contributing to a brighter future. 0:01:30 - Speaker 2Join a community of like-minded individuals who believe in the power of music and unity Tickets are only $40, so mark your calendars and visit our webpage to secure your spot at this unforgettable event to celebrate the hip with fellow hip fans. 0:01:45 - Speaker 3Getting Hip to the Hip. An evening for the Downey Wend Jack Fund promises to be an experience that leaves a lasting impact. Please join us at the Rec Room in Toronto on September 1st and be part of something truly meaningful. We'd love to see you there. 0:02:02 - Speaker 1For months leading up to the release of the hip's fifth studio long play, i felt a palpable sense of mystery about what the band was going to do next. One day that feeling became a reality as I logged into my York email from the hip instructing me to visit a URL. At the URL was a long road leading to a horizon and a bolt of lightning flashed through the desert sky. What the hell was this, i wondered out loud to my friends. To them, though, this was just another hip record, but to me this was an album coming from a band that was white-hot at its apex or so it seemed at the time and poised to make something memorable. I was intrigued and delighted when May 14th 1996, rolled around and I opened the beautiful gatefold CD with the mysterious cover I say mysterious because I can't say for sure if the dog on the front is the menace or the hero Thanks yawning or snarling. At any rate, from the opening strains of Gift Shop through the last notes of Put It Off, i was musically stoned. This album was like hash, putting me into a body buzz that I couldn't explain with words if I tried. That was my experience with this record. What was your experience, and do we have any idea at this point what Pete and Tim might think? Now we've also thrown a curveball at you because we've got a special guest on this episode, and that's Dan from London. What will he think? Let's get right to it on this episode of Getting Hip to the Hip. Long Slice Brewery Presents Getting Hip to the Hip. If you've ever wondered to yourself what it would sound like if two people who had never heard of the Tragically Hip before got taken on a tour through their discography in chronological order. well, it's not going to sound something like this, because today we have three people. We have a special guest, that's right. I am proud to introduce you to Dan from London. Dan, how's it going? 0:04:55 - Speaker 6Good, all good down here. Even the sun is out today. 0:05:00 - Speaker 1Oh, the sun is sort of out here, but it's cold. It's very cold, and I'm joined by my usual cohorts, pete and Tim from Portland. How you doing fellas? I'm doing good, i'm great, you know Just awesome. 0:05:19 - Speaker 7Dan has been sunnier there since the Queen pass. That's what I heard. 0:05:24 - Speaker 6No, No, the whole place is in decline at the moment. Put it that way. 0:05:32 - Speaker 2If things are not good. I thought you were going to say since Harry and Meghan left. Oh, thank you. 0:05:42 - Speaker 6Listen, listen, I am not a royalist, so don't ask me anything about any of that. It's not my concern. 0:05:49 - Speaker 2Me too, dude. I do not follow that crap at all. And people are just like did you see the thing with the, with Harry's? And I'm like who the fuck has time to follow that shit? No, really, dude. 0:06:03 - Speaker 1A lot of people apparently. Yeah, apparently. My sister, my sister, it's a whole industry for having sex, you know. 0:06:14 - Speaker 2It's like, it's like Disney, when they I don't know if you know the pin people. No. I don't know what Disney is personally. 0:06:24 - Speaker 7Well, yeah well there, yeah, there's a. 0:06:27 - Speaker 2I mean, because I grew up 15 minutes from Disney. My guys, right, but they have these pins. They're like you know those. you know those If he was my babysitter Yeah. It was actually actually, actually Donald was, but that's no. there's. there's pins that people keep like lapel pins And like you know, i don't know, And like there's like this weird subculture of people who collect these pins and trade them and like, like you can go into a store at Disney and ask them to trade one of your pins. It's very, it's like furry level. No Punks to anybody listening who's a furry? 0:07:11 - Speaker 1Not that that's, yeah, there was hopper audience. Thanks, trying to get furry. We're huge in the furry huge in the furry, in the furry demo. Oh man. Well, today we are here to discuss the band's fifth full length LP. It came out May 14th 1996. I remember it well because it was like my third year of university and we had a computer lab and the hip were one of the first bands I remember that had like a website and they had this ominous picture of a road with a lightning bolt at the end of it and trouble at the henhouse coming soon, you know, and it was like wow, i cannot wait for this record. This is going to be so good because it was coming off, you know, such a triumvirate of records road apples, then fully completely, then day for night which I adored as a teenager. So this record was highly anticipated by me. But I wasn't sure what to expect, given the sharp turn from fully completely and day for night. What was it going to be? another sharp turn? Was it going to be more of the same? Was it going to be a subtle difference? I didn't have a clue And I'm curious. This one Dan will be for just him and Pete, because they've been doing project from the go. I'm just curious what your initial thoughts were on the record in that regard. 0:08:53 - Speaker 7Or no, it was Pete's favorite, So I'm just going to click commute and take a little nap, go ahead. 0:09:01 - Speaker 2Pete, Oh, I thought you were asking Dan first. Dan, where do you go? Well, just to start off all music, that website, you pulled those ratings from JD. 0:09:18 - Speaker 1Yeah, they butchered it. Fuck those people dude. Two out of five. I didn't look it up, oh yeah, two out of five They can go. 0:09:28 - Speaker 2Yeah, i mean disgusting. This is the record that I love so much And, to be honest with you, this last week, listening to it, i even come to love it way more than I loved it before. I don't want to. I don't want to. You know, spoil the spoil the porridge, just chat, because I got a lot when we go song to song. But this fucking album made me not just be thankful that JD has allowed us to be on this journey with him, but made me really like this morning, when I was writing some notes, i was like God damn, i feel so ashamed. I never saw this band live. It's like I remember I had a chance to see David Bowie before he passed away and I blew it. I didn't do it, i just was like, eh, you know, and then he dies. That's painful, it's like this. I feel ashamed. They never saw this band live. So I mean, this record means a lot to me. 0:10:39 - Speaker 1It's very loose, fitting right. It is like live sounding And I think they recorded a lot of it. you know, again, this is the first record they recorded while they recorded it at the Kingsway again, which is where they recorded Day for Night. But they also in the interim had built a studio in a town just outside Kingston called Bath And this was the first thing that they released to us, that we got to hear that was done in that Bath studio. So there's that. 0:11:21 - Speaker 7Yeah. I felt it had, you know, next level all the way around. I think it was just the next level All the way around. Sound production I'm always, like I've said, talking about the drummer in the bass guitarist working together, and this one was next level. I think this album was really good. It was similar sentiments as you, pete, you know, with the live comment. That's happening to me more and more for sure, because there's a couple songs on here where I thought maybe as a recorded track, this one, i'd rather hear life. You know that happens. 0:11:59 - Speaker 1That kind of happens. Make sure to point those out when we get there. 0:12:03 - Speaker 7Yeah, yeah, yeah, for sure. 0:12:05 - Speaker 1Yeah, all right. so, dan, this is your. this is your first taste of the Tragically Hub. Yeah, and I'm wondering how you approached it. 0:12:17 - Speaker 6based on that, there's no approach Just listen and listen and listen and just see what forms, see what grows. I mean, i had initial impressions and then a lot of those just completely transformed. Yeah, so the journey isn't it which an album should be, but it is difficult not having a reference point with the band and the previous work And even things like you know where, where would they are in their career at this point. you know how big word A and again is. this, is this? I don't know. is this, is this a sort of offbeat turn for the band or not? I don't know. 0:12:55 - Speaker 1Oh, that's interesting Oh you can you, can you can answer a question from a previous podcast, because I was going to say, to quantify you know your your comment the record did six times platinum in Canada, which is 600,000 copies In America. Six times platinum would be 6 million copies. Is the system the same in the UK? Like did they talk about? like platinum gold, yeah, so diamond, all that shit, yeah. 0:13:27 - Speaker 6But, but as you say, i think, isn't it sort of like economies of scale? So doesn't it be based on the population, i don't know Or does it base itself on world? why, i don't know you know. 0:13:40 - Speaker 1That's why I don't, that's why I don't know, like in the UK, what's platinum? do you know? How many records do you have to sell? 0:13:47 - Speaker 6I've never sold that many records, i can tell you. 0:13:51 - Speaker 1Oh God, i don't know, we'll have to look at it, okay, yeah, again, if anybody knows info at fully and completely dot ca, that would be cool to put a put a button in this subject. Any other comments? 0:14:08 - Speaker 7The picture for us? did Yeah, yeah, it's for Dan, did you? can you paint the picture for us? Did you like listen on headphones at home, or kind of what was your, what was your first listen scenario? 0:14:18 - Speaker 6Okay, commutes to work basically here. So a lot of this has been on the road And then when I ran out of time towards the end of the week, a lot of it from home as well. But I much more appreciated listening to this on the road, and for me that is on the brand new section of London underground, the Elizabeth line, and you know that starts off going through a real, you know, urban landscape past the Olympic Park before descending into tunnels. So I get that. You know I get a subterranean vibe going on as well as passing through urban stuff. But a lot of it was great for, yeah, just traveling, especially passing through the rain, you know, yeah sure, sure Cool. 0:15:04 - Speaker 1I know that commute, dan, that's so cool You do. Well, shall we crack open this record and put on side one? 0:15:17 - Speaker 7Yeah, yeah, let's do it Yeah. 0:15:19 - Speaker 1All right, we open with the very spacious and vibey opening track. This is similar to day for night. You know an opening track that is almost built to be played live, like it just sounds like. It sounds like it almost is live. In a sense It's gift shop. Who wants to go first? I'll go. 0:15:51 - Speaker 7So I saved this album for a car ride and then it didn't listen to it again. I listened to the whole thing on two car rides and then it listened to it again until I took the Amtrak from train from Portland to Seattle. So, dan, it was, it was fun to listen to, like you did on the train. I thought this one. The first time I heard this one I thought it felt danceable, like I was happy, like it's, it's got this tempo to it, like toad happened, like it was just sounded like a good, positive opener. Yet it's like Blake, it's kind of a Blake song. So that juxtaposition to me was fucking awesome. I was like, damn there, this span reels you in and can pull you apart in a couple of different ways at the same time. The who does the synth work for them, the synthesizer, and this one's really cool. 0:16:48 - Speaker 1It's interesting. I don't know the answer to that And if I look on the, if I look on the wiki page, it's got like the band listing and it doesn't have any additional band play. I could get out the liner notes and yeah, but I but I don't know offhand. 0:17:06 - Speaker 7Yeah. 0:17:06 - Speaker 1I mean, there's great right. 0:17:08 - Speaker 7Yeah, but there's and also there's like a minute and a half build up, which I love, you know. so this, this was a banger of a of a start off. I was happy. 0:17:21 - Speaker 1Nice Yeah. What did you think? 0:17:26 - Speaker 6Yeah. so as an opener I mean it's good, It's a builder. I mean you know good, moody, atmospheric star, and then, yeah, you've got that sort of growth, that little step up into the second verse and then it goes into like the you know, fully fulfilled chorus, basically because you've already heard a downplayed chorus before. And then, yeah, from that point on it it's just going, it's great And it really feels like it's going to lead you into something next. And I like the guitar work at the end as well. He almost slidey, sort of sustained. that tricks you into thinking the guitar's going into reverse on a few occasions. Lovely. 0:18:07 - Speaker 2Cool Pete I mean, what a fucking, what an opener Dude. I mean I put myself in the in the camp of like, if I was a, if I was a young hit fan and this was just coming out and, having heard the previous records being excited, this is the record store and then just this, being the first track on the record, will lose my shit. The line. The pendulum swings when that hits. It's just fucking. And I listened to it on because I have this record courtesy of Mr JD, had this record on vinyl And so my wife's got a pretty sweet turntable that we run through. I wouldn't say it's, it's, it's, it's. It sounds really good, but listening to it in the car, listening to it on headphones, there's that oscillating. You, tim, you said it was a, was a synth, but I don't know if there. Maybe it works for that. I thought maybe there were other parts of like a guitar effect that was like this A lot of these weird guitar effects that I that. 0:19:17 - Speaker 7I yeah, yeah, that's what really layered in on this one. 0:19:22 - Speaker 2Yeah, a lot of them. And then there's like a bop that I wrote bop, bop, da bop bop. I can't remember a melody of it, but just a little something towards the end of the song. Some backup, just just yeah it's a great song, yeah, but what is wrong? And it was a single too. 0:19:43 - Speaker 7So, but I was a little nervous. I was. I was, you know, hoping Dan wouldn't be like guys. I stopped at this one. I just can't do it anymore because, I have to tell you the first, the first couple albums that you know, there were times where both Pete and I were like fuck, all the fans listening to this are going to think we're fucking assholes, you know. But so so at the start of this one I was like let's keep going. The horse is out the gate. 0:20:12 - Speaker 6Yeah, it's just opinions. We're not killing anybody with this, surely? And don't call me surely? 0:20:26 - Speaker 1Um we live, to survive our paradoxes. Springtime in Vienna. 0:20:33 - Speaker 9Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. 0:22:04 - Speaker 4Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. 0:23:00 - Speaker 9Springtime in Vienna. Springtime in Vienna. Springtime in Vienna. The bomb is just inside Territory of his own. The spinning from the new time. 0:24:19 - Speaker 4We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. 0:24:50 - Speaker 6We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes, we live to survive our paradoxes. 0:25:50 - Speaker 1We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. 0:26:20 - Speaker 7We live to survive our paradoxes. We live to survive our paradoxes. 0:27:01 - Speaker 2We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. We live to survive our paradoxes. It's unlike any other U2 album It's a cool record. It's a cool record. It's a cool record. 0:28:40 - Speaker 8It's a cool record It's a cool record. 0:29:04 - Speaker 2It's a cool record. 0:29:11 - Speaker 6It's a cool record. It's a cool record. 0:29:31 - Speaker 1It's a cool record. It's a cool record. 0:29:51 - Speaker 7It's a cool record It's a cool record. It's a cool record. It's a cool record. It's a cool record. It's a cool record. 0:30:50 - Speaker 1It's a cool record. It was on the. They played New Orleans, the Synchon, and in the middle they started playing this little jam and the lyrics went as follows So like vulgar, vulgar, vulgar, put some, put some coins in the swear jar, gord, and you know, tweak this song into something that became the biggest single in Canadian history. That's got to be why they played it last, that's got to be why. But you are right, it does stump you that. The last lyric is disappointing. You's getting me down. Oh boy, that shivers down my spine. 0:32:06 - Speaker 2Pete, what were you thinking of this one? I wrote down that line to the melody line. The guitar I love the half step flat that he does. It's kind of strange on the ear, it just lands right with me. And then the vongos, the percussion. When the drums come in after the rain falls, it just Yeah, i don't know that it's Oh, it just got buzzed, man again. Anyway, i love the song. I thought it was fantastic. The last thing I'll say is that the melody line that's when the horn had stung me. That melody is just fucking so good. God damn, i wish that guy was still alive So they would see him alive. Man, sorry, i'd say. 0:33:19 - Speaker 1Mr Dan. 0:33:20 - Speaker 6Yeah, i can't really improve on much that Pete said. I mean it's, um, it's lush, you know it's, it's. It's a beautiful little track and it builds up in the right places. And, as you say, rain falls in real time. When that kicks in, i mean that's like, isn't that like kind of almost like halfway through the verse, you know? so it's another time to kick in, But when it does it's, it's emphasizing what it needs to do, and I just love technicalities like that. I think that's why I love most of the first side of this album. It's, it's full of little things like that, you know, little formal technicalities that are in the background that just get in there to build things up. But I say I had such a hard time getting past this track. This is the one that just firmly embedded itself and made me come back to this album for more, you know, but I just it's just hard to get past that track, but eventually I did, which is good news for all of us. 0:34:16 - Speaker 1Well say keep, keep. Keep the wagon real rolling then and tell us what you thought. I don't like daddy. 0:34:23 - Speaker 6Okay. So following on by yeah from that, which is the best selling single, Yeah, you'd want something that does well. And yeah, don't wait, daddy, doesn't disappoint. Yeah, Space is opening. I love all of the base on this as well. I'm not so keen on the, you know kind of the sort of slower, don't wait, daddy section, But it has its place And I just, I just love yeah, every everything else. I mean the lyrics again are fantastic. Again, the bass at the end is a really nice sort of kind of base bend in there really, with the whole, you can stuff your void of your astronaut Asteroid. Yeah, And the. I think the lyrics to this are great as well. There's some, there's some key lyrics in here as well. I like it, Love the pace. I think it's great. 0:35:29 - Speaker 1Wicked Yeah. Any other lyrical faves in this one Pete for you. 0:35:37 - Speaker 2I can concur with Dan. I like the, the chorus itself. I didn't see how don't wait, daddy, fit in, but I fucking love the song. You can stuff your void with an asteroid, That part when he goes really high. There's a part when he says you're, you're damned as he whispers it. 0:36:04 - Speaker 1Yes, It's just, and then it doesn't he go, doesn't he whisper it and then, and then it's right after that. Yeah, yeah, yeah. 0:36:15 - Speaker 2It's a fucking great band. The baseline to your there's. There's a lot of amazing bass work on this record, but this is the first song where I was like whoa. Okay. Everybody, everybody's clearly starting to master their instrument in this band at this point, am I? 0:36:38 - Speaker 6they're not just fucking you know a bar band anymore. 0:36:45 - Speaker 8Clearly. 0:36:45 - Speaker 7Yeah, jd, is this. is this truly the Kurt Cobain, song? Is this the one? In what regards sorry. Is it this song kind of have the heavy reference to Kurt Cobain's passing? 0:36:58 - Speaker 1Oh, absolutely, i mean that lyric that lyric off the top, like just imagine, just imagine the, the I don't even know the word the imagination to come up with a concept. You know that, like Kurt Cobain reincarnated is like a sled dog somewhere in the tundra, you know, Sighing and still sighing though, And then licking his face. Just what great imagery. And then I don't know how much the rest of the song is Exactly about, about Kurt Cobain, but it's got another one of my favorite lyrics in it as well, which is you teach your children some fashion sense, And they fashioned some of their own, And I fucking love that. I just love that. 0:38:05 - Speaker 7Yeah, i don't have any more to say. I think everybody has said it all It's a good, it's a good heavy one And it's there's a good gore. Fade out of even his singing, you know, like disappearing off into nothing. 0:38:20 - Speaker 6Yeah, good, good. The final lyric is sing to end all songs. To end all songs, which is again in itself as a paradoxical bit of madness. Yeah, it's great. 0:39:16 - Speaker 9And then I don't know how much the rest of the song is Don't play daddy, don't play daddy, don't play daddy, don't play daddy, don't play daddy. You can scalp your boy in the air, stirrionettes hurtling toward the air. You can drop the bomb at the stores of town when promises reverse. Don't play daddy, don't play daddy. It's the perfect time now for a plentiful joy. They're all asleep by pastels. It's time to hear your voice. I sing to end all songs, to end all songs. I sing to end all songs, to end all songs, which is again in itself as a paradoxical bit of madness. Don't play daddy. Yeah, thanks a lot. 0:43:34 - Speaker 1Well, tim, do you want to kick off Flamenco? 0:43:38 - Speaker 7Flamenco, slow, quiet, kind of this politically dark, gorgeous song, i like to sweep the air and weave the sky. Stamp for feet for everyone. If I ever have to tell one of my sons that you might need to prostitute to teach how to take a compliment, i mean, there's a hell of a line right there. Oh, my God, this song, for being, you know, a number five, slow one, which I think fits well in the cadence of what's going on so far, yeah, i like it. That has a place for sure. 0:44:24 - Speaker 2Pete Hi JD, you know I love this song. I still haven't completed the cover of this song that I was working on, but I just love this song. I think that's probably one of the coolest signs to Tim. you're right, it's so. it's so cool, it's so unique. I would say a million things about this song but just like when you go back to the first record, you can't. it's like having a child that's born on the day it's born and then immediately fast forwarding and not imagining that the child's going to one day grow up and be, you know, this amazing, influential person or cure cancer, or like an amazing whatever the hell. And like that's where we're at right now, because this song is just from what we started out, in my opinion. Damn it, i keep getting buzz man. I'm sorry. 0:45:32 - Speaker 1I don't know where I'm coming from. 0:45:32 - Speaker 2I think it's this mic. I think I have a problem with this mic, If there's something that's uh. 0:45:41 - Speaker 1I'll get it when I edit. I'll get it, though, because I'll be editing your track and I'll get all of what you got. 0:45:46 - Speaker 2Yeah, well, it's what I'm hearing, but anyway, good, good point. It's not what I'm saying Yeah. 0:45:55 - Speaker 1I love special mics. I record what you're hearing. 0:45:59 - Speaker 2Okay, yeah. 0:46:03 - Speaker 1Special act. 0:46:05 - Speaker 2You're like our government. Um, it's a great song. How do you how? 0:46:10 - Speaker 7I have to ask, pete, how does JD know how much you love the song? Do you guys call each other up and do you play it for him, usually late at night? What's going on between you guys? 0:46:23 - Speaker 1I'm on the 15th floor and one day I looked down and there was Pete with a ghetto blaster. And I was like and I was like turn it up, stupid. I'm on the 15th floor. 0:46:41 - Speaker 2Well, and I mean Flamenco music is the is the dominating genre of music. that in great tone. 0:46:50 - Speaker 1It's the dominating genre of music where I met, So that's probably what drew me to the song first was just the name you know Well, every year on the tragically hip fully and completely feed, we do a pod list and all these great tragically hip cover bands submit songs And I release that usually May long weekend. So because we released this new show May long weekend this year, i'll have to push that back and make it a birthday pod list or something like that. We'll see. We'll see how we play it out. 0:47:32 - Speaker 6But yeah, Flamenco, fucking dynamite right there, yeah, just you know, with just coming back to this song, It's, i don't know This is, this is one that I need to listen to more. I think it's just one that's kind of got lost on me. I haven't got that many notes on it. You know it's, it's, it's just weird. I don't know what I'm, what I'm, what I'm missing on this song. You know where this song gets lost on me, so can you guys explain what you love about the song? 0:48:08 - Speaker 2The, the nature of the song being. Because if you listen like I'm, tim Hads as well, obviously the previous records there's nothing, there's nothing remotely close to this type of song with the keyboards, the melody, the lyrics, the, the phrasing, which he's super unique As far as somebody who phrases their lyrics. But there's nothing like it. It's so not even left field. It's not the same. You know that Jules Winfield line? not the same fucking sport, it's not even the same. It's not even close to anything they've ever done. It's just different. So it's for me it makes me want to like listen more intently and be like what the hell are they doing? What are they thinking? This is not like what they do. 0:49:02 - Speaker 7You know, i just I just thought of fit as part of their evolution, of all the albums we've heard so far. If I would have heard something like this in an earlier album you know, song post five it might have felt like it was a little bit more, it might have felt a little more unusual, but to me, for the era you know, this was what was it 96? 96. Yeah, for the style of music coming out then and a lot of bands having these slower quiet songs, you know, even even some of the harder grunge bands were still doing slower quiet songs. It wasn't always my favorite thing, but this one just fit in the fit in the peg. well, for the slot. I didn't have a ton of notes either, dan. I just thought, you know, let's keep moving. The songs are working still. Let's keep going. 0:49:51 - Speaker 1And to me, like I'll comment, I just think it's one of his greatest lyrical achievements, Like I just that line alone. You know, maybe a prostitute could teach you how to take a compliment, But then the way he phrases it like it's so strange. So if you, you know, if you write it out like, but it just works, And Yeah, I really appreciate that. 0:50:20 - Speaker 2You know, you asked Dan another thing, just to give you a little bit more context too, at least for me and JD. You alluded to it right there. As simple as the song sounds, it's not at all simple. It's one of those things like tapping your stomach and rubbing your belly and tapping your head or whatever. That seems easy, but it's not. The tempo of that song and playing it on like a guitar is odd. The phrasing is really odd. To try to sing it you'd have to sing it exactly like he does, otherwise you can't find where the words go. There's no. Do you know what I'm saying, dan? Like it's-. 0:51:10 - Speaker 6No, I completely understand that. yeah, Yeah, there you go. I'll go back and listen to that with that in mind. 0:51:16 - Speaker 1yeah, Maybe we'll check in with you later on in the season. 0:51:22 - Speaker 7Maybe Pete'll show up and serenade him, who knows? 0:51:29 - Speaker 1Pete has to feel about Yeah, okay, Yeah how'd you feel about 700 foot ceiling, Pete? This was a single. 0:51:35 - Speaker 2I really liked the guitar work, which was just random like no rules. I thought the bridge was a little strange in the song. Wouldn't be my first choice of it. I'm just kind of the way they approached it. The this note is on a lot of songs on this record, but I definitely got some Alanis vibes on this, the Overdub vocals, a lot of what she did on the first track on Jagged Little Pill what I really want, i think Maybe that's not the first track anyway Really cool. Love the ending I would say probably of all the songs, and I love this record. My least favorite song on the record, perhaps one of the- Cause. 0:52:34 - Speaker 3The other ones are just like everything else he typed in first. 0:52:39 - Speaker 1Well, we were on try to ride, though too right, like almost the full side of the record that is-. Yeah, yeah, that is. You know there's not like. You can definitely put that side on and rest easy. Dan's nodding his head. So what do you have to say about that young man? 0:52:59 - Speaker 6Yeah, it's a bit of a banger, isn't it? Straight from the get-go? good, as we were saying, that guitar stuff, great, kind of bendy sort of riff as well. But in my notes I've got nothing. Nothing is overplayed here, everything's just right, you know. But when he's doing the whole seven foot ceiling bit, the guitar really holds back and it's almost like a sort of you know, intentional sort of drop out which you know gives it a completely different vibe. But then you get the whole it's part hard bit with, as you were saying, all of the backing singing, which is just fantastic. Yeah, that really, i don't know, just kicks into another dimension as well. But with this I can't get into the lyrics. The lyrics don't like. They seem quite throwaway for this and I don't really get any kind of visualization of scenes or anything. I mean the references to Flood in. I mean, what is all that about? 0:53:55 - Speaker 1Well, yeah, it's definitely like Flood in the Ice is like to build like an ice rink, So like somebody's building an ice rink that you could skate on and play ice hockey likely, you know, out in the middle of the woods somewhere. So it's, the water is sort of got that darkened color from the birch, from the bark that has fallen off the trees and colored the water a little bit. So there's a nice visual there, right Like. but if you, if you're not vibing it, then it flies right over your head, Like you said, and it can sound very throwaway. I don't think this is his strongest lyrical effort on the record by any stretch, but I'm not ready to say it's throwaway either, you know. 0:54:39 - Speaker 7Guys, i thought this one it almost had kind of a celebratory start like song one. but I agree, pete, like the guitar seems like maybe it was mixed in too many times after the guys were done recording. It's kind of a winter angry song, so it made it feel kind of like a staple single for the hip. Just, you know, didn't didn't grab me or pull me in any direction, whether good or bad, was just like okay, this song six feels kind of like maybe a little bit of filler song. Let's keep moving and see what's next on the album. That's how it felt for me. 0:55:18 - Speaker 1So then you're flipping the record over and you're getting butt-swiggling. To start ["Sweet Sound of Patent Approval"]. 0:55:39 - Speaker 8The sweet sound of patent approval coming down in a not quite far Sweet sound of patent approval coming down in powdery sparks. The sweet sound of patent approval coming down with holiday concern. The sweet sound of patent approval coming down in a world of hurt. In my opinion, the drug is ready. In my opinion, the drug is ready. The warm hand of abject approval coming down with throaty veins. The warm hand of abject approval coming down to the fingerboard. In my opinion, the drug is ready. In my opinion, the drug is ready. In my opinion, the drug is ready. ["sweet Sound of Patent Approval"]. ["sweet Sound of Patent Approval"]. The cold-eyed constant approval coming down to freeze the blood. The cold-eyed constant approval coming down to look real close. In my opinion, the drug is ready. In my opinion, the drug is ready. In my opinion, the drug is ready. In my opinion, the drug is ready. In my opinion, the drug is ready. 0:59:02 - Speaker 1["sweet Sound of Patent Approval"]. And, if I'm not mistaken, butz Wigglin. Yes, butz Wigglin comes from the Kids in the Hall, brain Candy. When the Kids in the Hall released their feature film Brain Candy, this song was the not the theme song, but it was the featured song in the film. I'm guessing it was written after having seen Brain Candy and knowing roughly what it's about. Not able to tell you right now because my memory is so poor, but I can see bits and pieces And I'm guessing they wrote it after having watched you know, watched the movie because of the subject matter. Did you get into the subject matter at all, or did you just get into the song, or did you not get into the song? Where were you, dan? 1:00:06 - Speaker 6Yeah, not totally into it. I mean, the contrast between the verses in the chorus is, you know, the verses are all pretty noodly and a bit weird and then it's a very distinctive chorus And it just doesn't kind of work for me. It just doesn't feel cohesive. I mean, i don't mind it, you know, i'm not saying it's bad, but for me, yeah, it doesn't sound fully formed. 1:00:38 - Speaker 1You've heard better on the record, right, yeah, at this point. Yeah, yeah, you've got some context. 1:00:43 - Speaker 6We've come from a greater place than this on the record so far. 1:00:46 - Speaker 1Yeah, yeah. 1:00:49 - Speaker 7Tim, for all those reasons, i liked this one. Oh, okay, i like that. Yeah, like I. I heard that too. I heard that too You went out. 1:01:03 - Speaker 2Tim, you went out. I didn't hear it, like I could barely hear you, and then I just I got zapped. Sorry guys. 1:01:15 - Speaker 8I was in love with it. 1:01:17 - Speaker 7I promise I'll continue with this one. Did anyone hear Lou Reed on this song? Come on, no, i can Go back and listen and think about Lou Reed singing this song because it's there. But this song to me has kind of this locomotive just trying to get the engine going and it struggles a little bit. But I like that about it. It's more raw, like there's this intermittent keyboards in there that seem kind of out of pace with it. Honestly, it reminds me of Paintman a little bit, because it's just scrappy. And oh, let's add this in Does this song have enough? I don't know. Like it just felt different than their other songs. There was just more. It was a little more chaotic, whereas the songs on this album so far seemed pretty polished. I like the ending. You know I like this one. This one caught me off guard and it was maybe briefly, with kind of the Lou Reed reference. Oh, you guys got to hear this. 1:02:30 - Speaker 2What's that? I can't hear anything. 1:02:33 - Speaker 7Can you hear that? Damn it. I have a naval bass, our view is of a naval bass, and the trumpet goes off every morning. 1:02:43 - Speaker 8Oh, It's a wake us up, I guess. 1:02:45 - Speaker 7It's like a pre-recorded fucking trumpet. Yeah, god. 1:02:49 - Speaker 2Cut and call. Can't even afford the trumpet to hear. 1:02:52 - Speaker 7Yeah, i dug this one. This one was the fucking dog you see on the street, and you finally get it to come to your house and you can start feeding it. That's what this song was for me. It was good. There's so much Lou Reed there, though Go back, you'll hear it. You hear Lou. 1:03:10 - Speaker 1Reed, do you hear Lou Reed? I'll read it. 1:03:14 - Speaker 2JD, could you say that again? Do you hear Lou Reed? Yeah, i know I pick up what Tim's put down in that respect. And, dan, i also feel what you're saying about it. I took this record in a lot of different places. Obviously, i have it on vinyl, which, by the way, jd, you've got to make a quick correction. You've been saying this mistake throughout the whole show. We don't flip the record, because this record actually came on two discs. 1:03:49 - Speaker 1That's right, it's a three sided record. 1:03:52 - Speaker 2So just go back and edit it out. Let's go back and edit it all out. I listen to this on the vinyl. I listen to it with my headphones, my computer, with my phone in the car, with what you know, daniel I don't know if you know, but I have a pretty nice, like a premium sound system in my car, so driving and listening is quite enjoyable. No, but I took this album running a lot And this song just burrowed its way in. I loved it, absolutely loved it. Just the line. In my opinion, the drug is ready. It's just so cool. Warm hand of abject approval. And this is, if you again go back to the Europa reference, there's a song on there called Dirty Day. This is that song. It's like, it's almost like they kind of took pieces of that song and made this song, but it's just like that. It's super weird. Lugerty and for sure Tim, for sure, loved it Absolutely fucking love this song. 1:05:15 - Speaker 1Yeah, all right. Okay, well, did that love stick around for a parmint song? 1:05:23 - Speaker 2Oh, most definitely. The opening is amazing, The vocal melody. She's the horrible estate. Am I pronouncing that correctly? Maybe not the way it Canadian? Yeah, Yeah Again. Super big Alanis vibes on this. I love the shit out of this song. It's the fact that Let's clarify. 1:05:56 - Speaker 1Let's clarify In the last episode you mentioned that you heard a lot of production in Alanis, more set first record Jack and Little Pill on Day for Night, and now you're saying it's here on on on the hand house. 1:06:15 - Speaker 2Which is after Jack and Little Pill now, because that was in between. Jack and Little Pill was in between. Oh, I felt like the hip influenced her, and then now she's kind of in turn, return in favor, right, and this song it's it's Tim, tim and Jade. You know this, dan, but I'm taking this, this songwriting class, right now. Laugh me all you want, it's fine, but it's with Scott McMicken from Dr Dogg, and it's awesome because I love Dr Dogg And he's a great songwriter. But they do prompts And this song sounds like. Gord Downey took songwriting class and they gave him a prompt and they said write a song about your apartment. And he, fucking, he destroyed the entire class with it Because this fucking song like the line about like, um, just what our apartment does when we're not around does not concern us, like talking about the plates in the cupboard or something or whatever It's just fucking so cool, dude. It's so cool. And it's not even about that too, i know, in so many ways. 1:07:29 - Speaker 7I can hear the national anthem. Okay, now we're going to try. Yeah, now we're going to try. 1:07:34 - Speaker 1I could hear it. 1:07:37 - Speaker 7This is what we have every morning at this Airbnb, which has the most light bulbs of any any house I've ever been. 1:07:43 - Speaker 1I've heard an Airbnb Yeah that's a lot of light bulbs. You are very well lit. Sorry, sorry, sorry, i was going to say we just take them all, Fucking hell. 1:07:59 - Speaker 7God damn, Nothing like ruining a boner, but the US national anthem Fuck, Sorry honey. Oh, I'm sorry honey. God damn it. We have to try it. Do they do it on it's Sunday morning? Oh, that's why I mean church bells. I think maybe I could keep a boner during church bells, but not the goddamn national anthem. 1:08:25 - Speaker 2Maybe, not. 1:08:26 - Speaker 7That's weird too, maybe not. 1:08:28 - Speaker 2And then, okay, anna comes on your legs. I'm back at it, baby. 1:08:35 - Speaker 7God damn it. It's noon. There's like three more bells still. 1:08:44 - Speaker 1Where did you land on apartment, song Tim. 1:08:49 - Speaker 7You know, i thought maybe it was a bit long. I loved it Overall. I thought maybe it was a bit long and I thought what would this song be live Like? I went through kind of all those questions in my head. I agree with you, pete, that it's kind of a given, a prompt to go right about it, and that's maybe that's in part the simplicity of it for that reason made me kind of not super fall in love with it. Perhaps The idea of pursuing excessive beauty is the comment he made, pete, i love that reference. I kind of dove into that one and thought about all the people that kind of fit that goal. They're, like you know, famous famous actors, or my own asshole self every once in a while. So it kind of gave me some things to think about. But yeah, it's fine, it's fine. 1:09:53 - Speaker 1Where did you land Dan? 1:09:56 - Speaker 6In an apartment, definitely, yeah, i mean, on my notes I've got one of those tracks where you're immediately placed in a scenario. Yeah, this track, when I'm listening to it on the way to work, is always the one that I'm coming up the escalator into the tube station to get out. I've resurfaced And, yeah, it's mellow, i think, like Tarmac. It could be a little bit shorter for me, i think, but it's okay. I mean, i'm not normally used to listening to this kind of track, where it's you know it sort of chugs along a little bit. It's maybe a bit more traditional. Obviously, the structure is traditional as well, but I don't mind it at all. Yeah, yeah, i like it. 1:10:45 - Speaker 1All right, yeah, it's definitely one of my favorites, but you're right at 357,. You know, it's just shy of four minutes. You know, maybe, maybe This is the first record that they produced, like their last record was Howard Vreakin and the Tragically Hip. This one is the Tragically Hip and Mark Vreakin, so, like I think this is sort of their baby in a way, and their baby was perhaps formed in a steady 40 foot stream of coconut cream, wouldn't you say, dan? Oh yeah. 1:11:31 - Speaker 6Yeah, no one saw that one come in, did they? Yeah, i mean yeah. Well, you know, as the fashion dictates, i'm going to like this one because it's a banger. But it's a big banger And, as all bangers should be, it should have, you know, totally nonsensical lyrics. you know think of song two and things like that as well. So it's good. But again, this, you know this really lifts you up after those last two songs. you know I needed this to be in it, i needed the energy, basically, and again, you know it's on here. you know I've just got like. you know there's a, there's a plane taking off at the end and it kind of personifies the track. It's a sonic lift off that does not lose pace. Yeah, interesting. 1:12:22 - Speaker 1All right Tim. 1:12:27 - Speaker 7Tim, i heard pretty quickly in this one, the, the guitar tempo, and it was a little bit, you know, more specific to the era, rock and roll wise, for me, had this kind of indie punk feel and it threw me straight in straight to this band that I was listening to at the time in 94, 95, era 96, probably two from North Carolina. They're called Super Chunk And if you, if you go back and listen to their album here's where the strings come in I would be shocked if anyone from the hip didn't listen to that album during this time, because I went back and listen to that album. There's such good similarities, you know, like I don't want to do another food metaphor, but but yeah, this, this song, it had gripped me a little bit more. I loved it. I loved it, i. When it got to the ending and it kind of cut, and then the fucking jets. I'm like, ok, this is unusual, but I love shit like that. I love hearing sounds, you know, juxtaposed in layers. But when I read about it it was when they record. When they were recording, the power went out in the studio, in the building. At the end of this song, the power went out. So that's why it cuts out And that's why you have this little added tiny guitar layer in there, i believe. But it's, it's the fucking Blue Angels. Here I am sitting across from a Navy shipyard And it's the Blue Angels. That's who's passing? They're like. They're like the US Navy's show team. They travel around and do all their aerial acrobats and hopefully don't crash into the crowd and cost us cost And they cost us you know like one million dollars per second while flying or some shit. But yeah, it's the Blue Angels at the end of this. So you know what the hell is that reference? And they were that recording of the, that recording of the flyover of the Blue Angels was. you know, somebody in the band did it while they were in San Francisco. It's like, oh fuck, here comes the Blue Angels, Start recording and they fucking blended it into the song. So that just made me like an even more I love, I love shit like that. 1:14:43 - Speaker 1So that won me over, very cool. 1:14:46 - Speaker 7Yeah, very cool, very cool recovery from power outage during recording. 1:14:54 - Speaker 1Right, especially if you feel like he just got it. You know like, yeah, what the fuck. 1:15:00 - Speaker 7What do we do now? Yeah, here comes the Blue Angels. 1:15:08 - Speaker 2Yeah I, that's, crazy I mean, i don't know, it does blow my mind. 1:15:14 - Speaker 7That blow your mind. I mean, come on, they're fucking Canadian band. It's not like we're flying the Blue Angels across Canada. They'd hopefully get you know. shot down the bow and arrow, whoa. 1:15:24 - Speaker 1Whoa Hey now. We have cross moves, we have cross. 1:15:29 - Speaker 2All of Canada, sorry, just hold the breath right there Choked on their teeth. 1:15:39 - Speaker 7You can edit that one out. 1:15:42 - Speaker 8I'm you know I'm trying to develop. 1:15:45 - Speaker 1I'm trying to develop some things Good. I love. 1:15:51 - Speaker 2I'm not a big fan of it. I'm not really a fan at all. In the United States military, not those who serve, but the you know. Let's just leave it there. That was that. The apparatus. The apparatus if you will. But I love watching airplanes fly and I do love watching the Blue Angels because it's just cool, It's just and yeah, that's part of the stress out to you And it's like you know it's like watching them watching a thriller film. You know why do people do that. But anyway, this song I do. Like the song, The words, the lyrics just go. Can shooting coconut cream? Okay, all right, there's knowledge you can leave into the imagination there. But the only thing I will say, because I think everybody summed it up pretty well the airplane thing. the same thing happened to me again. If you remember I don't know what record it was There was another airplane sound on the recording. Do you remember JD? 1:17:05 - Speaker 1That's right, you talked about it. You talked about it because you thought you're driving near the airport and you thought it was. 1:17:12 - Speaker 8And so. 1:17:13 - Speaker 2I don't remember what it was. Maybe the first or second record, i forgot, but I took this one out running And I had the record going in the background with a guided run, you know where there's somebody telling you where to how fast to go and slow down and go fast school And I didn't know. I was like is this the fucking recording of the guy to run? And then I take my headphones out and I look up as I'm running. There's no airplane. And then I stopped the guy to run and I was like it's the fucking recording again. And it was the only reason why I said that trick happened to you before when I was driving by the airport And it was because of the fucking hip. How random is that? Like second time lagging strikes twice in the same place. 1:18:08 - Speaker 1Fuck, Pretty random man. 1:18:11 - Speaker 7Pretty random. 1:18:14 - Speaker 1Any other thoughts on coconut cream? 1:18:17 - Speaker 7Great, great track. 1:18:20 - Speaker 1All right, you guys have. you guys have potentially changed my mind on both, but Swiglin and coconut cream Those are those always rank up in my lower tier, which is tough for me to reconcile, because this is maybe my favorite record, like maybe my favorite record, so it's it's. you know it's. it's tough for me to reconcile that it's got two songs I don't like out of 12. How can that be your favorite record then? But now, now I'm going to go back and listen to the butt Swiglin with Blue Reed on my brain, and coconut cream, like, just the idea of like, like, when you said song two, it's like. yeah, okay, there they're just having. it's just fun. It's just, and maybe I'm a little too into flamenco and not enough into the fun that I need to back it down a little bit. But that takes us to track 10. Let's stay engaged. 1:19:17 - Speaker 2Stay on, stay engaged by talking about staying engaged. Let's stay engaged. I love the track. Man, i thought I was banger It's and if you notice that the airplane comes into this track, the airplane from the previous track comes into this one, which I think is really is really cool. The lyrics lies over time. The chords are super simple but really complex. Again, a lot of Alanis vibes, love the solo and a lot of weird guitar effects. The bass is just the bass is really what shines in this song. Just the rolling bass. That's just great. Love the song, really joy. 1:20:19 - Speaker 1Cool. How are you Dan? 1:20:22 - Speaker 6Yeah, well, you know, from the whole jet thing that goes into it, as Pete was saying, you know the lyrics start off pretty much sort of airport referential, don't they? We've sort of latent departures and things like that as well. I mean I like this track but I just wish it went somewhere. I just wish it built towards the end. That's the only thing it's missing really. You know, i think this deep into the album to have something that sits a little bit level. You know, you really feel it. You really feel like maybe you're chugging towards the end rather than accelerating to the end with a great kind of crescendo. So I just wish it had. I just wish it had some other elements, a few more layers had it in at the end. But I did notice towards the end that there is like a layer of weird fuzz towards the end of it that cuts off before the end And then, if anybody didn't notice that, then there's some. I don't know what that was. 1:21:16 - Speaker 7Yeah, i did notice that And I thought that I don't know, this one didn't really have any surprises for me. I agree with both of you guys in general This, it just felt like the placement of it was okay. let me start over. if the ending, dan your comment if the ending had some slight tweaks to it, it could have been drawn out a little bit more, not much. I feel like this song could have been the end of the album, like I was. I was hearing, you know, i knew where it was in the placement of the recording of the album, but hearing like the last one minute of it, i thought if the drums, the drums have kind of this I don't know prehistoric kind of feel and it just feels like if it just fade out and the song could be the end of the end of the whole album for me. but it isn't. 1:22:07 - Speaker 1I'm glad it isn't, because if it wasn't, then we wouldn't get Sherpa. 1:22:35 - Speaker 9I'm glad it isn't, because if it wasn't, then we wouldn't get Sherpa. I'm glad it isn't because if it wasn't, then we wouldn't get Sherpa. I'm glad it isn't because if it wasn't, then we wouldn't get Sherpa. I'm glad it isn't because if it wasn't, then we wouldn't get Sherpa. We were hard, we were Sherpa hard. We conspired against old friends. We said we must live with friends of dark and we died a thousand times since then. We were hard, we were hard, we were hard, we were hard, we were hard. I'm glad it isn't, because if it wasn't, then we wouldn't get Sherpa. Download wwwcdc bringing more video To Share this parts with other 2 people. We can write it down and obliterate it. And the laughter far. let me hear, the love I hear. We can lay down and obliterate it. 1:27:30 - Speaker 1And I fucking love Sherpa. So I have questions. Somebody let me down if you need to, but what do you think, tim? What are you saying? 1:27:45 - Speaker 7I thought the line we must be friends or die. I needed to announce that lyric as applicable for our foursome right now. At the end of this. If you guys were like fuck that guy, tim, what the hell was up with him on that recording, i would have to kill you so we have to be friends, or die. But it made me wonder with this album is this when the guys J&A? did you ever read anything about them doing hallucinogenics? 1:28:14 - Speaker 1Did they ever? 1:28:15 - Speaker 7comment about it. 1:28:17 - Speaker 1I'm sure they must have, because this is the track. This is wonderful. It's wonderful to listen to on a marijuana high. It's wonderful to listen to totally straight as well. It's lull, it's spooky. 1:28:38 - Speaker 7It had this acid trip feel to me, which was a little bit different. Then previous songs, this quiet guitar and the piano in there. The piano, i thought I'm kind of wanting more key type sounds in general to keep adding in layers. It's this new topping that we haven't had much of. So I thought Sherpa was pretty great, but I wanted to know. I couldn't find much. So is this when one of the guys went on this epic journey of a trip, or like? how was this song written? 1:29:15 - Speaker 1Yeah, i've just had it, If anyone out there knows. 1:29:18 - Speaker 7Write in to send JD an email at. 1:29:23 - Speaker 1JD at gettinghiptothehipcom. Dan, where are you at? 1:29:30 - Speaker 6Yeah, it's good, I've got it down as the high point on site too. Again, as you're saying, everything about it spaced out in every way, lyrically, spatially, vibrally, But then it does. I just get the feeling that at the end, after the point where we're, at the point where we love and hate it, It does fly off into sounding like something off the bends by Radiohead. It's just got that vibe to it. The final layer of guitar, the single note, higher guitar stuff, is very much Bend sort of related, which was released a year before, I think 1995. But it's all put together so well and love it all good. 1:30:19 - Speaker 7See, yeah, it's just got beeped again. The electricity in Spain is. You might be having some surge happening. 1:30:34 - Speaker 2That might be a point I don't know. All jokes aside, but this song I mean. You guys summed up most of it for me. I absolutely fucking dig this song. I don't know what was going on, the imagery in it. I was picturing a Sherpa when I was listening to it. Just by virtue of the name It just stuck in my head. And the bendy guitar riff. It's disorienting to the ear. It made me confuse listening to it. It was really cool. I've been thinking of it now because I've heard it so many times the last couple of days. It's that Jeff Bechtoun from The Artbirds. He bends it. You know what I'm talking about. They've been playing a lot of Jeff Bechtoun because he died. Anyway, that guitar riff in the song is very fucking cool. We dug it the line and we spoke languidly. When that hits right after that line, it's so fucking cool. There's piano reverb. That is just. Tim, you mentioned pavement earlier. I can't think of a B-side tune that reminded me of, but I heard it on here too with that piano reverb. We've died a thousand times since then. Super, at the very end of the song the chords go to major. I think it's definitely the best song on side two or side three. I guess we're saying Side four, but it's side four. 1:32:33 - Speaker 1No side. Four no side four, it's up there. No, there's no side four. Yeah, that's right, because the fourth side's blank. Yeah totally It's like why was Alley Totally? 1:32:45 - Speaker 7There you go. Okay, Great, very strong. 1:32:51 - Speaker 1Put it off. This is where we wind the record down and get ready to put it away, regardless of whether you're listening to it on a CD or MP3s or albums. This is it. This is what you get from 1996. We have to wait another two years for the next long play. Does put it off. Do the job of an ending track in your estimation, tim? 1:33:23 - Speaker 7Yeah, i think so. This one got me. It kind of had all the fixings for the recipe. There's definitely some storytelling. This album, i think, musically, gripped me more than storytelling compared to past albums, lyrically But this one had it. This one checked the box Talking about how There's a whole reference with how the Nazis stole art across Germany and created this Traveling art show to show all the degenerate artwork and they had museums that they graffitied the walls of And hung these paintings that they stole from all these fucking liberals or whoever they fucking plucked them from. This song is kind of like the dog off the street and you realize how that it's beautiful. Anyways, there's a reference to Eric's trip, which is, i think, the second Sonic Youth reference I've picked up, which is fucking cool that they're referencing Sonic Youth. 1:34:31 - Speaker 1Well, it's a reference of a reference, that's right, that's right. Because it's referencing the Canadian band Eric's trip, who's named after the Sonic Youth. Okay, yes, true. 1:34:42 - Speaker 7Okay, double, double one there. Anyways, you know that I love to hear there's some fucking sitar going on, totally yeah, right, in the background. 1:34:51 - Speaker 1That's what that is, isn't it? 1:34:52 - Speaker 7Yeah, yeah. So I'm sure we'll hear that again. Like this album just based on Sherpa, i was like, okay, who's doing a little acid and writing some of the songs? Because that's coming out a bit, i hope, because I just love the experimental part. It's a big closer. It turns down into this beautiful quiet ending. It was the closer I needed. It was a great tune. It was a loaded hip closer of a track for sure. 1:35:32 - Speaker 1How about you Dan? 1:35:36 - Speaker 6Well, one of the phrases I've used to describe this track is heavy menace. It's foreboding isn't it? It's stark. You've got these mystic sitar vibes. You've got this intensity there. It's up and down. It's probably a great live track for everybody to hang on to. That tension and release and then tension back on again. I don't know whether I like it as the end of the album. I don't know, because it's like getting somewhere and then being hit over the head with a mallet. It's like a kind of blunt third, almost. You know You sort of live through part of it and then you kind of get a little bit overwhelmed. But yeah, i don't dislike that, i've just got to get my head around it. Really, i'll say this build up to the end of the albums. If Let's Stay Engaged has that little bit of a rise up there, i think that would do it for me. But no, it's good, it's good. I need to listen to it more definitely. 1:36:55 - Speaker 1Yeah, you should always listen to it more, but it still might be where you land, you know, and that's cool. 1:37:02 - Speaker 6Yeah, but I'll say this is an album that I will be buying. 1:37:04 - Speaker 1Yeah, I will be getting hold of this for repeat listens. 1:37:09 - Speaker 7Excellent. It was a good one for Dan to come in on. I think you know Yeah. For sure sounds good. Lucky you Yeah yeah, thank God. 1:37:22 - Speaker 1What did you think of putting it off Pete? 1:37:25 - Speaker 2I definitely feel Dan's vibes on i